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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 146, David Sloan Wilson, Dept of Biological Sciences at Binghamton University, “Profound optimism has been replaced by profound pessimism about our capacity to make the world a better place through reason”

 

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif Ahmed, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BatePatricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Hermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart Kauffman,  Lawrence KraussHarry Kroto, George LakoffElizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,  Jonathan Parry,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

 

David Sloan Wilson

From Wikipedia, the free encyclopedia
David Sloan Wilson
David-sloan-wilson-leaning.png
Born 1949
Residence Norwalk, Connecticut[1]
Fields Evolutionary BiologyAnthropology
Institutions Harvard University
University of Washington
University of the Witwatersrand
University of California, Davis
Michigan State University
Binghamton University
Alma mater University of Rochester (B.A.)
Michigan State University(Ph.D.)
Doctoral students Jonathan Gottschall[2]
Known for Darwin’s Cathedral
Evolution for Everyone
Influenced Jonathan Haidt[citation needed]

David Sloan Wilson (born 1949) is an American evolutionary biologist and a Distinguished Professor of Biological Sciences and Anthropology at Binghamton University. He is a son of the author Sloan Wilson.

Academic career[edit]

Wilson graduated with a B.A. with high honors in 1971 from the University of Rochester. He then completed his Ph.D. in 1975 from Michigan State University. He then worked as a Research Fellow in the Biological Laboratories at Harvard University from 1974-1975. He then held a dual position as a Research Associate in Zoology at the University of the Witwatersrand and the University of Washington from 1975 to 1976. After this he was a Senior Research Officer at the South African National Research Institute for the Mathematical Sciences from 1976 to 1977.

Wilson moved back to the United States and held an Assistant Professorship in the Division of Environmental Studies at the University of California, Davis, from 1977 to 1980. He then served as an Assistant and then Associate Professor at the Kellogg Biological Station and Department of Zoology of Michigan State University from 1980 to 1988. Wilson was then promoted to full Professor of Biological Sciences at the State University of New York, Binghamton, in 1988. He was then given a joint appointment as Professor of Anthropology in 2001.

Wilson started the Evolutionary Studies (EvoS) program at Binghamton University to provide a program that unifies diverse disciplines under the theory of evolution. Students in the program take evolution-themed courses in a variety of disciplines including biology, anthropology, psychology, bioengineering, philosophy, religion and the psychology of religion. There is also a required course called “Current Topics in Evolutionary Studies”, where students attend weekly seminars with a discussion followed afterward. SUNY New Paltz has started a similar program.

Research[edit]

Wilson is a prominent proponent of the concept of group selection (also known as multi-level selection) in evolution. He and Elliott Sober proposed a framework called multilevel selection theory, which incorporates the more orthodox approach of gene-level selection and individual selection, in their book Unto Others. This framework argues that while genes serve as the means by which organisms’ designs are transmitted across generations, individuals and groups are vehicles for those genes and both are arenas for genes to act on. Indeed, genes themselves can be affected by selection, not just because of their effects on the design of their vehicle (the organism) but also because of their effect on the functioning of the DNA on which they reside. Hence the notion of multilevel selection. Wilson has also coined the concept of a trait-group, a group of organisms linked not permanently as a group but having a shared fate due to interactions that they have.

Publications[edit]

  • Unto Others (1998) co-edited with Elliott Sober. (Proposition of a framework called multilevel selection theory, which incorporates the more orthodox approach of gene-level selection and individual selection).
  • Darwin’s Cathedral (2002) (Religion as a multi-level adaptation).
  • Rethinking the Theoretical Foundation of Sociobiology (2006) co-edited with E. O. Wilson
  • Evolution for Everyone: How Darwin’s Theory Can Change the Way We Think About Our Lives (2007)
  • The Neighborhood Project: Using Evolution to Improve My City, One Block at a Time (2011)
  • Pathological Altruism (2011) co-edited with Barbara Oakley, Ariel Knafo, and Guruprasad Madhavan.
  • Does Altruism Exist?: Culture, Genes, and the Welfare of Others (2015)
  • The Literary Animal: Evolution and the Nature of Narrative (2005) co-edited with Jonathan Gottschall

Wilson’s book Darwin’s Cathedral proposes that religion is a multi-level adaptation, a product of cultural evolution developed through a process of multi-level selection for more cooperative and cohesive groups. His book Evolution for Everyone: How Darwin’s Theory Can Change the Way We Think About Our Lives attempts to give an introduction to evolution for a broad audience, detailing the various ways in which evolution can be applied to everyday affairs. There is also a class at Binghamton University that is called “Evolution for Everyone”, and students are required to read the book as part of the class.

Wilson’s latest book for a general audience is The Neighborhood Project: Using Evolution to Improve My City, One Block at a Time, published in August 2011. Wilson also co-edited Pathological Altruism published by Oxford University Press in November 2011 with Barbara Oakley, Ariel Knafo, and Guruprasad Madhavan.

Wilson and his co-author E. O. Wilson have become well known[citation needed] for the quote, “Selfishness beats altruism within groups. Altruistic groups beat selfish groups. Everything else is commentary”. This quotation appeared in their paper, “Rethinking the Theoretical Foundation of Sociobiology”.

Wilson is a blogger for the ScienceBlogs,[3] where he extensively discusses and defends both the theory of evolution and his multilevel selection model.

 

In  the second video below in the 85th clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

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Below is the letter I wrote to respond to his quote:

 

March 1, 2017

 

Dr. David Sloan Wilson, SUNY Distinguished Professor, Departments of Biology and Anthropology,  Binghamton University, State University of New York, 4400 Vestal Parkway East, Binghamton, NY 13902,

Dear Dr. Wilson,

I just finished reading the online addition of the book Darwin, Francis ed. 1892. Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters [abridged edition]. London: John Murray. There are several points that Charles Darwin makes in this book that were very wise, honest, logical, shocking and some that were not so wise. The Christian Philosopher Francis Schaeffer once said of Darwin’s writings, “Darwin in his autobiography and in his letters showed that all through his life he never really came to a quietness concerning the possibility that chance really explained the situation of the biological world. You will find there is much material on this [from Darwin] extended over many many years that constantly he was wrestling with this problem.”

david sloan wilson  QUOTE

Those who believed in reason and science in the 19th century were deists and not atheists. That we were going to use reason to discover about the creator. Deists were marked with a profound optimism that science and reason could improve the human condition. That was true of the 19th century but not now. What happened was deism morphed into atheism and atheism treats God as an unnecessary hypothesis. Profound optimism has been replaced by profound pessimism about our capacity to make the world a better place through reason. If you are going to use science and reason now you are going to be an atheist and not a deist.

You noted, “Profound optimism has been replaced by profound pessimism about our capacity to make the world a better place through reason.” Evidently you are saying that EVOLUTIONARY OPTIMISTIC HUMANISM like the variety that was talked about in the 19th century has been given up for pessimism. Charles Darwin in his autobiography was touting the same idea that you are addressing. 

When I read the book  Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters, I also read  a commentary on it by Francis Schaeffer and I wanted to both  quote some of Charles Darwin’s own words to you and then include the comments of Francis Schaeffer on those words. I have also enclosed a CD with two messages from Adrian Rogers and Bill Elliff concerning Darwinism.

The passages which here follow are extracts, somewhat abbreviated, from a part of CHARLES DARWIN’S Autobiography, written in 1876, in which my father gives the history of his religious views:—

“Believing as I do that man in the distant future will be a far more perfect creature than he now is,”

FRANCIS SCHAEFFER COMMENTED:

Now you have now the birth of Julian Huxley’s evolutionary optimistic humanism already stated by Darwin. Darwin now has a theory that man is going to be better. If you had lived at 1860 or 1890 and you said to Darwin, “By 1970 will man be better?” He certainly would have the hope that man would be better as Julian Huxley does today. Of course, I wonder what he would say if he lived in our day and saw what has been made of his own views in the direction of (the mass murder) Richard Speck (and deterministic thinking of today’s philosophers). I wonder what he would say. So you have the factor, already the dilemma in Darwin that I pointed out in Julian Huxley and that is evolutionary optimistic humanism rests always on tomorrow. You never have an argument from the present or the past for evolutionary optimistic humanism.

You can have evolutionary nihilism on the basis of the present and the past. Every time you have someone bringing in evolutionary optimistic humanism it is always based on what is going to be produced tomorrow. When is it coming? The years pass and is it coming? Arthur Koestler doesn’t think it is coming. He sees lots of problems here and puts forth for another solution.

In Darwin’s 1876 Autobiography he noted:

“…it is an intolerable thought that he and all other sentient beings are doomed to complete annihilation after such long-continued slow progress. To those who fully admit the immortality of the human soul, the destruction of our world will not appear so dreadful.”

Francis Schaeffer commented:

Here you feel Marcel Proust and the dust of death is on everything today because the dust of death is on everything tomorrow. Here you have the dilemma of Nevil Shute’s ON THE BEACH. If it is true that all we have left is biological continuity and increased biological complexity, which is all we have left in Darwinism here, or with many of the modern philosophers, then you can’t stand Shute’s ON THE BEACH. Maybe tomorrow at noon human life may be wiped out. Darwin already feels the tension, because if human life is going to be wiped out tomorrow, what is it worth today? Darwin can’t stand the thought of death of all men. Charlie Chaplin when he heard there was no life on Mars said, “I’m lonely.”

You think of the Swedish Opera (ANIARA) that is pictured inside a spaceship. There was a group of men and women going into outer space and they had come to another planet and the singing inside the spaceship was normal opera music. Suddenly there was a big explosion and the world had blown up and these were the last people left, the only conscious people left, and the last scene is the spaceship is off course and it will never land, but will just sail out into outer space and that is the end of the plot. They say when it was shown in Stockholm the first time, the tough Swedes with all their modern  mannishness, came out (after the opera was over) with hardly a word said, just complete silence.

Darwin already with his own position says he CAN’T STAND IT!! You can say, “Why can’t you stand it?” We would say to Darwin, “You were not made for this kind of thing. Man was made in the image of God. Your CAN’T- STAND- IT- NESS is screaming at you that your position is wrong. Why can’t you listen to yourself?”

You find all he is left here is biological continuity, and thus his feeling as well as his reason now is against his own theory, yet he holds it against the conclusions of his reason. Reason doesn’t make it hard to be a Christian. Darwin shows us the other way. He is holding his position against his reason.

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These words of Darwin ring in my ear, “…it is an intolerable thought that he and all other sentient beings are doomed to complete annihilation after such long-continued slow progress…” . Schaeffer rightly noted, “Maybe tomorrow at noon human life may be wiped out. Darwin already feels the tension, because if human life is going to be wiped out tomorrow, what is it worth today? Darwin can’t stand the thought of death of all men.” IN OTHER WORDS ALL WE ARE IS DUST IN THE WIND.  I sent you a CD that starts off with the song DUST IN THE WIND by Kerry Livgren of the group KANSAS which was a hit song in 1978 when it rose to #6 on the charts because so many people connected with the message of the song. It included these words, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Kerry Livgren himself said that he wrote the song because he saw where man was without a personal God in the picture. Solomon pointed out in the Book of Ecclesiastes that those who believe that God doesn’t exist must accept three things. FIRST, death is the end and SECOND, chance and time are the only guiding forces in this life.  FINALLY, power reigns in this life and the scales are never balanced. The Christian can  face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.

Both Kerry Livgren and the bass player Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on You Tube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible ChurchDAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

You can hear DAVE HOPE and Kerry Livgren’s stories from this youtube link:

(part 1 ten minutes)

(part 2 ten minutes)

Kansas – Dust in the Wind (Official Video)

Uploaded on Nov 7, 2009

Pre-Order Miracles Out of Nowhere now at http://www.miraclesoutofnowhere.com

About the film:
In 1973, six guys in a local band from America’s heartland began a journey that surpassed even their own wildest expectations, by achieving worldwide superstardom… watch the story unfold as the incredible story of the band KANSAS is told for the first time in the DVD Miracles Out of Nowhere.

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Related posts:

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 53 THE BEATLES (Part E, Stg. Pepper’s and John Lennon’s search in 1967 for truth was through drugs, money, laughter, etc & similar to King Solomon’s, LOTS OF PICTURES OF JOHN AND CYNTHIA) (Feature on artist Yoko Ono)

The John Lennon and the Beatles really were on a long search for meaning and fulfillment in their lives  just like King Solomon did in the Book of Ecclesiastes. Solomon looked into learning (1:12-18, 2:12-17), laughter, ladies, luxuries, and liquor (2:1-2, 8, 10, 11), and labor (2:4-6, 18-20). He fount that without God in the picture all […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 52 THE BEATLES (Part D, There is evidence that the Beatles may have been exposed to Francis Schaeffer!!!) (Feature on artist Anna Margaret Rose Freeman )

______________   George Harrison Swears & Insults Paul and Yoko Lucy in the Sky with Diamonds- The Beatles The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 51 THE BEATLES (Part C, List of those on cover of Stg.Pepper’s ) (Feature on artist Raqib Shaw )

  The Beatles in a press conference after their Return from the USA Uploaded on Nov 29, 2010 The Beatles in a press conference after their Return from the USA. The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 50 THE BEATLES (Part B, The Psychedelic Music of the Beatles) (Feature on artist Peter Blake )

__________________   Beatles 1966 Last interview I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about them and their impact on the culture of the 1960’s. In this […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 49 THE BEATLES (Part A, The Meaning of Stg. Pepper’s Cover) (Feature on artist Mika Tajima)

_______________ The Beatles documentary || A Long and Winding Road || Episode 5 (This video discusses Stg. Pepper’s creation I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 48 “BLOW UP” by Michelangelo Antonioni makes Philosophic Statement (Feature on artist Nancy Holt)

_______________ Francis Schaeffer pictured below: _____________________ I have included the 27 minute  episode THE AGE OF NONREASON by Francis Schaeffer. In that video Schaeffer noted,  ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” How Should […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 47 Woody Allen and Professor Levy and the death of “Optimistic Humanism” from the movie CRIMES AND MISDEMEANORS Plus Charles Darwin’s comments too!!! (Feature on artist Rodney Graham)

Crimes and Misdemeanors: A Discussion: Part 1 ___________________________________ Today I will answer the simple question: IS IT POSSIBLE TO BE AN OPTIMISTIC SECULAR HUMANIST THAT DOES NOT BELIEVE IN GOD OR AN AFTERLIFE? This question has been around for a long time and you can go back to the 19th century and read this same […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 46 Friedrich Nietzsche (Featured artist is Thomas Schütte)

____________________________________ Francis Schaeffer pictured below: __________ Francis Schaeffer has written extensively on art and culture spanning the last 2000years and here are some posts I have done on this subject before : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” , episode 9 “The Age of Personal Peace and Affluence”, episode 8 […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 45 Woody Allen “Reason is Dead” (Feature on artists Allora & Calzadilla )

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___________________________________ Francis Schaeffer pictured below: ____________________________ Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR Dr. Francis schaeffer – The flow of Materialism(from Part 4 of Whatever happened to human race?) Dr. Francis Schaeffer – The Biblical flow of Truth & History (intro) Francis Schaeffer – The Biblical Flow of History & Truth (1) Dr. Francis Schaeffer […]

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 145, Dan Brown, Dept of Chemistry, Kings College, Cambridge, Are you a chapel goer now? “I am entirely atheistic and have always have been!”

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Harry Kroto pictured below:

_________________

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

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Interview of Dan Brown, 2008

Uploaded on Jan 6, 2009

An interview with the chemist and important researcher on RNA, Dan Brown, in January 2008 by Alan Macfarlane. For a higher quality, downloadable, version with a detailed summary, please see http://www.alanmacfarlane.com

All revenues to World Oral Literature Project

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Dan Brown

It is with great regret that we announce the death of Dr Daniel Brown FRS. He died yesterday (Tuesday 24 April), aged 89.

Dan was born in Giffnock, Renfrewshire in 1923 and studied for his PhD at Cambridge. He was elected a Fellow of King’s in 1953 and remained here until his death.

He was a University Lecturer in Chemistry 1957-1975, and Vice-Provost of the college 1974-1981.

Dan was an eminent chemist, who was elected a Fellow of The Royal Society in 1982.

 

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His comments can be found on the 2nd  video and the 88th clip in this series. Below the videos you will find his words.

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

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Dan Brown interviewed by Alan Macfarlane 10th January 2008

 

Quote from Dan Brown

Are you a chapel goer now? I am entirely atheistic and have always have been!

As a man of science Dan Brown needed evidence. I wish he had a chance in the past to examine this evidence below.

 

 

I grew up at Bellevue Baptist Church under the leadership of our pastor Adrian Rogers and I read many books by the Evangelical Philosopher Francis Schaeffer and have had the opportunity to contact many of the evolutionists or humanistic academics that they have mentioned in their works. Many of these scholars have taken the time to respond back to me in the last 20 years and some of the names  included are  Ernest Mayr (1904-2005), George Wald (1906-1997), Carl Sagan (1934-1996),  Robert Shapiro (1935-2011), Nicolaas Bloembergen (1920-),  Brian Charlesworth (1945-),  Francisco J. Ayala (1934-) Elliott Sober (1948-), Kevin Padian (1951-), Matt Cartmill (1943-) , Milton Fingerman (1928-), John J. Shea (1969-), , Michael A. Crawford (1938-), Paul Kurtz (1925-2012), Sol Gordon (1923-2008), Albert Ellis (1913-2007), Barbara Marie Tabler (1915-1996), Renate Vambery (1916-2005), Archie J. Bahm (1907-1996), Aron S “Gil” Martin ( 1910-1997), Matthew I. Spetter (1921-2012), H. J. Eysenck (1916-1997), Robert L. Erdmann (1929-2006), Mary Morain (1911-1999), Lloyd Morain (1917-2010),  Warren Allen Smith (1921-), Bette Chambers (1930-),  Gordon Stein (1941-1996) , Milton Friedman (1912-2006), John Hospers (1918-2011), Michael Martin (1932-).Harry Kroto (1939-), Marty E. Martin (1928-), Richard Rubenstein (1924-), James Terry McCollum (1936-), Edward O. WIlson (1929-), Lewis Wolpert (1929), Gerald Holton (1922-),  and  Ray T. Cragun (1976-).

 ____________

Does it seem logical that God inspired men to write the Books in the Bible and that those books would be correct in what they say?  Why not consider the evidence?

The Bible and Archaeology – Is the Bible from God? (Kyle Butt)

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Archaeology and the Old Testament

by Kyle Butt, M.A.

A man wearing a leather vest and a broad-rimmed hat wraps a ripped piece of cloth around an old bone, sets it on fire, and uses it as a torch to see his way through ancient tunnels filled with bones, rats, bugs, and buried treasure. Close behind him lurks the dastardly villain, ready to pounce on the treasure after the hero has done all the planning and dangerous work. We have seen this scenario, or others similar to it, time and again in movies like Indiana Jones or The Mummy. And although we understand that Hollywood exaggerates and dramatizes the situation, it still remains a fact that finding ancient artifacts excites both young and old alike. Finding things left by people of the past is exciting because a little window of their lives is opened to us. When we find an arrowhead, we are reminded that Indians used bows and arrows to hunt and fight. Discovering a piece of pottery tells us something about the lives of ancient cultures. Every tiny artifact gives the modern person a more complete view of life in the past.

Because of the intrinsic value of archaeology, many have turned to it in order to try to answer certain questions about the past. One of the questions most often asked is, “Did the things recorded in the Bible really happen?” Truth be told, archaeology cannot always answer that question. Nothing material remains from Elijah’s ascension into heaven, and no physical artifacts exist to show that Christ actually walked on water. Therefore, if we ask archaeology to “prove” that the entire Bible is true or false, we are faced with the fact that archaeology can neither prove nor disprove the Bible’s validity. However, even though it cannot conclusively prove the Bible’s veracity in every instance, archaeology can provide important pieces of the past that consistently verify the Bible’s historical and factual accuracy. This month’s Reason and Revelation article is designed to bring to light a small fraction of the significant archaeological finds that have been instrumental in corroborating the biblical text of the Old Testament.

HEZEKIAH AND SENNACHERIB

When Hezekiah assumed the throne of Judah, he did so under extremely distressing conditions. His father Ahaz had turned to the gods of Damascus, cut into pieces the articles within the house of Jehovah, and shut the doors of the temple of the Lord. In addition, he created high places “in every single city” where he sacrificed, and offered incense to other gods (2 Chronicles 28:22-27). The people of Judah followed Ahaz, and as a result, the Bible records that “the Lord brought Judah low because of Ahaz king of Israel, for he had encouraged moral decline in Judah and had been continually unfaithful to the Lord” (2 Chronicles 28:19).

Upon this troubled throne, King Hezekiah began to rule at the youthful age of just twenty-five. He reigned for twenty-nine years, and the inspired text declares that he “did what was right in the sight of the Lord, according to all that his father David had done” (2 Chronicles 29:2). Among other reforms, Hezekiah reopened the temple, reestablished the observance of the Passover, and appointed the priests to receive tithes and administer their proper duties in the temple. After completing these reforms, Scripture states that “Sennacherib, king of Assyria entered Judah; he encamped against the fortified cities, thinking to win them over to himself ” (2 Chronicles 32:1).

It is here that we turn to the secular record of history to discover that the powerful nation Assyria, under the reign of King Sargon II, had subdued many regions in and around Palestine. Upon Sargon’s death, revolt broke out within the Assyrian empire. Sennacherib, the new Assyrian king, was determined to maintain a firm grasp on his vassal states, which meant that he would be forced to invade the cities of Judah if Hezekiah continued to defy Assyria’s might (Hoerth, 1998, pp. 341-352). Knowing that Sennacherib would not sit by idly and watch his empire crumble, King Hezekiah began to make preparations for the upcoming invasion. One of the preparations he made was to stop the water from the springs that ran outside of Jerusalem, and to redirect the water into the city by way of a tunnel. Second Kings 20:20 records the construction of the tunnel with these words: “Now the rest of the acts of Hezekiah—all his might, and how he made a pool and a tunnel and brought water into the city—are they not written in the book of chronicles of the kings of Judah?”

Hezekiah's Tunnel
Inside view of Hezekiah’s tunnel, displaying the thick limestone through which workers had to dig. Credit: Todd Bolen (www.BiblePlaces.com).

The biblical text from 2 Chronicles 32:30 further substantiates the tunnel construction with this comment: “This same Hezekiah also stopped the water outlet of Upper Gihon, and brought the water by tunnel to the west side of the City of David.” The tunnel—known today as “Hezekiah’s tunnel”—stands as one of the paramount archaeological attestations to the biblical text. Carved through solid limestone, the tunnel meanders in an S-shape under the city of Jerusalem for a length of approximately 1,800 feet. In 1880, two boys swimming at the site discovered an inscription (about 20 feet from the exit) that provided exacting details regarding how the tunnel had been constructed:

…And this was the account of the breakthrough. While the laborers were still working with their picks, each toward the other, and while there were still three cubits to be broken through, the voice of each was heard calling to the other, because there was a crack (or split or overlap) in the rock from the south to the north. And at the moment of the breakthrough, the laborers struck each toward the other, pick against pick. Then water flowed from the spring to the pool for 1,200 cubits. And the height of the rock above the heads of the laborers was 100 cubits (Price, 1997, p. 267).

Of the inscription, John Laughlin wrote that it is “one of the most important, as well as famous, inscriptions ever found in Judah” (2000, p. 145). Incidentally, since the length of the tunnel was about 1,800 feet, and the inscription marked the tunnel at “1,200 cubits,” archaeologists have a good indication that the cubit was about one-and-a-half feet at the time of Hezekiah (Free and Vos, 1992, p. 182). Dug in order to keep a steady supply of water pumping into Jerusalem during Sennacherib’s anticipated siege, Hezekiah’s tunnel stands as a strong witness to the accuracy of the biblical historical record of 2 Kings and 2 Chronicles.

Siloam Insciption
The Siloam inscription commemorates the excavation of Hezekiah’s Tunnel. Archaeological Museum, Istanbul, Turkey. Credit: Erich Lessing/Art Resource, NY.

In addition to Hezekiah’s tunnel, other amazingly detailed archaeological evidence provides an outstanding record of some of the events as they unfolded between Hezekiah and Sennacherib. Much of the information we have comes from the well-known Taylor Prism. This fascinating, six-sided clay artifact stands about 15 inches tall, and was found in Nineveh in 1830 by British colonel R. Taylor. Thus, it is known as the “Taylor Prism” (Price, pp. 272-273). The prism contains six columns covered by over 500 lines of writing, and was purchased in the winter of 1919-1920 by J.H. Breasted for the Oriental Institute in Chicago (Hanson, 2002).

Part of the text on the Taylor Prism has Sennacherib’s account of what happened in his military tour of Judah.

As to Hezekiah, the Jew, he did not submit to my yoke, I laid siege to 46 of his strong cities, walled forts and to the countless small villages in their vicinity, and conquered (them) by means of well-stamped (earth)ramps, and battering-rams brought (thus) near (to the walls) (combined with) the attack by foot soldiers, (using) mines, breeches as well as sapper work. I drove out (of them) 200,150 people, young and old, male and female, horses, mules, donkeys, camels, big and small cattle beyond counting, and considered (them) booty. Himself I made a prisoner in Jerusalem, his royal residence, like a bird in a cage. I surrounded him with earthwork in order to molest those who were leaving his city’s gate (Pritchard, 1958a, p. 200).

At least two facts of monumental significance reside in Sennacherib’s statement. First, Sennacherib’s attack on the outlying cities of Judah finds a direct parallel in 2 Chronicles 32:1: “Sennacherib king of Assyria came and entered Judah; he encamped against the fortified cities….” The most noteworthy fortified city that the Assyrian despot besieged and captured was the city of Lachish. Second, Sennacherib never mentions that he captured Jerusalem.

Lachish Under Siege

Assyrians attacking the Jewish town of Lachish
Assyrians attack the Jewish fortified town of Lachish. Part of a relief from the palace of Sennacherib at Nineveh. British Museum, London. Credit: Erich Lessing/Art Resource, NY.

When we turn to the biblical account of Sennacherib’s Palestinian invasion in 2 Kings 18, we learn that he had advanced against “all the fortified cities of Judah” (vs. 14). At one of those cities, Lachish, King Hezekiah sent tribute money in an attempt to assuage the Assyrian’s wrath. The text states: “Then Hezekiah king of Judah sent to the king of Assyria at Lachish, saying, ‘I have done wrong; turn away from me; whatever you impose on me I will pay’ ” (vs. 14). Of Lachish, Sennacherib demanded 300 talents of silver and 30 talents of gold, which Hezekiah promptly paid. Not satisfied, however, the Assyrian ruler “sent the Tartan, the Rabsaris, and the Rabshakeh from Lachish, with a great army against Jerusalem, to King Hezekiah” (vs. 17) in an attempt to frighten the denizens of Jerusalem into surrender. The effort failed, “so the Rabshakeh returned and found the king of Assyria warring against Libnah, for he heard that he had departed from Lachish” (19:8). From the biblical record, then, we discover very scant information about the battle at Lachish—only that Sennacherib was there, laid siege to the city (2 Chronicles 32:9), and moved on to Libnah upon the completion of his siege.

From Sennacherib’s historical files, however, we get a much more complete account of the events surrounding Lachish. The Assyrian monarch considered his victory at Lachish of such import that he dedicated an entire wall (nearly seventy linear feet) of his palace in Nineveh to carved reliefs depicting the event (Hoerth, p. 350). In the mid-1840s, renowned English archaeologist Henry Layard began extensive excavations in the ruins of ancient Nineveh. He published his initial finds in an 1849 best-selling volume titled Nineveh and Its Remains, and in three subsequent volumes: The Monuments of Nineveh (1849), Inscriptions in the Cuneiform Characters (1851), and Discoveries in the Ruins of Nineveh (1853) [see Moorey, 1991, pp. 7-12 for more about Layard’s work]. Since Layard’s early discoveries, archaeologists have located and identified thousands of artifacts from at least three different palaces. The remains of ancient Nineveh are located in two mounds on opposite banks of the Hawsar River. One of the mounds, known as Kouyunjik Tepe, contained the remains of the palaces of Esarhaddon and Ashurbanipal. The other mound, Nebi Younis, held the relics of the palace of Sennacherib. These palaces were built on raised platforms about 75 feet high (Negev and Gibson, 2001, p. 369).

One of the most outstanding artifacts found among the ruins of Nineveh was the wall relief depicting Sennacherib’s defeat of the city of Lachish. Ephraim Stern offered an excellent description of the events pictured in the relief:

The main scene shows the attack on the gate wall of Lachish. The protruding city gate is presented in minute detail, with its crenellations and its special reinforcement by a superstructure of warriors’ shields. The battering rams were moved over specially constructed ramps covered with wooden logs. They were “prefabricated,” four-wheeled, turreted machines. The scene vividly shows frenzied fighting of both attacker and defender in the final stage of battle (2001, 2:5).

Assyrians impaling Jewish prisoners
Assyrian warriors shown impaling Jewish prisoners. Part of a relief from the palace of Sennacherib. British Museum, London. Credit: Erich Lessing/Art Resource, NY.

Stern also discussed the flaming firebrands that the defenders of Lachish launched at their attackers, the long-handled, ladle-like instruments used to dowse the front of the battering rams when they were set on fire, slingmen, archers, and assault troops with spears. One of the most striking features of the relief is the depiction of the tortures inflicted on the inhabitants of the Lachish. Several prisoners are pictured impaled on poles, while women and children from the city are led past the victims (Stern, 2:5-6). The epigraph that accompanied the relief read: “Sennacherib, king of the world, king of Assyria, sat upon a nimedu– throne and passed in review the booty (taken) from Lachish (La-ki-su)” [Pritchard, 1958a, p. 201, parenthetical item in orig.].

Of further interest is the fact that archaeological digs at the city of Lachish bear out the details of Sennacherib’s wall relief. Extensive archaeological digs at Lachish from 1935 to 1938 by the British, and again from 1973 to 1987 under Israeli archaeologist David Ussishkin and others, have revealed a treasure trove of artifacts, each of which fits the events depicted by Sennacherib. Concerning the Assyrian siege of Lachish, William Dever noted:

The evidence of it is all there: the enormous sloping siege ramp thrown up against the city walls south of the gate; the double line of defense walls, upslope and downslope; the iron-shod Assyrian battering rams that breached the city wall at its highest point; the massive destruction within the fallen city…. Virtually all the details of the Assyrian reliefs have been confirmed by archaeology…. Also brought to light by the excavators were the double city walls; the complex siege ramp, embedded with hundreds of iron arrowheads and stone ballistae; the counter-ramp inside the city; the destroyed gate, covered by up to 6 ft. of destruction debris; huge boulders from the city wall, burned almost to lime and fallen far down the slope… (2001, pp. 168-169).

The Assyrian monarch’s siege of Lachish is documented by the biblical text, and the destruction of the city is corroborated by the massive carving dedicated to the event in Sennacherib’s palace at Nineveh, as well as the actual artifacts found in stratum III at Lachish.

Jerusalem Stands Strong

Of special interest in Sennacherib’s description of his Palestinian conquest is the fact that he never mentioned seizing the city of Jerusalem. On the Taylor Prism, we find the writings about his conquest of 46 outlying cities, in addition to “walled forts” and “countless small villages.” In fact, we even read that Hezekiah was shut up in Jerusalem as a prisoner “like a bird in a cage.” It also is recorded that Hezekiah sent more tribute to Sennacherib at the end of the campaign (Pritchard, 1958a, pp. 200-201). What is not recorded, however, is any list of booty that was taken from the capital city of Judah. Nor is an inventory of prisoners given in the text of the Taylor Prism. Indeed, one would think that if the city of Lachish deserved so much attention from the Assyrian dictator, then the capital city of Judah would deserve even more.

What we find, however, is complete silence as to the capture of the city. What happened to the vast, conquering army to cause it to buckle at the very point of total victory? Hershel Shanks, author of Jerusalem: An Archaeological Biography, wrote: “…although we don’t know for sure what broke the siege, we do know that the Israelites managed to hold out” (1995, p. 84).

The biblical text, however, offers the answer to this historical enigma. Due to Hezekiah’s faithfulness to the Lord, Jehovah offered His divine assistance to the Judean King. In the book of Isaiah, the prophet was sent to Hezekiah with a message of hope. Isaiah informed Hezekiah that God would stop Sennacherib from entering the city, because Hezekiah prayed to the Lord for assistance. In Isaiah 37:36, the text states: “Then the angel of the Lord went out, and killed in the camp of the Assyrians one hundred and eighty-five thousand; and when people arose early in the morning, there were the corpses—all dead. So Sennacherib king of Assyria departed and went away, returned home, and remained at Nineveh.” Sennacherib could not boast of his victory over the city of Jerusalem—because there was no victory! The Lord had delivered the city out of his hand. In addition, as Dever observed: “Finally, Assyrian records note that Sennacherib did die subsequently at the hands of assassins, his own sons…” (2001, p. 171). Luckenbill records the actual inscription from Esarhaddon’s chronicles that describe the event:

In the month Nisanu, on a favorable day, complying with their exalted command, I made my joyful entrance into the royal palace, an awesome place, wherein abides the fate of kings. A firm determination fell upon my brothers. They forsook the gods and turned to their deeds of violence plotting evil. …To gain the kingship they slew Sennacherib, their father (Luckenbill, 1989, 2:200-201).

These events and artifacts surrounding Hezekiah, Sennacherib, Lachish, and Jerusalem give us an amazing glimpse into the tumultuous relationship between Judah and her neighbors. These facts also provide an excellent example of how archaeology substantiates the biblical account.

THE SIGNIFICANCE OF BULLAE

The ancient Israelites used several different media to record their information. Among the most popular were scrolls of papyrus and leather. When a scribe had completed writing his information on a scroll, he often would roll the papyrus or leather into a cylinder shape and tie it securely with a string. In order to seal the string even more securely, and to denote the author or sender of the scroll, a bead of soft clay (or soft wax or soft metal) was placed over the string of the scroll. With some type of stamping device, the clay was pressed firmly to the scroll, leaving an inscription in the clay (King and Stager, 2001, p. 307). These clay seals are known as bullae (the plural form of the word bulla). Over the many years of archaeological excavations, hundreds of these bullae have been discovered. TheArchaeological Encyclopedia of the Holy Land provides an extensive list of bullae that have been unearthed: 50 in Samaria during the 1930s; 17 at Lachish in 1966; 51 in Jerusalem in digs conducted by Yigal Shiloh; 128 in 1962 found in the Wadi ed-Daliyeh Cave and a large cache of 2,000 bullae found in 1998 at Tel Kadesh (Negev and Gibson, 2001, pp. 93-94).

Examples of Bullae
On the left, a bulla with Hebrew writing in a slightly oval impression. On the right, a stamp seal with the name of the owner or scribe. Credit: The Schøyen Collection MS 1912 and MS 5160/1.

Most of the bullae that have been discovered are small, oval, clay stamps that contain the name of the person responsible for the document that was sealed (and occasionally the father of that person), the title or office of the sealer, and/or a picture of an animal or some other artistic rendering. One of the most interesting things about the bullae that have been discovered is the fact that certain names found among the clay seals correspond with biblical references. For instance, from 1978 to 1985, Yigal Shiloh did extensive digging in the city of Jerusalem. In 1982, in a building in Area G of Jerusalem, he discovered a cache of 51 bullae. Because of these clay inscriptions, the building is known in archaeological circles as the “House of Bullae.” This building was burned during the Babylonian destruction of Jerusalem in 586 B.C.Unfortunately, the intense heat of the fires burned all the leather and papyrus scrolls. Yet, even though it destroyed the scrolls, the same fire baked the clay bullae hard and preserved them for posterity (King and Stager, p. 307).

One interesting bulla, and probably the most famous, is connected to the scribe of Jeremiah—Baruch. Hershel Shanks, the editor of Biblical Archaeology Review, gave a detailed account of a landmark cache of over 250 bullae. In October 1975, the first four bullae were purchased by an antiquities dealer in east Jerusalem. The dealer took these bullae to Nahman Avigad, a leading Israeli expert on ancient seals at Hebrew University. More and more bullae came across Avigad’s desk that fit with the others. On more than one occasion, a fragment from one collection would fit with a corresponding fragment from another dealer’s collection. Ultimately, Yoav Sasson, a Jerusalem collector, came to acquire about 200 of the bullae, and Reuben Hecht obtained 49 pieces (Shanks, 1987, pp. 58-65).

The names on two of these bullae have captivated the archaeological world for several decades now. On one of the bulla, the name “Berekhyahu son of Neriyahu the scribe,” is clearly impressed. Shanks wrote concerning this inscription: “The common suffix –yahu in ancient Hebrew names, especially in Judah, is a form of Yahweh. Baruch means “the blessed.” Berekhyahu means “blessed of Yahweh.” An equivalent form to –yahu is –yah, traditionally rendered as “-iah” in our English translations. Neriah is actually Neri-yah or Neriyahu. Eighty of the 132 names represented in the hoard (many names appear more than once on the 250 bullae) include the theophoric element –yahu (1987, p. 61). Shanks (along with the general consensus of archaeological scholars) concluded that the bulla belonged to Baruch, the scribe of Jeremiah. In Jeremiah 36:4, the text reads: “Then Jeremiah called Baruch the son of Neriah….” The name on the bulla corresponds well with the name in Jeremiah. Concerning the bulla, Hoerth wrote: “This lump of clay…used to close a papyrus document, was sealed by none other than ‘Baruch son of Neriah’ (Jer. 36:4). Baruch’s name here carries a suffix abbreviation for God, indicating that his full name meant ‘blessed of God’ ” (1998, p. 364).

To multiply the evidence that this inscription was indeed the Baruch of Jeremiah fame, another of the inscriptions from a bulla in the cache documented the title “Yerahme’el, son of the king.” This name corresponds to King Jehoiakim’s son “who was sent on the unsuccessful mission to arrest Baruch and Jeremiah” (Shanks, 1987, p. 61). Indeed, the biblical text so states: “And the king commanded Jerahmeel the king’s son…to seize Baruch the scribe and Jeremiah the prophet, but the Lord hid them” (Jeremiah 36:26). In commenting on the bulla, Amihai Mazar, who is among the most noted of archaeologists, stated in regard to Jerahmeel the king’s son: “We presume [he] was Jehoiakim’s son sent to arrest Jeremiah (Jeremiah 36:26)” [1992, pp. 519-520]. [As a side note, the Hebrew letter yod is represented by Y and J, which often are used interchangeably in the English transliteration of Hebrew names—a fact that can be seen easily in the Hebrew name for God, which is written variously as Yahweh or Jehovah.] Another bulla in the hoard contained the title “Elishama, servant of the king.” And in Jeremiah 36:12, the text mentioned a certain “Elishama the scribe.” While professor Avigad thinks it would be a dubious connection, since he believes the biblical text would not drop the title “servant of the king” (because of its prestige), Shanks commented: “I would not reject the identification so easily” (1987, p. 62).

One of the names inscribed on a bulla was the Hebrew name “Gemaryahu [Gemariah] the son of Shaphan.” Price noted: “This name, which appears a few times in the book of Jeremiah, was the name of the scribe who served in the court of King Jehoiakim” (1998, p. 235). Jeremiah 36:10 records that Jeremiah’s scribe, Baruch, read from the words of the prophet “in the chamber of Gemariah the son of Shaphan the scribe….” It also is interesting to note that Gemariah was a scribe, which would have put him in precisely the position to produce bullae. Also among the collection from the “House of Bullae” was a bulla that was sealed with the name “Azaryahu son of Hilqiyahu”—a name that easily corresponds with Azariah son of Hilkiah found in 1 Chronicles 9:10-11 (Laughlin, 2000, p. 153).

We have then, among this phenomenal cache of bullae (which dates to the time of the events in the book of Jeremiah), two names and titles that correspond almost identically to Baruch, the son of Neriah, plus Jerahmeel, the son of Jehoiakim, and a third, Elishama, whose name appears in Jeremiah 36. What, then, does this prove? While it is the case that several men in ancient Israel could be named Baruch or Jerahmeel, it becomes almost absurd to suggest that these bullae just happen “coincidentally” to correspond so well to the biblical text. Such evidence points overwhelming to the accuracy of the biblical text and its historical verifiability. At the very least, such finds demonstrate these biblical names to be authentic for the time period. [As an added note of interest on the Baruch bulla, Shanks wrote a follow-up article in Biblical Archaeological Review in 1996, in which he discussed another bulla with Baruch’s title on it that also contains a fingerprint—possibly of the scribe himself. This bulla is in the private collection of a well-known collector named Shlomo Maussaieff (Shanks, 1996, pp. 36-38).]

THE MOABITE STONE

Another important archaeological find verifying the historicity of the biblical account is known as the Moabite Stone. It is true that writing about a rock that was discovered almost 150 years ago certainly would not fit in a current “in the news” section. In fact, so much has been written about this stone since 1868 that very few new articles pertaining to it have come to light. But the real truth of the matter is that, even though it was discovered more than a century ago, many people do not even know it exists, and thus need to be reminded of its importance.

The Moabite StoneThe find is known as the Moabite Stone, or the Mesha Inscription, since it was written by Mesha, King of Moab. A missionary named F.A. Klein first discovered the stone in August of 1868 (Edersheim, n.d., p. 109). When he initially saw the black basalt stone, it measured approximately 3.5 feet high and 2 feet wide. Upon learning of Klein’s adventure, a French scholar by the name of Clermont-Ganneau located the antiquated piece of rock, and copied eight lines from the stone. He then had an impression (known as a “squeeze”) made of the writing on its surface. A squeeze is made by placing a soggy piece of paper over the inscription, which then retains the form of the inscription when it dries (Pritchard, 1958b, p. 105). From that point, the details surrounding the stone are not quite as clear. Apparently (for reasons unknown), the Arabs who were in possession of the stone decided to shatter it. [Some have suggested that they thought the stone was a religious talisman of some sort, or that they could get more money selling the stone in pieces. However, LeMaire claims that these reasons are “apocryphal,” and suggests that the Arabs broke it because they hated the Ottomans, who were attempting to purchase the stone (1994, p. 34).] By heating it in fire and then pouring cold water on it, they succeeded in breaking the stone into several pieces. The pieces ended up being scattered, but eventually about two-thirds of the original stone ended up being relocated, and currently reside at the Louvre in Paris (Jacobs and McCurdy, 2002).

The written inscription on the stone provides a piece of outstanding evidence that verifies the Bible’s accuracy. Mesha, had the stone cut in c. 850 B.C. to relate his numerous conquests and his reacquisition of certain territories that were controlled by Israel. In the over 30-line text (composed of approximately 260 words), Mesha mentioned that Omri was the king of Israel who had oppressed Moab, but then Mesha says he “saw his desire upon” Omri’s son and upon “his house.” Mesha wrote:

I (am) Mesha, son of Chemosh-[…], king of Moab, the Dibonite—my father (had) reigned over Moab thirty years, and I reigned after my father,—(who) made this high place for Chemosh in Qarhoh […] because he saved me from all the kings and caused me to triumph over all my adversaries. As for Omri, king of Israel, he humbled Moab many years (lit., days), for Chemosh was angry at his land. And his son followed him and he also said, “I will humble Moab.” In my time he spoke (thus), but I have triumphed over him and over his house, while Israel hath perished forever (Pritchard, 1958a, p. 209).

The Mesha stele cites Omri as the king of Israel, just as 1 Kings 16:21-28 indicates. Furthermore, it mentions Ahab, Omri’s son, in close connection with the Moabites, as does 2 Kings 3:4-6. In addition, both the stele and 2 Kings 3:4-6 list Mesha as King of Moab. Later in the inscription, the stele further names the Israelite tribe of Gad, and the Israelite God, Yahweh. While the references to the Israelite kings are quite notable in and of themselves, Pritchard has pointed out that this reference to Yahweh is one of the few that have been found outside of Palestine proper (1958b, p. 106).

Another important feature of the Moabite stone is the fact that it “gave the solution to a question that had gone unanswered for centuries.” The biblical record chronicles the Moabite subjugation under King David and King Solomon, and how the Moabites broke free at the beginning of the divided kingdom. However, the Bible also mentions (2 Kings 3:4) that Ahab was receiving tribute from Moab. As Alfred Hoerth has remarked: “Nowhere does the Bible state how or when Moab was reclaimed, for Ahab to be receiving such tribute. The Moabite Stone provides that information, telling, as it does, of Omri’s conquest from the Moabite point of view” (1998, p. 310).

From the end of the quoted portion of the Mesha Inscription (“while Israel hath perished forever”), it is obvious that Mesha exaggerated the efficacy of his conquest—a common practice among ancient kings. Pritchard noted that historians agree that “the Moabite chroniclers tended generally, and quite understandably, to ignore their own losses and setbacks” (1958b, p. 106). Free and Vos document the works of John D. Davies and S.L. Caiger, which offer a harmonization of the Moabite text with the biblical record. Davies, formerly of the Princeton University Seminary, accurately observed: “Mesha is in no wise contradicting, but only unintentionally supplementing the Hebrew account” (as quoted in Free and Vos, 1992, p. 161).

As a further point of interest, French scholar André LeMaire, in an extensive article in Biblical Archaeology Review, “identified the reading of the name David in a formerly unreadable line, ‘House of D…,’ on the Mesha Stele (or Moabite Stone)” [Price, 1997, p. 171; see also LeMaire, 1994, pp. 30-37]. Whether or not this identification is accurate, has yet to be verified by scholarly consensus. Even liberal scholars Finkelstein and Silberman, however, acknowledged LaMaire’s identification, along with the Tel Dan inscription documenting the House of David, and concluded: “Thus, the house of David was known throughout the region; this clearly validates the biblical description of a figure named David becoming the founder of the dynasty of Judahite kings in Jerusalem” (2001, p. 129).

Taken as a whole, the Moabite stone remains one of the most impressive pieces of evidence verifying the historical accuracy of the Old Testament. And, although this find has been around almost 150 years, it “still speaks” to us today (Hebrews 11:4).

Cyrus Cylinder

THE CYRUS CYLINDER

Cyrus, King of the Medo-Persian Empire, is among the most important foreign rulers of the Israelite nation. In fact, many Old Testament prophecies revolve around this monarch. The prophet Isaiah documented that the Babylonian Empire would fall to the Medes and the Persians (Isaiah 13; 21:1-10). Not only did Isaiah detail the particular empire to which the Babylonians would fall, but he also called Cyrus by name (Isaiah 44:28; 45:1-5). Amazingly, Isaiah’s prophecy was made roughly 150 years before Cyrus was born(Isaiah prophesied in about 700 B.C.; Cyrus took the city of Babylon in 539 B.C.). To add to Cyrus’ significance, Isaiah predicted that Cyrus would act as the Lord’s “shepherd.” In fact, Isaiah recorded these words of the Lord concerning Cyrus: “And he shall perform all My pleasure, even saying to Jerusalem, ‘You shall be built,’ and to the temple, ‘Your foundation shall be laid’ ” (Isaiah 44:28).

In 1879, Hormoz Rasam found a small clay cylinder (about nine inches long, and now residing in the British Museum) in the ancient city of Babylon. Upon the clay cylinder, King Cyrus had inscribed, among other things, his victory over the city of Babylon and his policy toward the nations he had captured, as well as his policy toward their various gods and religions. Price recorded a translation of a segment of the cuneiform text found on the cylinder:

…I returned to [these] sacred cities on the other side of the Tigris, the sanctuaries of which have been in ruins for a long time, the images which [used] to live therein and established for them permanent sanctuaries. I [also] gathered all their [former] inhabitants and returned [to them] their habitations. Furthermore, I resettled upon the command of Marduk the great lord, all the gods of Sumer and Akkad whom Nabonidus has brought into Babylon to the anger of the lord of the gods, unharmed, in their [former] chapels, the places which made them happy. May all the gods who I have resettled in their sacred cities ask daily Bel and Nebo for long life for me and may they recommend me…to Marduk, my lord, may they say thus: Cyrus, the king who worships you and Cambyses, his son, […] all of them I settled in a peaceful place (pp. 251-252).

The policy, often hailed as Cyrus’ declaration of human rights, coincides with the biblical account of the ruler’s actions, in which Cyrus decreed that the temple in Jerusalem should be rebuilt, and that all the exiled Israelites who wished to join in the venture had his permission and blessing to do so (Ezra 1:1-11). The little nine-inch-long clay cylinder stands as impressive testimony—along with several other archaeological finds—to the historical accuracy of the biblical text.

CONCLUSION

The archaeological evidence presented in this article that confirms biblical history is, in truth, only a tiny fraction of the evidence that could be amassed along these lines. In fact, volumes of hundreds of pages each have been produced on such matters, and with every new find comes additional information that will fill archaeology texts for decades to come. The more we uncover the past, the more we discover the truth that the Bible is the most trustworthy, historically accurate document ever produced. As the poet John Greenleaf Whittier once wrote:

We search the world for truth; we cull the good, the pure, the beautiful, from all the old flower fields of the soul; and, weary seekers of the best, we come back laden from our quest, to find that all the sages said is in the Book our mothers read.

REFERENCES

Dever, William (2001), What did the Bible Writers Know and When did They Know It? (Grand Rapids, MI: Eerdmans).

Edersheim, Albert (no date), The Bible History—Old Testament, Book VI (Grand Rapids, MI: Eerdmans).

Finkelstein, Israel and Neil Silberman (2001), The Bible Unearthed (New York: Simon & Schuster).

Free, Joseph P. and Howard F. Vos (1992), Archaeology and Bible History (Grand Rapids, MI: Zondervan).

Hanson, K.C. (2002), Sennacherib Prism, [On-line], URL: http://www.kchanson.com/ANCDOCS/meso/sennprism1.html.

Hoerth, Alfred J. (1998), Archaeology and the Old Testament (Grand Rapids, MI: Baker).

Jacobs, Joseph and J. Frederick McCurdy (2002), “Moabite Stone,” Jewish Encyclopedia.com,[On-line], URL: http://www.jewishencyclopedia.com/view.jsp?artid=680&letter=M.

King, Philip J. and Lawrence E. Stager (2001), Life in Biblical Israel (in the Library of Ancient Israelseries), ed. Douglas A. Knight (Louisville, KY: Westminster/John Knox Press).

Laughlin, John C.H. (2000), Archaeology and the Bible (New York: Routledge).

LeMaire, André (1994), “House of David Restored in Moabite Inscription,” Biblical Archaeology Review, 20[3]:30-37, May/June.

Luckenbill, Daniel D. (1989), Ancient Records of Assyria and Babylon (London: Histories and Mysteries of Man Ltd.).

Mazar, Amihai (1992), Archaeology of the Land of the Bible (New York: Doubleday).

Moorey, P.R.S. (1991), A Century of Biblical Archaeology (Louisville, KY: Westminster/John Knox Press).

Negev, Avraham and Shimon Gibson (2001), Archaeological Encyclopedia of the Holy Land (New York: Continuum).

Price, Randall (1997), The Stones Cry Out (Eugene, OR: Harvest House).

Pritchard, James B., ed. (1958a), The Ancient Near East: An Anthology of Texts and Pictures(Princeton, NJ: Princeton University Press).

Pritchard, James B. (1958b), Archaeology and the Old Testament (Princeton, NJ: Princeton University Press).

Shanks, Hershel (1987), “Jeremiah’s Scribe and Confidant Speaks from a Hoard of Clay Bullae,” Biblical Archaeology Review, 13[5]:58-65, September/October.

Shanks, Hershel (1995), Jerusalem: An Archaeological Biography (New York: Random House).

Shanks, Hershel (1996), “Fingerprint of Jeremiah’s Scribe,” Biblical Archaeology Review, 22[2]:36-38, March/April.

Stern, Ephraim (2001), Archaeology and the Land of the Bible: The Assyrian, Babylonian, and Persian Periods (732-332 B.C.E.) (New York: Doubleday).

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The answer to finding out more about God is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted. Please consider taking time to read Isaiah chapter 53 and if you have any interest then watch the You Tube clip “The Biography of the King” by Adrian Rogers which discusses that chapter in depth.

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

Below is a piece of that evidence given by Francis Schaeffer concerning the accuracy of the Bible.

TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?)

In the previous chapter we saw that the Bible gives us the explanation for the existence of the universe and its form and for the mannishness of man. Or, to reverse this, we came to see that the universe and its form and the mannishness of man are a testimony to the truth of the Bible. In this chapter we will consider a third testimony: the Bible’s openness to verification by historical study.

Christianity involves history. To say only that is already to have said something remarkable, because it separates the Judeo-Christian world-view from almost all other religious thought. It is rooted in history.

The Bible tells us how God communicated with man in history. For example, God revealed Himself to Abraham at a point in time and at a particular geographical place. He did likewise with Moses, David, Isaiah, Daniel and so on. The implications of this are extremely important to us. Because the truth God communicated in the Bible is so tied up with the flow of human events, it is possible by historical study to confirm some of the historical details.

It is remarkable that this possibility exists. Compare the information we have from other continents of that period. We know comparatively little about what happened in Africa or South America or China or Russia or even Europe. We see beautiful remains of temples and burial places, cult figures, utensils, and so forth, but there is not much actual “history” that can be reconstructed, at least not much when compared to that which is possible in the Middle East.

When we look at the material which has been discovered from the Nile to the Euphrates that derives from the 2500-year span before Christ, we are in a completely different situation from that in regard to South America or Asia. The kings of Egypt and Assyria built thousands of monuments commemorating their victories and recounting their different exploits. Whole libraries have been discovered from places like Nuzu and Mari and most recently at Elba, which give hundreds of thousands of texts relating to the historical details of their time. It is within this geographical area that the Bible is set. So it is possible to find material which bears upon what the Bible tells us.

The Bible purports to give us information on history. Is the history accurate? The more we understand about the Middle East between 2500 B.C. and A.D. 100, the more confident we can be that the information in the Bible is reliable, even when it speaks about the simple things of time and place.

(This material below is under footnote #94)

The site of the biblical city called Lachish is about thirty miles southwest of Jerusalem. This city is referred to on a number of occasions in the Old Testament. Imagine a busy city with high walls surrounding it, and a gate in front that is the only entrance to the city. We know so much about Lachish from archaeological studies that a reconstruction of the whole city has been made in detail. This can be seen at the British Museum in the Lachish Room in the Assyrian section.

There is also a picture made by artists in the eighth century before Christ, the Lachish Relief, which was discovered in the city of Nineveh in the ancient Assyria. In this picture we can see the Jewish inhabitants of Lachish surrendering to Sennacherib, the king of Assyria. The details in the picture and the Assyrian writing on it give the Assyrian side of what the Bible tells us in Second Kings:

2 Kings 18:13-16

New American Standard Bible (NASB)

13 Now in the fourteenth year of King Hezekiah, Sennacherib king of Assyria came up against all the fortified cities of Judah and seized them. 14 Then Hezekiah king of Judah sent to the king of Assyria at Lachish, saying, “I have done wrong. Withdraw from me; whatever you impose on me I will bear.” So the king of Assyria required of Hezekiah king of Judah three hundred talents of silver and thirty talents of gold. 15 Hezekiah gave him all the silver which was found in the house of the Lord, and in the treasuries of the king’s house. 16 At that time Hezekiah cut off the gold from the doors of the temple of the Lord, and from the doorposts which Hezekiah king of Judah had overlaid, and gave it to the king of Assyria.

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We should notice two things about this. First, this is a real-life situation–a real siege of a real city with real people on both sides of the war–and it happened at a particular date in history, near the turn of the eighth century B.C. Second, the two accounts of this incident in 701 B.C. (the account from the Bible and the Assyrian account from Nineveh) do not contradict, but rather confirm each other. The history of Lachish itself is not so important for us, but some of its smaller historical details.

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Related posts:

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 41 Sarvepalli Radhakrishnan (Featured artist is Marina Abramović)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 40 Timothy Leary (Featured artist is Margaret Keane)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 39 Tom Wolfe (Featured artist is Richard Serra)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 38 Woody Allen and Albert Camus “There is but one truly serious philosophical problem, and that is suicide” (Feature on artist Hamish Fulton Photographer )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 37 Mahatma Gandhi and “Relieving the Tension in the East” (Feature on artist Luc Tuymans)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 36 Julian Huxley:”God does not in fact exist, but act as if He does!” (Feature on artist Barry McGee)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 35 Robert M. Pirsig (Feature on artist Kerry James Marshall)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 34 Aleksandr Solzhenitsyn (Feature on artist Shahzia Sikander)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 33 Aldous Huxley (Feature on artist Matthew Barney )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 32 Steven Weinberg and Woody Allen and “The Meaningless of All Things” (Feature on photographer Martin Karplus )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 31 David Hume and “How do we know we know?” (Feature on artist William Pope L. )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 30 Rene Descartes and “How do we know we know?” (Feature on artist Olafur Eliasson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 29 W.H. Thorpe and “The Search for an Adequate World-View: A Question of Method” (Feature on artist Jeff Koons)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 28 Woody Allen and “The Mannishness of Man” (Feature on artist Ryan Gander)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 27 Jurgen Habermas (Featured artist is Hiroshi Sugimoto)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 26 Bettina Aptheker (Featured artist is Krzysztof Wodiczko)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 25 BOB DYLAN (Part C) Francis Schaeffer comments on Bob Dylan’s song “Ballad of a Thin Man” and the disconnect between the young generation of the 60’s and their parents’ generation (Feature on artist Fred Wilson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 24 BOB DYLAN (Part B) Francis Schaeffer comments on Bob Dylan’s words from HIGHWAY 61 REVISITED!! (Feature on artist Susan Rothenberg)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 23 BOB DYLAN (Part A) (Feature on artist Josiah McElheny)Francis Schaeffer on the proper place of rebellion with comments by Bob Dylan and Samuel Rutherford

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 22 “The School of Athens by Raphael” (Feature on the artist Sally Mann)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 21 William B. Provine (Feature on artist Andrea Zittel)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 20 Woody Allen and Materialistic Humanism: The World-View of Our Era (Feature on artist Ida Applebroog)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 19 Movie Director Luis Bunuel (Feature on artist Oliver Herring)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 18 “Michelangelo’s DAVID is the statement of what humanistic man saw himself as being tomorrow” (Feature on artist Paul McCarthy)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 17 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part C (Feature on artist David Hockney plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 16 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part B (Feature on artist James Rosenquist plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 15 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part A (Feature on artist Robert Indiana plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 14 David Friedrich Strauss (Feature on artist Roni Horn )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 13 Jacob Bronowski and Materialistic Humanism: The World-View of Our Era (Feature on artist Ellen Gallagher )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 12 H.J.Blackham and Materialistic Humanism: The World-View of Our Era (Feature on artist Arturo Herrera)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 11 Thomas Aquinas and his Effect on Art and HOW SHOULD WE THEN LIVE? Episode 2: THE MIDDLES AGES (Feature on artist Tony Oursler )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 10 David Douglas Duncan (Feature on artist Georges Rouault )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 9 Jasper Johns (Feature on artist Cai Guo-Qiang )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 8 “The Last Year at Marienbad” by Alain Resnais (Feature on artist Richard Tuttle and his return to the faith of his youth)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 7 Jean Paul Sartre (Feature on artist David Hooker )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 6 The Adoration of the Lamb by Jan Van Eyck which was saved by MONUMENT MEN IN WW2 (Feature on artist Makoto Fujimura)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 5 John Cage (Feature on artist Gerhard Richter)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 4 ( Schaeffer and H.R. Rookmaaker worked together well!!! (Feature on artist Mike Kelley Part B )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 3 PAUL GAUGUIN’S 3 QUESTIONS: “Where do we come from? What art we? Where are we going? and his conclusion was a suicide attempt” (Feature on artist Mike Kelley Part A)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 2 “A look at how modern art was born by discussing Monet, Renoir, Pissaro, Sisley, Degas,Cezanne, Van Gogh, Gauguin, Seurat, and Picasso” (Feature on artist Peter Howson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 1 HOW SHOULD WE THEN LIVE? “The Roman Age” (Feature on artist Tracey Emin)

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 144 Paul Rabinow, Professor of Anthropology at the University of California (Berkeley), “I am not a believer or a theist,…never felt the need to go [into that debate]”

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

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Below you have picture of Dr. Harry Kroto:

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There are 3 videos in this series and they have statements by 150 academics and scientists and I hope to respond to all of them.

Paul Rabinow

From Wikipedia, the free encyclopedia
Paul Rabinow
Paul Rabinow à l'Ecole Normale Supérieure, Paris.jpg

Portrait of Paul M. Rabinow, made in 2002 by Saâd A. Tazi, at Ecole Normale Supérieure, Paris, during his Blaise Pascal professorship.
Born June 21, 1944 (age 73)
Florida, United States
Citizenship American
Fields Cultural Anthropology
Institutions University of California, Berkeley
Alma mater University of Chicago
Doctoral advisor Clifford Geertz
Influences Michel FoucaultRichard McKeon

Paul Rabinow (born June 21, 1944) is Professor of Anthropology at the University of California (Berkeley), Director of the Anthropology of the Contemporary Research Collaboratory (ARC), and former Director of Human Practices for the Synthetic Biology Engineering Research Center (SynBERC). He is perhaps most famous for his widely influential commentary and expertise on the French philosopher Michel Foucault.

His major works include Reflections on Fieldwork in Morocco (1977 and 2007), Michel Foucault: Beyond Structuralism and Hermeneutics (1983) (with Hubert Dreyfus), The Foucault Reader (1984), French Modern: Norms and Forms of the Social Environment (1989), Making PCR: A Story of Biotechnology (1993), Essays on the Anthropology of Reason (1996), Anthropos Today: Reflections on Modern Equipment (2003), and Marking Time: On the Anthropology of the Contemporary (2007).

Biographical details[edit]

Rabinow was born in Florida but moved as a small child to New York City. He lived in Sunnyside, Queens and attended Stuyvessant High School [1]. Rabinow received his B.A. (1965), M.A. (1967), and Ph.D. (1970) in anthropology from the University of Chicago. He studied at the École Pratique des Hautes Études in Paris (1965–66). He received a Guggenheim Fellowship (1980); was a visiting Fulbright Professor at the National Museum in Rio de Janeiro (1987); taught at the École des Hautes Études en Sciences Sociales in Paris (1986) as well as the École Normale Supérieure (1997) was a visiting Fulbright Professor at the University of Iceland (1999). He has held fellowships from the National Endowment for the Humanities and National Science Foundation Professional Development Fellowships (for training in molecular biology). He is co-founder of the Berkeley Program in French Cultural Studies. He was named Chevalier de l’Ordre des Arts et des Lettres by the French Government in 1998. He received the University of Chicago Alumni Association Professional Achievement Award in 2000. He was awarded the visiting Chaire Internationale de Recherche Blaise Pascal at the École Normale Supérieure for 2001-2. STICERD Distinguished Visiting Professor- BIOS Centre for the Study of Bioscience, Biomedicine, Biotechnology and SocietyLondon School of Economics (2004)

Overview[edit]

Rabinow is known for his development of an “anthropology of reason”. If anthropology is understood as being composed of anthropos + logos, then anthropology can be taken up as a practice of studying how the mutually productive relations of knowledge, thought, and care are given form within shifting relations of power. More recently, Rabinow has developed a distinctive approach to what he calls an “anthropology of the contemporary” that moves methodologically beyond modernity as an object of study or as a metric to order all inquiries.

Rabinow is well known for conceptual work drawing on French, German and American traditions. He was a close interlocutor of Michel Foucault, and has edited and interpreted Foucault’s work as well as ramifying it in new directions.

Rabinow’s work has consistently confronted the challenge of inventing and practicing new forms of inquiry, writing, and ethics for the human sciences. He argues that currently the dominant knowledge production practices, institutions, and venues for understanding things human in the 21st century are inadequate institutionally and epistemologically. In response, he has designed modes of experimentation and collaboration consisting in focused concept work and the explorations of new forms of case-based inquiry.

Rabinow has also devoted a great deal of energy to the invention of new venues, adjacent to the existing university structures, diagnosing the university’s disciplinary organization and career patterns as among the major impediment to 21st century thought. In view of the fact that the organization and practices of the social sciences and humanities in the U.S. university system have changed little in recent decades, they are unlikely to facilitate the composition of contemporary equipment. Rabinow has called for the creation of venues that are adjacent to, but more flexible than, the university and the existing disciplinary structure. He has played leading roles in the design of two such organizations, the Anthropology of the Contemporary Research Collaboratory (ARC), and the Synthetic Biology Engineering Research Center (SynBERC).

The Anthropology of the Contemporary Research Collaboratory was founded by Paul Rabinow, Stephen Collier, and Andrew Lakoff as part of an effort to create new forms of inquiry in the human sciences. Its aspiration is to create models for new infrastructures, tools of collaboration, and practices of inquiry. The core of the ARC collaboratory is ongoing reflection and communication in a now broadening network of scholars about concept formation and collaboratory work in the human sciences. ARC is a collaboratory for inquiry into contemporary forms of life, labor, and language. ARC engages in empirical study and conceptual work with global reach and long-term perspective. ARC creates contemporary equipment for collaborative work adequate to emergent challenges in the 21st century. ARC’s current concerns focus on interconnections among security, ethics, and the sciences.

 

His comments can be found on the 3rd video and the 118th clip in this series. Below the videos you will find his words.

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

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Quote from Paul Rabinow:

In other words I am not a believer or a theist, but I am not also a militant atheist. I think that debate leads into a range of different and diverse existential corners that I don’t want to go to and never felt the need to go to.

More lengthy quote from Paul Rabinow:

on religious belief – don’t believe in God; there are passages in Levi-Strauss’ ‘Tristes Tropiques’ on Buddhism which are relatively close to what I felt much more strongly as a younger person; this question is interesting because in recent years I have been working with a student who has just finished a degree in theology and is now doing a degree in anthropology; he is a practising Christian and we get along remarkably well, discussing ethics etc., but it is clear that the larger theist dimensions are radically disparate; this is an interesting anthropological dimension where ethically this seems to not cause any problem; I frequently related to people with strong but quiet religious beliefs; Michel de Certeau was a Jesuit and I had a number of other Jesuit friends; I think it is the fact that they care about the world and other people, are thoughtful, committed and concerned, and I don’t have to share other parts of their belief system while finding them worthy of friendship; I am uninterested in the Dawkins’ argument of science disproving religion, I am not a positivist, there is a big difference between this form of nineteenth century militant positivism and a Weberian position in which science does not answer ultimate questions; when science becomes a world view, a cosmology, it seems to part company with its deep critical functions; I may not be a believer or theist, but I am not a militant atheist; I also part company with people like Jurgen Habermas or Charles Taylor who feel that unless we have sure foundations for our ethical life that we flounder, which seems wrong; no one has ever proved the ultimate foundations of anything to everyone’s satisfaction yet ethical life and decent human relations seem to me not all that common, but not impossible either; I am not looking for ultimate stopping points, and there is some anthropological dimension to that through respect for the complexity of different commitments; cosmopolitan enlightenment sense that we have to live with difference which can be a good thing, and that intolerance –even in the name of tolerance — is not so admirable.

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I grew up at Bellevue Baptist Church under the leadership of our pastor Adrian Rogers and I read many books by the Evangelical Philosopher Francis Schaeffer and have had the opportunity to contact many of the evolutionists or humanistic academics that they have mentioned in their works. Many of these scholars have taken the time to respond back to me in the last 20 years and some of the names  included are  Ernest Mayr (1904-2005), George Wald (1906-1997), Carl Sagan (1934-1996),  Robert Shapiro (1935-2011), Nicolaas Bloembergen (1920-),  Brian Charlesworth (1945-),  Francisco J. Ayala (1934-) Elliott Sober (1948-), Kevin Padian (1951-), Matt Cartmill (1943-) , Milton Fingerman (1928-), John J. Shea (1969-), , Michael A. Crawford (1938-), Paul Kurtz (1925-2012), Sol Gordon (1923-2008), Albert Ellis (1913-2007), Barbara Marie Tabler (1915-1996), Renate Vambery (1916-2005), Archie J. Bahm (1907-1996), Aron S “Gil” Martin ( 1910-1997), Matthew I. Spetter (1921-2012), H. J. Eysenck (1916-1997), Robert L. Erdmann (1929-2006), Mary Morain (1911-1999), Lloyd Morain (1917-2010),  Warren Allen Smith (1921-), Bette Chambers (1930-),  Gordon Stein (1941-1996) , Milton Friedman (1912-2006), John Hospers (1918-2011), Michael Martin (1932-).Harry Kroto (1939-), Marty E. Martin (1928-), Richard Rubenstein (1924-), James Terry McCollum (1936-), Edward O. WIlson (1929-), Lewis Wolpert (1929), Gerald Holton (1922-),  and  Ray T. Cragun (1976-).

Some atheists claim like Dr. Rabinow that they have never felt inside that there was anything telling him that there is a God that created him. However, the Bible says in Romans that everyone knows in their heart that God exists. AND THAT THERE IS  A GOD THAT CREATED THE WORLD AND PUT THAT CONSCIENCE IN EVERYONE’S HEART THAT BEARS WITNESS THAT HE CREATED THEM FOR A PURPOSE?

Solomon wisely noted in Ecclesiastes 3:11 “God has planted eternity in the heart of men…” (Living Bible). No wonder Bertrand Russell wrote in his autobiography, “It is odd, isn’t it? I feel passionately for this world and many things and people in it, and yet…what is it all? There must be something more important, one feels, though I don’t believe there is. I am haunted. Some ghosts, for some extra mundane regions, seem always trying to tell me something that I am to repeat to the world, but I cannot understand that message.”

CSICOP experts commented 15 years ago on a lie-detector’s ability to detect one’s repressed belief in God!!!!

In the book, THE DEMON-HAUNTED WORLD: Science as a Candle in the Dark by Carl Sagan.  Sagan writes:

The Committee for the Scientific Investigation of Claims of the Paranormal is an organization of scientists, academics, magicians, and others dedicated to skeptical scrutiny of emerging or full-blown pseudo-sciences. It was founded by the University of Buffalo philosopher Paul Kurtz in 1976. I’ve been affiliated with it since its beginning. Its acronym, CSICOP, is pronounced sci-cop C as if it’s an organization of scientists performing a police function  CSICOP publishes a bimonthly periodical called The Skeptical Inquirer. On the day it arrives, I take it home from the office and pore through its pages, wondering what new misunderstandings will be revealed (p. 299).

Back in the late 1990’s I corresponded with many scholars from CSICOP concerning the lie-detector’s ability to detect one’s repressed belief in God. I have a good friend who is a street preacher who preaches on the Santa Monica Promenade in California and during the Q/A sessions he does have lots of atheists that enjoy their time at the mic. When this happens he  always quotes Romans 1:18-19 (Amplified Bible) ” For God’s wrath and indignation are revealed from heaven against all ungodliness and unrighteousness of men, who in their wickedness REPRESS and HINDER the truth and make it inoperative. For that which is KNOWN about God is EVIDENT to them and MADE PLAIN IN THEIR INNER CONSCIOUSNESS, because God  has SHOWN IT TO THEM,”(emphasis mine). Then he  tells the atheist that the atheist already knows that God exists but he has been suppressing that knowledge in unrighteousness. This usually infuriates the atheist.

My friend draws some large crowds at times and was thinking about setting up a lie detector test and see if atheists actually secretly believe in God. He discussed this project with me since he knew that I had done a lot of research on the idea about 20 years ago.

Nelson Price in THE EMMANUEL FACTOR (1987) tells the story about Brown Trucking Company in Georgia who used to give polygraph tests to their job applicants. However, in part of the test the operator asked, “Do you believe in God?” In every instance when a professing atheist answered “No,” the test showed the person to be lying. My pastor Adrian Rogers used to tell this same story to illustrate Romans 1:19 and it was his conclusion that “there is no such thing anywhere on earth as a true atheist. If a man says he doesn’t believe in God, then he is lying. God has put his moral consciousness into every man’s heart, and a man has to try to kick his conscience to death to say he doesn’t believe in God.”

It is true that polygraph tests for use in hiring were banned by Congress in 1988.  Mr and Mrs Claude Brown on Aug 25, 1994  wrote me a letter confirming that over 15,000 applicants previous to 1988 had taken the polygraph test and EVERY TIME SOMEONE SAID THEY DID NOT BELIEVE IN GOD, THE MACHINE SAID THEY WERE LYING.

It had been difficult to catch up to the Browns. I had heard about them from Dr. Rogers’ sermon but I did not have enough information to locate them. Dr. Rogers referred me to Dr. Nelson Price and Dr. Price’s office told me that Claude Brown lived in Atlanta. After writing letters to all 9 of the entries for Claude Brown in the Atlanta telephone book, I finally got in touch with the Browns.

Adrian Rogers also pointed out that the Bible does not recognize the theoretical atheist.  Psalms 14:1: The fool has said in his heart, “There is no God.”  Dr Rogers notes, “The fool is treating God like he would treat food he did not desire in a cafeteria line. ‘No broccoli for me!’ ” In other words, the fool just doesn’t want God in his life and is a practical atheist, but not a theoretical atheist. Charles Ryrie in the The Ryrie Study Bible came to the same conclusion on this verse.

Here are the conclusions of the experts I wrote in the secular world concerning the lie detector test and it’s ability to get at the truth:

Professor Frank Horvath of the School of Criminal Justice at Michigan State University has testified before Congress concerning the validity of the polygraph machine. He has stated on numerous occasions that “the evidence from those who have actually been affected by polygraph testing in the workplace is quite contrary to what has been expressed by critics. I give this evidence greater weight than I give to the most of the comments of critics” (letter to me dated October 6, 1994).

There was no better organization suited to investigate this claim concerning the lie detector test than the Committee for the Scientific Investigation of Claims of the Paranormal (CSICOP). This organization changed their name to the Committe for Skeptical Inquiry in 2006. This organization includes anyone who wants to help debunk the whole ever-expanding gamut of misleading, outlandish, and fraudulent claims made in the name of science.

I read The Skeptical Review(publication of CSICOP) for several years during the 90’s and I would write letters to these scientists about taking this project on and putting it to the test.  Below are some of  their responses (15 to 20 years old now):

1st Observation: Religious culture of USA could have influenced polygraph test results.
ANTONY FLEW  (formerly of Reading University in England, now deceased, in a letter to me dated 8-11-96) noted, “For all the evidence so far available seems to be of people from a culture in which people are either directly brought up to believe in the existence of God or at least are strongly even if only unconsciously influenced by those who do. Even if everyone from such a culture revealed unconscious belief, it would not really begin to show that — as Descartes maintained— the idea of God is so to speak the Creator’s trademark, stamped on human souls by their Creator at their creation.”

2nd Observation: Polygraph Machines do not work. JOHN R. COLE, anthropologist, editor, National Center for Science Education, Dr. WOLF RODER, professor of Geography, University of Cincinnati, Dr. SUSAN BLACKMORE,Dept of Psychology, University of the West of England, Dr. CHRISTOPHER C. FRENCH, Psychology Dept, Goldsmith’s College, University of London, Dr.WALTER F. ROWE, The George Washington University, Dept of Forensic Sciences, Graduate School of Arts and Sciences.

3rd Observation: The sample size probably was not large enough to apply statistical inference. (These gentlemen made the following assertion before I received the letter back from Claude Brown that revealed that the sample size was over 15,000.) JOHN GEOHEGAN, Chairman of New Mexicans for Science and Reason, Dr. WOLF RODER, and Dr WALTER F. ROWE (in a letter dated July 12, 1994) stated, “The polygraph operator for Brown Trucking Company has probably examined only a few hundred or a few thousand job applicants. I would surmise that only a very small number of these were actually atheists. It seems a statistically insignificant (and distinctly nonrandom) sampling of the 5 billion human beings currently inhabiting the earth. Dr. Nelson Price also seems to be impugning the integrity of anyone who claims to be an atheist in a rather underhanded fashion.”

4th Observation: The question (Do you believe in God?)  was out of place and it surprised the applicants. THOMAS GILOVICH, psychologist, Cornell Univ., Dr. ZEN FAULKES, professor of Biology, University of Victoria (Canada), ROBERT CRAIG, Head of Indiana Skeptics Organization, Dr. WALTER ROWE, 
 
5th Observation: Proof that everyone believes in God’s existence does not prove that God does in fact exist. PAUL QUINCEY, Nathional Physical Laboratory,(England), Dr. CLAUDIO BENSKI, Schneider Electric, CFEPP, (France),
6th Observation: Both the courts and Congress recognize that lie-detectors don’t work and that is why they were banned in 1988.  (Governments and the military still use them.)
Dr WALTER ROWE, KATHLEEN M. DILLION, professor of Psychology, Western New England College.
7th Observation:This information concerning Claude Brown’s claim has been passed on to us via a tv preacher and eveybody knows that they are untrustworthy– look at their history. WOLF RODER.
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Gene Emery, science writer for Providence Journal-Bulletin is a past winner of the CSICOP “Responsibility in Journalism Award” and he had the best suggestion of all when he suggested, “Actually, if you want to make a good case about whether Romans 1:19 is true, arrange to have a polygraph operator (preferably an atheist or agnostic) brought to the next CSICOP meeting. (I’m not a member of CSICOP, by the way, so I can’t give you an official invitation or anything.) If none of the folks at that meeting can convince the machine that they truly believe in God, maybe there is, in fact, an innate willingness to believe in God.”
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Let me share a story from a former atheist named Jamie Lash:

DOES GOD BELIEVE IN ATHEISTS?

 

I grew up as an atheist. I thought that the reason I didn’t believe was the lack of evidence that I could see or touch. I kept asking God to show me a sign if He was really there. He didn’t. Despite nine months of searching, I was just as alienated from God as I had ever been.

I remember the shock it was when God revealed to me that what I thought was the obstacle wasn’t the obstacle at all! The obstacle was pride and hardness of heart. It wasn’t a head problem; it was a heart problem. I had to come to the place where I was willing to let God be God over my life. Was I willing to confess (i.e. admit) that Jesus is Lord?

Years ago Adrian Rogers counseled with a NASA scientist and his severely depressed wife. The wife pointed to her husband and said, “My problem is him.” She went on to explain that her husband was a drinker, a liar, and an adulterer. Dr. Rogers asked the man if he were a Christian. “No!” the man laughed. “I’m an atheist.”

“Really?” Dr. Rogers replied. “That means you’re someone who knows that God does not exist.”

“That’s right,” said the man.

“Would it be fair to say that you don’t know all there is to know in the universe?”

“Of course.”

“Would it be generous to say you know half of all there is to know?”

“Yes.”

“Wouldn’t it be possible that God’s existence might be in the half you don’t know?”

“Okay, but I don’t think He exists.”

“Well then, you’re not an atheist; you’re an agnostic. You’re a doubter.”

“Yes, and I’m a big one.”

“It doesn’t matter what size you are. I want to know what kind you are.”

“What kinds are there?”

“There are honest doubters and dishonest doubters. An honest doubter is willing to search out the truth and live by the results; a dishonest doubter doesn’t want to know the truth. He can’t find God for the same reason a thief can’t find a policeman.”

“I want to know the truth.”

“Would you like to prove that God exists?”

“It can’t be done.”

“It can be done. You’ve just been in the wrong laboratory. Jesus said, ‘If any man’s will is to do His will, he will know whether my teaching is from God or whether I am speaking on my own authority’ (John 7:17). I suggest you read one chapter of the book of John each day, but before you do, pray something like this, ‘God, I don’t know if You’re there, I don’t know if the Bible is true, I don’t know if Jesus is Your Son. But if You show me that You are there, that the Bible is true, and that Jesus is Your Son, then I will follow You. My will is to do your will.”

The man agreed. About three weeks later he returned to Dr. Rogers’s office and invited Jesus Christ to be his Savior and Lord.

A man might be convinced that he’s being very sincere in his search for God, but until he humbles himself, he will never find Him.

                 

— Jamie Lash  

A Brief Sample of Old Testament Archaeological Corroboration

A Brief Sample of Old Testament Archaeological CorroborationI’ve learned to test witnesses in my criminal investigations before trusting their testimony, and I evaluate them with the template we typically use in jury trials. One dimension of this template is corroboration: Is there any verifying evidence supporting the claims of the eyewitness? Corroborative evidence is what I refer to as “touch point” evidence. I don’t expect a surveillance video confirming every statement made by a witness, but I do expect small “touch point” corroborations. The authors of the Bible make a variety of historical claims, and many of these claims are corroborated by archaeological evidence. Archaeology is notoriously partial and incomplete, but it does offer us “touch point” verification of many Biblical claims. Here are just a few of the more impressive findings related to the Old Testament:

Related to the Customs of the Patriarchs
Critics of the Old Testament have argued against the historicity of the books of Moses, doubting the authenticity of many of the stories found in Genesis (and sometimes rejecting the authorship of Moses along the way). Skeptics doubted primitive people groups were capable of recording history with any significant detail, and they questioned the existence of many of the people and cities mentioned in the oldest of Biblical accounts. When the Ebla archive was discovered in Syria (modern Tell Mardikh) in the 1970′s, many of these criticisms became less reasonable. During the excavations of the Ebla palace in 1975, the excavators found a large library filled with tablets dating from 2400 -2300 BC. These tablets confirmed many of the personal titles and locations described in the patriarchal Old Testament accounts.

For years, critics also believed the name “Canaan” was used incorrectly in the early books of the Bible, doubting the term was used at this time in history and suspecting it was a late insertion (or evidence of late authorship). But “Canaan” appears in the Ebla tablets. The term was used in ancient Syria during the time in which the Old Testament was written. Critics were also skeptical of the word, “Tehom” (“the deep” in Genesis 1:2), believing it was also a late addition or evidence again of late authorship. But “Tehom” was also part of the vocabulary at Ebla, in use 800 years before Moses. In fact, there is a creation record in the Ebla Tablets remarkably similar to the Genesis account. In addition, the cities of Sodom and Gomorrah (once thought to be fictional) are also identified in the Ebla tablets, as well as the city of Haran. This latter city is described in Genesis as the city of Abram’s father, Terah. Prior to this discovery, critics doubted the existence of this ancient city. The Ebla discovery confirmed the locations of several ancient cities, corroborated the use of several terms and titles, and confirmed ancient people were capable of being eloquent and conscientious historians.

Related to the Hittites
The historicity and cultural customs of the Patriarchs have also been corroborated in clay tablets uncovered in the cities of Nuzi, Mari and Bogazkoy. Archaeological discoveries in these three cities have confirmed the existence of the Hittites. These findings also revealed an example of an ancient king with an incredible concentration of wealth. Prior to this discovery, skeptics doubted such ancient affluence was possible and considered the story of Solomon to be greatly exaggerated. This discovery provided an example of such a situation, however. Solomon’s prosperity is now considered to be entirely feasible.

Related to Sargon
The historicity of the Assyrian king, Sargon (recorded in Isaiah 20:1) has also been confirmed, in spite of the fact his name was not seen in any non-Biblical record. Archeology again proved the Biblical account to be true when Sargon’s palace was discovered in Khorsabad, Iraq. More importantly, the event mentioned in Isaiah 20, Sargon’s capture of Ashdod, was recorded on the palace walls, confirming the history recorded in Old Testament Scripture. Fragments of a stela (an inscribed stone pillar) were also found at Ashdod. This stela was originally carved to memorialize the victory of Sargon.

Related to Belshazzar
Belshazzar, king of Babylon, was another historic king doubted by critics. Belshazzar is named in Daniel 5, but according to the non-Biblical historic record, the last king of Babylon was Nabonidus. Tablets have been discovered, however, describing Belshazzar as Nabonidus’ son and documenting his service as coregent in Babylon. If this is the case, Belshazzar would have been able to appoint Daniel “third highest ruler in the kingdom” for reading the handwriting on the wall (as recorded in Daniel 5:16). This would have been the highest available position for Daniel. Here, once again, we see the historicity of the Biblical record has been confirmed by archaeology.

Related to Nebo-Sarsekim
It’s not just kings and well-known figures who have been verified by archeology over the years. There are thousands of “lesser known,” relatively unimportant characters in the Bible who would easily be overlooked if archeology did not continue to verify them. One such person is Nebo-Sarsekim. Nebo-Sarsekim is mentioned in the Bible in Chapter 39 of the Book of Jeremiah. According to Jeremiah, this man was Nebuchadnezzar II’s “chief officer” and was with him at the siege of Jerusalem in 587 BC, when the Babylonians overran the city. Many skeptics have doubted this claim, but in July of 2007, Michael Jursa, a visiting professor from Vienna, discovered Nebo-Sarsekim’s name (Nabu-sharrussu-ukin) written on an Assyrian cuneiform tablet. This tablet was used as a receipt acknowledging Nabu-sharrussu-ukin’s payment of 0.75 kg of gold to a temple in Babylon, and it described Nebo-Sarsekim as “the chief eunuch” of Nebuchadnezzar II, king of Babylon. The tablet is dated to the 10th year of the reign of Nebuchadnezzar II, 595BC, 12 years before the siege of Jerusalem, once again verifying the dating and record of the Old Testament.

Related to Nehemiah’s Wall
Skeptical historians once doubted the historicity of Nehemiah’s account of the restoration of Jerusalem that is found in the Bible. Nehemiah lived during the period when Judah was a province of the Persian Empire, and he arrived in Jerusalem as governor in 445 BC. With the permission of the Persian king, he decided to rebuild and restore the city after the destruction of the First Temple by the Babylonians (which occurred a century earlier, in 586 BC). The Book of Nehemiah records the completion of this wall in just 52 days, and many historians did not believe this to be true, since the wall itself was never discovered. But in November of 2007, the remnants of the wall were uncovered in an archaeological excavation in Jerusalem’s ancient City of David, strengthening concurrent claims King David’s palace was also found at the site. Experts now agree that the wall has been discovered along with the palace. Once again the Old Testament has been corroborated.

Archaeology is an ever-developing discipline, providing new insight into the past with every new discovery. Many of these findings are featured at the Biblical Archaeology Society and at other similar sources. The claims of Judaism and Christianity are more than proverbial insights; they are claims about the historic past. As such, they can be verified or falsified. Archeology is one way we can test the claims of the Old and New Testament, and this discipline continues to provide “touch point” corroborative evidence affirming the claims of the Bible.

 

Related Posts In This Series:

Establishing the Reliability of the Old Testament: A Trustworthy Process of Transmission
Establishing the Reliability of the Old Testament: A Timely Test of Transmission
Establishing the Reliability of the Old Testament: The Ardent Testimony of the Ancients
The Comparatively Rich Archaeological Corroboration of the Old Testament
From Reliable to Divine: Fulfilled Prophecy in the Old Testament

 

J. Warner Wallace is a Cold-Case Detective, a Christian Case Maker, and the author of Cold-Case Christianity

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– See more at: http://coldcasechristianity.com/2013/a-brief-sample-of-old-testament-archaeological-corroboration/#sthash.XYt8QHnn.dpuf

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 143, Bede Rundle, Philosophy Dept, Trinity College, Oxford, “God or any other supernatural agent doesn’t have what it takes to act upon physical things”

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Harry Kroto pictured below:

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

________________

Bede Rundle Why is There Something Rather than Nothing

 

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Image result for Bede Rundle

Philosopher in the tradition of Aristotle, Kant and Wittgenstein
Bede Rundle
Bede Rundle, left, taught at Trinity College, Oxford, for 40 years.

The New Zealand-born philosopher Bede Rundle, who has died aged 74, taught for 40 years at Trinity College, Oxford, and made substantial contributions to the philosophy of language, mind and action, to metaphysics and to philosophical theology. He defended the currently unpopular but correct view that philosophy is not, like science, a cognitive discipline building theories, but a critical enterprise of human self-reflection. In this he stood in the tradition of Aristotle, Kant and Wittgenstein and gave us a model of how to do philosophy.

Rundle thought in whole books, six of them over 37 years: meticulously crafted, rich in insights and packed with arguments. Grammar in Philosophy (1979), opening with, “Philosophy may begin with wonder, but it soon ends up in confusion”, is one of the most ambitious and important books in philosophy of language since Wittgenstein’s Philosophical Investigations. In it, Rundle attacks prevailing conceptions of key semantic concepts, such as meaning, truth, reference and necessity. His early specialisation was mathematical logic, which he taught for 10 years at Oxford. But under the influence of Wittgenstein’s writings, he came to think that to understand the nature and role of language in our lives, the abstract logical and linguistic frameworks pioneered by Gottlob Frege, Bertrand Russell and Noam Chomsky are less relevant than careful and detailed investigation of how language is employed by ordinary language speakers, including scientists.

Mind in Action (1997) sharply rejects the view of the mind as a machine, or as an entity “inside” our brains, contrary to what our neuroscientific and popular culture often makes us believe. He also showed that animals do not reason, that there is a sharp demarcation between humans and animals, and that we have a free will.

In the third of his most notable books, Why There Is Something Rather Than Nothing (2004), which received considerable attention, Rundle tackled one of philosophy’s most important questions, formulated by Gottfried Leibniz in the 18th century, in a new way. Rundle contended that the question cannot be answered by science, but must receive a genuine philosophical treatment. He did so by addressing a famous argument in favour of the existence of God, presented by Thomas Aquinas in the 13th century.

Since this universe is contingent, that is to say it might not have existed, at some point it did not exist, and at a later point it came into existence. Since something can only begin to exist in relation to something else already existing (for instance, a football match can only start if the players are on the field), a non-contingent, necessary thing, God, must have existed for this universe to begin to exist. Had there been no necessary thing, God, there would be nothing now.

Unlike most recent philosophers, Rundle found some truth in this argument. In his version, we must indeed claim that if nothing had existed, nothing would exist now, in other words that it is impossible that nothing at all should have existed. For to say that there might have been nothing “then” (before the Big Bang) or “now” presupposes a temporal framework of reference, and thus space, motion and objects.

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However, this does not fully vindicate Aquinas, for “the only thing which would provide a setting into which our universe might make an entrée would be another universe”. There is no necessary entity, God, but some physical thing or other must have always necessarily existed.

If correct, this argument has dramatic consequences for most humans and their religious or scientific beliefs about the origin of the world, for it undermines the idea of an absolutely first event of the world, whether Creation or Big Bang. Rundle also casts doubt on the notion of divine agency and indeed the coherence of the notion of God.

He had a Catholic upbringing, but little sympathy for religion, or for scientists engaging in theological speculation. Earlier this year, he made his exasperation clear to me: “As if we don’t have clear answers to the questions ‘Where do we come from? Where do we go to?’ – from our mothers’ wombs and into the grave.”

Born in Wellington, he was educated there at St Patrick’s college and Victoria University. His interest in philosophy was sparked when, as a boy, he chanced across CEM Joad’s introduction to the subject in the local library. After gaining his first degree in 1959, he went to Magdalen College, Oxford. There he played tennis for the college with the lawyer Michael Beloff, and table tennis for the university. On completing his BPhil in 1961, he went to Queen’s College as a junior research fellow for two years before being elected to the Trinity fellowship. In 1968 he married his wife Ros, with whom he had a son and a daughter.

He held visiting professorships in the US, but turned down offers for chairs, preferring the tutorial system, whose recent decline he deplored. An unassuming and generous figure, he was very popular with his students. He took his role as a tutor for graduates just as seriously as that of being the senior common room wine steward.

He is survived by his wife and children.

Bernard Bede Rundle, philosopher, born 21 February 1937; died 24 September 2011

This article was amended on 1 November 2011. The original referred to Bede Rundle’s books as Why Is There Something Rather Than Nothing? This has been corrected to Why There Is Something Rather Than Nothing.

 

 

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His comments can be found on the 2nd  video and the 58th clip in this series. Below the videos you will find his words.

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

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Quote:

God or any other supernatural agent doesn’t have what it takes to act upon physical things. That seems to me to be the underlying problem in all of us. We extend our talk of things we are familiar with to God forgetting how much it is based in familiar facts about the physical world, and we just suppose it is making sense. It looks similar language  when we take it to this different domain.

I grew up at Bellevue Baptist Church under the leadership of our pastor Adrian Rogers and I read many books by the Evangelical Philosopher Francis Schaeffer and have had the opportunity to contact many of the evolutionists or humanistic academics that they have mentioned in their works. Many of these scholars have taken the time to respond back to me in the last 20 years and some of the names  included are  Ernest Mayr (1904-2005), George Wald (1906-1997), Carl Sagan (1934-1996),  Robert Shapiro (1935-2011), Nicolaas Bloembergen (1920-),  Brian Charlesworth (1945-),  Francisco J. Ayala (1934-) Elliott Sober (1948-), Kevin Padian (1951-), Matt Cartmill (1943-) , Milton Fingerman (1928-), John J. Shea (1969-), , Michael A. Crawford (1938-), Paul Kurtz (1925-2012), Sol Gordon (1923-2008), Albert Ellis (1913-2007), Barbara Marie Tabler (1915-1996), Renate Vambery (1916-2005), Archie J. Bahm (1907-1996), Aron S “Gil” Martin ( 1910-1997), Matthew I. Spetter (1921-2012), H. J. Eysenck (1916-1997), Robert L. Erdmann (1929-2006), Mary Morain (1911-1999), Lloyd Morain (1917-2010),  Warren Allen Smith (1921-), Bette Chambers (1930-),  Gordon Stein (1941-1996) , Milton Friedman (1912-2006), John Hospers (1918-2011), Michael Martin (1932-).Harry Kroto (1939-), Marty E. Martin (1928-), Richard Rubenstein (1924-), James Terry McCollum (1936-), Edward O. WIlson (1929-), Lewis Wolpert (1929), Gerald Holton (1922-),  and  Ray T. Cragun (1976-).

 

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Does it seem logical that God inspired men to write the Books in the Bible and that those books would be correct in what they say?  Why not consider the evidence?

The Bible and Archaeology – Is the Bible from God? (Kyle Butt)

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Archaeology and the Old Testament

by Kyle Butt, M.A.

A man wearing a leather vest and a broad-rimmed hat wraps a ripped piece of cloth around an old bone, sets it on fire, and uses it as a torch to see his way through ancient tunnels filled with bones, rats, bugs, and buried treasure. Close behind him lurks the dastardly villain, ready to pounce on the treasure after the hero has done all the planning and dangerous work. We have seen this scenario, or others similar to it, time and again in movies like Indiana Jones or The Mummy. And although we understand that Hollywood exaggerates and dramatizes the situation, it still remains a fact that finding ancient artifacts excites both young and old alike. Finding things left by people of the past is exciting because a little window of their lives is opened to us. When we find an arrowhead, we are reminded that Indians used bows and arrows to hunt and fight. Discovering a piece of pottery tells us something about the lives of ancient cultures. Every tiny artifact gives the modern person a more complete view of life in the past.

Because of the intrinsic value of archaeology, many have turned to it in order to try to answer certain questions about the past. One of the questions most often asked is, “Did the things recorded in the Bible really happen?” Truth be told, archaeology cannot always answer that question. Nothing material remains from Elijah’s ascension into heaven, and no physical artifacts exist to show that Christ actually walked on water. Therefore, if we ask archaeology to “prove” that the entire Bible is true or false, we are faced with the fact that archaeology can neither prove nor disprove the Bible’s validity. However, even though it cannot conclusively prove the Bible’s veracity in every instance, archaeology can provide important pieces of the past that consistently verify the Bible’s historical and factual accuracy. This month’s Reason and Revelation article is designed to bring to light a small fraction of the significant archaeological finds that have been instrumental in corroborating the biblical text of the Old Testament.

HEZEKIAH AND SENNACHERIB

When Hezekiah assumed the throne of Judah, he did so under extremely distressing conditions. His father Ahaz had turned to the gods of Damascus, cut into pieces the articles within the house of Jehovah, and shut the doors of the temple of the Lord. In addition, he created high places “in every single city” where he sacrificed, and offered incense to other gods (2 Chronicles 28:22-27). The people of Judah followed Ahaz, and as a result, the Bible records that “the Lord brought Judah low because of Ahaz king of Israel, for he had encouraged moral decline in Judah and had been continually unfaithful to the Lord” (2 Chronicles 28:19).

Upon this troubled throne, King Hezekiah began to rule at the youthful age of just twenty-five. He reigned for twenty-nine years, and the inspired text declares that he “did what was right in the sight of the Lord, according to all that his father David had done” (2 Chronicles 29:2). Among other reforms, Hezekiah reopened the temple, reestablished the observance of the Passover, and appointed the priests to receive tithes and administer their proper duties in the temple. After completing these reforms, Scripture states that “Sennacherib, king of Assyria entered Judah; he encamped against the fortified cities, thinking to win them over to himself ” (2 Chronicles 32:1).

It is here that we turn to the secular record of history to discover that the powerful nation Assyria, under the reign of King Sargon II, had subdued many regions in and around Palestine. Upon Sargon’s death, revolt broke out within the Assyrian empire. Sennacherib, the new Assyrian king, was determined to maintain a firm grasp on his vassal states, which meant that he would be forced to invade the cities of Judah if Hezekiah continued to defy Assyria’s might (Hoerth, 1998, pp. 341-352). Knowing that Sennacherib would not sit by idly and watch his empire crumble, King Hezekiah began to make preparations for the upcoming invasion. One of the preparations he made was to stop the water from the springs that ran outside of Jerusalem, and to redirect the water into the city by way of a tunnel. Second Kings 20:20 records the construction of the tunnel with these words: “Now the rest of the acts of Hezekiah—all his might, and how he made a pool and a tunnel and brought water into the city—are they not written in the book of chronicles of the kings of Judah?”

Hezekiah's Tunnel
Inside view of Hezekiah’s tunnel, displaying the thick limestone through which workers had to dig. Credit: Todd Bolen (www.BiblePlaces.com).

The biblical text from 2 Chronicles 32:30 further substantiates the tunnel construction with this comment: “This same Hezekiah also stopped the water outlet of Upper Gihon, and brought the water by tunnel to the west side of the City of David.” The tunnel—known today as “Hezekiah’s tunnel”—stands as one of the paramount archaeological attestations to the biblical text. Carved through solid limestone, the tunnel meanders in an S-shape under the city of Jerusalem for a length of approximately 1,800 feet. In 1880, two boys swimming at the site discovered an inscription (about 20 feet from the exit) that provided exacting details regarding how the tunnel had been constructed:

…And this was the account of the breakthrough. While the laborers were still working with their picks, each toward the other, and while there were still three cubits to be broken through, the voice of each was heard calling to the other, because there was a crack (or split or overlap) in the rock from the south to the north. And at the moment of the breakthrough, the laborers struck each toward the other, pick against pick. Then water flowed from the spring to the pool for 1,200 cubits. And the height of the rock above the heads of the laborers was 100 cubits (Price, 1997, p. 267).

Of the inscription, John Laughlin wrote that it is “one of the most important, as well as famous, inscriptions ever found in Judah” (2000, p. 145). Incidentally, since the length of the tunnel was about 1,800 feet, and the inscription marked the tunnel at “1,200 cubits,” archaeologists have a good indication that the cubit was about one-and-a-half feet at the time of Hezekiah (Free and Vos, 1992, p. 182). Dug in order to keep a steady supply of water pumping into Jerusalem during Sennacherib’s anticipated siege, Hezekiah’s tunnel stands as a strong witness to the accuracy of the biblical historical record of 2 Kings and 2 Chronicles.

Siloam Insciption
The Siloam inscription commemorates the excavation of Hezekiah’s Tunnel. Archaeological Museum, Istanbul, Turkey. Credit: Erich Lessing/Art Resource, NY.

In addition to Hezekiah’s tunnel, other amazingly detailed archaeological evidence provides an outstanding record of some of the events as they unfolded between Hezekiah and Sennacherib. Much of the information we have comes from the well-known Taylor Prism. This fascinating, six-sided clay artifact stands about 15 inches tall, and was found in Nineveh in 1830 by British colonel R. Taylor. Thus, it is known as the “Taylor Prism” (Price, pp. 272-273). The prism contains six columns covered by over 500 lines of writing, and was purchased in the winter of 1919-1920 by J.H. Breasted for the Oriental Institute in Chicago (Hanson, 2002).

Part of the text on the Taylor Prism has Sennacherib’s account of what happened in his military tour of Judah.

As to Hezekiah, the Jew, he did not submit to my yoke, I laid siege to 46 of his strong cities, walled forts and to the countless small villages in their vicinity, and conquered (them) by means of well-stamped (earth)ramps, and battering-rams brought (thus) near (to the walls) (combined with) the attack by foot soldiers, (using) mines, breeches as well as sapper work. I drove out (of them) 200,150 people, young and old, male and female, horses, mules, donkeys, camels, big and small cattle beyond counting, and considered (them) booty. Himself I made a prisoner in Jerusalem, his royal residence, like a bird in a cage. I surrounded him with earthwork in order to molest those who were leaving his city’s gate (Pritchard, 1958a, p. 200).

At least two facts of monumental significance reside in Sennacherib’s statement. First, Sennacherib’s attack on the outlying cities of Judah finds a direct parallel in 2 Chronicles 32:1: “Sennacherib king of Assyria came and entered Judah; he encamped against the fortified cities….” The most noteworthy fortified city that the Assyrian despot besieged and captured was the city of Lachish. Second, Sennacherib never mentions that he captured Jerusalem.

Lachish Under Siege

Assyrians attacking the Jewish town of Lachish
Assyrians attack the Jewish fortified town of Lachish. Part of a relief from the palace of Sennacherib at Nineveh. British Museum, London. Credit: Erich Lessing/Art Resource, NY.

When we turn to the biblical account of Sennacherib’s Palestinian invasion in 2 Kings 18, we learn that he had advanced against “all the fortified cities of Judah” (vs. 14). At one of those cities, Lachish, King Hezekiah sent tribute money in an attempt to assuage the Assyrian’s wrath. The text states: “Then Hezekiah king of Judah sent to the king of Assyria at Lachish, saying, ‘I have done wrong; turn away from me; whatever you impose on me I will pay’ ” (vs. 14). Of Lachish, Sennacherib demanded 300 talents of silver and 30 talents of gold, which Hezekiah promptly paid. Not satisfied, however, the Assyrian ruler “sent the Tartan, the Rabsaris, and the Rabshakeh from Lachish, with a great army against Jerusalem, to King Hezekiah” (vs. 17) in an attempt to frighten the denizens of Jerusalem into surrender. The effort failed, “so the Rabshakeh returned and found the king of Assyria warring against Libnah, for he heard that he had departed from Lachish” (19:8). From the biblical record, then, we discover very scant information about the battle at Lachish—only that Sennacherib was there, laid siege to the city (2 Chronicles 32:9), and moved on to Libnah upon the completion of his siege.

From Sennacherib’s historical files, however, we get a much more complete account of the events surrounding Lachish. The Assyrian monarch considered his victory at Lachish of such import that he dedicated an entire wall (nearly seventy linear feet) of his palace in Nineveh to carved reliefs depicting the event (Hoerth, p. 350). In the mid-1840s, renowned English archaeologist Henry Layard began extensive excavations in the ruins of ancient Nineveh. He published his initial finds in an 1849 best-selling volume titled Nineveh and Its Remains, and in three subsequent volumes: The Monuments of Nineveh (1849), Inscriptions in the Cuneiform Characters (1851), and Discoveries in the Ruins of Nineveh (1853) [see Moorey, 1991, pp. 7-12 for more about Layard’s work]. Since Layard’s early discoveries, archaeologists have located and identified thousands of artifacts from at least three different palaces. The remains of ancient Nineveh are located in two mounds on opposite banks of the Hawsar River. One of the mounds, known as Kouyunjik Tepe, contained the remains of the palaces of Esarhaddon and Ashurbanipal. The other mound, Nebi Younis, held the relics of the palace of Sennacherib. These palaces were built on raised platforms about 75 feet high (Negev and Gibson, 2001, p. 369).

One of the most outstanding artifacts found among the ruins of Nineveh was the wall relief depicting Sennacherib’s defeat of the city of Lachish. Ephraim Stern offered an excellent description of the events pictured in the relief:

The main scene shows the attack on the gate wall of Lachish. The protruding city gate is presented in minute detail, with its crenellations and its special reinforcement by a superstructure of warriors’ shields. The battering rams were moved over specially constructed ramps covered with wooden logs. They were “prefabricated,” four-wheeled, turreted machines. The scene vividly shows frenzied fighting of both attacker and defender in the final stage of battle (2001, 2:5).

Assyrians impaling Jewish prisoners
Assyrian warriors shown impaling Jewish prisoners. Part of a relief from the palace of Sennacherib. British Museum, London. Credit: Erich Lessing/Art Resource, NY.

Stern also discussed the flaming firebrands that the defenders of Lachish launched at their attackers, the long-handled, ladle-like instruments used to dowse the front of the battering rams when they were set on fire, slingmen, archers, and assault troops with spears. One of the most striking features of the relief is the depiction of the tortures inflicted on the inhabitants of the Lachish. Several prisoners are pictured impaled on poles, while women and children from the city are led past the victims (Stern, 2:5-6). The epigraph that accompanied the relief read: “Sennacherib, king of the world, king of Assyria, sat upon a nimedu– throne and passed in review the booty (taken) from Lachish (La-ki-su)” [Pritchard, 1958a, p. 201, parenthetical item in orig.].

Of further interest is the fact that archaeological digs at the city of Lachish bear out the details of Sennacherib’s wall relief. Extensive archaeological digs at Lachish from 1935 to 1938 by the British, and again from 1973 to 1987 under Israeli archaeologist David Ussishkin and others, have revealed a treasure trove of artifacts, each of which fits the events depicted by Sennacherib. Concerning the Assyrian siege of Lachish, William Dever noted:

The evidence of it is all there: the enormous sloping siege ramp thrown up against the city walls south of the gate; the double line of defense walls, upslope and downslope; the iron-shod Assyrian battering rams that breached the city wall at its highest point; the massive destruction within the fallen city…. Virtually all the details of the Assyrian reliefs have been confirmed by archaeology…. Also brought to light by the excavators were the double city walls; the complex siege ramp, embedded with hundreds of iron arrowheads and stone ballistae; the counter-ramp inside the city; the destroyed gate, covered by up to 6 ft. of destruction debris; huge boulders from the city wall, burned almost to lime and fallen far down the slope… (2001, pp. 168-169).

The Assyrian monarch’s siege of Lachish is documented by the biblical text, and the destruction of the city is corroborated by the massive carving dedicated to the event in Sennacherib’s palace at Nineveh, as well as the actual artifacts found in stratum III at Lachish.

Jerusalem Stands Strong

Of special interest in Sennacherib’s description of his Palestinian conquest is the fact that he never mentioned seizing the city of Jerusalem. On the Taylor Prism, we find the writings about his conquest of 46 outlying cities, in addition to “walled forts” and “countless small villages.” In fact, we even read that Hezekiah was shut up in Jerusalem as a prisoner “like a bird in a cage.” It also is recorded that Hezekiah sent more tribute to Sennacherib at the end of the campaign (Pritchard, 1958a, pp. 200-201). What is not recorded, however, is any list of booty that was taken from the capital city of Judah. Nor is an inventory of prisoners given in the text of the Taylor Prism. Indeed, one would think that if the city of Lachish deserved so much attention from the Assyrian dictator, then the capital city of Judah would deserve even more.

What we find, however, is complete silence as to the capture of the city. What happened to the vast, conquering army to cause it to buckle at the very point of total victory? Hershel Shanks, author of Jerusalem: An Archaeological Biography, wrote: “…although we don’t know for sure what broke the siege, we do know that the Israelites managed to hold out” (1995, p. 84).

The biblical text, however, offers the answer to this historical enigma. Due to Hezekiah’s faithfulness to the Lord, Jehovah offered His divine assistance to the Judean King. In the book of Isaiah, the prophet was sent to Hezekiah with a message of hope. Isaiah informed Hezekiah that God would stop Sennacherib from entering the city, because Hezekiah prayed to the Lord for assistance. In Isaiah 37:36, the text states: “Then the angel of the Lord went out, and killed in the camp of the Assyrians one hundred and eighty-five thousand; and when people arose early in the morning, there were the corpses—all dead. So Sennacherib king of Assyria departed and went away, returned home, and remained at Nineveh.” Sennacherib could not boast of his victory over the city of Jerusalem—because there was no victory! The Lord had delivered the city out of his hand. In addition, as Dever observed: “Finally, Assyrian records note that Sennacherib did die subsequently at the hands of assassins, his own sons…” (2001, p. 171). Luckenbill records the actual inscription from Esarhaddon’s chronicles that describe the event:

In the month Nisanu, on a favorable day, complying with their exalted command, I made my joyful entrance into the royal palace, an awesome place, wherein abides the fate of kings. A firm determination fell upon my brothers. They forsook the gods and turned to their deeds of violence plotting evil. …To gain the kingship they slew Sennacherib, their father (Luckenbill, 1989, 2:200-201).

These events and artifacts surrounding Hezekiah, Sennacherib, Lachish, and Jerusalem give us an amazing glimpse into the tumultuous relationship between Judah and her neighbors. These facts also provide an excellent example of how archaeology substantiates the biblical account.

THE SIGNIFICANCE OF BULLAE

The ancient Israelites used several different media to record their information. Among the most popular were scrolls of papyrus and leather. When a scribe had completed writing his information on a scroll, he often would roll the papyrus or leather into a cylinder shape and tie it securely with a string. In order to seal the string even more securely, and to denote the author or sender of the scroll, a bead of soft clay (or soft wax or soft metal) was placed over the string of the scroll. With some type of stamping device, the clay was pressed firmly to the scroll, leaving an inscription in the clay (King and Stager, 2001, p. 307). These clay seals are known as bullae (the plural form of the word bulla). Over the many years of archaeological excavations, hundreds of these bullae have been discovered. TheArchaeological Encyclopedia of the Holy Land provides an extensive list of bullae that have been unearthed: 50 in Samaria during the 1930s; 17 at Lachish in 1966; 51 in Jerusalem in digs conducted by Yigal Shiloh; 128 in 1962 found in the Wadi ed-Daliyeh Cave and a large cache of 2,000 bullae found in 1998 at Tel Kadesh (Negev and Gibson, 2001, pp. 93-94).

Examples of Bullae
On the left, a bulla with Hebrew writing in a slightly oval impression. On the right, a stamp seal with the name of the owner or scribe. Credit: The Schøyen Collection MS 1912 and MS 5160/1.

Most of the bullae that have been discovered are small, oval, clay stamps that contain the name of the person responsible for the document that was sealed (and occasionally the father of that person), the title or office of the sealer, and/or a picture of an animal or some other artistic rendering. One of the most interesting things about the bullae that have been discovered is the fact that certain names found among the clay seals correspond with biblical references. For instance, from 1978 to 1985, Yigal Shiloh did extensive digging in the city of Jerusalem. In 1982, in a building in Area G of Jerusalem, he discovered a cache of 51 bullae. Because of these clay inscriptions, the building is known in archaeological circles as the “House of Bullae.” This building was burned during the Babylonian destruction of Jerusalem in 586 B.C.Unfortunately, the intense heat of the fires burned all the leather and papyrus scrolls. Yet, even though it destroyed the scrolls, the same fire baked the clay bullae hard and preserved them for posterity (King and Stager, p. 307).

One interesting bulla, and probably the most famous, is connected to the scribe of Jeremiah—Baruch. Hershel Shanks, the editor of Biblical Archaeology Review, gave a detailed account of a landmark cache of over 250 bullae. In October 1975, the first four bullae were purchased by an antiquities dealer in east Jerusalem. The dealer took these bullae to Nahman Avigad, a leading Israeli expert on ancient seals at Hebrew University. More and more bullae came across Avigad’s desk that fit with the others. On more than one occasion, a fragment from one collection would fit with a corresponding fragment from another dealer’s collection. Ultimately, Yoav Sasson, a Jerusalem collector, came to acquire about 200 of the bullae, and Reuben Hecht obtained 49 pieces (Shanks, 1987, pp. 58-65).

The names on two of these bullae have captivated the archaeological world for several decades now. On one of the bulla, the name “Berekhyahu son of Neriyahu the scribe,” is clearly impressed. Shanks wrote concerning this inscription: “The common suffix –yahu in ancient Hebrew names, especially in Judah, is a form of Yahweh. Baruch means “the blessed.” Berekhyahu means “blessed of Yahweh.” An equivalent form to –yahu is –yah, traditionally rendered as “-iah” in our English translations. Neriah is actually Neri-yah or Neriyahu. Eighty of the 132 names represented in the hoard (many names appear more than once on the 250 bullae) include the theophoric element –yahu (1987, p. 61). Shanks (along with the general consensus of archaeological scholars) concluded that the bulla belonged to Baruch, the scribe of Jeremiah. In Jeremiah 36:4, the text reads: “Then Jeremiah called Baruch the son of Neriah….” The name on the bulla corresponds well with the name in Jeremiah. Concerning the bulla, Hoerth wrote: “This lump of clay…used to close a papyrus document, was sealed by none other than ‘Baruch son of Neriah’ (Jer. 36:4). Baruch’s name here carries a suffix abbreviation for God, indicating that his full name meant ‘blessed of God’ ” (1998, p. 364).

To multiply the evidence that this inscription was indeed the Baruch of Jeremiah fame, another of the inscriptions from a bulla in the cache documented the title “Yerahme’el, son of the king.” This name corresponds to King Jehoiakim’s son “who was sent on the unsuccessful mission to arrest Baruch and Jeremiah” (Shanks, 1987, p. 61). Indeed, the biblical text so states: “And the king commanded Jerahmeel the king’s son…to seize Baruch the scribe and Jeremiah the prophet, but the Lord hid them” (Jeremiah 36:26). In commenting on the bulla, Amihai Mazar, who is among the most noted of archaeologists, stated in regard to Jerahmeel the king’s son: “We presume [he] was Jehoiakim’s son sent to arrest Jeremiah (Jeremiah 36:26)” [1992, pp. 519-520]. [As a side note, the Hebrew letter yod is represented by Y and J, which often are used interchangeably in the English transliteration of Hebrew names—a fact that can be seen easily in the Hebrew name for God, which is written variously as Yahweh or Jehovah.] Another bulla in the hoard contained the title “Elishama, servant of the king.” And in Jeremiah 36:12, the text mentioned a certain “Elishama the scribe.” While professor Avigad thinks it would be a dubious connection, since he believes the biblical text would not drop the title “servant of the king” (because of its prestige), Shanks commented: “I would not reject the identification so easily” (1987, p. 62).

One of the names inscribed on a bulla was the Hebrew name “Gemaryahu [Gemariah] the son of Shaphan.” Price noted: “This name, which appears a few times in the book of Jeremiah, was the name of the scribe who served in the court of King Jehoiakim” (1998, p. 235). Jeremiah 36:10 records that Jeremiah’s scribe, Baruch, read from the words of the prophet “in the chamber of Gemariah the son of Shaphan the scribe….” It also is interesting to note that Gemariah was a scribe, which would have put him in precisely the position to produce bullae. Also among the collection from the “House of Bullae” was a bulla that was sealed with the name “Azaryahu son of Hilqiyahu”—a name that easily corresponds with Azariah son of Hilkiah found in 1 Chronicles 9:10-11 (Laughlin, 2000, p. 153).

We have then, among this phenomenal cache of bullae (which dates to the time of the events in the book of Jeremiah), two names and titles that correspond almost identically to Baruch, the son of Neriah, plus Jerahmeel, the son of Jehoiakim, and a third, Elishama, whose name appears in Jeremiah 36. What, then, does this prove? While it is the case that several men in ancient Israel could be named Baruch or Jerahmeel, it becomes almost absurd to suggest that these bullae just happen “coincidentally” to correspond so well to the biblical text. Such evidence points overwhelming to the accuracy of the biblical text and its historical verifiability. At the very least, such finds demonstrate these biblical names to be authentic for the time period. [As an added note of interest on the Baruch bulla, Shanks wrote a follow-up article in Biblical Archaeological Review in 1996, in which he discussed another bulla with Baruch’s title on it that also contains a fingerprint—possibly of the scribe himself. This bulla is in the private collection of a well-known collector named Shlomo Maussaieff (Shanks, 1996, pp. 36-38).]

THE MOABITE STONE

Another important archaeological find verifying the historicity of the biblical account is known as the Moabite Stone. It is true that writing about a rock that was discovered almost 150 years ago certainly would not fit in a current “in the news” section. In fact, so much has been written about this stone since 1868 that very few new articles pertaining to it have come to light. But the real truth of the matter is that, even though it was discovered more than a century ago, many people do not even know it exists, and thus need to be reminded of its importance.

The Moabite StoneThe find is known as the Moabite Stone, or the Mesha Inscription, since it was written by Mesha, King of Moab. A missionary named F.A. Klein first discovered the stone in August of 1868 (Edersheim, n.d., p. 109). When he initially saw the black basalt stone, it measured approximately 3.5 feet high and 2 feet wide. Upon learning of Klein’s adventure, a French scholar by the name of Clermont-Ganneau located the antiquated piece of rock, and copied eight lines from the stone. He then had an impression (known as a “squeeze”) made of the writing on its surface. A squeeze is made by placing a soggy piece of paper over the inscription, which then retains the form of the inscription when it dries (Pritchard, 1958b, p. 105). From that point, the details surrounding the stone are not quite as clear. Apparently (for reasons unknown), the Arabs who were in possession of the stone decided to shatter it. [Some have suggested that they thought the stone was a religious talisman of some sort, or that they could get more money selling the stone in pieces. However, LeMaire claims that these reasons are “apocryphal,” and suggests that the Arabs broke it because they hated the Ottomans, who were attempting to purchase the stone (1994, p. 34).] By heating it in fire and then pouring cold water on it, they succeeded in breaking the stone into several pieces. The pieces ended up being scattered, but eventually about two-thirds of the original stone ended up being relocated, and currently reside at the Louvre in Paris (Jacobs and McCurdy, 2002).

The written inscription on the stone provides a piece of outstanding evidence that verifies the Bible’s accuracy. Mesha, had the stone cut in c. 850 B.C. to relate his numerous conquests and his reacquisition of certain territories that were controlled by Israel. In the over 30-line text (composed of approximately 260 words), Mesha mentioned that Omri was the king of Israel who had oppressed Moab, but then Mesha says he “saw his desire upon” Omri’s son and upon “his house.” Mesha wrote:

I (am) Mesha, son of Chemosh-[…], king of Moab, the Dibonite—my father (had) reigned over Moab thirty years, and I reigned after my father,—(who) made this high place for Chemosh in Qarhoh […] because he saved me from all the kings and caused me to triumph over all my adversaries. As for Omri, king of Israel, he humbled Moab many years (lit., days), for Chemosh was angry at his land. And his son followed him and he also said, “I will humble Moab.” In my time he spoke (thus), but I have triumphed over him and over his house, while Israel hath perished forever (Pritchard, 1958a, p. 209).

The Mesha stele cites Omri as the king of Israel, just as 1 Kings 16:21-28 indicates. Furthermore, it mentions Ahab, Omri’s son, in close connection with the Moabites, as does 2 Kings 3:4-6. In addition, both the stele and 2 Kings 3:4-6 list Mesha as King of Moab. Later in the inscription, the stele further names the Israelite tribe of Gad, and the Israelite God, Yahweh. While the references to the Israelite kings are quite notable in and of themselves, Pritchard has pointed out that this reference to Yahweh is one of the few that have been found outside of Palestine proper (1958b, p. 106).

Another important feature of the Moabite stone is the fact that it “gave the solution to a question that had gone unanswered for centuries.” The biblical record chronicles the Moabite subjugation under King David and King Solomon, and how the Moabites broke free at the beginning of the divided kingdom. However, the Bible also mentions (2 Kings 3:4) that Ahab was receiving tribute from Moab. As Alfred Hoerth has remarked: “Nowhere does the Bible state how or when Moab was reclaimed, for Ahab to be receiving such tribute. The Moabite Stone provides that information, telling, as it does, of Omri’s conquest from the Moabite point of view” (1998, p. 310).

From the end of the quoted portion of the Mesha Inscription (“while Israel hath perished forever”), it is obvious that Mesha exaggerated the efficacy of his conquest—a common practice among ancient kings. Pritchard noted that historians agree that “the Moabite chroniclers tended generally, and quite understandably, to ignore their own losses and setbacks” (1958b, p. 106). Free and Vos document the works of John D. Davies and S.L. Caiger, which offer a harmonization of the Moabite text with the biblical record. Davies, formerly of the Princeton University Seminary, accurately observed: “Mesha is in no wise contradicting, but only unintentionally supplementing the Hebrew account” (as quoted in Free and Vos, 1992, p. 161).

As a further point of interest, French scholar André LeMaire, in an extensive article in Biblical Archaeology Review, “identified the reading of the name David in a formerly unreadable line, ‘House of D…,’ on the Mesha Stele (or Moabite Stone)” [Price, 1997, p. 171; see also LeMaire, 1994, pp. 30-37]. Whether or not this identification is accurate, has yet to be verified by scholarly consensus. Even liberal scholars Finkelstein and Silberman, however, acknowledged LaMaire’s identification, along with the Tel Dan inscription documenting the House of David, and concluded: “Thus, the house of David was known throughout the region; this clearly validates the biblical description of a figure named David becoming the founder of the dynasty of Judahite kings in Jerusalem” (2001, p. 129).

Taken as a whole, the Moabite stone remains one of the most impressive pieces of evidence verifying the historical accuracy of the Old Testament. And, although this find has been around almost 150 years, it “still speaks” to us today (Hebrews 11:4).

Cyrus Cylinder

THE CYRUS CYLINDER

Cyrus, King of the Medo-Persian Empire, is among the most important foreign rulers of the Israelite nation. In fact, many Old Testament prophecies revolve around this monarch. The prophet Isaiah documented that the Babylonian Empire would fall to the Medes and the Persians (Isaiah 13; 21:1-10). Not only did Isaiah detail the particular empire to which the Babylonians would fall, but he also called Cyrus by name (Isaiah 44:28; 45:1-5). Amazingly, Isaiah’s prophecy was made roughly 150 years before Cyrus was born(Isaiah prophesied in about 700 B.C.; Cyrus took the city of Babylon in 539 B.C.). To add to Cyrus’ significance, Isaiah predicted that Cyrus would act as the Lord’s “shepherd.” In fact, Isaiah recorded these words of the Lord concerning Cyrus: “And he shall perform all My pleasure, even saying to Jerusalem, ‘You shall be built,’ and to the temple, ‘Your foundation shall be laid’ ” (Isaiah 44:28).

In 1879, Hormoz Rasam found a small clay cylinder (about nine inches long, and now residing in the British Museum) in the ancient city of Babylon. Upon the clay cylinder, King Cyrus had inscribed, among other things, his victory over the city of Babylon and his policy toward the nations he had captured, as well as his policy toward their various gods and religions. Price recorded a translation of a segment of the cuneiform text found on the cylinder:

…I returned to [these] sacred cities on the other side of the Tigris, the sanctuaries of which have been in ruins for a long time, the images which [used] to live therein and established for them permanent sanctuaries. I [also] gathered all their [former] inhabitants and returned [to them] their habitations. Furthermore, I resettled upon the command of Marduk the great lord, all the gods of Sumer and Akkad whom Nabonidus has brought into Babylon to the anger of the lord of the gods, unharmed, in their [former] chapels, the places which made them happy. May all the gods who I have resettled in their sacred cities ask daily Bel and Nebo for long life for me and may they recommend me…to Marduk, my lord, may they say thus: Cyrus, the king who worships you and Cambyses, his son, […] all of them I settled in a peaceful place (pp. 251-252).

The policy, often hailed as Cyrus’ declaration of human rights, coincides with the biblical account of the ruler’s actions, in which Cyrus decreed that the temple in Jerusalem should be rebuilt, and that all the exiled Israelites who wished to join in the venture had his permission and blessing to do so (Ezra 1:1-11). The little nine-inch-long clay cylinder stands as impressive testimony—along with several other archaeological finds—to the historical accuracy of the biblical text.

CONCLUSION

The archaeological evidence presented in this article that confirms biblical history is, in truth, only a tiny fraction of the evidence that could be amassed along these lines. In fact, volumes of hundreds of pages each have been produced on such matters, and with every new find comes additional information that will fill archaeology texts for decades to come. The more we uncover the past, the more we discover the truth that the Bible is the most trustworthy, historically accurate document ever produced. As the poet John Greenleaf Whittier once wrote:

We search the world for truth; we cull the good, the pure, the beautiful, from all the old flower fields of the soul; and, weary seekers of the best, we come back laden from our quest, to find that all the sages said is in the Book our mothers read.

REFERENCES

Dever, William (2001), What did the Bible Writers Know and When did They Know It? (Grand Rapids, MI: Eerdmans).

Edersheim, Albert (no date), The Bible History—Old Testament, Book VI (Grand Rapids, MI: Eerdmans).

Finkelstein, Israel and Neil Silberman (2001), The Bible Unearthed (New York: Simon & Schuster).

Free, Joseph P. and Howard F. Vos (1992), Archaeology and Bible History (Grand Rapids, MI: Zondervan).

Hanson, K.C. (2002), Sennacherib Prism, [On-line], URL: http://www.kchanson.com/ANCDOCS/meso/sennprism1.html.

Hoerth, Alfred J. (1998), Archaeology and the Old Testament (Grand Rapids, MI: Baker).

Jacobs, Joseph and J. Frederick McCurdy (2002), “Moabite Stone,” Jewish Encyclopedia.com,[On-line], URL: http://www.jewishencyclopedia.com/view.jsp?artid=680&letter=M.

King, Philip J. and Lawrence E. Stager (2001), Life in Biblical Israel (in the Library of Ancient Israelseries), ed. Douglas A. Knight (Louisville, KY: Westminster/John Knox Press).

Laughlin, John C.H. (2000), Archaeology and the Bible (New York: Routledge).

LeMaire, André (1994), “House of David Restored in Moabite Inscription,” Biblical Archaeology Review, 20[3]:30-37, May/June.

Luckenbill, Daniel D. (1989), Ancient Records of Assyria and Babylon (London: Histories and Mysteries of Man Ltd.).

Mazar, Amihai (1992), Archaeology of the Land of the Bible (New York: Doubleday).

Moorey, P.R.S. (1991), A Century of Biblical Archaeology (Louisville, KY: Westminster/John Knox Press).

Negev, Avraham and Shimon Gibson (2001), Archaeological Encyclopedia of the Holy Land (New York: Continuum).

Price, Randall (1997), The Stones Cry Out (Eugene, OR: Harvest House).

Pritchard, James B., ed. (1958a), The Ancient Near East: An Anthology of Texts and Pictures(Princeton, NJ: Princeton University Press).

Pritchard, James B. (1958b), Archaeology and the Old Testament (Princeton, NJ: Princeton University Press).

Shanks, Hershel (1987), “Jeremiah’s Scribe and Confidant Speaks from a Hoard of Clay Bullae,” Biblical Archaeology Review, 13[5]:58-65, September/October.

Shanks, Hershel (1995), Jerusalem: An Archaeological Biography (New York: Random House).

Shanks, Hershel (1996), “Fingerprint of Jeremiah’s Scribe,” Biblical Archaeology Review, 22[2]:36-38, March/April.

Stern, Ephraim (2001), Archaeology and the Land of the Bible: The Assyrian, Babylonian, and Persian Periods (732-332 B.C.E.) (New York: Doubleday).

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The answer to finding out more about God is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted. Please consider taking time to read Isaiah chapter 53 and if you have any interest then watch the You Tube clip “The Biography of the King” by Adrian Rogers which discusses that chapter in depth.

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

Below is a piece of that evidence given by Francis Schaeffer concerning the accuracy of the Bible.

TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?)

In the previous chapter we saw that the Bible gives us the explanation for the existence of the universe and its form and for the mannishness of man. Or, to reverse this, we came to see that the universe and its form and the mannishness of man are a testimony to the truth of the Bible. In this chapter we will consider a third testimony: the Bible’s openness to verification by historical study.

Christianity involves history. To say only that is already to have said something remarkable, because it separates the Judeo-Christian world-view from almost all other religious thought. It is rooted in history.

The Bible tells us how God communicated with man in history. For example, God revealed Himself to Abraham at a point in time and at a particular geographical place. He did likewise with Moses, David, Isaiah, Daniel and so on. The implications of this are extremely important to us. Because the truth God communicated in the Bible is so tied up with the flow of human events, it is possible by historical study to confirm some of the historical details.

It is remarkable that this possibility exists. Compare the information we have from other continents of that period. We know comparatively little about what happened in Africa or South America or China or Russia or even Europe. We see beautiful remains of temples and burial places, cult figures, utensils, and so forth, but there is not much actual “history” that can be reconstructed, at least not much when compared to that which is possible in the Middle East.

When we look at the material which has been discovered from the Nile to the Euphrates that derives from the 2500-year span before Christ, we are in a completely different situation from that in regard to South America or Asia. The kings of Egypt and Assyria built thousands of monuments commemorating their victories and recounting their different exploits. Whole libraries have been discovered from places like Nuzu and Mari and most recently at Elba, which give hundreds of thousands of texts relating to the historical details of their time. It is within this geographical area that the Bible is set. So it is possible to find material which bears upon what the Bible tells us.

The Bible purports to give us information on history. Is the history accurate? The more we understand about the Middle East between 2500 B.C. and A.D. 100, the more confident we can be that the information in the Bible is reliable, even when it speaks about the simple things of time and place.

(This material below is under footnote #94)

The site of the biblical city called Lachish is about thirty miles southwest of Jerusalem. This city is referred to on a number of occasions in the Old Testament. Imagine a busy city with high walls surrounding it, and a gate in front that is the only entrance to the city. We know so much about Lachish from archaeological studies that a reconstruction of the whole city has been made in detail. This can be seen at the British Museum in the Lachish Room in the Assyrian section.

There is also a picture made by artists in the eighth century before Christ, the Lachish Relief, which was discovered in the city of Nineveh in the ancient Assyria. In this picture we can see the Jewish inhabitants of Lachish surrendering to Sennacherib, the king of Assyria. The details in the picture and the Assyrian writing on it give the Assyrian side of what the Bible tells us in Second Kings:

2 Kings 18:13-16

New American Standard Bible (NASB)

13 Now in the fourteenth year of King Hezekiah, Sennacherib king of Assyria came up against all the fortified cities of Judah and seized them. 14 Then Hezekiah king of Judah sent to the king of Assyria at Lachish, saying, “I have done wrong. Withdraw from me; whatever you impose on me I will bear.” So the king of Assyria required of Hezekiah king of Judah three hundred talents of silver and thirty talents of gold. 15 Hezekiah gave him all the silver which was found in the house of the Lord, and in the treasuries of the king’s house. 16 At that time Hezekiah cut off the gold from the doors of the temple of the Lord, and from the doorposts which Hezekiah king of Judah had overlaid, and gave it to the king of Assyria.

________

We should notice two things about this. First, this is a real-life situation–a real siege of a real city with real people on both sides of the war–and it happened at a particular date in history, near the turn of the eighth century B.C. Second, the two accounts of this incident in 701 B.C. (the account from the Bible and the Assyrian account from Nineveh) do not contradict, but rather confirm each other. The history of Lachish itself is not so important for us, but some of its smaller historical details.

_____________

 

Related posts:

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 41 Sarvepalli Radhakrishnan (Featured artist is Marina Abramović)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 40 Timothy Leary (Featured artist is Margaret Keane)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 39 Tom Wolfe (Featured artist is Richard Serra)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 38 Woody Allen and Albert Camus “There is but one truly serious philosophical problem, and that is suicide” (Feature on artist Hamish Fulton Photographer )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 37 Mahatma Gandhi and “Relieving the Tension in the East” (Feature on artist Luc Tuymans)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 36 Julian Huxley:”God does not in fact exist, but act as if He does!” (Feature on artist Barry McGee)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 35 Robert M. Pirsig (Feature on artist Kerry James Marshall)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 34 Aleksandr Solzhenitsyn (Feature on artist Shahzia Sikander)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 33 Aldous Huxley (Feature on artist Matthew Barney )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 32 Steven Weinberg and Woody Allen and “The Meaningless of All Things” (Feature on photographer Martin Karplus )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 31 David Hume and “How do we know we know?” (Feature on artist William Pope L. )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 30 Rene Descartes and “How do we know we know?” (Feature on artist Olafur Eliasson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 29 W.H. Thorpe and “The Search for an Adequate World-View: A Question of Method” (Feature on artist Jeff Koons)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 28 Woody Allen and “The Mannishness of Man” (Feature on artist Ryan Gander)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 27 Jurgen Habermas (Featured artist is Hiroshi Sugimoto)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 26 Bettina Aptheker (Featured artist is Krzysztof Wodiczko)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 25 BOB DYLAN (Part C) Francis Schaeffer comments on Bob Dylan’s song “Ballad of a Thin Man” and the disconnect between the young generation of the 60’s and their parents’ generation (Feature on artist Fred Wilson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 24 BOB DYLAN (Part B) Francis Schaeffer comments on Bob Dylan’s words from HIGHWAY 61 REVISITED!! (Feature on artist Susan Rothenberg)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 23 BOB DYLAN (Part A) (Feature on artist Josiah McElheny)Francis Schaeffer on the proper place of rebellion with comments by Bob Dylan and Samuel Rutherford

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 22 “The School of Athens by Raphael” (Feature on the artist Sally Mann)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 21 William B. Provine (Feature on artist Andrea Zittel)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 20 Woody Allen and Materialistic Humanism: The World-View of Our Era (Feature on artist Ida Applebroog)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 19 Movie Director Luis Bunuel (Feature on artist Oliver Herring)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 18 “Michelangelo’s DAVID is the statement of what humanistic man saw himself as being tomorrow” (Feature on artist Paul McCarthy)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 17 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part C (Feature on artist David Hockney plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 16 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part B (Feature on artist James Rosenquist plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 15 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part A (Feature on artist Robert Indiana plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 14 David Friedrich Strauss (Feature on artist Roni Horn )

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 12 H.J.Blackham and Materialistic Humanism: The World-View of Our Era (Feature on artist Arturo Herrera)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 11 Thomas Aquinas and his Effect on Art and HOW SHOULD WE THEN LIVE? Episode 2: THE MIDDLES AGES (Feature on artist Tony Oursler )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 10 David Douglas Duncan (Feature on artist Georges Rouault )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 9 Jasper Johns (Feature on artist Cai Guo-Qiang )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 8 “The Last Year at Marienbad” by Alain Resnais (Feature on artist Richard Tuttle and his return to the faith of his youth)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 7 Jean Paul Sartre (Feature on artist David Hooker )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 6 The Adoration of the Lamb by Jan Van Eyck which was saved by MONUMENT MEN IN WW2 (Feature on artist Makoto Fujimura)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 5 John Cage (Feature on artist Gerhard Richter)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 4 ( Schaeffer and H.R. Rookmaaker worked together well!!! (Feature on artist Mike Kelley Part B )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 3 PAUL GAUGUIN’S 3 QUESTIONS: “Where do we come from? What art we? Where are we going? and his conclusion was a suicide attempt” (Feature on artist Mike Kelley Part A)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 2 “A look at how modern art was born by discussing Monet, Renoir, Pissaro, Sisley, Degas,Cezanne, Van Gogh, Gauguin, Seurat, and Picasso” (Feature on artist Peter Howson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 1 HOW SHOULD WE THEN LIVE? “The Roman Age” (Feature on artist Tracey Emin)

________

 

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 139 Gabriel Horn neuroscientist, Cambridge, “Although well knowing that I may die, I never thought I had to get myself converted…”

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif AhmedHaroon Ahmed,  Jim Al-Khalili, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BateSir Patrick BatesonSimon Blackburn, Colin Blakemore, Ned BlockPascal BoyerPatricia ChurchlandAaron CiechanoverNoam Chomsky, Brian CoxPartha Dasgupta,  Alan Dershowitz, Frank DrakeHubert Dreyfus, John DunnBart Ehrman, Mark ElvinRichard Ernst, Stephan Feuchtwang, Robert FoleyDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Stephen HawkingHermann Hauser, Robert HindeRoald Hoffmann,  Bruce HoodGerard ‘t HooftCaroline HumphreyNicholas Humphrey,  Herbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart KauffmanMasatoshi Koshiba,  Lawrence KraussHarry Kroto, George Lakoff,  Rodolfo LlinasElizabeth Loftus,  Alan MacfarlaneDan McKenzie,  Mahzarin BanajiPeter MillicanMarvin MinskyLeonard Mlodinow,  P.Z.Myers,   Yujin NagasawaAlva NoeDouglas Osheroff, David Parkin,  Jonathan Parry, Roger Penrose,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceVS RamachandranLisa RandallLord Martin ReesColin RenfrewAlison Richard,  C.J. van Rijsbergen,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerJohn SulstonBarry Supple,   Leonard Susskind, Raymond TallisMax TegmarkNeil deGrasse Tyson,  Martinus J. G. Veltman, Craig Venter.Alexander Vilenkin, Sir John Walker, James D. WatsonFrank WilczekSteven Weinberg, and  Lewis Wolpert,

 

Gabriel Horn

From Wikipedia, the free encyclopedia
Gabriel Horn
Born 9 December 1927
Died 2 August 2012 (aged 84)[1]
Cambridge
Nationality United Kingdom
Fields Neuroscience
Institutions University of Bristol
University of Cambridge
Notable awards Royal Medal (2001)

Sir Gabriel Horn, MD, ScD, FRS,[2] FRCP (9 December 1927 – 2 August 2012) was a British neuroscientist and Professor in Natural Sciences (Zoology) at the University of Cambridge.[3] His research was into the neural mechanisms of learning and memory.

Early life[edit]

Horn was born on 9 December 1927. He attended Handsworth Technical School in Handsworth, Birmingham.[4] He left the school at 16 to work in his parents’ shop and studied part-time for a National Certificate in Mechanical Engineering, achieving distinction. He served in the Royal Air Force before studying for a Bachelor of Medicine, Bachelor of Surgery at the University of Birmingham.[5]

Academic career[edit]

Horn’s first academic position was in 1956 at the Department of Anatomy, University of Cambridge as a Demonstrator in Anatomy. He became a Lecturer and then a Reader, before leaving to become Professor of Anatomy at the University of Bristol in 1974.[5] In 1975, while at Bristol, he obtained his DSc degree.[5] In 1977, he returned to Cambridge to head the Department of Zoology. He retired in 1995 and was made Emeritus Professor. He was Master of Sidney Sussex College, Cambridge from 1992 to 1999 and Deputy Vice-Chancellor of the university from 1994 to 1997.[4][5] He remained a fellow of Sidney Sussex College after 1999 until his death; he had earlier been a fellow of King’s College, Cambridge, and was elected a life fellow there in 1999.[4]

Honours[edit]

He was elected a Fellow of the Royal Society in 1986,[2] receiving their Royal Medal in 2001.[5] He was given an Honorary Doctor of Science degree by the University of Birmingham in 1999 and by the University of Bristol in 2003.[5] He was knighted in the 2002 New Year Honours “for services to Neurobiology and to the Advancement of Scientific Research”.[6]

Succeeded by
Sandra Dawson

In  the third video below in the 121st clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2

A Further 50 Renowned Academics Speaking About God (Part 3)

 

 

Interview of biologist and zoologist Sir Gabriel Horn – part 1

 

 Interview of the biologist and zoologist Sir Gabriel Horn – part two

 Interview of Sir Gabriel Horn – part three

Uploaded on Jun 3, 2010

An interview of Sir Gabriel Horn by Sir Patrick Bateson on 16 January 2007, filmed by Alan Macfarlane.
For a higher quality, downloadable, version with summary, please see http://www.alanmacfarlane.com

Quote by Dr. Horn:

Yes, I did nearly die. On one occasion I was lucky to be alive after a  massive hemorrhage.  I can say one thing. I never took to religion. I was really true to myself. Although well knowing that I may die, I  never thought I had to get myself converted to Judaism properly. It actually never crossed my mind. I always thought that if on my deathbed I do something funny like that those there will understand it doesn’t mean anything at all.

 Interview of the biologist and zoologist Sir Gabriel Horn – part four

  My Response to Dr. Horn’s statement would have been this simple question:

Is Propositional Revelation Nonsense?

What I mean by that is  if God exists then would it be plausible that God would want to communicate  to us about his existence? There are those who actually believe that God has done that in the Bible. Dr. J. Gresham Machen said that he believed the Bible to be accurate in even the smallest details. The critic H.L.Mencken rightly noted, “Well, if you really want to be a Christian there is only one kind of Christian to be and that is the Machen kind.”

When Dr. Horn made his statement he acted as if he made a  deathbed conversion then his words  would meaning nothing.  I would admit that many people do say things  that they don’t mean but when  you are  on  your deathbed that would be a perfect time to  be totally honest. I salute those who are honest for their honesty, but it should be after they examine the evidence fully concerning God’s existence and that would include the historical accuracy of the Bible. I corresponded with Carl Sagan during the final year of his life and I was sad that he died as an agnostic. That was his choice. I  was appreciative that he took time to write me back and discuss these importance spiritual issues with me. Ironically,  I corresponded with Antony Flew several times, but when he died it seemed as although many secular people were very made at  the things he said in his final book There is a God: How the World’s Most Notorious Atheist Changed His Mind (2007) with Roy Abraham Varghese. 

Two of my biggest spiritual heroes were men who stood up the accuracy of the Bible.

____________

 

Francis Schaeffer

I remember like yesterday hearing my pastor Adrian Rogers in 1979 going through the amazing fulfilled prophecy of Ezekiel 26-28 and the story of the city of Tyre. In 1980 in my senior year (taught by Mark Brink) at Evangelical Christian High School, I watched the film series by Francis Schaeffer called WHATEVER HAPPENED TO THE HUMAN RACE? Later that same year I read the book by the same name and I was amazed at the historical accuracy of the Bible and the many examples from archaeology that Schaeffer gave and recently I have shared several of these in my current series on Schaeffer and the Beatles. The reason I did that was because many people in the 1960’s had taken non-rational leaps into such areas as communism, the occult, drugs, and eastern mysticism,  but sitting right there in front of them was the historical accurate Bible which contained sufficient evidence to warrant trust.

(Adrian Rogers met with Presidents Jimmy Carter and Ronald Reagan.)

____

(This was the average sanctuary crowd when I was growing up at Bellevue Baptist in Memphis)

______________________________________

Anyone who has read my blog for any length of time knows that politically Milton Friedman and Ronald Reagan were my heroes. Spiritually my heroes have been both Francis Schaeffer and Adrian Rogers. An interesting fact about both of these two men and that is they both believed the Bible is the inspired and inerrant word of God. Both men defended the historical accuracy of the Bible even though both of the religious denominations they belonged to started to shift to the liberal view that the Bible contains errors in it.

H. L. Mencken
H l mencken.jpg

J. Gresham Machen

J. Gresham Machen

Francis Schaeffer’s battle on this issue came in the 1930’s when he got to know Dr. J. Gresham Machen was involved in a battle with  the Presbyterian Church USA over their leftward shift in theology. Francis Schaeffer observed:

H.L. Mencken died when I was a young man and I read some of the stuff he wrote and he came at just the point of the total collapse of the American consensus back in the 1930’s or a little before. H.L.Mencken was very destructive to the American consensus and he was way out. It is he who said the famous thing about Dr. J. Gresham Machen. Dr. Machen was the man who was fighting the battle for historic Christianity against the liberals in the big denominations and expressly the Presbyterian denomination and the liberals were trying to laugh Machen out of court. But H.L. Mencken said a remarkable thing, “Well, if you really want to be a Christian there is only one kind of Christian to be and that is the Machen kind.” This is wonderful. This is exactly where the battlefield is. When you take Christianity and chip away at it like the liberals wanted to do then you don’t have anything left. This is no halfway war. If you are going to be a Christian you have to be a biblical Christian. Machen and Mencken understood this and this is my position too.  

Adrian Rogers also was that type of Christian too. Recently a relative told me that his Bible Study Teacher at the church he started attended recently started a series on Genesis and he said on the front end that evolution is true. I encouraged my relative to ask the simple question: DO YOU BELIEVE IN A LITERAL “ADAM AND EVE?” I sent him the sermon on Evolution by Adrian Rogers and here is a portion of it below:

H.G. Wells

H. G. Wells, the brilliant historian who wrote The Outlines of History, said this—and I quote: “If all animals and man evolved, then there were no first parents, and no Paradise, and no Fall. If there had been no Fall, then the entire historic fabric of Christianity, the story of the first sin, and the reason for the atonement, collapses like a house of cards.” H. G. Wells says—and, by the way, I don’t believe that he did believe in creation—but he said, “If there’s no creation, then you’ve ripped away the foundation of Christianity.”

Now, the Bible teaches that man was created by God and that he fell into sin. The evolutionist believes that he started in some primordial soup and has been coming up and up. And, these two ideas are diametrically opposed. What we call sin the evolutionist would just call a stumble up. And so, the evolutionist believes that all a man needs—he’s just going up and up, and better and better—he needs a boost from beneath. The Bible teaches he’s a sinner and needs a birth from above. And, these are both at heads, in collision.

What is evolution? Evolution is man’s way of hiding from God, because, if there’s no creation, there is no Creator. And, if you remove God from the equation, then sinful man has his biggest problem removed—and that is responsibility to a holy God. And, once you remove God from the equation, then man can think what he wants to think, do what he wants to do, be what he wants to be, and no holds barred, and he has no fear of future judgment.

Francis Schaeffer & the SBC

Actually Francis Schaeffer’s good friend Paige Patterson talked Adrian Rogers into running for President of the Southern Baptist Convention in 1979 and the liberal shift was halted. In the article “Francis Schaeffer ‘indispensable’ to SBC,” (Thursday, October 30, 2014,)  David Roach wrote:

The late Francis Schaeffer was known to pick up the phone during the early years of the Southern Baptist Convention’s conservative resurgence. Paige Patterson knew to expect a call from Schaeffer around Christmas with the question, “You’re not growing weary in well-doing are you?”

Patterson, a leader in the movement to return the SBC to a high view of Scripture, would reply, “No, Dr. Schaeffer. I’m under fire, but I’m doing fine. And I’m trusting the Lord and proceeding on.”

To some it may seem strange that an international Presbyterian apologist and analyst of pop culture would take such interest in a Baptist controversy over biblical inerrancy.

But to Schaeffer it made perfect sense.

He believed churches were acquiescing to the world, abandoning their belief that the Bible is without error in everything it said. A watered-down theology left the SBC with decreased power to battle cultural evils. To Schaeffer the convention was the last major American denomination with hope for reversing this “great evangelical disaster,” as he put it.

Thirty years after Schaeffer’s death, Baptist leaders still remember how he took time from his speaking, writing and filmmaking schedule to quietly encourage Patterson; Paul Pressler, a judge from Texas with whom Patterson worked closely during the conservative resurgence; Adrian Rogers, a Memphis pastor who served three terms SBC president; and others.

By the early 1990s, conservatives had elected an unbroken string of convention presidents and moved in position to shift the balance of power on all convention boards and committees from the theologically moderate establishment. But at the time of Schaeffer’s annual calls, the outcome of the controversy was still in doubt.

(Paige Patterson)

“I strongly suspect that he was afraid I would not hold strong,” Patterson, now president of Southwestern Baptist Theological Seminary in Texas, told Baptist Press. “He had seen so many people fold up under pressure that he assumed we probably would too. So he would call and ask for a report.”

Schaeffer’s interest in engaging culture made him particularly appealing to Southern Baptist conservatives. He helped provide them with a “battle plan” to fight cultural evils and what they perceived as theological drift in their denomination, Richard Land, president of Southern Evangelical Seminary, told BP.

Along with theologian Carl F.H. Henry, Schaeffer was the key intellectual influence on leaders of the conservative resurgence, Land said. When conservatives started to be elected as the executives of Baptist institutions, Henry spoke at Land’s inauguration at the Christian Life Commission (the ERLC’s precursor), R. Albert Mohler Jr.’s at Southern Baptist Theological Seminary in Kentucky and Timothy George’s at Beeson Divinity School in Alabama.

“If Schaeffer had still been alive, we would have had him come,” Land said. He noted that Schaeffer was “close” to Rogers and “admired” by Bailey Smith, two conservative SBC presidents. Edith Schaeffer and Patterson’s wife Dorothy were close friends and traveled together in the early 1980s speaking on the importance of the home.

Clark Pinnock, a former New Orleans Baptist Theological Seminary professor who mentored conservative resurgence leaders before taking a leftward theological turn in his own thinking, served on Schaeffer’s staff at L’Abri.

(ADRIAN ROGERS, chairman of the committee that drafted changes to the Baptist Faith & Message, joins Al Mohler, Chuck Kelley and Richard Land in a news conference shortly after the new statement of faith was adopted by messengers to the Southern Baptist Convention annual meeting in Orlando, Fla)

Mount Sinai is one of the most important sites of the entire Bible. It was here that the Hebrew people came shortly after their flight from Egypt. Here God spoke to them through Moses, giving them directions for their life as newly formed nation and making a covenant with them.

The thing to notice about this epochal moment for Israel is the emphasis on history which the Bible itself makes. Time and time again Moses reminds the people of what has happened on Mount Sinai:

Deuteronomy 4:11-12New International Version (NIV)

11 You came near and stood at the foot of the mountain while it blazed with fireto the very heavens, with black clouds and deep darkness. 12 Then the Lordspoke to you out of the fire. You heard the sound of words but saw no form;there was only a voice.

Moses emphasized that those alive at the time had actually heard God’s voice. They had received God’s direct communication  in words. They were eyewitnesses of what had occurred–they saw the cloud and the mountain burning with fire. They saw and they heard. Moses says, on the basis of what they themselves have seen and heard in their own lifetime, they are not to be afraid of their present or future enemies.

On the same basis too, Moses urges them to obey God: “Only be careful, and watch yourselves closely so that you do not forget the things your eyes have seen…” (Deuteronomy 4:9)

Thus the people’s confidence and trust in God and their obedience to Him are alike rooted in truth that is historical and open to observation…The relationship between God and His people was not based on an upward experience inside their own heads, but upon a reality which was seen and heard. They were called to obey God not because of a leap of faith, but because of God’s real acts in history. For God is the LIVING GOD….”Religious Truth” according to the Bible involves the same sort of truth which people operate on in their everyday lives. If something is true, then its opposite cannot also be true.

From the Bible’s viewpoint, all truth finally rests upon the fact that the infinite-personal God exists in contrast to His not existing. This means that God exists objectively. He exists whether or not people say He does. The Bible also teaches that God is personal.
Much of the Bible is in the sphere of normal existence and is observable. God communicated himself in language. This is not surprising for He  was the creator of people who use language in communicating with other people.
In the Hebrew (and biblical) view, truth is grounded ultimately in the existence and character of God and what has been given us by God in creation and revelation. Because people are finite, reality cannot be exhausted by human reason.
It is within this Judeo-Christian view of truth that, by its own insistence, we must understand the Bible. Moses could appeal to real historical events as the basis for Israel’s confidence and obedience into the future. He could even pass down to subsequent generations physical reminders of what God had done, so that the people could see them and remember.

________________

Dr. Francis Schaeffer – Faith, Seeing & Believing

John 21:1-14New International Version (NIV)

Jesus and the Miraculous Catch of Fish

21 Afterward Jesus appeared again to his disciples, by the Sea of Galilee.[a] It happened this way: Simon Peter, Thomas (also known as Didymus[b]), Nathanael from Cana in Galilee, the sons of Zebedee, and two other disciples were together. “I’m going out to fish,” Simon Peter told them, and they said, “We’ll go with you.” So they went out and got into the boat, but that night they caught nothing.

Early in the morning, Jesus stood on the shore, but the disciples did not realize that it was Jesus.

He called out to them, “Friends, haven’t you any fish?”

“No,” they answered.

He said, “Throw your net on the right side of the boat and you will find some.”When they did, they were unable to haul the net in because of the large number of fish.

Then the disciple whom Jesus loved said to Peter, “It is the Lord!” As soon as Simon Peter heard him say, “It is the Lord,” he wrapped his outer garment around him (for he had taken it off) and jumped into the water. The other disciples followed in the boat, towing the net full of fish, for they were not far from shore, about a hundred yards.[c] When they landed, they saw a fire of burning coals there with fish on it, and some bread.

10 Jesus said to them, “Bring some of the fish you have just caught.” 11 So Simon Peter climbed back into the boat and dragged the net ashore. It was full of large fish, 153, but even with so many the net was not torn. 12 Jesus said to them, “Come and have breakfast.” None of the disciples dared ask him, “Who are you?” They knew it was the Lord. 13 Jesus came, took the bread and gave it to them, and did the same with the fish. 14 This was now the third time Jesus appeared to his disciples after he was raised from the dead.

__________

The resurrected Christ stood there on the beach of the Sea of Galilee. Before the disciples reached the shore, He had already prepared a fire with fish cooking on it for them to eat. It was a fire that could be seen and felt; the fire cooked the fish, and the fish and bread could be eaten for breakfast.

When the fire died down, it left ashes on the beach; the disciples were well fed with bread and fish and Christ’s footprints would have been visible on the beach…

Thomas, Christ tells us,  should have believed the ample evidence given to him of the physical evidence of the resurrection by the other apostles. Christ rebuked him for not accepting this evidence.He at that time and we today have the same sufficient witness of those who have seen and heard and were able to touch the resurrected Christ and were able to observe what He had done.

Because Thomas insisted on seeing and touching we have a more sure witness than we otherwise would have  had. In the testimony of those who saw and heard we have a sure witness and this includes Thomas’ doubt and his personal verification which removed that doubt. WE SHOULD BOW BEFORE THE TOTAL WITNESS OF THE RECORD WHICH WE HAVE  IN THE BIBLE, OF THE TESTIMONY OF THE EXISTENCE OF THE UNIVERSE AND IT’S FORM AND THE UNIQUENESS OF MAN. IT IS ENOUGH! BELIEVE HE HAS RISEN.

John 20:24-29New International Version (NIV)

Jesus Appears to Thomas

24 Now Thomas (also known as Didymus[a]), one of the Twelve, was not with the disciples when Jesus came. 25 So the other disciples told him, “We have seen the Lord!”

But he said to them, “Unless I see the nail marks in his hands and put my finger where the nails were, and put my hand into his side, I will not believe.”

26 A week later his disciples were in the house again, and Thomas was with them. Though the doors were locked, Jesus came and stood among them and said, “Peace be with you!” 27 Then he said to Thomas, “Put your finger here; see my hands. Reach out your hand and put it into my side. Stop doubting and believe.”

28 Thomas said to him, “My Lord and my God!”

29 Then Jesus told him, “Because you have seen me, you have believed;blessed are those who have not seen and yet have believed.”

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Is Propositional Revelation Nonsense?

Tim Brister —  July 26, 2006 — 6 Comments

In the appendix of his book, He Is There and He Is Not Silent, Francis Schaeffer wrote a little piece called “Is Propositional Revelation Nonsense?” Schaeffer explains that, “To modern man, and much modern theology, the concept of propositional revelation and the historic Christian view of infallibility is not so much mistaken as meaningless” (345). The 20th century came with many challenges to theological formulation, not the least of which was the assault on propositional truth and revelation. Such camps as existentialists and logical positivists attempted to remove religious truth from the reason and revelation while others sought to justify meaning, reality, and truth with other criterion of verification such as experience and perception. However, center to the Christian faith is the belief that God has spoken and revealed himself in the written Word of God. In this revelation, God used language as the medium to carry and convey biblical truths and realities. This is not to say that God has revealed himself exhaustively, but it does mean that he has revealed himself truly and definitively. Schaeffer makes two points which I would like to mention here:

  1. Even communication between one created person and another is not exhaustive; but that does not mean that for that reason it is not true.
  1. If the uncreated Personal really cared for the created personal, it could not be thought unthinkable for him to tell the created personal things of a propositional nature; otherwise, as a finite being, the created personal would have numerous things he could not know if he just began with himself as a limited, finite reference point.

Schaffer makes some salient points here that deserve to be brought up in the 21stcentury. While we do not disagree that revelation is also personal, we cannot flinch on the assault on propositional revelation. God has revealed himself to us, his nature and his acts, through propositional revelation (i.e. the Bible), and the implications of this truth is that we do not have the rights to reinvent or rename the God Who Is There. If we do not begin with God and his revelation, Schaeffer is correct to conclude that there are many things we could not know about God based on such a limited, finite reference point as ourselves. It is no coincidence that, at the time of Schaeffer’s publishing of this book (1972), John Hick was advancing his pluralistic hypothesis which argued for the ineffability of the “Real” which argued that one cannot know anything about God as he is (ding an sich).Adapting the Kantian model of the noumenal and phenomenal worlds, Hick argues that God (“Real”) has not and cannot reveal himself truly and definitely; furthermore, it is impossible to know anything at all about the Real (except that it is ineffable and that it exists which is something he claims to know). The result when God is not the beginning, the reference point, the apriori grounds of knowledge and revelation, then knowing and defining God is a free-for-all to anyone who wants to postulate their phenomenological interpretations as religious truth. Schaeffer concludes his little article with this important paragraph in which he said:

“The importance of all this is that most people today (including some who still call themselves evangelical) who have given up the historical and biblical concept of revelation and infallibility have not done so because of the consideration of detailed problems objectively approached, but because they have accepted, either in analyzed fashion or blindly, the other set of presuppositions. Often this has taken place by means of cultural injection, without their realizing what has happened to them” (349, emphasis added).

In the days ahead, I hope to share how propositional truth is foundational to personal truth and give a few examples of the redefinition of revelation in contemporary contexts.

Long ago, at many times and in many ways, God spoke to our fathers by the prophets, but in these last days he has spoken to us by his Son, whom he appointed the heir of all things, through whom also he created the world.
Hebrews 1:1-2

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The Bible and Archaeology – Is the Bible from God? (Kyle Butt 42 min)

You want some evidence that indicates that the Bible is true? Here is a good place to start and that is taking a closer look at the archaeology of the Old Testament times. Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

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Review of Carl Sagan book (Part 4 of series on Evolution)jh68

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MUSIC MONDAY George Harrison – Art Of Dying

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George Harrison – Art Of Dying – Lyrics

Francis Schaeffer pictured below:

Image result for francis schaeffer

George Harrison is the only member of the Beatles who stuck with Hinduism while the other three abandoned it shortly after their one trip to India.  Francis Schaeffer noted, ” The younger people and the older ones tried drug taking but then turned to the eastern religions. Both drugs and the eastern religions seek truth inside one’s own head, a negation of reason. The central reason of the popularity of eastern religions in the west is a hope for a nonrational meaning to life and values. The reason the young people turn to eastern religion is simply the fact as we have said and that is that man having moved into the area of nonreason could put anything up there and the heart of the eastern religions  is a denial of reason just exactly as the idealistic drug taking was.”

In the article below from Wikipedia it is noted:

For the last 30 or more years of his life, George Harrison repeatedly identified his first experience of taking the hallucinogenic drug LSD, with John Lennon and their wives, as being responsible for his interest in spirituality and Hinduism.[2][3][4][5] The “trip” occurred by accident in February 1965,[6][7][8] and he later recalled a thought coming to his mind during the experience: “‘Yogis of the Himalayas.’ I don’t know why … It was like somebody was whispering to me: ‘Yogis of the Himalayas.'”[5]

Image result for george harrison lsd

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George Harrison – Art of Dying

george harrison – art of dying ( take 9 )

Art of Dying (song)

From Wikipedia, the free encyclopedia
“Art of Dying”
George Harrison "Art of Dying" sheet music.jpg

Cover of the original Hansen Publishing sheet music for the song
Song by George Harrison from the album All Things Must Pass
Published Harrisongs
Released 27 November 1970
Genre Rock, hard rock
Length 3:37
Label Apple
Writer(s) George Harrison
Producer(s) George Harrison, Phil Spector
All Things Must Pass track listing

Art of Dying” is a song by English musician George Harrison, released on his 1970 triple album All Things Must Pass. It was written in 1966–67 when Harrison first became immersed in Hindu spirituality, and its subject matter is reincarnation – the “art” in question being the need to avoid rebirth, by limiting actions and thoughts whose consequences lead to one’s soul returning in another, earthbound life form. The song was co-produced by Phil Spector and features a hard-charging rock arrangement that has been described as “proto-disco“.[1] The backing musicians include Eric Clapton and the rest of the latter’s short-lived band Derek and the Dominos, as well as Gary Wright, Billy Preston and a teenage Phil Collins.

Since Harrison’s death in November 2001, the lyrics of “Art of Dying” have been much quoted as a comment on the nature of human existence.

Background and composition[edit]

For the last 30 or more years of his life, George Harrison repeatedly identified his first experience of taking the hallucinogenic drug LSD, with John Lennon and their wives, as being responsible for his interest in spirituality and Hinduism.[2][3][4][5] The “trip” occurred by accident in February 1965,[6][7][8] and he later recalled a thought coming to his mind during the experience: “‘Yogis of the Himalayas.’ I don’t know why … It was like somebody was whispering to me: ‘Yogis of the Himalayas.'”[5] A visit in August 1967 to the epicentre of hippie conterculturalism, San Francisco’s Haight-Ashbury district, then persuaded him to abandon LSD and pursue a spiritual path through meditation.[9][10] By that point, Harrison had already immersed himself in Indian music, which is irrevocably tied to spirituality,[11][12] and dealt with what author Ian MacDonald terms “the spiritual aridity of modern life”[13] in his song “Within You Without You” (on the BeatlesSgt. Pepper’s Lonely Hearts Club Band).[14][15] He had also begun writing a song dedicated to the Hindu concept of reincarnation and the inevitability of death, “Art of Dying”.[16]

There’ll come a time when all of us must leave here
There’s nothing Sister Mary can do, will keep me here with you
As nothing in this life that I’ve been trying
Can equal or surpass the Art of Dying.

The mention of “Sister Mary” refers to the Catholic faith in which Harrison had been brought up as a child.[17] Speaking to author Peter Doggett, Harrison’s sister Louise qualified his embracing of Hinduism with regard to his upbringing: “Our family were Catholics, but we always had a global outlook. We were spiritual, not religious as such. George didn’t change as a person after he went to India [in 1966] …”[18]

Rather than Sister Mary, Harrison’s original lyric named “Mr Epstein” – the Beatles’ manager, Brian Epstein.[19][20] Given this reference to Epstein, author Bruce Spizer has speculated that Harrison was “contemplating life after the Beatles” as early as mid 1966, since “most of the song’s original verses recognise that even Mr. Epstein won’t be able to keep the group together or help out when it’s over …”[21]

As Harrison explains in his autobiography, I, Me, Mine, in most cases one’s soul does not in fact “leave here” after death, due to the karmic debt, or “load”, accrued through actions and thoughts carried out in one’s lifetime.[22] This point is illustrated in the third verse of “Art of Dying”:[23]

There’ll come a time when most of us return here
Brought back by our desire to be a perfect entity
Living through a million years of crying
Until you realize the Art of Dying.

The mention of “a million years of crying” is a reference to the endless cycle of rebirth associated with reincarnation, where the soul repeatedly fails to leave the material world and attain nirvana,[24] otherwise known as moksha.[25]

Written in a period shortly before “karma”, “mantra“, “guru” and “māyā” all became key words in his vocabulary,[26] Harrison shows an acknowledgment of possible confusion on the part of his listeners, and a degree of humour,[16] with the pointed questions that appear at the end of the verses, “Are you still with me?” and “Do you believe me?[23] The subject of rebirth was one he would return to frequently throughout his solo career,[27] notably on “Give Me Love (Give Me Peace on Earth)“, with its pleas “Keep me free from birth” and “Help me cope with this heavy load“.[28][29]

Recording[edit]

On 26 May 1970, a month after the Beatles’ break-up, “Art of Dying” was one of many songs performed by Harrison for Phil Spector‘s benefit at Abbey Road Studios,[30] with a view to narrowing down the material under consideration for All Things Must Pass.[31]Harrison strummed the song on acoustic guitar, but as with “Isn’t It a Pity“, “Run of the Mill“, “Let It Down” and other selections, its arrangement would be transformed significantly as the album sessions progressed;[21] in this instance, Spector’s production on the official release provided a “[big] ‘kitchen sink’ job”, as authors Chip Madinger and Mark Easter put it.[20] A widely bootlegged version known as “Art of Dying (take 9)”, comprising a band performance dominated by acoustic rhythm guitars and piano, with Ringo Starr on drums, sees the song somewhere midway between the solo run-through and the All Things Must Pass arrangement.[20] This take 9, played in the key of B minor, a semitone up from that of the official version of the song, was still in contention for release during the album’s mixing phase.[20]

In a chapter discussing All Things Must Pass in his 2010 autobiography, American musician Bobby Whitlock writes of recording the song: “It was awesome when we were doing ‘The Art of Dying,’ Eric [Clapton] on that wah-wah and it was all cooking, Derek and the Dominos with George Harrison.”[32] The sessions led to the formation of Derek and the Dominos,[33][34] whose four members – Clapton, Whitlock, Carl Radle and Jim Gordon – all played on the track.[35]

Kicked off by what author Elliot Huntley terms Clapton’s “firecracking” lead guitar,[27] and propelled by Gordon’s drumming and Radle’s urgent bass, the released version of “Art of Dying” is in the hard rock style.[16] Jim Price‘s horn arrangement provided a countermelody behind the various A minor voicings in the song’s instrumental passages[36] through to its “galloping” ending.[21] Testifying to the ferocity of the performance, Phil Collins later recalled that his hands were so badly blistered during the run-throughs of the song, he was unable to play his congas with any force once they came to actually record it, hence the apparent absence of congas in the final mix.[37] Another percussion part – maracas – does feature prominently, and may have been played by Mal Evans, Starr, members of Badfinger or Maurice Gibb, all of whom attended the session also, according to Collins.[37]

Release and reception[edit]

Apple Records released All Things Must Pass in November 1970,[38] with “Art of Dying” sequenced as the second track on side four, in the triple album’s original, LP format.[39] While describing the acclaim afforded the album on release, author Robert Rodriguez includes the song as an illustration of how Harrison’s talent had been “hidden in plain sight” behind Lennon and Paul McCartney during the Beatles’ career.[40] Rodriguez writes: “That the Quiet Beatle was capable of such range – from the joyful “What Is Life” to the meditative “Isn’t It a Pity” to the steamrolling “Art of Dying” to the playful “I Dig Love” – was revelatory.”[40]

In his review for Rolling Stone magazine, Ben Gerson similarly wrote of the wide range of styles found on All Things Must Pass and recognised “Art of Dying” as “a song of reincarnation” with a melody supposedly “borrowed” from the Rolling Stones‘ “Paint It, Black“.[41] Village Voice contributor Nicholas Schaffner and others have described it as an “essay” on the subject of reincarnation.[16][42] Writing in 1001 Albums You Must Hear Before You Die, Andrew Gilbert highlights “Art of Dying” as an example of the “finely crafted, spiritually charged songs” that ensure that All Things Must Pass “only sounds better with time”.[43] While reviewing the 30th anniversary edition of the album, James Hunter enthused in Rolling Stone: “Imagine a rock orchestra recorded with sensitivity and teeth and faraway mikes: bluesy and intricate on Harrison and Dylan‘s ‘I’d Have You Anytime,’ fizzy on ‘Apple Scruffs,’ grooving on ‘Let It Down,’ and spookily proto-disco on ‘Art of Dying.'”[1]

Among Harrison’s biographers, Elliot Huntley describes the song as “certainly the most dramatic” track on the album and “one of the most scintillating rock songs in the Harrison canon”.[27] Ian Inglis writes that “Art of Dying” displays “all the features” of Harrison’s “post-Beatles confidence” and notes the Middle Eastern “musical antecedents” despite the obvious Hindu concepts within the lyrics.[44] In his book While My Guitar Gently Weeps, Simon Leng views “Art of Dying” as picking up “where ‘Tomorrow Never Knows‘ and ‘Within You Without You’ paused”, and adds: “If ever a song challenged the one-eyed nature of the rock world, this is it. Nothing could be further from superficial pop culture.”[16]

Other versions[edit]

Harrison never performed “Art of Dying” live,[45] although he included it on his proposed setlist for the Concert for Bangladesh in 1971.[46] It was rehearsed for the two shows at Madison Square Garden, judging by Jim Horn‘s horn chart for the song, reproduced at the end of I, Me, Mine.[47] The acoustic demo of “Art of Dying” from May 1970 has been available unofficially since the 1990s, on bootlegs such as Beware of ABKCO![48][49]

Jazz guitarist Joel Harrison covered “Art of Dying” for his album Harrison on Harrison: Jazz Explanations of George Harrison,[50] released in October 2005.[51] Three years later, Suburban Skies recorded the song for their Harrison tribute album George.[52]

Personnel[edit]

The musicians who played on “Art of Dying” are believed to be as follows:[36]

Notes[edit]

  1. Jump up^ Madinger and Easter write that the various in-progress mixes of “Art of Dying” reveal the presence of tubular bells on the recording but make no mention of a piano part,[20] for which Leng credits Whitlock as playing.[36] In his autobiography, Whitlock states that his contribution was the tubular bells, which he played with a leather hammer.[53]

Sources[edit]

  • Dale C. Allison Jr., The Love There That’s Sleeping: The Art and Spirituality of George Harrison, Continuum (New York, NY, 2006; ISBN 978-0-8264-1917-0).
  • Keith Badman, The Beatles Diary Volume 2: After the Break-Up 1970–2001, Omnibus Press (London, 2001; ISBN 0-7119-8307-0).
  • The Beatles, Anthology, Chronicle Books (San Francisco, CA, 2000; ISBN 0-8118-2684-8).
  • Harry Castleman & Walter J. Podrazik, All Together Now: The First Complete Beatles Discography 1961–1975, Ballantine Books (New York, NY, 1976; ISBN 0-345-25680-8).
  • Alan Clayson, George Harrison, Sanctuary (London, 2003; ISBN 1-86074-489-3).
  • Peter Doggett, You Never Give Me Your Money: The Beatles After the Breakup, It Books (New York, NY, 2011; ISBN 978-0-06-177418-8).
  • The Editors of Rolling Stone, Harrison, Rolling Stone Press/Simon & Schuster (New York, NY, 2002; ISBN 0-7432-3581-9).
  • George Harrison, I Me Mine, Chronicle Books (San Francisco, CA, 2002; ISBN 0-8118-3793-9).
  • Olivia Harrison, George Harrison: Living in the Material World, Abrams (New York, NY, 2011; ISBN 978-1-4197-0220-4).
  • Elliot J. Huntley, Mystical One: George Harrison – After the Break-up of the Beatles, Guernica Editions (Toronto, ON, 2006; ISBN 1-55071-197-0).
  • Ian Inglis, The Words and Music of George Harrison, Praeger (Santa Barbara, CA, 2010; ISBN 978-0-313-37532-3).
  • Simon Leng, While My Guitar Gently Weeps: The Music of George Harrison, Hal Leonard (Milwaukee, WI, 2006; ISBN 1-4234-0609-5).
  • Cynthia Lennon, John, Hodder & Stoughton (London, 2006; ISBN 0-340-89512-8).
  • Ian MacDonald, Revolution in the Head: The Beatles’ Records and the Sixties, Pimlico (London, 1998; ISBN 0-7126-6697-4).
  • Chip Madinger & Mark Easter, Eight Arms to Hold You: The Solo Beatles Compendium, 44.1 Productions (Chesterfield, MO, 2000; ISBN 0-615-11724-4).
  • Chris O’Dell (with Katherine Ketcham), Miss O’Dell: My Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan, Eric Clapton, and the Women They Loved, Touchstone (New York, NY, 2009; ISBN 978-1-4165-9093-4).
  • Robert Rodriguez, Fab Four FAQ 2.0: The Beatles’ Solo Years, 1970–1980, Backbeat Books (Milwaukee, WI, 2010; ISBN 978-1-4165-9093-4).
  • Nicholas Schaffner, The Beatles Forever, McGraw-Hill (New York, NY, 1978; ISBN 0-07-055087-5).
  • Bruce Spizer, The Beatles Solo on Apple Records, 498 Productions (New Orleans, LA, 2005; ISBN 0-9662649-5-9).
  • Gary Tillery, Working Class Mystic: A Spiritual Biography of George Harrison, Quest Books (Wheaton, IL, 2011; ISBN 978-0-8356-0900-5).
  • Bobby Whitlock (with Marc Roberty), Bobby Whitlock: A Rock ‘n’ Roll Autobiography, McFarland (Jefferson, NC, 2010; ISBN 978-0-7864-6190-5).

External links[edit]

With God On Their SideHigher Powers Guide A New Generation

If there has been a predominant figure in pop culture so far this year, it might just be Jesus Christ. The most obvious example is The Passion Of The Christ, but while the film has been a focal point of debate over religion’s current influence in mainstream Western society, Mel Gibson is only the most familiar of many other artists whose individual visions are making a new generation aware of Christianity, in all its mystery and inherent complexity. This year, God TV has had its hits (Joan of Arcadia) and misses (Wonderfalls); Madonna is devoting time on her current tour to preaching about Kabbalah; and recent Johnny Cash reissues are acknowledging the Man In Black’s devotion to the gospels. The Polyphonic Spree conduct hippie-tinged sermons like a pot-addled Mormon Tabernacle Choir, while the Hidden Cameras’ gay folk music invites new devotees to sing along, part of an increasingly important generation of believers – like Robert Randolf, Danielson and Royal City – who are pushing faith to the fore.

For most fans, the separation of Church and Rock is just as, let’s say, sacred as the separation of Church and State. After all, what was originally conceived as “the Devil’s music” should remain so, right? But rock’n’roll has never shied away from the spiritual realm, dating back to when Elvis Presley calmed fears of his evil powers with a solemn rendition of “Peace In The Valley,” accompanied by the Blackwood Brothers gospel quartet as part of his first Ed Sullivan Show appearance.

Today, matters of faith are increasingly prevalent, not only in Christian-based music’s own self-sufficient industry, but in the voices of young artists who are drawing upon the gospel tradition, for both musical inspiration and personal enlightenment.

The Gospel Impulse
Perhaps the biggest question raised by the overwhelming response to The Passion is, why now? America in particular has long been a predominantly evangelical Christian nation – latest surveys show that 43 percent of its citizens consider themselves “born again” – to the point where the Republican Party, with its “born again” president George W. Bush, has concluded that it need only appeal to this demographic in order to remain in power.

One thing that is certain, the use of religious imagery today in popular music has grown much more complicated in comparison to its earliest appearances in song. As Craig Werner writes in his thorough study, A Change Is Gonna Come: Music, Race & The Soul Of America, “Without question the spiritual explorations of the younger generation shocked some of their elders. But many appreciated the impulse behind the explorations; and almost everyone understood that almost any spiritual vision was preferable to the nihilism that threatened to destroy so many communities.”

Werner’s list of crucial gospel-informed hits includes Bob Marley’s “Redemption Song,” Stevie Wonder’s “Higher Ground,” and many others that have undeniably had an impact far beyond other songs of their respective eras. The suggestion Werner makes is that artists who successfully utilise the “gospel impulse,” do so out of a desire to build community, rather than out of pure self-expression.

He writes, “At its best, the gospel impulse helps people experience themselves in relation to rather than on their own. Gospel makes the feeling of human separateness, which is what the blues are all about, bearable. It’s why DJs and the dancers they shape into momentary communities are telling the truth when they describe dance as a religious experience.”

Rock Of Ages
The notion of using music as a vehicle to connect with a larger community, or higher power, directly reflects the fact that most early stars of blues, country and rock’n’roll came from small, rural areas where the church was a social pillar. For many, it was simply a natural progression to interpret music learned in church in their own personal ways.

As one of his final wishes, Johnny Cash recorded My Mother’s Hymn Book, a collection of songs he had known since his childhood. There could be no better final statement from a man who balanced sin and salvation, and who was unparalleled at communicating the realities of each. While it is easy to sentimentalise Cash’s gospel work as an outgrowth of his personal struggles over the years, the fact is that at when he first sang of shooting a man in Reno just to watch him die, he was also asking, ‘Were you there when they crucified my Lord?’ In fact, Cash intended his first album for Columbia Records, following his move from Sun, to be a gospel album, something the label wouldn’t approve until there were a few hits under his belt.

As Sylvie Simmons writes in the liner note to Hymn Book, “If [Cash’s mother] Carrie had not taught him these hymn book songs, encouraged him to sing them and told him that his talent was a ‘gift from God’ and he should not toss it away, he would likely not be here today.”

While Cash never made what might have been a natural transition into a full-fledged preacher, history suggests that most artists who come from a strong religious upbringing invariably introduce those beliefs into their music.

Al Green is a prime example. Originally a deep soul belter, Green undertook a personal battle between the sacred and profane in the early ’70s, just as his popularity was amplifying the isolation he had always felt, and subsequently eased with drugs and sex. It was in a hotel room at Disneyland in 1973 that Green found the Lord. “I had producers, promoters, record companies, booking agents, all these people saying, ‘Al is doing what? Religion? Eighteen million dollars invested in this boy and he’s got religion? We’ve got a career going here, we need to sell some records,” he recently told Mojo’s Andrea Lisle. “Everyone around me was saying, ‘We don’t need God right now – tell him to come back later.’ But I had to reconcile what was going on with me, because this was the only thing that was gonna save me.”

Unlike Little Richard’s flirtation with the ministry in the late ’50s, which essentially stalled his career at its height, Green wholly embraced his calling, and deftly incorporated religion into such landmark recordings as 1977’s The Belle Album. At the same time, Green preached every Sunday at his own church in Memphis, still today a guaranteed cure for Saturday night excesses. Yet, after establishing himself as undoubtedly the most popular gospel artist in America, Reverend Al’s excellent new album, I Can’t Stop, returns to the sultry themes and grooves that first brought him fame. For Green, the gap between physical love and spiritual love was bridged long ago. “Even the Pope is a human being,” he says. “And that is what this album is about. When people come home from the church house and start dealing with the children, their job, the mortgage and the insurance, they’re gonna deal with this album. It’s about life.”

From The Altar To The Stage
While mainstream rock fans have often turned to Green’s work for an accessible gospel fix, more recently they have been introduced to the music through several unlikely sources. One of these is the sacred steel movement, first “discovered” by blues enthusiast Chris Strachwitz of Arhoolie Records in the early 1990s. Until then, sacred steel was an obscure fixture of black Baptist church services, mostly in Florida, where the choir was accompanied not by an organ, but by pedal steel guitarists. As unlikely as that seems, players like Sonny Treadway, Aubrey Ghent, and the Campbell Brothers, managed to create both joyful and heart-wrenching sounds that perfectly complemented the hymns. With its popularity grown following such acclaimed releases as None But The Righteous and The Word (featuring John Medeski of Medeski, Martin & Wood), sacred steel had its first mainstream crossover success last year with Robert Randolph, the young phenom whose urban chic has brought him those all-important young white followers.

Randolph, who grew up near Newark, New Jersey, admits that staying close to his churchgoing relatives saved him from a life of drugs and crime, and ultimately got him playing steel guitar. A family connection to sacred steel legend Ted Beard firmly set him on his path at the age of 17. “I said to Ted, ‘I want to play like you,’ but he taught me that you can never be like someone else, and if you keep that in mind and stay humble, then nobody will be able to do what you’re doing. A couple of months after that, I was back home playing steel guitar at our church services.” Since then, Randolph’s major label debut, Unclassified, and his band’s incendiary live shows have drawn comparisons to guitar heroes like Jimi Hendrix and Stevie Ray Vaughan. But at its core, Randolph’s music is pure gospel, and judging by his statements, will remain so.

Although Randolph and others have helped to modernise the established tenets of gospel music, the enduring appeal of what have come to be known among collectors as “true vine” recordings from the 1920s and ’30s is undiminished. Proof is in the brisk sales of last year’s six-disc set Goodbye Babylon, a labour of love for Atlanta music archivist Lance Ledbetter, who released it on his own Dust-To-Digital label. Although a substantial purchase for even the most ardent fan – the set comes with the requisite book in a wood box lined with freshly picked cotton – it rivals Harry Smith’s Anthology of American Folk Music in both quality and historical significance.

Ledbetter says his motivation was simply to fill a void in documenting important early gospel artists like Thomas A. Dorsey and Sister Rosetta Tharpe. In doing so, he ingeniously placed them alongside little-known gospel sides from their better-known peers like Blind Lemon Jefferson and the Monroe Brothers, along with an entire disc of sermons. “I was doing a radio show of old-timey music at Georgia State University and I just noticed a void in gospel music reissues,” he explained in an online chat. “That led me to write a letter to a collector about whom I’d read on the internet [Joe Bussard]. He lived in Maryland and owned over 25,000 78 rpm records. Over time we developed a nice relationship, and for the next year-and-a-half I listened to all of his religious records. He would make me cassettes of the songs for $.50 a track and I’d get them and listen to them every night on headphones and would have the hair on the back of my neck raised. It was an incredible time!”

The force of this old time religion can be heard elsewhere, from the White Stripes’ now trademark renditions of Son House’s “John The Revelator,” to former 16 Horsepower front-man David Eugene Edwards’ latest haunting project, Woven Hand. But for anyone familiar with roots music of the past 20 years, the revival of that spirit can be credited to only one man: T-Bone Burnett.

The High Priest
“I’ve made it a policy not to talk about Bob Dylan,” T-Bone Burnett has repeatedly said. “But I will say this, his career has been about Bob Dylan’s search for God.” Burnett, a devout born-again Christian from Texas, first made his name after Dylan enlisted him in 1975 for the Rolling Thunder Revue. Less than three years later, Dylan himself was taking Bible study classes and damning non-believers both in his songs and on-stage harangues.

While Burnett’s influence on Dylan’s conversion was probably minimal, his influence on reconnecting America with its gospel music tradition has been immeasurable. Although he never found his footing as a solo artist, his work as a producer has invariably put them in touch with the rich heritage of American song that Burnett seems to be able to summon at will. His greatest recent accomplishment has been as the architect of the O Brother Where Art Thou? phenomenon. The multi-million selling soundtrack proved far more lasting than its film, spawning a further documentary of live performances (Down From The Mountain), a tour, and unprecedented new followings for many of its artists.

Audiences have been treated to many remarkable moments, such as Ralph Stanley singing the gospel standard “O Death” at the 2002 Grammy Awards, a night when O Brother swept every category it was in. When speaking to No Depression, Burnett admitted that O Brother’s success could at least partly be credited to America’s state of mind following 9/11, a time when “people wanted to connect to who we are. Elvis [Costello] said that ‘O Death’ was the truest response to the bombing that had come from the arts. That’s true, even though it was actually done before 9/11. It was an unconscious thing.”

In fact, what makes Burnett’s work so special is that the spirituality he injects most often is unconscious, making it an inclusive listening experience in a pure gospel sense. When asked by Radix Magazine in the early ’90s about changes in the cultural perception of Christianity that resulted from Dylan’s conversion, Burnett was eerily prophetic in how the hardliners were beginning to take over America. “It was exciting for a while to see all this stuff going on, but a lot of things never led anywhere. It’s funny to see how some of the people who were part of that have now turned into incredibly right-wing dupes. They’re falling right into line with nationalist-type power needs. What I believe now is that maybe they were fearful at the time. Maybe what they were about at the time was all fear. There’s a tremendous amount of fear in the evangelical church.”

Of course, that fear has only been heightened by current world events, but the hope provided by artists like Burnett and others in tune with gospel messages will always be the antidote. They are present in every genre of music, whether the artists are conscious of it or not.

The New Disciples
“I don’t plan things out,” Daniel Smith says. “I try to be obedient to what the Lord is showing me and telling me to write and play. It’s like putting a puzzle together in the dark and trying to stay out of the way as much as possible. I have very little idea of what I am doing.”

When Smith first appeared with his siblings in 1994 as the Danielson Famile, reactions were a mix of awe at the odd-yet-uplifting music they made, and confusion over what precisely their intention was in bringing a strong Christian-based philosophy to indie rock. Speaking with the conviction of a true preacher, Smith says he found God a year prior to the band’s first album, A Prayer For Every Hour, as he finished his final year of art college. The band has since gone on to release five more uniquely rough-edged albums and spawn many offshoots, released through Smith’s label Sounds Familyre. His latest outing is as Br. Danielson, a solo album entitled Brother Is To Son, which ventures into confessional singer-songwriter territory. It is some of Smith’s most heartfelt work to date, with his faith being the cornerstone in exploring other subjects, like his job as a carpenter.

When asked to describe his music, Smith states with typical aplomb, “Rock’n’roll came out of the invisible Church, so musically and spiritually I feel connected to those roots. My relationship with Christ in the details of the everyday is my source and my inspiration. I have no faith in politics or pop culture, they all fade away over and over again. I do think many people everywhere are starving for something deeper than themselves.”

What makes Smith unusual among spiritually-informed artists is that he actually professes no allegiance to any organised religion. He says, “I think the Bible portrays Jesus perfectly. The Lord created everything and uses whatever He wants for whatever He wants.”

Although Smith, and peers like Sufjan Stevens and Pedro The Lion, clearly have no problems espousing their religious conviction with their fans, the challenge of other young, spiritually-informed artists to avoid their work being branded with a “Christian” tag is certainly unfortunate considering how the religion has always been integral to the blues and folk tradition.

One tactic has been to boldly delve into that rich musical heritage and see what comes of it. That’s been the basic formula for success so far for New York’s Ollabelle, whose self-titled debut is a document of their euphoric initial foray into traditional gospel. The six-piece collective, which includes vocalist Amy Helm, daughter of the Band’s Levon Helm, has appropriated a genre they were not born into, but like the Band’s elemental mishmash, Ollabelle’s approach to gospel standards like “Soul Of A Man,” and “Jesus On The Mainline” adds a refreshing musical sophistication to the inherent power of the songs themselves.

Keyboardist Glenn Patscha (a New York resident originally from Winnipeg) says the band formed in late 2001 out of a weekly jam session at an East Village bar. “We did a couple of gospel tunes one night, and the owner of the bar asked us to do a full gospel night every Sunday,” he explains. “People really caught on to it, because it just felt so honest and good, and out of that we started getting this real communal feeling playing together. You can’t help but feel that way when you play this music, and I think part of the fun was that we all sort of discovered that feeling for the first time when we played these songs.”

Although an established musician prior to forming Ollabelle, Patscha says that no one expected the band to catch on this quickly; they are now part of T-Bone Burnett’s DMZ Records roster and are touring with legends like Ralph Stanley. “The most amazing part of what we’ve done has been that this music has afforded us so many opportunities to become better musicians, and better people,” he says. “We’re all on our own spiritual paths from these different places we’ve come from, but we’ve found common ground in this music. I think that’s the appeal of it, that it doesn’t matter what your beliefs are. I think anybody can listen to these songs and be inspired.”

Royal City’s collective approach has likewise drawn comparisons to the Band, but for main songwriter Aaron Riches, his beliefs have always manifested themselves in much more complex ways than traditional gospel songs normally offer. In fact, talking about religion with the Guelph, ON native (currently in Virginia completing his PhD in theology) is both an intimidating and eye-opening experience. The band has just released its third album, Little Heart’s Ease, and while the lyrics once again have a ring of Old Testament starkness that would make Leonard Cohen proud, Riches says that most people miss the point when discussing his spiritual influences.

“Initially, my interest stemmed from English literature, which contains all the stories and metaphors our society is based on,” he says. “And if you go to any university English department and ask what the greatest work in the English language is, most people will say the King James Bible. What made it exciting to me was learning that part of the motivation in translating it into English was to try to create a common language for the first time, and that this language was imbued with a spirit beyond what the words themselves represented. These were some of the greatest poets who ever lived.”

Rather than taking any specific religious stance in his music, as a student of the folk tradition Riches understands its origins in the mysteries of the natural world. However, he admits that this remains a Judeo-Christian tradition simply because of the language used to articulate it. “I just keep going back in time,” he says. “I guess what started with a love of that old, weird American folk music has led me to explore more of where that kind of mystical language came from. So, on this new album there’s probably less of a gospel influence as opposed to maybe the writings of St. Augustine, but to me that’s still a continuation.”

Of course, not everyone is able to grasp such an approach, at least right away. Word had it that Royal City’s British label, Rough Trade, was considering marketing the band specifically to a Christian audience. Riches’ response to that prospect is unexpectedly terse: “No, we’re not a Christian band.”

Still Bigger Than Jesus?
No matter what trends prevail, music, like all art, will always retain a semblance of spirituality, since most accept that the creation of art is a spiritual experience. Of course, this experience is not limited to Christians. The influence of Islam, Rastafarianism, Buddhism, Krishna, Kabbalah – not to mention consciousness-expanding drugs – are separate stories unto themselves. But it seems that music remains one of the few realms where all their shared principles of peace, love, and understanding can be expressed (on the whole) in a non-judgmental way.

In his 1988 book Hungry For Heaven, British music journalist Steve Turner came to that conclusion, stating at the time of its revised edition in 1995, “I’m pretty sure that religious issues will always be fairly prominent in music. It amazes me that secular journalists don’t seem to see how much of rock, and how many of the leading musicians, have had this dalliance with religion. It’s a perpetual issue.”

But whatever beliefs an artist is espousing, they will undoubtedly always go hand-in-hand with a belief that music itself can be considered a spiritually binding force. As Craig Werner quoted Erykah Badu in A Change Is Gonna Come, “I think the Creator loves that we understand to get a foundation and then to build from there. I don’t stifle my creativity or my will to learn. My religion, if I have one, is probably the arts.”


God Was Their Co-Pilot
Rock’s Essential Religious Recordings

Elvis Presley – Peace In The Valley (RCA, 2000)
This three-disc set is intended to be the last word on the King’s treasured gospel side. With 87 tracks, there’s no denying that this was a major aspect of his art, one that made it acceptable for other rockers to venture into the sacred. Songs range from favourites like “His Hand In Mine” to the previously unreleased “Why Me Lord?”

The Electric Prunes – Mass In F Minor (Reprise, 1968)
More a construct of uber-hip producer/arranger David Axelrod, this acid rock landmark remains mind-boggling in both its audacity and power. Some will recognise “Kyrie Eleison” from the Easy Rider soundtrack, while others will note the album’s influence on Spinal Tap’s “Rock ‘N Roll Creation.”

Van Morrison – Astral Weeks (Warner Bros., 1968)
While not a religious album per se, Morrison’s unbridled performance certainly sees him at times approaching a state of nirvana few others glimpsed before or since. As his first proper solo album it set the standard for the spiritual journey he would undertake for the rest of his career, although he never recaptured the magic of this mystical document.

George Harrison – All Things Must Pass (Apple, 1970)
As the “spiritual” Beatle, Harrison’s beliefs brought the world to India, but on this solo debut, he manages to successfully weave them into a powerful wide-screen rock sound, with the help of Phil Spector and Eric Clapton. Despite its subject matter, “My Sweet Lord” was an undeniable hit, while the title track and “Art Of Dying” reveal a wisdom far beyond his years.

Bob Dylan – Slow Train Coming (Columbia, 1979)
At the time a shocking move for the born-again Jewish kid, Slow Train Coming remains one of his most well-crafted (and well-produced) albums. Twenty-five years on, the sheer beauty of “I Believe In You” and pure gospel zeal of “Gotta Serve Somebody” is undiminished. Also see 1980’s Saved and 1981’s Shot Of Love.

Sam Phillips – Zero Zero Zero (Virgin, 1999)
The wife of T-Bone Burnett, Phillips started in the Christian music industry, but eventually crossed over as her richly diverse songs began dealing with more earthly matters. This compilation of her personal favourites is a good introduction to her unique talent, and features contributions from Elvis Costello, Peter Buck, Van Dyke Parks and others.

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 168 George Harrison’s song AWAITING ON YOU ALL Part B (Featured artist is Michelle Mackey )

 

George Harrison – Awaiting On You All (Backing Track – Early Take)

George Harrison – ‘Awaiting On You All’ – Original Audio

Francis Schaeffer in his book HOW SHOULD WE THEN LIVE? gives us some insight into a possible answer to that question WHY WAS DRUG-TAKING AND EASTERN RELIGIONS SO POPULAR IN THE 1960’s IN USA?

The younger people and the older ones tried drug taking but then turned to the eastern religions. Both drugs and the eastern religions seek truth inside one’s own head, a negation of reason. The central reason of the popularity of eastern religions in the west is a hope for a nonrational meaning to life and values. The reason the young people turn to eastern religion is simply the fact as we have said and that is that man having moved into the area of nonreason could put anything up there and the heart of the eastern religions  is a denial of reason just exactly as the idealistic drug taking was. So the turning to the eastern religions today fits exactly into the modern existential  methodology, the existential thinking of modern man, of trying to find some optimistic hope in the area of nonreason when he has given up hope on a humanistic basis of finding any kind of unifying answer to life, any meaning to life in the answer of reason. 

An article calledHoly Wars” was based on Francis Schaeffer’s writings primarily and it noted:

Then came the Beatles. John Lennon had declared that his group was more popular than Jesus. But they weren’t willing to stop there. They sought to supplant the true God with everything false. After the rock icons returned from India they brought with them not only the music of the Hindu guru Ravi Shankar, but also his religion as taught by the Maharishi Mahesh Yogi. They were so impressed with that guru’s Transcendental Meditation woo woo that they just had to convert the whole Western World to it. The counterculturalists took it all in, hook line and sinker.

George Harrison – Awaiting On You All – Lyrics

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FRIDAY, MAY 10, 2013

Awaiting on You All

On the way home from work one afternoon I listened to the George Harrison song Awaiting on You All that I had copied along with other songs by this artist from his album All Things Must Pass. Hearing this song after so many years (it was on a CD that I had lost and just found again) was an interesting experience, and as often happens when you unearth some part of your past and compare it with your present, I heard it almost with fresh ears. I am not the same person that I was then. I was in my twenties when I followed George Harrison both musically and spiritually. Though the Eastern religious views he espoused most of his public life were similar to mine at that age, it didn’t take long for me to outgrow them. ‘Outgrow’ is not exactly the right word, though. I didn’t really outgrow them. You could say I traded them in, new lamps for old. I never struck a better deal.

Still, listening to the song I was amazed just how spot on he was in much of what he was saying. I can still relate to almost all of it. I don’t think that either of us, George or I, was aware of the fuzzy thinking that made us combine devotion and belief in Krishna and Jesus without noticing the two aren’t the same. I’m not talking about doctrinal or religious differences. Hinduism and Christianity are distinct religions, granted, but anyone who believes in God knows, ‘God is God. There is no thing you can compare to God. God is God.’ We tend to believe that at best other religions are wrong in the details but right in the big picture. This may be true, but no one can say so without denying his faith community. In youth, I think we were bored with dogmatic strongholds, and wanted the freedom to meet God on our terms, not according to those of our ancestors. How little did we understand that ‘the ancestors in stone armor calling for loyalty untrue’ seeking ‘to make a zigzag of the arrow’s flight’ were doing no such thing.

No, they knew that the shortest path between two points is rarely a straight line, though arrows may fly to their mark, being projectiles aimed at a target. Unfortunately people are not projectiles, and our destination is not really a target, no matter how much we wish we could hit the bullseye. We are beings fashioned in the Divine image and likeness. We live in more than three, more even than four, dimensions, and the paths we tread cannot be traced, planned or prophesied by mortal logic or the magic of music. They are no more than mere beginnings, our thoughts and feelings, before we bump into the aweful reality which we glibly like to call ‘God.’ Meet Him on our terms? Hardly possible, unless He allows it, and only as a sign that He is there, hidden behind our wall, waiting for us to…
No, that is also just what we glibly like to think, as George Harrison sings in his song…

You don’t need no love in
You don’t need no bed pan
You don’t need a horoscope or a microscope
To see the mess that you’re in
If you open up your heart
You will know what I mean
We’ve been polluted so long
Now here’s a way for you to get clean

By chanting the names of the Lord, and you’ll be free
The Lord is awaiting on you all to awaken and see…

You don’t need no passport

And you don’t need no visas
You don’t need to designate or to emigrate
Before you can see Jesus
If you open up your heart
You’ll see he’s right there
Always was and will be
He’ll relieve you of your cares

You don’t need no church house
And you don’t need no Temple
You don’t need no rosary beads or them books to read
To see that you have fallen
If you open up your heart
You will know what I mean
We’ve been kept down so long
Someone’s thinking that we’re all green

… The Lord is awaiting on you all to awaken and see
By chanting the names of the Lord, and you’ll be free

I purposely left out the stanza about the pope owning controlling interest in General Motors and not being qualified to quote us anything but the Stock Exchange. This is childish talk and hatchets all the good things he has to say. This, I find, is true of youthful thinkers in every generation. It’s true of otherwise noble and idealistic youth today. It was true of me as a Vietnam War draft resister. We ‘let the cat out of the bag’ about ourselves when we pounce on anyone, especially an authority figure we don’t approve of, and show that, however pure we think our motives, however lofty our ideals, we’re still no better than the fallen heroes we no longer believe in. What George Harrison says in this song I still agree with. Where I have a problem, is what he proposes as a solution to the mess we find ourselves in. As much as I enjoyed chanting Hare Krishna, it didn’t save me, or the world, and it never will.

But the rest is, amazingly, true, as I have found out in the intervening years. The words about Jesus are almost straight out of the Bible. The words about churches and temples, the same. Somebody went to Sunday School as a child. Yes, you’re right. I did.
I know that for sure, and guess what? It stuck. What started out as an incomprehensible religious upbringing somehow became comprehensible when it finally collided with what I was made for.

Yes, my parachute failed to open, and the earth received my bruised and broken body. I was alive for just a moment, just long enough for me to realize I was about to die. Then His gentle hands slipped under my head and shoulders as He lifted me up from what should have been my grave. He had already been there, aeons before I came to birth or leapt to my unintended death. No, this did not literally happen. I’ve never used a parachute. But His hands are real.

Awaiting on You All, a great song,
but He is waiting only from our point of view.
On His side, we are either already with Him, or without Him.

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Featured Artist: Michelle Mackey

By

Editor

01/03/2013Posted in: Featured Artist, Painters

'Fence Climber'. Oil on Canvas. 36"x36".

‘Fence Climber’. 2005. Oil on Canvas. 36″x36″.

Michelle Mackey is a painter who lives and works in Brooklyn, NY and Dallas, TX.  She has exhibited extensively in both of those locations, as well as other places inside of and outside of the United States.  In 1999, she received an MFA from Pratt Institute.  Her work has been featured in several publications, including The Christian Century and New American Paintings.

A variety of everday textures, surfaces and structures make up the visual repository from which Mackey’s paintings emerge.  She describes her process in this way:

The story of my process is embedded in layers of paint (layers of choices) visible on the canvas: a trail of past decisions shutting off certain paths to allow other possibilities. I’m searching, tweaking, scratching, both my mind and the image on the canvas, to uncover what I am really seeing and the process of how I see. On my microcosmic-level, I am looking into a larger system beyond the individual. I do not believe in chance or events without purpose, so I do feel that my search will reveal certain truths or aspects of a larger truth.

How do you paint a memory?  Memory is a constant theme in Mackey’s work.  We all have some idea of what it might mean to paint from our memories, but Mackey’s paintings are more like the memories themselves.

Like a memory, one peers into the amorphous forms that haunt her canvases, and one has the sense of staring backward into time.  These images are often vague and nebulous, and they tantalize us with the distance between what could be and what really is. Her 2011 Black Series (see Intermezzo below) is an excellent example.  Although these paintings are bare and monotone, Mackey achieves a remarkable sense of depth and ambiguity.  Forms emerge and disappear.  Mackey gives us representation with one hand, while she simultaneously takes it away with the other.

Like a memory, viewing one of Mackey’s paintings can be spatially disorienting.  Her collages of textures, surfaces and structures do not obey the laws of the physical universe.  One texture bleeds into another.  What appears, at first glance, to be up may on a second viewing strike us as upside down.  In Fashion Awards (below), the lines and structures that appear are actually old blueprints for television-show scenery.  These plans, which no longer serve any function, are so covered that spatial orientation and dimension is difficult to decipher.  They are the remains of a television image; a memory of a memory.

Like a memory, Mackey’s paintings are layered.  Our deepest memories are colored and warped by the passage of time.   What they mean to us change and shift along with us.  A painting like Blue Spring (below) is suggestive of process of layering that builds up over time.  Although much is covered, there is very little in this painting that seems dispensable.

Memories form an essential component of our sense of identity.  Who we believe our selves to be, and what we believe ourselves to be capable of becoming, is inextricably connected to our own memories and the memories that have been handed down to us.  For many of us, these memories bear the dead weight of regret and failure, and they tell us that history will only ever repeat itself.  Mackey’s process suggests, to the contrary, that we are free to explore our memories and that we are graciously and mysteriously free to imagine new ways of relating to our memories.

Memory is really only one aspect of a very rich body of work.  If you would like to learn more about Mackey’s work, I encourage you to visit her website.  There, you can view online galleries, an artist statement, video of her painting process and more.

'Intermezzo'. Acrylic and Enamel on Resin Coated Panel. 47"x47".

‘Intermezzo’. 2011. Acrylic and Enamel on Resin Coated Panel. 47″x47″.

'Fashion Awards'. 2009. Acrylic and Pencil on Paper, Mounted on Panel. 9.5"x11".

‘Fashion Awards’. 2009. Acrylic and Pencil on Paper, Mounted on Panel. 9.5″x11″.

'Blue Spring'. 2003. Oil on Linen. 24"x24".

‘Blue Spring’. 2003. Oil on Linen. 24″x24″.

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This story about Sir Roger Moore meeting a fan is incredible by Nicholas Reilly

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I was a big Roger Moore fan over the years and  I  loved each James Bond movie he was in. Sean Connery was an outstanding  Bond too.

The best Roger Moore story you will not hear about

Jordan Ruimy

Mark Haynes posted on Facebook an incredibly moving and exemplary chance meeting he had with Moore at an airport, when he was just seven years of age.”

As a seven-year-old in about 1983, in the days before First Class Lounges at airports, I was with my grandad in Nice Airport and saw Roger Moore sitting at the departure gate, reading a paper. I told my granddad I’d just seen James Bond and asked if we could go over so I could get his autograph. My grandad had no idea who James Bond or Roger Moore were, so we walked over and he popped me in front of Roger Moore, with the words “my grandson says you’re famous. Can you sign this?””As charming as you’d expect, Roger asks my name and duly signs the back of my plane ticket, a fulsome note full of best wishes. I’m ecstatic, but as we head back to our seats, I glance down at the signature. It’s hard to decipher it but it definitely doesn’t say ‘James Bond’.

My grandad looks at it, half figures out it says ‘Roger Moore’ – I have absolutely no idea who that is, and my hearts sinks. I tell my grandad he’s signed it wrong, that he’s put someone else’s name – so my grandad heads back to Roger Moore, holding the ticket which he’s only just signed.””I remember staying by our seats and my grandad saying “he says you’ve signed the wrong name. He says your name is James Bond.” Roger Moore’s face crinkled up with realisation and he beckoned me over. When I was by his knee, he leant over, looked from side to side, raised an eyebrow and in a hushed voice said to me, “I have to sign my name as ‘Roger Moore’ because otherwise…Blofeld might find out I was here.” He asked me not to tell anyone that I’d just seen James Bond, and he thanked me for keeping his secret. I went back to our seats, my nerves absolutely jangling with delight. My grandad asked me if he’d signed ‘James Bond.’ No, I said. I’d got it wrong. I was working with James Bond now.””And then he did something so brilliant. After the filming, he walked past me in the corridor, heading out to his car – but as he got level, he paused, looked both ways, raised an eyebrow and in a hushed voice said, “Of course I remember our meeting in Nice.

But I didn’t say anything in there, because those cameramen – any one of them could be working for Blofeld.”Many, many years later, I was working as a scriptwriter on a recording that involved UNICEF, and Roger Moore was doing a piece to camera as an ambassador. He was completely lovely and while the cameramen were setting up, I told him in passing the story of when I met him in Nice Airport. He was happy to hear it, and he had a chuckle and said “Well, I don’t remember but I’m glad you got to meet James Bond.” So that was lovely.””I was as delighted at 30 as I had been at 7. What a man. What a tremendous man.”

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BREAKING: Roger Moore Dies, Legendary James Bond Star Dead at 89

Sir Roger Moore Tribute

A View To A Kill – Eiffel Tower

Octopussy (1983) – Intro (1/2)

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The Spy Who Loved Me – Skiing Opening Scene

Crocodile Farm Escape (Live And Let Die)

LIVE AND LET DIE (1973) Crocodile Jump Attempts (Behind the Scenes)

Published on Sep 19, 2014

Ross Kananga secured the feet of three crocodiles to the shallow pond’s bottom, leaving their jaws and tails free. After removing the other reptiles from the pond, Kananga attempted the dangerous cross. He slipped into the water on the first four tries, but fortunately fell out of the crocodiles snapping jaws. On the fifth attempt, he executed the stunt flawlessly.

Live and Let Die (1973) – Intro

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This story about Sir Roger Moore meeting a fan is incredible

This story about Sir Roger Moore meeting a fan is incredible
Sir Roger Moore died earlier today (Picture: WENN)

Sir Roger Moore has died after a battle with cancer – and his passing marks the departure of a bonafide screen legend.

But while his heroic on screen credentials are unquestionable, it seems that he was every bit a brilliant man off screen too.

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Scriptwriter Marc Haynes gave proof of this by sharing his experience of meeting Sir Roger Moore on two separate occasions.

The first came during the 1980s, when Marc was a young boy and spotted Sir Roger Moore at Nice Airport – before pleading with his granddad to ask the Bond star for an autograph.

The second meeting, of which we won’t divulge too much, comes decades later – and it is an exchange that shows Sir Roger to be a man of unquestionable class.

Here’s his incredible story.

This story about Sir Roger Moore meeting a fan is incredible

This story about Sir Roger Moore meeting a fan is incredible

What a man. What a legend.

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I have really enjoyed doing this study and I am also including some additional posts concerning issues brought up by the movie. Below are the links to all the historical characters so far mentioned in the film “Midnight in Paris.” Below that I look at the history Notre Dame Cathedral and the “Cult of Reason” […]

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 34, Simone de Beauvoir)

Ernesto Che Guevara reunido con Simone de Beauvoir y Jean Paul Sartre, en Cuba. 1960 Recently I read a review of “Midnight in Paris” the latest Woody Allen movie that noted, “Many a writer or artist has longed to travel back in time to the sizzling Paris of the 1920’s to sip absinthe with Hemingway […]

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 33,Cezanne)

  Paul Cezanne Uploaded on May 28, 2006 Cezanne’s work & debussy, with a quote or three thrown in. ___________________ Paul Cézanne Origins of Modern Art I.3 – Bathers Motif, Renaissance pyramid Published on Jul 20, 2013 See my playlist on art: https://www.youtube.com/playlist?list… Paintings: 00:12 Paul Cézanne 1872 – Hortense Breast Feeding. Private Collection 00:32 […]

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 32, Jean-Paul Sartre)

Recently I read a review of “Midnight in Paris” the latest Woody Allen movie that noted, “Many a writer or artist has longed to travel back in time to the sizzling Paris of the 1920’s to sip absinthe with Hemingway at Les Deux Magots ,” and that got me thinking. What other famous people were […]

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 31, Jean Cocteau)

I have enjoyed Woody Allen’s latest movie “Midnight in Paris.” Going through all the characters referenced has been a real education. Today I am discussing Jean Cocteau. There is a scene in the movie when Gil is invited by Scott and Zelda Fitzgerald to attend a party hosted by Jean Cocteau. They all jump into […]

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 30, Albert Camus)

Recently I read a review of “Midnight in Paris” the latest Woody Allen movie that noted, “Many a writer or artist has longed to travel back in time to the sizzling Paris of the 1920’s to sip absinthe with Hemingway at Les Deux Magots ,” and that got me thinking. What other famous people were […]

The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 29, Pablo Picasso)

In his weekly opinion piece, Andy Rooney shares his views on public art. I have really enjoyed this series on the characters referenced in the film “Midnight in Paris.” I can’t express how much I have learned during this series on the characters referenced in Woody Allen’s latest movie “Midnight  in Paris.” Today I am looking […]

“Woody Wednesday” Can we learn from Woody Allen Films?

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of his own secular view. I […]

Woody Allen films and the issue of guilt (Woody Wednesday)

Woody Allen and the Abandonment of Guilt Dr. Marc T. Newman : AgapePress Print In considering filmmaking as a pure visual art form, Woody Allen would have to be considered a master of the medium. From his humble beginnings as a comedy writer and filmmaker, he has emerged as a major influential force in Hollywood. […]

Can we learn from Woody Allen Films? (Part 2)

Looking at the (sometimes skewed) morality of Woody Allen’s best films. Hannah and Her Sisters (1986) Allen continues the art-as-salvation theme in Hannah and Her Sisters, an ensemble drama about family and infidelity. The film tells three stories, one of which stars Allen as a hypochondriac named Mickey. Terrified of death, Mickey begins a search […]

Woody Allen films and the issue of guilt (Woody Wednesday)

Woody Allen and the Abandonment of Guilt Dr. Marc T. Newman : AgapePress Print In considering filmmaking as a pure visual art form, Woody Allen would have to be considered a master of the medium. From his humble beginnings as a comedy writer and filmmaker, he has emerged as a major influential force in Hollywood. […]

Woody Allen films and the issue of guilt (Woody Wednesday)

Woody Allen and the Abandonment of Guilt Dr. Marc T. Newman : AgapePress Print In considering filmmaking as a pure visual art form, Woody Allen would have to be considered a master of the medium. From his humble beginnings as a comedy writer and filmmaker, he has emerged as a major influential force in Hollywood. […]

Woody Allen films and the issue of guilt (Woody Wednesday Part 3)

Woody Allen and the Abandonment of Guilt Dr. Marc T. Newman : AgapePress Print In considering filmmaking as a pure visual art form, Woody Allen would have to be considered a master of the medium. From his humble beginnings as a comedy writer and filmmaker, he has emerged as a major influential force in Hollywood. […]

What can we learn from Woody Allen Films?

Looking at the (sometimes skewed) morality of Woody Allen’s best films. In the late ’60s, Woody Allen left the world of stand-up comedy behind for the movies. Since then, he’s become one of American cinema’s most celebrated filmmakers. Sure, he’s had his stinkers and his private life hasn’t been without controversy. But he’s also crafted […]

“Woody Wednesday” ECCLESIASTES AND WOODY ALLEN’S FILMS: SOLOMON “WOULD GOT ALONG WELL WITH WOODY!” ( MIDNIGHT IN PARIS Paul Gauguin’s 3 questions examined!!!)

______________ Gauguin’s 3 Questions Paul Gauguin, now regarded as a French Post-Impressionist artist, was not received well by his old painter friends while living. And having abandoned his wife and children he had no options or resources for getting by. He never found artistic success, either critically or financially in his lifetime. However, there is […]

“Woody Wednesday” ECCLESIASTES AND WOODY ALLEN’S FILMS: SOLOMON “WOULD GOT ALONG WELL WITH WOODY!” (Part 34 MIDNIGHT IN PARIS Picasso and Solomon both had an obsession with the issue of their impending death!!) )

Both Solomon in Ecclesiastes and Picasso in his painting had an obsession with the issue of their impending death!!! Picasso in the movie MIDNIGHT IN PARIS   Pablo Picasso: Self-portrait Facing Death (1972) Does anyone not know the name Picasso? Based on sales of his works at auctions, he holds the title of top ranked […]

“Woody Wednesday” ECCLESIASTES AND WOODY ALLEN’S FILMS: SOLOMON “WOULD GOT ALONG WELL WITH WOODY!” (Part 33 MIDNIGHT IN PARIS Picasso painted his worldview but he couldn’t stand the loss of humanness!!! )

Picasso was a genius as a painter but he deliberately painted his secular  worldview of fragmentation on his canvas but he could not live with the loss of humanness and he reverted back at crucial points and painted those he loved with all his genius and with all their humanness!!! Gertrude Stein (Kathy Bates) and […]

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WOODY WEDNESDAY Woody Allen Movies on You Tube

WHATEVER WORKS

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The Purple Rose of Cairo (Woody Allen) 1985 English

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Crimes and Misdemeanors 1989 Woody Allen

What’s Up Tiger Lily? (1966)

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Midnight in Paris: TAP’s Movie of the Month for June 2015 JUNE 1, 2015 by TAP Adventures Each month in TAP, we select a Movie of the Month to help prepare our students for their overseas trip. This month we’re starting to prepare for our 2016 adventure in France and the Benelux countries, so we’ve selected […]

“Woody Wednesday” An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm

This interview   below reveals Woody Allen’s nihilistic views and reminds me of his best movie which is  CRIMES AND MISDEMEANORS!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm Woody […]

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Top 10 Woody Allen Movies   Woody’s Cold Comforts Robert E. LauderApril 19, 2010 – 1:36pm Friends have often asked me about my interest in the films of Woody Allen: Why is a Catholic priest such an ardent admirer of the work of an avowed atheist, an artist who time and again has insisted on […]

WOODY WEDNESDAY New bio reassesses Woody Allen at 80 James Endrst , Special for USA TODAY2:03 p.m. EST November 7, 2015

Woody Allen & Parker Posey Red-Carpet Interviews for ‘Irrational Man’ New bio reassesses Woody Allen at 80 James Endrst , Special for USA TODAY2:03 p.m. EST November 7, 2015 Woody: The Biography by  David Evanier  (St. Martin’s Press) in Biography Buy Now USA TODAY Rating Woody Allen turns 80 on Dec. 1 and David Evanier has […]

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___ Existentialism and the Meaningful Life [The Common Room] Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR A Handy Guide to All the Philosophers Referenced in Irrational Man Eliza Berman @lizabeaner July 17, 2015 David Livingston–Getty ImagesJoaquin Phoenix and Emma Stone attend the premiere of “Irrational Man” in Los Angeles on July 9, 2015. Leave it […]

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best Part H

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]

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Woody Allen on The Jack Paar Show (re-sync)

FRIEDMAN FRIDAY Like Milton Friedman Rand Paul is standing against other Republicans who want to add to government overspending!!!

Like Milton Friedman Rand Paul is standing against other Republicans who want to add to government overspending!!!

Milton Friedman – A Limit On Spending

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Rand Paul Defects on Proposed Health Law Repeal

Republican senator says measure to begin process of repealing Affordable Care Act adds too much to federal budget deficit

Sen. Rand Paul, shown at an event on Oct. 27, says the Republicans’ measure to begin repealing the Affordable Care Act would add $9.7 trillion in debt over 10 years to the federal budget.ENLARGE
Sen. Rand Paul, shown at an event on Oct. 27, says the Republicans’ measure to begin repealing the Affordable Care Act would add $9.7 trillion in debt over 10 years to the federal budget. PHOTO: TIMOTHY D. EASLEY/ASSOCIATED PRESS

WASHINGTON—Sen. Rand Paul (R., Ky.) said Wednesday that he would oppose the budget measure Republicans are counting on to begin the process of repealing the Affordable Care Act, leaving the effort in danger of derailing if any other GOP senators defect.

The Senate on Wednesday took its first procedural vote on the budget measure, a vehicle that Republicans can use to repeal the 2010 health-care law with a simple majority vote. Republicans now hold only 52 seats in the Senate, where most legislation needs 60 votes to pass.

Mr. Paul said Wednesday he would vote against the budget measure because it adds too much to the federal budget deficit for fiscal year 2017.

“I’m a no,” he said in a brief interview. “It adds $9.7 trillion in debt over 10 years.”

Other Senate Republicans, including Susan Collins of Maine and Lamar Alexander and Bob Corker of Tennessee, have voiced concerns about repealing the health-care law before the GOP has settled on a plan to replace it. However, all three voted to advance the budget in an early procedural vote Wednesday, which passed 51-48, allowing the Senate to consider the measure.

Mr. Paul was the only Republican to join the entire Democratic caucus in voting not to move forward with the budget blueprint. Sen. Dianne Feinstein (D., Calif.) didn’t vote.

Other senators could still raise objections ahead of the final vote—on either the plan to repeal the health-care law or on the budget itself.

Aware of the razor-thin margins, GOP Sens. Ted Cruz of Texas, Mike Lee of Utah and Marco Rubio of Florida wrote Tuesday in a joint letter to GOP Senate leaders that while they understood the budget was “primarily a mechanism to advance [the health law’s] repeal,” the Senate should still abstain from any budget devices that they oppose.

“Our votes in favor of the ‘Obamacare Repeal Resolution’ do not indicate in any way our support for the revenue, spending, and deficit numbers therein, nor for the use of those numbers as the basis for future federal budgets,” the three senators wrote, using the GOP nickname for the budget blueprint.

The next fiscal year’s budget, expected to pass this spring and help Republicans overhaul the tax code, must balance the federal budget in 10 years, they wrote.

Budget blueprints are nonbinding documents used by political parties to signal how they think federal dollars should be spent. The budget document introduced in the Senate Tuesday also starts the process of repealing the health-care law.

The Senate’s budget resolution directs four relevant committees, two in the Senate and two in the House, to write legislation by Jan. 27 that reconciles spending and tax policy with the budget blueprint for the coming fiscal year. Embedded in the committees’ legislation will be provisions that repeal much of the health law.

Democrats, who have paid a heavy political price for the health law’s unpopularity, said Republicans will now bear responsibility for any attempts to gut and replace it.

“Now, they’re gonna own it, and all the problems in the health-care system are going to be on their backs,” Senate Minority Leader Chuck Schumer (D., N.Y.) said Wednesday.

Write to Kristina Peterson at kristina.peterson@wsj.com and Siobhan Hughes at siobhan.hughes@wsj.com

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