Category Archives: Francis Schaeffer

“Music Monday” THE BEATLES (breaking down the song “Lucy in the Sky with Diamonds” ) (Featured artist is Saul Steinberg)

John Lennon was writing about a drug trip when he wrote the song LUCY IN THE SKY WITH DIAMONDS and Paul later confirmed that many years later. Francis Schaeffer correctly noted that the Beatles’ album Sgt. Pepper’s brought the message of drugs and Eastern Religion to the masses like no other means of communication could. Today we will take a closer look at the song LUCY IN THE SKY WITH DIAMONDS.

John Lennon Explaining Lucy in the Sky with Diamonds

John Lennon said that LUCY IN THE SKY WITH DIAMONDS had nothing to do with drugs. Seriously? Notice below the final conclusion of this article released a few months ago is that the song was about LSD.

Lucy in the Sky… with a GCSE: Famous Beatles song said to be based on LSD trip to feature on syllabus

  • Lucy in the Sky with Diamonds – was believed to have been based on acid trip
  • Song will be examined by pupils to see how it shaped contemporary music
  • It’s the first time an exam board has introduced study of The Beatles songs

Teenagers will examine the Beatles song Lucy In The Sky with Diamonds as part of a new ‘spiced up’ syllabus for GCSE music.

The track, which is said to be based on an LSD drug trip, will be examined by 14 to 16-year-olds to see how it helped shape contemporary music.

Exam board AQA said two other Beatles tracks will form part of the syllabus – both from the 1967 album Sergeant Pepper’s Lonely Hearts Club Band.

Lucy In The Sky with Diamonds, along with two other tracks from the 1967 album Sergeant Pepper’s Lonely Hearts Club Band, will appear on the new GCSE music syllabus 

Lucy In The Sky with Diamonds, along with two other tracks from the 1967 album Sergeant Pepper’s Lonely Hearts Club Band, will appear on the new GCSE music syllabus

This is the first time an exam board has introduced study of the Fab Four, and the songs With a Little Help from My Friends and Within You, Without You will also feature.

The board said pupils will be asked to look at ‘various aspects which make up the songs’, including ‘melody, harmony, structure, rhythm and the meaning behind the music and lyrics’.

The new course will also allow pupils to DJ or sing songs by pop singers including Beyoncé as part of the performance section of the qualification.

Seb Ross, who leads AQA’s music department, said: ‘Pop music began in this country with The Beatles in the swinging sixties, so what better band to look to for the study of contemporary music than the Fab Four.

‘We’ve chosen The Beatles because John, Paul, Ringo and George helped to define popular music and the iconic Sergeant Pepper album has taken on a life of its own, so it’s an exciting addition to AQA’s music GCSE.’

This is the first time an exam board has introduced study of the Fab Four, and the songs With a Little Help from My Friends and Within You, Without You will also feature

This is the first time an exam board has introduced study of the Fab Four, and the songs With a Little Help from My Friends and Within You, Without You will also feature

Pupils will be given more freedom to perform pieces they are most interested in – from modern pop music to Puccini’s Nessun Dorma.

Those performing DJ sets will be asked to demonstrate technical skills including ‘scratching’, which produces different sounds by moving a vinyl record back and forth on a turntable.

They can use vinyl, CDs or a laptop for their performance.

The GCSE revamp comes after a major overhaul of exams by the previous government which was designed to toughen up qualifications.

AQA’s music GCSE is split into three sections – understanding music, performing and composing.

Guitarist Carlos Santana’s Supernatural is also included in the course as well as works by composers Haydn and Copland.

LUCY IN THE SKY WITH DIAMONDS… AND THE LINK WITH LSD

When the psychedelic song was released on 1967 album Sgt. Pepper’s Lonely Hearts Club Band, listeners and the media speculated it was a thinly disguised paean to the drug LSD, based on the first letters of Lucy, sky and diamonds.

But Lennon always disputed that notion, even though he was known to experiment with drugs. Lennon said he did not realize until later the title contained those letters in sequence.

A British woman named Lucy Vodden, (pictured) revealed in 2007 that she had been the source of the song

A British woman named Lucy Vodden, (pictured) revealed in 2007 that she had been the source of the song

As Lennon and others have explained it, the inspiration came from his son, Julian, who was then a child and drew a picture of his classmate Lucy. Julian Lennon is said to have showed the painting to his father and told him, ‘That’s Lucy in the sky with diamonds.’

A British woman named Lucy Vodden, whose maiden name was O’Donnell, revealed in 2007 that she had been the source of the song. She died in 2009.

Despite the explanation of the song’s origins, the debate about its ties to LSD has persisted, in part due to the song’s swooning melody and strange lyrics.

AQA said it has submitted the qualification to exams regulator Ofqual for accreditation.

Sergeant Pepper’s Lonely Hearts Club Band took 129 days to record and was an immediate commercial and critical success.

‘Lucy in the Sky with Diamonds’, which describes a magical land ‘with tangerine trees and marmalade skies’, was written by John Lennon.

Lennon said his son, Julian, inspired the song with a nursery school drawing he called ‘Lucy — in the sky with diamonds’.

However, shortly after the song’s release, speculation arose that the first letter of each of the title’s nouns intentionally spelled LSD.

Lennon denied this, but the BBC banned the song and Paul McCartney later admitted that the song was about the hallucinogenic drug.

THE BEATLES & DRUGS

John Lennon’s Acid Trip On The Abbey Road Roof

On the 21st of March 1967, a short way into the session for “Getting Better” off Sgt Pepper’s Lonely Hearts Club Band, John Lennon announced he was feeling ill and was taken onto the roof of Abbey Road Studios for some fresh air by George Martin.Abbey_Road_RoofGeorge Martin recalls,

“I was aware of them smoking pot, but I wasn’t aware that they did anything serious. In fact, I was so innocent that I actually took John up to the roof when he was having an LSD trip, not knowing what it was. If I’d known it was LSD, the roof would have been the last place I would have taken him.  He was in the studio and I was in the control room, and he said he wasn’t feeling too good. So I said, ‘Come up here,’ and asked George and Paul to go on overdubbing the voice. ‘I’ll take John out for a breath of fresh air,’ I said, but of course I couldn’t take him out the front because there were 500 screaming kids who’d have torn him apart,. So the only place I could take him to get fresh air was the roof. It was a wonderful starry night, and John went to the edge, which was a parapet about 18 inches high, and looked up at the stars and said, ‘Aren’t they fantastic?’ Of course, to him I suppose they would have been especially fantastic. At the time they just looked like stars to me.”

In 1970 John Lennon recounted the incident:

“I never took [LSD] in the studio. Once I did, actually. I thought I was taking some uppers and I was not in the state of handling it. I took it and I suddenly got so scared on the mike. I said, ‘What is it? I feel ill.’ I thought I felt ill and I thought I was going cracked. I said I must go and get some air. They all took me upstairs on the roof, andGeorge Martin was looking at me funny, and then it dawned on me that I must have taken some acid. I said, ‘Well, I can’t go on. You’ll have to do it and I’ll just stay and watch.’ I got very nervous just watching them all , and I kept saying, ‘Is this all right?’ They had all been very kind and they said, ‘Yes, it’s all right.’ I said, ‘Are you sure it’s all right?’ They carried on making the record.

John Lennon
Rolling Stone, 1970

Beatles – “Lucy In the Sky With Diamonds” Lost Jeremy Verse

The Beatles – Lucy in the Sky with Diamonds (Lyrics)

Published on May 29, 2012

Despite the “rumored” drug references to this song, it’s still a classic song. Off their legendary 1967 album Sgt Peppers Lonely Hearts Club Band.

John Lennon (RIP 1940 – 1980) – piano, lead guitar, double-tracked lead vocal
Paul McCartney – lowrey organ, bass, harmony vocal
George Harrison (RIP 1943 – 2001) – acoustic guitar, tambura, sitar
Ringo Starr – drums, maracas

Lyrics:

Picture yourself in a boat on a river
With tangerine trees and marmalade skies
Somebody calls you, you answer quite slowly
A girl with kaleidoscope eyes

Cellophane flowers of yellow and green
Towering over your head
Look for the girl with the sun in her eyes
And she’s gone

Lucy in the sky with diamonds
Lucy in the sky with diamonds
Lucy in the sky with diamonds, ah

Follow her down to a bridge by a fountain
Where rocking horse people eat marshmallow pies
Everyone smiles as you drift past the flowers
That grow so incredibly high

Newspaper taxies appear on the shore
Waiting to take you away
Climb in the back with your head in the clouds
And you’re gone

Lucy in the sky with diamonds
Lucy in the sky with diamonds
Lucy in the sky with diamonds, ah

Picture yourself on a train in a station
With plasticine porters with looking glass ties
Suddenly someone is there at the turnstile
The girl with kaleidoscope eyes

Lucy in the sky with diamonds
Lucy in the sky with diamonds
Lucy in the sky with diamonds, ah

Lucy in the sky with diamonds
Lucy in the sky with diamonds
Lucy in the sky with diamonds, ah

Lucy in the sky with diamonds
Lucy in the sky with diamonds
Lucy in the sky with diamonds

Lucy in the Sky with Diamonds

From Wikipedia, the free encyclopedia
This article is about The Beatles’ song. For the comic book character “Lucy in the Sky”, see Karolina Dean. For the Glee television episode, see Tina in the Sky with Diamonds.
“Lucy in the Sky with Diamonds”
Lucy in the Sky with Diamonds - The Beatles.jpeg

The 1996 US jukebox single release of the song, backed with “When I’m 64
Song by the Beatles from the album Sgt. Pepper’s Lonely Hearts Club Band
Released 1 June 1967
Recorded 1 March 1967
EMI Studios, London
Genre Psychedelic rock
Length 3:28
Label Parlophone R6022
Writer Lennon–McCartney
Producer George Martin
Sgt. Pepper’s Lonely Hearts Club Bandtrack listing

Lucy in the Sky with Diamonds” is a song written primarily by John Lennon and credited to Lennon–McCartney,[1] for the Beatles‘ 1967 album Sgt. Pepper’s Lonely Hearts Club Band.[2]

Lennon’s son Julian inspired the song with a nursery school drawing he called “Lucy—in the sky with diamonds”. Shortly after the song’s release, speculation arose that the first letter of each of the title nouns intentionally spelled LSD.[3] Lennon consistently denied this,[3][4] insisting the song was inspired by Lewis Carroll’s Alice In Wonderland books,[3] a claim repeatedly confirmed by Paul McCartney.[5][6][7]

Despite persistent rumors, the song was never officially banned by the BBC,[8][9][10][11] and aired contemporaneously on BBC Radio at least once, on 20 May 1967.[12]

Legacy[edit]

The song has the distinction of being the first Beatles recording to be referenced by the group themselves: the second verse of Lennon’s “I Am the Walrus“, released on Magical Mystery Tour at the end of 1967, contains the lyric “see how they fly, like Lucy in the sky, see how they run…”

In November 1967 John Fred and his Playboy Band released a parody/tribute song called “Judy in Disguise (With Glasses)[40] which topped the US Billboard Hot 100 chart for two weeks and reached the number one spot in a number of other countries around the world.[41]

The Dream Theater song “Octavarium” contains three song names:

Sailing on the seven seize the day tripper diem’s ready
Jack the ripper Owens Wilson Phillips and my supper’s ready
Lucy in the sky with diamond Dave’s not here I come to save the
day…

Pink Floyd namechecks “Lucy in the sky” on “Let There Be More Light“, the opening song on A Saucerful of Secrets (1968). The lyrics are by Roger Waters.

The name of the German band Tangerine Dream was inspired by the line “tangerine trees and marmalade skies”.[42]

It was played by the Grateful Dead from 1993, and subsequently played by The Dead.

Porcupine Tree‘s debut album On the Sunday of Life released in 1991 features the song “Footprints” directly referring to the song. Its chorus contains the lyrics: “tangerine trees and marmalade skies! And plasticine porters with looking-glass ties!”[citation needed]

A 3.2-million-year-old, 40% complete fossil skeleton of an Australopithecus afarensis specimen discovered in 1974 was named “Lucy” because the Beatles song was being played loudly and repeatedly on a tape recorder in the camp. The phrase “Lucy in the skies” became “Lucy in disguise” to the anthropologists, because they initially did not understand the impact of their discovery.[43]

The White dwarf star BPM 37093, which contains a core of crystallised carbon roughly 4000 km in diameter, is informally named “Lucy” as a tribute to the Beatles song.[44]

One of the main characters of Hiro Mashima‘s manga Fairy Tail, Lucy Heartfilia, takes her name from the song.[45]

Jim Carrey‘s character in the film Mr. Popper’s Penguins uses the first two lines of the song as a sales pitch to describe the establishment that his company plans on building to take the place of an old restaurant.

In the 2001 film I Am Sam, Sam (Sean Penn) names his daughter (Dakota Fanning) “Lucy Diamond Dawson” after the song. Beatles song covers and references are prominent throughout the film.

In Angela Robinson‘s short movie D.E.B.S., one of the main characters is named Lucy in the Sky. In the feature film, D.E.B.S., based on the short, the character is named Lucy Diamond.

The song “La Fee Verte” by British rock band Kasabian contains the lyric “I see Lucy in the sky, Telling me I’m high.”

The Swedish rock band Royal Republic mentioned “Lucy in the sky” in their song “Full Steam Spacemachine”: “I love to lie with Lucy in the sky, no one can ever know”.

In Veronica Maggio‘s song “Jag kommer“, the second line of the song says “I’m Lucy in the Sky, I’m high above the clouds.”

The lyrics of the song often become a mondegreen; for example, the line “The girl with kaleidoscope eyes” becomes “A girl with colitis goes by.”[46][47]

 ______________________________

SONGFACTS.COM reported:

  • The “Lucy” who inspired this song was Lucy O’Donnell (later Lucy Vodden), who was a classmate of John’s son Julian Lennon when he was enrolled at the private Heath House School, in Weybridge, Surrey. It was in a 1975 interview that Lennon said “Julian came in one day with a picture about a school friend of his named Lucy. He had sketched in some stars in the sky and called it Lucy In The Sky With Diamonds.”

    The identity of the real Lucy was confirmed by Julian in 2009 when she died of complications from Lupus. Lennon re-connected with her after she appeared on a BBC broadcast where she stated: “I remember Julian and I both doing pictures on a double-sided easel, throwing paint at each other, much to the horror of the classroom attendant… Julian had painted a picture and on that particular day his father turned up with the chauffeur to pick him up from school.”

    Confusion over who was the real Lucy was fueled by a June 15, 2005 Daily Mailarticle that claimed the “Lucy” was Lucy Richardson, who grew up to become a successful movie art director on films such as 2000’s Chocolat and 2004’s The Life And Death Of Peter Sellers. Richardson died in June 2005 at the age of 47 of breast cancer.

  • Many people thought this was about drugs, since the letters “LSD” are prominent in the title, and John Lennon, who wrote it, was known to drop acid. In 1971 Lennon told Rolling Stone that he swore that he had no idea that the song’s initials spelt L.S.D. He added: “I didn’t even see it on the label. I didn’t look at the initials. I don’t look – I mean I never play things backwards. I listened to it as I made it. It’s like there will be things on this one, if you fiddle about with it. I don’t know what they are. Every time after that though I would look at the titles to see what it said, and usually they never said anything.”

    Paul McCartney would later say it was “pretty obvious” that this song was inspired by LSD.

  • The images Lennon used in the song were inspired by the imagery in the book Alice In Wonderland.
  • George Harrison played a tambura on this. It’s an Indian instrument similar to a sitar that makes a droning noise. He had been studying with Indian musician Ravi Shankar, who is the father of Norah Jones.
  • This was banned by the BBC (British Broadcasting Company) for what they thought were drug references.
  • In 1974, this was a #1 hit for Elton John. Lennon sang and played guitar on his version, but reportedly forgot some of the chords and needed Davey Johnston, Elton John’s guitarist, to help him out. Lennon made a surprise appearance in Elton’s Thanksgiving concert in New York and performed 3 songs, which proved to be his last public performance. (thanks, Ivan – Dallas, TX)
  • Actor William Shatner, who played Captain Kirk on Star Trek, covered this in his dramatic, spoken-word style. In at least one poll, this version was voted the worst Beatles cover of all time.
  • In 1974, Johanson and Gray named the 3-million-year-old Australopithecus fossil skeleton they discovered (the oldest ever found) Lucy, after this song because it was playing on the radio when Johanson and his team were celebrating the discovery back at camp. (thanks, Martuuuu – Capital Federal, Argentina)
  • Lennon said “The girl with kaleidoscope eyes” turned out to be Yoko.
  • During the media controversy over this song in June of 1967, Paul McCartney admitted to a reporter that the band did experiment with LSD. (thanks, Adrian – Wilmington, DE)
  • In 2004, McCartney addressed the issue of drugs in an interview with the Daily Mirror newspaper: “‘Day Tripper,’ that’s one about acid. ‘Lucy In The Sky,’ that’s pretty obvious. There are others that make subtle hints about drugs, but it’s easy to overestimate the influence of drugs on The Beatles’ music. Just about everyone was doing drugs in one form or another, and we were no different, but the writing was too important for us to mess it up by getting off our heads all the time.”
  • A group called John Fred and his Playboy Band had a #1 hit in 1968 with “Judy In Disguise (with Glasses),” a song that was a parody of this.
  • In the Anthology one of the Beatles referred to being on LSD as like seeing through a kaleidoscope. Although Lennon denied this is about drugs, it does refer to “The girl with kaleidoscope eyes.” (thanks, delirium trigger – new brunswick, NY)
  • This song is very distinctive musically. It’s in 3 different keys and uses 2 different beats. (thanks, Bertrand – Paris, France)
  • Lennon admitted to British journalist Ray Connolly in an interview around the time of the break-up of the Beatles that he didn’t think he sang this song very well. “I was so nervous I couldn’t sing,” he said, “but I like the lyrics.”
  • In 2004 the Harvard-Smithsonian Center for Astrophysics announced the discovery of the universe’s largest known diamond, white dwarf star BPM 37093. Astronomers gave the star the catchier name of “Lucy” from this song.
  • The Flaming Lips covered this as part of their track-for-track tribute to the Sgt. Pepper album, With a Little Help from My Fwends. Their version of this song features Miley Cyrus. Frontman Wayne Coyne told NME: “On my birthday, Miley Cyrus tweeted me ‘Happy Birthday.’ I texted back ‘Let’s do something together.’ So we swapped numbers and soon found ourselves in the same studio. I’ve been around people in the same position to her and they are not fun. She’s badass, and she does things with enthusiasm and love.”
  • _____________________
  • Another fine article I read on this subject is Lucy in the Mind of Lennon: An Empirical Analysis of Lucy in the Sky with Diamonds,” March 10, 2014//in , , /by

In his book HOW SHOULD WE THEN LIVE? Francis Schaeffer noted:

This emphasis on hallucinogenic drugs brought with it many rock groups–for example, Cream, Jefferson Airplane, Grateful Dead, Incredible String Band, Pink Floyd, and Jimi Hendrix. Most of their work was from 1965-1958. The Beatles’Sergeant Pepper’s Lonely Hearts Club Band (1967) also fits here. This disc is a total unity, not just an isolated series of individual songs, and for a time it became the rallying cry for young people throughout the world. As a whole, this music was the vehicle to carry the drug culture and the mentality which went with it across frontiers which were almost impassible by other means of communication.

Here is a good review of the episode 016 HSWTL The Age of Non-Reason of HOW SHOULD WE THEN LIVE?, December 23, 2007:

Together with the advent of the “drug Age” was the increased interest in the West in  the religious experience of Hinduism and Buddhism. Schaeffer tells us that: “This grasping for a nonrational meaning to life and values is the central reason that these Eastern religions are so popular in the West today.”  Drugs and Eastern religions came like a flood into the Western world.  They became the way that people chose to find meaning and values in life.  By themselves or together, drugs and Eastern religion became the way that people searched inside themselves for ultimate truth.

Along with drugs and Eastern religions there has been a remarkable increase “of the occult appearing as an upper-story hope.”  As modern man searches for answers it “many moderns would rather have demons than be left with the idea that everything in the universe is only one big machine.”  For many people having the “occult in the upper story of nonreason in the hope of having meaning” is better than leaving the upper story of nonreason empty. For them horror or the macabre are more acceptable than the idea that they are just a machine.

Francis Schaeffer has correctly argued:

The universe was created by an infinite personal God and He brought it into existence by spoken word and made man in His own image. When man tries to reduce [philosophically in a materialistic point of view] himself to less than this [less than being made in the image of God] he will always fail and he will always be willing to make these impossible leaps into the area of nonreason even though they don’t give an answer simply because that isn’t what he is. He himself testifies that this infinite personal God, the God of the Old and New Testament is there. 

Instead of making a leap into the area of nonreason the better choice would be to investigate the claims that the Bible is a historically accurate book and that God created the universe and reached out to humankind with the Bible. Below is a piece of that evidence given by Francis Schaeffer concerning the accuracy of the Bible.

TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?, under footnotes #97 and #98)

A common assumption among liberal scholars is that because the Gospels are theologically motivated writings–which they are–they cannot also be historically accurate. In other words, because Luke, say (when he wrote the Book of Luke and the Book of Acts), was convinced of the deity of Christ, this influenced his work to the point where it ceased to be reliable as a historical account. The assumption that a writing cannot be both historical and theological is false.

The experience of the famous classical archaeologist Sir William Ramsay illustrates this well. When he began his pioneer work of exploration in Asia Minor, he accepted the view then current among the Tubingen scholars of his day that the Book of Acts was written long after the events in Paul’s life and was therefore historically inaccurate. However, his travels and discoveries increasingly forced upon his mind a totally different picture, and he became convinced that Acts was minutely accurate in many details which could be checked.

What is even more interesting is the way “liberal” modern scholars today deal with Ramsay’s discoveries and others like them. In the NEW TESTAMENT : THE HISTORY OF THE INVESTIGATION OF ITS PROBLEMS, the German scholar Werner G. Kummel made no reference at all to Ramsay. This provoked a protest from British and American scholars, whereupon in a subsequent edition Kummel responded. His response was revealing. He made it clear that it was his deliberate intention to leave Ramsay out of his work, since “Ramsay’s apologetic analysis of archaeology [in other words, relating it to the New Testament in a positive way] signified no methodologically essential advance for New Testament research.” This is a quite amazing assertion. Statements like these reveal the philosophic assumptions involved in much liberal scholarship.

A modern classical scholar, A.N.Sherwin-White, says about the Book of Acts: “For Acts the confirmation of historicity is overwhelming…Any attempt to reject its basic historicity, even in matters of detail, must not appear absurd. Roman historians have long taken this for granted.”

When we consider the pages of the New Testament, therefore, we must remember what it is we are looking at. The New Testament writers themselves make abundantly clear that they are giving an account of objectively true events.

(Under footnote #98)

Acts is a fairly full account of Paul’s journeys, starting in Pisidian Antioch and ending in Rome itself. The record is quite evidently that of an eyewitness of the events, in part at least. Throughout, however, it is the report of a meticulous historian. The narrative in the Book of Acts takes us back behind the missionary journeys to Paul’s famous conversion on the Damascus Road, and back further through the Day of Pentecost to the time when Jesus finally left His disciples and ascended to be with the Father.

But we must understand that the story begins earlier still, for Acts is quite explicitly the second part of a continuous narrative by the same author, Luke, which reaches back to the birth of Jesus.

Luke 2:1-7 New American Standard Bible (NASB)

Now in those days a decree went out from Caesar Augustus, that a census be taken of all [a]the inhabited earth. [b]This was the first census taken while[c]Quirinius was governor of Syria. And everyone was on his way to register for the census, each to his own city. Joseph also went up from Galilee, from the city of Nazareth, to Judea, to the city of David which is called Bethlehem, because he was of the house and family of David, in order to register along with Mary, who was engaged to him, and was with child. While they were there, the days were completed for her to give birth. And she gave birth to her firstborn son; and she wrapped Him in cloths, and laid Him in a [d]manger, because there was no room for them in the inn.

In the opening sentences of his Gospel, Luke states his reason for writing:

Luke 1:1-4 New American Standard Bible (NASB)

Inasmuch as many have undertaken to compile an account of the things[a]accomplished among us, just as they were handed down to us by those whofrom the beginning [b]were eyewitnesses and [c]servants of the [d]word, it seemed fitting for me as well, having [e]investigated everything carefully from the beginning, to write it out for you in consecutive order, most excellentTheophilus; so that you may know the exact truth about the things you have been [f]taught.

In Luke and Acts, therefore, we have something which purports to be an adequate history, something which Theophilus (or anyone) can rely on as its pages are read. This is not the language of “myths and fables,” and archaeological discoveries serve only to confirm this.

For example, it is now known that Luke’s references to the titles of officials encountered along the way are uniformly accurate. This was no mean achievement in those days, for they varied from place to place and from time to time in the same place. They were proconsuls in Corinth and Cyprus, asiarchs at Ephesus, politarches at Thessalonica, and protos or “first man” in Malta. Back in Palestine, Luke was careful to give Herod Antipas the correct title of tetrarch of Galilee. And so one. The details are precise.

The mention of Pontius Pilate as Roman governor of Judea has been confirmed recently by an inscription discovered at Caesarea, which was the Roman capital of that part of the Roman Empire. Although Pilate’s existence has been well known for the past 2000 years by those who have read the Bible, now his governorship has been clearly attested outside the Bible.

Top Ten Biblical Discoveries in Archaeology – #6 Pontius Pilate Inscription

This post is a continuation of our Top Ten Biblical Discoveries in Archaeology series. To see the complete series please click here.

Pilate’s Role

Who is Jesus? You and I are sitting down in the Credo House, enjoying a delicious Luther Latte. We’re talking about the important questions of life and I lean forward asking you that simple question, “Who is Jesus?” What do you think about him? Is He everything the Bible communicates? Did He actually live, die for the sins of humanity, and rise from the dead? Do you consider Him your Lord? Is He the ultimate King of the Jews? Is He the King of Kings? These are important questions for all of mankind to consider.

One man, according to the Bible, was uniquely called upon to wrestle with the identity of Jesus. His name: Pontius Pilate. Pilate was the Prefect (governor) of the Roman province of Judea from 26-36 AD. The Jewish high priests at the time were unable to legally sentence a man to death. Most of the leading Jews wanted Jesus killed. In order for Jesus to be killed the death sentence had to be carried out under Roman law. The Jewish leaders needed Pontius Pilate to condemn Jesus to death. Early one morning a mob drives Jesus to Pilate. Pilate becomes responsible for deciding the fate of Jesus.

John 18 describes the scene:

So Pilate entered his headquarters again and called Jesus and said to him, “Are you the King of the Jews?” Jesus answered, “Do you say this of your own accord, or did others say it to you about me?” Pilate answered, “Am I a Jew? Your own nation and the chief priests have delivered you over to me. What have you done?” Jesus answered, “My kingdom is not of this world. If my kingdom were of this world, my servants would have been fighting, that I might not be delivered over to the Jews. But my kingdom is not from the world.” Then Pilate said to him, “So you are a king?” Jesus answered, “You say that I am a king. For this purpose I was born and for this purpose I have come into the world – to bear witness to the truth. Everyone who is of the truth listens to my voice.” Pilate said to him, “What is truth?” (John 18:33-38)

Wow, what an amazing dialogue. Jesus forces Pilate to wrestle with his identity. Where does the conversation go from here? Pilate tells the crowd he believes Jesus to be innocent. The crowd finds a loop-hole in the system asking for a criminal, Barabbas, to be released from prison and for Jesus to be found guilty. Pilate appeases the crowd by sending Jesus away to be flogged. After experiencing the horror of flogging, the Bible tells us Jesus is sent back to Pilate. Pilate and Jesus have another conversation described in John 19:

He entered his headquarters again and said to Jesus, “Where are you from?” But Jesus gave him no answer. So Pilate said to him, “You will not speak to me? Do you not know that I have authority to release you and authority to crucify you?” Jesus answered him, “You would have no authority over me at all unless it had been given you from above. Therefore he who delivered me over to you has the greater sin.” (John 19:9-11)

Jesus speaks with determined clarity. Pilate continues to move in the direction of releasing Jesus. Those seeking the death of Jesus cry out to Pilate, “If you release this man, you are not Caesar’s friend. Everyone who makes himself a king opposes Caesar. (John 19:12)” Pilate eventually gives in and agrees to have Jesus crucified. Interestingly, the Bible explains, Pilate places on sign of the cross of Jesus which read, “Jesus of Nazareth, the King of the Jews.”

Pilate Outside the Bible

What we know about Pontius Pilate comes primarily from the Bible. Three men named Tacitus, Josephus and Philo all lived around the time of Jesus and mention Pilate in their writings.

Tacitus writes:

To dispel the rumor, Nero substituted as culprits, and treated with the most extreme punishments, some people, popularly known as Christians, whose disgraceful activities were notorious. The originator of that name, Christus, had been executed when Tiberius was emperor, by order of the procurator Pontius Pilatus. But the deadly cult, though checked for a time, was now breaking out again not only in Judea, the birthplace of this evil, but even throughout Rome, where all the nasty and disgusting ideas from all over the world pour in and find a ready following.

Josephus writes:

About this time there lived Jesus, a wise man, for he was a performer of wonderful deeds, a teacher of such men as are happy to accept the truth. He won over many of the Jews and many of the Gentiles. When Pilate, at the suggestion of the leading men among us, had condemned him to the cross, those who had loved him at the first did not forsake him; and the tribe of Christians, so named from him, are not extinct to this day.

Philo, more than the other men, speaks to the character of Pilate. He explains Pilate as, “a man of inflexible, stubborn and cruel disposition.” Philo explains several situations where Pilate provokes and is cruel to the Jewish people. The Bible and these three men speak plainly about Pilate, the world of Pontius Pilate, and the man from Nazareth whom He sentenced to be crucified. Pontius Pilate is seen by Tacitus, Philo and Josephus as the real governor of Judea and the real man who sentenced Jesus to be crucified.

Discovery

In 1961 the archaeological world was taken back to the first century Roman province of Judea. A group of archaeologists, led by Dr. Antonio Frova were excavating an ancient Roman theater near Caesarea Maritima. Caesarea was a leading city in the first century located on the Mediterranean Sea. A limestone block was found there with a surprising inscription. The inscription, on three lines, reads:

…]S TIBERIVM
…PON]TIVS PILATVS
…PRAEF]ECTVS IVDA[EA]

The inscription is believed to be part of a larger inscription dedicating a temple in Caesarea to the emperor Tiberius. The inscription clearly states, “Pontius Pilate, Prefect of Judea.” The inscription is significant on several levels.

Significance

It makes sense for Pilate to be dedicating a temple in Caesarea Maritima. The prefect usually lived in Caesarea and only went to Jerusalem for special purposes. An inscription of Pilate found in Caesarea fits with the first century world described in the Bible.

The dating of the inscription, in connection with its mention of Tiberius (42 BC-37AD) places the governor Pontius Pilate at the same place and time as the Bible’s information about Jesus.

As with the Caiaphas Ossuary mentioned in a previous post, the vast significance of the Pilate Inscription is attached to the significance of the crucifixion of Jesus. The inscription does not prove the conversations between Pilate and Jesus. The inscription does not prove Pilate condemned Jesus to be crucified. The inscription does not prove the forgiveness of mankind’s sin through the death of Christ. The inscription does, however, support the historical reliability of the cross, as with the Caiaphas Ossuary, by supporting the existence of one of its central characters.

What do you think? Do you find the Pilate Inscription to be a significant discovery in archaeology? Join the conversation by commenting on the post. In the next post we look again at crucifixion from a completely different perspective.

Archaeology Verifies the Bible as God’s Word

Sir William Ramsay

Defends the New Testament

Chapter 2

Sir William Ramsay, an atheist and the son of atheists, tried to disprove the Bible. He was a wealthy person who had graduated from the prestigious University of Oxford. Like Albright, Ramsay studied under the famous liberal German historical school in the mid-nineteenth century. Esteemed for its scholarship, this school also taught that the New Testament was not a historical document. As an anti-Semitic move, this would totally eradicate the Nation of Israel from history.

With this premise, Ramsay devoted his whole life to archaeology and determined that he would disprove the Bible.

He set out for the Holy Land and decided to disprove the book of Acts. After 25 or more years (he had released book after book during this time), he was incredibly impressed by the accuracy of Luke in his writings finally declaring that ‘Luke is a historian of the first rank; not merely are his statements of fact trustworthy’ . . . ‘this author should be placed along with the very greatest of historians’ . . . ‘Luke’s history is unsurpassed in respect of its trustworthiness.’

Luke’s accuracy is demonstrated by the fact that he names key historical figures in the correct time sequence as well as correct titles to government officials in various areas: Thessalonica, politarchs; Ephesus, temple wardens; Cyprus, proconsul; and Malta, the first man of the island. The two books, the Gospel of Luke and book of Acts, that Luke has authored remain accurate documents of history. Ramsay stated, “This author [Luke] should be placed along with the very greatest of historians.”

Finally, in one of his books Ramsay shocked the entire intellectual world by declaring himself to be a Christian. Numerous other archaeologists have had similar experiences. Having set out to show the Bible false, they themselves have been proven false and, as a consequence, have accepted Christ as Lord.

In an outstanding academic career, Ramsay was honored with doctorates from nine universities and eventually knighted for his contributions to modern scholarship. Several of his works on New Testament history are considered classics. When confronted with the evidence of years of travel and study, Sir William Ramsay learned what many others before him and since have been forced to acknowledge: When we objectively examine the evidence for the Bible’s accuracy and veracity, the only conclusion we can reach is that the Bible is true.

Later Archaeologists Confirm Ramsay

New Testament Higher Criticism Archaeology Verifies the Bible
Luke 3:1

In Luke’s announcement of Jesus’ public ministry (Luke 3:1), he mentions,“Lysanius tetrarch of Abilene.”

Scholars questioned Luke’s credibility since the only Lysanius known for centuries was a ruler of Chalcis who ruled from 40-36 B.C. However, an inscription dating to be in the time of Tiberius, who ruled from 14-37 A.D., was found recording a temple dedication which namesLysanius as the “tetrarch of Abila” near Damascus. This matches well with Luke’s account.
Acts 18:12-17

In Acts 18:12-17, Paul was brought before Gallio, the proconsul of Achaea.

At  Delphi an inscription of a letter from Emperor Claudius was discovered. In  it  he states,  “Lucius Junios Gallio,  my  friend, and the proconsul of Achaia . . .”

Historians date the inscription to 52 A.D., which corresponds to the time of the apostle’s stay in 51.

Acts 19:22 and
Romans 16:23
In Acts 19:22 and Romans 16:23, Erastus, a coworker of Paul, is named the Corinthian city treasurer.
Archaeologists excavating a Corinthian theatre in 1928 discovered an inscription. It reads,“Erastus in return for his aedilship laid the pavement at his own expense.”

The pavement was laid in 50 A.D. The designation of treasurer describes the work of a Corinthian aedile.

Acts 28:7

In Acts 28:7, Luke gives Plubius, the chief man on the island of Malta, the title, “first man of the island.”

Scholars questioned this strange title and deemed it unhistorical. Inscriptions have recently been discovered on the island that indeed givesPlubius the title of “first man.”

In all, Luke names thirty-two countries, fifty-four cities, and nine islands without error.

100 Greatest Beatles Songs

September 19, 2011

By Elvis Costello

My absolute favorite albums are Rubber Soul and Revolver. On both records you can hear references to other music — R&B, Dylan, psychedelia — but it’s not done in a way that is obvious or dates the records. When you picked up Revolver, you knew it was something different. Heck, they are wearing sunglasses indoors in the picture on the back of the cover and not even looking at the camera . . . and the music was so strange and yet so vivid. If I had to pick a favorite song from those albums, it would be “And Your Bird Can Sing” . . . no, “Girl” . . . no, “For No One” . . . and so on, and so on. . . .

Their breakup album, Let It Be, contains songs both gorgeous and jagged. I suppose ambition and human frailty creeps into every group, but they delivered some incredible performances. I remember going to Leicester Square and seeing the film of Let It Be in 1970. I left with a melancholy feeling.

55

‘Taxman’

the beatles 100 greatest songs
Michael Ochs Archives/Getty Images

Writer: Harrison
Recorded: April 20-22, 1966
Released: August 8, 1966
Not released as a single

McCartney played the screeching-raga guitar solo, and Lennon contributed to the lyrics. But in its pithy cynicism, “Taxman” was strictly Harrison’s, a contagious blast of angry guitar rock. His slap at Her Majesty’s Government landed the prized position on Revolver: Side One, Track One.

“‘Taxman’ was when I first realized that even though we had started earning money, we were actually giving most of it away in taxes,” Harrison later wrote. “The government’s taking over 90 percent of all our money,” Starr once complained. “We’re left with one-ninth of a pound.”

“Taxman” represents a crucial link between the guitar-driven clang of the Beatles’ 1963-65 sound and the emerging splendor of the group’s experiments in psychedelia. The song is skeleton funk — Harrison’s choppy fuzz-toned guitar chords moving against an R&B dance beat, but the extra hours he and engineer Geoff Emerick spent on guitar tone onRevolver foreshadowed Harrison’s intense plunge into Indian music and the sitar on later songs such as “Within You Without You” and “The Inner Light.”

Appears On: Revolver

Saul Steinberg is the featured artist today and Lennon’s drawings were similar to his!!

_____

Untitled, 1948

Untitled, 1948.
Ink on paper, 14 1/4 x 11 1/4″.
Beinecke Rare Book and Manuscript Library, Yale University.

LIFE AND WORK
Saul Steinberg (1914-1999) was one of America’s most beloved artists, renowned for the covers and drawings that appeared in The New Yorker for nearly six decades and for the drawings, paintings, prints, collages, and sculptures exhibited internationally in galleries and museums. Steinberg’s art, equally at home on magazine pages and gallery walls, cannot be confined to a single category or movement. He was a modernist without portfolio, constantly crossing boundaries into uncharted visual territory. In View of the World from 9th Avenue,his famous 1976 New Yorker cover, a map delineates not real space but the mental geography of Manhattanites. In other Steinbergian transitions, fingerprints become mug shots or landscapes; graph or ledger paper doubles as the facade of an office building; words, numbers, and punctuation marks come to life as messengers of doubt, fear, or exuberance; sheet music lines glide into violin strings, record grooves, the grain of a wood table, and the smile of a cat.

Through such shifts of meaning from one passage to the next, Steinberg’s line comments on its own transformative nature. In a deceptively simple 1948 drawing, an artist (Steinberg himself) traces a large spiral. But as the spiral moves downward, it metamorphoses into a left foot, then a right foot, then the profile of a body, until finally reaching the hand holding the pen that draws the line.

This emblem of a draftsman in the act of generating himself and his line epitomizes a fundamental principle of Saul Steinberg’s work: his art is about the ways artists make art. Steinberg did not represent what he saw; rather, he depicted people, places, and even numbers or words in styles borrowed from other art, high and low, past and present. In his pictorial imagination, the very artifice of style, of images already processed through art, became the means to explore social and political systems, human foibles, geography, architecture, language and, of course, art itself.

Saul Steinberg was born in Romania in 1914. In 1933, after a year studying philosophy at the University of Bucharest, he enrolled in the Politecnico in Milan as an architecture student, graduating in 1940. The precision of architectural drafting taught him the potential of a spare two-dimensional line to describe a complex three-dimensional form. During the 1930s, Steinberg applied this lesson to the cartoons he began publishing in Milan for the twice-weekly humor newspaper Bertoldo. The incisive wit of these images would distinguish much of his art, long after he abandoned the strict cartoon format. By 1940, Steinberg’s drawings were appearing in Lifemagazine and Harper’s Bazaar. The following year, anti-Jewish racial laws in Fascist Italy forced him to flee. While in Santo Domingo in 1941 awaiting a US visa, he started publishing regularly in The New Yorker.

Steinberg’s association with The New Yorker continued for almost sixty years, resulting in nearly 90 covers and more than 1,200 drawings that elevate the language of popular graphics to the realm of fine art (many of these images are now available on www.newyorkerstore.com). His career in the art world kept pace with his work for The New Yorker and other magazines. Steinberg’s first one-artist exhibition was held in 1943 at the Wakefield Gallery, New York. Three years later, he was among the “Fourteen Americans” in a landmark show at The Museum of Modern Art, his works exhibited alongside those of Arshile Gorky, Isamu Noguchi, and Robert Motherwell. Three major New York galleries have represented Steinberg, beginning with Betty Parsons and Sidney Janis and, since 1982, The Pace Gallery (www.thepacegallery.com). To date, more than eighty solo shows of his art have been mounted in galleries and museums throughout America and Europe, including a retrospective at the Whitney Museum of American Art (1978) and another at IVAM, the Institute for Modern Art in Valencia, Spain (2002). In 2006, “Steinberg: Illuminations,” the first comprehensive look at his career, set off on an eight-stop tour of the US and Europe. A traveling ambassador for American postwar art, Steinberg created one section of the Children’s Labyrinth mural at the 1954 Milan Triennial and a panoramic collage entitled The Americans for the US Pavilion at the 1958 Brussels World’s Fair. At the Galerie Maeght in Paris in 1966, he collaged the walls with Le Masque.

The works in Le Masque evolved from Steinberg’s famous “masks”: brown-paper cut-outs or paper bags on which he drew all manner of faces to disguise himself and his friends, and then had the motley characters photographed by Inge Morath, alone or in groups, in a variety of interior and outdoor settings (www.ingemorath.org). The idea of disguise is central to Steinberg’s art. In the world as he saw it, everyone wears a mask, whether real or metaphorical. People invent personas through clothing, hairstyles, furniture, and posture; cities define themselves by their architecture, nations by their icons.

Steinberg likened these masquerades to the stylistic mannerisms of art. A style, after all, whether Cubism or Madison Avenue advertising, Pop Art or primitivism, converts reality into pictorial artifice. The use of style to lay bare cultural fictions pervades Steinberg’s work. Majestic Art Deco mountains loom behind the plain rendering of a small Wyoming town, revealing the grandiloquent self-image of the American West. InGeorgetown Cuisine, style sends an enigmatic message about the circumscribed concerns of suburban wives: on a magazine reproduction of five women opening boxes (probably an advertisement for kitchenware), Steinberg drew over the faces in a cartoon style and turned the object of their attention into a primitivistic sculpture. The battle of the sexes becomes a graphic stand-off between male-speak geometry and feminine Art Nouveau flourishes. Steinberg appropriated the bold letters of billboards in an untitled work of 1971, but misnamed the colors in the words “BLUE” and “RED,” “YELLOW” and “GREEN” to signal the duplicitous address of advertising promotions. Paris is reduced to the flowery curves of an Art Nouveau Métro station and triangular-plan buildings that mark out wishfully broadened and empty vistas. With no cars in sight and pedestrians confined to the sidewalks, Steinberg’s Paris emerges as an idealized city seen through its urban architectural styles. Style and content are coincident in Las Vegas, crayoned in a casino’s garish hues and frenetic barrage of forms. The gambling woman, nearly all head and pocketbook, hits the jackpot at a slot machine. Her prize, however, is not money or chips but geometric shapes, while the symbols on the machine are as juvenile as the dream of instant riches. The multiplicity of graphic styles can also carry meaning, as in Canal Street, where the congestion of one of New York’s busiest thoroughfares becomes a congestion of linear modes–scribbled cars and stick-figure crowds flanked by spiky, pseudo-Cubist architectural implosions; in the background, a pair of ominous, heavily cross-hatched skyscrapers close off the street.

In another work, a 1964 drawing of a living room populated by different graphic motifs, Steinberg himself described the expressive potential of found styles. The drawing depicts “a conversation between people….A very hard outside with a soft inside sits on a straight-backed chair talking to a fuzzy spiral. On the sofa there is a boring labyrinth speaking to a hysterical line, a giggling, jittery bit of calligraphy. Then there is a dialogue between concentric circles and a spiral. The concentric circles represent the frozen, prudent people, the porcupine and turtle people. The spiral can look like a series of concentric circles….But actually the essence of spirals is different from the essence of concentric circles.”

Steinberg worked in a wide range of media, often packing several into a single image. Traditional media abound–ink, pencil, charcoal, crayon, watercolor, oil, and gouache–as do novel devices. He designed rubber stamps of people, birds, horsemen, and crocodiles, imprinting his compositions with their reiterative forms as well as with official-looking but purposely unreadable rubber-stamp seals. In Steinberg’s art, handwriting takes on the character of a drawing medium: he invented an elegant, but again unreadable, calligraphy with which he manufactured “documents”–fake certificates, diplomas, passports, and licenses whose illegibility deprives officialdom of its self-proclaimed authority. Although he primarily drew on paper, Steinberg also turned photographs into drawing surfaces, inking wheels below a shot of a bread loaf and, above it, a horizon dotted with houses and a gas station: a baked car speeding down an American highway. In the early 1950s, he drew on objects or entire rooms and had a photographer document the results, as in the empty bathroom whose tub he filled with a lounging woman.

It is not surprising that Steinberg’s first forays into sculpture were three-dimensional comments on the draftsman’s work. The wood Drawing Tables of the 1970s comprise arrangements of hand-carved, eye-fooling simulations of pens, pencils, brushes, rulers, sketchbooks, and seals. And if drawing tables and their implements can be carved, they can also be drawn. The pristine ink and pencil abstraction of 1969 with an artist (right) seated at a drawing table is not about the Cubism it emulates. Cubism, Steinberg tells us, is just one of many styles in which you can draw–and through which you can think.

Steinberg defined drawing as “a way of reasoning on paper,” and he remained committed to the act of drawing in an era dominated by large-scale painting and sculpture. Throughout his long career, he used drawing to think about the semantics of art, reconfiguring stylistic signs into a new language suited to the fabricated temper of modern life. He was, as the title of one of his books has it, the “inspector,” seeing through every false front, every pretense. Sometimes with affection, sometimes with irony, but always with virtuoso mastery, Saul Steinberg peeled back the carefully wrought masks of 20th-century civilization.

I Do, I Have, I Am, 1971

I Do, I Have, I Am, 1971.
Ink, marker pens, ballpoint pen, crayon, gouache, watercolor, and collage on paper, 22 3/4 x 14″.
Cover drawing for The New Yorker, July 31, 1971.
The Art Institute of Chicago; Gift of The Saul Steinberg Foundation.

Mask, 1959-65.

Mask, 1959-65.
Mixed media on brown paper bag, 14 1/2 x 7 3/4″.
The Art Institute of Chicago; Gift of The Saul Steinberg Foundation.

_____________

Image result for sergent peppers album cover

Francis Schaeffer’s favorite album was SGT. PEPPER”S and he said of the album “Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.”  (at the 14 minute point in episode 7 of HOW SHOULD WE THEN LIVE? ) 

Image result for francis schaeffer how should we then live

How Should We Then Live – Episode Seven – 07 – Portuguese Subtitles

Francis Schaeffer

Image result for francis schaeffer

______

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 202 the BEATLES’ last song FREE AS A BIRD (Featured artist is Susan Weil )

February 15, 2018 – 1:45 am

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 200 George Harrison song HERE ME LORD (Featured artist is Karl Schmidt-Rottluff )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 184 the BEATLES’ song REAL LOVE (Featured artist is David Hammonds )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 170 George Harrison and his song MY SWEET LORD (Featured artist is Bruce Herman )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 168 George Harrison’s song AWAITING ON YOU ALL Part B (Featured artist is Michelle Mackey )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 167 George Harrison’s song AWAITING ON YOU Part A (Artist featured is Paul Martin)

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 133 Louise Antony is UMass, Phil Dept, “Atheists if they commit themselves to justice, peace and the relief of suffering can only be doing so out of love for the good. Atheist have the opportunity to practice perfect piety”

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 166 George Harrison’s song ART OF DYING (Featured artist is Joel Sheesley )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 165 George Harrison’s view that many roads lead to Heaven (Featured artist is Tim Lowly)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 164 THE BEATLES Edgar Allan Poe (Featured artist is Christopher Wool)

PART 163 BEATLES Breaking down the song LONG AND WINDING ROAD (Featured artist is Charles Lutyens )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 162 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part C (Featured artist is Grace Slick)

PART 161 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part B (Featured artist is Francis Hoyland )

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 160 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part A (Featured artist is Shirazeh Houshiary)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 159 BEATLES, Soccer player Albert Stubbins made it on SGT. PEP’S because he was sport hero (Artist featured is Richard Land)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 158 THE BEATLES (breaking down the song WHY DON’T WE DO IT IN THE ROAD?) Photographer Bob Gomel featured today!

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 118 THE BEATLES (Why was Tony Curtis on cover of SGT PEP?) (Feature on artist Jeffrey Gibson )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 117 THE BEATLES, Breaking down the song WITHIN YOU WITHOUT YOU Part B (Featured artist is Emma Amos )

______________

MUSIC MONDAY Aldous Huxley and the rock band Jefferson Airplane (Featured artist is Rashid Johnson)


Image result for francis schaeffer
730 × 498Images may be subject to copyrightLearn More

In his book HOW SHOULD WE THEN LIVE? Francis Schaeffer noted:

The man who followed on from that point was English–Aldous Huxley (1894-1963). He proposed drugs as a solution. We should, he said, give healthy people drugs and they can then find truth inside their own heads. All that was left for Aldous Huxley and those who followed him was truth inside a person’s own head. With Huxley’s idea, what began with the existential philosophers – man’s individual subjectivity attempting to give order as well as meaning, in contrast to order being shaped by what is objective or external to oneself – came to its logical conclusion. Truth is in one’s own head. The ideal of objective truth was gone.

Image result for aldous huxley
921 × 1390Images may be subject to copyrightLearn More

This emphasis on hallucinogenic drugs brought with it many rock groups–for example, Cream, Jefferson Airplane, Grateful Dead, Incredible String Band, Pink Floyd, and Jimi Hendrix. Most of their work was from 1965-1958. The Beatles’Sergeant Pepper’s Lonely Hearts Club Band (1967) also fits here. This disc is a total unity, not just an isolated series of individual songs, and for a time it became the rallying cry for young people throughout the world. As a whole, this music was the vehicle to carry the drug culture and the mentality which went with it across frontiers which were almost impassible by other means of communication.

Here is a good review of the episode 016 HSWTL The Age of Non-Reason of HOW SHOULD WE THEN LIVE?, December 23, 2007:

Together with the advent of the “drug Age” was the increased interest in the West in  the religious experience of Hinduism and Buddhism. Schaeffer tells us that: “This grasping for a nonrational meaning to life and values is the central reason that these Eastern religions are so popular in the West today.”  Drugs and Eastern religions came like a flood into the Western world.  They became the way that people chose to find meaning and values in life.  By themselves or together, drugs and Eastern religion became the way that people searched inside themselves for ultimate truth.

Along with drugs and Eastern religions there has been a remarkable increase “of the occult appearing as an upper-story hope.”  As modern man searches for answers it “many moderns would rather have demons than be left with the idea that everything in the universe is only one big machine.”  For many people having the “occult in the upper story of nonreason in the hope of having meaning” is better than leaving the upper story of nonreason empty. For them horror or the macabre are more acceptable than the idea that they are just a machine.

Francis Schaeffer has correctly argued:

The universe was created by an infinite personal God and He brought it into existence by spoken word and made man in His own image. When man tries to reduce [philosophically in a materialistic point of view] himself to less than this [less than being made in the image of God] he will always fail and he will always be willing to make these impossible leaps into the area of nonreason even though they don’t give an answer simply because that isn’t what he is. He himself testifies that this infinite personal God, the God of the Old and New Testament is there. 

Instead of making a leap into the area of nonreason the better choice would be to investigate the claims that the Bible is a historically accurate book and that God created the universe and reached out to humankind with the Bible. Below is a piece of that evidence given by Francis Schaeffer concerning the accuracy of the Bible.

TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?,

Consider, too, the threat in the entire Middle East from the power of Assyria. In 853 B.C. King Shalmaneser III of Assyria came west from the region of the Euphrates River, only to be successfully repulsed by a determined alliance of all the states in that area of the Battle of Qarqar. Shalmaneser’s record gives details of the alliance. In these he includes Ahab, who he tells us put 2000 chariots and 10,000 infantry into the battle. However, after Ahab’s death, Samaria was no longer strong enough to retain control, and Moab under King Mesha declared its independence, as II Kings 3:4,5 makes clear:

Now Mesha king of Moab was a sheep breeder, and he had to deliver to the king of Israel 100,000 lambs and the wool of 100,000 rams. But when Ahab died, the king of Moab rebelled against the king of Israel.

The famous Moabite (Mesha) Stone, now in the Louvre, bears an inscription which testifies to Mesha’s reality and of his success in throwing off the yoke of Israel. This is an inscribed black basalt stela, about four feet high, two feet wide, and several inches thick.

Image result for Moabite (Mesha) Stone
1200 × 1852Images may be subject to copyrightLearn More

Ahab’s line did not last long and was brutally overthrown by a man called Jehu. As one walks toward the Assyrian section in the British Museum, one of the first exhibits to be seen is the famous Black Obelisk. This stands about six feet high and was discovered at Nimrud (Calah) near the Assyrian capital at Nineveh. It describes how King Shalmeneser III compelled Jehu to submit to his authority and to pay him tribute. Here one can see a representation of the kneeling figure of either Jehu or his envoy before the Assyrian king. The inscription tells of Jehu’s submission: “The tribute of Jehu, son of Omri: I received from him silver, gold, a golden bowl, a golden vase with pointed bottom, golden tumblers, golden buckets, tin, a staff for a king and purukhti fruits.”

Image result for Black Obelisk.
750 × 999Images may be subject to copyrightLearn More

Jehu is referred to by the Assyrian records as a son of Omri, not because he was literally his son, but because he was on the throne which had been occupied previously by the house of Omri. This event took place about 841 B.C.

Putting them all together, these archaeological records show not only the existence historically of the people and events recorded in the Bible but the great accuracy of the details involved.


___

Featured artist is Rashid Johnson

Rashid Johnson

Rashid Johnson was born in 1977 in Chicago, Illinois, and lives and works in New York. Johnson, who got his start as a photographer, works across media—including video, sculpture, painting, and installation—using a wide variety of materials to address issues of African American identity and history.

Invested in the artistic practices of both conceptualism and abstraction, his influences include literary figures such as Ralph Ellison, Zora Neale Hurston, and Richard Wright as well as artists such as Norman Lewis, Sam Gilliam, and Alma Thomas. Johnson’s installations frequently include shea butter and black soap, materials that were present throughout his childhood and that carry a particular significance within Afrocentric communities.

For Johnson’s 2015 Anxious Men exhibition at the Drawing Center he took a more direct political approach than in the past, while returning to the portraiture that initiated his art practice.

Related posts:

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 53 THE BEATLES (Part E, Stg. Pepper’s and John Lennon’s search in 1967 for truth was through drugs, money, laughter, etc & similar to King Solomon’s, LOTS OF PICTURES OF JOHN AND CYNTHIA) (Feature on artist Yoko Ono)

The John Lennon and the Beatles really were on a long search for meaning and fulfillment in their lives  just like King Solomon did in the Book of Ecclesiastes. Solomon looked into learning (1:12-18, 2:12-17), laughter, ladies, luxuries, and liquor (2:1-2, 8, 10, 11), and labor (2:4-6, 18-20). He fount that without God in the picture all […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 52 THE BEATLES (Part D, There is evidence that the Beatles may have been exposed to Francis Schaeffer!!!) (Feature on artist Anna Margaret Rose Freeman )

______________   George Harrison Swears & Insults Paul and Yoko Lucy in the Sky with Diamonds- The Beatles The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 51 THE BEATLES (Part C, List of those on cover of Stg.Pepper’s ) (Feature on artist Raqib Shaw )

  The Beatles in a press conference after their Return from the USA Uploaded on Nov 29, 2010 The Beatles in a press conference after their Return from the USA. The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 50 THE BEATLES (Part B, The Psychedelic Music of the Beatles) (Feature on artist Peter Blake )

__________________   Beatles 1966 Last interview I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about them and their impact on the culture of the 1960’s. In this […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 49 THE BEATLES (Part A, The Meaning of Stg. Pepper’s Cover) (Feature on artist Mika Tajima)

_______________ The Beatles documentary || A Long and Winding Road || Episode 5 (This video discusses Stg. Pepper’s creation I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 48 “BLOW UP” by Michelangelo Antonioni makes Philosophic Statement (Feature on artist Nancy Holt)

_______________ Francis Schaeffer pictured below: _____________________ I have included the 27 minute  episode THE AGE OF NONREASON by Francis Schaeffer. In that video Schaeffer noted,  ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” How Should […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 47 Woody Allen and Professor Levy and the death of “Optimistic Humanism” from the movie CRIMES AND MISDEMEANORS Plus Charles Darwin’s comments too!!! (Feature on artist Rodney Graham)

Crimes and Misdemeanors: A Discussion: Part 1 ___________________________________ Today I will answer the simple question: IS IT POSSIBLE TO BE AN OPTIMISTIC SECULAR HUMANIST THAT DOES NOT BELIEVE IN GOD OR AN AFTERLIFE? This question has been around for a long time and you can go back to the 19th century and read this same […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 46 Friedrich Nietzsche (Featured artist is Thomas Schütte)

____________________________________ Francis Schaeffer pictured below: __________ Francis Schaeffer has written extensively on art and culture spanning the last 2000years and here are some posts I have done on this subject before : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” , episode 9 “The Age of Personal Peace and Affluence”, episode 8 […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 45 Woody Allen “Reason is Dead” (Feature on artists Allora & Calzadilla )

Love and Death [Woody Allen] – What if there is no God? [PL] ___________ _______________ How Should We then Live Episode 7 small (Age of Nonreason) #02 How Should We Then Live? (Promo Clip) Dr. Francis Schaeffer 10 Worldview and Truth Two Minute Warning: How Then Should We Live?: Francis Schaeffer at 100 Francis Schaeffer […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 44 The Book of Genesis (Featured artist is Trey McCarley )

___________________________________ Francis Schaeffer pictured below: ____________________________ Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR Dr. Francis schaeffer – The flow of Materialism(from Part 4 of Whatever happened to human race?) Dr. Francis Schaeffer – The Biblical flow of Truth & History (intro) Francis Schaeffer – The Biblical Flow of History & Truth (1) Dr. Francis Schaeffer […]

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 157h Bertrand Russell’s unshakable implicit faith in an uniformity of natural causes in a closed system

 

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 149ZZZZ Sir Bertrand Russell

_

Image result for bertrand russell

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

__

 

Harold W. Kroto (left) receives the Nobel Prize in chemistry from Swedish King Carl XVI Gustaf in Stockholm, in 1996.

Soren Andersson/AP

Image result for harry kroto nobel prize

 

__

Image result for harry kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif Ahmed, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BatePatricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Hermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart Kauffman,  Lawrence KraussHarry Kroto, George LakoffElizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,  Jonathan Parry,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

_

 

In  the first video below in the 14th clip in this series are his words and I will be responding to them in the next few weeks since Sir Bertrand Russell is probably the most quoted skeptic of our time, unless it was someone like Carl Sagan or Antony Flew.  

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

__

Quote from Bertrand Russell:

Q: Why are you not a Christian?

Russell: Because I see no evidence whatever for any of the Christian dogmas. I’ve examined all the stock arguments in favor of the existence of God, and none of them seem to me to be logically valid.

Q: Do you think there’s a practical reason for having a religious belief, for many people?

Russell: Well, there can’t be a practical reason for believing what isn’t true. That’s quite… at least, I rule it out as impossible. Either the thing is true, or it isn’t. If it is true, you should believe it, and if it isn’t, you shouldn’t. And if you can’t find out whether it’s true or whether it isn’t, you should suspend judgment. But you can’t… it seems to me a fundamental dishonesty and a fundamental treachery to intellectual integrity to hold a belief because you think it’s useful, and not because you think it’s true._

Image result for francis schaeffer
1024 × 682Images may be subject to copyrightLearn More

Francis Schaeffer noted concerning the IMPLICIT FAITH of Bertrand Russell:

I was lecturing at the University of St. Andrews one night and someone put forth the question, “If Christianity is so clear and reasonable then why doesn’t Bertrand Russell then become a Christian? Is it because he hasn’t discovered theology?”

It wasn’t a matter of studying theology that was involved but rather that he had too much faith. I was surrounded by humanists and you could hear the gasps. Bertrand Russell and faith; Isn’t this the man of reason? I pointed out that this is a man of high orthodoxy who will hold his IMPLICIT FAITH on the basis of his presuppositions no matter how many times he has to zig and zag because it doesn’t conform to the facts.

You must understand what the term IMPLICIT FAITH  means. In the old Roman Catholic Church when someone who became a Roman Catholic they had to promise implicit faith. That meant that you not only had to believe everything that Roman Catholic Church taught then but also everything it would teach in the future. It seems to me this is the kind of faith that these people have in the uniformity of natural causes in a closed system and they have accepted it no matter what it leads them into. 

I think that these men are men of a high level of IMPLICIT FAITH in their own set of presuppositions. Paul said (in Romans Chapter One) they won’t carry it to it’s logical conclusion even though they hold a great deal of the truth and they have revolted and they have set up a series of universals in themselves which they won’t transgress no matter if they conform to the facts or not.

Here below is the Romans passage that Schaeffer is referring to and verse 19 refers to what Schaeffer calls “the mannishness of man” and verse 20 refers to Schaeffer’s other point which is “the universe and it’s form.”

Romans 1:18-20 Amplified Bible :

18 For God’s [holy] wrath and indignation are revealed from heaven against all ungodliness and unrighteousness of men, who in their wickedness repress and hinder the truth and make it inoperative. 19 For that which is known about God is evident to them and made plain in their inner consciousness, because God [Himself] has shown it to them. 20 For ever since the creation of the world His invisible nature and attributes, that is, His eternal power and divinity, have been made intelligible and clearly discernible in and through the things that have been made (His handiworks). So [men] are without excuse [altogether without any defense or justification].

We can actually see the two points makes playing themselves out in Bertrand Russell’s own life.

Image result for bertrand russell

[From a letter dated August 11, 1918 to Miss Rinder when Russell was 46]

It is so with all who spend their lives in the quest of something elusive, and yet omnipresent, and at once subtle and infinite. One seeks it in music, and the sea, and sunsets; at times I have seemed very near it in crowds when I have been feeling strongly what they were feeling; one seeks it in love above all. But if one lets oneself imagine one has found it, some cruel irony is sure to come and show one that it is not really found.
The outcome is that one is a ghost, floating through the world without any real contact. Even when one feels nearest to other people, something in one seems obstinately to belong to God and to refuse to enter into any earthly communion—at least that is how I should express it if I thought there was a God. It is odd isn’t it? I care passionately for this world, and many things and people in it, and yet…what is it all? There must be something more important, one feels, though I don’t believe there is. I am haunted—some ghost, from some extra-mundane region, seems always trying to tell me something that I am to repeat to the world, but I cannot understand the message. 

There was evidence during Bertrand Russell’s own life that indicated that the Bible was true and could be trusted.

Here is some below:

TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?, under footnotes #97 and #98) written by Francis Schaeffer and C. Everett Koop

A common assumption among liberal scholars is that because the Gospels are theologically motivated writings–which they are–they cannot also be historically accurate. In other words, because Luke, say (when he wrote the Book of Luke and the Book of Acts), was convinced of the deity of Christ, this influenced his work to the point where it ceased to be reliable as a historical account. The assumption that a writing cannot be both historical and theological is false.

The experience of the famous classical archaeologist Sir William Ramsay illustrates this well. When he began his pioneer work of exploration in Asia Minor, he accepted the view then current among the Tubingen scholars of his day that the Book of Acts was written long after the events in Paul’s life and was therefore historically inaccurate. However, his travels and discoveries increasingly forced upon his mind a totally different picture, and he became convinced that Acts was minutely accurate in many details which could be checked.

Anyone interested in a 75 page book that goes in depth into Ramsay’s studies can take a look at the book entitled Sir William M. Ramsay:
Archaeologist and New Testament Scholar
A Survey of His Contribution to
the Study of the New Testament
Baker Studies in Biblical Archaeology
by
W. Ward Gasque
Foreword by F. F. Bruce

Here is the foreword

FOREWORD

 FOREWORDAlthough Sir William Ramsay’s life and mine overlapped by thirty years, and we belonged tothe same university, we never met. Seventeen years before I started my undergraduate careerin the University of Aberdeen, he had retired from the Chair of Humanity (Latin) there, andlived for the rest of his life in Edinburgh. Once, in my schoolboy days, I received indirectly apiece of advice from him―that I should beware of dissipating my intellectual energies, as thishad been the downfall of many promising young Scots. I have remembered his advice; I amnot so sure that I have followed it.Many of my teachers, at school and university, were pupils of Ramsay, products of theclassical discipline inculcated by him and his colleague John Harrower, Professor of Greek.(Harrower was inducted to the Greek Chair in the same year, 1886, as Ramsay becameprofessor of Humanity; but while Ramsay retired in 1911 at the then inordinately early age ofsixty, Harrower continued in the Greek Chair for forty-five years in all, until the infirmities ofold age compelled him to relinquish it). Of Ramsay and Harrower, two of their distinguishedpupils have written: No two men could be more unlike; undergraduate rumour had it, many years afterwards, that they were personally unacquainted. Yet, all unconsciously, they made an ideal combination―how effective many of us realized only long afterwards―and between them they built up a school of classical learning which had no equal, outside Oxford and Cambridge, in Britain. Ramsay’s contribution to the Aberdeen Classical School was the inspiration of a gifted maker of knowledge; Harrower’s was that of a great teacher. What either lacked the other was there to supply. When Ramsay translated di deaeque omnes as “all ye inhabitants of heaven, male and female,” we felt that it didn’t really matter, for we could have told him, as Grecians, how those things were clone. When Harrower, for he too was human, began to make Pericles’ Funeral Speech look like a Greek Version gone wrong, we kept our heads, for Ramsay had taught us how to handle a document.1Another of Ramsay’s pupils who has recently given some account of his performance as ateacher (the late Dr. Alexander Ross, until recently Associate Editor of The EvangelicalQuarterly) describes the occasion when Ramsay’s knighthood was announced.[p.8] The news of the conferring of this honour reached us one morning in November 1906 and that morning the Latin classroom was crowded, all the available sitting and standing space being occupied, most of those present having forsaken their proper classes for the occasion. When the professor entered, there was a burst of vociferous cheering, handkerchiefs and note books being waved wildly in the air. When the deafening noise had at last been stilled, he was invited to make a speech. According to a newspaper report which I have before me, he said: “Ladies’ and gentlemen (loud cheers), I am afraid I am detaining a large number of you from your classes (cries of ‘No, no,’ and ‘not at all’). I and glad to see that for once you seem to enjoy the atmosphere of the Humanity classroom (cheers and cries of ‘Oh, oh, Sir William’)―as I am afraid that on many occasions it has been a place of terror (loud cries of ‘No’)―a vale of tears, through which you had to pass on your pilgrimage through this University.” Later on, there was an allusion to the students who, by carving their names on1 W. M. Calder and J. Fraser, Aberdeen University Review, March 1934, pp. 104 f.

 

W. Ward Gasque, Sir William M. Ramsay: Archaeologist and New Testament Scholar. A Survey of HisContribution to the Study of the New Testament. Grand Rapids: Baker Book House, 1966. pp.95. the desks, planned to leave “a memorial of their former presence on these benches for future generations to discover.” At this point a voice called out “excavations!”―a manifest reference to far more important excavations in Asia Minor.2Mr. Gasque’s study, however, is concerned with Ramsay’s contributions to New Testamentstudy. These were many-sided and valuable. He had received no biblical or theologicaltraining, but he acquired, by flint of his painstaking archaeological research coupled with hismastery of first-century literature, an unrivalled knowledge of the historical and geographicalbackground of the apostolic age, especially where Asia Minor was concerned, and he usedthat knowledge effectively to illuminate the New Testament. The nineteenth-century Ramsaywas a very great man; if even then he was inclined to overstate his case, at least he had a goodcase to overstate. The twentieth-century Ramsay suffered in his scholarly reputation becausehe allowed himself to be persuaded by Sir William Robertson Nicoll to don the mantle of apopular apologist. That Ramsay was no “fundamentalist” is evident to any careful reader ofthat section of St. Paul the Traveller which deals with the first five chapters of Acts, but thissection comes near the end of the book, and probably a large proportion of his devout readingpublic never got so far. It is no disgrace for a scholar to obtain a reputation as a defender ofthe faith, but when this reputation is gained by covering reams of paper with apologeticmaterial, spreading the factual content out as thin as possible to make it go farther, it is apt tobe gained at the expense of his reputation for pure scholarship. The twentieth-century Ramsaytended to be dismissed as unworthy of serious attention by many Neutestamentler who nevermade themselves acquainted with the solid achievements of the nineteenth-century Ramsay,which underlay his[p.9]more popular work of later years. Whatever may be thought of the superstructure, thefoundation was always sound, and even in his most ill-considered work one constantly comesacross flashes of insight and original contributions to knowledge which one would notwillingly have missed. A quarter of a century after his death the time is opportune for areassessment of his work, and I am glad to commend Mr. Gasque’s reassessment to readerswho have a concern for New Testament scholarship. F. F. Bruce2 A. Ross, Monthly Record of the Free Church of Scotland, April 1962, p. 69.

F. F. Bruce

Image result for bertrand russell

Bertrand Russell pictured above and Francis Schaeffer below:

Image result for francis schaeffer

Francis Schaeffer noted in his book HOW SHOULD WE THEN LIVE? (p. 182 in Vol 5 of Complete Works) in the chapter The Breakdown in Philosophy and Science:

In his lecture at Acapulco, George Wald finished with only one final value. It was the same one with which English philosopher Bertrand Russell (1872-1970) was left. For Wald and Russell and for many other modern thinkers, the final value is the biological continuity of the human race. If this is the only final value, one is left wondering why this then has importance. 

Now having traveled from the pride of man in the High Renaissance and the Enlightenment down to the present despair, we can understand where modern people are. They have no place for a personal God. But equally they have no place for man as man, or for love, or for freedom, or for significance. This brings a crucial problem. Beginning only from man himself, people affirm that man is only a machine. But those who hold this position cannot live like machines! If they could, there would have been no tensions in their intellectual position or in their lives. But even people who believe they are machines cannot live like machines, and thus they must “leap upstairs” against their reason and try to find something which gives meaning to life, even though to do so they have to deny their reason. 

Francis Schaeffer in another place worded it like this:

The universe was created by an infinite personal God and He brought it into existence by spoken word and made man in His own image. When man tries to reduce [philosophically in a materialistic point of view] himself to less than this [less than being made in the image of God] he will always fail and he will always be willing to make these impossible leaps into the area of nonreason even though they don’t give an answer simply because that isn’t what he is. He himself testifies that this infinite personal God, the God of the Old and New Testament is there. 

We all know deep down that God exists and even atheists have to grapple with that knowledge.

Solomon wisely noted in Ecclesiastes 3:11 “God has planted eternity in the heart of men…” (Living Bible). No wonder Bertrand Russell wrote in his autobiography, “It is odd, isn’t it? I feel passionately for this world and many things and people in it, and yet…what is it all? There must be something more important, one feels, though I don’t believe there is. I am haunted. Some ghosts, for some extra mundane regions, seem always trying to tell me something that I am to repeat to the world, but I cannot understand that message.”

Take a look at this 7th episode from Schaeffer’s series “HOW SHOULD WE THEN LIVE? The Age of Nonreason”:

How Should We Then Live – Episode Seven – 07 – Portuguese Subtitles

_

Instead of making a leap into the area of nonreason the better choice would be to investigate the claims that the Bible is a historically accurate book and that God created the universe and reached out to humankind with the Bible.

Schaeffer then points to the historical accuracy of the Bible in Chapter 5 of the book WHATEVER HAPPENED TO THE HUMAN RACE?

The Bible and Archaeology – Is the Bible from God? (Kyle Butt 42 min)

You want some evidence that indicates that the Bible is true? Here is a good place to start and that is taking a closer look at the archaeology of the Old Testament times. Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

____

 

Related posts:

 

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Pausing to take a look at the life of HARRY KROTO Part C (Kroto’s admiration of Bertrand Russell examined)

Today we look at the 3rd letter in the Kroto correspondence and his admiration of Bertrand Russell. (Below The Nobel chemistry laureates Harold Kroto, Robert Curl and Richard Smalley) It is with sadness that I write this post having learned of the death of Sir Harold Kroto on April 30, 2016 at the age of […]

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 52 The views of Hegel and Bertrand Russell influenced Gareth Stedman Jones of Cambridge!!

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of Dr. Harry Kroto:   Gareth Stedman […]

WOODY WEDNESDAY John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were atheists who don’t deny the ramifications of atheism!!!

Top 10 Woody Allen Movies __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were  atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 (More On) Woody Allen’s Atheism As I wrote in a previous post, I like Woody Allen. I have long admired his […]

John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!!

______ Top 10 Woody Allen Movies PBS American Masters – Woody Allen A Documentary 01 PBS American Masters – Woody Allen A Documentary 02 __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 4)

THE MORAL ARGUMENT     BERTRAND RUSSELL But aren’t you now saying in effect, I mean by God whatever is good or the sum total of what is good — the system of what is good, and, therefore, when a young man loves anything that is good he is loving God. Is that what you’re […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 3)

Great debate Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, […]

Bertrand Russell v. Frederick Copleston debate transcript and audio (Part 2)

Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of UK/BBC copyright. Pardon the hissy audio. It was recorded 51 […]

Bertrand Russell v. Frederick Copleston debate transcript and audio (Part 1)

Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 4)

THE MORAL ARGUMENT     BERTRAND RUSSELL But aren’t you now saying in effect, I mean by God whatever is good or the sum total of what is good — the system of what is good, and, therefore, when a young man loves anything that is good he is loving God. Is that what you’re […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 3)

Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of […]

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 157g Sir Bertrand Russell in 1918 went to prison for his opposition to the war and when Russell told a jailer he was agnostic the jailer responded,’I guess it’s all right. We worship the same God, don’t we?’

Image result for bertrand russell
1080 × 630Images may be subject to copyrightLearn More

Bertrand Russell as a child.Image result for bertrand russellOn November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:…Please click on this URL http://vimeo.com/26991975and you will hear what far smarter people than I have to say on this matter. I agree with them.Harry Kroto

Image result for harry kroto
600 × 602Images may be subject to copyrightLearn More

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:Arif Ahmed, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BatePatricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Hermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart Kauffman,  Lawrence KraussHarry Kroto, George LakoffElizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,  Jonathan Parry,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,In  the first video below in the 14th clip in this series are his words and I will be responding to them in the next few weeks since Sir Bertrand Russell is probably the most quoted skeptic of our time, unless it was someone like Carl Sagan or Antony Flew.  

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

__

Quote from Bertrand Russell:

Q: Why are you not a Christian?Russell: Because I see no evidence whatever for any of the Christian dogmas. I’ve examined all the stock arguments in favor of the existence of God, and none of them seem to me to be logically valid.Q: Do you think there’s a practical reason for having a religious belief, for many people?Russell: Well, there can’t be a practical reason for believing what isn’t true. That’s quite… at least, I rule it out as impossible. Either the thing is true, or it isn’t. If it is true, you should believe it, and if it isn’t, you shouldn’t. And if you can’t find out whether it’s true or whether it isn’t, you should suspend judgment. But you can’t… it seems to me a fundamental dishonesty and a fundamental treachery to intellectual integrity to hold a belief because you think it’s useful, and not because you think it’s true.__ Image result for bertrand russell__

Image result for francis schaeffer

 Related posts:

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Pausing to take a look at the life of HARRY KROTO Part C (Kroto’s admiration of Bertrand Russell examined)

Today we look at the 3rd letter in the Kroto correspondence and his admiration of Bertrand Russell. (Below The Nobel chemistry laureates Harold Kroto, Robert Curl and Richard Smalley) It is with sadness that I write this post having learned of the death of Sir Harold Kroto on April 30, 2016 at the age of […]

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 52 The views of Hegel and Bertrand Russell influenced Gareth Stedman Jones of Cambridge!!

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of Dr. Harry Kroto:   Gareth Stedman […]

WOODY WEDNESDAY John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were atheists who don’t deny the ramifications of atheism!!!

Top 10 Woody Allen Movies __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were  atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 (More On) Woody Allen’s Atheism As I wrote in a previous post, I like Woody Allen. I have long admired his […]

John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!!

______ Top 10 Woody Allen Movies PBS American Masters – Woody Allen A Documentary 01 PBS American Masters – Woody Allen A Documentary 02 __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 4)

THE MORAL ARGUMENT     BERTRAND RUSSELL But aren’t you now saying in effect, I mean by God whatever is good or the sum total of what is good — the system of what is good, and, therefore, when a young man loves anything that is good he is loving God. Is that what you’re […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 3)

Great debate Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, […]

Bertrand Russell v. Frederick Copleston debate transcript and audio (Part 2)

Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of UK/BBC copyright. Pardon the hissy audio. It was recorded 51 […]

Bertrand Russell v. Frederick Copleston debate transcript and audio (Part 1)

Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 4)

THE MORAL ARGUMENT     BERTRAND RUSSELL But aren’t you now saying in effect, I mean by God whatever is good or the sum total of what is good — the system of what is good, and, therefore, when a young man loves anything that is good he is loving God. Is that what you’re […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 3)

Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 289 Rembrandt and his painting “Raising the Cross” ( Featured artist is Jamian Julian0-Villani )

____________

Image result for francis schaeffer

_____

See the 17 min mark in the following video for the part on Rembrandt and the cross:

________

Raising the Cross

Posted by  on Sep 24, 2011 in AtonementGospelMatthew Barrett2 Comments

By Matthew Barrett

Typically when we think of the Reformation and the effect it had “art” is not usually something that comes to mind. However, the theology of the Reformation had a profound impact on art. Francis Schaeffer explains that “to say that the Reformation depreciated art and culture or that it did not produce art and culture is either nonsense or dishonest” (How Should We Then Live? 97). To the contrary, says Schaeffer, in “the case of the Reformation the art showed the good marks of its biblical base.”

To take but one example, consider one of the most famous artists, Rembrandt (1616-1669). Schaeffer argues that Rembrandt had many flaws. In many ways, Rembrandt’s life story is a tragedy. Nonetheless, argues Schaeffer, Rembrandt was still a true Christian who believed in “the death of Christ for him personally” (How Should We Then Live? 98). One of Rembrandt’s famous paintings is the Raising of the Cross, which he completed for Prince Frederick Henry of Orange, now located in the museum Alte Pinakothek in Münich. The painting is sobering. Christ sits front and center, nailed to the cross, as soldiers lift his cross to stand upright. But notice in the painting that there is a man at the feet of Jesus wearing a blue painter’s beret. Obviously this man is not from the first century. And yet, there he stands, lifting the cross with the others. Who is this man? Indeed, it is Rembrandt himself! In a way, it is a self-portrait.

Why would Rembrandt place himself at the feet of Jesus as he is being hoisted up and crucified? For no other reason than to tell the world that Rembrandt is a sinner and it was his sins, like the rest of mankind, which sent Christ to the cross. In this sense, Rembrandt was impacted by the gospel of the Reformers. Man is a wretched, helpless sinner who finds forgiveness, grace, mercy, and the righteousness of Christ at the cross. Schaeffer summarizes Rembrandt well,

“Rembrandt shows in all his work that he was a man of the Reformation; he neither idealized nature nor demeaned it. Moreover, Rembrandt’s biblical base enabled him to excel in painting people with psychological depth. Man was great, but man was also cruel and broken, for he had revolted against God. Rembrandt’s painting was thus lofty, yet down to earth. There was no need for him to slip into the world of illusion, as did much of the baroque painting which sprang out of the Catholic Counter-Reformation” (How Should We Then Live? 98).

Rembrandt’s Raising of the Cross is a visual picture of the gospel in many respects. Think with me of Paul’s text in Romans 5:12-21. There we learn that sin came into the world through one man, Adam, and death through sin. Consequently, “death spread to all men because all sinned” (Rom 5:12). However, with Christ came the grace of God. The free gift, says Paul, is not like the trespass. As Paul writes, “For if many died through one man’s trespass, much more have the grace of God and the free gift by the grace of that one man Jesus Christ abounded for many” (5:15). Paul goes on to draw the comparison further. The free gift is not like the result of Adam’s sin. Adam’s sin brought judgment and condemnation to all, but the free gift brought justification. “For if, because of one man’s trespass, death reigned through that one man, much more will those who receive the abundance of grace and the free gift of righteousness reign in life through the one man Jesus Christ” (5:17).

This would have been difficult to see if you were there when Christ was crucified. Rembrandt’s picture shows Christ as a king who is crucified. Nails driven through his arms and legs, naked and exposed as he takes his last breath. He is put to death at the hands of evil men. And yet, it is in this weakness that our salvation comes. There is much more happening at the cross than what our sinful eyes would have noticed. At the cross Christ redeemed sinners. At the cross Christ purchased a people for himself. At the cross Christ took our sin and stood in our place. At the cross Christ bore the wrath of God that we deserved. And meanwhile, like Rembrandt, we stand at the feet of Jesus. It was our sin that put him on that cross and it is our sin that he bore on that cross. In exchange, we receive the free gift of the righteousness of Christ. At the cross we receive an abundance of grace. While Adam’s sin led to our condemnation, the one act of righteousness by Christ led to our justification and life (Rom 5:18). By the one man, Adam, many were made sinners, but by the one man’s obedience “the many will be made righteous” (5:19). No longer do I see Rembrandt at the foot of the cross, but I see myself: a sinner in need of a Savior.


Matthew Barrett (Ph.D., The Southern Baptist Theological Seminary) is the founder and executive editor of Credo Magazine. Barrett has contributed book reviews and articles to various academic journals and he also writes at Blogmatics. He is married to Elizabeth and they have two daughters, Cassandra and Georgia. He is a member of Clifton Baptist Church in Louisville, KY.

__________________

The Bible and Archaeology – Kyle Butt (Is the Bible From God?: Session 3)

Here is some very convincing evidence that points to the view that the Bible ishistorically accurate.

Archaeological and External Evidence for the Bible

Archeology consistently confirms the Bible!

Archaeology and the Old Testament

  • Ebla tablets—discovered in 1970s in Northern Syria. Documents written on clay tablets from around 2300 B.C. demonstrate that personal and place names in the Patriarchal accounts are genuine. In use in Ebla was the name “Canaan,” a name critics once said was not used at that time and was used incorrectly in the early chapters of the Bible. The tablets refer to all five “cities of the plain” mentioned in Genesis 14, previously assumed to have been mere legends.
  • Greater proportion of Egyptian words in the Pentateuch (first five books) than in rest of the Old Testament. Accurate Egyptian names: Potiphar (Gen.39),Zaphenath-Paneah (Joseph’s Egyptian name, Gen. 41:45), Asenath(Gen.41:45), On (Gen. 41:45), Rameses (Gen. 47:11), Oithom (Exodus 1:11).
  • Finds in Egypt are consistent with the time, place, and other details of biblical accounts of the Israelites in Egypt. These include housing and tombs that could have been of the Israelites, as well as a villa and tomb that could have been Joseph’s.
  • Confounding earlier skeptics, but confirming the Bible, an important discovery was made in Egypt in 1896. A tablet—the Merneptah Stela—was found that mentions Israel. (Merneptah was the pharaoh that ruled Egypt in 1212-1202 B.C.) The context of the stela indicates that Israel was a significant entity in the late 13th century B.C.
  • The Hittites were once thought to be a biblical legend, until their capital and records were discovered in Turkey.
  • Crucial find in Nuzi (northeastern Iraq), an entire cache of Hittite legal documents from 1400 B.C. Confirms many details of Genesis, Deuteronomy, such as: (a) siring of legitimate children through handmaidens, (b) oral deathbed will as binding, (c) the power to sell one’s birthright for relatively trivial property (Jacob & Esau), (d) need for family idols, such as Rachel stole from Laban, to secure inheritance, (e) form of the covenant in Deuteronomy exactly matches the form of suzerainty treaties between Hittite emperors and vassal kings.
  • Walls of Jericho—discovery in 1930s by John Garstang. The walls fell suddenly, and outwardly (unique), so Israelites could clamber over the ruins into the city (Joshua 6:20).
  • In 1986, scholars identified an ancient seal belonging to Baruch, son of Neriah, a scribe who recorded the prophecies of Jeremiah (Jer. 45:11).
  • In 1990, Harvard researchers unearthed a silver-plated bronze calf figurine reminiscent of the huge golden calf mentioned in the book of Exodus.
  • In 1993, archaeologists uncovered a 9th century B.C. inscription at Tel Dan. The words carved into a chunk of basalt refer to the “House of David” and the “King of Israel.” And the Bible’s version of Israelite history after the reign of David’s son, Solomon, is believed to be based on historical fact because it is corroborated by independent account of Egyptian and Assyrian inscriptions.
  • It was once claimed there was no Assyrian king named Sargon as recorded inIsaiah 20:1, because this name was not known in any other record. Then, Sargon’s palace was discovered in Iraq. The very event mentioned in Isaiah 20, his capture of Ashdod, was recorded in the palace walls! Even more, fragments of a stela (a poetic eulogy) memorializing the victory were found at Ashdod itself.
  • Another king who was in doubt was Belshazzar, king of Babylon, named inDaniel 5. The last king of Babylon was Nabonidus according to recorded history. Tablet was found showing that Belshazzar was Nabonidus’ son.
  • The ruins of Sodom and Gomorrah have been discovered southeast of the Dead Sea. Evidence at the site seems consistent with the biblical account: “Then the Lord rained down burning sulfur on Sodom and Gomorrah—from the Lord out of the heavens.” The destruction debris was about 3 feet thick and buildings were burned from fires that started on the rooftops. Geologist Frederick Clapp theorizes that that pressure from an earthquake could have spewed out sulfur-laden bitumen (similar to asphalt) known to be in the area through the fault line upon which the cities rest. The dense smoke reported by Abraham is consistent with a fire from such material, which could have ignited by a spark or ground fire.

Archaeology and the New Testament

  • The New Testament mentions specific individuals, places, and various official titles of local authorities, confirmed by recent archeology. Luke sites exact titles of officials. (Titles varied from city to city so they are easily checked for accuracy.) Lysanias the Tetrarch in Abilene (Luke 3:1)—verified by inscription dated 14-29 A.D. Erastus, city treasurer of Corinth (Romans 16:23)—verified by pavement inscription. Gallio—proconsul of Achaia (Greece) in A.D. 51 (Acts 18:12). Politarchs (“city ruler”) in Thessalonica (Acts 17:6). Chief Man of the Island on Malta (Acts 28:7). Stone Pavement at Pilate’s headquarters (John 19:13)—discovered recently. Pool at Bethesda— discovered in 1888. Many examples of silver shrines to Artemis found (Acts 19:28). Inscription confirms the title of the city as “Temple Warden of Artemis”. Account of Paul’s sea voyage in Acts is “one of the most instructive documents for the knowledge of ancient seamanship.”
  • Census of Luke 1. Census began under Augustus approximately every 14 years: 23-22 B.C., 9-8 B.C., 6 A.D. There is evidence of enrollment in 11-8 B.C. in Egyptian papyri.
    • Problem: Historian Josephus puts Quirinius as governor in Syria at 6 A.D. Solution: Recent inscription confirms that Quirinius served as governor in 7 B. C. (in extraordinary, military capacity).
    • Problem: Herod’s kingdom was not part of the Roman Empire at the time, so there would not have been a census. Solution: it was a client kingdom. Augustus treated Herod as subject (Josephus). Parallel—a census took place in the client kingdom of Antiochus in eastern Asia Minor under Tiberius.
    • Enrollment in hometown? Confirmed by edict of Vibius Maximus, Roman prefect of Egypt, in 104 A.D. “…it is necessary for all who are for any cause whatsoever way from their administrative divisions to return home to comply with the customary ordinance of enrollment.”
  • Opinion of Sir William Ramsay, one of the outstanding Near Eastern archeologists: “Luke is a historian of the first rank; not merely are his statements of fact trustworthy; he is possessed of the true historic sense; he fixes his mind on the idea and plan that rules in the evolution of history, and proportions the scale of his treatment to the importance of each incident. He seizes the important and critical events and shows their true nature at greater length…In short, this author should be placed among the very greatest of historians.”
  • Diggers recently uncovered an ossuary (repository for bones) with the inscription “Joseph Son of Caiaphas.” This marked the first archaeological evidence that the high priest Caiaphas was a real person. According to the gospels, Caiaphas presided at the Sanhedrin’s trial of Jesus.

External References to Jesus and the Christian Church.

  • Josephus. Born to priestly family in A.D. 37. Commanded Jewish troops in Galilee during rebellion. Surrendered, and earned favor of Emperor Vespasian. Wrote 20 books of Antiquities of the Jews. Refers to John the Baptist (killed by Herod) and to James, the brother of Jesus (condemned to death by stoning by the Sanhedrin). He referred to Jesus in his Antiquities 18:63. The standard text of Josephus reads as follows:

“About this time lived Jesus, a wise man, if indeed one ought to call him a man.  For he was the achiever of extraordinary deeds and was a teacher of those who accept the truth gladly.  He won over many Jews and many of the Greeks.  He was the Messiah.  When he was indicted by the principal men among us and Pilate condemned him to be crucified, those who had come to love him originally did not cease to do so; for he appeared to them on the third day restored to life, as the prophets of the Deity had foretold these and countless other marvelous things about him, and the tribe of the Christians, so named after him, has not disappeared to this day.”  (Josephus—The Essential Works, P. L. Maier ed./trans.).

Although this passage is so worded in the Josephus manuscripts as early as the third-century church historian Eusebius, scholars have long suspected a Christian interpolation, since Josephus could hardly have believed Jesus to be the Messiah or in his resurrection and have remained, as he did, a non-Christian Jew.  In 1972, however, Professor Schlomo Pines of the Hebrew University in Jerusalem announced his discovery of a different manuscript tradition of Josephus’s writings in the tenth-century Melkite historian Agapius, which reads as follows:

“At this time there was a wise man called Jesus, and his conduct was good, and he was known to be virtuous.  Many people among the Jews and the other nations became his disciples.  Pilate condemned him to be crucified and to die.  But those who had become his disciples did not abandon his discipleship.  They reported that he had appeared to them three days after his crucifixion and that he was alive.  Accordingly, he was perhaps the Messiah, concerning whom the prophets have reported wonders.  And the tribe of the Christians, so named after him, has not disappeared to this day.”

Here, clearly, is language that a Jew could have written without conversion to Christianity.  (Schlomo Pines, An Arabic Version of the Testimonium Flavianum and its Implications [Jerusalem: Israel Academy of Sciences and Humanities, 1971.])

According to Dr. Paul Maier, professor of ancient history, “Scholars fall into three basic camps regarding Antiquities 18:63:  1) The original passage is entirely authentic—a minority position; 2) it is entirely a Christian forgery—a much smaller minority position; and 3) it contains Christian interpolations in what was Josephus’s original, authentic material about Jesus—the large majority position today, particularly in view of the Agapian text (immediately above) which shows no signs of interpolation. Josephus must have mentioned Jesus in authentic core material at 18:63 since this passage is present in all Greek manuscripts of Josephus, and the Agapian version accords well with his grammar and vocabulary elsewhere.  Moreover, Jesus is portrayed as a ‘wise man’ [sophos aner], a phrase not used by Christians but employed by Josephus for such personalities as David and Solomon in the Hebrew Bible.  Furthermore, his claim that Jesus won over “many of the Greeks” is not substantiated in the New Testament, and thus hardly a Christian interpolation but rather something that Josephus would have noted in his own day.  Finally, the fact that the second reference to Jesus at Antiquities 20:200, which follows, merely calls him the Christos [Messiah] without further explanation suggests that a previous, fuller identification had already taken place.  Had Jesus appeared for the first time at the later point in Josephus’s record, he would most probably have introduced a phrase like “…brother of a certain Jesus, who was called the Christ.”

  • Early Gentile writers, referred to by Christian apologists in 2nd century.
    • Thallus—wrote a history of Greece and Asia Minor in A.D. 52. Julius Africanus (221 AD), commenting on Thallus, said: “Thallus, in the third book of his histories, explains away the darkness [during the crucifixion] as an eclipse of the sun—unreasonably, as it seems to me [since the Passover took place during a full moon.]“
    • Official Roman records of the census, and Pontius Pilate’s official report to the Emperor. Justin Martyr wrote his “Defense of Christianity” to Emperor Antonius Pius, referred him to Pilate’s report, preserved in the archives. Tertullian, writing to Roman officials, writes with confidence that records of the Luke 1 census can still be found.
  • Roman historians
    • Tacitus—Greatest Roman historian, born 52 A.D., wrote a history of the reign of Nero in 110 A.D. “…Christus, from whom they got their name, had been executed by sentence of the procurator Pontius Pilate when Tiberias was emperor; and the pernicious superstition was checked for a short time only to break out afresh, not only in Judea, the home of the plague, but in Rome itself, .. ” (Annals 15:44)
    • Suetonius—AD. 120. In his Life of Claudius: “As the Jews were making disturbances at the instigation of Chrestus, he expelled them from Rome.”
    • Pliny the Younger—Governor of Bithynia in Asia Minor, wrote the emperor in A.D. 112 about the sect of Christians, who were in “the habit of meeting on a certain fixed day, before it was light, when they sang an anthem to Christ as God.”

Note: A good web site for biblical archaeology is www.christiananswers.net.


___

Related posts:

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 53 THE BEATLES (Part E, Stg. Pepper’s and John Lennon’s search in 1967 for truth was through drugs, money, laughter, etc & similar to King Solomon’s, LOTS OF PICTURES OF JOHN AND CYNTHIA) (Feature on artist Yoko Ono)

The John Lennon and the Beatles really were on a long search for meaning and fulfillment in their lives  just like King Solomon did in the Book of Ecclesiastes. Solomon looked into learning (1:12-18, 2:12-17), laughter, ladies, luxuries, and liquor (2:1-2, 8, 10, 11), and labor (2:4-6, 18-20). He fount that without God in the picture all […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 52 THE BEATLES (Part D, There is evidence that the Beatles may have been exposed to Francis Schaeffer!!!) (Feature on artist Anna Margaret Rose Freeman )

______________   George Harrison Swears & Insults Paul and Yoko Lucy in the Sky with Diamonds- The Beatles The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 51 THE BEATLES (Part C, List of those on cover of Stg.Pepper’s ) (Feature on artist Raqib Shaw )

  The Beatles in a press conference after their Return from the USA Uploaded on Nov 29, 2010 The Beatles in a press conference after their Return from the USA. The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 50 THE BEATLES (Part B, The Psychedelic Music of the Beatles) (Feature on artist Peter Blake )

__________________   Beatles 1966 Last interview I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about them and their impact on the culture of the 1960’s. In this […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 49 THE BEATLES (Part A, The Meaning of Stg. Pepper’s Cover) (Feature on artist Mika Tajima)

_______________ The Beatles documentary || A Long and Winding Road || Episode 5 (This video discusses Stg. Pepper’s creation I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 48 “BLOW UP” by Michelangelo Antonioni makes Philosophic Statement (Feature on artist Nancy Holt)

_______________ Francis Schaeffer pictured below: _____________________ I have included the 27 minute  episode THE AGE OF NONREASON by Francis Schaeffer. In that video Schaeffer noted,  ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” How Should […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 47 Woody Allen and Professor Levy and the death of “Optimistic Humanism” from the movie CRIMES AND MISDEMEANORS Plus Charles Darwin’s comments too!!! (Feature on artist Rodney Graham)

Crimes and Misdemeanors: A Discussion: Part 1 ___________________________________ Today I will answer the simple question: IS IT POSSIBLE TO BE AN OPTIMISTIC SECULAR HUMANIST THAT DOES NOT BELIEVE IN GOD OR AN AFTERLIFE? This question has been around for a long time and you can go back to the 19th century and read this same […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 46 Friedrich Nietzsche (Featured artist is Thomas Schütte)

____________________________________ Francis Schaeffer pictured below: __________ Francis Schaeffer has written extensively on art and culture spanning the last 2000years and here are some posts I have done on this subject before : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” , episode 9 “The Age of Personal Peace and Affluence”, episode 8 […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 45 Woody Allen “Reason is Dead” (Feature on artists Allora & Calzadilla )

Love and Death [Woody Allen] – What if there is no God? [PL] ___________ _______________ How Should We then Live Episode 7 small (Age of Nonreason) #02 How Should We Then Live? (Promo Clip) Dr. Francis Schaeffer 10 Worldview and Truth Two Minute Warning: How Then Should We Live?: Francis Schaeffer at 100 Francis Schaeffer […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 44 The Book of Genesis (Featured artist is Trey McCarley )

___________________________________ Francis Schaeffer pictured below: ____________________________ Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR Dr. Francis schaeffer – The flow of Materialism(from Part 4 of Whatever happened to human race?) Dr. Francis Schaeffer – The Biblical flow of Truth & History (intro) Francis Schaeffer – The Biblical Flow of History & Truth (1) Dr. Francis Schaeffer […]

Featured artist is Jamian Julian0-Villani

Jamian Juliano-Villani

Jamian Juliano-Villani was born in 1987 in Newark, New Jersey, and lives and works in New York. A painter working with sourced images, Juliano-Villani begins her process with visual references from books, magazines, and other print media she has collected since high school.

She often projects images of characters from cartoons and comic books onto her canvases, allowing her to build a narrative of disparate layers. With her rough aesthetic and bold palette, her approach has evoked references to Peter Saul. Driven by emotion and intuition, Juliano-Villani’s process often results in lengthy, demanding working sessions in her studio.

_

___

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 157f Sir Bertrand Russell said “For beliefs based on faith, argument is useless,” yet Russell had a firm unquestioning implicit faith in an uniformity of natural causes in a closed system

Image result for bertrand russell
1080 × 630Images may be subject to copyrightLearn More

Bertrand Russell as a child.Image result for bertrand russellOn November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:…Please click on this URL http://vimeo.com/26991975and you will hear what far smarter people than I have to say on this matter. I agree with them.Harry Kroto

Image result for harry kroto
600 × 602Images may be subject to copyrightLearn More

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:Arif Ahmed, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BatePatricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Hermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart Kauffman,  Lawrence KraussHarry Kroto, George LakoffElizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,  Jonathan Parry,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,In  the first video below in the 14th clip in this series are his words and I will be responding to them in the next few weeks since Sir Bertrand Russell is probably the most quoted skeptic of our time, unless it was someone like Carl Sagan or Antony Flew.  

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

__

Quote from Bertrand Russell:

Q: Why are you not a Christian?Russell: Because I see no evidence whatever for any of the Christian dogmas. I’ve examined all the stock arguments in favor of the existence of God, and none of them seem to me to be logically valid.Q: Do you think there’s a practical reason for having a religious belief, for many people?Russell: Well, there can’t be a practical reason for believing what isn’t true. That’s quite… at least, I rule it out as impossible. Either the thing is true, or it isn’t. If it is true, you should believe it, and if it isn’t, you shouldn’t. And if you can’t find out whether it’s true or whether it isn’t, you should suspend judgment. But you can’t… it seems to me a fundamental dishonesty and a fundamental treachery to intellectual integrity to hold a belief because you think it’s useful, and not because you think it’s true.__ Image result for bertrand russell__

Image result for francis schaeffer
250 × 318Images may be subject to copyrightLearn More

 Related posts:

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Pausing to take a look at the life of HARRY KROTO Part C (Kroto’s admiration of Bertrand Russell examined)

Today we look at the 3rd letter in the Kroto correspondence and his admiration of Bertrand Russell. (Below The Nobel chemistry laureates Harold Kroto, Robert Curl and Richard Smalley) It is with sadness that I write this post having learned of the death of Sir Harold Kroto on April 30, 2016 at the age of […]

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 52 The views of Hegel and Bertrand Russell influenced Gareth Stedman Jones of Cambridge!!

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of Dr. Harry Kroto:   Gareth Stedman […]

WOODY WEDNESDAY John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were atheists who don’t deny the ramifications of atheism!!!

Top 10 Woody Allen Movies __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were  atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 (More On) Woody Allen’s Atheism As I wrote in a previous post, I like Woody Allen. I have long admired his […]

John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!!

______ Top 10 Woody Allen Movies PBS American Masters – Woody Allen A Documentary 01 PBS American Masters – Woody Allen A Documentary 02 __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 4)

THE MORAL ARGUMENT     BERTRAND RUSSELL But aren’t you now saying in effect, I mean by God whatever is good or the sum total of what is good — the system of what is good, and, therefore, when a young man loves anything that is good he is loving God. Is that what you’re […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 3)

Great debate Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, […]

Bertrand Russell v. Frederick Copleston debate transcript and audio (Part 2)

Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of UK/BBC copyright. Pardon the hissy audio. It was recorded 51 […]

Bertrand Russell v. Frederick Copleston debate transcript and audio (Part 1)

Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 4)

THE MORAL ARGUMENT     BERTRAND RUSSELL But aren’t you now saying in effect, I mean by God whatever is good or the sum total of what is good — the system of what is good, and, therefore, when a young man loves anything that is good he is loving God. Is that what you’re […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 3)

Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 288, LINKS TO 3 YEARS OF BEATLES POSTS (March of 2015 to Feb of 2018) Featured artist is Mark Dion

_

Image result for beatles

The Beatles – In my Life

Published on Feb 25, 2011

Image result for beatles

Here Comes The Sun – The Beatles Tribute

Not sung by George but good nonetheless!!

Image result for beatles

The Beatles – Revolution

Published on Oct 20, 2015

Image result for beatles
_

Wikipedia noted:

It was created by Jann Haworth and Peter Blake, who in 1967 won the Grammy Award for Best Album Cover, Graphic Arts for their work on it. 

Image result for jann haworth

Image result for jann haworth

Actually Jann Haworth reached out to me when she read some of my posts in this series and she rightly noted that she picked out most of the figures on the cover and not the individual Beatles. In fact, many of the artists featured on the cover were friends of hers and I made sure and pointed that out in my posts. However, there were some picks done by the Beatles and some of the picks did reflect the spirit of the 1960’s such as Aldous Huxley who wrote the book The Doors of Perception, which recalls experiences when taking a psychedelic drug; Francis Schaeffer had a lot to say about Huxley and the 1960’s drug movement. In fact, I attempted to base all my posts on Francis Schaeffer’s writings.

Image result for aldous huxley

The rock band the DOORS got their name from Huxley’s book.

Image result for jim morrison doors

Image result for sergent peppers album cover

Francis Schaeffer’s favorite album was SGT. PEPPER”S and he said of the album “Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.”  (at the 14 minute point in episode 7 of HOW SHOULD WE THEN LIVE? ) 

Image result for francis schaeffer how should we then live

How Should We Then Live – Episode Seven – 07 – Portuguese Subtitles

Francis Schaeffer

Image result for francis schaeffer

_

Image result for beatles

_

Image result for beatles
782 × 439Images may be subject to copyright

____

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 202 the BEATLES’ last song FREE AS A BIRD (Featured artist is Susan Weil )

February 15, 2018 – 1:45 am

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 200 George Harrison song HERE ME LORD (Featured artist is Karl Schmidt-Rottluff )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 184 the BEATLES’ song REAL LOVE (Featured artist is David Hammonds )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 170 George Harrison and his song MY SWEET LORD (Featured artist is Bruce Herman )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 168 George Harrison’s song AWAITING ON YOU ALL Part B (Featured artist is Michelle Mackey )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 167 George Harrison’s song AWAITING ON YOU Part A (Artist featured is Paul Martin)

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 133 Louise Antony is UMass, Phil Dept, “Atheists if they commit themselves to justice, peace and the relief of suffering can only be doing so out of love for the good. Atheist have the opportunity to practice perfect piety”

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 166 George Harrison’s song ART OF DYING (Featured artist is Joel Sheesley )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 165 George Harrison’s view that many roads lead to Heaven (Featured artist is Tim Lowly)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 164 THE BEATLES Edgar Allan Poe (Featured artist is Christopher Wool)

PART 163 BEATLES Breaking down the song LONG AND WINDING ROAD (Featured artist is Charles Lutyens )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 162 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part C (Featured artist is Grace Slick)

PART 161 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part B (Featured artist is Francis Hoyland )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 160 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part A (Featured artist is Shirazeh Houshiary)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 159 BEATLES, Soccer player Albert Stubbins made it on SGT. PEP’S because he was sport hero (Artist featured is Richard Land)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 158 THE BEATLES (breaking down the song WHY DON’T WE DO IT IN THE ROAD?) Photographer Bob Gomel featured today!

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 118 THE BEATLES (Why was Tony Curtis on cover of SGT PEP?) (Feature on artist Jeffrey Gibson )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 117 THE BEATLES, Breaking down the song WITHIN YOU WITHOUT YOU Part B (Featured artist is Emma Amos )

Featured artist is  Mark Dion

Mark Dion

Mark Dion was born in New Bedford, Massachusetts, in 1961. He received a BFA (1986) and an honorary doctorate (2003) from the University of Hartford, School of Art, Connecticut. Dion’s work examines the ways in which dominant ideologies and public institutions shape our understanding of history, knowledge, and the natural world. “The job of the artist,” he says, “is to go against the grain of dominant culture, to challenge perception and convention.” Appropriating archaeological and other scientific methods of collecting, ordering, and exhibiting objects, Dion creates works that question the distinctions between “objective” (“rational”) scientific methods and “subjective” (“irrational”) influences.

The artist’s spectacular and often fantastical curiosity cabinets, modeled on Wunderkabinetts of the sixteenth century, exalt atypical orderings of objects and specimens. By locating the roots of environmental politics and public policy in the construction of knowledge about nature, Mark Dion questions the authoritative role of the scientific voice in contemporary society.

He has received numerous awards, including the ninth annual Larry Aldrich Foundation Award (2001). He has had major exhibitions at Miami Art Museum (2006); the Museum of Modern Art, New York (2004); the Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2003); and Tate Gallery, London (1999). Neukom Vivarium (2006), a permanent outdoor installation and learning lab for the Olympic Sculpture Park, was commissioned by the Seattle Art Museum. Dion lives and works in Pennsylvania.

__

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 157e Bertrand Russell said “For beliefs based on faith, argument is useless,” yet Russell had a unquestioning implicit faith in an uniformity of natural causes in a closed system

 

_

Image result for bertrand russell

_

Image result for bertrand russell

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

__

 

Harold W. Kroto (left) receives the Nobel Prize in chemistry from Swedish King Carl XVI Gustaf in Stockholm, in 1996.

Soren Andersson/AP

Image result for harry kroto nobel prize

 

__

Image result for harry kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif Ahmed, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BatePatricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Hermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart Kauffman,  Lawrence KraussHarry Kroto, George LakoffElizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,  Jonathan Parry,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

_

 

In  the first video below in the 14th clip in this series are his words and I will be responding to them in the next few weeks since Sir Bertrand Russell is probably the most quoted skeptic of our time, unless it was someone like Carl Sagan or Antony Flew.  

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

__

Quote from Bertrand Russell:

Q: Why are you not a Christian?

Russell: Because I see no evidence whatever for any of the Christian dogmas. I’ve examined all the stock arguments in favor of the existence of God, and none of them seem to me to be logically valid.

Q: Do you think there’s a practical reason for having a religious belief, for many people?

Russell: Well, there can’t be a practical reason for believing what isn’t true. That’s quite… at least, I rule it out as impossible. Either the thing is true, or it isn’t. If it is true, you should believe it, and if it isn’t, you shouldn’t. And if you can’t find out whether it’s true or whether it isn’t, you should suspend judgment. But you can’t… it seems to me a fundamental dishonesty and a fundamental treachery to intellectual integrity to hold a belief because you think it’s useful, and not because you think it’s true._

Image result for francis schaeffer
288 × 198Images may be subject to copyrightLearn More

Francis Schaeffer noted concerning the IMPLICIT FAITH of Bertrand Russell:

I was lecturing at the University of St. Andrews one night and someone put forth the question, “If Christianity is so clear and reasonable then why doesn’t Bertrand Russell then become a Christian? Is it because he hasn’t discovered theology?”

It wasn’t a matter of studying theology that was involved but rather that he had too much faith. I was surrounded by humanists and you could hear the gasps. Bertrand Russell and faith; Isn’t this the man of reason? I pointed out that this is a man of high orthodoxy who will hold his IMPLICIT FAITH on the basis of his presuppositions no matter how many times he has to zig and zag because it doesn’t conform to the facts.

You must understand what the term IMPLICIT FAITH  means. In the old Roman Catholic Church when someone who became a Roman Catholic they had to promise implicit faith. That meant that you not only had to believe everything that Roman Catholic Church taught then but also everything it would teach in the future. It seems to me this is the kind of faith that these people have in the uniformity of natural causes in a closed system and they have accepted it no matter what it leads them into. 

I think that these men are men of a high level of IMPLICIT FAITH in their own set of presuppositions. Paul said (in Romans Chapter One) they won’t carry it to it’s logical conclusion even though they hold a great deal of the truth and they have revolted and they have set up a series of universals in themselves which they won’t transgress no matter if they conform to the facts or not.

Here below is the Romans passage that Schaeffer is referring to and verse 19 refers to what Schaeffer calls “the mannishness of man” and verse 20 refers to Schaeffer’s other point which is “the universe and it’s form.”

Romans 1:18-20 Amplified Bible :

18 For God’s [holy] wrath and indignation are revealed from heaven against all ungodliness and unrighteousness of men, who in their wickedness repress and hinder the truth and make it inoperative. 19 For that which is known about God is evident to them and made plain in their inner consciousness, because God [Himself] has shown it to them. 20 For ever since the creation of the world His invisible nature and attributes, that is, His eternal power and divinity, have been made intelligible and clearly discernible in and through the things that have been made (His handiworks). So [men] are without excuse [altogether without any defense or justification].

We can actually see the two points makes playing themselves out in Bertrand Russell’s own life.

Image result for bertrand russell
1730 × 1080Images may be subject to copyrightLearn More

[From a letter dated August 11, 1918 to Miss Rinder when Russell was 46]

It is so with all who spend their lives in the quest of something elusive, and yet omnipresent, and at once subtle and infinite. One seeks it in music, and the sea, and sunsets; at times I have seemed very near it in crowds when I have been feeling strongly what they were feeling; one seeks it in love above all. But if one lets oneself imagine one has found it, some cruel irony is sure to come and show one that it is not really found.
The outcome is that one is a ghost, floating through the world without any real contact. Even when one feels nearest to other people, something in one seems obstinately to belong to God and to refuse to enter into any earthly communion—at least that is how I should express it if I thought there was a God. It is odd isn’t it? I care passionately for this world, and many things and people in it, and yet…what is it all? There must be something more important, one feels, though I don’t believe there is. I am haunted—some ghost, from some extra-mundane region, seems always trying to tell me something that I am to repeat to the world, but I cannot understand the message. 

There was evidence during Bertrand Russell’s own life that indicated that the Bible was true and could be trusted.

Here is some below:

TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?, under footnotes #97 and #98) written by Francis Schaeffer and C. Everett Koop

A common assumption among liberal scholars is that because the Gospels are theologically motivated writings–which they are–they cannot also be historically accurate. In other words, because Luke, say (when he wrote the Book of Luke and the Book of Acts), was convinced of the deity of Christ, this influenced his work to the point where it ceased to be reliable as a historical account. The assumption that a writing cannot be both historical and theological is false.

The experience of the famous classical archaeologist Sir William Ramsay illustrates this well. When he began his pioneer work of exploration in Asia Minor, he accepted the view then current among the Tubingen scholars of his day that the Book of Acts was written long after the events in Paul’s life and was therefore historically inaccurate. However, his travels and discoveries increasingly forced upon his mind a totally different picture, and he became convinced that Acts was minutely accurate in many details which could be checked.

William Mitchell Ramsay

Sir William Mitchell RamsayFBA (15 March 1851 – 20 April 1939) was a Scottish archaeologist and New Testament scholar. By his death in 1939 he had become the foremost authority of his day on the history of Asia Minor and a leading scholar in the study of the New Testament. Although Ramsay was educated in the Tübingen school of thought (founded by F. C. Baur) which doubted the reliability of the New Testament, his extensive archaeological and historical studies convinced him of the historical accuracy of the New Testament.[1] From the post of Professor of Classical Art and Architectureat Oxford, he was appointed Regius Professor of Humanity (the Latin Professorship) at Aberdeen. Knighted in 1906 to mark his distinguished service to the world of scholarship, Ramsay also gained three honorary fellowships from Oxford colleges, nine honorary doctorates from British, Continental and North American universities and became an honorary member of almost every association devoted to archaeology and historical research. He was one of the original members of the British Academy, was awarded the Gold Medal of Pope Leo XIII in 1893 and the Victorian Medal of the Royal Geographical Society in 1906.

Life

Ramsay was born in Glasgow, Scotland, the youngest son of a third-generation lawyer, Thomas Ramsay and his wife Jane Mitchell (daughter of William Mitchell. His father died when he was six years old, and the family moved from the city to the family home in the country district near Alloa. The help of his older brother and maternal uncle, Andrew Mitchell, made it possible for him to have a superior education. He studied at the University of Aberdeen, where he achieved high distinction and later became Professor of Humanity. He won a scholarship to St. John’s College, Oxford, where he obtained a first class in classical moderations (1874) and in literae humaniores (1876). He also studied Sanskrit under scholar Theodor Benfey at Göttingen.

In 1880 Ramsay received an Oxford studentship for travel and research in Greece. At Smyrna, he met Sir C. W. Wilson, then British consul-general in Anatolia, who advised him on inland areas suitable for exploration. Ramsay and Wilson made two long journeys during 1881-1882.

He traveled widely in Asia Minor and rapidly became the recognized authority on all matters relating to the districts associated with St Paul’s missionary journeys and on Christianity in the early Roman Empire. Greece and Turkey remained the focus of Ramsay’s research for the remainder of his academic career. In 1883, he discovered the world’s oldest complete piece of music, the Seikilos epitaph. He was known for his expertise in the historic geography and topography of Asia Minor and of its political, social, cultural, and religious history. He was Fellow of Exeter College, Oxford, in 1882.

From 1885 to 1886 Ramsay held the newly created Lincoln and Merton professorship of classical archaeology and art at Oxford and became a fellow of Lincoln College (honorary fellow 1898). In 1886 Ramsay was appointed Regius Professor of Humanity at the University of Aberdeen. He remained affiliated with Aberdeen until his retirement in 1911. From 1880 onwards he received the honorary degrees of D.C.L. Oxford, LL.D. St Andrews and Glasgow, and D.D. Edinburgh. In 1906, Ramsay was knighted for his scholarly achievements on the 400th anniversary of the founding of the University of Aberdeen. He was elected a member of learned societies in Europe and America and was awarded medals by the Royal Geographical Society and the University of Pennsylvania.

Family

His wife, Lady Ramsay, granddaughter of Dr Andrew Marshall of Kirkintilloch, accompanied him in many of his journeys and is the author of Everyday Life in Turkey (1897) and The Romance of Elisavet (1899). He was a grandson of entrepreneur William Mitchell (1781–1854). Other relatives include Mary Ramsay and Agnis Margaret Ramsay who were responsible for contributing several photographs and illustrations in his work on The Letters to the Seven Churches.

Contribution to biblical studies

William Ramsay was known for his careful attention to New Testament events, particularly the Book of Acts and Pauline Epistles. When he first went to Asia Minor, many of the cities mentioned in Acts had no known location and almost nothing was known of their detailed history or politics. The Acts of the Apostles was the only record and Ramsay, skeptical, fully expected his own research to prove the author of Acts hopelessly inaccurate since no man could possibly know the details of Asia Minor more than a hundred years after the event—this is, when Acts was then supposed to have been written. He therefore set out to put the writer of Acts on trial. He devoted his life to unearthing the ancient cities and documents of Asia Minor. After a lifetime of study, however, he concluded: ‘Further study … showed that the book could bear the most minute scrutiny as an authority for the facts of the Aegean world, and that it was written with such judgment, skill, art and perception of truth as to be a model of historical statement’ (The Bearing of Recent Discovery, p. 85). On page 89 of the same book, Ramsay accounted, ‘I set out to look for truth on the borderland where Greece and Asia meet, and found it there [in Acts]. You may press the words of Luke in a degree beyond any other historian’s and they stand the keenest scrutiny and the hardest treatment…’

When Ramsay turned his attention to Paul’s letters, most of which the critics dismissed as forgeries, he concluded that all thirteen New Testament letters that claimed to have been written by Paul were authentic.

Publications

See also

References

  1. “I may fairly claim to have entered on this investigation without any prejudice in favour of the conclusion which I shall now attempt to justify to the reader [i.e., the reliability of the book of Acts]. On the contrary, I began with a mind unfavourable to it, for the ingenuity and apparent completeness of the Tübingen theory had at one time quite convinced me. It did not lie then in my line of life to investigate the subject minutely; but more recently I found myself often brought in contact with the book of Acts as an authority for the topography, antiquities, and society of Asia Minor. It was gradually borne in upon me that in various details the narrative showed marvellous truth. In fact, beginning with the fixed idea that the work was essentially a second-century composition, and never relying on its evidence as trustworthy for first-century conditions, I gradually came to find it a useful ally in some obscure and difficult investigations.” Ramsay, St. Paul the Traveller and the Roman Citizen, 1904, Putnam and Sons, p.8.
  2. “Was Christ Born in Bethlehem?”. ccel.org.
  3. “Philologos – The Letters to the Seven Churches of Asia by W.M. Ramsay”. philologos.org.

External links

Media related to William Mitchell Ramsay at Wikimedia Commons

Image result for bertrand russell

Bertrand Russell pictured above and Francis Schaeffer below:

Image result for francis schaeffer

Francis Schaeffer noted in his book HOW SHOULD WE THEN LIVE? (p. 182 in Vol 5 of Complete Works) in the chapter The Breakdown in Philosophy and Science:

In his lecture at Acapulco, George Wald finished with only one final value. It was the same one with which English philosopher Bertrand Russell (1872-1970) was left. For Wald and Russell and for many other modern thinkers, the final value is the biological continuity of the human race. If this is the only final value, one is left wondering why this then has importance. 

Now having traveled from the pride of man in the High Renaissance and the Enlightenment down to the present despair, we can understand where modern people are. They have no place for a personal God. But equally they have no place for man as man, or for love, or for freedom, or for significance. This brings a crucial problem. Beginning only from man himself, people affirm that man is only a machine. But those who hold this position cannot live like machines! If they could, there would have been no tensions in their intellectual position or in their lives. But even people who believe they are machines cannot live like machines, and thus they must “leap upstairs” against their reason and try to find something which gives meaning to life, even though to do so they have to deny their reason. 

Francis Schaeffer in another place worded it like this:

The universe was created by an infinite personal God and He brought it into existence by spoken word and made man in His own image. When man tries to reduce [philosophically in a materialistic point of view] himself to less than this [less than being made in the image of God] he will always fail and he will always be willing to make these impossible leaps into the area of nonreason even though they don’t give an answer simply because that isn’t what he is. He himself testifies that this infinite personal God, the God of the Old and New Testament is there. 

We all know deep down that God exists and even atheists have to grapple with that knowledge.

Solomon wisely noted in Ecclesiastes 3:11 “God has planted eternity in the heart of men…” (Living Bible). No wonder Bertrand Russell wrote in his autobiography, “It is odd, isn’t it? I feel passionately for this world and many things and people in it, and yet…what is it all? There must be something more important, one feels, though I don’t believe there is. I am haunted. Some ghosts, for some extra mundane regions, seem always trying to tell me something that I am to repeat to the world, but I cannot understand that message.”

Take a look at this 7th episode from Schaeffer’s series “HOW SHOULD WE THEN LIVE? The Age of Nonreason”:

How Should We Then Live – Episode Seven – 07 – Portuguese Subtitles

_

Instead of making a leap into the area of nonreason the better choice would be to investigate the claims that the Bible is a historically accurate book and that God created the universe and reached out to humankind with the Bible.

Schaeffer then points to the historical accuracy of the Bible in Chapter 5 of the book WHATEVER HAPPENED TO THE HUMAN RACE?

The Bible and Archaeology – Is the Bible from God? (Kyle Butt 42 min)

You want some evidence that indicates that the Bible is true? Here is a good place to start and that is taking a closer look at the archaeology of the Old Testament times. Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

____

 

Related posts:

 

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Pausing to take a look at the life of HARRY KROTO Part C (Kroto’s admiration of Bertrand Russell examined)

Today we look at the 3rd letter in the Kroto correspondence and his admiration of Bertrand Russell. (Below The Nobel chemistry laureates Harold Kroto, Robert Curl and Richard Smalley) It is with sadness that I write this post having learned of the death of Sir Harold Kroto on April 30, 2016 at the age of […]

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 52 The views of Hegel and Bertrand Russell influenced Gareth Stedman Jones of Cambridge!!

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of Dr. Harry Kroto:   Gareth Stedman […]

WOODY WEDNESDAY John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were atheists who don’t deny the ramifications of atheism!!!

Top 10 Woody Allen Movies __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were  atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 (More On) Woody Allen’s Atheism As I wrote in a previous post, I like Woody Allen. I have long admired his […]

John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!!

______ Top 10 Woody Allen Movies PBS American Masters – Woody Allen A Documentary 01 PBS American Masters – Woody Allen A Documentary 02 __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 4)

THE MORAL ARGUMENT     BERTRAND RUSSELL But aren’t you now saying in effect, I mean by God whatever is good or the sum total of what is good — the system of what is good, and, therefore, when a young man loves anything that is good he is loving God. Is that what you’re […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 3)

Great debate Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, […]

Bertrand Russell v. Frederick Copleston debate transcript and audio (Part 2)

Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of UK/BBC copyright. Pardon the hissy audio. It was recorded 51 […]

Bertrand Russell v. Frederick Copleston debate transcript and audio (Part 1)

Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 4)

THE MORAL ARGUMENT     BERTRAND RUSSELL But aren’t you now saying in effect, I mean by God whatever is good or the sum total of what is good — the system of what is good, and, therefore, when a young man loves anything that is good he is loving God. Is that what you’re […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 3)

Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of […]

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 157d Bertrand Russell said “For beliefs based on faith, argument is useless,” yet Russell had a wholehearted faith in an uniformity of natural causes in a closed system

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 149 HH Sir Bertrand Russell

Image result for bertrand russell
555 × 409Images may be subject to copyrightLearn More

__Image result for bertrand russellOn November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:…Please click on this URL http://vimeo.com/26991975and you will hear what far smarter people than I have to say on this matter. I agree with them.Harry KrotoImage result for harry krotoI have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:Arif Ahmed, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BatePatricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Hermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart Kauffman,  Lawrence KraussHarry Kroto, George LakoffElizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,  Jonathan Parry,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,In  the first video below in the 14th clip in this series are his words and I will be responding to them in the next few weeks since Sir Bertrand Russell is probably the most quoted skeptic of our time, unless it was someone like Carl Sagan or Antony Flew.  

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

__

Quote from Bertrand Russell:

Q: Why are you not a Christian?Russell: Because I see no evidence whatever for any of the Christian dogmas. I’ve examined all the stock arguments in favor of the existence of God, and none of them seem to me to be logically valid.Q: Do you think there’s a practical reason for having a religious belief, for many people?Russell: Well, there can’t be a practical reason for believing what isn’t true. That’s quite… at least, I rule it out as impossible. Either the thing is true, or it isn’t. If it is true, you should believe it, and if it isn’t, you shouldn’t. And if you can’t find out whether it’s true or whether it isn’t, you should suspend judgment. But you can’t… it seems to me a fundamental dishonesty and a fundamental treachery to intellectual integrity to hold a belief because you think it’s useful, and not because you think it’s true._Image result for francis schaefferFrancis Schaeffer noted concerning the IMPLICIT FAITH of Bertrand Russell:I was lecturing at the University of St. Andrews one night and someone put forth the question, “If Christianity is so clear and reasonable then why doesn’t Bertrand Russell then become a Christian? Is it because he hasn’t discovered theology?”It wasn’t a matter of studying theology that was involved but rather that he had too much faith. I was surrounded by humanists and you could hear the gasps. Bertrand Russell and faith; Isn’t this the man of reason? I pointed out that this is a man of high orthodoxy who will hold his IMPLICIT FAITH on the basis of his presuppositions no matter how many times he has to zig and zag because it doesn’t conform to the facts.You must understand what the term IMPLICIT FAITH  means. In the old Roman Catholic Church when someone who became a Roman Catholic they had to promise implicit faith. That meant that you not only had to believe everything that Roman Catholic Church taught then but also everything it would teach in the future. It seems to me this is the kind of faith that these people have in the uniformity of natural causes in a closed system and they have accepted it no matter what it leads them into. I think that these men are men of a high level of IMPLICIT FAITH in their own set of presuppositions. Paul said (in Romans Chapter One) they won’t carry it to it’s logical conclusion even though they hold a great deal of the truth and they have revolted and they have set up a series of universals in themselves which they won’t transgress no matter if they conform to the facts or not.Here below is the Romans passage that Schaeffer is referring to and verse 19 refers to what Schaeffer calls “the mannishness of man” and verse 20 refers to Schaeffer’s other point which is “the universe and it’s form.”Romans 1:18-20 Amplified Bible :18 For God’s [holy] wrath and indignation are revealed from heaven against all ungodliness and unrighteousness of men, who in their wickedness repress and hinder the truth and make it inoperative. 19 For that which is known about God is evident to them and made plain in their inner consciousness, because God [Himself] has shown it to them. 20 For ever since the creation of the world His invisible nature and attributes, that is, His eternal power and divinity, have been made intelligible and clearly discernible in and through the things that have been made (His handiworks). So [men] are without excuse [altogether without any defense or justification].We can actually see the two points makes playing themselves out in Bertrand Russell’s own life.Image result for bertrand russell[From a letter dated August 11, 1918 to Miss Rinder when Russell was 46]It is so with all who spend their lives in the quest of something elusive, and yet omnipresent, and at once subtle and infinite. One seeks it in music, and the sea, and sunsets; at times I have seemed very near it in crowds when I have been feeling strongly what they were feeling; one seeks it in love above all. But if one lets oneself imagine one has found it, some cruel irony is sure to come and show one that it is not really found.
The outcome is that one is a ghost, floating through the world without any real contact. Even when one feels nearest to other people, something in one seems obstinately to belong to God and to refuse to enter into any earthly communion—at least that is how I should express it if I thought there was a God. It is odd isn’t it? I care passionately for this world, and many things and people in it, and yet…what is it all? There must be something more important, one feels, though I don’t believe there is. I am haunted—some ghost, from some extra-mundane region, seems always trying to tell me something that I am to repeat to the world, but I cannot understand the message. There was evidence during Bertrand Russell’s own life that indicated that the Bible was true and could be trusted.Francis Schaeffer shares some of that evidence below:

TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?, under footnotes #97 and #98)

A common assumption among liberal scholars is that because the Gospels are theologically motivated writings–which they are–they cannot also be historically accurate. In other words, because Luke, say (when he wrote the Book of Luke and the Book of Acts), was convinced of the deity of Christ, this influenced his work to the point where it ceased to be reliable as a historical account. The assumption that a writing cannot be both historical and theological is false.The experience of the famous classical archaeologist Sir William Ramsay illustrates this well. When he began his pioneer work of exploration in Asia Minor, he accepted the view then current among the Tubingen scholars of his day that the Book of Acts was written long after the events in Paul’s life and was therefore historically inaccurate. However, his travels and discoveries increasingly forced upon his mind a totally different picture, and he became convinced that Acts was minutely accurate in many details which could be checked.…For example, it is now known that Luke’s references to the titles of officials encountered along the way are uniformly accurate. This was no mean achievement in those days, for they varied from place to place and from time to time in the same place. They were proconsuls in Corinth and Cyprus, asiarchs at Ephesus, politarches at Thessalonica, and protos or “first man” in Malta. Back in Palestine, Luke was careful to give Herod Antipas the correct title of tetrarch of Galilee. And so one. The details are precise.Image result for william mitchell ramsay

William Mitchell Ramsay

Sir William Mitchell RamsayFBA (15 March 1851 – 20 April 1939) was a Scottish archaeologist and New Testament scholar. By his death in 1939 he had become the foremost authority of his day on the history of Asia Minor and a leading scholar in the study of the New Testament. Although Ramsay was educated in the Tübingen school of thought (founded by F. C. Baur) which doubted the reliability of the New Testament, his extensive archaeological and historical studies convinced him of the historical accuracy of the New Testament.[1] From the post of Professor of Classical Art and Architectureat Oxford, he was appointed Regius Professor of Humanity (the Latin Professorship) at Aberdeen. Knighted in 1906 to mark his distinguished service to the world of scholarship, Ramsay also gained three honorary fellowships from Oxford colleges, nine honorary doctorates from British, Continental and North American universities and became an honorary member of almost every association devoted to archaeology and historical research. He was one of the original members of the British Academy, was awarded the Gold Medal of Pope Leo XIII in 1893 and the Victorian Medal of the Royal Geographical Society in 1906.Life
Ramsay was born in Glasgow, Scotland, the youngest son of a third-generation lawyer, Thomas Ramsay and his wife Jane Mitchell (daughter of William Mitchell. His father died when he was six years old, and the family moved from the city to the family home in the country district near Alloa. The help of his older brother and maternal uncle, Andrew Mitchell, made it possible for him to have a superior education. He studied at the University of Aberdeen, where he achieved high distinction and later became Professor of Humanity. He won a scholarship to St. John’s College, Oxford, where he obtained a first class in classical moderations (1874) and in literae humaniores (1876). He also studied Sanskrit under scholar Theodor Benfey at Göttingen.In 1880 Ramsay received an Oxford studentship for travel and research in Greece. At Smyrna, he met Sir C. W. Wilson, then British consul-general in Anatolia, who advised him on inland areas suitable for exploration. Ramsay and Wilson made two long journeys during 1881-1882.He traveled widely in Asia Minor and rapidly became the recognized authority on all matters relating to the districts associated with St Paul’s missionary journeys and on Christianity in the early Roman Empire. Greece and Turkey remained the focus of Ramsay’s research for the remainder of his academic career. In 1883, he discovered the world’s oldest complete piece of music, the Seikilos epitaph. He was known for his expertise in the historic geography and topography of Asia Minor and of its political, social, cultural, and religious history. He was Fellow of Exeter College, Oxford, in 1882.From 1885 to 1886 Ramsay held the newly created Lincoln and Merton professorship of classical archaeology and art at Oxford and became a fellow of Lincoln College (honorary fellow 1898). In 1886 Ramsay was appointed Regius Professor of Humanity at the University of Aberdeen. He remained affiliated with Aberdeen until his retirement in 1911. From 1880 onwards he received the honorary degrees of D.C.L. Oxford, LL.D. St Andrews and Glasgow, and D.D. Edinburgh. In 1906, Ramsay was knighted for his scholarly achievements on the 400th anniversary of the founding of the University of Aberdeen. He was elected a member of learned societies in Europe and America and was awarded medals by the Royal Geographical Society and the University of Pennsylvania.Family
His wife, Lady Ramsay, granddaughter of Dr Andrew Marshall of Kirkintilloch, accompanied him in many of his journeys and is the author of Everyday Life in Turkey (1897) and The Romance of Elisavet (1899). He was a grandson of entrepreneur William Mitchell (1781–1854). Other relatives include Mary Ramsay and Agnis Margaret Ramsay who were responsible for contributing several photographs and illustrations in his work on The Letters to the Seven Churches.Contribution to biblical studies
William Ramsay was known for his careful attention to New Testament events, particularly the Book of Acts and Pauline Epistles. When he first went to Asia Minor, many of the cities mentioned in Acts had no known location and almost nothing was known of their detailed history or politics. The Acts of the Apostles was the only record and Ramsay, skeptical, fully expected his own research to prove the author of Acts hopelessly inaccurate since no man could possibly know the details of Asia Minor more than a hundred years after the event—this is, when Acts was then supposed to have been written. He therefore set out to put the writer of Acts on trial. He devoted his life to unearthing the ancient cities and documents of Asia Minor. After a lifetime of study, however, he concluded: ‘Further study … showed that the book could bear the most minute scrutiny as an authority for the facts of the Aegean world, and that it was written with such judgment, skill, art and perception of truth as to be a model of historical statement’ (The Bearing of Recent Discovery, p. 85). On page 89 of the same book, Ramsay accounted, ‘I set out to look for truth on the borderland where Greece and Asia meet, and found it there [in Acts]. You may press the words of Luke in a degree beyond any other historian’s and they stand the keenest scrutiny and the hardest treatment…’When Ramsay turned his attention to Paul’s letters, most of which the critics dismissed as forgeries, he concluded that all thirteen New Testament letters that claimed to have been written by Paul were authentic.Publications

See also

References

  1. “I may fairly claim to have entered on this investigation without any prejudice in favour of the conclusion which I shall now attempt to justify to the reader [i.e., the reliability of the book of Acts]. On the contrary, I began with a mind unfavourable to it, for the ingenuity and apparent completeness of the Tübingen theory had at one time quite convinced me. It did not lie then in my line of life to investigate the subject minutely; but more recently I found myself often brought in contact with the book of Acts as an authority for the topography, antiquities, and society of Asia Minor. It was gradually borne in upon me that in various details the narrative showed marvellous truth. In fact, beginning with the fixed idea that the work was essentially a second-century composition, and never relying on its evidence as trustworthy for first-century conditions, I gradually came to find it a useful ally in some obscure and difficult investigations.” Ramsay, St. Paul the Traveller and the Roman Citizen, 1904, Putnam and Sons, p.8.
  1. “Was Christ Born in Bethlehem?”. ccel.org.
  1. “Philologos – The Letters to the Seven Churches of Asia by W.M. Ramsay”. philologos.org.

External links

Media related to William Mitchell Ramsay at Wikimedia Commons

Related posts:

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Pausing to take a look at the life of HARRY KROTO Part C (Kroto’s admiration of Bertrand Russell examined)

Today we look at the 3rd letter in the Kroto correspondence and his admiration of Bertrand Russell. (Below The Nobel chemistry laureates Harold Kroto, Robert Curl and Richard Smalley) It is with sadness that I write this post having learned of the death of Sir Harold Kroto on April 30, 2016 at the age of […]

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 52 The views of Hegel and Bertrand Russell influenced Gareth Stedman Jones of Cambridge!!

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of Dr. Harry Kroto:   Gareth Stedman […]

WOODY WEDNESDAY John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were atheists who don’t deny the ramifications of atheism!!!

Top 10 Woody Allen Movies __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were  atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 (More On) Woody Allen’s Atheism As I wrote in a previous post, I like Woody Allen. I have long admired his […]

John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!!

______ Top 10 Woody Allen Movies PBS American Masters – Woody Allen A Documentary 01 PBS American Masters – Woody Allen A Documentary 02 __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 4)

THE MORAL ARGUMENT     BERTRAND RUSSELL But aren’t you now saying in effect, I mean by God whatever is good or the sum total of what is good — the system of what is good, and, therefore, when a young man loves anything that is good he is loving God. Is that what you’re […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 3)

Great debate Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, […]

Bertrand Russell v. Frederick Copleston debate transcript and audio (Part 2)

Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of UK/BBC copyright. Pardon the hissy audio. It was recorded 51 […]

Bertrand Russell v. Frederick Copleston debate transcript and audio (Part 1)

Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 4)

THE MORAL ARGUMENT     BERTRAND RUSSELL But aren’t you now saying in effect, I mean by God whatever is good or the sum total of what is good — the system of what is good, and, therefore, when a young man loves anything that is good he is loving God. Is that what you’re […]

Bertrand Russell v. Frederick Copleston debate transcript (Part 3)

Fr. Frederick C. Copleston vs Bertrand Russell – Part 1 Uploaded by riversonthemoon on Jul 15, 2009 BBC Radio Third Programme Recording January 28, 1948. BBC Recording number T7324W. This is an excerpt from the full broadcast from cassette tape A303/5 Open University Course, Problems of Philosophy Units 7-8. Older than 50 years, out of […]

“Music Monday” Aldous Huxley and the rock band Pink Floyd


FRANCIS SCHAEFFER ANALYZES ART AND CULTURE

Pink Floyd were an English rock band formed in London in 1965. They achieved international acclaim with their progressive and psychedelicmusic. Distinguished by their philosophical lyrics, sonic experimentation, extended compositions, and elaborate live shows, they are one of the most commercially successfuland influential groups in popular music history.

Pink Floyd
A black-and-white photo of five men standing in front of a brick wall.

Pink Floyd in January 1968, one of the only known photoshoots of all five members. Clockwise from bottom: Gilmour, Mason, Barrett, Waters and Wright.
Background information
Origin London, England
Genres
Years active
  • 1965–1995
  • 2005
  • 2012–2014
Labels
Website pinkfloyd.com
Past members

Pink Floyd were founded by students Syd Barrett on guitar and lead vocals, Nick Masonon drums, Roger Waters on bass and vocals, and Richard Wright on keyboards and vocals. They gained popularity performing in London’s underground music scene during the late 1960s, and under Barrett’s leadership released two charting singles and a successful debut album, The Piper at the Gates of Dawn (1967). Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and conceptual leader, devising the concepts behind their albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983). The Dark Side of the Moon and The Wall became two of the best-selling albums of all time.

Following creative tensions, Wright left Pink Floyd in 1979, followed by Waters in 1985. Gilmour and Mason continued as Pink Floyd, joined later by Wright. The three produced two more albums—A Momentary Lapse of Reason(1987) and The Division Bell (1994)—and toured through 1994. In 2005, after nearly two decades of enmity, Gilmour, Wright, Mason and Waters reunited as part of the global awareness event Live 8; Gilmour and Waters stated they had no further plans to reunite the band. Barrett died in 2006, and Wright in 2008. The last Pink Floyd studio album, The Endless River (2014), was recorded without Waters and based almost entirely on unreleased material from The Division Bell recording sessions.

Pink Floyd were inducted into the American Rock and Roll Hall of Fame in 1996 and the UK Music Hall of Fame in 2005. By 2013, they had sold more than 250 million records worldwide.

History

Rogers Waters sent letter on 2-10-16

January 31, 2016

Roger Waters c/o Millennium Promise,

Dear Roger,

Back in 1980 I read a book  that mentions your band PINK FLOYD. In his book HOW SHOULD WE THEN LIVE? Francis Schaeffer noted:

This emphasis on hallucinogenic drugs brought with it many rock groups–for example, Cream, Jefferson Airplane, Grateful Dead, Incredible String Band, Pink Floyd, and Jimi Hendrix. Most of their work was from 1965-1958. The Beatles’Sergeant Pepper’s Lonely Hearts Club Band (1967) also fits here. This disc is a total unity, not just an isolated series of individual songs, and for a time it became the rallying cry for young people throughout the world. As a whole, this music was the vehicle to carry the drug culture and the mentality which went with it across frontiers which were almost impassible by other means of communication.

Since then I have become a fan of your music but I wanted to write you today about your most famous song ANOTHER BRICK IN THE WALL. I know that many of the members of your rock band are atheists or agnostics and it may surprise you to know that Solomon wrote the BOOK of ECCLESIASTES from an atheistic point of view.  Solomon did believe in God but in this book he  took a look at life “under the sun.” Christian scholar Ravi Zacharias has noted, “The key to understanding the Book of Ecclesiastes is the term ‘under the sun.’ What that literally means is you lock God out of a closed system, and you are left with only this world of time plus chance plus matter.”

Without God in the picture then aren’t we all just ANOTHER BRICK IN THE WALL?

Francis Schaeffer comments on the Book of Ecclesiastes:

Ecclesiastes 9:11

11 Again I saw that under the sun the race is not to the swift, nor the battle to the strong, nor bread to the wise, nor riches to the intelligent, nor favor to those with knowledge, but time and chance happen to them all.

Chance rules. If a man starts out only from himself and works outward it must eventually if he is consistent seem so that only chance rules and naturally in such a setting you can not expect him to have anything else but finally a hate of life.

Ecclesiastes 2:17-18a

17 So I hated life, because what is done under the sunwas grievous to me, for all is vanity and a striving after wind. 18 I hated all my toil in which I toil under the sun…

That first great cry “So I hated life.” Naturally if you hate life you long for death and you find him saying this in Ecclesiastes 4:2-3:

And I thought the dead who are already dead more fortunate than the living who are still alive. But better than both is he who has not yet been and has not seen the evil deeds that are done under the sun.

He lays down an order. It is best never have to been. It is better to be dead, and worse to be alive. But like all men and one could think of the face of Vincent Van Goghin his final paintings as he came to hate life and you watch something die in his self portraits, the dilemma is double because as one is consistent and one sees life as a game of chance, one must come in a way to hate life. Yet at the same time men never get beyond the fear to die. Solomon didn’t either. So you find him in saying this.

Ecclesiastes 2:14-15

14 The wise person has his eyes in his head, but the fool walks in darkness. And yet I perceived that the same event happens to all of them. 15 Then I said in my heart, “What happens to the fool will happen to me also. Why then have I been so very wise?” And I said in my heart that this also is vanity.

The Hebrew is stronger than this and it says “it happens EVEN TO ME,” Solomon on the throne, Solomon the universal man. EVEN TO ME, even to Solomon.

Ecclesiastes 9:12

12 For man does not know his time. Like fish that are taken in an evil net, and like birds that are caught in a snare, so the children of man are snared at an evil time, when it suddenly falls upon them.

Death can come at anytime. Death seen merely by the eye of man between birth and death and UNDER THE SUN. Death too is a thing of chance. Albert Camus speeding in a car with a pretty girl at his side and then Camus dead. Lawrence of Arabia coming up over a crest of a hill 100 miles per hour on his motorcycle and some boys are standing in the road and Lawrence turns aside and dies.

 Surely between birth and death these things are chance. Modern man adds something on top of this and that is the understanding that as the individual man will dies by chance so one day the human race will die by chance!!! It is the death of the human race that lands in the hand of chance and that is why men grew sad when they readNevil Shute’s book ON THE BEACH. 

By the way, the final chapter of Ecclesiastes finishes with Solomon emphasizing that serving God is the only proper response of man. Solomon looks above the sun and brings God back into the picture.  Here is his final conclusion concerning the meaning of life and man’s proper place in the universe in Ecclesiastes 12:13-14:
13 Now all has been heard;
here is the conclusion of the matter:
Fear God and keep his commandments,
for this is the whole duty of man.

14 For God will bring every deed into judgment,
including every hidden thing,
whether it is good or evil

Thanks for your time.

Sincerely,

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX

_

Image result for francis schaeffer
250 × 318Images may be subject to copyrightLearn More

In his book HOW SHOULD WE THEN LIVE? Francis Schaeffer noted:

The man who followed on from that point was English–Aldous Huxley (1894-1963). He proposed drugs as a solution. We should, he said, give healthy people drugs and they can then find truth inside their own heads. All that was left for Aldous Huxley and those who followed him was truth inside a person’s own head. With Huxley’s idea, what began with the existential philosophers – man’s individual subjectivity attempting to give order as well as meaning, in contrast to order being shaped by what is objective or external to oneself – came to its logical conclusion. Truth is in one’s own head. The ideal of objective truth was gone.

Image result for aldous huxley
250 × 300Images may be subject to copyrightLearn More

This emphasis on hallucinogenic drugs brought with it many rock groups–for example, Cream, Jefferson Airplane, Grateful Dead, Incredible String Band, Pink Floyd, and Jimi Hendrix. Most of their work was from 1965-1958. The Beatles’Sergeant Pepper’s Lonely Hearts Club Band (1967) also fits here. This disc is a total unity, not just an isolated series of individual songs, and for a time it became the rallying cry for young people throughout the world. As a whole, this music was the vehicle to carry the drug culture and the mentality which went with it across frontiers which were almost impassible by other means of communication.

Here is a good review of the episode 016 HSWTL The Age of Non-Reason of HOW SHOULD WE THEN LIVE?, December 23, 2007:

Together with the advent of the “drug Age” was the increased interest in the West in  the religious experience of Hinduism and Buddhism. Schaeffer tells us that: “This grasping for a nonrational meaning to life and values is the central reason that these Eastern religions are so popular in the West today.”  Drugs and Eastern religions came like a flood into the Western world.  They became the way that people chose to find meaning and values in life.  By themselves or together, drugs and Eastern religion became the way that people searched inside themselves for ultimate truth.

Along with drugs and Eastern religions there has been a remarkable increase “of the occult appearing as an upper-story hope.”  As modern man searches for answers it “many moderns would rather have demons than be left with the idea that everything in the universe is only one big machine.”  For many people having the “occult in the upper story of nonreason in the hope of having meaning” is better than leaving the upper story of nonreason empty. For them horror or the macabre are more acceptable than the idea that they are just a machine.

Francis Schaeffer has correctly argued:

The universe was created by an infinite personal God and He brought it into existence by spoken word and made man in His own image. When man tries to reduce [philosophically in a materialistic point of view] himself to less than this [less than being made in the image of God] he will always fail and he will always be willing to make these impossible leaps into the area of nonreason even though they don’t give an answer simply because that isn’t what he is. He himself testifies that this infinite personal God, the God of the Old and New Testament is there. 

Instead of making a leap into the area of nonreason the better choice would be to investigate the claims that the Bible is a historically accurate book and that God created the universe and reached out to humankind with the Bible. Below is a piece of that evidence given by Francis Schaeffer concerning the accuracy of the Bible.

TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?,

Image result for Egyptian King Tirhakah
380 × 550Images may be subject to copyrightLearn More

There is also a confirmation of what the Bible says concerning the Egyptian King Tirhakah who came up to oppose the Assyrians. Confirmation of his reality is typified by a sphinx-ram in the British Museum (British Museum Ref. B.B.1779). The small figure between the legs of the ram is a representation of King Tirhakah. The Bible says that when Sennacherib heard that  Tirhakah, king of Eqypt, was coming to fight against him, he sent messengers to tell Hezekiah that help from Egypt would be of no use to him.

2 Kings 19:9, 10 Now the king heard concerning Tirhakah king of Cush, “Behold, he has set out to fight against you.” So he sent messengers again to Hezekiah, saying,10 “Thus shall you speak to Hezekiah king of Judah: ‘Do not let your God in whom you trust deceive you by promising that Jerusalem will not be given into the hand of the king of Assyria. (Isaiah 37:9-10 also says about the same thing.)

The date of Sennacherib’s campaign in Palestine is 701 B.C., and something which has often puzzled historians is the role of Tirhakah, who was not king of Egypt and Ethiopia until 690 B.C. But the solution to this problem is simple. In 701 B.C. Tirhakah was only a prince at the side of his military brother, the new Pharaoh Shebitku, who sent Tirhakah with an army to help Hezekiah fend off the Assyrian advance. But the story in Kings and Isaiah does not end in 701 B.C. It carries right through to the death of Sennacherib in 681 B.C., which is nine years after Tirhakah had become king of Egypt and Ethiopia. In other words, the biblical narrative, from the standpoint of 681 B.C., mentions Tirhakah by the title he bore at that time (that is, 681 B.C.), not as he was in 701 B.C. This is still done today, using a man’s title as he is known at the time of writing even it one is speaking of a previous time in his personal history.

Unaware of the the importance of these facts, and falling into wrong interpretations of some of Tirhakah’s inscriptions, some Old Testament scholars have stumbled over each in their eagerness to diagnose historical errors in the Books of the Kings and Isaiah. But as the archaeological confirmation shows, they were quite mistaken. What is striking about these archaeological finds is the way they often converge; there is often not just one line of evidence but several in which the biblical account is confirmed. We do not have confirmation of every single detail in the biblical account, by any means. Nor do we need such total confirmation in view of the amount of evidence there is. To insist on confirmation at every point would be to treat the Bible in a prejudiced way, simply because it is the Bible. The fact that is a religious book does not mean that it cannot also be true when it deals with history.

Not all archaeological finds have a convergence of many different interrelated lines like these around the life of Hezekiah, but they are no less striking. For example, take the “ration tablets” discovered in the ruins of Bablyon. The Bible tells us that after the Assyrians had destroyed the nothern kingdom of Samaria (around 721 B.C.), the southern kingdom, Judah, survived for almost another 150 years until approximately 586 B.C. By this time Assyria, one of the greatest military powers of the ancient world, had been defeated by Bablyon, a neighboring state to the east. That was in 609 B.C. Four years later the Babylonian general, Nebuchadnezzar–then the crown prince–came west and completely defeated Necho II, king of Egypt, at the battle of Carchemish. As a result of this victory he laid claim to Judah, which had previously been in the sphere of influence of Egypt. King Jehoiakim of Judah thus now paid tribute to the Babylonians. The Bible tells us that Jehoiakim rebelled three years later: “During Jehoiakim’s reign Nebuchadnezzar king of Bablyon invaded the land, and Jehoiakim became his vassal for three years. But then he changed his mind and rebelled against Nebuchnezzar” (II Kings 24:1).

Image result for Jehoiakim archaeology

The political background for this step can be understood from the Babylonian Chronicles (British Museum, Ref. 21946, records events from 597 B.C. down to 594). These were a compressed chronological summary of the principal events from the Babylonian court. There had been a crucial battle in 601 B.C. between the Egyptians and the Babylonians. This had left both sides weakened, and Jehoiakim took this opportunity to declare his independence of the Babylonian king. His independence, or rather Judah’s independence, did not last long, for Jehoiakim himself died in 598 B.C., leaving his throne and the crisis to his son, Jehoiachi