I enjoyed your latest book Outgrowing God which is one of my favorite books that you have written. However, there are some some weak parts of the book. For instance, on page 49:
There’s some beautiful English writing in the King James Bible. Ecclesiastes is at least as good as the Song of Songs, although it’s poetry is bleak and world-weary. If you read nothing else in the Bible, I recommend those two books, Ecclesiastes and the Song of Songs.
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Here is the universal man and his genius. Solomon is the universal man with a empire at his disposal. Solomon had it all.
Ecclesiastes 1:3
English Standard Version (ESV)
3 What does man gain by all the toil at which he toils under the sun?
Francis Schaeffer noted that Solomon took a look at the meaning of life on the basis of human life standing alone between birth and death “under the sun.” This phrase UNDER THE SUN appears over and over in Ecclesiastes. The Christian Scholar Ravi Zacharias noted, “The key to understanding the Book of Ecclesiastes is the term UNDER THE SUN — What that literally means is you lock God out of a closed system and you are left with only this world of Time plus Chance plus matter.”
Francis Schaeffer has some great insights into Ecclesiastes that I wanted to share with you:
XXXX Lack of Satisfaction in life
In Ecclesiastes 1:8 he drives this home when he states, “All things are wearisome; Man is not able to tell it. The eye is not satisfied with seeing, Nor is the ear filled with hearing.” Solomon is stating here the fact that there is no final satisfaction because you don’t get to the end of the thing. THERE IS NO FINAL SATISFACTION. This is related to Leonardo da Vinci’s similar search for universals and then meaning in life.
In Ecclesiastes 5:11 Solomon again pursues this theme, “When good things increase, those who consume them increase. So what is the advantage to their owners except to look on?” Doesn’t that sound modern? It is as modern as this evening. Solomon here is stating the fact there is no reaching completion in anything and this is the reason there is no final satisfaction. There is simply no place to stop. It is impossible when laying up wealth for oneself when to stop. It is impossible to have the satisfaction of completion.
XXXX Pursuing Learning
Now let us look down the details of his searching.
In Ecclesiastes 1: 13a we have the details of the universal man’s procedure. “And I set my mind to seek and explore by wisdomconcerning all that has been done under heaven.”
So like any sensible man the instrument that is used is INTELLECT, and RAITIONALITY, and LOGIC. It is to be noted that even men who despise these in their theories begin and use them or they could not speak. There is no other way to begin except in the way they which man is and that is rational and intellectual with movements of that is logical within him. As a Christian I must say gently in passing that is the way God made him.
So we find first of all Solomon turned to WISDOM and logic. Wisdom is not to be confused with knowledge. A man may have great knowledge and no wisdom. Wisdom is the use of rationality and logic. A man can be very wise and have limited knowledge. Here he turns to wisdom in all that implies and the total rationality of man. —-
Why not take a few minutes and just read the short chapter of Psalms 22 that was written hundreds of years before the Romans even invented the practice of Crucifixion. 1000 years BC the Jews had the practice of stoning people but we read in this chapter a graphic description of Christ dying on the cross. How do you explain that without looking ABOVE THE SUN to God. Ecclesiastes was written to those who wanted to examine life UNDER THE SUN without God in the picture and Solomon’s conclusion in the final chapter was found in Ecclesiastes 12 when he looked at life ABOVE THE SUN:
13 The end of the matter; all has been heard. Fear God and keep his commandments, for this is the whole duty of man. 14 For God will bring every deed into judgment, with every secret thing, whether good or evil.
Richard Dawkins vs John Lennox | The God Delusion Debate
Ben Stein vs. Richard Dawkins Interview
XXXX Peter Singer – The Genius of Darwin: The Uncut Interviews – Richard Dawkins
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Science Confirms the Bible with Ken Ham
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Schaeffer with his wife Edith in Switzerland.
Richard Dawkins and John Lennox
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Francis and Edith Schaeffer seen below:
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Dawkins, Hitchens, Dennett, Harris
Canary Islands 2014: Harold Kroto and Richard Dawkins
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Francis Schaeffer pictured below:
The Basis of Human Dignity by Francis Schaeffer
Richard Dawkins, founder of the Richard Dawkins Foundation for Reason and Science. Credit: Don Arnold Getty Images
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Francis Schaeffer in 1984
Christian Manifesto by Francis Schaeffer
Francis Schaeffer in 1982
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Whatever Happened to the Human Race? Episode 1
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Garik Israelian, Stephen Hawking, Alexey Leonov, Brian May, Richard Dawkins and Harry Kroto
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Dark History of Evolution-Henry Morris, Ph.D.
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Featured artist is William Kentridge
William Kentridge was born in Johannesburg, South Africa, in 1955. He attended the University of the Witwatersrand, Johannesburg (1973–76), Johannesburg Art Foundation (1976–78), and studied mime and theater at L’École Internationale de Théâtre Jacques Lecoq, Paris (1981–82). Having witnessed first-hand one of the twentieth century’s most contentious struggles—the dissolution of apartheid—Kentridge brings the ambiguity and subtlety of personal experience to public subjects that are most often framed in narrowly defined terms.
Using film, drawing, sculpture, animation, and performance, he transmutes sobering political events into powerful poetic allegories. In a now-signature technique, Kentridge photographs his charcoal drawings and paper collages over time, recording scenes as they evolve. Working without a script or storyboard, he plots out each animated film, preserving every addition and erasure. Aware of myriad ways in which we construct the world by looking, Kentridge uses stereoscopic viewers and creates optical illusions with anamorphic projection, to extend his drawings-in-time into three dimensions.
Kentridge has had major exhibitions at San Francisco Museum of Modern Art (2009); Philadelphia Museum of Art (2008); Moderna Museet, Stockholm, (2007); and the Metropolitan Museum of Art, New York (2004); among others. He has also participated in Prospect.1 New Orleans (2008); the Sydney Biennale (1996, 2008); and Documenta (1997, 2002). His opera and theater works, often produced in collaboration with Handspring Puppet Company, have appeared at Brooklyn Academy of Music (2007); Standard Bank National Arts Festival, Grahamstown, South Africa (1992, 1996, 1998); and Festival d’Avignon, France (1995, 1996).
His production of Dmitri Shostakovich’s opera, The Nose, premiered in 2010 at the Metropolitan Opera, New York, in conjunction with a retrospective organized by San Francisco Museum of Modern Art and the Museum of Modern Art, New York. William Kentridge lives and works in Johannesburg, South Africa.
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize Winner […]
The Beatles were “inspired by the musique concrète of German composer and early electronic music pioneer Karlheinz Stockhausen…” as SCOTT THILL has asserted. Francis Schaeffer noted that ideas of “Non-resolution” and “Fragmentation” came down German and French streams with the influence of Beethoven’s last Quartets and then the influence of Debussy and later Schoenberg’s non-resolution which is in total contrast […]
_______ On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize […]
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto ____________________ Below you have picture of 1996 Chemistry Nobel Prize Winner Dr. […]
and you will hear what far smarter people than I have to say on this matter. I agree with them.
Harry Kroto
Nick Gathergood, David-Birkett, Harry-Kroto
I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:
In the second video below in the 67th clip in this series are Richard Dawkins’ words that Harry Kroto wanted me to see. Since then I have read several of Richard Dawkins books and have attempted to respond to the contents of these books directly to Richard Dawkins by mail. In fact, I have been writing Richard Dawkins letters since May 15, 1994 which was the 10th anniversary of the passing of one of my heroes, Francis Schaeffer. Francis Schaeffer spent a lot of time responding to many of Richard Dawkins’ heroes such as Carl Sagan, Jacques Monod, H.J. Blackham, Isaac Newton, Ludwig Wittgenstein, Max Planck, Johann Sebastian Bach, Francis Bacon, Samuel Beckett, Leonardo Da Vinci, Albert Einstein, Michael Faraday, Gerald Horton, Edmund Leach, Louis Pasteur, George Wald, Jacob Bronowski, Steven Weinberg, Charles Darwin, Paul Kurtz, Peter Singer, Jonathan Miller, William B. Provine, Woody Allen, Noam Chomsky, James D. Watson, Francis Crick, Michael Polanyi, The Huxley family, Antony Flew, and Edward O. Wilson (Dawkins has since revised his opinion of Flew and Wilson, but he earlier regarded them very highly).
Francis Schaeffer 1911-1984
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Both Francis Schaeffer and Richard Dawkins have talked extensively about the life of Charles Darwin.
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Sir Harry Kroto with his high school friend Sir Ian McKellan at the FSU National High Field Magnetic Lab on Tuesday, October 27, 2009.
50 Renowned Academics Speaking About God (Part 1)
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Another 50 Renowned Academics Speaking About God (Part 2)
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Edit Post ‹ The Daily Hatch — WordPress
A Further 50 Renowned Academics Speaking About God (Part 3)
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Richard Dawkins Photos Photos – Professor Stephen Hawking Unveils Medal For Science Communication – Zimbio
Richard Dawkins, founder of the Richard Dawkins Foundation for Reason and Science. Credit: Don Arnold Getty Images
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Garik Israelian, Stephen Hawking, Alexey Leonov, Brian May, Richard Dawkins and Harry Kroto
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11-9-16
Richard Dawkins Washington, DC
Dear Mr. Dawkins,
This letter is concerning my personal interaction with Clinton, election of Trump (which has been compared to BREXIT VOTE in the UK) and a movie recommendation.
I believe I have probably pointed out in earlier letters that I have read several of your books and some of my favorites were:
I have even listened to “On The Origin Of The Species(Charles/Francis Darwin)” which was narrated by you!!!!
I am currently the JUSTICE OF THE PEACE for District 2 of Saline County which is the 6th largest county in Arkansas and I just finished going through my 3rd election. I won my first election by 4 1/2% and my last two elections by double digit margins in probably the most Democratic leaning district in the whole county even though I am a Republican.
At the age of 21 in January of 1983 I moved from Memphis to Little Rock and I had never seen a politician in person. I suppose it was because Memphis is a large city and I lived in a suburb outside it. However, the first week I was in Little Rock I got to meet Governor Bill Clinton and I ran into both of our U.S. Senators and our Congressman in downtown Little Rock when I was dropping off a deposit at Worthen Bank and attending a meeting in a small meeting room at the State House Convention Center. In fact, I ran into them again and again often at restaurants, movie theaters and ballgames around town. After a while I didn’t really take notice anymore since it was so common. My uncle explained to me that Little Rock was a capitol city and since we worked downtown we could often run into politicians.
Our plant location was on 300 Industrial Road which is right next to the Arkansas River within a few hundred feet from where the Clinton Library stands today. In 1985 we moved to another part of Little Rock.
A quick couple of stories about my personal interaction with Bill Clinton. One of the first times I spoke with him was at the 1983 ARKANSAS INDEPENDENT GROCERY WHOLESALER MEETING and he came into our meeting tardy because he said there was a big emergency at the Capitol and that was Hillary wanted a private meeting with him. The amazing thing that day was that I noticed that he personally greeted the dozen or so elderly men that owned these grocery wholesale businesses and called them all by their first names. Since then the Krogers and large supermarkets of the world have completely run these wholesalers out of business in Arkansas.
A year later I was at a relative’s wedding and I was seated on the aisle and when the father of the bride began to escort her down the aisle I noticed that Bill Clinton was in the seat directly behind me. Being a politician he couldn’t resist shaking the father’s hand and Hillary promptly elbowed Bill and his face turned red. I am sure she has had to elbow him a few times since 1984!!!
I am an evangelical conservative so even though I was very upset that Donald Trump was the Republican Nominee, I did hold my noise and vote for him over Hillary Clinton. However, I DIDN’T HAVE A GOOD EXPLANATION WHY CLINTON LOST UNTIL I READ THESE WORDS A FEW DAYS AGO in the DAILY MAIL:
In the waning days of the presidential campaign, Bill and Hillary Clinton had a knock-down, drag-out fight about her effort to blame FBI Director James Comey for her slump in the polls and looming danger of defeat….[Bill Clinton] got so angry that he threw his phone off the roof of his penthouse apartment and toward the Arkansas River.’
Bill has a luxurious penthouse apartment with an outdoor garden at the Clinton Presidential Library and Museum in Little Rock.
During the campaign, Bill Clinton felt that he was ignored by Hillary’s top advisers when he urged them to make the economy the centerpiece of her campaign.
He repeatedly urged them to connect with the people who had been left behind by the revolutions in technology and globalization.
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Are you buying Bill’s explanation?
I just saw the movie GREATER about the life of Brandon Burlsworth and there was a secularist farmer played by Nick Searcy that reminded me of you and when the DVD is released on 12-20-16 I would like to send you a free one.
Yesterday while in my attic I ran across a cassette tape labeled “April 1999” and it has the recording of my 12 year old son calling into a local radio show where he got to talk to Brandon Burlsworth who had just been drafted by the Indianapolis Colts to play in the NFL. Just a few days later Burlsworth was on his way to his Harrison, Ark., home from Fayetteville, where he received an SEC West title ring along with the rest of the 1998 Razorbacks on April 28, 1999. Every Wednesday, he returned to take his mom, Barbara, to church. The drive was supposed to take about 90 minutes.
He never made it.
The 22-year-old Burlsworth, who had been drafted by the Colts 11 days earlier after earning first-team All-America honors as a fifth-year senior, was involved in a head-on crash with a tractor-trailer about 15 miles outside Harrison and was killed. He was in the prime of his life and football career, and then he was gone.
There’s a great deal of Christian content in this film. It can perhaps best be summarized by saying that Brandon’s unwavering faith deeply informs everything he does, while his brother’s faltering faith after Brandon’s death is something he grapples with mightily.
Brandon has deep trust in God. At every step along his journey, when naysayers rise up to tell him that he’s being unrealistic, Brandon keeps moving forward in faith. Marty is more pragmatic, asking his brother things like, “You think God would give you D I [Division 1] dreams and a D III (Division III) body?” To Marty, the answer to that rhetorical, spiritual question is self-evident. Brandon, however, soldiers on, refusing to give up. “Have faith, Marty,” he says elsewhere. “This is my road.”
For his part, Marty struggles to cling to his faith in the wake of his brother’s death. That internal battle is depicted in a dramatic way through ongoing dialogue with a doubter named the Farmer. Marty’s trying to summon the courage to go into Brandon’s memorial service at Harrison High School. And the Farmer (played by Nick Searcy), depicted very nearly as a Satan-like tempter, repeatedly delivers soliloquies about the utter foolishness of faith. In one scene, the man (who’s whittling a portrait of Marty into a block of wood, almost as if he’s creating a voodoo doll) says, “Brandon did have faith. He believed if he worked hard and did everything he was supposed to do, God would make everything turn out for the best. Did everything turn out for the best, Marty?”
Elsewhere, the Farmer taunts, “There is no loving God, Marty. That’s ridiculous. There’s just a howling void. And a real man, an honest man, doesn’t get down on his knees to pray to it for his mercy. He stands up to it, and he looks it right in his face and he howls right back.”
But Marty also talks with his godly mother about how to process the randomness of Brandon’s death. She tells him that it’s only random when looked at from an earthly perspective. “If you assume this is all there is, you’d have a point, Marty. But that’s not true. This life is a drop in the ocean. One tick of eternity’s clock, and we’ll all be together again, Marty. And every trouble we had here will recede away like a dream.”
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It has been a pleasure to send you these letters in the past and I hope you take me up on this offer to see this inspirational true story about Brandon Burlsworth who was truly one of the greatest rags to richest stories in sports history. Also I would encourage you to google FRANCIS SCHAEFFER THE PROBLEM OF EVIL.
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize Winner […]
The Beatles were “inspired by the musique concrète of German composer and early electronic music pioneer Karlheinz Stockhausen…” as SCOTT THILL has asserted. Francis Schaeffer noted that ideas of “Non-resolution” and “Fragmentation” came down German and French streams with the influence of Beethoven’s last Quartets and then the influence of Debussy and later Schoenberg’s non-resolution which is in total contrast […]
_______ On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize […]
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto ____________________ Below you have picture of 1996 Chemistry Nobel Prize Winner Dr. […]
I enjoyed your latest book Outgrowing God which is one of my favorite books that you have written.
However, there are some some weak parts of the book. For instance, in chapter 2 you write:
“We have no more reason to believe [the Old Testament narratives] than we do Homer’s stories about Achilles or Helen. . . The stories of Abraham and Joseph are Hebrew legends, just as Homer’s are Greek legends.” (chapter 2)
Is there archaeological evidence for Hittites living in southern Palestine in patriarchal times? Genesis 23 states that “the sons of Heth” were in control of Hebron back in Abraham’s time. Five or six centuries later the twelve spies reported back to Moses and the Hebrew host (Num. 13:29) that there were Hittite settlements in the hill country of Canaan. But since the main center of Hittite power was in eastern Asia Minor and their capital was Hattusas (Boghazkoy), and since their first rise to prominence in the Near East came in the reign of Mursilis I (1620-1590 B.C.), who sacked the great metropolis of Babylon around 1600, many modern scholars have questioned the historicity of Hittites in Palestine as early as 2050, when Sarah was buried in the cave of Machpelah. And yet archaeological evidence also indicates that the Hittites occupied or brought into vassalage many of the kingdoms of Syria; and in the days of Ramses II of Egypt there was a major showdown with Muwatallis (1306-1282) of the Hittite New Kingdom, and a remarkable nonaggression pact was made between the two superpowers, the text of which has been preserved both in Egyptian and in Hittite. The treaty line was drawn in such a way as to give northern Syria to the Hittites and southern Syria (plus all Palestine) to the Egyptian sphere of influence (cf. G. Steindorff and K. C. Seele, When Egypt Ruled the East [Chicago: University of Chicago, 1942], p. 251).
More recent archaeological discoveries have indicated further southward penetration than this line and an earlier stage of Hittite activity than that of the Old Kingdom and New Kingdom empires. Cuneiform mercantile tablets have been recovered from Kultepe (ancient Kanesh) in Cappadocia, left by early Assyrian merchants between 1950 and 1850 B.C. (Vos, Archaelogy, p. 314). But even before the arrival of the Indo-EuropeanAnatolian immigrants (the Nesili-speakers), there was an earlier race of Hattians of nonIndo-European background. These were subdued by invaders of 2300-2000 B.C., who subsequently adopted the name Hatti for themselves, despite the linguistic and cultural differences between them and their predecessors.
O. R. Gurney, an eminent Hittite specialist, suggested that the original Hattians may have been much more widespread than in Asia Minor alone, and that they may even have set up colonies in regions as far south as Palestine (Tenney, Zondervan Pictorial Encyclopedia, 3:170). (Note that “Hatti” and “Hitti” would be written in the same consonants back in the B.C. era, and the vowels were supplied only by oral tradition.) In 1936 E. Forrer proposed on the basis of a Hittite text by King Mursilis II (ca. 1330 B.C.) that a Hittite group had migrated into Egyptian territory (i.e., regions of Syria-Palestine controlled by Egypt) earlier in the second millennium (cf. Encyclopaedia Britannica, 14th ed., S.V. “Hittites”; Tenney, Zondervan Pictorial Encyclopedia, 3:169-170).
Military penetration south of the Tarsus range began in the seventeenth century under Labarnas; Mursilis I succeeded in destroying Aleppo in Syria, and even ravaged Mari and plundered the Hurrians of the upper Euphrates. But the “Hittites” of Genesis may have had little in common with these Indo-European, Nesili-speaking conquerors, but rather may have come from the Hatti who historically preceded them in Asia Minor. Little can be concluded from the names referred to in Genesis 23, for Ephron and Zohar appear to be Semitic, Canaanite names–indicating an easy assimilation of the regional culture by these “Hittite” settlers in Hebron.
The Hittites are referred to later on in Israelite history. In Joshua’s invasion they furnished resistance to his troops (Josh. 9:1-2; Josh. 11:3), but they were presumably crushed and annihilated by their Hebrew conquerors. Yet by the time of David there were some Hittites, at least, to furnish contingents for David’s army. Such was Uriah, the husband of Bathsheba, who was clearly a committed believer and a devoted worshiper of Yahweh (2 Sam. 11:11). Solomon found the Neo-Hittites to be of sufficient political importance to have some of their princesses in his harem (1 Kings 11:1). Later on, in the 840s, Benhadad of Damascus led his troops in precipitous flight from their siege of Samaria because of their fear that “the king of Israel has hired against us the kings of the Hittites” (2 Kings 7:6).
During the earlier part of the first millennium B.C, various kings of northern Syria (whose territories had been part of the Hittite Empire in earlier centuries) bore names like Sapalulme (Suppiluliumas), Mutallu (Muwatallis), Lubarna (Labarnas), and Katuzili (Hattusilis). Hence they may have carried on something of the Hittite tradition, even though they had by now attained their independence. Among the “Neo-Hittite” principalities of Syria were Tuwana, Tunna, Hupisna, Shinukhtu, and Ishtunda (Tenney, Zondervan Pictorial Encyclopedia, 3:168). These names all appear in the cuneiform records (largely the Assyrian) of the time of the Hebrew divided monarchy.
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Dr. Dawkins, you have a 150 year advantage over your hero Charles Darwin and the archaeologist’s spade has continued to dig. Take a look at this piece of evidence from the book WHATEVER HAPPENED TO THE HUMAN RACE? by Francis Schaeffer and C. Everett Koop:
TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?)
In the previous chapter we saw that the Bible gives us the explanation for the existence of the universe and its form and for the mannishness of man. Or, to reverse this, we came to see that the universe and its form and the mannishness of man are a testimony to the truth of the Bible. In this chapter we will consider a third testimony: the Bible’s openness to verification by historical study.
Christianity involves history. To say only that is already to have said something remarkable, because it separates the Judeo-Christian world-view from almost all other religious thought. It is rooted in history.
The Bible tells us how God communicated with man in history. For example, God revealed Himself to Abraham at a point in time and at a particular geographical place. He did likewise with Moses, David, Isaiah, Daniel and so on. The implications of this are extremely important to us. Because the truth God communicated in the Bible is so tied up with the flow of human events, it is possible by historical study to confirm some of the historical details.
It is remarkable that this possibility exists. Compare the information we have from other continents of that period. We know comparatively little about what happened in Africa or South America or China or Russia or even Europe. We see beautiful remains of temples and burial places, cult figures, utensils, and so forth, but there is not much actual “history” that can be reconstructed, at least not much when compared to that which is possible in the Middle East.
When we look at the material which has been discovered from the Nile to the Euphrates that derives from the 2500-year span before Christ, we are in a completely different situation from that in regard to South America or Asia. The kings of Egypt and Assyria built thousands of monuments commemorating their victories and recounting their different exploits. Whole libraries have been discovered from places like Nuzu and Mari and most recently at Elba, which give hundreds of thousands of texts relating to the historical details of their time. It is within this geographical area that the Bible is set. So it is possible to find material which bears upon what the Bible tells us.
The Bible purports to give us information on history. Is the history accurate? The more we understand about the Middle East between 2500 B.C. and A.D. 100, the more confident we can be that the information in the Bible is reliable, even when it speaks about the simple things of time and place.
If we take another hundred-year step backwards in time, we come to King Solomon, son of David. On his death the Jewish Kingdom was divided into two sections as a result of a civil revolt. Israel to the north with Jeroboam as king and Judah (as it was called subsequently) to the south under Rehoboam, Solomon’s son. In both the Book of Kings and Chronicles in the Bible we read how during Rehoboam’s reign: 25 In the fifth year of King Rehoboam, Shishak king of Egypt came up against Jerusalem. (I Kings 14:25; II Chronicles 12:2), and how Shishak stripped Rehoboam of the wealth accumulated by his able father, Solomon. The reality of this event is confirmed by archaeology to a remarkable degree.
Shishak subdued not only Rehoboam but Jeroboam as well. The proof of this comes first from a fragment in a victory monument erected by Shishak and discovered at Megiddo, a city in the land of Israel. So the Egyptian king’s force swept northwards, subdued the two Jewish kings, and then erected a victory monument to that effect. Traces of the destruction have also been discovered in such cities as Hazor, Gezer, and Megiddo. These confirm what was written in Second Chronicles:
4 And he took the fortified cities of Judah and came as far as Jerusalem. 5 Then Shemaiah the prophet came to Rehoboam and to the princes of Judah, who had gathered at Jerusalem because of Shishak, and said to them, “Thus says theLord, ‘You abandoned me, so I have abandoned you to the hand of Shishak.’”6 Then the princes of Israel and the king humbled themselves and said, “TheLord is righteous.” 7 When the Lordsaw that they humbled themselves, the word of the Lord came to Shemaiah: “They have humbled themselves. I will not destroy them, but I will grant them some deliverance, and my wrath shall not be poured out on Jerusalem by the hand of Shishak.8 Nevertheless, they shall be servants to him, that they may know my service and the service of the kingdoms of the countries.”
9 So Shishak king of Egypt came up against Jerusalem. He took away the treasures of the house of the Lord and the treasures of the king’s house. He took away everything. He also took away the shields of gold that Solomon had made…( II Chronicles 12:4-9)
Further confirmation comes from the huge victory scene engraved on Shishak’s order at the Temple of Karnak in Egypt. The figure of the king is somewhat obscured, but he is clearly named and he is seen smiting Hebrew captives before the god Amon, and there are symbolic rows of names of conquered towns of Israel and Judah.
Solomon’s is remembered also for his great wealth. The Bible tells us:
14 Now the weight of gold that came to Solomon in one year was 666 talents of gold, 15 besides that which came from the explorers and from the business of the merchants, and from all the kings of the west and from the governors of the land. 16 King Solomon made 200 large shields of beaten gold; 600 shekels[a]of gold went into each shield. 17 And he made 300 shields of beaten gold; three minas[b] of gold went into each shield. And the king put them in the House of the Forest of Lebanon. (I Kings 10:14-17)
This wealth that the Bible speaks of has been challenged. Surely, some have said, these figures are an exaggeration. Excavations, however, have confirmed enormous quantities of precious metals, owned and distributed by kings during this period. For example, Shishak’s son Osorkon I (statuette of Osorkon I, Brooklyn Museum, New York), the one who stood to gain from the booty carried off from Rehoboam’s capital, is reported to have made donations to his god Amon totaling 470 tons of precious metal, gold, and silver, during only the first four years of his reign. This, of course, is much more than Solomon’s 66 talents which equals approximately twenty tons of gold per annum. We also have confirmation of the Bible’s reference to Solomon’s gold as coming from Ophir. The location of Ophir is still unknown, but an ostracon dated a little later than Solomon’s time actually mentions that thirty shekels of gold had come from Ophir for Beth-horon.
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Sir Peter Paul Rubens (/ˈruːbənz/;[1] Dutch: [ˈrybə(n)s]; 28 June 1577 – 30 May 1640) was a Flemish artist. He is considered the most influential artist of Flemish Baroque tradition. Rubens’s highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens specialized in making altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England. Rubens was a prolific artist. The catalogue of his works by Michael Jaffé lists 1,403 pieces, excluding numerous copies made in his workshop.[2]
His commissioned works were mostly “history paintings“, which included religious and mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the royal entry into Antwerp by the Cardinal-Infante Ferdinand of Austria in 1635.
His drawings are predominantly very forceful and without great detail. He also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
Jan Rubens became the legal adviser (and lover) of Anna of Saxony, the second wife of William I of Orange, and settled at her court in Siegen in 1570, fathering her daughter Christine who was born in 1571.[4]
Following Jan Rubens’s imprisonment for the affair, Peter Paul Rubens was born in 1577. The family returned to Cologne the next year. In 1589, two years after his father’s death, Rubens moved with his mother Maria Pypelincks to Antwerp, where he was raised as a Catholic.
Religion figured prominently in much of his work, and Rubens later became one of the leading voices of the Catholic Counter-Reformation style of painting[5] (he had said “My passion comes from the heavens, not from earthly musings”).[citation needed]
In 1600 Rubens travelled to Italy. He stopped first in Venice, where he saw paintings by Titian, Veronese, and Tintoretto, before settling in Mantua at the court of Duke Vincenzo I Gonzaga. The colouring and compositions of Veronese and Tintoretto had an immediate effect on Rubens’s painting, and his later, mature style was profoundly influenced by Titian.[8] With financial support from the Duke, Rubens travelled to Rome by way of Florence in 1601. There, he studied classical Greek and Roman art and copied works of the Italian masters. The Hellenistic sculpture Laocoön and His Sons was especially influential on him, as was the art of Michelangelo, Raphael, and Leonardo da Vinci.[9] He was also influenced by the recent, highly naturalistic paintings by Caravaggio.
The Fall of Phaeton, 1604, in the National Gallery of Art in Washington, D.C.
Rubens travelled to Spain on a diplomatic mission in 1603, delivering gifts from the Gonzagas to the court of Philip III.[12] While there, he studied the extensive collections of Raphael and Titian that had been collected by Philip II.[13] He also painted an equestrian portrait of the Duke of Lerma during his stay (Prado, Madrid) that demonstrates the influence of works like Titian’s Charles V at Mühlberg (1548; Prado, Madrid). This journey marked the first of many during his career that combined art and diplomacy.
He returned to Italy in 1604, where he remained for the next four years, first in Mantua and then in Genoa and Rome. In Genoa, Rubens painted numerous portraits, such as the Marchesa Brigida Spinola-Doria (National Gallery of Art, Washington, D.C.), and the portrait of Maria di Antonio Serra Pallavicini, in a style that influenced later paintings by Anthony van Dyck, Joshua Reynolds and Thomas Gainsborough.[14]
Madonna on Floral Wreath, together with Jan Brueghel the Elder, 1619
He also began a book illustrating the palaces in the city, which was published in 1622 as Palazzi di Genova. From 1606 to 1608, he was mostly in Rome. During this period Rubens received, with the assistance of Cardinal Jacopo Serra (the brother of Maria Pallavicini), his most important commission to date for the High Altar of the city’s most fashionable new church, Santa Maria in Vallicella also known as the Chiesa Nuova.
The subject was to be St. Gregory the Great and important local saints adoring an icon of the Virgin and Child. The first version, a single canvas (now at the Musée des Beaux-Arts, Grenoble), was immediately replaced by a second version on three slate panels that permits the actual miraculous holy image of the “Santa Maria in Vallicella” to be revealed on important feast days by a removable copper cover, also painted by the artist.[15]
Rubens’s experiences in Italy continued to influence his work. He continued to write many of his letters and correspondences in Italian, signed his name as “Pietro Paolo Rubens”, and spoke longingly of returning to the peninsula—a hope that never materialized.[16]
Upon hearing of his mother’s illness in 1608, Rubens planned his departure from Italy for Antwerp. However, she died before he arrived home. His return coincided with a period of renewed prosperity in the city with the signing of the Treaty of Antwerp in April 1609, which initiated the Twelve Years’ Truce. In September 1609 Rubens was appointed as court painter by Albert VII, Archduke of Austria, and Infanta Isabella Clara Eugenia of Spain, sovereigns of the Low Countries.
He received special permission to base his studio in Antwerp instead of at their court in Brussels, and to also work for other clients. He remained close to the Archduchess Isabella until her death in 1633, and was called upon not only as a painter but also as an ambassador and diplomat. Rubens further cemented his ties to the city when, on 3 October 1609, he married Isabella Brant, the daughter of a leading Antwerp citizen and humanist, Jan Brant.
In 1610 Rubens moved into a new house and studio that he designed. Now the Rubenshuis Museum, the Italian-influenced villa in the centre of Antwerp accommodated his workshop, where he and his apprentices made most of the paintings, and his personal art collection and library, both among the most extensive in Antwerp. During this time he built up a studio with numerous students and assistants. His most famous pupil was the young Anthony van Dyck, who soon became the leading Flemish portraitist and collaborated frequently with Rubens. He also often collaborated with the many specialists active in the city, including the animal painter Frans Snyders, who contributed the eagle to Prometheus Bound (c. 1611–12, completed by 1618), and his good friend the flower-painter Jan Brueghel the Elder.
Another house was built by Rubens to the north of Antwerp in the polder village of Doel, “Hooghuis” (1613/1643), perhaps as an investment. The “High House” was built next to the village church.
Rubens used the production of prints and book title-pages, especially for his friend Balthasar Moretus, the owner of the large Plantin-Moretus publishing house, to extend his fame throughout Europe during this part of his career. In 1618, Rubens embarked upon a printmaking enterprise by soliciting an unusual triple privilege (an early form of copyright) to protect his designs in France, the Southern Netherlands, and United Provinces.[18] He enlisted Lucas Vorsterman to engrave a number of his notable religious and mythological paintings, to which Rubens appended personal and professional dedications to noteworthy individuals in the Southern Netherlands, United Provinces, England, France, and Spain.[18] With the exception of a few etchings, Rubens left the printmaking to specialists, who included Lucas Vorsterman, Paulus Pontius and Willem Panneels.[19] He recruited a number of engravers trained by Christoffel Jegher, whom he carefully schooled in the more vigorous style he wanted. Rubens also designed the last significant woodcuts before the 19th-century revival in the technique.[20]
Marie de’ Medici Cycle and diplomatic missions (1621–1630)[edit]
In 1621, the Queen Mother of France, Marie de’ Medici, commissioned Rubens to paint two large allegorical cycles celebrating her life and the life of her late husband, Henry IV, for the Luxembourg Palace in Paris. The Marie de’ Medici cycle (now in the Louvre) was installed in 1625, and although he began work on the second series it was never completed.[21] Marie was exiled from France in 1630 by her son, Louis XIII, and died in 1642 in the same house in Cologne where Rubens had lived as a child.[22]
After the end of the Twelve Years’ Truce in 1621, the Spanish Habsburg rulers entrusted Rubens with a number of diplomatic missions.[23] While in Paris in 1622 to discuss the Marie de’ Medici cycle, Rubens engaged in clandestine information gathering activities, which at the time was an important task of diplomats. He relied on his friendship with Nicolas-Claude Fabri de Peiresc to get information on political developments in France.[24] Between 1627 and 1630, Rubens’s diplomatic career was particularly active, and he moved between the courts of Spain and England in an attempt to bring peace between the Spanish Netherlands and the United Provinces. He also made several trips to the northern Netherlands as both an artist and a diplomat.
At the courts he sometimes encountered the attitude that courtiers should not use their hands in any art or trade, but he was also received as a gentleman by many. Rubens was raised by Philip IV of Spain to the nobility in 1624 and knighted by Charles I of England in 1630. Philip IV confirmed Rubens’s status as a knight a few months later.[25] Rubens was awarded an honorary Master of Arts degree from Cambridge University in 1629.[26]
Rubens was in Madrid for eight months in 1628–1629. In addition to diplomatic negotiations, he executed several important works for Philip IV and private patrons. He also began a renewed study of Titian’s paintings, copying numerous works including the Madrid Fall of Man (1628–29).[27] During this stay, he befriended the court painter Diego Velázquez and the two planned to travel to Italy together the following year. Rubens, however, returned to Antwerp and Velázquez made the journey without him.[28]
His stay in Antwerp was brief, and he soon travelled on to London where he remained until April 1630. An important work from this period is the Allegory of Peace and War (1629; National Gallery, London).[29] It illustrates the artist’s lively concern for peace, and was given to Charles I as a gift.
While Rubens’s international reputation with collectors and nobility abroad continued to grow during this decade, he and his workshop also continued to paint monumental paintings for local patrons in Antwerp. The Assumption of the Virgin Mary (1625–6) for the Cathedral of Antwerp is one prominent example.
Rubens’s last decade was spent in and around Antwerp. Major works for foreign patrons still occupied him, such as the ceiling paintings for the Banqueting House at Inigo Jones‘s Palace of Whitehall, but he also explored more personal artistic directions.
In 1630, four years after the death of his first wife Isabella, the 53-year-old painter married his first wife’s niece, the 16-year-old Hélène Fourment. Hélène inspired the voluptuous figures in many of his paintings from the 1630s, including The Feast of Venus (Kunsthistorisches Museum, Vienna), The Three Graces and The Judgment of Paris (both Prado, Madrid). In the latter painting, which was made for the Spanish court, the artist’s young wife was recognized by viewers in the figure of Venus. In an intimate portrait of her, Hélène Fourment in a Fur Wrap, also known as Het Pelsken, Rubens’s wife is even partially modelled after classical sculptures of the Venus Pudica, such as the Medici Venus.
In 1635, Rubens bought an estate outside Antwerp, the Steen, where he spent much of his time. Landscapes, such as his Château de Steen with Hunter (National Gallery, London) and Farmers Returning from the Fields (Pitti Gallery, Florence), reflect the more personal nature of many of his later works. He also drew upon the Netherlandish traditions of Pieter Bruegel the Elder for inspiration in later works like Flemish Kermis (c. 1630; Louvre, Paris).
Rubens died from heart failure, a result of his chronic gout, on 30 May 1640. He was interred in Saint James’ Church, Antwerp. His epitaph read:[30]
D.O.M./PETRVS PAVLVS RVBENIVS eques/IOANNIS, huius urbis senatoris/flfius steini Toparcha:/qui inter cæteras quibus ad miraculum/excelluit doctrinæ historiæ priscæ/omniumq. bonarum artiu. et elegantiaru. dotes/ non sui tantum sæculi,/ sed et omnes ævi/ Appeles dicit meruit:/atque ad Regum Principumq. Virorum amicitias/gradum sibi fecit:/a. PHILIPPO IV. Hispaniarum Indiarumq. Rege / inter Sanctioris Concilli scribas Adscitus,/ et ad CAROLVM Magmnæ Brittaniæ Regem/Anno M.DC.XXIX. delegatus,/pacis inter eosdem principes mox initæ/fundamenta filiciter posuit./ Obiit anno sal. M.DC.XL.XXX. May ætatis LXIV.
Hoc momumenteum a Clarissimo GEVARTIO/olim PETRO PAVLO RVBENIO consecratum/ a Posteris huc usque neglectum,/ Rubeniana stirpe Masculina jam inde extincta/ hoc anno M.DCC.LV. Poni Curavit./ R.D. JOANNES BAPT. JACOBVS DE PARYS. Hujus insignis Eccelsiæ Canonicus/ ex matre et avia Rubenia nepos./ R.I.P.//
The artist had eight children, three with Isabella and five with Hélène; his youngest child was born eight months after his death. Many of his descendants married into important noble families of Antwerp.
His nudes of various biblical and mythological women are especially well-known. Painted in the Baroque tradition of depicting women as soft-bodied, passive, and highly sexualized beings, his nudes emphasize the concepts of fertility, desire, physical beauty, temptation, and virtue. Skillfully rendered, these paintings of nude women were undoubtedly created to appeal to his largely male audience of patrons.[31] Additionally, Rubens was quite fond of painting full-figured women, giving rise to terms like ‘Rubensian’ or ‘Rubenesque’ (sometimes ‘Rubensesque’). And while the male gaze features heavily in Rubens’s paintings of females generally, he brings multi-layered allegory and symbolism to his portraits.[32] His large-scale cycle representing Marie de Medicis focuses on several classic female archetypes like the virgin, consort, wife, widow, and diplomatic regent.[33] The inclusion of this iconography in his female portraits, along with his art depicting noblewomen of the day, serve to elevate his female portrait sitters to the status and importance of his male portrait sitters.[33]
Rubens’s depiction of males is equally stylized, replete with meaning, and quite the opposite of his female subjects. His male nudes represent highly athletic and large mythical or biblical men. Unlike his female nudes, most of his male nudes are depicted partially nude, with sashes, armour, or shadows shielding them from being completely unclothed. These men are twisting, reaching, bending, and grasping: all of which portrays his male subjects engaged in a great deal of physical, sometimes aggressive, action. The concepts Rubens artistically represents illustrate the male as powerful, capable, forceful and compelling. The allegorical and symbolic subjects he painted reference the classic masculine tropes of athleticism, high achievement, valour in war, and civil authority.[32] Male archetypes readily found in Rubens’s paintings include the hero, husband, father, civic leader, king, and the battle weary.
Rubens was a great admirer of Leonardo da Vinci’s work. Using an engraving done 50 years after Leonardo started his project on the Battle of Anghiari, Rubens did a masterly drawing of the Battle which is now in the Louvre in Paris. “The idea that an ancient copy of a lost artwork can be as important as the original is familiar to scholars,” says Salvatore Settis, archaeologist and art historian.
Peter Paul Rubens works at the Royal Museums of Fine Arts, Brussels, Belgium
Paintings from Rubens’s workshop can be divided into three categories: those he painted by himself, those he painted in part (mainly hands and faces), and those he only supervised as other painters produced them from his drawings or oil sketches. He had, as was usual at the time, a large workshop with many apprentices and students, some of whom, such as Anthony van Dyck, became famous in their own right. He also often sub-contracted elements such as animals or still-life in large compositions to specialists such as Frans Snyders, or other artists such as Jacob Jordaens.
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize Winner […]
The Beatles were “inspired by the musique concrète of German composer and early electronic music pioneer Karlheinz Stockhausen…” as SCOTT THILL has asserted. Francis Schaeffer noted that ideas of “Non-resolution” and “Fragmentation” came down German and French streams with the influence of Beethoven’s last Quartets and then the influence of Debussy and later Schoenberg’s non-resolution which is in total contrast […]
_______ On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize […]
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto ____________________ Below you have picture of 1996 Chemistry Nobel Prize Winner Dr. […]
Canary Islands 2014: Harold Kroto and Richard Dawkins
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John J. Shea pictured below
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Thomas Henry Huxley
Chuck Colson pictured below:
Chuck Colson below saying nice things about the 100th anniversary of Francis Schaeffer’s birth
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June 1, 2016
Richard Dawkins Washington, DC
Dear Mr. Dawkins,
Last month I wrote you on Dr. Ignaz Semmelweis and the historical existence of Moses and on the accuracy and prophecy of Psalms chapter 22. Today after finishing the book BRIEF CANDLE IN THE DARK I wanted to talk about something you said on page 57:
Some digger wasp species pick up a small stone in their jaws and use it as a hammer to tamp down the soil–a feat which has been dramatically hailed as tool use, once thought a human monopoly.
Do you think there is a categorical difference between humans and animals or are they just different in degrees? It seems this comment above would lead me to believe that you do think there is only a difference in degrees.
Dr. John J. Shea appeared on the TV series APE MAN with Walter Cronkite back in the 1990’s and claimed that there is only a degree of difference between monkeys and humans and not a categorical difference. After that program aired I had the opportunity to correspond with Dr. Shea and he was kind enough to send me a two page response to my questions. (This correspondence took place back in 1994 and 1995.)
Dr. Shea also suggested that I read SHADOWS OF FORGOTTEN ANCESTORS by Carl Sagan and his wife Ann Druyan, and I did so. Here are my thoughts on the question.
First, only humans lie in the sense we are held morally responsible. Sagan wrote, “Deception in the social relations of animals…is an emerging and productive topic in biology…” (p. 379). This may be true, but are animals responsible to God? I think not. Romans 3:23 teaches that “All MEN have sinned and fall short of the glory of God.” Animals may deceive but they are not morally responsible.
Second, only men feel guilt. Sagan refers briefly to the fact that men feel guilt (p. 4.14), but he does not spend a lot of time on this. Romans 1:19 asserts, “For that which is known about God is evident to them and made plain in their inner consciousness, because God has show it to them” (Amplified Bible). Here Sagan turns to Thomas Henry Huxley who he quotes:
On all sides, I shall hear the cry–“We are men and women, not a mere better sort of apes, a little longer in the leg, more compact in the foot, and bigger in brain than your brutal Chimpanzees and Gorillas. The power of knowledge–the conscience of good and evil--the pitiful tenderness of human affections, raise us out of all real fellowship with the brutes, however, closely they may seem to approximate us.”
To this I can reply that the exclamation would be just and would be most just and would have my entire sympathy, if it were only relevant. But, it is not I who seek to base Man’s dignity upon this great toe, or insinuate that we are lost if an Ape has a hippocampus minor (in its brain). On the contrary, I have done my best to sweep away this vanity…
WHY DID SAGAN AND HUXLEY FACE SUCH A LARGE CHORUS THAT WAS OBJECTING TO THIS VIEW THAT WE DON’T HAVE A GOD-GIVEN CONSCIENCE? The answer is very simple and it deals with the consequences of Social Darwinism. Chuck Colson said that Larry King was not very impressed with his long talk on the historical accuracy of the scriptures, but when he touched on this subject things got interesting:
Larry King invited me to dinner. “I don’t believe in God,” Larry told me straight out. “But tell me why you believe.” I responded, “Have you seen Woody Allen‘s movie CRIMES AND MISDEMEANORS?
Yes, he loved it, in fact. It’s about a doctor who is haunted by GUILT after hiring a killer to murder his mistress. His Jewish father has taught him that God will surely bring justice. In the end the doctor suppresses his GUILT, convincing himself that LIFE IS AN DARWINIAN STRUGGLE WHERE ONLY THE RUTHLESS SURVIVE.
I asked Larry, “Is that our only choice–to be tormented by GUILT or else kill our conscience? Larry, how do you deal with your conscience?” He dropped his fork. I said, “What do you do with the GUILT that is in here? What do you do with what you know you have done wrong?
Then he was ready to listen. I went on and shared with him from Romans which teaches about the voice of conscience that God has given us.
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Third, men have a longing for significance which expresses itself most clearly in the fear of non being.
Fourth, I would point to the fact that only people worship.
Fifth, men are not satisfied unless they have their spiritual needs met. Carl Sagan quotes the poet Walt Whitman, “Not one (animal) is dissatisfied…Not one is respectable or unhappy over the whole earth…” Sagan comments, “On this basis of the evidence presented in this book, we doubt if any of Whitman’s six purported differences between other animals and humans is true…” (p. 389).
I read Sagan’s book cover to cover and made over 15 pages of notes, and I have yet to find any of the “evidence” that Sagan speaks of on page 389. I find the comments of NOAM CHOMSKY more logical. He calls animal language an “evolutionary miracle” akin to “finding an island of humans who could be taught to fly.”
I like Francis Schaeffer‘s term “Mannishness” of man. He defines it as those aspects of man, such as significance, love, rationality and the fear of non being, which mark him off from animals and machines and give evidence of his being created in the image of a personal God.
The scientist Blaise Pascal is quoted by Sagan on page 364 and then Sagan notes, “Most of the philosophers adjudged great in the history of western thought held that humans are fundamentally different from other animals…”
As you know Pascal was the inventor of the barometer and he lived from 1623 to 1662. Pascal also observed, “There is a God-shaped vacuum in the heart of every man,and only God can fill it.”
What is the solution? “For God so loved the world that He gave his one and only Son, that whoever believes in him should not perish but have eternal life” (John 3:16). The scriptural directive is not for us to work harder to achieve God’s favor (Romans 3:20), but to accept God’s mercy through our repentance and receiving Christ as a free gift (Ephesians 2:8-10).
Thank you again for your time and I know how busy you are.
and you will hear what far smarter people than I have to say on this matter. I agree with them.
Harry Kroto
Nick Gathergood, David-Birkett, Harry-Kroto
I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:
In the second video below in the 67th clip in this series are Richard Dawkins’ words that Harry Kroto wanted me to see. Since then I have read several of Richard Dawkins books and have attempted to respond to the contents of these books directly to Richard Dawkins by mail. In fact, I have been writing Richard Dawkins letters since May 15, 1994 which was the 10th anniversary of the passing of one of my heroes, Francis Schaeffer. Francis Schaeffer spent a lot of time responding to many of Richard Dawkins’ heroes such as Carl Sagan, Jacques Monod, H.J. Blackham, Isaac Newton, Ludwig Wittgenstein, Max Planck, Johann Sebastian Bach, Francis Bacon, Samuel Beckett, Leonardo Da Vinci, Albert Einstein, Michael Faraday, Gerald Horton, Edmund Leach, Louis Pasteur, George Wald, Jacob Bronowski, Steven Weinberg, Charles Darwin, Paul Kurtz, Peter Singer, Jonathan Miller, William B. Provine, Woody Allen, Noam Chomsky, James D. Watson, Francis Crick, Michael Polanyi, The Huxley family, Antony Flew, and Edward O. Wilson (Dawkins has since revised his opinion of Flew and Wilson, but he earlier regarded them very highly).
Francis Schaeffer 1911-1984
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Both Francis Schaeffer and Richard Dawkins have talked extensively about the life of Charles Darwin.
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Sir Harry Kroto with his high school friend Sir Ian McKellan at the FSU National High Field Magnetic Lab on Tuesday, October 27, 2009.
50 Renowned Academics Speaking About God (Part 1)
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Another 50 Renowned Academics Speaking About God (Part 2)
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Edit Post ‹ The Daily Hatch — WordPress
A Further 50 Renowned Academics Speaking About God (Part 3)
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Richard Dawkins Photos Photos – Professor Stephen Hawking Unveils Medal For Science Communication – Zimbio
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize Winner […]
The Beatles were “inspired by the musique concrète of German composer and early electronic music pioneer Karlheinz Stockhausen…” as SCOTT THILL has asserted. Francis Schaeffer noted that ideas of “Non-resolution” and “Fragmentation” came down German and French streams with the influence of Beethoven’s last Quartets and then the influence of Debussy and later Schoenberg’s non-resolution which is in total contrast […]
_______ On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize […]
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto ____________________ Below you have picture of 1996 Chemistry Nobel Prize Winner Dr. […]
IF YOU had to describe Milton Friedman with a single adjective—not an easy task—you could do worse than “tireless”. Until his death, at the age of 94 on November 16th, the American economist was still penning sharply worded newspaper articles on the merits of the free market. He was also involved in a television documentary to spread the word, a quarter of a century after his series, “Free to Choose”. Clearly, Mr Friedman thought he still had a lot of work to do. He was right.
This may seem a strange epitaph for the most influential economist of the past half-century (see article). When Mr Friedman was attacking the growth of the state and trumpeting freedom of choice 50 years ago, few listened; now many do. Ideas that once seemed daft—ending peacetime conscription, deregulating industries from transport to banking, the negative income tax, school vouchers—have become either reality or part of mainstream political discourse. And his impact was probably greatest in places where non-economists might not spot it: largely thanks to him, governments no longer believe they can buy permanently lower unemployment at the price of a little more inflation.
The incredible growing state
You could even be forgiven for thinking that the whole world had been remade in Mr Friedman’s image. Communism no longer rules half of Europe. Even in China and Vietnam capitalism has taken hold. Politicians of left and right speak of the power, and sometimes of the virtues, of market forces. No wonder those forces are so often held to be untrammelled, unfettered or merely triumphant from Seattle to Shanghai.
And yet, and yet. The Doha round of trade talks is in tatters, because farm protection is still too precious. Politicians in both Europe and America continue to blanch at foreign takeovers. For the big picture, take the most obvious measure of the size of the state, the ratio of government spending to GDP. Since 1989, the year Ronald Reagan, the American president most in tune with Mr Friedman’s ideas, left office, and the Berlin Wall came down, America’s government has grown just as fast as its economy—an economy which has barrelled along for much of that time. The state’s slice of GDP is forecast to be 36.6% in 2006, up from 36.1% 17 years ago. The public sector has also swollen in Europe’s three biggest economies—Britain, France and Germany—and in OECD economies as a whole. Governments are as convinced as ever that they know best how to spend their citizens’ money.
Education is a case in point, not least in Mr Friedman’s homeland. For many years he argued that parents should be given more choice in how and where their children are schooled. The government, he said, should not spend money on their behalf, but should give them vouchers that they could spend on the education they thought best. Competition between schools would do more than any amount of bureaucratic direction to raise the often woeful standards of American primary and secondary education. This newspaper has long subscribed wholeheartedly to the idea of school vouchers. They are making headway, but too slowly, blocked by the teachers’ unions (when did state-protected producers ever embrace competition?) and sometimes in court.
“Judged by practice,” wrote Mr Friedman and his wife, Rose, in their memoirs, published eight years ago, “we have been, despite some successes, mostly on the losing side. Judged by ideas, we have been on the winning side.” As summaries go, that is hard to beat. Those of liberal spirit, including The Economist, have plenty to thank Mr Friedman for—and, sadly, an enormous amount still to do.
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Milton Friedman: There’s No Such Thing as a Free Lunch
Liberals like President Obama want to shoot for an equality of outcome. That system does not work. In fact, our free society allows for the closest gap between the wealthy and the poor. Unlike other countries where free enterprise and other freedoms are not present. This is a seven part series. Created Equal [7/7]. Milton Friedman’s Free to Choose […]
By Everette Hatcher III | Posted in Milton Friedman | Edit | Comments (0)
Liberals like President Obama want to shoot for an equality of outcome. That system does not work. In fact, our free society allows for the closest gap between the wealthy and the poor. Unlike other countries where free enterprise and other freedoms are not present. This is a seven part series. Created Equal [6/7]. Milton Friedman’s Free to Choose […]
By Everette Hatcher III | Posted in Milton Friedman | Edit | Comments (0)
Liberals like President Obama want to shoot for an equality of outcome. That system does not work. In fact, our free society allows for the closest gap between the wealthy and the poor. Unlike other countries where free enterprise and other freedoms are not present. This is a seven part series. Created Equal [5/7]. Milton Friedman’s Free to Choose […]
By Everette Hatcher III | Posted in Milton Friedman | Edit | Comments (0)
Liberals like President Obama want to shoot for an equality of outcome. That system does not work. In fact, our free society allows for the closest gap between the wealthy and the poor. Unlike other countries where free enterprise and other freedoms are not present. This is a seven part series. Created Equal [4/7]. Milton Friedman’s Free to Choose […]
By Everette Hatcher III | Posted in Milton Friedman | Edit | Comments (0)
Friedman Friday” Free to Choose by Milton Friedman: Episode “Created Equal” (Part 3 of transcript and video) Liberals like President Obama want to shoot for an equality of outcome. That system does not work. In fact, our free society allows for the closest gap between the wealthy and the poor. Unlike other countries where free enterprise and other […]
By Everette Hatcher III | Posted in Milton Friedman | Tagged containment devices, equality of outcome, oil spill, youtube | Edit | Comments (0)
Free to Choose by Milton Friedman: Episode “Created Equal” (Part 2 of transcript and video) Liberals like President Obama want to shoot for an equality of outcome. That system does not work. In fact, our free society allows for the closest gap between the wealthy and the poor. Unlike other countries where free enterprise and other freedoms are […]
By Everette Hatcher III | Posted in Milton Friedman | Tagged equality of outcome, menuhin school, new millionaires, world war ii | Edit | Comments (0)
I am currently going through his film series “Free to Choose” which is one the most powerful film series I have ever seen. TEMIN: We don’t think the big capital arose before the government did? VON HOFFMAN: Listen, what are we doing here? I mean __ defending big government is like defending death and taxes. […]
By Everette Hatcher III | Edit | Comments (0)
I am currently going through his film series “Free to Choose” which is one the most powerful film series I have ever seen worked pretty well for a whole generation. Now anything that works well for a whole generation isn’t entirely bad. From the fact __ from that fact, and the undeniable fact that things […]
By Everette Hatcher III | Edit | Comments (0)
I am currently going through his film series “Free to Choose” which is one the most powerful film series I have ever seen. PART 5 of 7 MCKENZIE: Ah, well, that’s not on our agenda actually. (Laughter) VOICE OFF SCREEN: Why not? MCKENZIE: I boldly repeat the question, though, the expectation having been __ having […]
By Everette Hatcher III | Edit | Comments (0)
I am currently going through his film series “Free to Choose” which is one the most powerful film series I have ever seen. PART 4 of 7 The massive growth of central government that started after the depression has continued ever since. If anything, it has even speeded up in recent years. Each year there […]
I am currently going through his film series “Free to Choose” which is one the most powerful film series I have ever seen. PART 3 OF 7 Worse still, America’s depression was to become worldwide because of what lies behind these doors. This is the vault of the Federal Reserve Bank of New York. Inside […]
I am currently going through his film series “Free to Choose” which is one the most powerful film series I have ever seen. For the past 7 years Maureen Ramsey has had to buy food and clothes for her family out of a government handout. For the whole of that time, her husband, Steve, hasn’t […]
By Everette Hatcher III | Edit | Comments (0)
Friedman Friday:(“Free to Choose” episode 4 – From Cradle to Grave, Part 1 of 7) Volume 4 – From Cradle to Grave Abstract: Since the Depression years of the 1930s, there has been almost continuous expansion of governmental efforts to provide for people’s welfare. First, there was a tremendous expansion of public works. The Social Security Act […]
I enjoyed your latest book Outgrowing God which is one of my favorite books that you have written.
However, there are some some weak parts of the book. For instance, on page 13 you write:
The philosopher Bertrand Russell made the point with a vivd word picture. If I were to tell you, he said, thst there is a china teapot in orbit around the sun, you could not disprove my claim.But failure to disprove something is not a good reason to believe it.
Let me respond with this fine article below by Nate Sala:
Oftentimes, when discussing the existence of God with atheists (or agnostics), the notions of supporting evidence and burden of proof are raised. This is important as good evidence provides a foundation for a reasonable inference on this issue, as well as the idea that those who make claims must support them with some kind of evidence. For example, if God exists then there should be some evidence to support claims of His existence. And, as Christian case-makers continue to show, there are a number of evidences that support the existence of God.
Unfortunately, some atheists believe that there can be no evidence for God whatsoever; and it is from this mistaken presupposition that a particular strategy involving a teapot floating in space has emerged. So the argument goes: we cannot conclusively prove that there is not a teapot orbiting the sun somewhere in outer space; but, given the lack of evidence for such a teapot, its likelihood is so low that the reasonable conclusion should be that it does not exist. Likewise, we cannot conclusively prove that God does not exist; but, given the lack of evidence for God, the reasonable conclusion should be that He does not exist.
This particular argument originated with philosopher Bertrand Russell in a letter he wrote in 1958:
“I do not think the existence of the Christian God any more probable than the existence of the Gods of Olympus or Valhalla. To take another illustration: nobody can prove that there is not between the Earth and Mars a china teapot revolving in an elliptical orbit, but nobody thinks this sufficiently likely to be taken into account in practice. I think the Christian God just as unlikely.”[1]
A number of decades later Richard Dawkins commented on Russell’s idea in The God Delusion:
“Russell’s point is that the burden of proof rests with the believers, not the non-believers. Mine is the related point that the odds in favour of the teapot (spaghetti monster / Esmerelda and Keith / unicorn etc.) are not equal to the odds against.”[2]
There are a couple of problematic elements in Russell’s and Dawkins’ comments. First, they both assume that there is no evidence for God. At least, it seems that Russell’s presupposition is that there is no evidence, thus allowing for his analogy; and Dawkins appears to accept Russell’s analogy wholesale. Second, Dawkins claims (via Russell) that, since there is no evidence for God, theists are the only ones that bear the burden of proof. This reminds me of a similar strategy amongst some atheists that attempts the same result, i.e. placing the burden of proof squarely on the theist’s shoulders. To read more on that, see “Why Atheism Is Not a Lack of Belief.”
Here is the problem with Russell’s presupposition. When an atheist states that there is no evidence for a teapot floating in outer space, he likely means there is no empirical evidence for it. In other words, to say that there is no evidence is to say that, as far as we know, no one has seen or touched a teapot in space. But to suggest that evidence for God is the same thing as empirical evidence for a teapot is to misunderstand the evidence for God typically appealed to by theists. As Dr. Brian Garvey writes, “God is invoked as an explanation for… why the universe exists at all, why it is intelligible, why it is governed by laws, why it is governed by the laws it is rather than some other laws, and doubtless many more things.”[3] Therefore, the evidences for God are the universe, its intelligibility, its physical laws, etc.
Russell’s analogy fails in large part because it likens two different sets of evidences, i.e. evidences for an object and evidences that are effects of an explanation. Russell’s teapot is not an explanation for anything. It simply exists as a rhetorical device. God, on the other hand, is an explanation for a number of things. With regard to the universe itself, consider the Kalam Cosmological Argument:[4]
The fine-tuning of the universe is due to either physical necessity, chance or design.
It is not due to physical necessity or chance.
Therefore, it is due to design.
In both arguments a causal agent, namely God, is inferred as being the explanation for the universe, as well as its features. This does not mean that God is a physical object floating in space, like a teacup. It just means that God is an inference to the best explanation. Considering God as an explanation for the universe (as well as the universe as evidence for God), Dawkins’ comment on the burden of proof should be reevaluated.
Whether or not Russell’s floating teacup actually exists is irrelevant to the universe: as I stated earlier, his teacup is not an explanation for anything. So one’s worldview of the universe is not devoid of explanation if Russell’s teacup does not exist. However, if God does not exist there must be another explanation for the universe and its particular features. To illustrate consider Garvey’s chart below:[6]
So in contradistinction to the theist who proposes God as the explanation for “the most general laws,” i.e. the properties of the universe, the atheist proposes “something other than God.” So atheism is not a passive enterprise by any means. It is a proposition that reality is explained by (other than). Thus, both theists and atheists are looking at the same evidences (the universe and its features) and drawing two different conclusions. This means that Dawkins’ assertion, that the theist is the only one who bears the burden of proof, is flatly false. Both parties have their own burdens to bear.
While Russell’s teapot is probably not very popular anymore (considering its circular nature), it, nevertheless, still floats around the internet (pun intended) as useful fodder for those who don’t know any better. However, its failure is largely due to the disanalogy between evidence for a teapot and evidence for God. So the next time you cross paths with Russell’s floating teapot, have an apple, and then an orange.
[1] Bertrand Russell, “Is There a God?” in The Collected Papers of Bertrand Russell Volume 11, ed. John G. Slater (New York, NY: Routledge, 1997): 547-548.
[2] Richard Dawkins, The God Delusion (New York, NY: Bantam Press, 2006), 76.
[3] Brian Garvey, “Absence of Evidence, Evidence of Absence, and the Atheist’s Teapot” Ars Disputandi 10 (2010), 18.
[4] J.P. Moreland and William Lane Craig, Philosophical Foundations for a Christian Worldview (Downers Grove, IL: InterVarsity Press, 2003), 468.
[6] Brian Garvey, “Absence of Evidence, Evidence of Absence, and the Atheist’s Teapot” Ars Disputandi 10 (2010), 18.
Nate SalaSpeaker, Educator, President of A Clear Lens, Inc. and host of A Clear Lens Podcast. B.Sc
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Dr. Dawkins, you have a 150 year advantage over your hero Charles Darwin and the archaeologist’s spade has continued to dig. Take a look at this piece of evidence from the book WHATEVER HAPPENED TO THE HUMAN RACE? by Francis Schaeffer and C. Everett Koop:
TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?)
In the previous chapter we saw that the Bible gives us the explanation for the existence of the universe and its form and for the mannishness of man. Or, to reverse this, we came to see that the universe and its form and the mannishness of man are a testimony to the truth of the Bible. In this chapter we will consider a third testimony: the Bible’s openness to verification by historical study.
Christianity involves history. To say only that is already to have said something remarkable, because it separates the Judeo-Christian world-view from almost all other religious thought. It is rooted in history.
The Bible tells us how God communicated with man in history. For example, God revealed Himself to Abraham at a point in time and at a particular geographical place. He did likewise with Moses, David, Isaiah, Daniel and so on. The implications of this are extremely important to us. Because the truth God communicated in the Bible is so tied up with the flow of human events, it is possible by historical study to confirm some of the historical details.
It is remarkable that this possibility exists. Compare the information we have from other continents of that period. We know comparatively little about what happened in Africa or South America or China or Russia or even Europe. We see beautiful remains of temples and burial places, cult figures, utensils, and so forth, but there is not much actual “history” that can be reconstructed, at least not much when compared to that which is possible in the Middle East.
When we look at the material which has been discovered from the Nile to the Euphrates that derives from the 2500-year span before Christ, we are in a completely different situation from that in regard to South America or Asia. The kings of Egypt and Assyria built thousands of monuments commemorating their victories and recounting their different exploits. Whole libraries have been discovered from places like Nuzu and Mari and most recently at Elba, which give hundreds of thousands of texts relating to the historical details of their time. It is within this geographical area that the Bible is set. So it is possible to find material which bears upon what the Bible tells us.
The Bible purports to give us information on history. Is the history accurate? The more we understand about the Middle East between 2500 B.C. and A.D. 100, the more confident we can be that the information in the Bible is reliable, even when it speaks about the simple things of time and place.
A common assumption among liberal scholars is that because the Gospels are theologically motivated writings–which they are–they cannot also be historically accurate. In other words, because Luke, say (when he wrote the Book of Luke and the Book of Acts), was convinced of the deity of Christ, this influenced his work to the point where it ceased to be reliable as a historical account. The assumption that a writing cannot be both historical and theological is false.
The experience of the famous classical archaeologist Sir William Ramsay illustrates this well. When he began his pioneer work of exploration in Asia Minor, he accepted the view then current among the Tubingen scholars of his day that the Book of Acts was written long after the events in Paul’s life and was therefore historically inaccurate. However, his travels and discoveries increasingly forced upon his mind a totally different picture, and he became convinced that Acts was minutely accurate in many details which could be checked.
What is even more interesting is the way “liberal” modern scholars today deal with Ramsay’s discoveries and others like them. In the NEW TESTAMENT : THE HISTORY OF THE INVESTIGATION OF ITS PROBLEMS, the German scholar Werner G. Kummel made no reference at all to Ramsay. This provoked a protest from British and American scholars, whereupon in a subsequent edition Kummel responded. His response was revealing. He made it clear that it was his deliberate intention to leave Ramsay out of his work, since “Ramsay’s apologetic analysis of archaeology [in other words, relating it to the New Testament in a positive way] signified no methodologically essential advance for New Testament research.” This is a quite amazing assertion. Statements like these reveal the philosophic assumptions involved in much liberal scholarship.
A modern classical scholar, A.N.Sherwin-White, says about the Book of Acts: “For Acts the confirmation of historicity is overwhelming…Any attempt to reject its basic historicity, even in matters of detail, must not appear absurd. Roman historians have long taken this for granted.”
When we consider the pages of the New Testament, therefore, we must remember what it is we are looking at. The New Testament writers themselves make abundantly clear that they are giving an account of objectively true events.
(Under footnote #98)
Acts is a fairly full account of Paul’s journeys, starting in Pisidian Antioch and ending in Rome itself. The record is quite evidently that of an eyewitness of the events, in part at least. Throughout, however, it is the report of a meticulous historian. The narrative in the Book of Acts takes us back behind the missionary journeys to Paul’s famous conversion on the Damascus Road, and back further through the Day of Pentecost to the time when Jesus finally left His disciples and ascended to be with the Father.
But we must understand that the story begins earlier still, for Acts is quite explicitly the second part of a continuous narrative by the same author, Luke, which reaches back to the birth of Jesus.
Luke 2:1-7 New American Standard Bible (NASB)
2 Now in those days a decree went out from Caesar Augustus, that a census be taken of all [a]the inhabited earth. 2 [b]This was the first census taken while[c]Quirinius was governor of Syria. 3 And everyone was on his way to register for the census, each to his own city. 4 Joseph also went up from Galilee, from the city of Nazareth, to Judea, to the city of David which is called Bethlehem, because he was of the house and family of David, 5 in order to register along with Mary, who was engaged to him, and was with child. 6 While they were there, the days were completed for her to give birth. 7 And she gave birth to her firstborn son; and she wrapped Him in cloths, and laid Him in a [d]manger, because there was no room for them in the inn.
In the opening sentences of his Gospel, Luke states his reason for writing:
Luke 1:1-4 New American Standard Bible (NASB)
1 Inasmuch as many have undertaken to compile an account of the things[a]accomplished among us, 2 just as they were handed down to us by those whofrom the beginning [b]were eyewitnesses and [c]servants of the [d]word, 3 it seemed fitting for me as well, having [e]investigated everything carefully from the beginning, to write it out for you in consecutive order, most excellentTheophilus; 4 so that you may know the exact truth about the things you have been[f]taught.
In Luke and Acts, therefore, we have something which purports to be an adequate history, something which Theophilus (or anyone) can rely on as its pages are read. This is not the language of “myths and fables,” and archaeological discoveries serve only to confirm this.
For example, it is now known that Luke’s references to the titles of officials encountered along the way are uniformly accurate. This was no mean achievement in those days, for they varied from place to place and from time to time in the same place. They were proconsuls in Corinth and Cyprus, asiarchs at Ephesus, politarchesat Thessalonica, and protosor “first man” in Malta. Back in Palestine, Luke was careful to give Herod Antipas the correct title of tetrarch of Galilee. And so one. The details are precise.
The mention of Pontius Pilate as Roman governor of Judea has been confirmed recently by an inscription discovered at Caesarea, which was the Roman capital of that part of the Roman Empire. Although Pilate’s existence has been well known for the past 2000 years by those who have read the Bible, now his governorship has been clearly attested outside the Bible.
Black Mountain College was a phenomenal circumstance. The fact that so many artists of that level in their respective fields could organize and develop such an institution is unparalleled. Who would’ve thought that a small mountain town of western North Carolina would be their home, albeit for a short while.
SUSAN WEIL and ROBERT RAUSCHENBERG at Black Mountain College
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Susan Weil and Rauschenberg on their wedding day with members of their wedding party, Outer Island, Connecticut, June 1950
Black Mountain College; Black Mountain College Museum + Arts Center ; colleges ; experimental community ; Progressive education ; Progressives ; Bauhaus ; German immigration ; immigrants ; Marcel Breuer ; Walter Gropius ; John Andrew Rice ; Josef Albers ; Anni Albers ; Hazel Larsen Archer ; Buckminster Fuller ; Ruth Asawa ; Charles Olson ; Robert Rauschenberg ; Merce Cunningham ; John Cage ; Robert Creeley ; Jonathan Williams ; Franz Kline ; photography ; Appalachia ; education ; National Historical Register ; architecture ; farms ; farming ; craft ; art ; textiles ; weaving ; ceramics ; music ; social services ; social work ; schools ; sociology ;
Considered by many to be one of the most influential American artists due to his radical blending of materials and methods, Robert Rauschenberg was a crucial figure in the transition from Abstract Expressionism to later modern movements. One of the key Neo-Dada movement artists, his experimental approach expanded the traditional boundaries of art, opening up avenues of exploration for future artists. Although Rauschenberg was the enfant terrible of the art world in the 1950s, he was deeply respected and admired by his predecessors. Despite this admiration, he disagreed with many of their convictions and literally erased their precedent to move forward into new aesthetic territory that reiterated the earlier Dada inquiry into the definition of art.
ROBERT RAUSCHENBERG KEY IDEAS
Engaged in questioning the definition of a work of art and the role of the artist, Rauschenberg shifted from a conceptual outlook where the authentic mark of the brushstroke described the artist’s inner world towards a reflection on the contemporary world, where an interaction with popular media and mass-produced goods reflected a unique artistic vision.
Rauschenberg merged the realms of kitsch and fine art, employing both traditional media and found objects within his “combines” by inserting appropriated photographs and urban detritus amidst standard wall paintings.
Rauschenberg believed that painting related to “both art and life. Neither can be made.” Following from this belief, he created artworks that move between these realms in constant dialogue with the viewers and the surrounding world, as well as with art history.
Preferring to leave the interpretation of the works to his viewers, Rauschenberg allowed chance to determine the placement and combination of the different found images and objects in his artwork such that there were no predetermined arrangements or meanings embedded within the works.
Today is the birthday of Robert Rauschenberg, an artist who played a pivotal role in the development of American art after WWII.
This blog post, written by Museum President Don Bacigalupi, is excerpted from Crystal Bridges’ permanent collection catalog, Celebrating the American Spirit: Masterworks from Crystal Bridges Museum of American Art.
The art world of the late 1940s and early 1950s had been dominated by the grand gestures and larger-than-life personas of the abstract expressionists. Artists such as Jackson Pollock and Willem de Kooning created images in which their bold, expressive marks were understood to be records of their inner lives—painting as revelation. Younger artists like Rauschenberg and Jasper Johns attacked the cult of personality promulgated by the New York School. Juxtaposing the highly lauded gestural brushstroke with modes of representation drawn from mass culture, they challenged viewers to assess which manner of image making more effectively conveyed meaning. Rauschenberg and Johns are credited with both reviving an interest in dada and surrealism and with paving the way for the development of pop art in the 1960s.
Rauschenberg spent the 1950s experimenting with novel ways to narrow the gap between art and life, bringing commonplace images and materials into his work through methods including collage, assemblage, and transfer drawing. In 1962, he began to silkscreen photographic images into his compositions. The following year he produced Untitled, a painting dominated by an anonymous photograph of a contemporary urban street scene. Unlike Rauschenberg’s earlier assemblages and “combines,” in which the artist assembled multiple small images and objects into larger, fragmentary wholes, here a single black-and-white candid shot occupies the entire canvas. In contrast to Rauschenberg’s earlier picture-making techniques, silkscreen allowed the artist to render any given image in any given scale.
In Untitled, the enlarged, silkscreened snapshot serves as the ground onto which Rauschenberg applied additional layers of signification, including discrete passages of dripping paint, scumbled washes, stenciled letters of various sizes, and some apparent rubbings or erasures. Photographic and hand-drawn images become nearly indistinguishable. A “one way” street sign that is part of the photograph points at and is balanced by an upside-down cruciform shape drawn in graphite across the painted surface. A rectangular Coca-Cola sign in the upper right of the photograph is mirrored at left by an array of applied uppercase letters that suggest words (“Strange” or “X-change” or even “Sex Change”).
Confronted with the large, sign-filled photograph and hints of readable language, the viewer cannot help but search for narrative meaning. Yet the sheer number and diversity of marks and signs in the picture frustrate this enterprise, leading the viewer down a series of interpretive dead ends. A restless and prolific image maker, Rauschenberg created pleasingly composed and visually enticing works that rarely cohere into a traditional meaning or story. Ultimately, Rauschenberg succeeded in focusing his viewers’ attention on the complex interplay between art and life, opening up myriad possibilities for future generations of artists.
Robert Rauschenberg & Jasper Johns – A relationship in three photographs
by ob
“Most critics agree that Johns and Rauschenberg’s finest work grew out of the period between 1954 and 1961, a time of intense emotional involvement during which they searched together for an alternative to Abstract Expressionist picturemaking. Rauschenberg once remarked of this moment “We gave each other permission…”
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Flag, Encaustic, oil and collage on fabric mounted on plywood,1954-55 by Jasper Johns:
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This is perhaps one of the most famous photographs taken at the Archie Bray Foundation. From left to right are Soetsu Yanagi, Bernard Leach, Rudy Autio, Peter Voulkos, and Shoji Hamada.
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Shoji Hamada, Bernard Leach, Soetsu Yanagi, and Marguerite Wildenhain at Black Mountain College
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize Winner […]
The Beatles were “inspired by the musique concrète of German composer and early electronic music pioneer Karlheinz Stockhausen…” as SCOTT THILL has asserted. Francis Schaeffer noted that ideas of “Non-resolution” and “Fragmentation” came down German and French streams with the influence of Beethoven’s last Quartets and then the influence of Debussy and later Schoenberg’s non-resolution which is in total contrast […]
_______ On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize […]
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto ____________________ Below you have picture of 1996 Chemistry Nobel Prize Winner Dr. […]
and you will hear what far smarter people than I have to say on this matter. I agree with them.
Harry Kroto
Nick Gathergood, David-Birkett, Harry-Kroto
I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:
In the second video below in the 67th clip in this series are Richard Dawkins’ words that Harry Kroto wanted me to see. Since then I have read several of Richard Dawkins books and have attempted to respond to the contents of these books directly to Richard Dawkins by mail. In fact, I have been writing Richard Dawkins letters since May 15, 1994 which was the 10th anniversary of the passing of one of my heroes, Francis Schaeffer. Francis Schaeffer spent a lot of time responding to many of Richard Dawkins’ heroes such as Carl Sagan, Jacques Monod, H.J. Blackham, Isaac Newton, Ludwig Wittgenstein, Max Planck, Johann Sebastian Bach, Francis Bacon, Samuel Beckett, Leonardo Da Vinci, Albert Einstein, Michael Faraday, Gerald Horton, Edmund Leach, Louis Pasteur, George Wald, Jacob Bronowski, Steven Weinberg, Charles Darwin, Paul Kurtz, Peter Singer, Jonathan Miller, William B. Provine, Woody Allen, Noam Chomsky, James D. Watson, Francis Crick, Michael Polanyi, The Huxley family, Antony Flew, and Edward O. Wilson (Dawkins has since revised his opinion of Flew and Wilson, but he earlier regarded them very highly).
Francis Schaeffer 1911-1984
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Both Francis Schaeffer and Richard Dawkins have talked extensively about the life of Charles Darwin.
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Sir Harry Kroto with his high school friend Sir Ian McKellan at the FSU National High Field Magnetic Lab on Tuesday, October 27, 2009.
50 Renowned Academics Speaking About God (Part 1)
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Another 50 Renowned Academics Speaking About God (Part 2)
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Edit Post ‹ The Daily Hatch — WordPress
A Further 50 Renowned Academics Speaking About God (Part 3)
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Richard Dawkins Photos Photos – Professor Stephen Hawking Unveils Medal For Science Communication – Zimbio
“If all the evidence in the universe turned in favour of creationism, I would be the first to admit it, and I would immediately change my mind. As things stand, however, all available evidence (and there is a vast amount of it) favours evolution.” ― Richard Dawkins, The God Delusion
I am very impressed that you react to evidence and will be willing to change your beliefs if the evidence led you away from your current cherished secular beliefs. Last time I wrote you I presented you evidence that indicated that Moses did actually exist. Today I wanted to give you medical evidence that indicates it took several thousand years for the medical community to catch up to Moses’ words:
“He who touches the dead body of anyone shall be unclean seven days. He shall purify himself with the water on the third day and on the seventh day; then he will be clean. But if he does not purify himself on the third day and on the seventh day, he will not be clean.”
This is the story of a man whose ideas could have saved a lot of lives and spared countless numbers of women and newborns’ feverish and agonizing deaths.
You’ll notice I said “could have.”
The year was 1846, and our would-be hero was a Hungarian doctor named Ignaz Semmelweis.
It was a time Lessler describes as “the start of the golden age of the physician scientist,” when physicians were expected to have scientific training.
So doctors like Semmelweis were no longer thinking of illness as an imbalance caused by bad air or evil spirits. They looked instead to anatomy. Autopsies became more common, and doctors got interested in numbers and collecting data.
The young Dr. Semmelweis was no exception. When he showed up for his new job in the maternity clinic at the General Hospital in Vienna, he started collecting some data of his own. Semmelweis wanted to figure out why so many women in maternity wards were dying frompuerperal fever — commonly known as childbed fever.
He studied two maternity wards in the hospital. One was staffed by all male doctors and medical students, and the other was staffed by female midwives. And he counted the number of deaths on each ward.
When Semmelweis crunched the numbers, he discovered that women in the clinic staffed by doctors and medical students died at a rate nearly five times higher than women in the midwives’ clinic.
But why?
Semmelweis went through the differences between the two wards and started ruling out ideas.
Right away he discovered a big difference between the two clinics.
In the midwives’ clinic, women gave birth on their sides. In the doctors’ clinic, women gave birth on their backs. So he had women in the doctors’ clinic give birth on their sides. The result, Lessler says, was “no effect.”
Then Semmelweis noticed that whenever someone on the ward died of childbed fever, a priest would walk slowly through the doctors’ clinic, past the women’s beds with an attendant ringing a bell. This time Semmelweis theorized that the priest and the bell ringing so terrified the women after birth that they developed a fever, got sick and died.
So Semmelweis had the priest change his route and ditch the bell. Lessler says, “It had no effect.”
By now, Semmelweis was frustrated. He took a leave from his hospital duties and traveled to Venice. He hoped the break and a good dose of art would clear his head.
When Semmelweis got back to the hospital, some sad but important news was waiting for him. One of his colleagues, a pathologist, had fallen ill and died. It was a common occurrence, according to Jacalyn Duffin, who teaches the history of medicine at Queen’s University in Kingston, Ontario.
This was a revelation — childbed fever wasn’t something only women in childbirth got sick from. It was something other people in the hospital could get sick from as well.
“This often happened to the pathologists,” Duffin says. “There was nothing new about the way he died. He pricked his finger while doing an autopsy on someone who had died from childbed fever.” And then he got very sick himself and died.
Semmelweis studied the pathologist’s symptoms and realized the pathologist died from the same thing as the women he had autopsied. This was a revelation: Childbed fever wasn’t something only women in childbirth got sick from. It was something other people in the hospital could get sick from as well.
But it still didn’t answer Semmelweis’ original question: “Why were more women dying from childbed fever in the doctors’ clinic than in the midwives’ clinic?”
Duffin says the death of the pathologist offered him a clue.
“The big difference between the doctors’ ward and the midwives’ ward is that the doctors were doing autopsies and the midwives weren’t,” she says.
So Semmelweis hypothesized that there were cadaverous particles, little pieces of corpse, that students were getting on their hands from the cadavers they dissected. And when they delivered the babies, these particles would get inside the women who would develop the disease and die.
If Semmelweis’ hypothesis was correct, getting rid of those cadaverous particles should cut down on the death rate from childbed fever.
So he ordered his medical staff to start cleaning their hands and instruments not just with soap but with a chlorine solution. Chlorine, as we know today, is about the best disinfectant there is. Semmelweis didn’t know anything about germs. He chose the chlorine because he thought it would be the best way to get rid of any smell left behind by those little bits of corpse.
Semmelweis didn’t know anything about germs. He chose the chlorine because he thought it would be the best way to get rid of any smell left behind by those little bits of corpse.
And when he imposed this, the rate of childbed fever fell dramatically.
What Semmelweis had discovered is something that still holds true today: Hand-washing is one of the most important tools in public health. It can keep kids from getting the flu, prevent the spread of disease and keep infections at bay.
You’d think everyone would be thrilled. Semmelweis had solved the problem! But they weren’t thrilled.
For one thing, doctors were upset because Semmelweis’ hypothesis made it look like they were the ones giving childbed fever to the women.
And Semmelweis was not very tactful. He publicly berated people who disagreed with him and made some influential enemies.
Eventually the doctors gave up the chlorine hand-washing, and Semmelweis — he lost his job.
Even today, convincing health care providers to take hand washing seriously is a challenge.
Semmelweis kept trying to convince doctors in other parts of Europe to wash with chlorine, but no one would listen to him.
Even today, convincing health care providers to take hand-washing seriously is a challenge. Hundreds of thousands of hospital patients get infections each year, infections that can be deadly and hard to treat. The Centers for Disease Control and Prevention says hand hygiene is one of the most important ways to prevent these infections.
Over the years, Semmelweis got angrier and eventually even strange. There’s been speculation he developed a mental condition brought on by possibly syphilis or even Alzheimer’s. And in 1865, when he was only 47 years old, Ignaz Semmelweis was committed to a mental asylum.
The sad end to the story is that Semmelweis was probably beaten in the asylum and eventually died of sepsis, a potentially fatal complication of an infection in the bloodstream — basically, it’s the same disease Semmelweis fought so hard to prevent in those women who died from childbed fever.
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize Winner […]
The Beatles were “inspired by the musique concrète of German composer and early electronic music pioneer Karlheinz Stockhausen…” as SCOTT THILL has asserted. Francis Schaeffer noted that ideas of “Non-resolution” and “Fragmentation” came down German and French streams with the influence of Beethoven’s last Quartets and then the influence of Debussy and later Schoenberg’s non-resolution which is in total contrast […]
_______ On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize […]
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto ____________________ Below you have picture of 1996 Chemistry Nobel Prize Winner Dr. […]
I am a patient boy
I wait, I wait, I wait, I wait
My time is like water down a drain
Everybody’s moving,
Everybody’s moving,
Everybody’s moving, moving, moving, moving
Please don’t leave me to remain
I’m in the waiting room, I don’t want the news
I cannot use it
I don’t want the news
I won’t live by it
Sitting outside of town
Everybody’s always down
Tell me why?
Because, they can’t get up
Ah, come on and get up
Come on and get up
But I don’t sit idly by
I’m planning a big surprise
I’m gonna fight for what I wanna be
And I won’t make the same mistakes (’cause I know)
Because I know how much time that wastes (and function)
Function is the key
I’m in the waiting room, I don’t want the news
I cannot use it
I don’t want the news
I won’t live by it
Sitting outside of town
Everybody’s always down
Tell me why?
Because, they can’t get up
Ah, come on and get up
I’m from the waiting room
Sitting in the waiting room
Sitting in the waiting room
Sitting in the waiting room
Sitting in the waiting room (tell me why)
Because, they can’t get up
Fugazi are noted for their unique sound, blending elements of dub/reggae with high energy rock and punk/hardcore-styled guitars, as well as for their approach to the business of music, which found success while avoiding all contact with the corporate music industry.[2][3] The band, and others from the punk and hardcore scene leading up to the early 1990s, were among the early adopters of what grew to be known as the DIY ethic.
Fugazi have performed numerous worldwide tours, produced six studio albums, a film and a comprehensive live series, gaining the band critical acclaim and success around the world.[4] Fugazi has been on an indefinite hiatus since 2003.
After the hardcore punk group Minor Threatdissolved, Ian MacKaye (vocals and guitar) was active with a few short-lived groups, most notably Embrace. MacKaye decided he wanted a project that was “like The Stooges with reggae“, but was wary about forming another band after Embrace’s break up. MacKaye recalled, “My interests were not necessarily to be in a band, but to be with people who wanted to play music with me.”[5]
MacKaye recruited ex-Dag NastydrummerColin Sears and bass guitarist Joe Lally, and the trio began practicing together in September 1986. After a few months of rehearsals, Sears returned to Dag Nasty and was replaced by Brendan Canty (earlier of Rites of Spring). One day Canty’s Rites of Spring bandmate Guy Picciotto dropped by during a practice session to see how his friend was getting along; he later admitted he secretly harbored the idea of joining the group. But Picciotto was disappointed that there seemed to be no place for him.[6]
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This post includes a lot of material that is very depressing, but don’t stop reading until you get to the end of this long post. There is hope.
Francis Schaeffer noted:
I have lots of young people and older ones come to us from the ends of the earth. And as they come to us, they have gone to the end of this logically and they are not living in a romantic setting. They realize what the situation is. They can’t find any meaning to life. It’s the meaning to the black poetry. It’s the meaning of the black plays. It’s the meaning of all this. It’s the meaning of the words “punk rock.”
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Take a look at the lyrics from this song “Give me the Cure” by Fugazi:
I never thought too hard on dying before
I never sucked on the dying
I never licked the side of dying before
And now I’m feeling the dying
You’ve got your hands over your ears
You’ve got your mouth running on
You’ve got your eyes looking for something
That can never be found
Like a reason
Good god, I don’t need a reason
I never thought too hard on dying before
I never thought on the dying
I never ever held the hand of dying before
And now I’m feeling the dying
And you’ve got to
And you’ve got to
And you’ve got to
Give me the shot
Give me the pill
Give me the cure
Now what you’ve done to my world
I never thought too hard on dying before
I never thought on the dying
I never walked the side of dying before
And now I’m feel like I’m…
And now I’m feel like I’m…
(it breaks, it breaks, it breaks, yeah)
Under your skin
Cap over your eyes
I’m at the tip of your finger
(it breaks, it breaks, it breaks, yeah)
Tell me the reason
Give me the shot
Give me the pill
Give me the cure
(it breaks, it breaks, it breaks)
Now what you’ve done to my world
Coming around
Coming around
Coming around
Coming down
Give me the shot
Give me the pill
Give me the cure
Now what you’ve done to my world
Give me the shot
Now c’mon, give me the pill
Give me the cure
Now what you’ve done to my world
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Francis Schaeffer pictured below in 1971 at L Abri
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Francis Schaeffer noted:
I have lots of young people and older ones come to us from the ends of the earth. And as they come to us, they have gone to the end of this logically and they are not living in a romantic setting. They realize what the situation is. They can’t find any meaning to life. It’s the meaning to the black poetry. It’s the meaning of the black plays. It’s the meaning of all this. It’s the meaning of the words “punk rock.”
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“They are the natural outcome of a change from a Christian World View to a Humanistic one…
The result is a relativistic value system. A lack of a final meaning to life — that’s first. Why does human life have any value at all, if that is all that reality is? Not only are you going to die individually, but the whole human race is going to die, someday. It may not take the falling of the atom bombs, but someday the world will grow too hot, too cold. That’s what we are told on this other final reality, and someday all you people not only will be individually dead, but the whole conscious life on this world will be dead, and nobody will see the birds fly. And there’s no meaning to life.
As you know, I don’t speak academically, shut off in some scholastic cubicle, as it were. I have lots of young people and older ones come to us from the ends of the earth. And as they come to us, they have gone to the end of this logically and they are not living in a romantic setting. They realize what the situation is. They can’t find any meaning to life. It’s the meaning to the black poetry. It’s the meaning of the black plays. It’s the meaning of all this. It’s the meaning of the words “punk rock.” And I must say, that on the basis of what they are being taught in school, that the final reality is only this material thing, they are not wrong. They’re right! On this other basis there is no meaning to life and not only is there no meaning to life, but there is no value system that is fixed, and we find that the law is based then only on a relativistic basis and that law becomes purely arbitrary.
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OUTLINE OF ECCLESIATES BY SCHAEFFER
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William Lane Craig on Man’s predicament if God doesn’t exist
Read Waiting for Godot by Samuel Beckett. During this entire play two men carry on trivial conversation while waiting for a third man to arrive, who never does. Our lives are like that, Beckett is saying; we just kill time waiting—for what, we don’t know.
Thus, if there is no God, then life itself becomes meaningless. Man and the universe are without ultimate significance.
Francis Schaeffer looks at Nihilism of Solomon and the causes of it!!!
Notes on Ecclesiastes by Francis Schaeffer
Solomon is the author of Ecclesiastes and he is truly an universal man like Leonardo da Vinci.
Two men of the Renaissance stand above all others –Michelangelo and Leonardo da Vinci and it is in them that one can perhaps grasp a view of the ultimate conclusion of humanism for man. Michelangelo was unequaled as a sculptor in the Renaissance and arguably no one has ever matched his talents.
The other giant of the Renaissance period was Leonardo da Vinci – the perfect Renaissance Man, the man who could do almost anything and does it better than most anyone else. As an inventor, an engineer, an anatomist, an architect, an artist, a chemist, a mathematician, he was almost without equal. It was perhaps his mathematics that lead da Vinci to come to his understanding of the ultimate meaning of Humanism. Leonardo is generally accepted as the first modern mathematician. He not only knew mathematics abstractly but applied it in his Notebooks to all manner of engineering problems. He was one of the unique geniuses of history, and in his brilliance he perceived that beginning humanistically with mathematics one only had particulars. He understood that man beginning from himself would never be able to come to meaning on the basis of mathematics. And he knew that having only individual things, particulars, one never could come to universals or meaning and thus one only ends with mechanics. In this he saw ahead to where our generation has come: everything, including man, is the machine.
Leonardo da Vinci compares well to Solomon and they both were universal men searching for the meaning in life. Solomon was searching for a meaning in the midst of the details of life.His struggle was to find the meaning of life. Not just plans in life.Anybody can find plans in life. A child can fill up his time with plans of building tomorrow’s sand castle when today’s has been washed away. There is a difference between finding plans in life and purpose in life. Humanism since the Renaissance and onward has never found it and it has never found it since. Modern man has not found it and it has always got worse and darker in a very real way.
We have here the declaration of Solomon’s universality:
1 Kings 4:30-34
English Standard Version (ESV)
30 so that Solomon’s wisdom surpassed the wisdom of all the people of the east and all the wisdom of Egypt.31 For he was wiser than all other men, wiser than Ethan the Ezrahite, and Heman, Calcol, and Darda, the sons of Mahol, and his fame was in all the surrounding nations.32 He also spoke 3,000 proverbs, and his songs were 1,005.33 He spoke of trees, from the cedar that is in Lebanon to the hyssop that grows out of the wall. He spoke also of beasts, and of birds, and of reptiles, and of fish.34 And people of all nations came to hear the wisdom of Solomon, and from all the kings of the earth, who had heard of his wisdom.
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Here is the universal man and his genius. Solomon is the universal man with a empire at his disposal. Solomon had it all.
Ecclesiastes 1:3
English Standard Version (ESV)
3 What does man gain by all the toil at which he toils under the sun?
Schaeffer noted that Solomon took a look at the meaning of life on the basis of human life standing alone between birth and death “under the sun.” This phrase UNDER THE SUN appears over and over in Ecclesiastes.
(Added by me:The Christian Scholar Ravi Zacharias noted, “The key to understanding the Book of Ecclesiastes is the term UNDER THE SUN — What that literally means is you lock God out of a closed system and you are left with only this world of Time plus Chance plus matter.” )
Man is caught in the cycle
Ecclesiastes 1:1-7
English Standard Version (ESV)
All Is Vanity
1 The words of the Preacher, the son of David, king in Jerusalem.
2 Vanity of vanities, says the Preacher, vanity of vanities! All is vanity. 3 What does man gain by all the toil at which he toils under the sun? 4 A generation goes, and a generation comes, but the earth remains forever. 5 The sun rises, and the sun goes down, and hastens to the place where it rises. 6 The wind blows to the south and goes around to the north; around and around goes the wind, and on its circuits the wind returns. 7 All streams run to the sea, but the sea is not full; to the place where the streams flow, there they flow again.
8 All things are full of weariness; a man cannot utter it; the eye is not satisfied with seeing, nor the ear filled with hearing. 9 What has been is what will be, and what has been done is what will be done, and there is nothing new under the sun. 10 Is there a thing of which it is said, “See, this is new”? It has been already in the ages before us.
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Solomon is showing a high degree of comprehension of evaporation and the results of it. Seeing also in reality nothing changes. There is change but always in a set framework and that is cycle. You can relate this to the concepts of modern man. Ecclesiastes is the only pessimistic book in the Bible and that is because of the place where Solomon limits himself. He limits himself to the question of human life, life under the sun between birth and death and the answers this would give.
Ecclesiastes 1:4
English Standard Version (ESV)
4 A generation goes, and a generation comes, but the earth remains forever.
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Ecclesiastes 4:16
English Standard Version (ESV)
16 There was no end of all the people, all of whom he led. Yet those who come later will not rejoice in him. Surely this also is vanity and a striving after wind.
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In verses 1:4 and 4:16 Solomon places man in the cycle. He doesn’t place man outside of the cycle. Man doesn’t escape the cycle. Man is only cycle. Birth and death and youth and old age. With this in mind Solomon makes this statement.
Ecclesiastes 6:12
12 For who knows what is good for a man during his lifetime, during the few years of his futile life? He will spend them like a shadow. For who can tell a man what will be after him under the sun?
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There is no doubt in my mind that Solomon had the same experience in his life that I had as a younger man. I remember standing by the sea and the moon arose and it was copper and beauty. Then the moon did not look like a flat dish but a globe or a sphere since it was close to the horizon. One could feel the global shape of the earth too. Then it occurred to me that I could contemplate the interplay of the spheres and I was exalted because I thought I can look upon them with all their power, might, and size, but they could contempt nothing and I felt as man as God. Then came upon me a horror of great darkness because it suddenly occurred to me that although I could contemplate them and they could contemplate nothing yet they would continue to turn in ongoing cycles when I saw no more forever and I was crushed.
THIS IS SOLOMON’S FEELING TOO. The universal man, Solomon, beyond our intelligence with an empire at his disposal with the opportunity of observation so he could recite these words here in Ecclesiastes 6:12, “For who knows what is good for a man during his lifetime, during the few years of his futile life? He will spend them like a shadow. For who can tell a man what will be after him under the sun?”
Lack of Satisfaction in life
In Ecclesiastes 1:8 he drives this home when he states, “All things are wearisome; Man is not able to tell it. The eye is not satisfied with seeing, Nor is the ear filled with hearing.” Solomon is stating here the fact that there is no final satisfaction because you don’t get to the end of the thing. THERE IS NO FINAL SATISFACTION. This is related to Leonardo da Vinci’s similar search for universals and then meaning in life.
In Ecclesiastes 5:11 Solomon again pursues this theme, “When good things increase, those who consume them increase. So what is the advantage to their owners except to look on?” Doesn’t that sound modern? It is as modern as this evening. Solomon here is stating the fact there is no reaching completion in anything and this is the reason there is no final satisfaction. There is simply no place to stop. It is impossible when laying up wealth for oneself when to stop. It is impossible to have the satisfaction of completion.
Pursuing Learning
Now let us look down the details of his searching.
In Ecclesiastes 1: 13a we have the details of the universal man’s procedure. “And I set my mind to seek and explore by wisdom concerning all that has been done under heaven.”
So like any sensible man the instrument that is used is INTELLECT, and RAITIONALITY, and LOGIC. It is to be noted that even men who despise these in their theories begin and use them or they could not speak. There is no other way to begin except in the way they which man is and that is rational and intellectual with movements of that is logical within him. As a Christian I must say gently in passing that is the way God made him.
So we find first of all Solomon turned to WISDOM and logic. Wisdom is not to be confused with knowledge. A man may have great knowledge and no wisdom. Wisdom is the use of rationality and logic. A man can be very wise and have limited knowledge. Here he turns to wisdom in all that implies and the total rationality of man.
Works of Men done Under the Sun
After wisdom Solomon comes to the great WORKS of men. Ecclesiastes 1:14, “I have seen all the works which have been done under the sun, and behold, all is [p]vanity and striving after wind.” Solomon is the man with an empire at this disposal that speaks. This is the man who has the copper refineries in Ezion-geber. This is the man who made the stables across his empire. This is the man who built the temple in Jerusalem. This is the man who stands on the world trade routes. He is not a provincial. He knew what was happening on the Phonetician coast and he knew what was happening in Egypt. There is no doubt he already knew something of building. This is Solomon and he pursues the greatness of his own construction and his conclusion is VANITY AND VEXATION OF SPIRIT.
Ecclesiastes 2:18-20
18 Thus I hated all the fruit of my labor for which I had labored under the sun, for I must leave it to the man who will come after me.19 And who knows whether he will be a wise man or a fool? Yet he will have control over all the fruit of my labor for which I have labored by acting wisely under the sun. This too is vanity.20 Therefore I completely despaired of all the fruit of my labor for which I had labored under the sun.
He looked at the works of his hands, great and multiplied by his wealth and his position and he shrugged his shoulders.
Ecclesiastes 2:22-23
22 For what does a man get in all his labor and in his striving with which he labors under the sun?23 Because all his days his task is painful and grievous; even at night his mind does not rest. This too is vanity.
Man can not rest and yet he is never done and yet the things which he builds will out live him. If one wants an ironical three phrases these are they. There is a Dutch saying, “The tailor makes many suits but one day he will make a suit that will outlast the tailor.”
God has put eternity in our hearts but we can not know the beginning or the end of the thing from a vantage point of UNDER THE SUN
Ecclesiastes 1:16-18
16 I said to myself, “Behold, I have magnified and increased wisdom more than all who were over Jerusalem before me; and my mind has observed a wealth of wisdom and knowledge.”17 And I set my mind to know wisdom and to know madness and folly; I realized that this also is striving after wind.18 Because in much wisdom there is much grief, and increasing knowledge results in increasing pain.
Solomon points out that you can not know the beginnings or what follows:
Ecclesiastes 3:11
11 He has made everything appropriate in its time. He has also set eternity in their heart, yet so that man will not find out the work which God has done from the beginning even to the end.
Ecclesiastes 1:11
11 There is no remembrance of earlier things; And also of the later things which will occur, There will be for them no remembrance among those who will come later still.
Ecclesiastes 2:16
16 For there is no lasting remembrance of the wise man as with the fool, inasmuch as in the coming days all will be forgotten. And how the wise man and the fool alike die!
You bring together here the factor of the beginning and you can’t know what immediately follows after your death and of course you can’t know the final ends. What do you do and the answer is to get drunk and this was not thought of in the RUBAIYAT OF OMAR KAHAYYAM:
Ecclesiastes 2:1-3
I said to myself, “Come now, I will test you with pleasure. So enjoy yourself.” And behold, it too was futility.2 I said of laughter, “It is madness,” and of pleasure, “What does it accomplish?”3 I explored with my mind how to stimulate my body with wine while my mind was guiding me wisely, and how to take hold of folly, until I could see what good there is for the sons of men to do under heaven the few years of their lives.
You know, my Friends, with what a brave Carouse
I made a Second Marriage in my house;
Divorced old barren Reason from my Bed,
And took the Daughter of the Vine to Spouse.
from the Rubaiyat of Omar Khayyam (Translation by Edward Fitzgerald)
A perfectly good philosophy coming out of Islam, but Solomon is not the first man that thought of it nor the last. In light of what has been presented by Solomon is the solution just to get intoxicated and black the think out? So many people have taken to alcohol and the dope which so often follows in our day. This approach is incomplete, temporary and immature. Papa Hemingway can find the champagne of Paris sufficient for a time, but one he left his youth he never found it sufficient again. He had a lifetime spent looking back to Paris and that champagne and never finding it enough. It is no solution and Solomon says so too.
Ecclesiastes 2:4-11
4 I enlarged my works: I built houses for myself, I planted vineyards for myself;5 I made gardens and parks for myself and I planted in them all kinds of fruit trees;6 I made ponds of water for myself from which to irrigate a forest of growing trees.7 I bought male and female slaves and I had homeborn slaves. Also I possessed flocks and herds larger than all who preceded me in Jerusalem.8 Also, I collected for myself silver and gold and the treasure of kings and provinces. I provided for myself MALE AND FEMALE SINGERS AND THE PLEASURES OF MEN–MANY CONCUBINES.
9 Then I became great and increased more than all who preceded me in Jerusalem. My wisdom also stood by me.10 All that my eyes desired I did not refuse them. I did not withhold my heart from any pleasure, for my heart was pleased because of all my labor and this was my reward for all my labor.11 Thus I considered all my activities which my hands had done and the labor which I had exerted, and behold all was vanity and striving after wind and there was no profit under the sun.
He doesn’t mean there is no temporary profit but there is no real profit. Nothing that lasts. The walls crumble if they are as old as the Pyramids. You only see a shell of the Pyramids and not the glory that they were. This is what Solomon is saying. Look upon Solomon’s wonder and consider the Cedars of Lebanon which were not in his domain but at his disposal.
Ecclesiastes 6:2
2 a man to whom God has given riches and wealth and honor so that his soul lacks nothing of all that he desires; yet God has not empowered him to eat from them, for a foreigner enjoys them. This is vanity and a severe affliction.
Can someone stuff himself with food he can’t digest? Solomon came to this place of strife and confusion when he went on in his search for meaning.
Oppressed have no comforter
Ecclesiastes 4:1
Then I looked again at all the acts of oppression which were being done under the sun. And behold I saw the tears of the oppressed and that they had no one to comfort them; and on the side of their oppressors was power, but they had no one to comfort them.
Between birth and death power rules. Solomon looked over his kingdom and also around the world and proclaimed that right does not rule but power rules.
Ecclesiastes 7:14-15
14 In the day of prosperity be happy, but in the day of adversity consider—God has made the one as well as the other so that man will not discover anything that will be after him.
15 I have seen everything during my lifetime of futility; there is a righteous man who perishes in his righteousness and there is a wicked man who prolongs his life in his wickedness.
Ecclesiastes 8:14
14 There is futility which is done on the earth, that is, there are righteous men to whom it happens according to the deeds of the wicked. On the other hand, there are evil men to whom it happens according to the deeds of the righteous. I say that this too is futility.
We could say it in 20th century language, “The books are not balanced in this life.”
Pursuing Ladies
If one would flee to alcohol, then surely one may choose sexual pursuits to flee to. Solomon looks in this area too.
Ecclesiastes 7:25-28
25 I directed my mind to know, to investigate and to seek wisdom and an explanation, and to know the evil of folly and the foolishness of madness.26 And I discovered more bitter than death the woman whose heart is snares and nets, whose hands are chains. One who is pleasing to God will escape from her, but the sinner will be captured by her.
27 “Behold, I have discovered this,” says the Preacher, “adding one thing to another to find an explanation,28 I have looked for other answers but have found none. I found one man in a thousand that I could respect, but not one woman. (Good News Translation on verse 28)
One can understand both Solomon’s expertness in this field and his bitterness.
I Kings 11:1-3 (New American Standard Bible)
11 Now King Solomon loved many foreign women along with the daughter of Pharaoh: Moabite, Ammonite, Edomite, Sidonian, and Hittite women,2 from the nations concerning which the Lord had said to the sons of Israel, “You shall not associate with them, nor shall they associate with you, for they will surely turn your heart away after their gods.” Solomon held fast to these in love.3 He had seven hundred wives, princesses, and three hundred concubines, and his wives turned his heart away.
An expert but also the reason for his bitterness. Certainly there have been many men over the centuries who have daydreamed of Solomon’s wealth in this area [of women], but at the end it was sorry, not only sorry but nothing and less than nothing. The simple fact is that one can not know woman in the real sense by pursuing 1000 women. It is not possible. Woman is not found this way. All that is left in this setting if one were to pursue the meaning of life in this direction is this most bitter word found in Ecclesiastes 7:28, “I have looked for other answers but have found none. I found one man in a thousand that I could respect, but not one woman.” (Good News Translation on verse 28) He was searching in the wrong way. He was searching for the answer to life in the limited circle of that which is beautiful in itself but not an answer finally in sexual life. More than that he finally tried to find it in variety and he didn’t even touch one woman at the end.
Relative truth/ Chance and time/ death comes to fool and wiseman/ tried pagan religions
He plunged in such a scientific procedure finally into the thought of final relative truth.
Ecclesiastes 8:6-7
6 For there is a time and a way for everything, although man’s trouble lies heavy on him.7 For he does not know what is to be, for who can tell him how it will be?
In such a setting he is led into misery. Relative truth is also expressed in Ecclesiastes 3:1, “For everything there is a season, and a time for every matter under heaven…” He is not saying this in a positive sense, but it is in a negative sense here. Relative truth in light of Ecclesiastes 8:6-7. When you come to the concept of relative truth only one more step remains and that is that chance rules. Chance is king.
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Ecclesiastes 9:11
11 Again I saw that under the sun the race is not to the swift, nor the battle to the strong, nor bread to the wise, nor riches to the intelligent, nor favor to those with knowledge, but time and chance happen to them all.
Chance rules. If a man starts out only from himself and works outward it must eventually if he is consistent seem so that only chance rules and naturally in such a setting you can not expect him to have anything else but finally a hate of life.
Ecclesiastes 2:17-18a
17 So I hated life, because what is done under the sun was grievous to me, for all is vanity and a striving after wind. 18 I hated all my toil in which I toil under the sun…
That first great cry “So I hated life.” Naturally if you hate life you long for death and you find him saying this in Ecclesiastes 4:2-3:
2 And I thought the dead who are already dead more fortunate than the living who are still alive.3 But better than both is he who has not yet been and has not seen the evil deeds that are done under the sun.
He lays down an order. It is best never have to been. It is better to be dead, and worse to be alive. But like all men and one could think of the face of Vincent Van Gogh in his final paintings as he came to hate life and you watch something die in his self portraits, the dilemma is double because as one is consistent and one sees life as a game of chance, one must come in a way to hate life. Yet at the same time men never get beyond the fear to die. Solomon didn’t either. So you find him in saying this.
Ecclesiastes 2:14-15
14 The wise person has his eyes in his head, but the fool walks in darkness. And yet I perceived that the same event happens to all of them.15 Then I said in my heart, “What happens to the fool will happen to me also. Why then have I been so very wise?” And I said in my heart that this also is vanity.
The Hebrew is stronger than this and it says “it happens EVEN TO ME,” Solomon on the throne, Solomon the universal man. EVEN TO ME, even to Solomon.
Ecclesiastes 3:18-21
18 I said in my heart with regard to the children of man that God is testing them that they may see that they themselves are but beasts.19 For what happens to the children of man and what happens to the beasts is the same; as one dies, so dies the other. They all have the same breath, and man has no advantage over the beasts, for all is vanity.[n]20 All go to one place. All are from the dust, and to dust all return.21 Who knows whether the spirit of man goes upward and the spirit of the beast goes down into the earth?
What he is saying is as far as the eyes are concerned everything grinds to a stop at death.
Ecclesiastes 4:16
16 There was no end of all the people, all of whom he led. Yet those who come later will not rejoice in him. Surely this also is vanity and a striving after wind.
That is true. There is no place better to feel this than here in Switzerland. You can walk over these hills and men have walked over these hills for at least 4000 years and when do you know when you have passed their graves or who cares? It doesn’t have to be 4000 years ago. Visit a cemetery and look at the tombstones from 40 years ago. Just feel it. IS THIS ALL THERE IS? You can almost see Solomon shrugging his shoulders.
Ecclesiastes 8:8
8 There is no man that hath power over the spirit to retain the spirit; neither hath he power in the day of death: and there is no discharge in that war; neither shall wickedness deliver those that are given to it. (King James Version)
A remarkable two phrase. THERE IS NO DISCHARGE IN THAT WAR or you can translate it “no casting of weapons in that war.” Some wars they come to the end. Even the THIRTY YEARS WAR (1618-1648) finally finished, but this is a war where there is no casting of weapons and putting down the shield because all men fight this battle and one day lose. But more than this he adds, WICKEDNESS WON’T DELIVER YOU FROM THAT FIGHT. Wickedness delivers men from many things, from tedium in a strange city for example. But wickedness won’t deliver you from this war. It isn’t that kind of war. More than this he finally casts death in the world of chance.
Ecclesiastes 9:12
12 For man does not know his time. Like fish that are taken in an evil net, and like birds that are caught in a snare, so the children of man are snared at an evil time, when it suddenly falls upon them.
Death can come at anytime. Death seen merely by the eye of man between birth and death and UNDER THE SUN. Death too is a thing of chance. Albert Camus speeding in a car with a pretty girl at his side and then Camus dead. Lawrence of Arabia coming up over a crest of a hill 100 miles per hour on his motorcycle and some boys are standing in the road and Lawrence turns aside and dies..
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Woody Allen has embraced NIHILISM but he continues marching on.
In the movie MIDNIGHT IN PARIS the idea of nihilism is clearly taught.
(Disclaimer: I am friends with atheists who live very good lives and have embraced life. I am not accusing all atheists of embracing nihilism, but just that some like Woody Allen have nihilistic tendencies. However, a few have taken the logic of NIHILISM a step further and that could possibly lead to SUICIDE.)
Adriana and Gil Pender in MIDNIGHT IN PARIS
In the movie Gertrude Stein says to Gil, “Now, about your book,it’s very unusual, indeed.I mean, in a way, it’s almost like science fiction….The artist’s job is not to succumb to DESPAIR,but to find an antidote for the emptiness of existence.You have a clear and lively voice. Don’t be such a defeatist.”
Also in the film we find this exchange:
ADRIANA: I can never decide whether Paris is more beautiful by day or by night.
GIL PENDER: No, you can’t. You couldn’t pick one. I mean,I can give you a checkmate argument for each side.You know, I sometimes think,”How’s anyone gonna come up with a book, or a painting, or a symphony or a sculpture that can compete with a great city?”You can’t, ’cause, like,you look around, every…every street, every boulevard is its own special art form.And when you think that in the cold,violent, meaningless universe,that Paris exists, these lights…I mean, come on, there’s nothing happening on Jupiter or Neptune,but from way out in space you can see these lights, the cafe’s, people drinking, and singing…I mean, for all we know, Paris is the hottest spot in the universe.
Annie Hall – The Opening Scene [HD]
Manhattan
Francis Schaeffer two months before he died said if he was talking to a gentleman he was sitting next to on an airplane about Christ he wouldn’t start off quoting Bible verses. Schaeffer asserted:
I would go back rather to their dilemma if they hold the modern worldview of the final reality only being energy, etc., I would start with that. I would begin as I stress in the book THE GOD WHO IS THERE about their own [humanist] prophets who really show where their view goes. For instance, Jacques Monod, Nobel Prize winner from France, in his book NECESSITY AND CHANCE said there is no way to tell the OUGHT from the IS. In other words, you live in a totally silent universe.
The men like Monod and Sartre or whoever the man might know that is his [humanist] prophet and they point out quite properly and conclusively what life is like, not just that there is no meaningfulness in life but everyone according to modern man is just living out some kind of game plan. It may be knocking 1/10th of a second off a downhill ski run or making one more million dollars. But all you are doing is making a game plan within the mix of a meaningless situation. WOODY ALLEN exploits this very strongly in his films. He really lives it. I feel for that man, and he has expressed it so thoroughly in ANNIE HALL and MANHATTAN and so on.
Francis Schaeffer is correct about Woody Allen and that Allen has embraced nihilism. I hope that many will read below at the bottom of this post about the men Dave Hope and Kerry Livgren of the rock group KANSAS who also came to the end of themselves but they turned away from nihilism and found meaning to their lives.
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A suicide attempt appears in MIDNIGHT IN PARIS when Zelda Fitzgerald goes to the Seine River with the intention of jumping and Gil Pender stops her. It seems the nihilist worldview of Woody Allen keeps him putting suicides into his films.
Remember Professor Levy from the movie CRIMES AND MISDEMEANOR? After addressing the question IS IT POSSIBLE TO BE AN OPTIMISTIC SECULAR HUMANIST THAT DOES NOT BELIEVE IN GOD OR AN AFTERLIFE? Levy jumps out a window!!!
After Levy committed suicide, Cliff reviewed a clip from the documentary footage in which Levy states: “But we must always remember that when we are born we need a great deal of love to persuade us to stay in life. Once we get that love, it usually lasts us. But the universe is a pretty cold place. It’s we who invest it with our feelings. And under certain conditions, we feel that the thing isn’t worth it anymore.”
Hearing the news of Levy’s death, Halley says, “No matter how elaborate a philosophical system you work out, in the end it’s got to be incomplete.”
So some humanists act as if they have a great advantage over Christians. They act as if the advance of science and technology and a better understanding of history (through such concepts as the evolutionary theory) have all made the idea of God and Creation quite ridiculous.
This superior attitude, however, is strange because one of the most striking developments in the last half-century is the growth of a profound pessimism among both the well-educated and less-educated people. The thinkers in our society have been admitting for a long time that they have no final answers at all.
Take Woody Allen, for example. Most people know his as a comedian, but he has thought through where mankind stands after the “religious answers” have been abandoned. In an article in Esquire (May 1977), he says that man is left with:
… alienation, loneliness [and] emptiness verging on madness…. The fundamental thing behind all motivation and all activity is the constant struggle against annihilation and against death. It’s absolutely stupefying in its terror, and it renders anyone’s accomplishments meaningless. As Camus wrote, it’s not only that he (the individual) dies, or that man (as a whole) dies, but that you struggle to do a work of art that will last and then you realize that the universe itself is not going to exist after a period of time. Until those issues are resolved within each person – religiously or psychologically or existentially – the social and political issues will never be resolved, except in a slapdash way.
Allen sums up his view in his film Annie Hall with these words: “Life is divided into the horrible and the miserable.”
However, our intention here is neither to go into the history of irrationalism, nor to examine the proponents of existentialism in our own century, but rather to concentrate on its main thesis. It is this that confronts us on all sides today, and it is impossible to understand modern man without understanding this concept.
Because we shall be using several terms a great deal now, we would ask the reader to attend carefully. When we speak of irrationalism or existentialism or the existential methodology, we are pointing to a quite simple idea. It may have been expressed in a variety of complicated ways by philosophers, but it is not a difficult concept.
Imagine that you are at the movies watching a suspense film. As the story unfolds, the tension increases until finally the hero is trapped in some impossible situation and everyone is groaning inwardly, wondering how he is going to get out of the mess. The suspense is heightened by the knowledge (of the audience, not the hero) that help is on the way in the form of the good guys. The only question is: will the good guys arrive in time?
Now imagine for a moment that the audience is slipped the information that there are no good guys, that the situation of the hero is not just desperate, but completely hopeless. Obviously, the first thing that would happen is that the suspense would be gone. You and the entire audience would simply be waiting for the axe to fall.
If the hero faced the end with courage, this would be morally edifying, but the situation itself would be tragic. If, however, the hero acted as if help were around the corner and kept buoying himself up with this thought (“Someone is on the way!” – “Help is at hand!”), all you could feel for him would be pity. It would be a means to keep hope alive within a hopeless situation. The hero’s hope would change nothing on the outside; it would be unable to manufacture, out of nothing, good guys coming to the rescue. All it would achieve would the hero’s own mental state of hopefulness rather than hopelessness.
The hopefulness itself would rest on a lie or an illusion and thus, viewed objectively, would be finally absurd. And if the hero really knew what the situation was, but consciously used the falsehood to buoy up his feelings and go whistling along, we would either say, “Poor guy!” or “He’s a fool.” It is this kind of conscious deceit that someone like Woody Allen has looked full in the face and will have none of.
Now this is what the existential methodology is about. If the universe we are living in is what the materialistic humanists say it is, then with our reason (when we stop to think about it) we could find absolutely no way to have meaning or morality or hope or beauty. This would plunge us into despair. We would have to take seriously the challenge of Albert Camus (1913-1960) in the first sentence of The Myth of Sisyphus: “There is but one truly serious philosophical problem, and that is suicide.”92 Why stay alive in an absurd universe? Ah! But that is not where we stop. We say to ourselves – “There is hope!” (even though there is no help). “We shall overcome!” (even though nothing is more certain than that we shall be destroyed, both individually at death and cosmically with the end of all conscious life). This is what confronts us on all sides today: the modern irrational-ism.
(Scott and Zelda pictured below)
Dr. Francis Schaeffer – The Biblical flow of Truth & History (intro)
Francis Schaeffer – The Biblical Flow of History & Truth (1)
Dr. Francis Schaeffer – The Biblical Flow of Truth & History (part 2)
Ernest Hemingway and both his good friend Scott Fitzgerald and Scott’s wife Zelda tried to blot it all out with alcohol and later in the film MIDNIGHT IN PARIS we see Zelda trying to commit suicide. She actually was in different stages of mental distress the last 15 years of her life which ended at age 48 when a fire killed 9 people at Highland Hospital in Asheville, North Carolina (according to Wikipedia). Unfortunately her husband F. Scott Fitzgerald died 8 years earlier in 1940 from alcoholism. Ernest Hemingway ended his life on July 2, 1961 by shooting himself with his favorite shotgun.
(An older Zelda in 1942 seen below)
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(Francis Scott Key Fitzgerald with friend Ernest Hemingway, left)
midnight in paris – Fitzgeralds and Hemingway
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ZELDA FITZGERALD: You look lost!-
GIL PENDER: Oh, yeah!- You’re an American?-
ZELDA FITZGERALD: If you count Alabama as America, which I do.I miss the bathtub gin. What do you do?-
GIL PENDER: Me? I’m a writer.-
ZELDA FITZGERALD: Who do you write?-
GIL PENDER: Oh, right now I’m working on a novel.- Oh, yes?
ZELDA FITZGERALD: I’m Zelda, by the way. Oh, Scott! Scott!- Yes, what it is, sweetheart?- Here’s a writer, from, um… where?-
GIL PENDER: California.–
SCOTT FITZGERALD: Scott Fitzgerald, and who are you, old sport?
GIL PENDER: Gil…the… You havethe same names as…As what? Scott Fitzgerald and…Scott and Zelda Fitzgerald.
SCOTT FITZGERALD:The Fitzgeralds. Isn’t she beautiful?
GIL PENDER: Yes. Yes! Yeah, that’s… that’sa coincidence…like….uh…
ZELDA FITZGERALD: You have a glazed look in your eye. Stunned.Stupefied. Anesthetized. Lobotomized
GIL PENDER: I…I…keep looking at the man playing piano, and I believe it or not, recognize hisface from some old sheet music.
ZELDA FITZGERALD: I know I can be one of the great writers of musical lyrics- not that I can write melodies, and I try,and then I hear the songs he writes, and then I realize: I’ll never write a great lyric,- and MY TALENT REALLY LIES IN DRINKING.-
SCOTT FITZGERALD: Sure does.
Later in MIDNIGHT IN PARIS we find Zelda attempting to jump in the Seine river and end her life.
GIL PENDER:God, is that who I think it is?
ADRIANA: What is she doing here,staring into the water?Oh my God! Zelda, what are you doing?!- Please?
ZELDA: I don’t want to live!-
ADRIANA: Stop!- What is it?-
ZELDA: Scott and that beautiful countess.They were– It was so obvious they were whispering about me,and the more they drank, the more he fell in love with her!
GIL PENDER: He…Scott loves only you.- I can tell you that with absolute certainty.-
ZELDA: No.- He’s tired of me!-
GIL PENDER: You’re wrong. You’re wrong. I know.-
ZELDA: How?-
GIL PENDER: Trust me. I know.- Sometimes you get a feel for people, and I get…-
ZELDA: My skin hurts!-
ADRIANA: What do you mean?-
ZELDA: I don’t wanna…I hate the way I look!
ADRIANA:Don’t do that!-
GIL PENDER: Here. Take this.-
ZELDA:What is this?
GIL PENDER: It’s a Valium. It’llmake you feel better.-
ADRIANA:You carry medicine?-
GIL PENDER: No, not normally.It’s just since I’vebeen engaged to Inez,I’ve been having panic attacks, but I’msure they’ll subside after the wedding.
ADRIANA: I’ve never heard of Valium. What is this?
GIL PENDER:It’s the…pill of the future.
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I have posted this article below earlier but I wanted to include a portion of it today.
People interested in truth often look to philosophy for answers. However, atheist philosophies offer more questions than answers, and this has serious consequences. Statistics show that atheists end up more prone to suicide than people who have a spiritual foundation.[1] One woman, Sharon Rocha, ended up committing suicide after reading an article at the Raving Atheists blog. In her suicide note, Rocha stated “I have been stripped of my delusions… The universe is a cold, uncaring place in which life is short, meaningless and full of suffering.”[2] If you are an atheist thinking of suicide or just seriously interested in the meaning of life, I recommend reading Solomon’s book Ecclesiastes. The book outlines the deceptions of a false perception of reality and the delight of knowing the God who created the universe for a good purpose.
The name Ecclesiastes is translated from Latin into The Preacher. So what exactly is the connection between philosophy and a preacher preaching the gospel? Well, as I’ve written various articles on Christianity, I’ve found that few atheists are interested in reading them. However, when I’ve pointedly challenged the philosophical roots of atheism, I’ve found some atheists eager to step up and defend their beliefs through dialogue and debate. Philosophical questions and challenges are at the core of the book of Ecclesiastes and there is an undertone of evangelism. There’s a saying “You can attract more bees with honey than with vinegar.” But, as we’ll see in Ecclesiastes, you can attract even more bees by prodding the beehive. But you’d better be prepared for what you’re getting into.
Ecclesiastes 12.11 states: “The words of the wise are like goads, their collected sayings like firmly embedded nails–given by one Shepherd.” (NIV)
Goads are pointed prods that are used to help direct cattle and sheep. Words of truth prick the conscience and help to guide people towards moral and ethical reason. The firmly embedded nails signify the fixed principles of logic and the reality of absolute truth. Words of logic help to pin down people who have developed a false paradigm and a false view of reality. Logic helps people to see that their beliefs are not in harmony with reality.
Dr. Francis schaeffer – The flow of Materialism(from Part 4 of Whatever happened to human race?)
Meaninglessness and Materialism
There is a wealth of insight in the book of Ecclesiastes, but you can break down the main philosophical aspects into three main points:
1. The Emptiness of Worldly Pre-occupations – Eccl. 2:1-11
2. The Brevity of Life – Eccl. 12:1-8
3. The Only Logical Purpose in Life – Eccl. 12:13-14[9]
Solomon begins Ecclesiastes 1.2-3 announcing “‘Meaningless! Meaningless!’ says the Teacher. ‘Utterly meaningless! Everything is meaningless.’ What do people gain from all their labors at which they toil under the sun?” How discouraging can you get? The key to understanding the book of Ecclesiastes is to understand that he makes many false statements based upon a materialist perspective, in viewing everything “under the sun” as meaningless. Solomon addresses common materialist idols in society and shows why these are meaningless and empty pursuits. Solomon tries learning, laughter an liquor in an attempt to find satisfaction, but he’s left empty.
Solomon was the perfect candidate to dispel the illusion that wealth and physical pleasure can bring the kind of deep fulfillment we’re searching for in life. As the wealthiest man in history he had everything available at his fingertips. Whatever he desired, he could have. But time after time he was struck by the emptiness of all these material allurements.
Common folks don’t have the money to be able to fulfill whatever whim we may have. In society we are led to believe that if we just had a bigger house, a better job, a more pleasant husband or wife, or whatever it may be, then we would be happy. For us common folks, happiness may seem as though it’s always just around the corner. If only… then I’d be happy. But Solomon became the ultimate object lesson in this regard because he was able to try anything and everything he wanted and he finding out first-hand that materialism represents a sad and vacuous existence compared to theism.
King Solomon of Israel wrote the book of Ecclesiastes after he had backslidden to a certain degree. He had known what was right, but disobeyed God in his life and took on many wives, horse stables and wealth, though these things were forbidden for a king of Israel. Deuteronomy 17:16-17 outlines:
“Only he shall not multiply horses to himself, nor cause the people to return to Egypt, to the end that he may multiply horses; because Yahweh has said to you, You shall henceforth return no more that way. Neither shall he multiply wives to himself, that his heart not turn away: neither shall he greatly multiply to himself silver and gold.”
It seems Solomon allowed his great wisdom get to his head, so to speak, and to fill him with pride. His heart gradually became dulled to God’s presence and purpose. But, nevertheless, God disciplined him and allowed him to see his folly. Though he had made mistakes, Solomon offers that truth is still truth and a person should continue to teach the truth as God guides:
“And moreover, because the preacher was wise, he still taught the people knowledge; yea, he gave good heed, and sought out, and set in order many proverbs.”[10]
Though he learned lessons the hard way, Solomon gave “good heed” to present the truths that he learned and to help teach people his wisdom. It seems he may have been the first “life coach.” In the United States the “pursuit of happiness” is considered a fundamental right from the Declaration of Independence. But this pursuit, in and of itself, can become destructive when relativism rules. A 2011 study shows the 10 countries with the highest suicide rates tend to be countries where atheism has predominated. Most on the list are countries of the former Soviet Union where atheism was enforced by the state for over 70 years.[11] Other statistics bear out the fact that atheists are more prone to suicide than theists. The American Journal of Psychiatry published an article December 2004, Religious Affiliation and Suicide Attempt, with some basic conclusions:
“CONCLUSIONS: Religious affiliation is associated with less suicidal behavior in depressed inpatients. After other factors were controlled, it was found that greater moral objections to suicide and lower aggression level in religiously affiliated subjects may function as protective factors against suicide attempts. Further study about the influence of religious affiliation on aggressive behavior and how moral objections can reduce the probability of acting on suicidal thoughts may offer new therapeutic strategies in suicide prevention.”[12]
Two key aspects were cited in the AJP article: less aggressive behavior and a moral objection to suicide. The decrease of aggression in spiritual people may have to do with the knowledge that there is in-fact deep meaning in life. Sometimes intellectuals are prone to suicide. Solomon confirmed that materialist knowledge without spiritual truth brings grief: “For with much wisdom comes much sorrow; the more knowledge, the more grief.”[13]
(Alan Sandage below)
Like Solomon, people who have large IQs can tend to have inflated egos. In 2010, in an exclusive interview with the Guardian, Stephen Hawking declared that heaven is a “fairy tale” for fearful people.[14] He is correct in one sense that Christians are fearful in that we fear God with a sense of awe and wonder at his majestic wisdom and power. In contrast to Hawking, the Jewish physicist Alan Sandage was an atheist most of his life but simply could not dispel all the evidence he had seen in the cosmos pointing to God’s necessary existence. He became a Christian at age 60, explaining, “I could not live a life full of cynicism. I chose to believe, and a peace of mind came over me.”[15] One of the reasons Sandage believed was the complexity of the universe: “The world is too complicated in all its parts and interconnections to be due to chance alone.”[16]
(Stephen Hawking below in black and white and then a picture from recent movie about Hawking)
It doesn’t take a great mind to understand what Solomon and Sandage knew, it only takes an open mind. Three decades ago, Stephen Hawking declared humanity was on the verge of discovering the “theory of everything”with a 50 per cent chance of knowing it by 2000. But by 2010 Hawking had given up hope.[17] If only Hawking had read the book of Ecclesiastes, he could have saved a lot of wasted time: “He has also set eternity in the hearts of men; yet they cannot fathom what God has done from beginning to end.”[18] Hawking is a good example showing that intelligence and wisdom are two very distinct things.
(King Solomon author of Ecclesiastes below
The “one shepherd” mentioned in Ecclesiastes 12.9 seems to portray Jesus. In John 10.11, Jesus is quoted as saying “I am the good shepherd. The good shepherd lays down his life for the sheep.” NIV Jesus is also referred to as the “word made flesh.” In this sense Jesus is the source of all truth and spiritual satisfaction, as implied by Psalm 81:16. “I would satisfy you with wild honey from the rock”, Jesus being the rock of our salvation.The Logical Conclusions One of the conclusions of Ecclesiastes is that we can live a live of true joy when God is the foundation of our lives:“It is good and fitting for one to eat and drink, and to enjoy the good of all his labor in which he toils under the sun all the days of his life which God gives him; for it is his heritage. As for every man to whom God has given riches and wealth, and given him power to eat of it, to receive his heritage and rejoice in his labor—this is the gift of God. For he will not dwell unduly on the days of his life, because God keeps him busy with the joy of his heart.”[19]Another conclusion is that there is ultimate justice in the world and this knowledge has ramifications for a healthy personal life and for a healthy society:
“Now all has been heard; here is the conclusion of the matter: Fear God and keep his commandments, for this is the duty of all mankind. For God will bring every deed into judgment, including every hidden thing, whether it is good or evil.”[20]
We will be less prone to bitterness when we realize God will address all injustice in the future. And we understand why corruption is rampant today in society because many people do not believe there is any kind of accountability to our Creator. People assume that they can do anything they can get away with. Hopefully more people will recognize that atheism neither works as a personal philosophy nor as a good basis for society.
Even Communist China sees that theism is pragmatically more effective and beneficial than an atheistic model of society: “The officially atheist Chinese government is surprisingly open to Christianity, at least partially, because it sees a link between the faith and economic success, said a sought after scholar who has relations with governments in Asia.”[21] Dr. William Jeynes, senior fellow of The Witherspoon Institute in Princeton, N.J., outlined this fact. But the truth is a dangerous thing and has a way of shaking up deceptive paradigms: “Jeynes concluded by saying that the key message he wants to convey is that China is both open to Christianity and nervous about the religion because of the potential problems it could bring to the communist government.”[22]
If we are left with only time and chance and the view of the UNIFORMITY OF NATURAL CAUSES in a closed system then our only choice is NIHILISM. TWO OTHER ALSO HELD THIS SAME view of uniformity of natural causes in a closed system in 1978 when their hit song DUST IN THE WIND rose to the top 10 in the music charts.
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IF WE ARE LEFT WITH JUST THE MACHINE THEN WHAT IS THE FINAL CONCLUSION IF THERE WAS NO PERSONAL GOD THAT CREATED US? Examine the song DUST IN THE WIND by Kerry Livgren of the group KANSAS which was a hit song in 1978 when it rose to #6 on the charts because so many people connected with the message of the song. It included these words, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”
Kerry Livgren himself said that he wrote the song because he saw where man was without a personal God in the picture. Solomon pointed out in the Book of Ecclesiastes that those who believe that God doesn’t exist must accept three things. FIRST, death is the end and SECOND, chance and time are the only guiding forces in this life. FINALLY, power reigns in this life and the scales are never balanced. The Christian can face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.
Both Kerry Livgren and the bass player Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same interview can be seen on You Tube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible Church. DAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.
(Kerry Livgren in front and Dave Hope in background)
About the film:
In 1973, six guys in a local band from America’s heartland began a journey that surpassed even their own wildest expectations, by achieving worldwide superstardom… watch the story unfold as the incredible story of the band KANSAS is told for the first time in the DVD Miracles Out of Nowhere.
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Let me close by talking to you about the ROMAN ROAD TO CHRIST.
Rom. 3:10, “As it is written, ‘There is none righteous, not even one . . . “
Rom. 3:23, “For all have sinned and fall short of the glory of God.”
Rom. 5:12, “Therefore, just as through one man sin entered into the world, and death through sin, and so death spread to all men, because all sinned.”
Rom. 6:23, “For the wages of sin is death, but the free gift of God is eternal life in Christ Jesus our Lord.”
Rom. 5:8, “But God demonstrates His own love toward us, in that while we were yet sinners, Christ died for us.”
Rom. 10:9-10, “if you confess with your mouth Jesus as Lord, and believe in your heart that God raised Him from the dead, you shall be saved; for with the heart man believes, resulting in righteousness, and with the mouth he confesses, resulting in salvation.”
Rom. 10:13, “For whoever will call upon the name of the Lord will be saved.”
Woody Allen believes that we live in a cold, violent and meaningless universe and it seems that his main character (Gil Pender, played by Owen Wilson) in the movie MIDNIGHT IN PARIS shares that view. Pender’s meeting with the Surrealists is by far the best scene in the movie because they are ones who can […]
In the last post I pointed out how King Solomon in Ecclesiastes painted a dismal situation for modern man in life UNDER THE SUN and that Bertrand Russell, and T.S. Eliot and other modern writers had agreed with Solomon’s view. However, T.S. Eliot had found a solution to this problem and put his faith in […]
In MIDNIGHT IN PARIS Gil Pender ponders the advice he gets from his literary heroes from the 1920’s. King Solomon in Ecclesiastes painted a dismal situation for modern man in life UNDER THE SUN and many modern artists, poets, and philosophers have agreed. In the 1920’s T.S.Eliot and his house guest Bertrand Russell were two of […]
Ernest Hemingway and Scott Fitzgerald left the prohibitionist America for wet Paris in the 1920’s and they both drank a lot. WINE, WOMEN AND SONG was their motto and I am afraid ultimately wine got the best of Fitzgerald and shortened his career. Woody Allen pictures this culture in the first few clips in the […]
In the film MIDNIGHT IN PARIS Woody Allen the best scene of the movie is when Gil Pender encounters the SURREALISTS!!! This series deals with the Book of Ecclesiastes and Woody Allen films. The first post dealt with MAGIC IN THE MOONLIGHT and it dealt with the fact that in the Book of Ecclesiastes Solomon does contend […]
In the film MIDNIGHT IN PARIS Woody Allen is really looking at one main question through the pursuits of his main character GIL PENDER. That question is WAS THERE EVER A GOLDEN AGE AND DID THE MOST TALENTED UNIVERSAL MEN OF THAT TIME FIND TRUE SATISFACTION DURING IT? This is the second post I have […]
I am starting a series of posts called ECCLESIASTES AND WOODY ALLEN’S FILMS: SOLOMON “WOULD GOT ALONG WELL WITH WOODY!” The quote from the title is actually taken from the film MAGIC IN THE MOONLIGHT where Stanley derides the belief that life has meaning, saying it’s instead “nasty, brutish, and short. Is that Hobbes? I would have […]
Bright Lights, Brilliant Minds A Tale of Three Cities Episode:2 Paris 1928 BBC Documentary 2014
Published on Aug 28, 2014
Bright Lights, Brilliant Minds A Tale of Three Cities Episode:2 Paris 1928 BBC Documentary 2014
Dr James Fox tells the story of Paris in 1928. It was a city that attracted people dreaming of a better world after World War I. This was the year when the surrealists Magritte, Dali and Bunuel brought their bizarre new vision to the people, and when emigre writers and musicians such as Ernest Hemingway and George Gershwin came looking for inspiration.
Paris in 1928 was where black musicians and dancers like Josephine Baker found adulation, where Cole Porter took time off from partying to write Let’s Do it, and where radical architect Le Corbusier planned a modernist utopia that involved pulling down much of Paris itself.
Gil, who once lived in Paris briefly, longs for the era of great writing that was the 1920s, when the city was populated by great artists intermingling and collaborating and drinking, like Hemingway, Picasso, Fitzgerald, Dali, and so on. One night after having suffered through another one of Inez’s pseudo-intellectual friend Paul’s (a squirmingly awkward and hilarious turn by Michael Sheen) speeches about art, instead of going dancing with the group, Gil decides to walk back to the hotel and wander the streets at night, gathering some fresh and air and inspiration. He gets lost during this sojourn, and picked up, half drunk, by a couple in an old Peugeot. The people are Zelda and F. Scott Fitzgerald, and soon Gil is hobnobbing with everyone from Ernest Hemingway and Pablo Picasso to Salvador Dali and Luis Bunuel, and having his novel read and critiqued by Gertrude Stein.
Gil Pender (Owen Wilson) is a successful screenwriter who wants more from life. While on holiday in Paris with his fiancée Inez (Rachel McAdams) and her stuffy, conservative parents, Gil’s finds himself at a creative impasse, working on his novel about nostalgia. Goaded by Inez to stick to money-making movies, Gil separates himself from the group one night – lost and drunk – and at the stroke of twelve, finds himself back in 1920′s Paris. There, he runs into all the greats including Cole Porter, F. Scott Fitzgerald, Ernest Hemingway, Gertrude Stein and Alice B. Toklas. When he meets Picasso’s girlfriend Adriana (Marion Cotillard), Gil’s got to choose between the past and present.
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Kansas – Dust In The Wind
Ecclesiastes 1
Published on Sep 4, 2012
Calvary Chapel Spring Valley | Sunday Evening | September 2, 2012 | Pastor Derek Neider
I enjoyed your latest book Outgrowing God which is one of my favorite books that you have written. However, there are some some weak parts of the book. For instance, on page 49:
There’s some beautiful English writing in the King James Bible. Ecclesiastes is at least as good as the Song of Songs, although it’s poetry is bleak and world-weary. If you read nothing else in the Bible, I recommend those two books, Ecclesiastes and the Song of Songs.
Have you taken the time to really dig into Ecclesiastes? It is really an attack on the humanism that you hold so dear.
Francis Schaeffer on Ecclesiastes below:
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OUTLINE OF ECCLESIATES BY SCHAEFFER
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William Lane Craig on Man’s predicament if God doesn’t exist
Read Waiting for Godot by Samuel Beckett. During this entire play two men carry on trivial conversation while waiting for a third man to arrive, who never does. Our lives are like that, Beckett is saying; we just kill time waiting—for what, we don’t know.
Thus, if there is no God, then life itself becomes meaningless. Man and the universe are without ultimate significance.
Francis Schaeffer looks at Nihilism of Solomon and the causes of it!!!
Notes on Ecclesiastes by Francis Schaeffer
Solomon is the author of Ecclesiastes and he is truly an universal man like Leonardo da Vinci.
Two men of the Renaissance stand above all others –Michelangelo and Leonardo da Vinci and it is in them that one can perhaps grasp a view of the ultimate conclusion of humanism for man. Michelangelo was unequaled as a sculptor in the Renaissance and arguably no one has ever matched his talents.
The other giant of the Renaissance period was Leonardo da Vinci – the perfect Renaissance Man, the man who could do almost anything and does it better than most anyone else. As an inventor, an engineer, an anatomist, an architect, an artist, a chemist, a mathematician, he was almost without equal. It was perhaps his mathematics that lead da Vinci to come to his understanding of the ultimate meaning of Humanism. Leonardo is generally accepted as the first modern mathematician. He not only knew mathematics abstractly but applied it in his Notebooks to all manner of engineering problems. He was one of the unique geniuses of history, and in his brilliance he perceived that beginning humanistically with mathematics one only had particulars. He understood that man beginning from himself would never be able to come to meaning on the basis of mathematics. And he knew that having only individual things, particulars, one never could come to universals or meaning and thus one only ends with mechanics. In this he saw ahead to where our generation has come: everything, including man, is the machine.
Leonardo da Vinci compares well to Solomon and they both were universal men searching for the meaning in life. Solomon was searching for a meaning in the midst of the details of life.His struggle was to find the meaning of life. Not just plans in life.Anybody can find plans in life. A child can fill up his time with plans of building tomorrow’s sand castle when today’s has been washed away. There is a difference between finding plans in life and purpose in life. Humanism since the Renaissance and onward has never found it and it has never found it since. Modern man has not found it and it has always got worse and darker in a very real way.
We have here the declaration of Solomon’s universality:
1 Kings 4:30-34
English Standard Version (ESV)
30 so that Solomon’s wisdom surpassed the wisdom of all the people of the east and all the wisdom of Egypt. 31 For he was wiser than all other men, wiser than Ethan the Ezrahite, and Heman, Calcol, and Darda, the sons of Mahol, and his fame was in all the surrounding nations. 32 He also spoke 3,000 proverbs, and his songs were 1,005. 33 He spoke of trees, from the cedar that is in Lebanon to the hyssop that grows out of the wall. He spoke also of beasts, and of birds, and of reptiles, and of fish.34 And people of all nations came to hear the wisdom of Solomon, and from all the kings of the earth, who had heard of his wisdom.
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Here is the universal man and his genius. Solomon is the universal man with a empire at his disposal. Solomon had it all.
Ecclesiastes 1:3
English Standard Version (ESV)
3 What does man gain by all the toil at which he toils under the sun?
Schaeffer noted that Solomon took a look at the meaning of life on the basis of human life standing alone between birth and death “under the sun.” This phrase UNDER THE SUN appears over and over in Ecclesiastes.
(Added by me:The Christian Scholar Ravi Zacharias noted, “The key to understanding the Book of Ecclesiastes is the term UNDER THE SUN — What that literally means is you lock God out of a closed system and you are left with only this world of Time plus Chance plus matter.” )
Man is caught in the cycle
Ecclesiastes 1:1-7
English Standard Version (ESV)
All Is Vanity
1 The words of the Preacher, the son of David, king in Jerusalem.
2 Vanity of vanities, says the Preacher, vanity of vanities! All is vanity. 3 What does man gain by all the toil at which he toils under the sun? 4 A generation goes, and a generation comes, but the earth remains forever. 5 The sun rises, and the sun goes down, and hastens to the place where it rises. 6 The wind blows to the south and goes around to the north; around and around goes the wind, and on its circuits the wind returns. 7 All streams run to the sea, but the sea is not full; to the place where the streams flow, there they flow again.
8 All things are full of weariness; a man cannot utter it; the eye is not satisfied with seeing, nor the ear filled with hearing. 9 What has been is what will be, and what has been done is what will be done, and there is nothing new under the sun. 10 Is there a thing of which it is said, “See, this is new”? It has been already in the ages before us.
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Solomon is showing a high degree of comprehension of evaporation and the results of it. Seeing also in reality nothing changes. There is change but always in a set framework and that is cycle. You can relate this to the concepts of modern man. Ecclesiastes is the only pessimistic book in the Bible and that is because of the place where Solomon limits himself.He limits himself to the question of human life, life under the sunbetween birth and death and the answers this would give.
Ecclesiastes 1:4
English Standard Version (ESV)
4 A generation goes, and a generation comes, but the earth remains forever.
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Ecclesiastes 4:16
English Standard Version (ESV)
16 There was no end of all the people, all of whom he led. Yet those who come later will not rejoice in him. Surely this also is vanity and a striving after wind.
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In verses 1:4 and 4:16 Solomon places man in the cycle. He doesn’t place man outside of the cycle. Man doesn’t escape the cycle. Man is only cycle. Birth and death and youth and old age. With this in mind Solomon makes this statement.
Ecclesiastes 6:12
12 For who knows what is good for a man during his lifetime, during the few years of his futile life? He will spend them like a shadow. For who can tell a man what will be after him under the sun?
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There is no doubt in my mind that Solomon had the same experience in his life that I had as a younger man. I remember standing by the sea and the moon arose and it was copper and beauty. Then the moon did not look like a flat dish but a globe or a sphere since it was close to the horizon. One could feel the global shape of the earth too. Then it occurred to me that I could contemplate the interplay of the spheres and I was exalted because I thought I can look upon them with all their power, might, and size, but they could contempt nothing and I felt as man as God. Then came upon me a horror of great darkness because it suddenly occurred to me that although I could contemplate them and they could contemplate nothing yet they would continue to turn in ongoing cycles when I saw no more forever and I was crushed.
THIS IS SOLOMON’S FEELING TOO. The universal man, Solomon, beyond our intelligence with an empire at his disposal with the opportunity of observation so he could recite these words here in Ecclesiastes 6:12, “For who knows what is good for a man during his lifetime, during the few years of his futile life? He will spend them like a shadow. For who can tell a man what will be after him under the sun?”
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Why not take a few minutes and just read the short chapter of Psalms 22 that was written hundreds of years before the Romans even invented the practice of Crucifixion. 1000 years BC the Jews had the practice of stoning people but we read in this chapter a graphic description of Christ dying on the cross. How do you explain that without looking ABOVE THE SUN to God. Ecclesiastes was written to those who wanted to examine life UNDER THE SUN without God in the picture and Solomon’s conclusion in the final chapter was found in Ecclesiastes 12 when he looked at life ABOVE THE SUN:
13 The end of the matter; all has been heard. Fear God and keep his commandments, for this is the whole duty of man. 14 For God will bring every deed into judgment, with every secret thing, whether good or evil.
Richard Dawkins vs John Lennox | The God Delusion Debate
Ben Stein vs. Richard Dawkins Interview
XXXX Peter Singer – The Genius of Darwin: The Uncut Interviews – Richard Dawkins
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Science Confirms the Bible with Ken Ham
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Schaeffer with his wife Edith in Switzerland.
Richard Dawkins and John Lennox
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Francis and Edith Schaeffer seen below:
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Dawkins, Hitchens, Dennett, Harris
Canary Islands 2014: Harold Kroto and Richard Dawkins
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Francis Schaeffer pictured below:
The Basis of Human Dignity by Francis Schaeffer
Richard Dawkins, founder of the Richard Dawkins Foundation for Reason and Science. Credit: Don Arnold Getty Images
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Francis Schaeffer in 1984
Christian Manifesto by Francis Schaeffer
Francis Schaeffer in 1982
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Whatever Happened to the Human Race? Episode 1
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Garik Israelian, Stephen Hawking, Alexey Leonov, Brian May, Richard Dawkins and Harry Kroto
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Dark History of Evolution-Henry Morris, Ph.D.
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Featured artist is William Kentridge
William Kentridge was born in Johannesburg, South Africa, in 1955. He attended the University of the Witwatersrand, Johannesburg (1973–76), Johannesburg Art Foundation (1976–78), and studied mime and theater at L’École Internationale de Théâtre Jacques Lecoq, Paris (1981–82). Having witnessed first-hand one of the twentieth century’s most contentious struggles—the dissolution of apartheid—Kentridge brings the ambiguity and subtlety of personal experience to public subjects that are most often framed in narrowly defined terms.
Using film, drawing, sculpture, animation, and performance, he transmutes sobering political events into powerful poetic allegories. In a now-signature technique, Kentridge photographs his charcoal drawings and paper collages over time, recording scenes as they evolve. Working without a script or storyboard, he plots out each animated film, preserving every addition and erasure. Aware of myriad ways in which we construct the world by looking, Kentridge uses stereoscopic viewers and creates optical illusions with anamorphic projection, to extend his drawings-in-time into three dimensions.
Kentridge has had major exhibitions at San Francisco Museum of Modern Art (2009); Philadelphia Museum of Art (2008); Moderna Museet, Stockholm, (2007); and the Metropolitan Museum of Art, New York (2004); among others. He has also participated in Prospect.1 New Orleans (2008); the Sydney Biennale (1996, 2008); and Documenta (1997, 2002). His opera and theater works, often produced in collaboration with Handspring Puppet Company, have appeared at Brooklyn Academy of Music (2007); Standard Bank National Arts Festival, Grahamstown, South Africa (1992, 1996, 1998); and Festival d’Avignon, France (1995, 1996).
His production of Dmitri Shostakovich’s opera, The Nose, premiered in 2010 at the Metropolitan Opera, New York, in conjunction with a retrospective organized by San Francisco Museum of Modern Art and the Museum of Modern Art, New York. William Kentridge lives and works in Johannesburg, South Africa.
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize Winner […]
The Beatles were “inspired by the musique concrète of German composer and early electronic music pioneer Karlheinz Stockhausen…” as SCOTT THILL has asserted. Francis Schaeffer noted that ideas of “Non-resolution” and “Fragmentation” came down German and French streams with the influence of Beethoven’s last Quartets and then the influence of Debussy and later Schoenberg’s non-resolution which is in total contrast […]
_______ On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize […]
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto ____________________ Below you have picture of 1996 Chemistry Nobel Prize Winner Dr. […]
Canary Islands 2014: Harold Kroto and Richard Dawkins
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May 8, 2016
Richard Dawkins Washington, DC
Dear Mr. Dawkins,
In the You Tube video SOMETHING FROM NOTHING ? [OFFICIAL] Richard Dawkins & Lawrence Krauss [HD] 02-04-12 I noticed at the 3 minute mark that Lawrence Krauss said walking around campus with you generated interesting responses:
I saw people fainting. People came up and shook our hands and were nervous and Richard produces that. I was going to say it was like walking around campus with Moses, but the difference is that I am absolutely certain that Richard Dawkins exists. (loud applause from audience).
Below is a piece of that evidence given by Francis Schaeffer concerning the accuracy of the Bible and believe it or not it deals with the time of Moses.
TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?, under footnote #96)
We should take one last step back into the history of the Old Testament. In the previous note we looked first at the Dead Sea Scrolls, dating to around 100 B.C. Then we went back to the period of the Late Monarchy and looked first at the siege of Hezekiah in Jerusalem by Sennacherib in 701 B.C. and also at the last years of Judah down to about 600 B.C. Then we went further back to about 850 B.C., to Ahab and Jezebel, the ivory house, the Black Obelisk, the Moabite Stone and so on–then back again to about 950 B.C., to the time of Solomon and his son Rehoboam and the campaign by Shishak, the Egyptian pharaoh.
This should have built up in our minds a vivid impression of the historic reliability of the biblical text, including even the seemingly obscure details such as the ration tablets in Babylon. We saw, in other words, not only that the Bible gives us a marvelous world view that ties in with the nature of reality and answers the basic problems which philosophers have asked down through the centuries, but also that the Bible is completely reliable, EVEN ON THE HISTORICAL LEVEL.
The previous notes looked back to the time of Moses and Joshua, the escape from Egypt, and the settlement in Canaan. Now we will go back further–back as far as Genesis 12, near the beginning of the Bible.
Do we find that the narrative fades away to a never-never land of myths and legends? By no means. For we have to remind ourselves that although Genesis 12 deals with events a long time ago from our moment of history (about 2000 B.C. or a bit later), the civilized world was already not just old but ancient when Abram/Abraham left “Ur of the Chaldeans” (see Genesis 11:31).
Ur itself was excavated some fifty years ago. In the British Museum, for example, one can see the magnificent contents of a royal burial chamber from Ur. This includes a gold headdress still in position about the head of a queen who died in Ur about 2500 B.C. It has also been possible to reconstruct from archaeological remains what the streets and buildings must have been like at the time.
Like Ur, the rest of the world of the patriarchs (that is, of Abraham, Isaac, and Jacob) was firm reality. Such places as Haran, where Abraham went first, have been discovered. So has Shechem from this time, with its Canaanite stone walls, which are still standing, and its temple.
Genesis 12:5-9New American Standard Bible (NASB)
5 Abram took Sarai his wife and Lot his nephew, and all their possessions which they had accumulated, and the [a]persons which they had acquired in Haran, and they [b]set out for the land of Canaan; thus they came to the land of Canaan. 6 Abram passed through the land as far as the site of Shechem, to the[c]oak of Moreh. Now the Canaanite was then in the land.7 The Lord appeared to Abram and said, “To your [d]descendants I will give this land.” So he built an altar there to the Lord who had appeared to him. 8 Then he proceeded from there to the mountain on the east of Bethel, and pitched his tent, with Bethel on the west and Ai on the east; and there he built an altar to the Lord andcalled upon the name of the Lord. 9 Abram journeyed on, continuing toward the[e]Negev.
Haran and Shechem may be unfamiliar names to us but the Negrev (or Negeb) is a name we have all read frequently in the news accounts of our own day.
and you will hear what far smarter people than I have to say on this matter. I agree with them.
Harry Kroto
Nick Gathergood, David-Birkett, Harry-Kroto
I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:
In the second video below in the 67th clip in this series are Richard Dawkins’ words that Harry Kroto wanted me to see. Since then I have read several of Richard Dawkins books and have attempted to respond to the contents of these books directly to Richard Dawkins by mail. In fact, I have been writing Richard Dawkins letters since May 15, 1994 which was the 10th anniversary of the passing of one of my heroes, Francis Schaeffer. Francis Schaeffer spent a lot of time responding to many of Richard Dawkins’ heroes such as Carl Sagan, Jacques Monod, H.J. Blackham, Isaac Newton, Ludwig Wittgenstein, Max Planck, Johann Sebastian Bach, Francis Bacon, Samuel Beckett, Leonardo Da Vinci, Albert Einstein, Michael Faraday, Gerald Horton, Edmund Leach, Louis Pasteur, George Wald, Jacob Bronowski, Steven Weinberg, Charles Darwin, Paul Kurtz, Peter Singer, Jonathan Miller, William B. Provine, Woody Allen, Noam Chomsky, James D. Watson, Francis Crick, Michael Polanyi, The Huxley family, Antony Flew, and Edward O. Wilson (Dawkins has since revised his opinion of Flew and Wilson, but he earlier regarded them very highly).
Francis Schaeffer 1911-1984
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Both Francis Schaeffer and Richard Dawkins have talked extensively about the life of Charles Darwin.
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Sir Harry Kroto with his high school friend Sir Ian McKellan at the FSU National High Field Magnetic Lab on Tuesday, October 27, 2009.
50 Renowned Academics Speaking About God (Part 1)
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Another 50 Renowned Academics Speaking About God (Part 2)
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Edit Post ‹ The Daily Hatch — WordPress
A Further 50 Renowned Academics Speaking About God (Part 3)
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Richard Dawkins Photos Photos – Professor Stephen Hawking Unveils Medal For Science Communication – Zimbio
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize Winner […]
The Beatles were “inspired by the musique concrète of German composer and early electronic music pioneer Karlheinz Stockhausen…” as SCOTT THILL has asserted. Francis Schaeffer noted that ideas of “Non-resolution” and “Fragmentation” came down German and French streams with the influence of Beethoven’s last Quartets and then the influence of Debussy and later Schoenberg’s non-resolution which is in total contrast […]
_______ On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto _________________ Below you have picture of 1996 Chemistry Nobel Prize […]
On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said: …Please click on this URL http://vimeo.com/26991975 and you will hear what far smarter people than I have to say on this matter. I agree with them. Harry Kroto ____________________ Below you have picture of 1996 Chemistry Nobel Prize Winner Dr. […]
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