Author Archives: Everette Hatcher III

My name is Everette Hatcher III. I am a businessman in Little Rock and have been living in Bryant since 1993. My wife Jill and I have four kids (Rett 24, Hunter 22, Murphey 16, and Wilson 14).

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Christian de Duve, Nobel Prize-winning Belgian cytologist and biochemist, “There is a complete disassociation between the dogma and belief and the way we scientists approach the search for truth.” (Post includes portion of my 5-15-94 letter to him)(Featured artist is Lisa Blas)

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif AhmedHaroon Ahmed,  Jim Al-Khalili, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BateSir Patrick BatesonSimon Blackburn, Colin Blakemore, Ned BlockPascal BoyerPatricia ChurchlandAaron CiechanoverNoam Chomsky, Brian CoxPartha Dasgupta,  Alan Dershowitz, Frank DrakeHubert Dreyfus, John DunnBart Ehrman, Mark ElvinRichard Ernst, Stephan Feuchtwang, Robert FoleyDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Stephen HawkingHermann Hauser, Robert HindeRoald Hoffmann,  Bruce HoodGerard ‘t HooftCaroline HumphreyNicholas Humphrey,  Herbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart KauffmanMasatoshi Koshiba,  Lawrence KraussHarry Kroto, George Lakoff,  Rodolfo LlinasElizabeth Loftus,  Alan MacfarlaneDan McKenzie,  Mahzarin BanajiPeter MillicanMarvin MinskyLeonard Mlodinow,  P.Z.Myers,   Yujin NagasawaAlva NoeDouglas Osheroff, David Parkin,  Jonathan Parry, Roger Penrose,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceVS RamachandranLisa RandallLord Martin ReesColin RenfrewAlison Richard,  C.J. van Rijsbergen,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerJohn SulstonBarry Supple,   Leonard Susskind, Raymond TallisMax TegmarkNeil deGrasse Tyson,  Martinus J. G. Veltman, Craig Venter.Alexander Vilenkin, Sir John Walker, James D. WatsonFrank WilczekSteven Weinberg, and  Lewis Wolpert,

Origin, Evolution, and the Future of Life on Earth

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Ultimate Reality of Christian de Duve

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The Origin, Evolution & Future of Life (H1150) – Full Video

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Christian de Duve

From Wikipedia, the free encyclopedia
Christian de Duve
Christian de Duve.tif

de Duve lecturing on the origin of the eukaryotic cell in October 2012
Born Christian René Marie Joseph de Duve
2 October 1917
Thames Ditton, Surrey, Great Britain
Died 4 May 2013 (aged 95)
Grez-Doiceau, Belgium
Residence Belgium
Citizenship Belgian
Nationality Belgium
Fields
Institutions
Alma mater
  • Onze-Lieve-Vrouwecollege
  • Catholic University of Leuven
Known for Cell organelles
Notable awards
Spouse Janine Herman (m. 1943; d. 2008)
Children
  • Two sons, two daughters:
  • Thierry de Duve
  • Alain de Duve
  • Anne de Duve
  • Françoise de Duve

Dutch Queen Beatrix meets 5 Nobel Prize winners: Paul Berg, Christian de Duve, Steven Weinberg, Manfred Eigen, Nicolaas Bloembergen (1983)

Christian René Marie Joseph, Viscount de Duve (2 October 1917 – 4 May 2013) was a Nobel Prize-winning Belgian cytologist and biochemist.[2][3] He made serendipitous discoveries of two cell organelles, peroxisome and lysosome, for which he shared the Nobel Prize in Physiology or Medicine in 1974 with Albert Claude and George E. Palade (“for their discoveries concerning the structural and functional organization of the cell”).[4] In addition to peroxisome and lysosome, he invented the scientific names such as autophagy, endocytosis, and exocytosis in a single occasion.[5][6][7][8][9]

A son of Belgian refugees during the First World War, de Duve was born in Thames Ditton, Surrey, Great Britain.[10] His family returned to Belgium in 1920. He was educated by the Jesuits at Onze-Lieve-Vrouwinstituut in Antwerp, and studied medicine at the Catholic University of Leuven. Upon earning his MD in 1941, he joined research in chemistry, working on insulin and its role in diabetes mellitus. His thesis earned him the highest university degree agrégation de l’enseignement supérieur (equivalent to PhD) in 1945. With his work on the purification of penicillin, he obtained an MSc degree in 1946. He went for further training under (later Nobel Prize winners) Hugo Theorell at the Karolinska Institutet in Stockholm, and Carl and Gerti Cori at the Washington University in St. Louis. He joined the faculty of medicine at Leuven in 1947. In 1960 he was invited to the Rockfeller Institute (now Rockefeller University). With mutual arrangement with Leuven, he became professor in both universities from 1962, dividing his time between Leuven and New York. He became emeritus professor of Leuven university in 1985, and of Rockefeller in 1988.

De Duve was decorated with Viscount in 1989 by King Baudouin of Belgium. He was also a recipient of Francqui Prize, Gairdner Foundation International Award, Heineken Prize, and E. B. Wilson Medal. In 1974 he founded the International Institute of Cellular and Molecular Pathology in Brussels, eventually renamed the de Duve Institute in 2005. He was the founding President of the L’Oréal-UNESCO Awards for Women in Science.[11]

He died on 4 May (Saturday) 2013 by self-induced euthanasia in the presence of all of his children.[12]

Early life and education[edit]

De Duve was born of a shopkeeper Alphonse de Duve and wife Madeleine Pungs in the village of Thames Ditton, near London. His parents fled Belgium at the outbreak of the First World War. After the war in 1920, at age three, he and his family returned to Belgium. He was a precocious boy, always the best student (primus perpetuus as he recalled) in school, except for one year when he was pronounced “out of competition” to give chance to other students.[2] He was educated by the Jesuits at Onze-Lieve-Vrouwinstituut in Antwerp, before studying at the Catholic University of Leuven in 1934.[13] He wanted to specialize in endocrinology and joined the laboratory of the Belgian physiologist Joseph P. Bouckaert. During his last year at medical school in 1940, the Germans invaded Belgium. He was drafted to the Belgian army, and posted in southern France as medical officer. There, he was almost immediately taken as prisoner of war by Germans. But fortunate of his ability to speak fluent German and Flemish, he outwitted his captors and escaped back to Belgium. (The adventure he later described as “more comical than heroic”.)[14] He immediately continued his medical course, and obtained his MD in 1941 from Leuven. His primary research was on insulin and its role in glucose metabolism. He made an initial discovery that a commercial preparation of insulin was contaminated with another pancreatic hormone, the insulin antagonist glucagon. However, laboratory supplies at Leuven were in shortage, he therefore enrolled in a programme to earn a degree in chemistry at the Cancer Institute. His research on insulin was summed up in a 400-page book titled Glucose, Insuline et Diabète (Glucose, Insulin and Diabetes) published in 1945, simultaneously in Brussels and Paris. The book was condensed into a technical dissertation which earned him the most advanced degree at the university level agrégation de l’enseignement supérieur (an equivalent of a doctorate – he called it “a sort of glorified Ph.D.”) in 1945.[14] His thesis was followed by a number of scientific publications.[15] He subsequently obtained MSc in chemistry in 1946, for which he worked on the purification of penicillin.[16][17] To enhance his skill in biochemistry, he trained in the laboratory of Hugo Theorell (who later won The Nobel Prize in Physiology or Medicine in 1955) at the Nobel Medical Institute in Stockholm for 18 months during 1946-1947. In 1947 he received a financial assistance as Rockefeller Foundation fellow and worked for six months with Carl and Gerti Cori‘s at Washington University in St. Louis (the husband and wife were joint winners of The Nobel Prize in Physiology or Medicine in 1947).[18]

Career and research[edit]

In March 1947 de Duve joined the faculty of the medical school of the Catholic University of Leuven teaching physiological chemistry. In 1951 he became full professor. In 1960 Detlev Bronk, the then president of the Rockfeller Institute (what is now Rockefeller University) of New York City, met him at Brussels and offered him professorship and a laboratory. The rector of Leuven, afraid of entirely losing de Duve, made a compromise over dinner that de Duve would still be under part-time appointment with a relief from teaching and conducting examinations. The rector and Bronk made an agreement which would intilally last for five years. The official implementation was in 1962, and de Duve simultaneously headed the research laboratories at Leuven and at Rockefeller University, dividing his time between New York and Leuven.[19] In 1969 the Leuven university was split into two separate universities. He joined the French-speaking side of Université catholique de Louvain. He took emeritus status at Université catholique de Louvain in 1985 and at Rockefeller in 1988, though he continued to conduct research. Among other subjects, he studied the distribution of enzymes in rat liver cells using rate-zonal centrifugation. His work on cell fractionation provided an insight into the function of cell structures. He specialized in subcellular biochemistry and cell biology and discovered new cell organelles.[20][21][22][23][24][25][26][27][28][29][30][31][32][33]

Personal life[edit]

De Duve was brought up as a Roman Catholic. In his later years he tended towards agnosticism, if not strict atheism.[67][68] However, de Duve also thought that “Most biologists, today, tend to see life and mind as cosmic imperatives, written into the very fabric of the universe, rather than as extraordinarily improbable products of chance.[69] “It would be an exaggeration to say I’m not afraid of death,” he explicitly said to a Belgian newspaper Le Soir just a month before his death, “but I’m not afraid of what comes after, because I’m not a believer.”[70][71] He strongly supported biological evolution as a fact, and dismissive of creation science and intelligent design, as explicitly stated in his last book, Genetics of Original Sin: The Impact of Natural Selection on the Future of Humanity. He was among the seventy-eight Nobel laureates in science to endorse the effort to repeal Louisiana Science Education Act of 2008.[72]

De Duve married Janine Herman on 30 September 1943. Together they had had two sons, Thierry and Alain, and two daughters, Anne and Françoise. Janine died in 2008, aged 86.[16]

Death[edit]

De Duve died on 4 May 2013, at his home in Nethen, Belgium, at the age of 95. He decided to end his life by legal euthanasia, performed by two doctors before his four children. He had been long suffering from cancer and atrial fibrillation, and his health problems were exacerbated by a recent fall in his home. He is survived by two sons and two daughters; two brothers, Pierre and Daniel; seven grandchildren; and two great-grandchildren.[73][74][75]

De Duve was cremated as he had willed, and his ashes were distributed among family members and friends.[3]

Awards and honours[edit]

De Duve won the Francqui Prize for Biological and Medical Sciences in 1960, and the Nobel Prize for Physiology or Medicine in 1974. King Baudouin of Belgium honoured him to Viscount in 1989.[16] He was the recipient of the Canada Gairdner International Award in 1967, and the Dr H.P. Heineken Prize for Biochemistry and Biophysics in 1973 from the Royal Netherlands Academy of Arts and Sciences. He was elected a foreign associate of the US National Academy of Sciences in 1975. He won the Harden Medal of the Biochemical Society of Great Britain in 1978; the Theobald Smith Award from the Albany Medical College in 1981; the Jimenez Diaz Award in 1985; the Innovators of Biochemistry Award from Medical College of Virginia in 1986; and the E. B. Wilson Medal from the American Society for Cell Biology in 1989.[76] He was also a member of the Royal Academies of Medicine and the Royal Academy of Sciences, Arts, and of Literature of Belgium; the Pontifical Academy of Sciences of the Vatican; the American Academy of Arts and Sciences; the French National Academy of Medicine; the Academy of Sciences of Paris; the Deutsche Akademie der Naturforscher Leopoldina; the American Philosophical Society. He was elected a Foreign Member of the Royal Society (ForMemRS) in 1988.[1] In addition, he received honorary doctorates from eighteen universities around the world.[18]

Legacy[edit]

De Duve founded a multidisciplinary biomedical research institute at Université catholique de Louvain in 1974, called the International Institute of Cellular and Molecular Pathology (ICP), and later renamed “de Duve Institute.”[77] He remained its president until 1991. On his 80th birthday in 1997 it was renamed the Christian de Duve Institute of Cellular Pathology. In 2005 it was further contracted to simply the de Duve Institute.[78]

De Duve was one of the founding members of the Belgian Society of Biochemistry and Molecular Biology, established on 15 September 1951.[79]

De Duve is remembered as an inventor of important scientific terminology. He coined the word lysosome in 1955, peroxisome in 1966, and autophagy, endocytosis, and exocytosis in one instance at the Ciba Foundation Symposium on Lysosomes held in London during 12–14 February 1963, while he, “was in a word-coining mood.”[21][80]

De Duve’s life, including his work resulting in a Nobel Prize, and his passion for biology is the subject of a documentary film Portrait of a Nobel Prize: Christian de Duve (Portrait de Nobel : Christian de Duve), directed by Aurélie Wijnants. It was first aired on Eurochannel in 2012.[81]

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In  the third video below in the 144th clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2

A Further 50 Renowned Academics Speaking About God (Part 3)

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Quote from Christian de Duve in the film series “A Further 50 Renowned Academics Speaking About God (Part 3)” and my response below ( Original interview was in 2005 and was conducted by Harry Kroto at the annual Lindau meeting):

Of course, I fully agree with you and I think with most of my fellow scientists. There is a complete disassociation between the dogma and belief and the way we scientists approach the search for truth.   And so obviously as a scientist and being brought up as a Catholic I could not safely continue accepting the teaching of the church. 

Let me make two observations here.

FIRST, I think a person needs to take time examine the historical accuracy of the Bible. If the Bible is true then history and historical records should have something to say about that.

Here are some of the posts I have done in the past on the subject and if you like you could just google these subjects: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.,

SECOND, if there is no lasting meaning to life then CHANCE RULES. Let me discuss that a little more below.

Christian de Duve was very critical of Creationism!!!

Chrisian de Duve was a very sharp critic of creationism even though he grew up in a family that who were committed Catholics. In the Wikipedia article cited above we read these words:

“Most biologists, today, tend to see life and mind as cosmic imperatives, written into the very fabric of the universe, rather than as extraordinarily improbable products of chance.[69] “It would be an exaggeration to say I’m not afraid of death,” he explicitly said to a Belgian newspaper Le Soir just a month before his death, “but I’m not afraid of what comes after, because I’m not a believer.”[70][71] He strongly supported biological evolution as a fact, and dismissive of creation science and intelligent design, as explicitly stated in his last book, Genetics of Original Sin: The Impact of Natural Selection on the Future of Humanity. He was among the seventy-eight Nobel laureates in science to endorse the effort to repeal Louisiana Science Education Act of 2008.[72]

I do want to salute him for at least taking a careful look and seeing that there were clearly two different paths we can take philosophically. We can either realize that the answer to find meaning in life is found in putting your faith and trust in Jesus Christ and the Bible is true from cover to cover and can be trusted. Or we have to say that it is all by CHANCE. Below are the words of Christian de Duve: 

“The answer of modern molecular biology to this much-debated question is categorical: chance, and chance alone, did it all, from primeval soup to man, with only natural selection to sift its effects. This affirmation now rests on overwhelming factual evidence.”

A Guided Tour Of The Living Cell, Volume Two, Page 357
Scientific American Library, 1984

Portion of my 5-15-94 letter to Christian de Duve

On May 15, 1994 on the 10th anniversary of the passing of Francis Schaeffer I attempted to send a letter to almost every living Nobel Prize winner and I believe  Dr.Christian de Duve  was probably among that group and here is a portion of that letter below:

I have enclosed a cassette tape by Adrian Rogers and it includes  a story about  Charles Darwin‘s journey from  the position of theistic evolution to agnosticism. Here are the four bridges that Adrian Rogers says evolutionists can’t cross in the CD  “Four Bridges that the Evolutionist Cannot Cross.” 1. The Origin of Life and the law of biogenesis. 2. The Fixity of the Species. 3.The Second Law of Thermodynamics. 4. The Non-Physical Properties Found in Creation.  

 

Adrian Rogers is pictured below and Francis Schaeffer above.

In the first 3 minutes of the cassette tape is the hit song “Dust in the Wind.” Below I have given you some key points  Francis Schaeffer makes about the experiment that Solomon undertakes in the book of Ecclesiastes to find satisfaction by  looking into  learning (1:16-18), laughter, ladies, luxuries,  and liquor (2:1-3, 8, 10, 11), and labor (2:4-6, 18-20).

Schaeffer noted that Solomon took a look at the meaning of life on the basis of human life standing alone between birth and death “under the sun.” This phrase UNDER THE SUN appears over and over in Ecclesiastes. The Christian Scholar Ravi Zacharias noted, “The key to understanding the Book of Ecclesiastes is the term UNDER THE SUN — What that literally means is you lock God out of a closed system and you are left with only this world of Time plus Chance plus matter.”

Here the first 7 verses of Ecclesiastes followed by Schaeffer’s commentary on it:

The words of the Preacher, the son of David, king in Jerusalem. Vanity of vanities, says the Preacher, vanity of vanities! All is vanity. What does man gain by all the toil at which he toils under the sun? A generation goes, and a generation comes, but the earth remains forever. The sun rises, and the sun goes down, and hastens to the place where it rises. The wind blows to the south and goes around to the north; around and around goes the wind, and on its circuits the wind returns. All streams run to the sea, but the sea is not full; to the place where the streams flow, there they flow again.  

Solomon is showing a high degree of comprehension of evaporation and the results of it.  Seeing also in reality nothing changes. There is change but always in a set framework and that is cycle. You can relate this to the concepts of modern man. Ecclesiastes is the only pessimistic book in the Bible and that is because of the place where Solomon limits himself. He limits himself to the question of human life, life under the sun between birth and death and the answers this would give.

Solomon doesn’t place man outside of the cycle. Man doesn’t escape the cycle. Man is in the cycle. Birth and death and youth and old age.

There is no doubt in my mind that Solomon had the same experience in his life that I had as a younger man (at the age of 18 in 1930). I remember standing by the sea and the moon arose and it was copper and beauty. Then the moon did not look like a flat dish but a globe or a sphere since it was close to the horizon. One could feel the global shape of the earth too. Then it occurred to me that I could contemplate the interplay of the spheres and I was exalted because I thought I can look upon them with all their power, might, and size, but they could contempt nothing. Then came upon me a horror of great darkness because it suddenly occurred to me that although I could contemplate them and they could contemplate nothing yet they would continue to turn in ongoing cycles when I saw no more forever and I was crushed.

Watching the film HOW SHOULD WE THEN LIVE? in 1979 impacted my life greatly

Francis Schaeffer in the film WHATEVER HAPPENED TO THE HUMAN RACE?

Francis and Edith Schaeffer

 

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Let me show you some inescapable conclusions if you choose to live without God in the picture. Schaeffer noted that Solomon came to these same conclusions when he looked at life “under the sun.”

  1. Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)
  2. Chance and time have determined the past, and they will determine the future.  (Ecclesiastes 9:11-13 “I have seen something else under the sun:  The race is not to the swift
    or the battle to the strong, nor does food come to the wise or wealth to the brilliant  or favor to the learned; but time and chance happen to them all.  Moreover, no one knows when their hour will come: As fish are caught in a cruel net, or birds are taken in a snare, so people are trapped by evil times  that fall unexpectedly upon them.”)
  3. Power reigns in this life, and the scales are not balanced(Eccl 4:1; “Again I looked and saw all the oppression that was taking place under the sun: I saw the tears of the oppressed—
    and they have no comforter; power was on the side of their oppressors—  and they have no comforter.” 7:15 “In this meaningless life of mine I have seen both of these: the righteous perishing in their righteousness,  and the wicked living long in their wickedness. ).
  4. Nothing in life gives true satisfaction without God including knowledge (1:16-18), ladies and liquor (2:1-3, 8, 10, 11), and great building projects (2:4-6, 18-20).
  5. There is no ultimate lasting meaning in life. (1:2)

By the way, the final chapter of Ecclesiastes finishes with Solomon emphasizing that serving God is the only proper response of man. Solomon looks above the sun and brings God back into the picture in the final chapter of the book in Ecclesiastes 12:13-14, “ Now all has been heard; here is the conclusion of the matter: Fear God and keep his commandments, for this is the whole duty of man.  For God will bring every deed into judgment, including every hidden thing, whether it is good or evil.”

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted. In 1978 I heard the song “Dust in the Wind” by Kansas when it rose to #6 on the charts. That song told me that Kerry Livgren the writer of that song and a member of Kansas had come to the same conclusion that Solomon had and that “all was meaningless UNDER THE SUN,” and looking ABOVE THE SUN was the only option.  I remember mentioning to my friends at church that we may soon see some members of Kansas become Christians because their search for the meaning of life had obviously come up empty even though they had risen from being an unknown band to the top of the music business and had all the wealth and fame that came with that.

Livgren wrote, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Both Kerry Livgren and Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981.  Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible Church. Hope is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

Evergreen Art Lecture Series – Lisa Blas

Featured artist today is Lisa Blas

 

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 Regarding Territories and Bodies / Lisa Blas Installation view Salve Regina Art Gallery Catholic University of America Washington, DC 2009

Regarding Territories and Bodies / Lisa Blas
Installation view
Salve Regina Art Gallery
Catholic University of America
Washington, DC
2009

LISA BLAS

BRUSSELS, BELGIUM | BY JANUARY 31, 2011

Most people who know me understand that I can be rather impatient when it comes to waiting. The anticipation of visiting friend and colleague  Lisa Blas in her new home and studio in Brussels, Belgium certainly challenged this not so virtuous quality of mine. I planned the trip around visits with friends and relatives in nearby Antwerp and The Hague. The triangulation of these three cities of family and friends seemed a perfect reason to make a post-holiday season jaunt across the pond from Washington D.C.

Lisa is a multi-media artist and former Washingtonian who taught at The Corcoran College of Art and Design for many years.  She moved to Belgium in January 2010 to join her fiancé who is an art historian.  Since moving to Belgium, Lisa has taught at Tourcoing, France as a visiting artist and currently is an artist-in-residence in Ors, France.

After getting slightly lost on that rainy afternoon, I finally arrived one hour late to Lisa’s art deco building on the west side of Brussels. Feet sore with a new camera in hand (after having my original equipment stolen the day before in an Antwerp elevator) I made my way up the winding staircase and emerged into her light filled apartment — walls lined with books, plants and art. I was greeted with a much needed glass of water and a comfy chair. After showing me around her place, we shortly left her apartment and walked up to another floor to one of the smallest studios I have ever been in — measuring not more than eight feet square. It previously had been a storage space and was recently emptied and converted into a private studio for Lisa. A large window and a balcony helped to make the space seem bigger than its jewel box size. And it was jewel like. Her new collage work looked like constellations on the wall as it reflected back onto a thin mirror hanging exactly opposite from it. Shards of tiny cut colored geometric shapes deliberately placed on each page created abstract compositions dancing over tiles of paper. A playground lay below and faint voices of children playing could be heard. For a moment I felt mesmerized.

Lisa’s previous work that I was familiar with was based on a journey she began in 2003 throughout the United States where she examined archives from the mid-nineteenth to early twentieth century  “that point to the American sensibility in all its complexities and nuances.” This research became the source of a solo show titled “Meet Me At the Mason Dixon” in 2008.  She had paintings, photographs and installation that were specific to the lands she traversed and the social history they embodied.

She states: “Traveling engenders activities of documentation and collection. It is akin to plein air observation that is later brought back to the studio for assembly. Such travels have convinced me of the relevance of the nineteenth century for our present-day experience. When I set to work with materials, I am reminded of Walter Benjamin’s idea: ‘For every image of the past that is not recognized by the present as one of its own concerns threatens to disappear irretrievably’ ”.

Lisa recently travelled to India and Brazil, but most significantly this past spring to Los Angeles, where she attended her father’s funeral. It is this experience of her father passing that has inspired her recent collage work that lines the walls of her intimate studio as well as the large table in her dining room. She talks about how these little triangular shards (in the collages) originate from a photography project five years earlier.

At that time, Lisa began collecting Hallmark sympathy cards, folded them into airplane like shapes and photographed them as ephemeral, sculptural objects. These images began as a study of the form and language of mass culture, especially as they relate to expressions of grief—perhaps the most difficult emotion to articulate.  Since her father’s death, these images have now taken on another level of complexity and meaning. In the collages, she begins by looking for specific colored paper and card stock that arrives in the mail. She then cuts this material into varying shapes, echoing the Hallmark cards and literally composes them onto music composition paper.

She discussed three exhibitions she had recently seen of Felix Gonzalez-Torres, Fred Sandback and Henri Matisse that have fueled her current practice. Elaborating more on the Matisse exhibition in Chicago she visited last year called “Matisse: Radical Invention 1913 -1917” Lisa reflects, “As the exhibition focused on the time period of World War I (another coincidence), his experimentation with new forms of picture construction, and their unfinished quality, had a great impact on me. This interstitial, and perhaps restless period in his life as a painter seems to echo our contemporary moment in many ways. In speaking about his painting The Moroccans, Matisse reportedly said ‘…that everything that did not contribute to the balance and rhythm of [this work], had to be eliminated…as you would prune a tree’.”

I imagine Lisa quietly working at her table and in her yellow studio cutting delicate shapes to create these soundless compositions that resonate with so much personal meaning. The transformation she has made from focusing on travel that is physical and external, to a journey that is internal and now manifest in a form of a highly controlled cultural abstraction is a process of pruning I will continue to follow.

A solo exhibition of her work will be at Gettysburg College in Pennsylvania opening late August 2011 to coincide with the Sesquicentennial Anniversary of the Civil War. This exhibit is being curated by Shannon Egan.

You can see Lisa’s work in other upcoming group shows here in the U.S. at the Maryland Art Place in Baltimore, and this summer at Addison Ripley Fine Art in Washington D.C.

For more information visit her website at www.lisablas.com

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 50 THE BEATLES (Part B, The Psychedelic Music of the Beatles) (Feature on artist Peter Blake )

__________________   Beatles 1966 Last interview I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about them and their impact on the culture of the 1960’s. In this […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 49 THE BEATLES (Part A, The Meaning of Stg. Pepper’s Cover) (Feature on artist Mika Tajima)

_______________ The Beatles documentary || A Long and Winding Road || Episode 5 (This video discusses Stg. Pepper’s creation I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 48 “BLOW UP” by Michelangelo Antonioni makes Philosophic Statement (Feature on artist Nancy Holt)

_______________ Francis Schaeffer pictured below: _____________________ I have included the 27 minute  episode THE AGE OF NONREASON by Francis Schaeffer. In that video Schaeffer noted,  ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” How Should […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 47 Woody Allen and Professor Levy and the death of “Optimistic Humanism” from the movie CRIMES AND MISDEMEANORS Plus Charles Darwin’s comments too!!! (Feature on artist Rodney Graham)

Crimes and Misdemeanors: A Discussion: Part 1 ___________________________________ Today I will answer the simple question: IS IT POSSIBLE TO BE AN OPTIMISTIC SECULAR HUMANIST THAT DOES NOT BELIEVE IN GOD OR AN AFTERLIFE? This question has been around for a long time and you can go back to the 19th century and read this same […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 46 Friedrich Nietzsche (Featured artist is Thomas Schütte)

____________________________________ Francis Schaeffer pictured below: __________ Francis Schaeffer has written extensively on art and culture spanning the last 2000years and here are some posts I have done on this subject before : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” , episode 9 “The Age of Personal Peace and Affluence”, episode 8 […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 45 Woody Allen “Reason is Dead” (Feature on artists Allora & Calzadilla )

Love and Death [Woody Allen] – What if there is no God? [PL] ___________ _______________ How Should We then Live Episode 7 small (Age of Nonreason) #02 How Should We Then Live? (Promo Clip) Dr. Francis Schaeffer 10 Worldview and Truth Two Minute Warning: How Then Should We Live?: Francis Schaeffer at 100 Francis Schaeffer […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 44 The Book of Genesis (Featured artist is Trey McCarley )

___________________________________ Francis Schaeffer pictured below: ____________________________ Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR Dr. Francis schaeffer – The flow of Materialism(from Part 4 of Whatever happened to human race?) Dr. Francis Schaeffer – The Biblical flow of Truth & History (intro) Francis Schaeffer – The Biblical Flow of History & Truth (1) Dr. Francis Schaeffer […]

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“WOODY WEDNESDAY” WOODY ALLEN TURNS 81 5 THINGS YOU DIDN’T KNOW ABOUT THE FILM GENIUS

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The Woody Allen Special [1969] (Guests: Candice Bergen, Billy Graham and the 5th Dimension)

Published on Sep 8, 2016

For all the Woody Allen/television fans, here is the rare 1969 CBS special! Featuring the flawless stand-up of Woody, and skits such as: Woody and Candice having to rehearse nude for an artistic play. A funny interview with Billy Graham on religion and God. Woody Allen’s take on the heyday of the silent film era, featuring a short film about a doomed love affair with rich girl Candice. Finally, Rabbi Woody teaches the vacuous Candice Bergen to be an intellectual with knowledge on music, art and films. The 5th Dimension perform “Workin’ On A Groovy Thing” and the No. 1 hit “Wedding Bell Blues”. Also features original commercials with Tony Randall promoting Libby’s canned goods. A real find! Please subscribe and hope you enjoy!

http://www.imdb.com/title/tt0248612/?…

WOODY ALLEN TURNS 815 THINGS YOU DIDN’T KNOW ABOUT THE FILM GENIUS

woody

What day is it? That’s right; it’s Woody Allen’s birthday! The filming legend has been directing timeless classics such as “Blue Jasmine”, “Midnight in Paris”, “Annie Hall” and “Manhattan”  for over 50 years. In celebration of his 81st birthday, eniGma Magazine decided to compile five lesser-known facts about the four-time Academy Award winner:

 

1- He began his career as a comedy writer:

Comedy runs in Woody Allen’s blood. That’s not surprising, of course. After all, his films’ trademark humour has frequently been cited as one of the bigger reasons for his success. Not many people know, though, that Allen actually began his career by writing comedy in some major projects and was reportedly making more money than his parents combined before he even turned 20. Talk about talent.

2- He plays the jazz clarinet and piano:

Allen is an avid jazz fan. In fact, he’s been playing with a band for years now, often performing at Carlyle Hotel in Manhattan, but also at some bigger platforms such as the Montreal International Jazz Festival on occasion.

3- His movies have never grossed over 200 million dollars worldwide:

Despite his considerable success, Allen’s numerous pictures never broke the 200 million dollar benchmark in revenue. His movies have never been highly budgeted by Hollywood standards, either, often being budgeted between 20 and 30 million dollars.

4- He claims to have never watched any of his movies after they were released:

We really don’t know what to make of that; we just think it’s cool.

5- His given birth name was Allan Stewart Konigsberg:

In fact, Allen first changed his name to Heywood Allen, before settling on Woody Allen.

Related posts:

“Woody Wednesday” An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm

This interview   below reveals Woody Allen’s nihilistic views and reminds me of his best movie which is  CRIMES AND MISDEMEANORS!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm Woody […]

WOODY WEDNESDAY Woody’s Cold Comforts Robert E. Lauder April 19, 2010

Top 10 Woody Allen Movies   Woody’s Cold Comforts Robert E. LauderApril 19, 2010 – 1:36pm Friends have often asked me about my interest in the films of Woody Allen: Why is a Catholic priest such an ardent admirer of the work of an avowed atheist, an artist who time and again has insisted on […]

WOODY WEDNESDAY New bio reassesses Woody Allen at 80 James Endrst , Special for USA TODAY2:03 p.m. EST November 7, 2015

Woody Allen & Parker Posey Red-Carpet Interviews for ‘Irrational Man’ New bio reassesses Woody Allen at 80 James Endrst , Special for USA TODAY2:03 p.m. EST November 7, 2015 Woody: The Biography by  David Evanier  (St. Martin’s Press) in Biography Buy Now USA TODAY Rating Woody Allen turns 80 on Dec. 1 and David Evanier has […]

WOODY WEDNESDAY A Handy Guide to All the Philosophers Referenced in Irrational Man by Eliza Berman July 17, 2015

___ Existentialism and the Meaningful Life [The Common Room] Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR A Handy Guide to All the Philosophers Referenced in Irrational Man Eliza Berman @lizabeaner July 17, 2015 David Livingston–Getty ImagesJoaquin Phoenix and Emma Stone attend the premiere of “Irrational Man” in Los Angeles on July 9, 2015. Leave it […]

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best Part H

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best Part G

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best Part F

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best Part E

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best Part D

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best

Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS! Part 118 Max Perutz, Cambridge, molecular biologist, “I don’t think we should upset those people who [believe in religion] , who are a very large number of reasonable and decent people”

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif AhmedHaroon Ahmed,  Jim Al-Khalili, Louise Antony, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BateSir Patrick BatesonSimon Blackburn, Colin Blakemore, Ned BlockPascal BoyerPatricia ChurchlandAaron CiechanoverNoam Chomsky, Brian CoxPartha Dasgupta,  Alan Dershowitz, Frank DrakeHubert Dreyfus, John Dunn, Ken EdwardsBart Ehrman, Mark ElvinRichard Ernst, Stephan Feuchtwang, Robert FoleyDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan Greenfield, Stephen Jay GouldStephen F Gudeman,  Alan Guth, Jonathan Haidt, Chris Hann,  Theodor W. Hänsch, Brian Harrison,  Stephen HawkingHermann Hauser, Peter HiggsRobert HindeRoald Hoffmann,  Bruce HoodGerard ‘t HooftCaroline HumphreyNicholas Humphrey,  Herbert Huppert,  Sir Andrew Fielding HuxleyGareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart KauffmanMasatoshi Koshiba,  Lawrence KraussHarry Kroto, George Lakoff,  Rodolfo Llinas, Seth Lloyd,  Elizabeth Loftus,  Alan Macfarlane, Colin McGinnDan McKenzie,  Mahzarin Banaji, Michael MannPeter MillicanMarvin MinskyLeonard Mlodinow,  P.Z.Myers,   Yujin NagasawaAlva NoeDouglas Osheroff, David Parkin,  Jonathan Parry, Roger Penrose,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceVS RamachandranLisa RandallLord Martin ReesColin RenfrewAlison Richard,  C.J. van Rijsbergen,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerJohn SulstonBarry Supple,   Leonard Susskind, Raymond TallisMax Tegmark, Michael Tooley,  Neil deGrasse Tyson,  Martinus J. G. Veltman, Craig Venter.Alexander Vilenkin, Sir John Walker, James D. WatsonFrank WilczekSteven Weinberg, and  Lewis Wolpert,

Max Perutz

From Wikipedia, the free encyclopedia
Max Perutz
Max Perutz.jpg

Perutz in 1962, age 52
Born Max Ferdinand Perutz
19 May 1914
Vienna, Austria-Hungary
Died 6 February 2002 (aged 87)
Cambridge, Cambridgeshire,England
Nationality British
Fields Molecular biology,Crystallography
Institutions University of Cambridge,Laboratory of Molecular Biology
Alma mater University of Vienna
Peterhouse, Cambridge
Doctoral advisor J.D. Bernal
Doctoral students Francis Crick; John Keith Moffat
Known for Heme-containing proteins
Notable awards
Spouse Gisela Clara Peiser (m. 1942; 2 children)

Max Ferdinand Perutz OM CH CBE FRS (19 May 1914 – 6 February 2002)[1] was an Austrian-born British molecular biologist, who shared the 1962 Nobel Prize for Chemistry with John Kendrew, for their studies of the structures of hemoglobin and myoglobin. He went on to win the Royal Medal of the Royal Society in 1971 and the Copley Medal in 1979. At Cambridge he founded and chaired (1962–79) The Medical Research Council Laboratory of Molecular Biology, fourteen of whose scientists have won Nobel Prizes. Perutz’s contributions to molecular biology in Cambridge are documented in The History of the University of Cambridge: Volume 4 (1870 to 1990) published by the Cambridge University Press in 1992.

Early life[edit]

Perutz was born in Vienna, the son of Adele “Dely” (Goldschmidt) and Hugo Perutz, a textile manufacturer.[2][3] His parents were Jewish by ancestry, but had baptized Perutz in the Catholic religion.[4][5][6] Although Perutz rejected religion and was an atheist in his later years, he was against offending others for their religious beliefs.[7][8]

Career[edit]

His parents hoped that he would become a lawyer, but he became interested in chemistry while at school. Overcoming his parents’ objections he enrolled as a chemistry undergraduate at the University of Vienna and completed his degree in 1936. Made aware by lecturer Fritz von Wessely of the advances being undertaken at the University of Cambridge into biochemistry by a team led by Gowland Hopkins, he asked Professor Marks who was soon to visit Cambridge to make inquiries to Hopkins about whether there would be a place for him. However Marks forgot. However he had visited J.D. Bernal, who was looking for a research student to assist him with studies into X-ray crystallography.[9] Perutz was dismayed as he knew nothing about the subject. Marks countered by saying that he would soon learn. Bernal accepted him as a research student in his crystallography research group at Cavendish Laboratory. His father had deposited ₤500 with his London agent to support him. He learnt quickly. Bernal encouraged him to use the X-ray diffraction method to study the structure of proteins. As protein crystals were difficult to obtain he used horse haemoglobin crystals, and began his doctoral thesis on its structure. Haemoglobin was a subject which was to occupy him for most of his professional career. He completed his PhD. under William Lawrence Bragg.

Rejected by Kings and St John’s colleges he applied to and became a member of Peterhouse, on the basis that it served the best food. He was elected an Honorary Fellow of Peterhouse in 1962. He took a keen interest in the Junior Members, and was a regular and popular speaker at the Kelvin Club, the College’s scientific society.

World War 2[edit]

When Hitler took over Austria in 1938 Perutz’s parents managed to escape to Switzerland, but lost all of their money. As a result, Perutz lost their financial support. With his ability to ski, experience in mountaineering since childhood and his knowledge of crystals Perutz was accepted as a member of a three-man team to study the conversion of snow into ice in Swiss glaciers in the summer of 1938. His resulting article for the Proceedings of the Royal Society made him known as an expert on glaciers.[10]

Lawrence Bragg who was head of the Professor of Experimental Physics at Cavendish, thought that Perutz’s research into haemoglobin had promise and encouraged him to apply for a grant from the Rockefeller Foundation to continue his research. The application was accepted in January 1939 and with the money Perutz was able to bring his parents from Switzerland in March 1939 to England.[10]

On the outbreak of World War II Perutz was rounded up along with other persons of German or Austrian background, and sent to Newfoundland (on orders from Winston Churchill).[11] After being interned for several months he returned to Cambridge. Because of his previous research into the changes in the arrangement of the crystals in the different layers of a glacier before the War he was asked for advice on whether if a battalion of commandos were landed in Norway, could they be hidden in shelters under glaciers. His knowledge on the subject of ice then lead to him in 1942 being recruited for Project Habakkuk. This was a secret project to build an ice platform in mid-Atlantic, which could be used to refuel aircraft. To that end he investigated the recently invented mixture of ice and woodpulp known as pykrete. He carried out early experiments on pykrete in a secret location underneath Smithfield Meat Market in the City of London.

Establishment of the Molecular Biology Unit[edit]

After the War he returned briefly to glaciology. He demonstrated how glaciers flow.[12][13][14][15][16]

In 1947 Perutz, with the support of Professor Bragg was successful in obtaining support from the Medical Research Council (MRC) to undertake research into the molecular structure of biological systems. This financial support allowed him to establish the Molecular Biology Unit at the Cavendish Laboratory.[17] Perutz’s new unit attracted researchers who realized that the field of molecular biology had great promise, among them was Francis Crick in 1949 and James D. Watson in 1951.

In 1953 Perutz showed that diffracted X-rays from protein crystals could be phased by comparing the patterns from crystals of the protein with and without heavy atoms attached. In 1959 he employed this method to determine the molecular structure of the protein hemoglobin, which transports oxygen in the blood.[citation needed] This work resulted in his sharing with John Kendrew the 1962 Nobel Prize for Chemistry. Nowadays the molecular structures of several thousand proteins are determined by X-ray crystallography every year.

After 1959, Perutz and his colleagues went on to determine the structure of oxy- and deoxy- hemoglobin at high resolution. As a result, in 1970, he was at last able to suggest how it works as a molecular machine: how it switches between its deoxygenated and its oxygenated states, in turn triggering the uptake of oxygen and then its release to the muscles and other organs. Further work over the next two decades refined and corroborated the proposed mechanism. In addition Perutz studied the structural changes in a number of hemoglobin diseases and how these might affect oxygen binding. He hoped that the molecule could be made to function as a drug receptor and that it would be possible to inhibit or reverse the genetic errors such as those that occur in sickle cell anemia. A further interest was the variation of the hemoglobin molecule from species to species to suit differing habitats and patterns of behavior. In his final years Perutz turned to the study of changes in protein structures implicated in Huntington and other neurodegenerative diseases. He demonstrated that the onset of Huntington disease is related to the number of glutamine repeats as they bind to form what he called a polar zipper.[18]

DNA structure and Rosalind Franklin[edit]

Perutz with his wife Gisela at the 1962 Nobel ball

During the early 1950s, while Watson and Crick were determining the structure of deoxyribonucleic acid (DNA), they made use of unpublished X-ray diffraction images taken by Rosalind Franklin, shown at meetings and shared with them by Maurice Wilkins, and of Franklin’s preliminary account of her detailed analysis of the X-ray images included in an unpublished 1952 progress report for the King’s College laboratory of Sir John Randall. Randall and others eventually criticized the manner in which Perutz gave a copy of this report to Watson and Crick.

It is debatable whether Watson and Crick should have been granted access to Franklin’s results without her knowledge or permission, and before she had a chance to publish a detailed analysis of the content of her unpublished progress report. It is also not clear how important the content of that report had been for Watson and Crick’s modeling. In an effort to clarify this issue, Perutz later published the report, arguing that it included nothing that Franklin had not said in a talk she gave in late 1951, which Watson had attended. Perutz also added that the report was addressed to an MRC committee created in order to “establish contact between the different groups of people working for the Council”. Randall’s and Perutz’s labs were both funded by the MRC.

The author[edit]

In his later years, Perutz was a regular reviewer/essayist for The New York Review of Books on biomedical subjects. Many of these essays are reprinted in his 1998 book I wish I had made you angry earlier.[19] In August 1985 The New Yorker also published his account tiled “That Was the War: Enemy Alien” of his experiences as an internee during World War 2. Perutz’s flair for writing was a late development. His relative Leo Perutz, a distinguished writer, told Max when he was a boy that he would never be a writer, an unwarranted judgement, as demonstrated by Perutz’s remarkable letters written as an undergraduate. They are published in What a Time I Am Having: Selected Letters of Max Perutz. Perutz was delighted to win the Lewis Thomas Prize for Writing about Science in 1997.

The scientist-citizen[edit]

Perutz attacked the theories of philosophers Sir Karl Popper and Thomas Kuhn and biologist Richard Dawkins in a lecture given at Cambridge on ‘Living Molecules’ in 1994. He criticised Popper’s notion that science progresses through a process of hypothesis formation and refutation, saying that hypotheses are not necessarily the basis of scientific research and, in molecular biology at least, they are not necessarily subject to revision either. For Perutz, Kuhn’s notion that science advances in paradigm shifts that are subject to social and cultural pressures is an unfair representation of modern science.

These criticisms extended to scientists who attack religion, in particular to Richard Dawkins. Statements which offend religious faith were for Perutz tactless and simply damage the reputation of science. They are of quite a different order to criticism of the demonstrably false theory of creationism. He concluded that “even if we do not believe in God, we should try to live as though we did.”[20]

Within days of the 11 September attacks in 2001, Perutz wrote to British Prime Minister Tony Blair, appealing to him not to respond with military force: “I am alarmed by the American cries for vengeance and concerned that President Bush’s retaliation will lead to the death of thousands more innocent people, driving us into a world of escalating terror and counter-terror. I do hope that you can use your restraining influence to prevent this happening.”[21]

Honours and awards[edit]

Perutz was elected a Fellow of the Royal Society (FRS) in 1954.[1] In addition to the Nobel Prize for Chemistry in 1962, which he shared with John Kendrew for their studies of the structures of hemoglobin and myoglobin, Max Perutz received a number of other important honours: he was appointed a Commander of the Order of the British Empire in 1963, received the Austrian Decoration for Science and Art in 1967, the Royal Medal of the Royal Society in 1971, appointed a Companion of Honour in 1975, received the Copley Medal in 1979 and the Order of Merit in 1988.

Perutz was made a Member of the German Academy of Sciences Leopoldina in 1964, received an Honorary doctorate from the University of Vienna (1965) and received the Wilhelm Exner Medal in 1967.[22]

Lectures[edit]

In 1980 he was invited to deliver the Royal Institution Christmas Lecture on The Chicken, the Egg and the Molecules.

Personal life[edit]

In 1942, Perutz married Gisela Clara Mathilde Peiser (1915-2005), a medical photographer. They had two children, Vivien (b. 1944), an art historian; and Robin (b. 1949), a professor of Chemistry at the University of York. Gisela was a refugee from Germany (she was a Protestant whose own father had been born Jewish).[23]

He was cremated on 12 February 2002 at Cambridge Crematorium (Cambridgeshire) and his ashes interred with his parents Hugo Perutz and Dely Perutz in the Parish of the Ascension Burial Ground in Cambridge.[24] His wife was cremated on 28 December 2005 and her ashes were interred in the same grave.

Books by Max Perutz[edit]

  • 1962. Proteins and Nucleic Acids: Structure and Function. Amsterdam and London. Elsevier
  • 1989. Is Science Necessary? Essays on science and scientists. London. Barrie and Jenkins. ISBN 0-7126-2123-7
  • 1990. Mechanisms of Cooperativity and Allosteric Regulation in Proteins. Cambridge. Cambridge University PressISBN 0-521-38648-9
  • 1992. Protein Structure : New Approaches to Disease and Therapy. New York. Freeman (ISBN 0-7167-7021-0)
  • 1997. Science is Not a Quiet Life : Unravelling the Atomic Mechanism of Haemoglobin. Singapore. World Scientific. ISBN 981-02-3057-5
  • 2002. I Wish I’d Made You Angry Earlier.Cold Spring Harbor, New York. Cold Spring Harbor Laboratory Press. ISBN 978-0-87969-674-0
  • 2009. What a Time I Am Having: Selected Letters of Max Perutz edited by Vivien Perutz. Cold Spring Harbor, New York. Cold Spring Harbor Laboratory Press. ISBN 978-0-87969-864-5

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In  the second video below in the 77th clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

________

Max Perutz asserted:   “….we should fight creationism and when asked say we don’t believe in religion. I don’t think we should upset those people who do, who are a very large number of reasonable and decent people.”

 

Sometimes people like Max Perutz get mad at people like Richard Dawkins but I see where Dawkins is coming from because he feels strongly about what he feels is the truth.

Let me respond with three points.

FIRST, Christ commands us Christians to tell everyone about the gospel because there is a day of Judgment coming.

Matthew 24:14: “And this gospel of the kingdom will be preached in all the world as a witness to all the nations, and then the end will come.”

Revelation 14:6-7: “Then I saw another angel flying in the midst of heaven, having the everlasting gospel to preach to those who dwell on the earth—to every nation, tribe, tongue, and people— saying with a loud voice, ‘Fear God and give glory to Him, for the hour of His judgment has come; and worship Him who made heaven and earth, the sea and springs of water.’”

My former pastor at Bellevue Baptist Church, Adrian Rogers in his sermon A PLACE CALLED HELL noted:

The late, great Dr. Robert G. Lee, who was the pastor of this church, said this, and I wrote it down, he said, ”I know some people call the preacher who stands squarely upon the teaching of Christ and his apostles narrow, harsh, cruel.” then he said, ”as to being narrow, I have no desire to any broader than was Jesus. As to being cruel, is it cruel to tell a man the truth? Is a man to be called cruel who declares the whole counsel of God and points out to men their danger? Is it cruel to arouse sleeping people to the fact that the house is on fire? Is it cruel to jerk a blind man away from the rattlesnake in the coil? Is it cruel to declare to people the deadliness of disease and tell them which medicine to take?” and then dr. Lee said this; he said, ”I had rather be called cruel for being kind, than to be called kind for being cruel.”

The cruelest thing a man could do would be to fail to warn people about what the bible has to say about hell. To speak sneeringly, disparagingly about a preacher who believes in hell, to ridicule a preacher who warns of hell would be the same as to ridicule a doctor who warns of cancer. It’s not a pleasant subject, but it is a fact. And I’m going to tell you, dear friend, that the idea of hell is ridiculed today. And, I know why it is ridiculed today, because people don’t like the idea and they try to laugh it away. You can laugh your way into hell, but you can’t laugh your way out once you’re there.

SECOND, the answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted and a person can investigate some evidence that the Bible is accurate at this link.

THIRD, without God in the picture everything is permitted. Woody Allen demonstrated this brilliantly in his 1989 film CRIMES AND MISDEMEANORS. I bring this up because I read this below:

  • “All is lawful.”
    – Fyodor Dostoevsky, The Brothers Karamazov
  • “Viper will eat viper, and it would serve them both right!”
    – Fyodor Dostoevsky, The Brothers Karamazov
  • “If you were to destroy in mankind the belief in immortality, not only love but every living force maintaining the life of the world would at once be dried up. Moreover, nothing then would be immoral; everything would be lawful, even cannibalism.”
    – Fyodor Dostoevsky, The Brothers Karamazov

“Scientists may not believe in God, but they should be taught why they ought to behave as if they did.”(9)

Max Perutz, with a Nobel prize in chemistry, made this statement several years ago in response to critical remarks about Cambridge University establishing a Lectureship in Theology and Natural Science. Richard Dawkins, outspoken biologist and atheist, could barely contain himself in an editorial letter about the same lectureship: “The achievements of theologians don’t do anything, don’t affect anything, don’t achieve anything. What makes you think that ‘theology’ is a subject at all?”(10)

Julian Huxley evidently agreed with Perutz because Huxley also wrote, “God does not in fact exist, but act as if He does!” Woody Allen addressed the same point in his movie CRIMES AND MISDEMEANORS and I have written this same subject over and over and over  again on this blog.

Francis Schaeffer’s comments on Huxley’s quote:

Relieving the Tension in the West

In  both the East and the West, however, there are attempts to relieve the tension of seeming to be nothing, while in fact being something very real – a person in a real world which has a definite form. On the materialist side, Sir Julian Huxley (1887-1975) has clarified the dilemma by acknowledging, though he was an atheist, that somehow or other – against all that one might expect – a person functions better if he acts as though God exists. “So,” the argument goes, “God does not in fact exist, but act as if He does!” As observed by the Norwegian playwright Henrik Ibsen (1828-1906) in The Wild Duck: “Rob the average man of his life-illusion, and you rob him of his happiness at the same stroke.” In other words, according to Huxley, you can function properly only if you live your whole life upon a lie. You act as if God exists, which to the materialist is false. At first this sounds like a feasible solution for relieving the tension produced by a materialist world-view. However, a moment’s reflection shows what a terrible solution it is. You will find no deeper despair than this for a sensitive person. This is no optimistic, happy, reasonable, brilliant answer. It is darkness and death.
Another way the tension is relieved is through the theory of evolution, the idea that by chance there is an increasing advance. People are given an impression of progress – up from the primeval slime and the amoeba, up through the evolutionary chain, with life developing by chance from the simple carbon molecule to the complex, right up to the pinnacle, mankind.
This is not the place to discuss evolutionary theory, but it surprises us how readily people accept it, even on the scientific side, as if it had no problems. There are problems, even if these are not commonly realized or discussed.89 The primary point we are interested in, however, is not evolution itself but the illusion of “progress” which has been granted by it. By chance, this amazing complexity called “man” has been generated out of the slime. So, of course, there is progress! By this argument people are led into imagining that the whole of reality does have purpose even if, as we have said, there is no way that it really can have purpose within the humanistic world-view.
Evolution makes men and women feel superior and at the top of the pile, but in the materialistic framework, the whole of reality is meaningless; the concept of “higher” means nothing. Even if, within the humanist world-view, people are more complex than plants and animals, both “higher” and “lower” have no meanings. We are left with everything being sad and absurd.
Thus, the concept of progress is an illusion. Only some form of mystical jump will allow us to accept that personality comes from impersonality.90 No one has offered to explain, let alone demonstrate it to be feasible, how the impersonal plus time plus chance can give personality. We are distracted by a flourish of words – and, lo, personality has appeared out of a hat.
Imagine a universe made up of only liquids and solids, one containing no free gases. A fish is swimming in this universe. This fish, quite naturally, is conformed to its environment so that it is able to exist quite happily. Let us suppose, then, that by blind chance (as the evolutionists would have us believe) this fish developed lungs as it continued swimming in this universe without any gases. The fish would no longer be able to function and to fulfill its position as a fish. Would it then be “higher” or “lower” in its new state with lungs? Obviously it would be lower, for it would drown.
In the same way, if a person has been kicked up from the impersonal by chance, those things that make him a person – hope of purpose and significance, love, notions of morality and rationality and beauty – are ultimately unfulfillable and are thus meaningless. In such a situation, is man higher or lower? Mankind would then be the lowest creature on the scale, the least conforming to what reality is. Thus we see how hopeless is the illusion of meaning or purpose as derived from evolutionary thought.

______

Why Woody Allen’s movie CRIMES AND MISDEMEANORS blows Perutz and Huxley comments out of the water!!!

DISCUSSING FILMS AND SPIRITUAL MATTERS
By Everette Hatcher III

“Existential subjects to me are still the only subjects worth dealing with. I don’t think that one can aim more deeply than at the so-called existential themes, the spiritual themes.” WOODY ALLEN

Evangelical Chuck Colson has observed that it used to be true that most Americans knew the Bible. Evangelists could simply call on them to repent and return. But today, most people lack understanding of biblical terms or concepts. Colson recommends that we first attempt to find common ground to engage people’s attention. That then may open a door to discuss spiritual matters.

Woody Allen’s 1989 movie, CRIMES AND MISDEMEANORS , is an excellent icebreaker concerning the need of God while making decisions in the area of personal morality. In this film, Allen attacks his own atheistic view of morality. Martin Landau plays a Jewish eye doctor named Judah Rosenthal raised by a religious father who always told him, “The eyes of God are always upon you.” However, Judah later concludes that God doesn’t exist. He has his mistress (played in the film by Anjelica Huston) murdered because she continually threatened to blow the whistle on his past questionable, probably illegal, business activities. She also attempted to break up Judah ‘s respectable marriage by going public with their two-year affair. Judah struggles with his conscience throughout the remainder of the movie. He continues to be haunted by his father’s words: “The eyes of God are always upon you.” This is a very scary phrase to a young boy, Judah observes. He often wondered how penetrating God’s eyes are.

Later in the film, Judah reflects on the conversation his religious father had with Judah ‘s unbelieving Aunt May at the dinner table many years ago:

“Come on Sol, open your eyes. Six million Jews burned to death by the Nazis, and they got away with it because might makes right,” says aunt May

Sol replies, “May, how did they get away with it?”

Judah asks, “If a man kills, then what?”

Sol responds to his son, “Then in one way or another he will be punished.”

Aunt May comments, “I say if he can do it and get away with it and he chooses not to be bothered by the ethics, then he is home free.”

Judah ‘s final conclusion was that might did make right. He observed that one day, because of this conclusion, he woke up and the cloud of guilt was gone. He was, as his aunt said, “home free.”

Woody Allen has exposed a weakness in his own humanistic view that God is not necessary as a basis for good ethics. There must be an enforcement factor in order to convince Judah not to resort to murder. Otherwise, it is fully to Judah ‘s advantage to remove this troublesome woman from his life.

The Bible tells us, “{God} has also set eternity in the hearts of men…” (Ecclesiastes 3:11 NIV). The secularist calls this an illusion, but the Bible tells us that the idea that we will survive the grave was planted in everyone’s heart by God Himself. Romans 1:19-21 tells us that God has instilled a conscience in everyone that points each of them to Him and tells them what is right and wrong (also Romans 2:14 -15).

It’s no wonder, then, that one of Allen’s fellow humanists would comment, “Certain moral truths — such as do not kill, do not steal, and do not lie — do have a special status of being not just ‘mere opinion’ but bulwarks of humanitarian action. I have no intention of saying, ‘I think Hitler was wrong.’ Hitler WAS wrong.” (Gloria Leitner, “A Perspective on Belief,” THE HUMANIST, May/June 1997, pp. 38-39)

Here Leitner is reasoning from her God-given conscience and not from humanist philosophy. It wasn’t long before she received criticism. Humanist Abigail Ann Martin responded, “Neither am I an advocate of Hitler; however, by whose criteria is he evil?” (THE HUMANIST, September/October 1997, p. 2)

The secularist can only give incomplete answers to these questions: How could you have convinced Judah not to kill? On what basis could you convince Judah it was wrong for him to murder?

As Christians, we would agree with Judah ‘s father that “The eyes of God are always upon us.” Proverbs 5:21 asserts, “For the ways of man are before the eyes of the Lord, and He ponders all his paths.” Revelation 20:12 states, “…And the dead were judged (sentenced) by what they had done (their whole way of feeling and acting, their aims and endeavors) in accordance with what was recorded in the books” (Amplified Version). The Bible is revealed truth from God. It is the basis for our morality. Judah inherited the Jewish ethical values of the Ten Commandments from his father, but, through years of life as a skeptic, his standards had been lowered. Finally, we discover that Judah ‘s secular version of morality does not resemble his father’s biblically-based morality.

Woody Allen’s CRIMES AND MISDEMEANORS forces unbelievers to grapple with the logical conclusions of a purely secular morality. It opens a door for Christians to find common ground with those whom they attempt to share Christ; we all have to deal with personal morality issues. However, the secularist has no basis for asserting that Judah is wrong.

Larry King actually mentioned on his show, LARRY KING LIVE, that Chuck Colson had discussed the movie CRIMES AND MISDEMEANORS with him. Colson asked King if life was just a Darwinian struggle where the ruthless come out on top. Colson continued, “When we do wrong, is that our only choice? Either live tormented by guilt, or else kill our conscience and live like beasts?” (BREAKPOINT COMMENTARY, “Finding Common Ground,” September 14, 1993)

Later, Colson noted that discussing the movie CRIMES AND MISDEMEANORS with King presented the perfect opportunity to tell him about Christ’s atoning work on the cross. Colson believes the Lord is working on Larry King. How about your neighbors? Is there a way you can use a movie to find common ground with your lost friends and then talk to them about spiritual matters?

(Caution: CRIMES AND MISDEMEANORS is rated PG-13. It does include some adult themes.)

 

 

Adrian Rogers is pictured below and Francis Schaeffer above.

Watching the film HOW SHOULD WE THEN LIVE? in 1979 impacted my life greatly

Francis Schaeffer in the film WHATEVER HAPPENED TO THE HUMAN RACE?

Francis and Edith Schaeffer

 

_______

On May 15, 1994 on the 10th anniversary of the passing of Francis Schaeffer I attempted to send a letter to almost every living Nobel Prize winner and I believe  Dr. Max Perutz was probably among that group and here is a portion of that letter below:

I have enclosed a cassette tape by Adrian Rogers and it includes  a story about  Charles Darwin‘s journey from  the position of theistic evolution to agnosticism. Here are the four bridges that Adrian Rogers says evolutionists can’t cross in the CD  “Four Bridges that the Evolutionist Cannot Cross.” 1. The Origin of Life and the law of biogenesis. 2. The Fixity of the Species. 3.The Second Law of Thermodynamics. 4. The Non-Physical Properties Found in Creation.  

In the first 3 minutes of the cassette tape is the hit song “Dust in the Wind.” Below I have given you some key points  Francis Schaeffer makes about the experiment that Solomon undertakes in the book of Ecclesiastes to find satisfaction by  looking into  learning (1:16-18), laughter, ladies, luxuries,  and liquor (2:1-3, 8, 10, 11), and labor (2:4-6, 18-20).

Schaeffer noted that Solomon took a look at the meaning of life on the basis of human life standing alone between birth and death “under the sun.” This phrase UNDER THE SUN appears over and over in Ecclesiastes. The Christian Scholar Ravi Zacharias noted, “The key to understanding the Book of Ecclesiastes is the term UNDER THE SUN — What that literally means is you lock God out of a closed system and you are left with only this world of Time plus Chance plus matter.”

Here the first 7 verses of Ecclesiastes followed by Schaeffer’s commentary on it:

The words of the Preacher, the son of David, king in Jerusalem. Vanity of vanities, says the Preacher, vanity of vanities! All is vanity. What does man gain by all the toil at which he toils under the sun? A generation goes, and a generation comes, but the earth remains forever. The sun rises, and the sun goes down, and hastens to the place where it rises. The wind blows to the south and goes around to the north; around and around goes the wind, and on its circuits the wind returns. All streams run to the sea, but the sea is not full; to the place where the streams flow, there they flow again.  

Solomon is showing a high degree of comprehension of evaporation and the results of it.  Seeing also in reality nothing changes. There is change but always in a set framework and that is cycle. You can relate this to the concepts of modern man. Ecclesiastes is the only pessimistic book in the Bible and that is because of the place where Solomon limits himself. He limits himself to the question of human life, life under the sun between birth and death and the answers this would give.

Solomon doesn’t place man outside of the cycle. Man doesn’t escape the cycle. Man is in the cycle. Birth and death and youth and old age.

There is no doubt in my mind that Solomon had the same experience in his life that I had as a younger man (at the age of 18 in 1930). I remember standing by the sea and the moon arose and it was copper and beauty. Then the moon did not look like a flat dish but a globe or a sphere since it was close to the horizon. One could feel the global shape of the earth too. Then it occurred to me that I could contemplate the interplay of the spheres and I was exalted because I thought I can look upon them with all their power, might, and size, but they could contempt nothing. Then came upon me a horror of great darkness because it suddenly occurred to me that although I could contemplate them and they could contemplate nothing yet they would continue to turn in ongoing cycles when I saw no more forever and I was crushed.

Let me show you some inescapable conclusions if you choose to live without God in the picture. Schaeffer noted that Solomon came to these same conclusions when he looked at life “under the sun.”

  1. Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)
  2. Chance and time have determined the past, and they will determine the future.  (Ecclesiastes 9:11-13 “I have seen something else under the sun:  The race is not to the swift
    or the battle to the strong, nor does food come to the wise or wealth to the brilliant  or favor to the learned; but time and chance happen to them all.  Moreover, no one knows when their hour will come: As fish are caught in a cruel net, or birds are taken in a snare, so people are trapped by evil times  that fall unexpectedly upon them.”)
  3. Power reigns in this life, and the scales are not balanced(Eccl 4:1; “Again I looked and saw all the oppression that was taking place under the sun: I saw the tears of the oppressed—
    and they have no comforter; power was on the side of their oppressors—  and they have no comforter.” 7:15 “In this meaningless life of mine I have seen both of these: the righteous perishing in their righteousness,  and the wicked living long in their wickedness. ).
  4. Nothing in life gives true satisfaction without God including knowledge (1:16-18), ladies and liquor (2:1-3, 8, 10, 11), and great building projects (2:4-6, 18-20).
  5. There is no ultimate lasting meaning in life. (1:2)

By the way, the final chapter of Ecclesiastes finishes with Solomon emphasizing that serving God is the only proper response of man. Solomon looks above the sun and brings God back into the picture in the final chapter of the book in Ecclesiastes 12:13-14, “ Now all has been heard; here is the conclusion of the matter: Fear God and keep his commandments, for this is the whole duty of man.  For God will bring every deed into judgment, including every hidden thing, whether it is good or evil.”

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted. In 1978 I heard the song “Dust in the Wind” by Kansas when it rose to #6 on the charts. That song told me that Kerry Livgren the writer of that song and a member of Kansas had come to the same conclusion that Solomon had and that “all was meaningless UNDER THE SUN,” and looking ABOVE THE SUN was the only option.  I remember mentioning to my friends at church that we may soon see some members of Kansas become Christians because their search for the meaning of life had obviously come up empty even though they had risen from being an unknown band to the top of the music business and had all the wealth and fame that came with that.

Livgren wrote, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Both Kerry Livgren and Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981.  Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible Church. Hope is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

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__________

MUSIC MONDAY Rolling Stones 1965 album “The Rolling Stones, Now!”

 

the rolling stones – what a shame – stereo edit

Rolling Stones – Heart Of Stone

 

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the rolling stones – down the road apiece – stereo edit

The Rolling Stones, Now!

From Wikipedia, the free encyclopedia
The Rolling Stones, Now!
Rollingstonesnow.jpg
Studio album by The Rolling Stones
Released 13 February 1965 (United States)
Recorded 10 June – 8 November 1964, except “Mona (I Need You Baby)”, 3–4 January 1964
Genre Rhythm and blues[1]
Length 35:58
Language English
Label London
Producer Andrew Loog Oldham
The Rolling Stones American chronology
12 X 5
(1964)
The Rolling Stones, Now!
(1965)
Out of Our Heads
(1965)
Singles from The Rolling Stones, Now!
  1. Little Red Rooster
    Released: 13 November 1964 (UK)
  2. Heart of Stone
    Released: 19 December 1964 (United States)
Professional ratings
Review scores
Source Rating
Allmusic 5/5 stars[1]

The Rolling Stones, Now! is the third American studio album by the Rolling Stones, released in 1965 by their initial American distributor, London Records.

The album contained seven tracks from their second UK album The Rolling Stones No. 2, the recent US Top 20 hit “Heart of Stone“, the recent UK No. 1 hit single “Little Red Rooster“, “Surprise, Surprise”, from The Lord’s Taverners Charity Album, “Mona (I Need You Baby)” from The Rolling Stones and “Oh Baby (We Got A Good Thing Goin’)” which would appear on the UK edition of the Stones’ next album Out of Our Heads later in 1965. The album contains a different, and shorter, version of “Everybody Needs Somebody to Love” than the recording on The Rolling Stones No. 2, although the latter version was accidentally used on the 1986 CD of The Rolling Stones, Now!. The 2002 CD includes the shorter version, as heard on the original LP. Four of the songs on The Rolling Stones, Now! were penned by the songwriting team of Mick Jagger and Keith Richards (who dropped the “s” from his surname until 1978).

For the back cover, London Records simply took the back cover of The Rolling Stones No. 2 and amended the track listing and label information. Where the UK liner cover said “No. 2” after ‘THE ROLLING STONES’ was simply whited out for the American cover. One thing that was overlooked, however, was a mention of Ian Stewart playing organ on “Time Is on My Side,” which made no sense on The Rolling Stones, Now! as the song was not on that album. This credit was deleted from the 1986 and 2002 reissues.

The liner notes on initial pressings contained Andrew Loog Oldham’s advice to the record buying public, which was quickly temporarily removed from some subsequent pressings:

“(This is THE STONES new disc within. Cast deep in your pockets for the loot to buy this disc of groovies and fancy words. If you don’t have the bread, see that blind man knock him on the head, steal his wallet and low and behold you have the loot, if you put in the boot, good, another one sold!)”

The Rolling Stones, Now! is generally considered a very strong album and a highlight of their early American releases. Upon its February issuing, The Rolling Stones, Now! reached No. 5 in the US and became another gold seller for The Rolling Stones. In 2003, the album was ranked number 180 on Rolling Stone magazine’s list of The 500 Greatest Albums of All Time.[2]

In August 2002 The Rolling Stones, Now! was reissued in a new remastered CD and SACD digipak by ABKCO Records. This version included stereo mixes of “Heart of Stone”, “What a Shame”, and “Down the Road Apiece”.[3]

Track listing[edit]

Side one
No. Title Writer(s) Length
1. Everybody Needs Somebody to Love” (alternative long version appears on The Rolling Stones No. 2) Solomon Burke, Bert Berns, Jerry Wexler 3:00
2. “Down Home Girl” (originally released on The Rolling Stones No. 2) Jerry Leiber, Arthur Butler 4:13
3. You Can’t Catch Me” (originally released on The Rolling Stones No. 2) Chuck Berry 3:40
4. Heart of Stone Jagger, Richards 2:49
5. “What a Shame” (originally released on The Rolling Stones No. 2) Jagger, Richards 3:06
6. Mona (I Need You Baby)” (originally released on The Rolling Stones) Ellas McDaniel 3:35
Side two
No. Title Writer(s) Length
7. Down the Road Apiece” (originally released on The Rolling Stones No. 2) Don Raye 2:56
8. “Off the Hook” (originally released on The Rolling Stones No. 2) Jagger, Richards 2:36
9. “Pain in My Heart” (originally released on The Rolling Stones No. 2) Allen Toussaint 2:12
10. “Oh Baby (We Got a Good Thing Goin’)” Barbara Lynn Ozen 2:06
11. Little Red Rooster Willie Dixon 3:04
12. “Surprise, Surprise” 2:29

Personnel[edit]

The Rolling Stones[edit]

Additional personnel[edit]

Chart positions[edit]

Album
Year Chart Position
1965 Billboard 200[4] 5
Singles
Year Single Chart Position
1965 “Heart of Stone” The Billboard Hot 100[5] 19

Certifications[edit]

Country Provider Certification
(sales thresholds)
United States RIAA Gold

References[edit]

  1. ^ Jump up to:a b Richie Unterberger. “The Rolling Stones, Now! – The Rolling Stones | Songs, Reviews, Credits, Awards”. AllMusic. Retrieved 2014-06-13.
  2. Jump up^ “#180 The Rolling Stones, Now!”. Rolling Stone. 1 November 2003. Retrieved 18 June 2013.
  3. Jump up^ Walsh, Christopher (24 August 2002). “Super audio CDs: The Rolling Stones Remastered”. Billboard. Billboard. p. 27.
  4. Jump up^ Stephen Thomas Erlewine. “The Rolling Stones | Awards”. AllMusic. Retrieved 2014-06-13.
  5. Jump up^ Stephen Thomas Erlewine. “The Rolling Stones | Awards”. AllMusic. Retrieved 2014-06-13.

External links[edit]

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 107 A look at the BEATLES as featured in 7th episode of Francis Schaeffer film HOW SHOULD WE THEN LIVE? Was popularity of OCCULTISM in UK the reason Aleister Crowley appeared on SGT PEP cover? Schaeffer notes, “People put the Occult in the area of non-reason in the hope of some kind of meaning even if it is a horrendous kind of meaning” Part E (Artist featured today is Gerald Laing )

On the cover of Sergeant Pepper’s Lonely Hearts Club Band Album there were many individuals that were historical figures that changed history. Many of these individuals had died before the release June 1, 1967 of the album. Aldous Huxley was a major figure in the drug culture and he had died on November 22, 1963. Aleister […]

FRIEDMAN FRIDAY NOVEMBER 10, 2016 3:18PM Trump Spending Cut Ideas By CHRIS EDWARDS

 

There is nothing that is free and that is why we have to cut government spending since we are all paying for this inefficient government!!

Milton Friedman – The Free Lunch Myth

NOVEMBER 10, 2016 3:18PM

Trump Spending Cut Ideas

President-elect Donald Trump said on the campaign trail that he will balance the federal budget and cut wasteful spending. Here are some of Trump’s views on budget reforms:

  • “We are going to ask every department head in government to provide a list of wasteful spending projects that we can eliminate in my first 100 days.” Source.
  • “We can also stop funding programs that are not authorized in law. Congress spent $320 billion last year on 256 expired laws … Removing just 5 percent of that will reduce spending by almost $200 billion over a ten-year period.” Source.
  • “I may cut Department of Education. I believe Common Core is a very bad thing,” Trump said. “I believe that we should be — you know, educating our children from Iowa, from New Hampshire, from South Carolina, from California, from New York. I think that it should be local education.” Source.
  • “If we save just one penny of each federal dollar spent on non-defense, and non-entitlement programs, we can save almost $1 trillion over the next decade.” Source.
  • “We’re going local. Have to go local. Environmental protection—we waste all of this money. We’re going to bring that back to the states … We are going to cut many of the agencies, we will balance our budget, and we will be dynamic again.” Source.
  • “Waste, fraud and abuse all over the place. Waste, fraud and abuse. You look at what’s happening with Social Security, you look—look at what’s happening with every agency—waste, fraud and abuse. We will cut so much, your head will spin.” Source.

I hope my head does spin from cuts, although most of Trump’s proposals are vague and quite timid. Still, I’m hoping that the more the incoming president finds out about the federal budget, the more he will appreciate the need for major terminations.

So let me suggest some wasteful spending that the new administration should tackle, and the annual savings from terminating each:

President Trump will face major budget pressures in coming years as deficits and entitlement spending soar. Today’s $600 billion deficits are headed toward $1 trillion, and deficits will be even higher if a recession comes along.

Federal spending cuts would help avert a fiscal crisis and boost growth by reducing economic distortions. The incoming Trump team should start with some of the cuts here, and there are plenty more proposals at DownsizingGovernment.org.

 

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 151, this post includes portion of 6-2-94 letter from Hospers to me blasting Christian Evangelicalism, John Hospers Part G (Featured artist is David Bates )

 

John Hospers on ‘Pure’ versus ‘Impure’ Libertarianism

Image result for john hospers

I sent a cassette tape of Adrian Rogers on Evolution to John Hospers in May of 1994 which was the 10th anniversary of Francis Schaeffer’s passing and I promptly received a typed two page response from Dr. John Hospers. Dr. Hospers had both read my letter and all the inserts plus listened to the whole sermon and had some very angry responses. If you would like to hear the sermon from Adrian Rogers and read the transcript then refer to my earlier post at this link.  Over the last few weeks I have posted  portions of Dr. Hospers’ letter and portions of the cassette tape that he listened to back in 1994, and today I want to look at some other comments made on that cassette tape that John Hospers listened to and I will also post a few comments that Dr. Hospers made in that 2 page letter.

 

Here is a portion of Hospers’ June 2, 1994 letter to me: 

Do you really think a person can devote years of his life to studying philosophy and related subjects and yet NOT EVEN THINK (as you accuse me) about the matters you call spiritual?

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On the cassette tape I sent to Dr. Hospers discussed CLAUDE BROWN and the view that EVERYONE KNOWS THAT GOD EXISTS:

 

Deep down everyone knows that God exists!!!

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Deep down everyone knows that God exists!!! I have a good friend who is a street preacher who preaches on the Santa Monica Promenade in California and during the Q/A sessions he does have lots of atheists that enjoy their time at the mic. When this happens he  always quotes Romans 1:18-19 (Amplified Bible) ” For God’s wrath and indignation are revealed from heaven against all ungodliness and unrighteousness of men, who in their wickedness REPRESS and HINDER the truth and make it inoperative. For that which is KNOWN about God is EVIDENT to them and MADE PLAIN IN THEIR INNER CONSCIOUSNESS, because God  has SHOWN IT TO THEM,”(emphasis mine). Then he  tells the atheist that the atheist already knows that God exists but he has been suppressing that knowledge in unrighteousness. This usually infuriates the atheist. My friend draws some large crowds at times and was thinking about setting up a lie detector test and see if atheists actually secretly believe in God. He discussed this project with me since he knew that I had done a lot of research on the idea about 20 years ago. Nelson Price in THE EMMANUEL FACTOR (1987) tells the story about Brown Trucking Company in Georgia who used to give polygraph tests to their job applicants. However, in part of the test the operator asked, “Do you believe in God?” In every instance when a professing atheist answered “No,” the test showed the person to be lying. My pastor Adrian Rogers used to tell this same story to illustrate Romans 1:19 and it was his conclusion that “there is no such thing anywhere on earth as a true atheist. If a man says he doesn’t believe in God, then he is lying. God has put his moral consciousness into every man’s heart, and a man has to try to kick his conscience to death to say he doesn’t believe in God.”

It is true that polygraph tests for use in hiring were banned by Congress in 1988.  Mr and Mrs Claude Brown on Aug 25, 1994  wrote me a letter confirming that over 15,000 applicants previous to 1988 had taken the polygraph test and EVERY-TIME SOMEONE SAID THEY DID NOT BELIEVE IN GOD, THE MACHINE SAID THEY WERE LYING. It had been difficult to catch up to the Browns. I had heard about them from Dr. Adrian Rogers‘ sermon but I did not have enough information to locate them. Dr. Rogers referred me to Dr. Nelson Price and Dr. Price’s office told me that Claude Brown lived in Atlanta. After writing letters to all 9 of the entries for Claude Brown in the Atlanta telephone book, I finally got in touch with the Browns. Adrian Rogers also pointed out that the Bible does not recognize the theoretical atheist.  Psalms 14:1: The fool has said in his heart, “There is no God.”  Dr Rogers notes, “The fool is treating God like he would treat food he did not desire in a cafeteria line. ‘No broccoli for me!’ ” In other words, the fool just doesn’t want God in his life and is a practical atheist, but not a theoretical atheist. Charles Ryrie in the The Ryrie Study Bible came to the same conclusion on this verse. Here are the conclusions of the experts I wrote in the secular world concerning the lie detector test and it’s ability to get at the truth: Professor Frank Horvath of the School of Criminal Justice at Michigan State University has testified before Congress concerning the validity of the polygraph machine. He has stated on numerous occasions that “the evidence from those who have actually been affected by polygraph testing in the workplace is quite contrary to what has been expressed by critics. I give this evidence greater weight than I give to the most of the comments of critics” (letter to me dated October 6, 1994). There was no better organization suited to investigate this claim concerning the lie detector test than the Committee for the Scientific Investigation of Claims of the Paranormal (CSICOP). This organization changed their name to the Committe for Skeptical Inquiry in 2006. This organization includes anyone who wants to help debunk the whole ever-expanding gamut of misleading, outlandish, and fraudulent claims made in the name of science. I AM WRITING YOU TODAY BECAUSE YOU ARE ASSOCIATED WITH CSICOP.

I read The Skeptical Review(publication of CSICOP) for several years during the 90’s and I would write letters to these scientists about taking this project on and putting it to the test.  Below are some of  their responses (15 to 20 years old now): 1st Observation: Religious culture of USA could have influenced polygraph test results.

Image result for antony flew

ANTONY FLEW  (formerly of Reading University in England, now deceased, in a letter to me dated 8-11-96) noted, “For all the evidence so far available seems to be of people from a culture in which people are either directly brought up to believe in the existence of God or at least are strongly even if only unconsciously influenced by those who do. Even if everyone from such a culture revealed unconscious belief, it would not really begin to show that — as Descartes maintained— the idea of God is so to speak the Creator’s trademark, stamped on human souls by their Creator at their creation.”

(Susan Blackmore pictured below)

Image result for SUSAN BLACKMORE

2nd Observation: Polygraph Machines do not work. JOHN R. COLE, anthropologist, editor, National Center for Science Education, Dr. WOLF RODER, professor of Geography, University of Cincinnati, Dr. SUSAN BLACKMORE,Dept of Psychology, University of the West of England, Dr. CHRISTOPHER C. FRENCH, Psychology Dept, Goldsmith’s College, University of London, Dr.WALTER F. ROWE, The George Washington University, Dept of Forensic Sciences, Graduate School of Arts and Sciences. 3rd Observation: The sample size probably was not large enough to apply statistical inference. (These gentlemen made the following assertion before I received the letter back from Claude Brown that revealed that the sample size was over 15,000.) JOHN GEOHEGAN, Chairman of New Mexicans for Science and Reason, Dr. WOLF RODER, and Dr WALTER F. ROWE (in a letter dated July 12, 1994) stated, “The polygraph operator for Brown Trucking Company has probably examined only a few hundred or a few thousand job applicants. I would surmise that only a very small number of these were actually atheists. It seems a statistically insignificant (and distinctly nonrandom) sampling of the 5 billion human beings currently inhabiting the earth. Dr. Nelson Price also seems to be impugning the integrity of anyone who claims to be an atheist in a rather underhanded fashion.”

Image result for THOMAS GILOVICH, psychologist, Cornell Univ
4th Observation: The question (Do you believe in God?)  was out of place and it surprised the applicants. THOMAS GILOVICH, psychologist, Cornell Univ., Dr. ZEN FAULKES, professor of Biology, University of Victoria (Canada), ROBERT CRAIG, Head of Indiana Skeptics Organization, Dr. WALTER ROWE, 
(Paul Quincey pictured below)
Image result for PAUL QUINCEY, National Physical Laboratory,(England)
 
5th Observation: Proof that everyone believes in God’s existence does not prove that God does in fact exist. PAUL QUINCEY, Nathional Physical Laboratory,(England), Dr. CLAUDIO BENSKI, Schneider Electric, CFEPP, (France),
6th Observation: Both the courts and Congress recognize that lie-detectors don’t work and that is why they were banned in 1988.  (Governments and the military still use them.)
Dr WALTER ROWE, KATHLEEN M. DILLION, professor of Psychology, Western New England College.
7th Observation:This information concerning Claude Brown’s claim has been passed on to us via a tv preacher and eveybody knows that they are untrustworthy– look at their history. WOLF RODER.
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Solomon wisely noted in Ecclesiastes 3:11 “God has planted eternity in the heart of men…” (Living Bible). No wonder Bertrand Russell wrote in his autobiography, “It is odd, isn’t it? I feel passionately for this world and many things and people in it, and yet…what is it all? There must be something more important, one feels, though I don’t believe there is. I am haunted. Some ghosts, for some extra mundane regions, seem always trying to tell me something that I am to repeat to the world, but I cannot understand that message.”
Gene Emery, science writer for Providence Journal-Bulletin is a past winner of the CSICOP “Responsibility in Journalism Award” and he had the best suggestion of all when he suggested, “Actually, if you want to make a good case about whether Romans 1:19 is true, arrange to have a polygraph operator (preferably an atheist or agnostic) brought to the next CSICOP meeting. (I’m not a member of CSICOP, by the way, so I can’t give you an official invitation or anything.) If none of the folks at that meeting can convince the machine that they truly believe in God, maybe there is, in fact, an innate willingness to believe in God.”
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Picture of Adrian Rogers below from 1970’s while pastor of Bellevue Baptist of Memphis, and president of Southern Baptist Convention. (Little known fact, Rogers was the starting quarterback his senior year of the Palm Beach High School football team that won the state title and a hero to a 7th grader at the same school named Burt Reynolds.)
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I have a lot of respect for the teachings of Adrian Rogers and I have posted many of his videos over and over and over  before. He has taken up many issues such as alcohol, drunk drivingevolution,  character,  9/11profanity,  confronting atheists (like Antony Flew, Carl Sagan),   and he has impacted millions of lives throughout this country through his Love Worth Finding tv  and radio ministry.

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How can I know the Bible is the Word of God? by Adrian Rogers

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Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

 The Bible and Archaeology – Is the Bible from God? (Kyle Butt)

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During the 1990′s I actually made it a practice to write famous atheists and scientists that were mentioned by Adrian Rogers and Francis Schaeffer and challenge them with the evidence for the Bible’s historicity and the claims of the gospel. Usually I would send them a cassette tape of Adrian Rogers’ messages “6 reasons I know the Bible is True,” “The Final Judgement,” “Who is Jesus?” and the message by Bill Elliff, “How to get a pure heart.”  I would also send them printed material from the works of Francis Schaeffer and a personal apologetic letter from me addressing some of the issues in their work. My second cassette tape that I sent to both Antony Flew and George Wald was Adrian Rogers’ sermon on evolution and here below you can watch that very sermon on You Tube.   Carl Sagan also took time to correspond with me about a year before he died. 

(Francis Schaeffer pictured below)

Image result for francis schaeffer

Adrian Rogers pictured below

I have posted on Adrian Rogers’ messages on Evolution before but here is a complete message on it.

Evolution: Fact of Fiction? By Adrian Rogers

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Featured artist is David Bates

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Art This Week-At The Modern-David Bates-David Bates Interview

Sculpture with the Freshness of Drawing: Artist David Bates in conversation with Curator Jed Morse

The Most Successful Dallas Artist Ever

David Bates turned his back on the New York art world. Now they call his work a guilty pleasure.

David Bates bounces around a storage room crammed with his art at Talley Dunn Gallery. He’s a bit frazzled, for good reason. It’s November, and he has less than three months to prepare for one of the biggest exhibitions of his life, a retrospective that will be mounted simultaneously at the Nasher Sculpture Center and the Modern Art Museum of Fort Worth. He has been fretting over drafts of the forthcoming exhibition catalog and running back and forth to his foundry in Houston to oversee the casting of new bronzes. Further throwing his life in disarray, Bates is moving his studio. In the storage room, a few blocks south of SMU, paintings cover the walls, sculptures sit on pedestals, yet more paintings and smaller sculptures fill storage racks. Much of the work is recent still lifes, mostly flowers, magnolias in particular. Bates picks up some little bronze skulls and casually tosses one into the garbage with a laugh, a self-deprecating knock on his own work.

david_bates_2Vine, 2011–12 Photographer: Kevin Todora, courtesy Talley Dunn Gallery

Unlike his portraits, which often render the human figure in a virile jangle of angular and confident brushstrokes, Bates has a rounded, unassuming, almost nondescript appearance. He’s cheery and approachable, given to affecting accents when he tells stories, taking particular delight in tales of clueless curators describing his Southern landscapes and portraits of Gulf Coast fisherman hunched over dragnets.

“They’d say, ‘Ham-handed, clumsy, sort of stupid shapes and forms, Cro-Magnon drawing style, lots of big black lines,’ ” he says. “And I’m like, well, none of that sounded good, but I do agree with you.”

For someone who has managed a 35-plus-year career, the 61-year-old artist has surprisingly little patience for the lingo and pretension that typify the world of contemporary art. Rather, when Bates talks about painting, it sounds more like fishing. There’s a strategy and a process, best learned by receiving wisdom passed down through generations. At first glance, his work can look startlingly old-fashioned. Throughout his career, he has returned again and again to the most traditional forms of painting: still lifes, portraits, and landscapes. And yet it is precisely this approach that has won him a reputation as a maverick. He is the rare interpreter of flowers, sculptor of busts, and etcher of majestic birds that the art world hasn’t shunned. To the contrary, he has racked up nearly every accolade it can bestow upon an artist. He has been exhibited by major biennials, collected by the biggest museums, and acquired by important collectors. His acceptance, however, has come with a full measure of skepticism.

“In fashionable art-world circles the paintings of David Bates are considered conservative if not reactionary or, at best, guilty pleasures, if they are considered at all,” wrote the New York Times’ co-chief art critic, Roberta Smith, in 2006. “If I wanted to signal my agreement I would say that I like them against my better judgment, but in truth I just like them.”

It is easy to like Bates’ art. In fact, some of the skepticism about his work seems to spring from the fact that it is almost too easy to like Bates’ art, even without knowing much about contemporary art. It almost seems as if Bates pulled one over on the art world. His career began in New York in the late 1970s, a particularly heady time in the history of art. Then Bates turned his back on it. He returned to his hometown of Dallas, where he set about painting his birds and landscapes. Remarkably, that’s how he became the most successful artist this city has ever produced.

•••

A four-hour drive northeast of Dallas, Grassy Lake might as well be on another planet. It’s a murky virgin cypress swamp filled with mud, muck, shrubs, and thickets. From its black waters, a thick forest of bald cypress trees rises up, each as straight as a telephone pole, with bony little knees jutting out from the trunks. Grassy Lake is not hospitable to human life, but the wetlands are fecund. Hunters and fisherman have built rickety cabins that sit on thin wooden piers driven into the muddy lake bottom. The swamp teems with bass, catfish, ducks, geese, and migrating heron and ibises. There’s little solid ground, save thin strips of sticky mud where alligators sun themselves. It is a wild and mysterious place, perhaps the closest place to Dallas that feels the farthest thing from it. For Bates, Grassy Lake is an artist’s paradise. 

david_bates_3Magnolia, 2013 Photographer: Kevin Tadora, courtesy Talley Dunn Gallery

He first came to Grassy Lake in 1982, led here by Dallas arts patron Claude Albritton. At the time, Bates was an artist and adjunct professor at SMU, Eastfield College, El Centro, and Richland. After receiving his master of fine arts degree and studying for a year at the Whitney Museum of American Art in New York, he had returned to his hometown disenchanted with the money- and career-driven frenzy of New York. On weekends and during the summer, he would strike out from Dallas to places like Grassy Lake to paint, stepping into waders and slogging through the muddy waters, sketchbook in hand.

“What Grassy Lake gave me … was the understanding about how nature and art work together,” Bates told the Modern Art Museum of Fort Worth curator Michael Auping in an interview. “The Cezanne-Monet-Courbet lesson in real time.”

It was an unlikely existence for a kid who grew up in suburban Garland. His father was a traveling salesman for a sportswear company. His mother had studied at the Art Institute of Chicago before settling into suburban domesticity, taking up an interest in 1950s interior design and Asian flower arrangements. When Bates was a boy, his mother brought him to art classes at the Dallas Museum of Art, where he was exposed to work by the Dallas Nine and Texas Regionalist painters such as Jerry Bywaters and Otis Dozier, artists who shunned the European stronghold on American modernism in the 1930s for vernacular landscapes of the Southwest.

“American art, the way I remember it from when I was younger, it was bold,” Bates says. “It was ‘I don’t give a shit about how y’all do it over in Europe. This is how we do it.’ ”

But Bates wasn’t a very good student. (“They didn’t have dyslexia back then,” he says. “You were just slow.”) His real passion was fishing. During the summers, Bates’ father would take the family down to the Gulf Coast, where he would roam the beaches and haunt the bait shops. But he also showed promise as a draftsman. After graduating from Garland High School, he took art classes at Eastfield Community College. His professors encouraged him to apply to SMU. He got a scholarship and studied with the painter Roger Winter. “He was the link between Bywaters, Dozier, and that stuff and me,” Bates says.

david_bates_4LIFE’S WORK: David Bates in his studio Photography by James Bland

In his mature work, one can see connections between this legacy and Texas regionalism, which, like Bates’ work, drew inspiration from early Renaissance art and American folk art. In the 1970s, though, Bates hadn’t found his own style, and Dallas art was more interested in so-called Texas Funk, which blended vernacular Texas idioms with psychedelic and pop art (and included artists such as Bob “Daddy-O” Wade and the Oak Cliff 4). The artist Julian Schnabel lived in Dallas at the time, working as a line cook at The Grape before moving to New York in the 1980s and becoming one of art’s biggest stars. Schnabel had just finished studying at the Whitney Museum of American Art’s prestigious independent-study program, and he encouraged Bates to apply. The kid from Garland was surprised when he was accepted. “Later they said, ‘It’s so good you didn’t come here for an interview, brother,’ ” Bates recalls, affecting an ironic, King of the Hill-style Garland drawl. “They would have never let your ass in.”

Bates’ time in New York was intense and bewildering. In the late 1970s, painting was dead again; video, performance, text, and other conceptual-based forms reigned. The students in Bates’ class at the Whitney program, including feminist conceptual artist Jenny Holzer, visited different artists every day. “It would be Alice Neel one day and Richard Serra the next day,” Bates says. “They would all come in and tell you how to do it, and any other way to do it was fucking bullshit.”

Bates’ paintings take up subjects with similar sensitivity of folk ballads and blues songs, Faulkner novels and Horton Foote plays.

Bates made video art and wrote performance pieces and plays. The performance artists Sylvia and Robert Whitman, whom Bates had met when they were in Dallas in 1974 as part of the DMA’s “Poets of the Cities” exhibition, gave the young artist a place to stay in New York. Bates liked the city, but after a year, the grind began to wear him down. “It was all how to get famous, how to fit in, and how to find your niche within this art world,” Bates says. “I thought, ‘This isn’t my deal.’ It was too based in what I should be doing.”

The problem was that Bates still wasn’t sure what he wanted to do. He had a hunch, though, that he could figure that out back home in Dallas. “I came back, and I told Bob Murdoch, who was curator at the Dallas museum at the time, ‘Okay, man, I have a play for you. I have a performance. I have some videos,’ ” Bates says. “I was like, ‘Look, dude, I’m just trying to enlighten you with some brilliance from New York.’ ”

After returning from New York, though, Bates began to find the art that would really draw him in. He was teaching at a number of local colleges and audited a full slate of art history courses. He also met the artist and his future wife, Jan Lee McComas. McComas’ work drew from a heavy folk art influence, and that kind of work, often created by self-taught painters, rural mystics, and other outsider artists, helped reacquaint Bates with the simple pleasure and sense of play in making art. 

“That’s the thing with those folk artists; they don’t care,” Bates says. “They are just taking some paint and throwing it around and seeing what it looks like. And those early Renaissance people were folk artists. Giotto. They didn’t know how to do that stuff. They have these profiles, and it’s just a two-dimensional face. They loved the charm of that.”

Bates was set. He had a good teaching job and didn’t have to worry about selling work to pay the bills. He had time to explore the countryside and experiment with new forms and techniques. His paintings during this period mix folk motifs, like the abstract patterns of quilts, with scenes reminiscent of European primitivism, painters like Henri Rousseau and Paul Gauguin. Meanwhile, the Dallas art scene was diversifying. The institution that would become The Dallas Contemporary opened, as did the state’s first artist-run cooperative, 500x. DW Gallery, which had started as an all-female art collective, gave Bates a solo show in 1981 that created a local stir. 

A year later, he discovered Grassy Lake and began painting it in earnest. Bates’ career took off. In 1983, his work was included in exhibitions at the Contemporary Arts Museum in Houston and the New Orleans Museum of Art, and he was chosen for the 38th Corcoran Biennial in Washington, D.C., an exhibition of American painters that proved life changing. His work would be picked up by former Artforum editor Charles Cowles’ gallery in New York and purchased by the Metropolitan Museum of Art. By the end of 1984, his work was also in the collections of the Dallas Museum of Art and the New Orleans Museum. Success allowed him to quit his teaching job and focus full time on painting. For the next decade, he would regularly return to Grassy Lake. 

•••

In the art publisher Phaidon’s Art USA, an anthology of American artists, Bates is represented by an image of his painting called Anhinga. It depicts a snakebird perched on a branch that bends over a watery landscape with an almost toxic glow. The bird’s long neck twists upward, pinching a tiny fish in its thin beak, holding the little critter high to soot-black clouds that gather ominously over the spiny trees of Grassy Lake. The text accompanying the image says that Bates “pictures the inhabitants of his hometown of Dallas, Texas.” For anyone who knows Dallas, the description reads like a punch line.

Bates doesn’t paint pictures of Dallas. In fact, his travels to unfamiliar locales are integral to his process. He visits places that inspire him—the swamp, the Gulf Coast—learning the lay of the land, befriending locals, accompanying fishermen on their shrimp boats, sketchbook in hand. Just as Gauguin traveled the South Pacific to watch the islanders and make paintings of their daily lives, so has Bates drawn from Texas, Arkansas, and Louisiana versions of these subjects, people like the Grassy Lake fisherman Ed Walker. Flipping through Bates’ catalog, he is more likely to tell you a story about the person or the dog in the image than to go on about composition or form. 

Likewise, it seems just as important to Bates that his work be understood by the people he paints. “What’s that, a painting of a beer and shrimp and cigarettes?” Bates says, affecting the accent of an imaginary Texan encountering one of his paintings. “Love it. I’ve had a shitload of that in my life. I’ll take that painting.”

david_bates_5Man with Snake, 1995 Photographer: Tom Jenkins, courtesy Modern Art Museum of Fort Worth

In his sculpture, the use of found materials, such as cardboard, wood, and rebar, push his work toward abstraction, while taking up nuanced concepts about the use of everyday materials in art. But Bates makes light of attempts to read too much into these works. “I think 90 percent of the people would come in here and say, ‘Wait a minute, let me get this straight. This is the stupid stuff, and this is the smart stuff?’ ” he says, falling back into that exaggerated Hank Hill impersonation. “ ‘Okay, I’m just seeing a block of plaster with a little face on it. Maybe. Over here, it looks like I can see everything.’ ”

However, as much as Bates avoids intellectualism and admires the honesty and innate approach of the self-taught folk artists, he has a deep knowledge of art history, and the work of the past looms over his practice. In the corner of the storage room at Talley Dunn, there stands a sculpture of a nude woman posed with her arm arched above her head. It is an unmistakable quote from Pablo Picasso’s Les Demoiselles d’Avignon. It’s this engagement with the monumental artistic talents of the past that caught Nasher director Jeremy Strick’s eye.

“His historical ambitions become clear when viewed over the length of his career,” Strick says. “When he first emerged, on the one hand, there was such facility as a painter. On the other hand, the subject matter was so distinctly his own—effectively regional. And there was a relationship to folk art and folk imagery. The broader art-history ambitions weren’t as evident, but over time, he has taken on genre after genre.”

Bates has always tackled the “jazz standards” of painting—still lifes, landscapes, and portraits—but his more recent critical acclaim came when he created a series of paintings in the aftermath of Hurricane Katrina. In these works, Bates’ naturalistic romanticism gives way to a more singular emotional plea. His works are melodramatic—almost sentimental, teetering on voyeuristic—and yet what is striking is that they play in such contrast to the more sanitized and diffused visions of New Orleans in the days after Hurricane Katrina that made it onto the television airwaves. Somehow Bates found a gap in the news cycle’s continuous bombardment of reported images, where painting could find a place to, once again, tell its own version of history.

Bates has created a space for himself as an artist. He draws heavily from folk art, but he is not a folk artist. As much as he eschews high art pretension, he is working in dialogue with the breadth of art history. “Certain artists seem to be very connected to their place,” Strick says. “Their work speaks to something of that place, but you wouldn’t qualify them as regional. There is something that is quite distinctive and personal in Bates’ work, but there’s all kinds of modernist or even postmodern elements to the way he works: the subject matter, repetition, appropriations, the use of materials. All of those things put him in the contemporary world, even if he is an artist that made a choice to come back to Dallas. That reflects a desire to preserve and nurture his own identity at some remove from the contemporary art world.”

Bates embraces his sense of place, his position on the outside. And yet he’s bemused that there is a place inside and outside art in the first place. How is it, he wonders, that the South can be loved for so many of its cultural contributions, but art, somehow, doesn’t have a place in that conversation?

“It’s always been interesting to me in the South,” he says. “They have such a culture of writers, food, music, jazz, blues—all of it comes from down there. All of that stuff is so sophisticated, and so where’s the visual art team? Well, we all picked up and moved to New York because we didn’t want to sit around here and be losers.”

david_bates_6The Dock Builder, 1987 Photographer: Lee Cockman, courtesy Modern Art Museum of Fort Worth

The South resonates in Bates’ work, in its subjects and settings, in its charm, wit, humor, and narrative. The paintings take up subjects with similar sensitivity of folk ballads and blues songs, Faulkner novels and Horton Foote plays. It is precisely this affinity with the narrative of Southern culture that plays into Bates’ status as a semioutsider.

“The New York Times will review cooking from Louisiana, and they love going down and hearing some jazz, and will review music from Nashville, Austin,” he says, and then takes up a haughty voice of an imaginary editor. “But when it comes to ballet, symphony, or the fine arts, that’s where we stop. Now, y’all don’t know shit about that. Making ribs, whatever. But painting, dance. If you’re serious about that, you need to bring it up here. You can join the big leagues or quit. And you go, ‘Really?’ ”

Bates takes a rare pause, and then he laughs. He knows what he has done. We’re sitting surrounded by work that will soon decorate the walls of two museums. We’re flipping through a catalog that spans a career that has taken him into swamps and shrimp boats, museums and biennale pavilions alike. He had to fight through dismissiveness and ambivalence. But in the end, David Bates challenged conventional wisdom and won. Do you need to bring it up to the big leagues? Really? What big leagues are you talking about?

“I know it sounds like a loser from the flyover area, but every decade it seems a little bit more makeable,” he says, “that some guy can not show up to the party and say, ‘I’m going to have my own fucking party.’ ”

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________     H. J. Blackham H. J. Blackham, (31 March 1903 – 23 January 2009), was a leading and widely respected British humanist for most of his life. As a young man he worked in farming and as a teacher. He found his niche as a leader in the Ethical Union, which he steadfastly […]

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WOODY WEDNESDAY Happy Birthday Woody Allen: 15 Quotes By The Maverick Filmmaker

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Woody Allen The Dean Martin Show

Happy Birthday Woody Allen: 15 Quotes By The Maverick Filmmaker

News18.com

First published: December 1, 2016, 3:30 PM IST | Updated: December 1, 2016

One of the most celebrated filmmakers of Hollywood, Woody Allen turns 81 today. Born and raised in Brooklyn as Allen Konigsberg he is arguably most famous for his neurotic outlook on life as he is for his filmmaking.

Allen’s career spans over 50 years and films like Annie Hall, Vicky Cristina Barcelona and Blue Jasmine give us a brief understanding of a masterpiece that he is. Woody Allen’s plotlines are unique, much like the controversies in his personal life, and are peppered with his brand of humour just like his take on life.

Here are 15 quotes by the genius on life. Don’t miss the dash of humour he imparts to each one of them.

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Wishing the quirky filmmaker a very happy birthday.

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS! Part 117 Sean Carroll, cosmologist and physics professor at California Institute of Technology, “Darwin to a good extent undercut “DESIGN ARGUMENT]”

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif AhmedHaroon Ahmed,  Jim Al-Khalili, Louise Antony, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BateSir Patrick BatesonSimon Blackburn, Colin Blakemore, Ned BlockPascal BoyerPatricia ChurchlandAaron CiechanoverNoam Chomsky, Brian CoxPartha Dasgupta,  Alan Dershowitz, Frank DrakeHubert Dreyfus, John Dunn, Ken EdwardsBart Ehrman, Mark ElvinRichard Ernst, Stephan Feuchtwang, Robert FoleyDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan Greenfield, Stephen Jay GouldStephen F Gudeman,  Alan Guth, Jonathan Haidt, Chris Hann,  Theodor W. Hänsch, Brian Harrison,  Stephen HawkingHermann Hauser, Peter HiggsRobert HindeRoald Hoffmann,  Bruce HoodGerard ‘t HooftCaroline HumphreyNicholas Humphrey,  Herbert Huppert,  Sir Andrew Fielding HuxleyGareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart KauffmanMasatoshi Koshiba,  Lawrence KraussHarry Kroto, George Lakoff,  Rodolfo Llinas, Seth Lloyd,  Elizabeth Loftus,  Alan Macfarlane, Colin McGinnDan McKenzie,  Mahzarin Banaji, Michael MannPeter MillicanMarvin MinskyLeonard Mlodinow,  P.Z.Myers,   Yujin NagasawaAlva NoeDouglas Osheroff, David Parkin,  Jonathan Parry, Roger Penrose,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceVS RamachandranLisa RandallLord Martin ReesColin RenfrewAlison Richard,  C.J. van Rijsbergen,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerJohn SulstonBarry Supple,   Leonard Susskind, Raymond TallisMax Tegmark, Michael Tooley,  Neil deGrasse Tyson,  Martinus J. G. Veltman, Craig Venter.Alexander Vilenkin, Sir John Walker, James D. WatsonFrank WilczekSteven Weinberg, and  Lewis Wolpert,

Sean M. Carroll

From Wikipedia, the free encyclopedia
For the biologist, see Sean B. Carroll.
Sean M. Carroll
Seanmcarroll2.jpg

Sean Carroll
Born 5 October 1966 (age 50)
Philadelphia, Pennsylvania
Residence Los Angeles, California
Citizenship United States
Nationality American
Fields Physics, cosmology, astrophysics, general relativity
Institutions California Institute of Technology
Alma mater
Thesis Cosmological Consequences of Topological and Geometric Phenomena in Field Theories (1993)
Doctoral advisor George B. Field
Doctoral students Ignacy Sawicki, Eugene Lim, Mark Hoffman, Jennifer Chen, Heywood Tam, Lotty Ackerman, Kimberly Boddy
Known for Dark electromagnetism
Influences Albert Einstein, Ludwig Boltzmann, Richard Feynman
Notable awards Andrew Gemant Award (2014)
Spouse Jennifer Ouellette
Website
www.preposterousuniverse.com

Sean Michael Carroll (/ˈkærəl/; born 5 October 1966) is a cosmologist and physics professor specializing in dark energy and general relativity. He is a research professor in the Department of Physics at the California Institute of Technology.[1] He has been a contributor to the physics blog Cosmic Variance, and has published in scientific journals and magazines such as Nature, The New York Times, Sky & Telescope, and New Scientist.

He has appeared on the History Channel’s The Universe, Science Channel’s Through the Wormhole with Morgan Freeman, and Comedy Central’s The Colbert Report. Carroll is the author of Spacetime And Geometry, a graduate-level textbook in general relativity, and has also recorded lectures for The Great Courses on cosmology, the physics of time, and the Higgs boson.[2] He is also the author of three popular books: one on the arrow of time entitled From Eternity to Here, one on the Higgs boson entitled The Particle at the End of the Universe, and one on science and philosophy entitled The Big Picture: On the Origins of Life, Meaning, and the Universe Itself.

 

Career

Carroll received his PhD in astronomy and astrophysics in 1993 from Harvard University, where his advisor was George B. Field. His dissertation‘s title is “Cosmological Consequences of Topological and Geometric Phenomena in Field Theories“. He worked as a postdoctoral researcher at the Massachusetts Institute of Technology and Kavli Institute for Theoretical Physics at the University of California, Santa Barbara, and as an assistant professor at the University of Chicago until 2006 when he was denied tenure.[3] He is now a research professor at Caltech.

His most-cited work, “Is Cosmic Speed-Up Due To New Gravitational Physics?”, was written with Vikram Duvvuri, Mark Trodden, and Michael Turner. With over 1,000 citations, it helped pioneer the study of f(R) gravity in cosmology.[4]

In 2010, Carroll was elected as a fellow of the American Physical Society, for “contributions to a wide variety of subjects in cosmology, relativity, and quantum field theory, especially ideas for cosmic acceleration, as well as contributions to undergraduate, graduate, and public science education”.[5] In 2014 he was awarded the Andrew Gemant Award, a prize given by the American Institute of Physics for “significant contributions to the cultural, artistic or humanistic dimension of physics.”[6] In 2015 he was awarded a Guggenheim Fellowship.[7]

Personal life

Carroll is married to Jennifer Ouellette, a science writer and the former director of the Science & Entertainment Exchange.[8]

Research

Carroll has worked on a number of topics in theoretical cosmology, field theory, and gravitation theory. His research papers include models of, and experimental constraints on, violations of Lorentz invariance; the appearance of closed timelike curves in general relativity; varieties of topological defects in field theory; and cosmological dynamics of extra spacetime dimensions. In recent years he has written extensively on models of dark energy and its interactions with ordinary matter and dark matter, as well as modifications of general relativity in cosmology.

Carroll has also worked on the arrow of time problem. He and Jennifer Chen posit that the Big Bang is not a unique occurrence as a result of all of the matter and energy in the universe originating in a singularity at the beginning of time, but rather one of many cosmic inflation events resulting from quantum fluctuations of vacuum energy in a cold De Sitter space. Carroll and Chen claim that the universe is infinitely old, but never reaches thermodynamic equilibrium as entropy increases continuously without limit due to the decreasing matter and energy density attributable to recurrent cosmic inflation. They assert that the universe is “statistically time-symmetric” insofar as it contains equal progressions of time “both forward and backward”.[9][10][11] Some of his work has been on violations of fundamental symmetries, the physics of dark energy, modifications of general relativity, and the arrow of time. Recently he started focusing on issues at the foundations of cosmology, statistical mechanics, quantum mechanics, and complexity.

Views on religion

Carroll is an atheist. He turned down an invitation to speak at a conference sponsored by the John Templeton Foundation, on the grounds that he did not want to appear to be supporting a reconciliation between science and religion.[12] In 2004, he and Shadi Bartsch taught an undergraduate course title at the University of Chicago on the history of atheism. In 2012 he organized the workshop “Moving Naturalism Forward”, which brought together scientists and philosophers to discuss issues associated with a naturalistic worldview. His article, “Does the Universe Need God?” in The Blackwell Companion to Science and Christianity develops the claim that science no longer needs to posit a divine being to explain the existence of the universe. The article generated significant attention when it was discussed on The Huffington Post.[13] His 2016 book The big picture on the origins of life meaning and the universe itself develops the philosophy of poetic naturalism.

Carroll occasionally takes part in formal debates or discussions with theists. In 2012, Carroll teamed up with Michael Shermer to debate with Ian Hutchinson of MIT and author Dinesh D’Souza at Caltech in an event titled “The Great Debate: Has Science Refuted Religion?”[14] In 2014, Carroll debated with Christian apologist William Lane Craig as part of the Greer-Heard Forum in New Orleans. The topic for the debate was “The Existence of God in Light of Contemporary Cosmology”. Carroll received an “Emperor Has No Clothes” award at the Freedom From Religion Foundation Annual National Convention in October 2014.[15]

 

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In  the second video below in the 81st clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

________

Below is the letter I wrote to Dr. Carroll with the quote from him and my response to it.

Image result for charles darwin
Darwin age 30
Image result for charles darwin
Darwin in midlife

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December 25, 2016

Dr. Sean M. Carroll, Pasadena ,

Dear Dr. Carroll,

I just finished reading the online addition of the book Darwin, Francis ed. 1892. Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters [abridged edition]. London: John Murray. There are several points that Charles Darwin makes in this book that were very wise, honest, logical, shocking and some that were not so wise. The Christian Philosopher Francis Schaeffer once said of Darwin’s writings, “Darwin in his autobiography and in his letters showed that all through his life he never really came to a quietness concerning the possibility that chance really explained the situation of the biological world. You will find there is much material on this [from Darwin] extended over many many years that constantly he was wrestling with this problem.”

Recently I noticed this comment by you Dr Carroll from the popular You Tube video ANOTHER 50 RENOWNED ACADEMICS SPEAKING ABOUT GOD (Part 2): 

Aristotle would tell you things like if you have an object and you want it to be in motion. You have to keep pushing it because if you stop, it stops. And Aristotle was right. It stopped if I stopped pushing it.

Physicists like to make fun of Aristotle these days but he was right in the context he was talking about.  So if you believe about fundamental stuff in the world, motion only exists when something is pushing it, then you can imagine that these kinds of arguments make sense that the fact that we see things moving in the universe despite the fact the motion requires a mover makes you believe that there must be some prime mover out there behind the whole thing. Then comes along Galileo and Newton and they saw actually if you think about it carefully the natural status for objects is uniform motion. Its just because of friction dissipation and other annoying features of the world that we see things stop

At a fundamental level things want to keep moving and unless you act upon them they will remain in uniform motion.This notion conservation of momentum completely underminded the sort of metaphysical reasoning behind the arguments for the first cause and prime-mover and things like that , and you can actually see the impact on the theological literature,  once they invented Newtonian mechanics, arguments for the existence of God changed their focus from prime-movers, first cause arguments from contingency to the argument from design. They started inventing machines and they said, “It looks like a machine and maybe there is a machinist and so forth.” Then Darwin to a good extent undercut that argument and we are still living in the aftermath of that.

These words of yours made me think about Darwin’s own words which I want to discuss with you in this letter:

They started inventing machines and they said, “It looks like a machine and maybe there is a machinist and so forth.” Then Darwin to a good extent undercut that argument and we are still living in the aftermath of that.

I thought of you recently when I read the book Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters because of what Darwin said on this same issue of intelligent design. I am going to quote some of Charles Darwin’s own words and then include the comments of Francis Schaeffer on those words. Earlier I had sent you  CD with two messages from Adrian Rogers and Bill Elliff concerning Darwinism. If you don’t have the CD let me know and I will be glad to send you another one.

Darwin, C. R. to Doedes, N. D.2 Apr 1873

“It is impossible to answer your question briefly; and I am not sure that I could do so, even if I wrote at some length. But I may say that the impossibility of conceiving that this grand and wondrous universe, with our conscious selves, arose through chance, seems to me the chief argument for the existence of God; but whether this is an argument of real value, I have never been able to decide…Nor can I overlook the difficulty from the immense amount of suffering through the world. I am aware that if we admit a First Cause, the mind still craves to know whence it came, and how it arose.”

Francis Schaeffer noted:

What he is saying is if you say there is a first cause, then the mind says, “Where did this come from?” I think this is a bit old fashioned, with some of the modern thinkers, this would not have carry as much weight today as it did when Darwin expressed it. Jean Paul Sartre said it as well as anyone could possibly say it. The philosophic problem is that something is there and not nothing being there. No one has the luxury of beginning with nothing. Nobody I have ever read has put forth that everything came from nothing. I have never met such a person in all my reading,or all my discussion. If you are going to begin with nothing being there, it has to be nothing nothing, and it can’t be something nothing. When someone says they believe nothing is there, in reality they have already built in something there. The only question is do you begin with an impersonal something or a personal something. All human thought is shut up to these two possibilities. Either you begin with an impersonal and then have Darwin’s own dilemma which impersonal plus chance, now he didn’t bring in the amount of time that modern man would though. Modern man has brought in huge amounts of time into the equation as though that would make a difference because I have said many times that time can’t make a qualitative difference but only a quantitative difference. The dilemma is it is either God or chance. Now you find this intriguing thing in Darwin’s own situation, he can’t understand how chance could have produced these two great factors of the universe and its form and the mannishness of man.

From Charles Darwin, Autobiography (1876), in The Life and Letters of Charles Darwin, ed. Francis Darwin, vol. 1 (London: John Murray, 1888), pp. 307 to 313.

“Another source of conviction in the existence of God, connected with the reason and not with the feelings, impresses me as having much more weight. This follows from the extreme difficulty or rather impossibility of conceiving this immense and wonderful universe, including man with his capacity of looking far backwards and far into futurity, as the result of blind chance or necessity. When thus reflecting, I feel compelled to look to a First Cause having an intelligent mind in some degree analogous to that of man; and I deserve to be called a Theist. This conclusion was strong in my mind about the time, as far as I can remember, when I wrote the Origin of Species, and it is since that time that it has very gradually, with many fluctuations, become weaker. But then arises the doubt…”

Francis Schaeffer commented:

On the basis of his reason he has to say there must be an intelligent mind, someone analogous to man. You couldn’t describe the God of the Bible better. That is man is made in God’s image  and therefore, you know a great deal about God when you know something about man. What he is really saying here is that everything in my experience tells me it must be so, and my mind demands it is so. Not just these feelings he talked about earlier but his MIND demands it is so, but now how does he counter this? How does he escape this? Here is how he does it!!!

Charles Darwin went on to observe:  —can the mind of man, which has, as I fully believe, been developed from a mind as low as that possessed by the lowest animals, be trusted when it draws such grand conclusions?”

Francis Schaeffer asserted:

So he says my mind can only come to one conclusion, and that is there is a mind behind it all. However, the doubt comes because his mind has come from the lowest form of earthworm, so how can I trust my mind. But this is a joker isn’t it?  Then how can you trust his mind to support such a theory as this? He proved too much. The fact that Darwin found it necessary to take such an escape shows the tremendous weight of Romans 1, that the only escape he can make is to say how can I trust my mind when I come from the lowest animal the earthworm? Obviously think of the grandeur of his concept, I don’t think it is true, but the grandeur of his concept, so what you find is that Darwin is presenting something here that is wrong I feel, but it is not nothing. It is a tremendously grand concept that he has put forward. So he is accepting the dictates of his mind to put forth a grand concept which he later can’t accept in this basic area with his reason, but he rejects what he could accept with his reason on this escape. It really doesn’t make sense. This is a tremendous demonstration of the weakness of his own position.

Darwin also noted, “I cannot pretend to throw the least light on such abstruse problems. The mystery of the beginning of all things is insoluble by us, and I for one must be content to remain an Agnostic.”

Francis Schaeffer remarked:

What a stupid reply and I didn’t say wicked. It just seems to me that here is 2 plus 2 equals 36 at this particular place.

Darwin, C. R. to Graham, William 3 July 1881

Nevertheless you have expressed my inward conviction, though far more vividly and clearly than I could have done, that the Universe is not the result of chance.* But then with me the horrid doubt always arises whether the convictions of man’s mind, which has been developed from the mind of the lower animals, are of any value or at all trustworthy. Would any one trust in the convictions of a monkey’s mind, if there are any convictions in such a mind?

Francis Schaeffer observed:

Can you feel this man? He is in real agony. You can feel the whole of modern man in this tension with Darwin. My mind can’t accept that ultimate of chance, that the universe is a result of chance. He has said 3 or 4 times now that he can’t accept that it all happened by chance and then he will write someone else and say something different. How does he say this (about the mind of a monkey) and then put forth this grand theory? Wrong theory I feel but great just the same. Grand in the same way as when I look at many of the paintings today and I differ with their message but you must say the mark of the mannishness of man are one those paintings titanic-ally even though the message is wrong and this is the same with Darwin.  But how can he say you can’t think, you come from a monkey’s mind, and you can’t trust a monkey’s mind, and you can’t trust a monkey’s conviction, so how can you trust me? Trust me here, but not there is what Darwin is saying. In other words it is very selective. 

Now we are down to the last year of Darwin’s life.

* The Duke of Argyll (Good Words, April 1885, p. 244) has recorded a few words on this subject, spoken by my father in the last year of his life. “. . . in the course of that conversation I said to Mr. Darwin, with reference to some of his own remarkable works on the Fertilisation of Orchids, and upon The Earthworms,and various other observations he made of the wonderful contrivances for certain purposes in nature—I said it was impossible to look at these without seeing that they were the effect and the expression of mind. I shall never forget Mr. Darwin’s answer. He looked at me very hard and said, ‘Well, that often comes over me with overwhelming force; but at other times,’ and he shook his head vaguely, adding, ‘it seems to go away.'”

Francis Schaeffer summarized :

And this is the great Darwin, and it makes you cry inside. This is the great Darwin and he ends as a man in total tension.

Francis Schaeffer noted that in Darwin’s 1876 Autobiography that Darwin he is going to set forth two arguments for God in this and again you will find when he comes to the end of this that he is in tremendous tension. Darwin wrote, 

At the present day the most usual argument for the existence of an intelligent God is drawn from the deep inward conviction and feelings which are experienced by most persons.Formerly I was led by feelings such as those just referred to (although I do not think that the religious sentiment was ever strongly developed in me), to the firm conviction of the existence of God and of the immortality of the soul. In my Journal I wrote that whilst standing in the midst of the grandeur of a Brazilian forest, ‘it is not possible to give an adequate idea of the higher feelings of wonder, admiration, and devotion which fill and elevate the mind.’ I well remember my conviction that there is more in man than the mere breath of his body; but now the grandest scenes would not cause any such convictions and feelings to rise in my mind. It may be truly said that I am like a man who has become colour-blind.

Francis Schaeffer remarked:

Now Darwin says when I look back and when I look at nature I came to the conclusion that man can not be just a fly! But now Darwin has moved from being a younger man to an older man and he has allowed his presuppositions to enter in to block his logic. These things at the end of his life he had no intellectual answer for. To block them out in favor of his theory. Remember the letter of his that said he had lost all aesthetic senses when he had got older and he had become a clod himself. Now interesting he says just the same thing, but not in relation to the arts, namely music, pictures, etc, but to nature itself. Darwin said, “But now the grandest scenes would not cause any such convictions  and feelings to rise in my mind. It may be truly said that I am like a man who has become colour-blind…” So now you see that Darwin’s presuppositions have not only robbed him of the beauty of man’s creation in art, but now the universe. He can’t look at it now and see the beauty. The reason he can’t see the beauty is for a very, very , very simple reason: THE BEAUTY DRIVES HIM TO DISTRACTION. THIS IS WHERE MODERN MAN IS AND IT IS HELL. The art is hell because it reminds him of man and how great man is, and where does it fit in his system? It doesn’t. When he looks at nature and it’s beauty he is driven to the same distraction and so consequently you find what has built up inside him is a real death, not  only the beauty of the artistic but the beauty of nature. He has no answer in his logic and he is left in tension.  He dies and has become less than human because these two great things (such as any kind of art and the beauty of  nature) that would make him human  stand against his theory.

Image result for charles darwin
Darwin close to the end of his life
Image result for francis schaeffer
Francis Schaeffer pictured above

________________________

Dr. Carroll can you still look at God’s beautiful creation and say that it just appears to be the work of an intellect? If so then you like Darwin  can say, “I am like a man who has become colour-blind.”

_______________________________________

IF WE ARE LEFT WITH JUST THE MACHINE THEN WHAT IS THE FINAL CONCLUSION IF THERE WAS NO PERSONAL GOD THAT CREATED US? The CD I sent you earlier starts off with the song DUST IN THE WIND by Kerry Livgren of the group KANSAS which was a hit song in 1978 when it rose to #6 on the charts because so many people connected with the message of the song. It included these words, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Image result for kerry livgren dave hope 700 club
Kerry Livgren and Dave Hope on 700 Club

Image result for kerry livgren

Kerry Livgren of Kansas is on left in picture and Dave Hope is on the right

Kerry Livgren himself said that he wrote the song because he saw where man was without a personal God in the picture. Solomon pointed out in the Book of Ecclesiastes that those who believe that God doesn’t exist must accept three things. FIRST, death is the end and SECOND, chance and time are the only guiding forces in this life.  FINALLY, power reigns in this life and the scales are never balanced. The Christian can  face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.

Both Kerry Livgren and the bass player Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on You Tube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible ChurchDAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject and you can google them: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

You can hear DAVE HOPE and Kerry Livgren’s stories from this youtube link:

(part 1 ten minutes)

(part 2 ten minutes)

Kansas – Dust in the Wind (Official Video)

Uploaded on Nov 7, 2009

Pre-Order Miracles Out of Nowhere now at http://www.miraclesoutofnowhere.com

About the film:
In 1973, six guys in a local band from America’s heartland began a journey that surpassed even their own wildest expectations, by achieving worldwide superstardom… watch the story unfold as the incredible story of the band KANSAS is told for the first time in the DVD Miracles Out of Nowhere.

_____________________________

Adrian Rogers on Darwinism

Related posts:

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 53 THE BEATLES (Part E, Stg. Pepper’s and John Lennon’s search in 1967 for truth was through drugs, money, laughter, etc & similar to King Solomon’s, LOTS OF PICTURES OF JOHN AND CYNTHIA) (Feature on artist Yoko Ono)

The John Lennon and the Beatles really were on a long search for meaning and fulfillment in their lives  just like King Solomon did in the Book of Ecclesiastes. Solomon looked into learning (1:12-18, 2:12-17), laughter, ladies, luxuries, and liquor (2:1-2, 8, 10, 11), and labor (2:4-6, 18-20). He fount that without God in the picture all […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 52 THE BEATLES (Part D, There is evidence that the Beatles may have been exposed to Francis Schaeffer!!!) (Feature on artist Anna Margaret Rose Freeman )

______________   George Harrison Swears & Insults Paul and Yoko Lucy in the Sky with Diamonds- The Beatles The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 51 THE BEATLES (Part C, List of those on cover of Stg.Pepper’s ) (Feature on artist Raqib Shaw )

  The Beatles in a press conference after their Return from the USA Uploaded on Nov 29, 2010 The Beatles in a press conference after their Return from the USA. The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 50 THE BEATLES (Part B, The Psychedelic Music of the Beatles) (Feature on artist Peter Blake )

__________________   Beatles 1966 Last interview I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about them and their impact on the culture of the 1960’s. In this […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 49 THE BEATLES (Part A, The Meaning of Stg. Pepper’s Cover) (Feature on artist Mika Tajima)

_______________ The Beatles documentary || A Long and Winding Road || Episode 5 (This video discusses Stg. Pepper’s creation I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 48 “BLOW UP” by Michelangelo Antonioni makes Philosophic Statement (Feature on artist Nancy Holt)

_______________ Francis Schaeffer pictured below: _____________________ I have included the 27 minute  episode THE AGE OF NONREASON by Francis Schaeffer. In that video Schaeffer noted,  ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” How Should […]

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Woody Allen Videos

Woody Allen – Concerto Parigi 1996 – Wild Man Blues

Woody Allen & The Eddy Davis New Orleans Jazz Band

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopelessmeaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of his own secular view. I salute him for doing that. That is why I have returned to his work over and over and presented my own Christian worldview as an alternative.

My interest in Woody Allen is so great that I have a “Woody Wednesday” on my blog www.thedailyhatch.org every week. Also I have done over 30 posts on the historical characters mentioned in his film “Midnight in Paris.” (Salvador Dali, Ernest Hemingway,T.S.Elliot,  Cole Porter,Paul Gauguin,  Luis Bunuel, and Pablo Picasso were just a few of the characters.)

Woody Allen interviews Billy Graham pt.1 – Featured Video – GodTube Logged In.flv

Woody Allen interviews Billy Graham pt.2 – Featured Video – GodTube Logged In.flv


October 25, 2011
Woody Allen and evangelicals: A surprisingly romantic pair

REMO CASILLI REUTERS Director Woody Allen looks on during the shooting of his movie “The Bop Decameron” in downtown Rome … Continued

by Michelle Boorstein

 

REMO CASILLI

REUTERS

Director Woody Allen looks on during the shooting of his movie “The Bop Decameron” in downtown Rome July 25, 2011.

Earlier this year I was sitting at a cafeteria lunch table with evangelical icon Chuck Colson and some of his close faith advisors when the conversation took a turn I hadn’t predicted: Colson started talking about Woody Allen.

In detail.

It turned out Colson and some others at the table, who help him craft theological writings and classes, are hard-core fans of Allen, and were easily able to recite bits of dialogue. A debate launched about the religious subtexts of various Allen films and what were the moviemaker’s own theological conclusions.

It was only when my regular chats with Southern Baptist leader Richard Land began turning to Allen that I got curious — what’s the deal with evangelicals and Woody Allen?

It turned out that I was clueless to a fascination that now makes perfect sense, since Allen marries two things core to modern-day evangelicals: popular culture and religion. Think “Crimes and Misdemeanors” and the symbolism of the rabbi going blind; think “Match Point” and questions raised about the apparent randomness of life.

Many of Allen’s films wrestle in a complex way with core moral themes, such as the nature of forgiveness, what to do with sin, whether life can have any meaning without God. And he does this as an agnostic.

Land is also a huge Allen fan and can rattle off an amazing amout of dialogue. You can’t get the guy off the phone once he starts talking Woody.

This evangelical-Allen thing reappeared the other day when some friends on Facebook started zapping around an amazing piece of vintage talk-show footage — Allen interviewing evangelical leader Billy Graham (it’s in two parts).

I haven’t been able to determine what show Allen was hosting (he declined to be interviewed), but it looks to be the 1960s, with a wise-guy, 30-something Allen engaging the handsome, older preacher about sex, drugs and life after death.

Allen: “If you come to one of my movies or something, I’ll go to one of your revival meetings.”

Graham: “Well now that is a deal.”

Allen: “You could probably convert me because I’m such a pushover. I have no convictions in any direction and if you make it appealing and promise me some sort of wonderful afterlife with a white robe and wings I would go for it.”

Graham: “I can’t promise you a white robe and wings, but I can promise you a very interesting, thrilling life.”

Allen: “One wing, maybe?”

The off-camera audience is cracking up the entire time, and both men are smiling and relaxed through the 10-minute interview even as they clearly aren’t seriously entertaining the other’s views. It’s entertainment, but it’s also sweet, particularly on Graham’s part, which results in a piece of footage that manages to be both deep and silly (this is not easy to pull off).

The primary feeling I had watching the video was one of nostalgia for a time when the subject of religion wasn’t so firmly planted at the center of a culture war, when people of totally different convictions about matters of life and death and morality could agree to disagree. It seemed almost romantic.

It seems impossible to imagine. Can anyone think of a comparable exchange today? I considered The Daily Show but even that seems too slick.

In the interview Allen is dorky and giggly – he almost seems like a teenager embarassed to ask about dating.

Could he have sex before marriage, he asks Graham, to ensure that his betrothed isn’t “an absolute yo-yo?” Graham turns fatherly, but not dogmatic; “that won’t happen to you,” he assures Allen.

Graham’s framing of the role of faith is decidedly secular, perhaps aimed at Allen’s audience. The purpose of the religious doctrine and rules is because God wants you to have “the best of life .. happiness and fulfillment.” The ban on sex outside a committed marriage, he says, is to protect your psychological self, to keep your body free from disease.

I asked Land to look at the videos and he commented that the wise-cracking Woody of the 1960s seemed to have “less swagger in his agnosticism” than the Woody who created the characters of “Crimes and Misdemeanors” in the 1980s, with their agonizing over mortality and purpose.

“I find Woody over the years, and of course this is true of people as they get older, there is more resignation,” he said. “There is a light touch and a confidence in his earlier movies — I’m not dead, I won’t die for a long time so I have a long time to figure this all out. Some of his more recent movies, you can see he’s aware of his own mortality.”

Land is sure he sees an Allen less confident.

“He asks all the right questions, he just doesn’t have the right answers,” Land said with a chuckle.

In trying to find the source of the clip I stumbled on a 2010 interview with Allen in which he seems to reference the Graham chat and shows that he hasn’t changed his mind a bit. He still has no faith in any higher power and says Graham is “delusional.”

Speaking of characters in his new movie, Allen says “sooner or later, reality sets in in a crushing way. As it does and will with everybody, including Billy Graham. But it’s nice if you can delude yourself for as long as possible.”

It’s hard for me to imagine a talk being the two men being as light-hearted today.

 

 

More on: 2011, Billy Graham, Chuck Colson, Culture War, Evangelical Leader, Faith, Religion, Religious Doctrine, Richard Land, Woody Allen

 

Woody Allen about meaning and truth of life on Earth

Dick & Woody get semi-metaphysical

Woody Allen interview 1971 PART 2/4

Woody Allen interview 1971 PART 1/4

Dick & Woody talk about food & health

Woody Allen vs William Buckley – FUNNY

Dick & Woody discuss particle physics

This is not my list:

 

10

 

Small Time Crooks 10

9

7
Zelig
1983

Zelig

6

Sleeper
1973

Take the Money and Run
1969

WOODY ALLEN TAKE THE MONEY AND RUN CELLO MARCHING BAND SCENE

Bananas
1971
Bananas (1971) – Trailer

2

Play it Again, Sam
1972

Play It Again, Sam trailer

1

Related posts:

I love the movie “Midnight in Paris” by Woody Allen and I have done over 30 posts on the historical characters mentioned in the film. Take a look below:

“Midnight in Paris” one of Woody Allen’s biggest movie hits in recent years, July 18, 2011 – 6:00 am

(Part 32, Jean-Paul Sartre)July 10, 2011 – 5:53 am

 (Part 29, Pablo Picasso) July 7, 2011 – 4:33 am

(Part 28,Van Gogh) July 6, 2011 – 4:03 am

(Part 27, Man Ray) July 5, 2011 – 4:49 am

(Part 26,James Joyce) July 4, 2011 – 5:55 am

(Part 25, T.S.Elliot) July 3, 2011 – 4:46 am

(Part 24, Djuna Barnes) July 2, 2011 – 7:28 am

(Part 23,Adriana, fictional mistress of Picasso) July 1, 2011 – 12:28 am

(Part 22, Silvia Beach and the Shakespeare and Company Bookstore) June 30, 2011 – 12:58 am

(Part 21,Versailles and the French Revolution) June 29, 2011 – 5:34 am

(Part 16, Josephine Baker) June 24, 2011 – 5:18 am

(Part 15, Luis Bunuel) June 23, 2011 – 5:37 am

“Woody Wednesday” A 2010 review of Woody Allen’s Annie Hall

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]

“Woody Wednesday” In 2009 interview Woody Allen talks about the lack of meaning of life and the allure of younger women

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]

Woody Allen video interview in France talk about making movies in Paris vs NY and other subjects like God, etc

Woody Allen video interview in France Related posts: “Woody Wednesdays” Woody Allen on God and Death June 6, 2012 – 6:00 am Good website on Woody Allen How can I believe in God when just last week I got my tongue caught in the roller of an electric typewriter? If Jesus Christ came back today and […]

“Woody Wednesday” Woody Allen on the Emptiness of Life by Toby Simmons

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]

Woody Allen interviews Billy Graham (Woody Wednesday)

A surprisingly civil discussion between evangelical Billy Graham and agnostic comedian Woody Allen. Skip to 2:00 in the video to hear Graham discuss premarital sex, to 4:30 to hear him respond to Allen’s question about the worst sin and to 7:55 for the comparison between accepting Christ and taking LSD. ___________________ The Christian Post > […]

“Woody Allen Wednesdays” can be seen on the www.thedailyhatch.org

Crimes and Misdemeanors: A Discussion: Part 1 If you like Woody Allen films as much as I do then join me every Wednesday for another look the man and his movies. Below are some of the posts from the past: “Woody Wednesday” How Allen’s film “Crimes and Misdemeanors makes the point that hell is necessary […]

“Woody Wednesday” Great Documentary on Woody Allen

I really enjoyed this documentary on Woody Allen from PBS. Woody Allen: A Documentary, Part 1 Published on Mar 26, 2012 by NewVideoDigital Beginning with Allen’s childhood and his first professional gigs as a teen – furnishing jokes for comics and publicists – WOODY ALLEN: A DOCUMENTARY chronicles the trajectory and longevity of Allen’s career: […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 6)

Crimes and Misdemeanors: A Discussion: Part 3 Uploaded by camdiscussion on Sep 23, 2007 Part 3 of 3: ‘Is Woody Allen A Romantic Or A Realist?’ A discussion of Woody Allen’s 1989 movie, Crimes and Misdemeanors, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca ______________ One of my favorite Woody Allen movies and I reviewed […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 5)

Crimes and Misdemeanors: A Discussion: Part 2 Uploaded by camdiscussion on Sep 23, 2007 Part 2 of 3: ‘What Does The Movie Tell Us About Ourselves?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca _________________- One of my favorite Woody Allen movies and I reviewed it earlier but […]

In 2009 interview Woody Allen talks about the lack of meaning of life and the allure of younger women

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]

“Woody Allen Wednesdays” can be seen on the www.thedailyhatch.org

Crimes and Misdemeanors: A Discussion: Part 1 If you like Woody Allen films as much as I do then join me every Wednesday for another look the man and his movies. Below are some of the posts from the past: “Woody Wednesday” How Allen’s film “Crimes and Misdemeanors makes the point that hell is necessary […]

Woody Allen on the Emptiness of Life by Toby Simmons

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 4)

Crimes and Misdemeanors: A Discussion: Part 1 Uploaded by camdiscussion on Sep 23, 2007 Part 1 of 3: ‘What Does Judah Believe?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca _____________ One of my favorite films is this gem by Woody Allen “Crimes and Misdemeanors”: Film Review By […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 3)

Crimes and Misdemeanors: A Discussion: Part 3 Uploaded by camdiscussion on Sep 23, 2007 Part 3 of 3: ‘Is Woody Allen A Romantic Or A Realist?’ A discussion of Woody Allen’s 1989 movie, Crimes and Misdemeanors, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca ______________ One of my favorite Woody Allen movies and I reviewed […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 2)

Crimes and Misdemeanors: A Discussion: Part 2 Uploaded by camdiscussion on Sep 23, 2007 Part 2 of 3: ‘What Does The Movie Tell Us About Ourselves?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca _________________- One of my favorite Woody Allen movies and I reviewed it earlier but […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 1)

Crimes and Misdemeanors: A Discussion: Part 1 Uploaded by camdiscussion on Sep 23, 2007 Part 1 of 3: ‘What Does Judah Believe?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca _____________ Today I am starting a discusssion of the movie “Crimes and Misdemeanors” by Woody Allen. This 1989 […]

Woody Allen CRISIS IN SIX SCENES

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Crisis in Six Scenes S01E01 CZ titulky

Something about television brings out the nostalgist in Woody Allen (well, y’know, even more than usual), and understandably – it’s a medium inextricably tied to his own early days. He got his start as a staff writer for The Colgate Comedy Hour, Sid Caesar specials, and sitcoms like The Gary Moore Show; in his stand-up and early (comic) filmmaking days, he was a fixture on Jack Paar, Ed Sullivan, Dick Cavett, and Merv Griffin’s shows, and even had a couple of prime-time specials. But after his Nixon-baiting Men of Crisis: The Harvey Wallinger Story was yanked from PBS, he swore off the medium, and mostly stuck to his guns. His last major television project was a 1994 TV movie adaptation of his hit ‘60s play Don’t Drink the Water, in which he was now old enough to play the harried patriarch confounded by his times. [13]

 

-Woody Allen’s six-episode miniseries for Amazon, “Crisis in Six Scenes,” which runs just less than two and a half hours in total, is, in effect, his “American Pastoral.” Like Philip Roth’s 1997 novel, it’s a vision (a comedic one, where Roth’s is tragic) of a liberal suburban household, in the late nineteen-sixties, that’s thrown into turmoil by a young woman who commits an act of political terrorism. It has the virtues and the faults of Allen’s later films—which is to say that his ideas come to the fore in sharp focus, sketched with clear and decisive lines, but sometimes the sketchiness detaches them from the context of lived experience and turns them merely assertive and hermetic. [1]

 

-In “Crisis,” Allen writes himself back, in current form, into an time in which he was actually already anachronistic. Allen made his great breakthrough, with “Annie Hall,” not at the beginning of an era but at its end. He was already older than forty; he had twenty years of show biz behind him, and his nineteen-sixties weren’t an age of protest and activism but of trying to establish himself, tooth and nail, as the filmmaker that he had decided to become. “Crisis in Six Scenes” starkly conveys the wistful—yet not regretful—sense that his sixties were secondhand and spectatorial. [1]

 

-Above all, however, the core of the series is the secondhand experience not of the sixties as action but of the sixties as political rhetoric. It isn’t only Alan and Kay who are transformed by Lennie’s presence. Kay also delivers the political literature to the members of her book club, mainly elderly women, who become comically enthusiastic acolytes of violent revolution, spouting Mao’s aphorisms and eagerly, if obliviously, anticipating bloodshed. [1]

 

-This readiness of many people to fall for the virtuous-sounding but hollow, reckless, dangerous, and destructive rhetoric of dictatorial revolutionaries is the very through-line of the series. [1]

 

-Allen presents his Sid as the one sane man who, despite—or rather, because of—his neurotic inhibitions and practical artistic ambitions and ideals, remains invulnerable to such flights of grandiose and vapid thinking. As a portrait of the sixties, this relentless satire of revolutionary action serves to justify the course of Allen’s own ideas and activity, even as he hints at admiration for the fervor and daring of the revolutionaries themselves [1]

 

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