FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 44 The Book of Genesis (Featured artist is Trey McCarley )


Francis Schaeffer pictured below:


Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR

Dr. Francis schaeffer – The flow of Materialism(from Part 4 of Whatever happened to human race?)

Dr. Francis Schaeffer – The Biblical flow of Truth & History (intro)

Francis Schaeffer – The Biblical Flow of History & Truth (1)

Dr. Francis Schaeffer – The Biblical Flow of Truth & History (part 2)

Francis Schaeffer has written extensively on art and culture spanning the last 2000years and here are some posts I have done on this subject before : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” episode 9 “The Age of Personal Peace and Affluence”episode 8 “The Age of Fragmentation”episode 7 “The Age of Non-Reason” episode 6 “The Scientific Age” , episode 5 “The Revolutionary Age” episode 4 “The Reformation” episode 3 “The Renaissance”episode 2 “The Middle Ages,”, and  episode 1 “The Roman Age,” . My favorite episodes are number 7 and 8 since they deal with modern art and culture primarily.(Joe Carter rightly noted,Schaefferwho always claimed to be an evangelist and not aphilosopher—was often criticized for the way his work oversimplifiedintellectual history and philosophy.” To those critics I say take a chill pillbecause Schaeffer was introducing millions into the fields of art andculture!!!! !!! More people need to read his works and blog about thembecause they show how people’s worldviews affect their lives!

J.I.PACKER WROTE OF SCHAEFFER, “His communicative style was not that of acautious academic who labors for exhaustive coverage and dispassionate objectivity. It was rather that of an impassioned thinker who paints his vision of eternal truth in bold strokes and stark contrasts.Yet it is a fact that MANY YOUNG THINKERS AND ARTISTS…HAVE FOUND SCHAEFFER’S ANALYSES A LIFELINE TO SANITY WITHOUT WHICH THEY COULD NOT HAVE GONE ON LIVING.”

Francis Schaeffer’s works  are the basis for a large portion of my blog posts andthey have stood the test of time. In fact, many people would say that many of the things he wrote in the 1960’s  were right on  in the sense he saw where ourwestern society was heading and he knew that abortion, infanticide and youthenthansia were  moral boundaries we would be crossing  in the coming decadesbecause of humanism and these are the discussions we are having now!)

There is evidence that points to the fact that the Bible is historically true asSchaeffer pointed out in episode 5 of WHATEVER HAPPENED TO THE HUMAN RACE? There is a basis then for faith in Christ alone for our eternal hope. This linkshows how to do that.

Francis Schaeffer in Art and the Bible noted, “Many modern artists, it seems to me, have forgotten the value that art has in itself. Much modern art is far too intellectual to be great art. Many modern artists seem not to see the distinction between man and non-man, and it is a part of the lostness of modern man that they no longer see value in the work of art as a work of art.” 

Many modern artists are left in this point of desperation that Schaeffer points out and it reminds me of the despair that Solomon speaks of in Ecclesiastes.  Christian scholar Ravi Zacharias has noted, “The key to understanding the Book of Ecclesiastes is the term ‘under the sun.’ What that literally means is you lock God out of a closed system, and you are left with only this world of time plus chanceplus matter.” THIS IS EXACT POINT SCHAEFFER SAYS SECULAR ARTISTSARE PAINTING FROM TODAY BECAUSE THEY BELIEVED ARE A RESULTOF MINDLESS CHANCE.

The Importance of Genesis
So the Bible is the key to understanding the universe and its form and the mannishness of man. Without this key our observations are out of perspective; we do not know what we are looking at. This being the case, our conclusions about what we are seeing can be massively in error.
Unless we are told about our beginnings, we cannot make sense of our present history. And secular study is incapable of doing that. This is not to say that the study of history and science is irrelevant or useless, but when secular study is finished, the most important questions are left unanswered. It can tell us much of patterns and statistics, but not the reason or meaning or significance of it all. Twentieth-century people know something exists, but have no way of saying what that something amounts to.
This is where the early chapters of Genesis are so important. These chapters give the history that comes before anything that secular historians have been able to ascertain, and it is this presecular history which gives meaning to mankind’s present history.
Some people mistakenly believe that one can “spiritualize” away the history of the first chapters of Genesis and that this will make no difference. They argue that these chapters are not history but something like parables. This type of thinking depreciates the factual content, which gives information about history and the cosmos. Those who do this sometimes imagine that doing this makes little or no difference. But it changes everything. For these chapters tell us the why (the significance and meaning) of all the subsequent history which historians can know through their investigations. These chapters tell us also the why of our own personal history.
For this reason we can say that in this sense the early chapters of Genesis are more important than anything else we could have. They are the very foundation on which all knowledge rests. So we learn from them that before the creation of the universe, the infinite-personal God existed and that He created the universe (the space-time continuum) by choice, out of nothing. The Creation was not without a cause.
The infinite-personal God was its cause. He chose to create, He willed to create, and “it was” – it came into being.

You are worthy, our Lord and God,
to receive glory and honor and power,
for you created all things,
and by your will they were created
and have their being.
Revelation 4:11

As we have seen already, we learn also about the fact that man was made “in the image of God,” a person, and that then there was a space-time Fall.
All the information given by the Bible flows out of the information given in the early chapters of Genesis. If we are to understand the world as it is and ourselves as we are, we must know the flow of history given in these chapters. Take this away and the flow of history is lost. Take this away and even the death of Christ has no meaning.
So the Bible tells us who we are and who other people are. It tells us how people are differentiated from all other things. We do not need to be confused, as is much of modern mankind, about people’s distinction from both animal life and the complicated machines of the second half of the twentieth century. Suddenly people have unique value, and we can understand how it is that each of us is different as a person.
Furthermore, we can see that all people are similarly to be distinguished from non-man and that therefore we ourselves must look on others as having great value. Anyone who kills a person is not killing just another member of the same biological species, but one of overwhelming value, one made in the image, the likeness, of God.
Any person, no matter who he or she is – a stranger or a friend, a fellow-believer or someone who is still in rebellion against God, anyone of any age, before or after birth – any and every person is made after the likeness of God.
Each man, woman, and child is of great value, not for some ulterior motive such as self-gratification or wealth or power or a sex object or “the good of society” or the maintenance of the gene pool – but simply because of his or her origin.
This flow of history that springs from Genesis has implications for every aspect of our lives. Each of us stands in the flow of history. We know our origin – a lineage more ancient than the Queen of England’s or the Pilgrim Fathers’. As we look at ourselves in the flow of space-time reality, we see our origin in Adam and Eve, and we know that God has created every human being in His own image.


“It is essential” – what did Lloyd-Jones and Schaeffer say about the scientific interpretation of Genesis 1-3

(view original article here)

Ranald Macaulay reminds us of what Lloyd-Jones and Schaeffer said about the scientific interpretation of Genesis 1-3

Three names dominated the UK’s evangelical landscape during the second half of the 20th century.

These were Martyn Lloyd-Jones, John Stott and Francis Schaeffer. All of them were concerned about what is sometimes called ‘New’ or ‘Open’ Evangelicalism and in particular by the loss of an emphasis on real history in relation to the Fall. The statements reproduced here (heavily edited for want of space) highlight this concern; the former by Martyn Lloyd-Jones delivered at an IFES conference in 1971, the latter by Francis Schaeffer in 1980. The second is no longer available: interestingly, it was endorsed by six others, including John Stott who said: ‘I am decidedly with Dr Schaeffer in principle… what the Bible affirms about history and nature is as much truth from God as what it affirms about spiritual and moral matter’.

Maryn Lloyd-Jones

‘We accept the biblical teaching with regard to creation and do not base our position upon theories of evolution. We must assert that we believe in the being of one first man called Adam, and in one first woman called Eve. We reject any notion of a pre-Adamic man because it is contrary to the teaching of the Scripture. Now someone may ask: why do you care about this? Is this essential to your doctrine of salvation? Yes. I would contend that the early chapters of Genesis are given to us as history. We know that there are pictures and symbols in the Bible, but when it presents something to us in the form of history it requires us to accept it as history. The Bible does not merely make statements about salvation. It is a complete whole: it tells you about the origin of the world and of man, how he fell and the need of salvation.

‘Therefore these early chapters of Genesis with their history play a vital part in the whole doctrine of salvation. Take for instance the argument of the apostle Paul (Romans 5:12-21). Paul’s whole case is based upon that one man Adam and his one sin, and the contrast with the other one man, the Lord Jesus Christ, and his one great act. Similarly in 1 Corinthians 15 the apostle’s whole argument rests upon historicity. Indeed, it seems to me that one of the things we have to assert, particularly today, is that our gospel is not a teaching, nor a philosophy, but primarily a history. The works of salvation are God’s acts! Salvation is not an idea; it is something that results from actions which have taken place on the concrete plane of history. Historicity is a very vital matter. In addition to that, of course, the whole question of the person of our Lord arises. He clearly accepted this history, he referred to Adam, and in speaking about marriage he clearly accepted the his-toricity of that portion of Scripture (Matthew 19:4-5). But, quite apart from this, if you do not accept this history and prefer to believe that man’s body developed as the result of an evolutionary process and that God then took one of these humanoid persons and did something to him and turned him into a man, you are still left with the question of how to explain Eve, for the Bible is very particular as to the origin of Eve. All who accept the theory of evolution in any form completely fail to account for the being, origin, and existence of Eve.

‘But certain evangelicals are tying themselves to modern, scientific teaching, and nothing is more dangerous than that. We must base ourselves exclusively on the Scriptures and if this has always been true it seems to me it is especially true today. Modern science itself teaches us that we are not anti-scientific or obscurantist simply because we reject statements made by certain prominent and great scientists. We know that great scientists have made very dogmatic statements in the past, which by now have proved to be wrong. All I am saying is that it is very dangerous to base our position upon the pronouncements of science. And while we admit that we cannot explain everything and that there are certain things put before us for which we cannot account, what we must say is this: we believe that whatever is asserted in the Scripture about creation, about the whole cosmos, is true because God has said it, and though Scripture may appear to conflict with certain discoveries of science at the present time, we exhort people to be patient, assuring them that ultimately the scientists will discover that they have been in error at some point or other, and will eventually come to see that the statements of Scripture are true. Thus we base our position upon Scripture alone and this has always been the Protestant view.

‘There are some who say: “Yes, I accept it. I haven’t changed my view at all on your basis of faith and what it says about the Scriptures”. But, when you talk to them in detail you find that they have departed in this very serious, and I suggest, radical manner from the true position of the evangelical.’

Francis Schaeffer

‘Sadly, a reduced view of the Bible is being pressed on us today by a wide, vocal, articulate and growing section of teachers and writers in the evangelical world. One of them says: “Dr Schaeffer insists that the revelation of God must be expressed only in space-time historical events. So he argues for a literal Garden of Eden, a literal temptation and Fall, a literal tower of Babel, and so on”. He goes on: “I once asked him whether he believed that poetry (in the opening chapters of Genesis) could ‘tell the truth’ as truthfully as history. Not in this case, he said”. He shows he has misunderstood me. I was not speaking about the use of one literary form as over against another. Certainly truth can be communicated via poetry as well as in straight didactic narrative. But that doesn’t change the central question: did the Fall really happen? Was there a time before the Fall and a time after the Fall?

‘Consider what is lost if the Fall is not a space-time event. First, God is then the author of the sorrows of the present world. Second, if there is no literal Fall there is a loss of true moral guilt because Adam and Eve would not have passed from obeying God to disobeying him. In such a case, Christ’s death as a substitutionary atonement is gone. It becomes an enigma. Third, if all is normal now to what God made it to be, there can be no way to say “such and such is really wrong, absolutely wrong”. Along with the secular humanists, we are caught in the relative.

‘Later he says: “Dr Schaeffer… has gone on record as saying that it is essential for the truth of Christianity that the Bible should relate ‘true truth’ about ‘history and the cosmos’ as well as about spiritual matters. That is precisely the kind of claim that worries me, because it means that should any part of the Bible be shown to be inaccurate about ‘history and the cosmos’ then an essential part of faith has gone…”. A few sentences later he relates his worry to the story of the creation of woman in Genesis.

‘But if the Bible is reliable only in so-called spiritual matters we face an insurmountable problem. Many, if not most, “spiritual” matters in the Bible occur in the cosmos and in space-time history, for example Christ’s incarnation, miracles, resurrection and return in glory. In saying this I am not suggesting that some of these New Evangelicals don’t maintain these Christian truths, but on the basis of their own classifications what can they be sure about finally? All that is left is a leap of faith without certainty – a subjective inner witness!

‘We must reject this weakened, reduced Bible which is being urged upon us’.

An extract from ‘Knowing the Times’. Given as part of a series of three addresses to The International Fellowship of Evangelical Students Conference at Schloss, Mittersill, Austria in 1971. The general title of the addresses is What is an Evangelical? published by Banner of Truth Trust, ISBN 978 0 851 516 264.
An extract from his final address at the ‘Whatever Happened to the Human Race’ seminar in London, in 1980.


This article was first published in the April 2014 issue of Evangelicals Now. For more news, artciles or reviews, check out our on-line version of the paper orsubscribe to en for monthly updates.

How Should We then Live Episode 7 small (Age of Nonreason)

#02 How Should We Then Live? (Promo Clip) Dr. Francis Schaeffer

10 Worldview and Truth

Two Minute Warning: How Then Should We Live?: Francis Schaeffer at 100


Trey McCarley is the featured artist today:

[ARTS 315] Art in an Age of Mass-Media: Andy Warhol – Jon Anderson

Published on Apr 5, 2012

Contemporary Art Trends [ARTS 315], Jon Anderson

Art in an Age of Mass-Media: Andy Warhol

September 23, 2011


Trey McCarley was born and raised in Central Arkansas where he spent most of his time outdoors enjoying the landscape. His love for nature and new adventures lead most of his travels out West from the Rocky Mountains to the Grand Canyon. “It is literally an act of worship to be out there.”

Painting and drawing was something that interested Trey from an early age, however a different approach was taken throughout his college career. At the University of Arkansas, Trey received a bachelor’s degree in Landscape Architecture where his creative abilities could be exercised on a much different and larger scale. As a part of this curriculum, Trey studied abroad for six weeks in Europe where he worked on design charrettes for the Botanical Gardens of Rome and public plazas in London. “This is where my desire to paint again really took off. Although I didn’t have a canvas, I constantly painted in my mind.”

Over the next few years, Trey pursued painting full time selling work in Little Rock, Arkansas with Marshall Clements, now Gallery Central in Hot Springs and participating with Missoula, Montana’s Dana Gallery in the 2012 Big Sky Plein Air Paint-out.

Trey has spent the last year studying under the American Impressionist, Robert Moore, where he continues to live and paint full time in South Central Idaho.

Trey pictured below in front of some of his artwork:



Very nice painting below from Trey:

Lilies  Oil  18" x 24"


Trey below signing a painting:




Article below:

It was a study abroad trip to Europe during college that first inspired landscape artist Trey McCarley to paint.

“I mean, have you ever been to Europe? It wasn’t just about painting, but more so doing something I loved,” he said during a recent interview at Art on the Green in Conway. “When I got back home, I would get up at 6 a.m. and go down to the streets in Little Rock and just paint. When I went back to school in Fayetteville, I would go to school during the day and paint at night.”

With a University of Arkansas landscape architecture degree under his belt, McCarley received the gift of an unprecedented apprenticeship with American Impressionist Robert Moore. Just two weeks after graduation, McCarley headed to Idaho to live and to work with Moore.

“He became my family,” McCarley said. “I am the oldest of seven children, and he has six children, so when I got there, I was the oldest of seven there, too.

“An apprenticeship is so rare. It doesn’t just teach you the how’s, but teaches you real life aspects in hands-on experiences. It’s about more than developing a career, but a lifestyle.”

McCarley’s love of the outdoors is evident, as he translates landscapes to grand canvases. He and wife, Haley, currently live near Moore in South Central Idaho. They regularly travel throughout the Western United States and make frequent trips to Central Arkansas.

“I am inspired from creation,” he said. “I am inspired from nature and constancy. I want to capture a mood and an experience.”

McCarley also commissions live paintings for charity events, like the one in early 2014 at the University of Arkansas at Little Rock for Spark of Life Foundation — a grief recovery organization. While “Duck Dynasty’s” Willie Robertson and wife, Korie, spoke about their support of Spark of Life, McCarley painted a landscape “live.”

Live paintings usually take 2-3 hours during an event.

“It is a challenge to paint in front of people,” he laughed, “but it is exciting in a new way, too.”

Brenda McClain, gallery director at Art on the Green, said McCarley is a compliment to the gallery.

“People from across the country love his work,” she said. “He is so well received, and I am grateful he is willing to make the trip to our gallery several times a year.”

McCarley will teach a workshop Friday and Saturday at Art on the Green, from 9 a.m. to 5 p.m. each day. Cost is $150 per participant, and people will leave with their own landscape painting. Registration is required. Contact Art on the Green at 501-205-1922 for more information.

“My workshops are for anyone wanting to paint,” he said. “I do not teach steps, as much as concepts. I always learn in my workshops.”

McCarley’s oil landscapes are on display at Art on the Green in Conway, and galleries in Fayetteville, Russellville, Hot Springs and Little Rock.



Great painting


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