RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! PART 20 (Carolyn Porco, director of CICLOPS, Like Darwin she gave up her Christianity because of Evolution & is obsessed both with the Beatles & the thought that the human race may end!!)

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Beyond Belief: Carolyn Porco On Science & Religion, Part 1

Uploaded on Dec 4, 2006

At the Beyond Belief conference, astronomer Carolyn Porco describes the spirituality inherent in the scientific view of the Universe.

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Dr. Carolyn Porco is the leader of the Cassini Imaging Science team and the Director of the Cassini Imaging Central Laboratory for Operations (CICLOPS) at the Space Science Institute in Boulder,

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

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There are 3 videos in this series and they have statements by 150 academics and scientists and I hope to respond to all of them. Wikipedia notes  Carolyn C. Porco (born March 6, 1953) is an American planetary scientist known for her work in the exploration of the outer solar system, beginning with her imaging work on the Voyager missions to Jupiter,Saturn, Uranus, and Neptune in the 1980s. She leads the imaging science team on the Cassini mission currently in orbit around Saturn.[1] She is also an imaging scientist on the New Horizons[2] mission launched to Pluto on January 19, 2006. She is an expert on planetary rings and the Saturnian moon, Enceladus.

She has co-authored more than 110 scientific papers on subjects ranging from the spectroscopy of Uranus and Neptune, the interstellar medium, the photometry of planetary rings, satellite/ring interactions, computer simulations of planetary rings, the thermal balance of Triton’s polar caps, heat flow in the interior of Jupiter, and a suite of results on the atmosphere, satellites, and rings of Saturn from the Cassini imaging experiment.[3] In 2013, Cassini data[4] confirmed a 1993 prediction[5] by Porco and Mark Marley that acoustic oscillations within the body of Saturn are responsible for creating particular features in the rings of Saturn.

Porco was founder of The Day the Earth Smiled. She was also responsible for the epitaph and proposal to honor the late renowned planetary geologist Eugene Shoemaker by sending his cremains to the Moonaboard the Lunar Prospector spacecraft in 1998.[6][7]

A frequent public speaker, Porco has given two popular lectures at TED[8][9] as well as the opening speech for Pangea Day, a May 2008 global broadcast coordinated from six cities around the world, in which she described the cosmic context for human existence.[10] Porco has also won a number of awards and honors for her contributions to science and the public sphere; for instance, in 2009, New Statesman named her as one of ‘The 50 People Who Matter Today.’[11] In 2010 she was awarded the Carl Sagan Medal, presented by the American Astronomical Society for Excellence in the Communication of Science to the Public.[12] And in 2012, she was named one of the 25 most influential people in space by Time magazine.[13]

Public speaking[edit]

Porco speaks frequently on the Cassini mission and planetary exploration in general, and has appeared at renowned conferences such as PopTech 2005[32] and TED (2007, 2009).[8][9] She attended and was a speaker at the Beyond Belief symposium on November 2006.[33][34]

Porco’s 2007 TED talk, “The Human Journey,” detailed two major areas of discovery made by the Cassini mission: the exploration of the Saturnian moons Titan and Enceladus. In her introductory remarks, Porco explained:

So the journey back to Saturn is really part of, and is also a metaphor for, a much larger human voyage.

In describing the environment of Titan, with its molecular nitrogen atmosphere suffused with organic compounds, Porco invited her audience to imagine the scene on the moon’s surface:

Stop and think for a minute. Try to imagine what the surface of Titan might look like. It’s dark: high noon on Titan is as dark as deep Earth twilight on the Earth. It’s cold, it’s eerie, it’s misty, it might be raining, and you are standing on the shores of Lake Michigan brimming with paint thinner.

That is the view that we had of the surface of Titan before we got there with Cassini. And I can tell you that what we have found on Titan, though not the same in detail, is every bit as fascinating as that story is, and for us, for Cassini people, it has been like a Jules Verne adventure come true.

After describing various features discovered on Titan by Cassini, and presenting the historic first photograph of Titan’s surface by the Huygens lander, Porco went on to describe Enceladus and the jets of “fine icy particles” which erupt from the moon’s southern pole:

…we have arrived at the conclusion that these jets may, they may, be erupting from pockets of liquid water near, under the surface of Enceladus. So we have, possibly, liquid water, organic materials and excess heat. In other words we have possibly stumbled upon the holy grail of modern-day planetary exploration, or in other words an environment that is potentially suitable for living organisms. And I don’t think I need to tell you that the discovery of life elsewhere in our Solar system, whether it be on Enceladus or elsewhere, would have enormous cultural and scientific implications. Because if we could demonstrate that genesis had occurred – not once but twice, independently, in our Solar system – then that means by inference it has occurred a staggering number of times throughout our Universe in its 13.7 billion year history. 

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Porco is fascinated by the 1960s and The Beatles and has, at times, incorporated references to The Beatles and their music into her presentations, writings, and press releases. The first color image released by Cassini to the public was an image of Jupiter, taken during Cassini’s approach to the giant planet and released on October 9, 2000 to honor John Lennon’s 60th birthday.[59] In 2006, she produced and directed a brief 8-minute movie of 64 of Cassini’s most spectacular images,[60] put to the music of the Beatles, in honor of Paul McCartney’s 64th birthday. And in 2007, she produced a poster showing 64 scenes from Saturn.[61][62]

Porco is also interested in dance and fascinated with Michael Jackson. In August 2010, she won a Michael Jackson costume/dance contest held in Boulder, Colorado.[63]

Quotes of Porco’s were used in the production of “The Poetry of Reality (An Anthem for Science)”, “A Wave of Reason”, “Children of Africa (The Story of Us)”, and “Onward to the Edge!” by Symphony of Science.

Carolyn (at right) re-enacting the famous Beatles photograph at Abbey Road with the other members of the Cassini Imaging Team.

The Beatles are featured in this episode below and Schaeffer noted,  ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world.”

How Should We then Live Episode 7 small (Age of Nonreason)

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Her comments can be found on the 2nd video and the 100th clip in this series. Below the videos you will find her words.

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

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I grew up at Bellevue Baptist Church under the leadership of our pastor Adrian Rogers and I read many books by the Evangelical Philosopher Francis Schaeffer and have had the opportunity to contact many of the evolutionists or humanistic academics that they have mentioned in their works. Many of these scholars have taken the time to respond back to me in the last 20 years and some of the names  included are  Ernest Mayr (1904-2005), George Wald (1906-1997), Carl Sagan (1934-1996),  Robert Shapiro (1935-2011), Nicolaas Bloembergen (1920-),  Brian Charlesworth (1945-),  Francisco J. Ayala (1934-) Elliott Sober (1948-), Kevin Padian (1951-), Matt Cartmill (1943-) , Milton Fingerman (1928-), John J. Shea (1969-), , Michael A. Crawford (1938-), Paul Kurtz (1925-2012), Sol Gordon (1923-2008), Albert Ellis (1913-2007), Barbara Marie Tabler (1915-1996), Renate Vambery (1916-2005), Archie J. Bahm (1907-1996), Aron S “Gil” Martin ( 1910-1997), Matthew I. Spetter (1921-2012), H. J. Eysenck (1916-1997), Robert L. Erdmann (1929-2006), Mary Morain (1911-1999), Lloyd Morain (1917-2010),  Warren Allen Smith (1921-), Bette Chambers (1930-),  Gordon Stein (1941-1996) , Milton Friedman (1912-2006), John Hospers (1918-2011), Michael Martin (1932-), John R. Cole  (1942-),   Wolf Roder,  Susan Blackmore (1951-),  Christopher C. French (1956-)  Walter R. Rowe Thomas Gilovich (1954-), Paul QuinceyHarry Kroto (1939-), Marty E. Martin (1928-), Richard Rubenstein (1924-), James Terry McCollum (1936-), Edward O. WIlson (1929-), Lewis Wolpert (1929), Gerald Holton (1922-), Martin Rees (1942-), Alan Macfarlane (1941-),  Roald Hoffmann (1937-), Herbert Kroemer (1928-), Thomas H. Jukes (1906-1999), Glenn BranchGeoff Harcourt (1931-) and  Ray T. Cragun (1976-).

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HERE IS A QUOTE FROM Dr. Porco  AT THE BEYOND BELIEF CONFERENCE:

“It seemed to me, if there were any answers to be found at all, they were going to be found in the facts, and understanding the greater theater in which human life has unfolded. And I was right about that. Being a scientist, and staring immensity and eternity in the face every day is about as meaningful I think, and grand and awe-inspiring as it gets. We, especially we astronomers, confront the big questions of wonder every day and the answers to these questions in the aggregate have produced, and this is absolutely with no hype,…the greatest story every told. And there isn’t a religion, I think, that can offer anything better. And as Jules Verne said, reality provides us with facts so romantic that imagination itself could add nothing to them.”

 Below is a letter I recently wrote to Dr. Porco challenging her views on evolution while including a lot of details about her favorite rock group. 

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Francis Schaeffer 1912-1984

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March 26, 2015

Dear Dr. Porco,

YOU HAVE SAID that religions use the conceptional device “that people need to feel connected to something greater than they are and this is the idea that God is omnipotent, omniscient and immortal and He made me in his image and through that connection to find meaning and purpose and ultimately to find they too will be immortal and the issue is that people fear death. I THINK THE SAME SPIRITUAL FULFILLMENT THAT PEOPLE FIND IN RELIGION CAN BE FOUND IN SCIENCE.”

There are many ways to respond to that but I am going to do it in a very lengthy but entertainingly way I hope. I read a lot of your material and wanted to talk to about two passions in your life. Francis Schaeffer talked about the views of the Beatles and Charles Darwin a lot and since you  have taken an interest in music and science I thought you would be interested in these thoughts of Schaeffer. Another interesting thing about Charles Darwin is that he left the Christian faith of his youth just like you did.

Francis Schaeffer’s  son Frank wrote recently about the impact of SGT. PEPPER’S LONELY HEARTS CLUB BAND:

“Sgt. Pepper’s” became my personal sound track of liberation back then…Genie, my wife of 44 years… grew up in the Bay Area and as a teen had the distinction of seeing the Beatles three times (!) live and the Rolling Stones four times (!) live.

Meanwhile, I was growing up in Switzerland in a mission (L’Abri Fellowship), and my “almost famous” rock-n-roll high point came when I got a job helping with the Led Zeppelin’s light show at the Montreux Jazz/rock festival. I met Jimmy Page and noticed he was reading one of my dad’s first books, ESCAPE FROM REASON. (No kidding.)

This was back in the days when Dad was a sort of hippie guru for Jesus catering to Beats, hippies and dropouts hitching across Europe. Eric Clapton had given Page the book as it turned out. I was trying to be “cool” that day on the light show crew… and I wasn’t too pleased to find my brief escape into the rock world from the world of my Dad’s evangelical mission was no escape from my God-world at all. He’d been giving lectures on Bob Dylan, and drug guru Timothy Leary had been a guest at L’Abri. And now I got to briefly “hang out with the band” and Dad got there first, or at least one of his books did! Sheesh! It’s hard to be cool!

Jimmy Page with Paul MacCartney

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Jimmy Page and Eric Clapton back together again

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Peter Blake artist behind cover

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NOT MANY PEOPLE HAVE THOUGHT ABOUT THE FACT THAT THE PICTURE ON THE COVER OF SGT. PEPPER’S LONELY HEARTS CLUB BAND IS THE BEATLES’ GRAVE SITE.  In the article Philosophy and its Effect on Society Robert A. Sungenis (who was a personal friend of Schaeffer) tells us:

On the front cover are all the famous “Lonely Hearts” of the world who also could not find answers to life with reason and rationality, resorting to the existential leap into the dark (e.g ., Marlene Dietrich, Carl Jung, W.C. Fields, Bob Dylan, Marilyn Monroe, Sigmund Freud, Aleister Crowley, Edgar Allan Poe, Karl Marx, Oscar Wilde, Marlon Brando, Stan Laurel and Oliver Hardy, Lenny Bruce). They are all viewing the burial scene of the Beatles, which, in the framework we are using here, represents the passing of idealistic innocence and the failure to find a rational answer and meaning to life, an answer to love, purpose, significance and morals. They instead were leaping into the irrational, whether it was by drugs, the occult, suicide, or the bizarre.

William Lane Craig observed that BERTRAND RUSSELL wrote that we must build our lives upon “the firm foundation of unyielding despair.” and also that Francis Schaeffer noted:

Modern man resides in a two-story universe. In the lower story is the finite world without God; here life is absurd, as we have seen. In the upper story are meaning, value, and purpose. Now modern man lives in the lower story because he believes there is no God. But he cannot live happily in such an absurd world; therefore, he continually makes leaps of faith into the upper story to affirm meaning, value, and purpose, even though he has no right to, since he does not believe in God. Modern man is totally inconsistent when he makes this leap, because these values cannot exist without God, and man in his lower story does not have God.

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Great debate

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Charles Darwin had a very interesting reaction late in his life to the possibility that we live in an absurd universe and that was he blamed science for causing him to lose his aesthetic tastes and I read that in his biography ( Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters.). I am going to quote some of Charles Darwin’s own words and then include the comments of Francis Schaeffer on those words. I have also enclosed a CD with two messages from Adrian Rogers and Bill Elliff concerning Darwinism.

 CHARLES DARWIN’S AUTOBIOGRAPHY. Addendum. Written May 1st, 1881 [the year before his death].

“I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did….My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive….The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.”

Francis Schaeffer commented:

This is the old man Darwin writing at the end of his life. What he is saying here is the further he has gone on with his studies the more he has seen himself reduced to a machine as far as aesthetic things are concerned. I think this is crucial because as we go through this we find that his struggles and my sincere conviction is that he never came to the logical conclusion of his own position, but he nevertheless in the death of the higher qualities as he calls them, art, music, poetry, and so on, what he had happen to him was his own theory was producing this in his own self just as his theories a hundred years later have produced this in our culture. 

Unlike Darwin many people today still hang on to their love of music and the arts. Schaeffer points out in his book The God Who Is There, pages 68-69, “The very ‘mannishness’ of man refuses to live in the logic of the position  to which his humanism and rationalism have brought him.  To say that I am only a machine is one thing; to live consistently  as if this were true is quite another…Every truly modern man is forced to accept some sort of leap in theory or practice, because the pressure of his own humanity demands it.  He can say what he will concerning what he himself is; but no matter what he says he is, he is still a man.”

YOU SAID that “I think we can replace the God concept…it is just a matter of developing a socially appealing way to get the word out to everybody. That brings me to religion and whether or not if anything doing with scientific inquiry could ever offer the social embrace that religious organizations do.” At this point you suggested showing the young people what “Awe and Wonder” knowledge of the universe can give. That reminds me of this next letter from Charles Darwin. 

Charles Darwin pictured below:

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Francis Schaeffer noted that in Darwin’s 1876 Autobiography that Darwin he is going to set forth two arguments for God in this and again you will find when he comes to the end of this that he is in tremendous tension. Darwin wrote, 

At the present day the most usual argument for the existence of an intelligent God is drawn from the deep inward conviction and feelings which are experienced by most persons.Formerly I was led by feelings such as those just referred to, …to the firm conviction of the existence of God and of the immortality of the soul. In my Journal I wrote that whilst standing in the midst of the grandeur of a Brazilian forest, ‘it is not possible to give an adequate idea of the higher feelings of wonder, admiration, and devotion which fill and elevate the mind.’ I well remember my conviction that there is more in man than the mere breath of his body; but now the grandest scenes would not cause any such convictions and feelings to rise in my mind. It may be truly said that I am like a man who has become COLOUR-BLIND.”

Francis Schaeffer remarked:

Now Darwin says when I look back and when I look at nature I came to the conclusion that man can not be just a fly! But now Darwin has moved from being a younger man to an older man and he has allowed his presuppositions to enter in to block his logic, these things at the end of his life he had no intellectual answer for. To block them out in favor of his theory. Remember the letter of his that said he had lost all aesthetic senses when he had got older and he had become a clod himself. Now interesting he says just the same thing, but not in relation to the arts, namely music, pictures, etc, but to nature itself. Darwin said, “But now the grandest scenes would not cause any such convictions  and feelings to rise in my mind. It may be truly said that I am like a man who has become colour-blind…” So now you see that Darwin‘s presuppositions have not only robbed him of the beauty of man’s creation in art, but now the universe. He can’t look at it now and see the beauty. The reason he can’t see the beauty is for a very, very , very simple reason: THE BEAUTY DRIVES HIM TO DISTRACTION. THIS IS WHERE MODERN MAN IS AND IT IS HELL. The art is hell because it reminds him of man and how great man is, and where does it fit in his system? It doesn’t. When he looks at nature and it’s beauty he is driven to the same distraction and so consequently you find what has built up inside him is a real death, not  only the beauty of the artistic but the beauty of nature. He has no answer in his logic and he is left in tension.  He dies and has become less than human because these two great things (such as any kind of art and the beauty of  nature) that would make him human  stand against his theory.

Schaeffer later asserted, “We cannot deal with people like human beings, we cannot deal with them on the high level of true humanity, unless we really know their origin-who they are. God tells man who he is. God tells us that He created man in His image. So man is something wonderful.” ( Escape from Reason: A Penetrating Analysis of Trends in Modern Thought )

Many young people  turned to Eastern Religions in the 1960’s and 1970’s. Francis Schaeffer asserted, “But this finally brings them to the place where the word GOD merely becomes the word GOD, and no certain content can be put into it. In this many of the established theologians are in the same position as George Harrison (1943-) (the former Beatles guitarist) when he wrote MY SWEET LORD (1970). Many people thought he had come to Christianity. But listen to the words in the background: “Krishna, Krishna, Krishna.” Krishna is one Hindu name for God. This song expressed  no content, just a feeling of religious experience. To Harrison, the words were equal: Christ or Krishna. Actually, neither the word used nor its content was of importance,” HOW SHOULD WE THEN LIVE? (page 191 Vol 5).

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In the film series HOW SHOULD WE THEN LIVE? Francis Schaeffer shows the Beatles visiting Maharishi Mahesh Yogi in India.

Patti Boyd wedding ceremony with George Harrison:

However, this is not the personal God that Christians worship. Darwin only had a problem with the idea of a personal God. In 1879 Charles Darwin was applied to by a German student, in a similar manner. The letter was answered by a member of Darwin’s family, who wrote:–

“Mr. Darwin…considers that the theory of Evolution is quite compatible with the belief in a God; but that you must remember that different persons have different definitions of what they mean by God.” 

Francis Schaeffer commented:

You find a great confusion in Darwin‘s writings although there is a general structure in them. Here he says the word “God” is alright but you find later what he doesn’t take is a personal God. Of course, what you open is the whole modern linguistics concerning the word “God.” is God a pantheistic God? What kind of God is God? Darwin says there is nothing incompatible with the word “God.”

The Beatles 

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Besides looking to Eastern Religions the Beatles tried to escape from reason by turning to drugs. In the book HOW SHOULD WE THEN LIVE?, Schaeffer observed, “This emphasis on hallucinogenic drugs brought with it many rock groups–for example, Cream, Jefferson Airplane, Grateful Dead, Incredible String Band, Pink Floyd, and Jimi Hendrix. Most of their work was from 1965-1968. The Beatles’  SERGEANT PEPPER’S LONELY HEART S CLUB BAND (1967) also fits here. This disc is a total unity, not just an isolated series of individual songs, and for a time it became the rallying cry for young people throughout the world. As a whole, this music was the vehicle to carry the drug culture and the mentality which went with it across frontiers which were almost impassible by other means of communication.”

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The Cover of Sergeant Pepper’s :

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In his recent article, “Lucy in the Mind of Lennon: An Empirical Analysis of Lucy in the Sky with DiamondsMarch 10, 2014,  , notes: 

When the Beatles released their album Sgt. Pepper’s Lonely Hearts Club Band in the late spring of 1967,fans and critics alike were quick to find references to drugs throughout the LP. The album’s deliriously decorated jacket featured marijuana plants in the garden behind which the Beatles stood. The lyrics of With a Little Help from My Friends, Lovely Rita, and A Day in the Life all referred to marijuana, mentioning getting “high” and taking “some tea,” as well a desire to “turn you on.” And tuned-in listeners easily connected the feelings, sensations, and visions people typically experience while on hallucinogenic drugs to the dreamlike imagery of Lucy in the Sky with Diamonds. Some clever listeners even pointed out that the song’s title shares the initials of the hallucinogen LSD (lysergic acid diethylamide).

The Beatles had no doubt contributed to the perception that Sgt. Pepper was indeed a piece of hippie propaganda for hallucinogenic partying. Around the time the album was released, Paul McCartney revealed in a Life magazine interview that he had been using marijuana and LSD. McCartney even went on to extol the virtues of LSD, claiming that it had brought him closer to God and would yield world peace if only politicians would try it. Soon after, John Lennon, George Harrison, and the Beatles’ manager Brian Epstein also admitted that they had used LSD. Later that summer, the Beatles endorsed the legalization of marijuana by signing their names to a full-page advertisement in the London Times.

Lucy in the Mind of Lennon By Tim Kasser (Oxford University Press)

Despite these public proclamations about his drug use, John Lennon steadfastly denied that Lucy in the Sky with Diamonds was about drugs. Lennon instead consistently claimed that the song was a response to a picture painted by his almost four-year-old son Julian. The oft-repeated story goes that Julian had brought the picture home from school and told his father that it was of his friend, Lucy, who was up in the sky with diamonds. Lennon’s mind had then wandered toward the Lewis Carroll books Alice in Wonderland and Through the Looking-Glass that he had long admired and recently been re-reading. Lucy in the Sky with Diamonds was born when Lennon took images from Julian’s picture and combined them with elements of Carroll’s stories and poems.

A third explanation for the song’s meaning and origin was provided by Lennon many years after it was written, just a few weeks before he was killed. While reflecting on each of the songs in his discography, Lennon said this about Lucy in the Sky with Diamonds:

“There was also the image of the female who would someday come save me—a “girl with kaleidoscope eyes” who would come out of the sky. It turned out to be Yoko, though I hadn’t met Yoko yet. . . . The imagery was Alice in the boat. And also the image of this female who would come and save me—this secret love that was going to come one day. So it turned out to be Yoko, though, and I hadn’t met Yoko then. But she was my imaginary girl that we all have.”

Despite the fact that some people do not think that LUCY IN THE SKY WITH DIAMONDS was about drugs, the fact remains that it was probably considered so through the years by most drug users!!!!!!

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News in London Newspaper: 

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Tara Browne in 1966

Suki Poitier (centre) and Tara Browne (right), 1966

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SERGEANT PEPPER’S LONELY HEART S CLUB BAND not only dealt with drugs but also with death. In the TELEGRAPH in Nicky Browne’s obit it was noted that “Paul McCartney told interviewers that he took LSD for the first time with Tara Browne.” Wikipedia records, “The Honourable Tara Browne (4 March 1945 – 18 December 1966) was a young London socialite and heir to the Guinness fortune and was the son of Dominick Browne, 4th Baron Oranmore and Browne, a member of the House of Lords since 1927 who later became famous for having served in that house longer than any other peer…According to some sources, Tara was the inspiration for the Beatles song “A Day in the Life“.  He sat in on the making of the Beatles record ‘Revolver’.

On 17 January 1967 John Lennon, a friend of Browne’s, was composing music at his piano whilst idly reading London’s Daily Mail and happened upon the news of the coroner’s verdict into Browne’s death. He worked the story into the song “A Day in the Life“, later released on the album Sgt. Pepper’s Lonely Hearts Club Band. The second verse features the following lines:

He blew his mind out in a car, He didn’t notice that the lights had changed, A crowd of people stood and stared, They’d seen his face before, Nobody was really sure, If he was from the House of Lords.

According to Lennon, in his 1980 interview with Playboy magazine, “I was reading the paper one day and I noticed two stories. One was the Guinness heir who killed himself in a car. That was the main headline story. He died in London in a car crash.”

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Samuel Beckett was the Nobel Prize Winner in Literature in 1969

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A side note about Tara Browne is that in  Paris his social circle was the likes of Samuel Beckett, Salvador Dali, and Jean Cocteau. Samuel Beckett had a lot to say on this issue of man’s significance as William Lane Craig has noted:

If each individual person passes out of existence when he dies, then what ultimate meaning can be given to his life? Does it really matter whether he ever existed at all? It might be said that his life was important because it influenced others or affected the course of history. But this shows only a relative significance to his life, not an ultimate significance. His life may be important relative to certain other events, but what is the ultimate significance of any of those events? If all the events are meaningless, then what can be the ultimate significance of influencing any of them? Ultimately it makes no difference.

This is the horror of modern man: because he ends in nothing, he is nothing.

Twentieth-century man came to understand this. Read WAITING FOR GODOT by Samuel Beckett. During this entire play two men carry on trivial conversation while waiting for a third man to arrive, who never does. Our lives are like that, BECKETT IS SAYING: WE JUST KILL TIME WAITING–FOR WHAT, WE DON’T KNOW. In a tragic portrayal of man, Beckett wrote another play in which the curtain opens revealing a stage littered with junk. For thirty long seconds, the audience sits and stares in silence at that junk. Then the curtain closes. That’s all.

French existentialists Jean-Paul Sartre and Albert Camus understood this, too. Sartre portrayed life in his play No Exit as hell—the final line of the play are the words of resignation, “Well, let’s get on with it.” Hence, Sartre writes elsewhere of the “nausea” of existence. Man, he says, is adrift in a boat without a rudder on an endless sea. Camus, too, saw life as absurd. At the end of his brief novel The Stranger, Camus’s hero discovers in a flash of insight that the universe has no meaning and there is no God to give it one. The French biochemist Jacques Monod seemed to echo those sentiments when he wrote in his work Chance and Necessity, “Man finally knows he is alone in the indifferent immensity of the universe.”

Thus, if there is no God, then life itself becomes meaningless. Man and the universe are without ultimate significance. 

IN LIGHT OF THESE STATEMENTS BY SARTRE, CAMUS, BECKETT, and MONAD HOW CAN YOU STILL ASSERT THE FOLLOWING:

“It is possible to regard death as a natural event and even perhaps a wondrous state that takes place in the wonderful story in what we see around us in the universe. That can be taught to be a comforting thought. We know exactly what it is like to be dead because it is exactly the same state we were in before we were born.”

IN SPITE OF ALL THIS MANY SECULARISTS HAVE ADOPTED WHAT I CALL “EVOLUTIONARY OPTIMISTIC HUMANISM” and even in the 19th century Charles Darwin in his autobiography was touting THE SAME PRODUCT AS I SEE YOU ARE TODAY!!! 

HERE IS A QUOTE FROM YOUR LIPS AT THE BEYOND BELIEF CONFERENCE:

“It seemed to me, if there were any answers to be found at all, they were going to be found in the facts, and understanding the greater theater in which human life has unfolded. And I was right about that. Being a scientist, and staring immensity and eternity in the face every day is about as meaningful I think, and grand and awe-inspiring as it gets. We, especially we astronomers, confront the big questions of wonder every day and the answers to these questions in the aggregate have produced, and this is absolutely with no hype,…the greatest story every told. And there isn’t a religion, I think, that can offer anything better. And as Jules Verne said, reality provides us with facts so romantic that imagination itself could add nothing to them.”

YOUR QUOTE DEMONSTRATES WHAT I CALL “OPTIMISTIC HUMANISM.” It is truly a “romantic” point of view of secularism.

Francis Darwin noted, “passages which here follow are extracts, somewhat abbreviated, from a part of the Autobiography, written in 1876, in which my father gives the history of his religious views:”

“Believing as I do that man in the distant future will be a far more perfect creature than he now is,”

FRANCIS SCHAEFFER COMMENTED:

Now you have now the birth of Julian Huxley’s evolutionary optimistic humanism already stated by Darwin. Darwin now has a theory that man is going to be better. If you had lived at 1860 or 1890 and you said to Darwin, “By 1970 will man be better?” He certainly would have the hope that man would be better as Julian Huxley does today. Of course, I wonder what he would say if he lived in our day and saw what has been made of his own views in the direction of (the mass murder) Richard Speck (and deterministic thinking of today’s philosophers). I wonder what he would say. So you have the factor, already the dilemma in Darwin that I pointed out in Julian Huxley and that is evolutionary optimistic humanism rests always on tomorrow. You never have an argument from the present or the past for evolutionary optimistic humanism.

You can have evolutionary nihilism on the basis of the present and the past. Every time you have someone bringing in evolutionary optimistic humanism it is always based on what is going to be produced tomorrow. When is it coming? The years pass and is it coming? Arthur Koestler doesn’t think it is coming. He sees lots of problems here and puts forth for another solution.

WHAT EVOLUTIONISTS LIKE YOURSELF ARE LEFT WITH IS ONLY THE HOPE OF “biological continuity and increased biological complexity” AS DARWIN AND SCHAEFFER POINT OUT BELOW. YOU HAVE SAID CONCERNING “Enceladus, “That was tremendously exciting to find, because not only do we think there’s liquid water there, not only is there an enormous amount of excess heat, but we also have organic materials. That, I mean, that is the trifecta that we’re looking for, the three main ingredients for a habitable zone.”

Why are you searching so hard for intelligent life? The answer is pretty clear. We were created in God’s image and we will feel empty until we reunite with him. YOU SAID IT YOURSELF AND I QUOTED IT IN THIS LETTER ALREADY and that is you as a secularist are competing with this view that God created in his own image for a special purpose.  The message of the movie CONTACT is basically about mankind trying to reach out to other beings so we can ask them the big questions. The scientist Blaise Pascal summarized it up best when he said, “There is a God shaped vacuum in the heart of every man which cannot be filled by any created thing, but only by God, the Creator, made known through Jesus.” Just today I heard this radio commentary from Eric Metaxas on the SETI PROGRAM.

It’s been fifty years and E.T. still hasn’t called. So maybe it’s time we give him a call? Although some don’t think that’s such a great idea.

Eric Metaxas

When we step out at night and look up at the stars, we can’t help wondering: Is there someone else out there? And if there is, would these extraterrestrials be benign and curious like the musical aliens in “Close Encounters of the Third Kind,” or would they be malicious and hostile like the Klingons of “Star Trek”?

Well, ever since stargazer Frank Drake conducted his first scan of the heavens in 1960, that’s the question he and other scientists have been asking. Drake, the chairman emeritus of the Search for Extraterrestrial Intelligence or SETI, was one of the first to point a radio telescope toward space and listen for the tell-tale signals of intelligent life.

Like astronomer and “Cosmos” host Carl Sagan, Drake developed an equation for estimating the number of civilizations on other planets in our galaxy. And like Sagan’s estimates, his were astronomical: Billions of planets should have life, he reasoned, and of those, millions ought to have evolved intelligent beings. And so the researchers at SETI turned their radio dishes skyward, and listened.

Of course, as I write in my book “Miracles,” Carl Sagan (and hence Drake) got it wrong. The probability for life is astronomical all right—astronomically IM-probable, since we now know there are more than 150 absolutely-necessary and rare conditions that must be met to sustain life. So it’s no wonder that instead of a cacophony of radio signals from intelligent life somewhere out there, all we’re hearing is the silence of the stars.

But some scientists insist that just because we haven’t heard from E.T. doesn’t mean he’s not out there. So now they’re proposing a radical new strategy. It’s called “Active SETI,” and as Joel Achenbach explains in The Washington Post, its goal would be to “boldly announce our presence and try to get the conversation started.”

Rather than just listening for signals from space, scientists would beam messages at stars that they considered good candidates for life and they’d wait for potential civilizations orbiting those stars to respond. Maybe within a few hundred years, we would finally discover we aren’t alone in the universe.

But not everyone likes that idea. A petition signed by 28 influential scientists warns of the potential danger of Active SETI. They’ve seen the movie, or the movies, I should say, and they know it doesn’t end well for us earthlings. Their concern is whether these ETI’s will be benign or hostile: good point.

Frank Drake himself thinks Active SETI is a waste of time. We’ve been leaking radio signals into space since before the days of “I Love Lucy,” he points out. Anyone in our galactic neighborhood with an antenna already knows we’re here.

Hearing all of this talk of aliens, I can’t help but think of Walker Percey’s brilliant book, “Lost in the Cosmos.” In it, he observes that the more we learn about the universe, the lonelier we become. And he’s right. Even the most rational scientists have poured untold treasure, time, and talent into the hunt for extraterrestrial neighbors—with nothing to reward their efforts.

One thing we do know, we humans long to know we’re not alone. And the good news, as Christians know, is that we’re not! We aren’t “lost in the cosmos,” but we are the centerpiece of a grand plan that culminated in a visitation by Someone from beyond our universe.

(Carl Sagan pictured below)

In Darwin’s 1876 Autobiography he noted:

“…it is an intolerable thought that he and all other sentient beings are doomed to complete annihilation after such long-continued slow progress. To those who fully admit the immortality of the human soul, the destruction of our world will not appear so dreadful.”

Francis Schaeffer commented:

Here you feel Marcel Proust and the dust of death is on everything today because the dust of death is on everything tomorrow. Here you have the dilemma of Nevil Shute’s ON THE BEACH. If it is true that all we have left is biological continuity and increased biological complexity, which is all we have left in Darwinism here, or with many of the modern philosophers, then you can’t stand Shute’s ON THE BEACH. Maybe tomorrow at noon human life may be wiped out. Darwin already feels the tension, because if human life is going to be wiped out tomorrow, what is it worth today? Darwin can’t stand the thought of death of all men. Charlie Chaplin when he heard there was no life on Mars said, “I’m lonely.”

You think of the Swedish Opera (ANIARA) that is pictured inside a spaceship. There was a group of men and women going into outer space and they had come to another planet and the singing inside the spaceship was normal opera music. Suddenly there was a big explosion and the world had blown up and these were the last people left, the only conscious people left, and the last scene is the spaceship is off course and it will never land, but will just sail out into outer space and that is the end of the plot. They say when it was shown in Stockholm the first time, the tough Swedes with all their modern  mannishness, came out (after the opera was over) with hardly a word said, just complete silence.

Darwin already with his own position says he CAN’T STAND IT!! You can say, “Why can’t you stand it?” We would say to Darwin, “You were not made for this kind of thing. Man was made in the image of God. Your CAN’T- STAND- IT- NESS is screaming at you that your position is wrong. Why can’t you listen to yourself?”

You find all he is left here is biological continuity, and thus his feeling as well as his reason now is against his own theory, yet he holds it against the conclusions of his reason. Reason doesn’t make it hard to be a Christian. Darwin shows us the other way. He is holding his position against his reason.

These words of Darwin ring in my ear, “…it is an intolerable thought that he and all other sentient beings are doomed to complete annihilation after such long-continued slow progress…” . Schaeffer rightly noted, “Maybe tomorrow at noon human life may be wiped out. Darwin already feels the tension, because if human life is going to be wiped out tomorrow, what is it worth today? Darwin can’t stand the thought of death of all men.” IN OTHER WORDS ALL WE ARE IS DUST IN THE WIND.  I sent you a CD that starts off with the song DUST IN THE WIND by Kerry Livgren of the group KANSAS which was a hit song in 1978 when it rose to #6 on the charts because so many people connected with the message of the song. It included these words, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Kerry Livgren himself said that he wrote the song because he saw where man was without a personal God in the picture. Solomon pointed out in the Book of Ecclesiastes that those who believe that God doesn’t exist must accept three things. FIRST, death is the end.  SECOND, chance and time are the only guiding forces in this life.  FINALLY, power reigns in this life and the scales are never balanced. The Christian can  face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.

_____________

Kansas, circa 1973 (Phil Ehart, Kerry Livgren, Steve Walsh, Rich Williams, Robby Steinhardt, Dave Hope) (photo credit: DON HUNSTEIN)

Kansas, circa 1973 (Phil Ehart, Kerry Livgren, Steve Walsh, Rich Williams, Robby Steinhardt, Dave Hope) (photo credit: DON HUNSTEIN)

____________________________________________

Both Kerry Livgren and the bass player Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on You Tube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible ChurchDAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

(Aldous Huxley, pictured above,  was an English literary author who is renowned for his novel,Brave New World, which was published in 1931. Apart from writing novels, he also wrote a few travel books, poems, plays and several essays on religion, art and sociology)

HOW DID THE BEATLES SEARCH END UP AND WHY WAS ALDOUS HUXLEY PUT ON THE COVER OF “SERGEANT PEPPER’S LONELY HEART S CLUB BAND”? Below is an excerpt from Francis A. Schaeffer‘s 1972 paper on the trends seen in secular society concerning drug use:

The philosophic basis for the drug scene came from ALDOUS HUXLEY'S 
concept that, since, for the rationalist, reason is not 
taking us anywhere, we should look for a final experience, one 
that can be produced "on call," one that we do not need to 
wait for. The drug scene, in other words, was at first an ideol- 
ogy, an ideology that had very practical consequences. Some of 
us at L'Abri have cried over the young people who have blown 
their minds. But many of them thought, like Alan Watts, Gary 
Snyder, Alan Ginsberg and Timothy Leary, that if you could 
simply turn everyone on, there would be an answer to man's 
longings. It wasn't just the far-out freaks who suggested that 
you could put drugs in the drinking water and turn on a whole 
city so that the "pigs" and the kids would all have flowers in 
their hair. In those days it really was an optimistic ideological 
concept...
The Beatles are a sort of test case. First they were just a 
rock group, then they took to drugs and expressed that in such 
songs as Sergeant Pepper's Lonely Hearts Club Band. When 
drugs didn't pan out, when they saw what was happening in 
Haight-Ashbury, they turned to the psychedelic sounds of 
Straivberry Fields, and then went further into Eastern religious 
experiences. But that, too, did not work out, and they wound 
up their career as a group by making The Yellow Submarine. 
When they made this movie, some people said, "The Beatles 
are coming back." But of course that was not the case. It was 
really 'the sad end of their ideological search as a group. It's 
interesting that Erich Segal, the man who wrote the film script 
for THE YELLOW SUBMARINE, then wrote LOVE STORY.

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

_________________ 

You can hear DAVE HOPE and Kerry Livgren’s stories from this youtube link:

(part 1 ten minutes)

(part 2 ten minutes)

Kansas – Dust in the Wind (Official Video)

Uploaded on Nov 7, 2009

Pre-Order Miracles Out of Nowhere now at http://www.miraclesoutofnowhere.com

About the film:
In 1973, six guys in a local band from America’s heartland began a journey that surpassed even their own wildest expectations, by achieving worldwide superstardom… watch the story unfold as the incredible story of the band KANSAS is told for the first time in the DVD Miracles Out of Nowhere.

___________________

___________

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 41 Sarvepalli Radhakrishnan (Featured artist is Marina Abramović)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 40 Timothy Leary (Featured artist is Margaret Keane)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 39 Tom Wolfe (Featured artist is Richard Serra)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 38 Woody Allen and Albert Camus “There is but one truly serious philosophical problem, and that is suicide” (Feature on artist Hamish Fulton Photographer )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 37 Mahatma Gandhi and “Relieving the Tension in the East” (Feature on artist Luc Tuymans)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 36 Julian Huxley:”God does not in fact exist, but act as if He does!” (Feature on artist Barry McGee)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 35 Robert M. Pirsig (Feature on artist Kerry James Marshall)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 34 Aleksandr Solzhenitsyn (Feature on artist Shahzia Sikander)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 33 Aldous Huxley (Feature on artist Matthew Barney )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 32 Steven Weinberg and Woody Allen and “The Meaningless of All Things” (Feature on photographer Martin Karplus )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 31 David Hume and “How do we know we know?” (Feature on artist William Pope L. )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 30 Rene Descartes and “How do we know we know?” (Feature on artist Olafur Eliasson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 29 W.H. Thorpe and “The Search for an Adequate World-View: A Question of Method” (Feature on artist Jeff Koons)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 28 Woody Allen and “The Mannishness of Man” (Feature on artist Ryan Gander)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 27 Jurgen Habermas (Featured artist is Hiroshi Sugimoto)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 26 Bettina Aptheker (Featured artist is Krzysztof Wodiczko)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 25 BOB DYLAN (Part C) Francis Schaeffer comments on Bob Dylan’s song “Ballad of a Thin Man” and the disconnect between the young generation of the 60’s and their parents’ generation (Feature on artist Fred Wilson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 24 BOB DYLAN (Part B) Francis Schaeffer comments on Bob Dylan’s words from HIGHWAY 61 REVISITED!! (Feature on artist Susan Rothenberg)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 23 BOB DYLAN (Part A) (Feature on artist Josiah McElheny)Francis Schaeffer on the proper place of rebellion with comments by Bob Dylan and Samuel Rutherford

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 22 “The School of Athens by Raphael” (Feature on the artist Sally Mann)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 21 William B. Provine (Feature on artist Andrea Zittel)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 20 Woody Allen and Materialistic Humanism: The World-View of Our Era (Feature on artist Ida Applebroog)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 19 Movie Director Luis Bunuel (Feature on artist Oliver Herring)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 18 “Michelangelo’s DAVID is the statement of what humanistic man saw himself as being tomorrow” (Feature on artist Paul McCarthy)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 17 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part C (Feature on artist David Hockney plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 16 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part B (Feature on artist James Rosenquist plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 15 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part A (Feature on artist Robert Indiana plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 14 David Friedrich Strauss (Feature on artist Roni Horn )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 13 Jacob Bronowski and Materialistic Humanism: The World-View of Our Era (Feature on artist Ellen Gallagher )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 12 H.J.Blackham and Materialistic Humanism: The World-View of Our Era (Feature on artist Arturo Herrera)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 11 Thomas Aquinas and his Effect on Art and HOW SHOULD WE THEN LIVE? Episode 2: THE MIDDLES AGES (Feature on artist Tony Oursler )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 10 David Douglas Duncan (Feature on artist Georges Rouault )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 9 Jasper Johns (Feature on artist Cai Guo-Qiang )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 8 “The Last Year at Marienbad” by Alain Resnais (Feature on artist Richard Tuttle and his return to the faith of his youth)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 7 Jean Paul Sartre (Feature on artist David Hooker )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 6 The Adoration of the Lamb by Jan Van Eyck which was saved by MONUMENT MEN IN WW2 (Feature on artist Makoto Fujimura)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 5 John Cage (Feature on artist Gerhard Richter)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 4 ( Schaeffer and H.R. Rookmaaker worked together well!!! (Feature on artist Mike Kelley Part B )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 3 PAUL GAUGUIN’S 3 QUESTIONS: “Where do we come from? What art we? Where are we going? and his conclusion was a suicide attempt” (Feature on artist Mike Kelley Part A)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 2 “A look at how modern art was born by discussing Monet, Renoir, Pissaro, Sisley, Degas,Cezanne, Van Gogh, Gauguin, Seurat, and Picasso” (Feature on artist Peter Howson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 1 HOW SHOULD WE THEN LIVE? “The Roman Age” (Feature on artist Tracey Emin)

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