RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Richard Robert Ernst (born August 14, 1933) is a Swiss physical chemist and Nobel Laureate Kroto: WHEN I DIE IS THAT IT? Dr. Ernst: Of course. Kroto: THERE IS NO CREATIVE ENTITY WITH ANY INTEREST IN YOU? Dr. Ernst: No.

 

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif Ahmed, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BatePatricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Hermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart Kauffman,  Lawrence KraussHarry Kroto, George LakoffElizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,  Jonathan Parry,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

Richard R. Ernst

From Wikipedia, the free encyclopedia
Richard Ernst
Richard R Ernst.jpg

Richard R. Ernst in 2009
Born Richard Robert Ernst
August 14, 1933 (age 82)
Winterthur, Switzerland
Nationality Swiss
Fields
Institutions
Alma mater ETH Zurich (PhD)
Thesis Kernresonanz-Spektroskopie mit stochastischen Hochfrequenzfeldern (1962)
Notable awards
Website
www.chab.ethz.ch/das-departement/personen/emeriti/emeriti-ho

Richard Robert Ernst (born August 14, 1933) is a Swiss physical chemist and Nobel Laureate.[2]

Born in Winterthur, Switzerland, Ernst was awarded the Nobel Prize in Chemistry in 1991 for his contributions towards the development of Fourier transform Nuclear Magnetic Resonance (NMR) spectroscopy[3] while at Varian Associates, Palo Alto and the subsequent development of multi-dimensional NMR techniques.[4][5][6][7][8] These underpin applications to both to chemistry with NMR spectroscopy and to medicine with Magnetic Resonance Imaging (MRI).[1]

Early life[edit]

Ernst lived in a house that his grandfather, a merchant, had built in 1898. Ernst’s father, Robert Ernst, was teaching as an architect at the technical high school of their town. He also had two sisters. His town had a lot of art and industry in it; a lot of the art had to do with music. Winterthur had a small but first-rank orchestra that was famous throughout Switzerland and also an industry in diesel motors and railway engines.

Ernst soon became interested in both sides. Playing the violoncello brought him into numerous chamber and church music ensembles, and stimulated his interest in musical composition that he tried extensively while in high school. At the age of 13, though, Ernst found in his attic a case filled with chemicals, remainders of an uncle who died in 1923 and was, as a metallurgical engineer, interested in chemistry and photography. “I became almost immediately fascinated by the possibilities of trying out all conceivable reactions with them, some leading to explosions, others to unbearable poisoning of the air in our house, frightening my parents.” Ernst said but he had survived and started to read all chemistry books that he could get a hand on, first some 19th-century books from his home library that did not provide much reliable information, and then he emptied the rather extensive city library. Soon, though, he knew that he wanted become a chemist, rather than a composer. “I wanted to understand the secrets behind my chemical experiments and behind the processes in nature.”[citation needed]

Categories:

In  the first video below in the 39th clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

________

Below is my letter to Dr. Ernst with my response to his quote.

March 13, 2015

ETH Zürich
Prof. Dr. Richard R. Ernst
Lab. für Physikalische Chemie
Switzerland

Dear Dr. Ernst,

I just finished reading the online addition of the book Darwin, Francis ed. 1892. Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters [abridged edition]. London: John Murray. There are several points that Charles Darwin makes in this book that were very wise, honest, logical, shocking and some that were not so wise. The Christian Philosopher Francis Schaeffer once said of Darwin’s writings, “Darwin in his autobiography and in his letters showed that all through his life he never really came to a quietness concerning the possibility that chance really explained the situation of the biological world. You will find there is much material on this [from Darwin] extended over many many years that constantly he was wrestling with this problem.”

Recently I watched a lengthy series of programs called RENOWNED ACADEMICS TALK ABOUT GOD and this link was sent to me by Harry Kroto and I found this quote on this series by you:

WHEN I DIE IS THAT IT? Of course. THERE IS NO CREATIVE ENTITY WITH ANY INTEREST IN YOU? No.

When I started looking at your views I discovered that like me you are a lover of art paintings. I just spent a whole afternoon two weeks ago at the Salvador Dali museum in Florida at a Picasso/Dali exhibit and several years ago I got to go to about 20 art museums throughout Europe including several in your country. By the way the beauty of your country was far greater than any of the other 19 countries that I visited.

Another one of your quotes fascinated me and here it is:

It is important to everybody to have, besides his profession, also passions that inspire and motivate him. Without passions, life becomes boring and even senseless. Music is for me such a passion. I am not a religious person; I do not belong to a particular religious congregation. But music offers to me access to spirituality, to those aspects of life that cannot be understood and comprehended by pure science alone. It is much more for me than just relaxation; it reveals aspects of humane creativity that are of highest value. They are a valuable expression of our cultural heritage. I hope that we will be able to preserve these aspects forever.

Did you know that Charles Darwin like you was a lover of art and music. Let me share something about that. I THINK DARWIN OPENED UP ABOUT HIS MOST INNER FEELINGS MUCH MORE THAN HE HAS BEEN GIVEN CREDIT FOR AND THAT IS WHAT I WROTE YOU ABOUT TODAY.

When I read the book  Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters, I also read  a commentary on it by Francis Schaeffer and I wanted to both  quote some of Charles Darwin’s own words to you and then include the comments of Francis Schaeffer on those words. I have also enclosed a CD with two messages from Adrian Rogers and Bill Elliff concerning Darwinism.

 CHARLES DARWIN’S AUTOBIOGRAPHY. Addendum. Written May 1st, 1881 [the year before his death].

I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did. On the other hand, novels, which are works of the imagination, though not of a very high order, have been for years a wonderful relief and pleasure to me, and I often bless all novelists. A surprising number have been read aloud to me, and I like all if moderately good, and if they do not end unhappily—against which a law ought to be passed. A novel, according to my taste, does not come into the first class unless it contains some person whom one can thoroughly love, and if a pretty woman all the better.

This curious and lamentable loss of the higher æsthetic tastes is all the odder, as books on history, biographies, and travels (independently of any scientific facts which they may contain), and essays on all sorts of subjects interest me as much as ever they did. My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive. A man with a mind more highly organised or better constituted than mine, would not, I suppose, have thus suffered; and if I had to live my life again, I would have made a rule to read some poetry and listen to some music at least once every week; for perhaps the parts of my brain now atrophied would thus have been kept active through use. The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.

Francis Schaeffer commented:

This is the old man Darwin writing at the end of his life. What he is saying here is the further he has gone on with his studies the more he has seen himself reduced to a machine as far as aesthetic things are concerned. I think this is crucial because as we go through this we find that his struggles and my sincere conviction is that he never came to the logical conclusion of his own position, but he nevertheless in the death of the higher qualities as he calls them, art, music, poetry, and so on, what he had happen to him was his own theory was producing this in his own self just as his theories a hundred years later have produced this in our culture. I don’t think you can hold the evolutionary position as he held it without becoming a machine. What has happened to Darwin personally is merely a forerunner to what occurred to the whole culture as it has fallen in this world of pure material, pure chance and later determinism. Here he is in a situation where his mannishness has suffered in the midst of his own position.

Darwin, C. R. to Fordyce, John7 May 1879

“What my own views may be is a question of no consequence to any one but myself. But, as you ask, I may state that my judgment often fluctuates . . . In my most extreme fluctuations I have never been an Atheist in the sense of denying the existence of a God. I think that generally (and more and more as I grow older), but not always, that an Agnostic would be the more correct description of my state of mind.”

Francis Schaeffer asserted:

What we find now is that he comes to the place in being agnostic, but as we read through this section on religion what we find is in reality his reason leads him against this position, which is interesting but his theory makes him accept the  position of agnosticism. You will notice as we go on, on the basis of his intellect he can’t stand the thought of his own position, of there not being an answer. Nevertheless, he is increasingly forced to this because it wouldn’t conform to his own theory, man being shoved against his own will because of presuppositions. I think what you have in Darwin is a magnificent example, although a sad one of what I lecture on in apologetics,  and that is if a man takes a set of nonchristian presuppositions he is forced eventually to be in a place of tension. The more consistent he is with his own nonchristian presuppositions the more he is away from the real world. When he is closer to the real world then he is more illogical to his own presuppositions. Darwin shows this in his own writings in his own lifetime. So the things in his human nature he is sorry to lose, but he loses them, at the same time he finds that couldn’t explain things on the basis of his reason.  Yet he was driven to certain conclusions which were away from what he himself felt were the real world on the basis of his own presuppositions. He was never satisfied. Just as I very often use Sartre and Camus to point out this dilemma of nonchristian presuppositions, in actuality these sections from Darwin are a perfect example of the same thing.

Darwin, C. R. to Doedes, N. D.2 Apr 1873

“It is impossible to answer your question briefly; and I am not sure that I could do so, even if I wrote at some length. But I may say that the impossibility of conceiving that this grand and wondrous universe, with our conscious selves, arose through chance, seems to me the chief argument for the existence of God; but whether this is an argument of real value, I have never been able to decide.”

Francis Schaeffer observed:

So he sees here exactly the same that I would labor and what Paul gives in Romans chapter one, and that is first this tremendous universe [and it’s form] and the second thing, the mannishness of man and the concept of this arising from chance is very difficult for him to come to accept and he is forced to leap into this, his own kind of Kierkegaardian leap, but he is forced to leap into this because of his presuppositions but when in reality the real world troubles him. He sees there is no third alternative. If you do not have the existence of God then you only have chance. In my own lectures I am constantly pointing out there are only two possibilities, either a personal God or this concept of the impersonal plus time plus chance and Darwin understood this . You will notice that he divides it into the same exact two points that Paul does in Romans chapter one into and that Carl Gustav Jung (1875-1961) will in the problem of existence, the external universe, and man and his consciousness. Paul points out there are these two steps that man is confronted with, what I would call two things in the real world. The universe and it’s form and I usually quote Jean Paul Sartre here, and Sartre says the basic philosophic problem is that something is there rather than nothing is there and I then I add at the point the very thing that Darwin feels and that is it isn’t a bare universe that is out there, it is an universe in a specific form. I always bring in Einstein and the uniformity of the form of the universe and that it is constructed as a well formulated word puzzle or you have Carl Gustav Jung who says two things cut across a man’s will that he can not truly be autonomous, the external world and what Carl Gustav Jung would call his “collected unconsciousness.” It is the thing that churns up out of man, the mannishness of man. Darwin understood way back here this is a real problem. So he says “the impossibility of conceiving that this grand and wondrous  universe,” part one, the real world, the external universe, and part two “with our conscious selves arose through chance” and then he goes on and says this is not “an argument of real value.” This only thing he has to put in its place is his faith in his own theory.

______________

Here below is the Romans passage that Schaeffer is referring to and verse 19 refers to what Schaeffer calls “the mannishness of man” and verse 20 refers to Schaeffer’s other point which is  “the universe and it’s form.”Romans 1:18-22Amplified Bible (AMP) 18 For God’s [holy] wrath and indignation are revealed from heaven against all ungodliness and unrighteousness of men, who in their wickedness repress and hinder the truth and make it inoperative. 19 For that which is known about God is evident to them and made plain in their inner consciousness, because God [Himself] has shown it to them. 20 For ever since the creation of the world His invisible nature and attributes, that is, His eternal power and divinity, have been made intelligible and clearly discernible in and through the things that have been made (His handiworks). So [men] are without excuse [altogether without any defense or justification], 21 Because when they knew and recognized Him as God, they did not honor andglorify Him as God or give Him thanks. But instead they became futile andgodless in their thinking [with vain imaginings, foolish reasoning, and stupid speculations] and their senseless minds were darkened. 22 Claiming to be wise, they became fools [professing to be smart, they made simpletons of themselves].

_________________

Francis Schaeffer noted that in Darwin’s 1876 Autobiography that Darwin he is going to set forth two arguments for God in this and again you will find when he comes to the end of this that he is in tremendous tension. Darwin wrote, 

At the present day the most usual argument for the existence of an intelligent God is drawn from the deep inward conviction and feelings which are experienced by most persons.Formerly I was led by feelings such as those just referred to (although I do not think that the religious sentiment was ever strongly developed in me), to the firm conviction of the existence of God and of the immortality of the soul. In my Journal I wrote that whilst standing in the midst of the grandeur of a Brazilian forest, ‘it is not possible to give an adequate idea of the higher feelings of wonder, admiration, and devotion which fill and elevate the mind.’ I well remember my conviction that there is more in man than the mere breath of his body; but now the grandest scenes would not cause any such convictions and feelings to rise in my mind. It may be truly said that I am like a man who has become colour-blind.

Francis Schaeffer remarked:

Now Darwin says when I look back and when I look at nature I came to the conclusion that man can not be just a fly! But now Darwin has moved from being a younger man to an older man and he has allowed his presuppositions to enter in to block his logic. These things at the end of his life he had no intellectual answer for. To block them out in favor of his theory. Remember the letter of his that said he had lost all aesthetic senses when he had got older and he had become a clod himself. Now interesting he says just the same thing, but not in relation to the arts, namely music, pictures, etc, but to nature itself. Darwin said, “But now the grandest scenes would not cause any such convictions  and feelings to rise in my mind. It may be truly said that I am like a man who has become colour-blind…” So now you see that Darwin’s presuppositions have not only robbed him of the beauty of man’s creation in art, but now the universe. He can’t look at it now and see the beauty. The reason he can’t see the beauty is for a very, very , very simple reason: THE BEAUTY DRIVES HIM TO DISTRACTION. THIS IS WHERE MODERN MAN IS AND IT IS HELL. The art is hell because it reminds him of man and how great man is, and where does it fit in his system? It doesn’t. When he looks at nature and it’s beauty he is driven to the same distraction and so consequently you find what has built up inside him is a real death, not  only the beauty of the artistic but the beauty of nature. He has no answer in his logic and he is left in tension.  He dies and has become less than human because these two great things (such as any kind of art and the beauty of  nature) that would make him human  stand against his theory.

NOW HERE IS A SHORT EXCERPT FROM THE CD I SENT YOU BY ADRIAN ROGERS from his message on DARWINISM:

Evolutionists can not explain the  the non-physical properties found in creation. Now, what do I mean by the non-physical properties found in creation? Music, Brother Ken—the love of music, art, beauty, a hunger for God, worship. What is there in the survival of the fittest—what is there in the evolutionary process—that would produce these things? How can they be accounted for under the survival of the fittest? Where do these things come from? Genesis 1, verse 26: “And God said, Let us make man in our image, after our likeness…” (Genesis 1:26). You see, we have these inner things—this love for beauty, for art, for truth, for eternity. That didn’t come from some primordial ooze; that came from the God who created us.

A letter to Sir J. D. Hooker, June 17, 1868, which repeats to some extent what is given in the Autobiography:—

“I am glad you were at the Messiah, it is the one thing that I should like to hear again, but I dare say I should find my soul too dried up to appreciate it as in old days; and then I should feel very flat, for it is a horrid bore to feel as I constantly do, that I am a withered leaf for every subject except Science. It sometimes makes me hate Science, though God knows I ought to be thankful for such a perennial interest, which makes me forget for some hours every day my accursed stomach.’

Francis Schaeffer summarized:

So he is glad for science because his stomach bothers him, but on the other hand when I think of what it costs me I almost hate science. You can almost hear young Jean-Jacques Rousseau speaking here, he sees what the machine is going to do and he hates the machine and Darwin is constructing the machine and it leads as we have seen to his own loss of human values in the area of aesthetics, the area of art and also in the area of nature. This is what it has cost him. His theory has led him to this place. When you come to this then it seems to me that you understand man’s dilemma very, very well, to think of the origin of the theory of mechanical evolution bringing  Darwin himself to the place of this titanic tension.

IF WE ARE LEFT WITH JUST THE MACHINE THEN WHAT IS THE FINAL CONCLUSION IF THERE WAS NO PERSONAL GOD THAT CREATED US? I sent you a CD that starts off with the song DUST IN THE WIND by Kerry Livgren of the group KANSAS which was a hit song in 1978 when it rose to #6 on the charts because so many people connected with the message of the song. It included these words, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Kerry Livgren himself said that he wrote the song because he saw where man was without a personal God in the picture. Solomon pointed out in the Book of Ecclesiastes that those who believe that God doesn’t exist must accept three things. FIRST, death is the end and SECOND, chance and time are the only guiding forces in this life.  FINALLY, power reigns in this life and the scales are never balanced. The Christian can  face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.

Both Kerry Livgren and the bass player Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on You Tube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible ChurchDAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

You can hear DAVE HOPE and Kerry Livgren’s stories from this youtube link:

(part 1 ten minutes)

(part 2 ten minutes)

Kansas – Dust in the Wind (Official Video)

Uploaded on Nov 7, 2009

Pre-Order Miracles Out of Nowhere now at http://www.miraclesoutofnowhere.com

About the film:
In 1973, six guys in a local band from America’s heartland began a journey that surpassed even their own wildest expectations, by achieving worldwide superstardom… watch the story unfold as the incredible story of the band KANSAS is told for the first time in the DVD Miracles Out of Nowhere.

_____________________________

Adrian Rogers on Darwinism

______________

Professor Richard Ernst on his landmark article in JMR

2010 PARADISO workshop – Richard R. Ernst

What’s it like to win a Nobel Prize?

Richard R. Ernst – Biographical

I was born 1933 in Winterthur, Switzerland, where our ancestors resided at least since the 15th century. We lived in a home built in 1898 by my grandfather, a merchant. My father, Robert Ernst, was teaching as an architect at the technical high school of our city. I had the great luck to grow up, together with two sisters, in a town that combined in a unique way artistic and industrious activities. Invaluable art collections and a small but first rank symphony orchestra carry the fame of Winterthur far across the borders of Switzerland. On the other hand, industries producing heavy machinery, like Diesel motors and railway engines, provided the commercial basis of prosperity.

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