Category Archives: Atheists Confronted

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 72 Riccardo Giacconi, Nobel Prize-winning astrophysicist, Johns Hopkins University. ” Irrational thinking of any kind is very dangerous”

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

_________________

Below you have picture of Dr. Harry Kroto:

______________

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Sir David AttenboroughMark Balaguer, Patricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart EhrmanIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldAlan Guth, Jonathan HaidtHermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman JonesShelly KaganStuart Kauffman,  Lawrence KraussHarry Kroto, Elizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaDouglas Osheroff,   Saul PerlmutterHerman Philipse,  Robert M. PriceLisa RandallLord Martin Rees,  Oliver SacksMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

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Riccardo Giacconi

From Wikipedia, the free encyclopedia
Riccardo Giacconi
RiccardoGiacconi.jpg

National Medal of Science award ceremony, 2003
Born October 6, 1931 (age 83)
Genoa, Italy
Residence United States
Nationality Italy
United States
Fields Physics
Institutions Johns Hopkins University
Chandra X-ray Observatory
Alma mater University of Milan
Doctoral advisor
Doctoral students
Known for Astrophysics
Notable awards Elliott Cresson Medal (1980)
Dannie Heineman Prize for Astrophysics (1981)
Nobel Prize in Physics (2002)

Riccardo Giacconi (born October 6, 1931) is an American Nobel Prize-winning astrophysicist who laid the foundations of X-ray astronomy. He is currently a professor at the Johns Hopkins University.

In  the first video below in the 16th clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

Quote from Dr. Giacconi:

” Irrational thinking of any kind is very dangerous, …I wish that with the progress of science we could inject a little bit more rationality in the world. But in that sense we have failed. ”

Below is the letter I sent to Dr. Giacconi:

December 25, 2014

Dr. Riccardo Giacconi, c/o Johns Hopkins University,
Department of Physics & Astronomy, Baltimore, MD

Dear Dr. Giacconi,

I love the town of Baltimore. “The Star-Spangled Banner” is the national anthem of the United States. The lyrics come from “Defence of Fort M’Henry”, a poem written in 1814 by the 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in the Chesapeake Bay during the Battle of Fort McHenry in the War of 1812. My sons and I got to visit Fort McHenry back in 1996 in Baltimore, and we loved our tour.

Also I have done a lot of posts on my blog on William Foxwell Albright (from John Hopkins) who was the greatest biblical archaeologist of all time because of his knowledge of pottery.  One of the posts I did was entitled, “14c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.” The final reason that I love your town so much is because of the nickname you chose for the NFL team in Baltimore which is tied into Edgar Allan Poe and that of course is the Ravens!!!!

Recently I ran across this quote from you, ” Irrational thinking of any kind is very dangerous, …I wish that with the progress of science we could inject a little bit more rationality in the world. But in that sense we have failed. ”

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto  who I have been corresponding with and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

__________________________

There are 3 videos in this series and they have statements by 150 academics and scientists and I saw that you were featured in this film series. I have been responding to some of the statements concerning God and I plan on responding to what you have said on this issue too.

Now on to the other topics I wanted to discuss with you today. I wanted to write you today for two reasons. First, do you believe that evangelicals should have a place at the table when it comes to science even though we believe in a personal Creator?  Second, I wanted to point out some scientific evidence that caused Antony Flew to switch from an atheist (as you are now) to a theist. Twenty years I had the opportunity to correspond with two individuals that were regarded as two of the most famous atheists of the 20th Century, Antony Flew and Carl Sagan. (I have enclosed some of those letters between us.) I had read the books and seen the films of the Christian philosopher Francis Schaeffer and he had discussed the works of both of these men. I sent both of these gentlemen philosophical arguments from Schaeffer in these letters and in the first letter I sent a cassette tape of my pastor’s sermon IS THE BIBLE TRUE? (CD is enclosed also.) You may have noticed in the news a few years ago that Antony Flew actually became a theist in 2004 and remained one until his death in 2010. Carl Sagan remained a skeptic until his dying day in 1996.

You will notice in the enclosed letter from June 1, 1994 that Dr. Flew commented, “Thank you for sending me the IS THE BIBLE TRUE? tape to which I have just listened with great interest and, I trust, profit.” It would be a great honor for me if you would take time and drop me a note and let me know what your reaction is to this same message.

In 1994 and 1995 I had the opportunity to correspond with the famous evolutionist Dr. Ernst Mayr of Harvard. He stated in his letter of 10-3-94, “Owing to your ideological commitments, it is only natural that you cannot accept the cogency of the scientific evidence. However, to a person such as myself without such commitments, the story of the gradual evolution of life as reconstructed by chemists and molecular biologists is totally convincing.”

I responded by pointing out three points. First, Scientific Naturalism is atheistic by definition. Second, many great scientists of the past were Christians, and that did not disqualify their observations and discoveries. Third, the fact that evolution is true does not rule out God’s existence (Harvard’s own Owen Gingerich and many others such as Francis Collins hold to a Creator and evolution).

Let me just spend some time on my second point. Francis Schaeffer in his book “HOW SHOULD WE THEN LIVE?” stated that according to Alfred North Whitehead and J. Robert Oppenheimer, both renowned philosophers and scientists of our era (but not Christians themselves), modern science was born out of the Christian world view. Whitehead said that Christianity is the “mother of science” because of the insistence on the rationality of God. In the article, “Christianity and Technological Advance – The Astonishing Connection,” by T. V. Varughese, Ph.D, he observed:

Without question, “technology” has now become the new magic word in place of the word “science.” Since technology represents the practical applications of science, it is clearly consumer-oriented. Herein is bright economic promise to all who can provide technology.

In terms of technology, our present world can be divided into at least three groups: countries that are strong providers of technology, both original and improved; countries that are mass producers because of cheaper labor; and countries that are mostly consumers. Without a doubt, being in the position of “originating” superior technology should be a goal for any major country. The difficult question, however, is “how.”

An obvious place to start suggests itself. Why not begin with the countries that have established themselves as strong originators of technology and see if there is a common thread between them? The western nations, after the Renaissance and the Reformation of the 16th century, offer a ready example. Any book on the history of inventions, such as the Guinness Book of Answers, will reveal that the vast majority of scientific inventions have originated in Europe (including Britain) and the USA since the dawn of the 17th century. What led to the fast technological advances in the European countries and North America around that time?

The answer is that something happened which set the stage for science and technology to emerge with full force. Strange as it may seem, that event was the return to Biblical Christianity in these countries.

The Epistemological Foundation of Technology

According to Alfred North Whitehead and J. Robert Oppenheimer, both renowned philosophers and scientists of our era (but not Christians themselves), modern science was born out of the Christian world view. Whitehead said that Christianity is the “mother of science” because of the insistence on the rationality of God.[1] Entomologist Stanley Beck,though not a Christian himself, acknowledged the corner-stone premises of science which the Judeo-Christian world view offers: “The first of the unprovable premises on which science has been based is the belief that the world is real and the human mind is capable of knowing its real nature. The second and best-known postulate underlying the structure of scientific knowledge is that of cause and effect. The third basic scientific premise is that nature is unified.”[2] In other words, the epistemological foundation of technology has been the Judeo-Christian world view presented in the Bible…

Perhaps the most obvious affirmation that Biblical Christianity and science are friends and not foes comes from the fact that most of the early scientists after the Renaissance were also strong believers in the Bible as the authoritative source of knowledge concerning the origin of the universe and man’s place in it.[4] The book of Genesis, the opening book of the Bible, presents the distinctly Judeo-Christian world view of a personal Creator God behind the origin and sustenance of the universe (Genesis 1:1Colossians 1:17; etc.).

Among the early scientists of note who held the Biblical creationist world view are Blaise Pascal (1623-1662), Sir Isaac Newton (1642-1727), and Samuel Morse (1791-1872) – what motivated them was a confidence in the “rationality” behind the universe and the “goodness” of the material world. The creation account in Genesis presents an intelligent, purposeful Creator, who, after completing the creation work, declared it to be very good (Genesis 1:31). That assures us that the physical universe operates under reliable laws which may be discovered by the intelligent mind and used in practical applications. The confidence in the divinely pronounced goodness of the material world removed any reluctance concerning the development of material things for the betterment of life in this world. The spiritual world and the material world can work together in harmony.

 References –

  1. Francis A. Schaeffer: How Should We Then Live (Revell, 1976), p. 132.
  2. Henry M. Morris, Biblical Basis for Modern Science (Baker, 1991), p. 30.
  3. Schaeffer, p. 131.
  4. Henry M. Morris, Men of Science, Men of God (Master Books, CA, 1988), 107 pp.

_____________

Henry Morris pointed out:

Many of these great scientists of the past were before Darwin, but not all of them. However, all of them were acquainted with secular philosophies and some were in fact opponents of Darwinism (Agassiz, Pasteur, Lord Kelvin, Maxwell, Dawson, Virchow, Fabre, Fleming, etc). Many of them believed in the inspiration and authority of the Bible, as well as in the deity and saving work of Jesus Christ. They believed that God had supernaturally created all things, each with its own complex structure for its own unique purpose. They believed that, as scientists, they were “thinking God’s thoughts after Him,” learning to understand and control the laws and processes of nature for God’s glory and man’s good. They believed and practiced science in exactly the same way that modern creationist scientists do.

And somehow this attitude did not hinder them in their commitment to the “scientific method.” In fact one of them, Sir Francis Bacon, is credited with formulating and establishing the scientific method! They seem also to have been able to maintain a proper “scientific attitude,” for it was these men (Newton, Pasteur, Linnaeus, Faraday, Pascal, Lord Kelvin, Maxwell, Kepler, etc.) whose researches and analyses led to the very laws and concepts of science which brought about our modern scientific age…. 

To illustrate the caliber and significance of these great scientists of the past, Tables I and II have been prepared. These tabulations are not complete lists, of course, but at least are representative and they do point up the absurdity of modern assertions that no true scientist can be a creationist and Bible-believing Christian.

Table I lists the creationist “fathers” of many significant branches of modern science. Table II lists the creationist scientists responsible for various vital inventions, discoveries, and other contributions to mankind. These identifications are to some degree oversimplified, of course, for even in the early days of science every new development involved a number of other scientists, before and after. Nevertheless, in each instance, a strong case can be made for attributing the chief responsibility to the creationist scientist indicated. At the very least, his contribution was critically important and thus supports our contention that belief in creation and the Bible helps, rather than hinders, scientific discovery.

_______________

My relatives live 3 miles from Spring Hill, Tennessee. When the new General Motors plant opened there I got to go see it. What if I had said, “The assembly line created a beautiful Saturn automobile!” Hopefully, some would have corrected me by responding, “The assembly line did not create the automobile. It was first designed by the General Motors engineers in Detroit.” ASSUMING EVOLUTION IS TRUE, IT WOULD STILL ONLY BE THE MECHANISM. DOES EVOLUTION ACCOUNT FOR THE DESIGNER?

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221

_________________________________

________

Related posts:

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 53 THE BEATLES (Part E, Stg. Pepper’s and John Lennon’s search in 1967 for truth was through drugs, money, laughter, etc & similar to King Solomon’s, LOTS OF PICTURES OF JOHN AND CYNTHIA) (Feature on artist Yoko Ono)

The John Lennon and the Beatles really were on a long search for meaning and fulfillment in their lives  just like King Solomon did in the Book of Ecclesiastes. Solomon looked into learning (1:12-18, 2:12-17), laughter, ladies, luxuries, and liquor (2:1-2, 8, 10, 11), and labor (2:4-6, 18-20). He fount that without God in the picture all […]

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______________   George Harrison Swears & Insults Paul and Yoko Lucy in the Sky with Diamonds- The Beatles The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking […]

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__________________   Beatles 1966 Last interview I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about them and their impact on the culture of the 1960’s. In this […]

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_______________ Francis Schaeffer pictured below: _____________________ I have included the 27 minute  episode THE AGE OF NONREASON by Francis Schaeffer. In that video Schaeffer noted,  ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” How Should […]

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 71 Richard Friend, Physics Dept, Cambridge, “If you believe that the truth lies in strange scrolls dug up from somewhere or another written by someone then there is no logical counter to that”

 

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

_________________

Below you have picture of Dr. Harry Kroto:

______________

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Sir David AttenboroughMark Balaguer, Patricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart EhrmanIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldAlan Guth, Jonathan HaidtHermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman JonesShelly KaganStuart Kauffman,  Lawrence KraussHarry Kroto, Elizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaDouglas Osheroff,   Saul PerlmutterHerman Philipse,  Robert M. PriceLisa RandallLord Martin Rees,  Oliver SacksMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

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Richard Friend

From Wikipedia, the free encyclopedia
Richard Friend
Richard Friend.jpg

Friend in Finland in 2010
Born Richard Henry Friend
18 January 1953 (age 61)[1]
London[2]
Fields
Institutions
Alma mater
Thesis Transport properties and lattice instabilities in one and two dimensional metals (1979)
Doctoral advisor
  • Abraham David “Abe” Yoffe[3]
  • Denis Jérome[2]
Known for
Notable awards
Spouse Carol Anne Maxwell (née Beales)[1]
Website

Sir Richard Henry Friend (born 18 January 1953) FRS FREng[5] is Cavendish Professor of Physics at the University of Cambridge and Tan Chin Tuan Centennial Professor at the National University of Singapore. Friend’s research concerns the physics and engineering of carbon-based semiconductors.[6][7][8][9][10][11][12][13][14][15][16][17][18][19][20][21]

Education[edit]

Friend was educated at Rugby School and Trinity College, Cambridge,[1] gaining a PhD in 1979.[22]

Research[edit]

Friend’s research has been applied to development of polymer field effect transistors, light-emitting diodes, photovoltaic diodes, optically pumped lasing and directly printed polymer transistors. He pioneered the study of organic polymers and the electronic properties of molecular semiconductors. He is also one of the principal investigators in the new Cambridge-based Interdisciplinary Research Collaboration (IRC) onnanotechnology and co-founder of Cambridge Display Technology (CDT) and Plastic Logic. Friend has over 600 publications[6][18] and more than 20 patents.[citation needed] Friend’s research has been used to develop flat panel displays and future screens that can be rolled and transported.

Awards and honours[edit]

In March 2003 Friend won the IEE’s Faraday Medal. He was knighted for “services to physics” in the 2003 Birthday Honours.

In 2010, Friend was elected as one of the three laureates of Millennium Technology Prize for the development of plastic electronics.[23]

In 2011 he was awarded the Harvey Prize of the Technion in Israel.[24] He is a fellow of St John’s College, Cambridge. He was elected a Fellow[25] of the Royal Academy of Engineering[26] in 2002.

In  the second video below in the 59th clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

Quote from Dr. Friend:

Science and superstition, you can never reconcile them. If you believe that the truth lies in strange scrolls dug up from somewhere or another written by someone then there is no logical counter to that. 

Below is this letter I respond to the quote above.

April 3, 2015

Sir Richard Friend, c/o Cavendish Laboratory,  Cambridge, United Kingdom

Dear Dr. Friend,

Let me start off by saying that this is not the first time that I have written you. Earlier I shared several letters of correspondence I had with Carl Sagan, and Antony Flew. Both men were strong believers in evolution as you are today. Instead of talking to you about their views today I wanted to discuss the views of you and Charles Darwin.

As an secular academic your studies tells you that there is no afterlife and we all evolved through time and chance. Then why do people like John Lennon search their whole lives for a lasting meaning and purpose for their lives? I read this week the words of Cynthia Lennon who passed away this week and she said John was on a constant search. Francis Schaeffer talked about the views of the Beatles and Charles Darwin a lot and since you  have taken an interest in music and science I thought you would be interested in these thoughts of Schaeffer. I NOTICED IN YOUR INTERVIEW WITH ALAN MACFARLANE THAT YOU ARE A FOLLOWER OF JAZZ. My good friend Sean Michel (who appeared on American Idol in 2007) told me about his uncle who passed away in 1985, Joseph T. “Pee Wee” Spitelera  who played with Al Hirt’s band in New Orleans for about 40 years. If you do a You Tube search for “Dinah Shore Al Hirt” then it will bring up a 24 minute video entitled “Al Hirt on the Dinah Shore Chevy Show 1960,” and at the 4 1/2 minute mark Pee Wee Spirtelera takes off on a Clarinet solo that is out of this world. Also if you type in “Al Hirt Johnny Cash Show” then you will see a 4 min and 21 sec video entitled “Al Hirt on the Johnny Cash Show,” and at the 1 min mark Pee Wee goes crazy there in the  Clarinet on the Dec 16, 1970 Johnny Cash Show.

_______-

Below is a picture of Pee Wee and he has several other fine songs on You Tube too such as “Blue Clarinet” which would be perfect for a Woody Allen Movie.

_____________

NOT MANY PEOPLE HAVE THOUGHT ABOUT THE FACT THAT THE PICTURE ON THE COVER OF SGT. PEPPER’S LONELY HEARTS CLUB BAND IS THE BEATLES’ GRAVE SITE.  In the article Philosophy and its Effect on Society Robert A. Sungenis (who was a personal friend of Schaeffer) tells us:

On the front cover are all the famous “Lonely Hearts” of the world who also could not find answers to life with reason and rationality, resorting to the existential leap into the dark…They are all viewing the burial scene of the Beatles, which, in the framework we are using here, represents the passing of idealistic innocence and the failure to find a rational answer and meaning to life, an answer to love, purpose, significance and morals. They instead were leaping into the irrational, whether it was by drugs, the occult, suicide, or the bizarre.

William Lane Craig observed that BERTRAND RUSSELL wrote that we must build our lives upon “the firm foundation of unyielding despair.” and also that Francis Schaeffer noted:

Modern man resides in a two-story universe. In the lower story is the finite world without God; here life is absurd, as we have seen. In the upper story are meaning, value, and purpose. Now modern man lives in the lower story because he believes there is no God. But he cannot live happily in such an absurd world; therefore, he continually makes leaps of faith into the upper story to affirm meaning, value, and purpose, even though he has no right to, since he does not believe in God. Modern man is totally inconsistent when he makes this leap, because these values cannot exist without God, and man in his lower story does not have God.

Charles Darwin had a very interesting reaction late in his life to the possibility that we live in an absurd universe and that was he blamed science for causing him to lose his aesthetic tastes and I read that in his biography ( Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters.). I am going to quote some of Charles Darwin’s own words and then include the comments of Francis Schaeffer on those words. I have also enclosed a CD with two messages from Adrian Rogers and Bill Elliff concerning Darwinism.

RECENTLY I READ THIS QUOTE ATTRIBUTED TO YOU: 

Science and superstition, you can never reconcile them. If you believe that the truth lies in strange scrolls dug up from somewhere or another written by someone then there is no logical counter to that. 

What kind of evidence would it take today to convince you that God exists and the Bible is true? I submit to you that Biblical Archaeology is a field that has advanced tremendously in the last few decades and I propose you look in that area. Did you know that Charles Darwin was looking for evidence that confirmed the Bible’s accuracy back in the 19th century and this is one of the exact areas that he mentioned.

Darwin wrote in his Autobiography in 1876:

“But I was very unwilling to give up my belief; I feel sure of this, for I can well remember often and often inventing day-dreams of old letters between distinguished Romans, and manuscripts being discovered at Pompeii or elsewhere, which confirmed in the most striking manner all that was written in the Gospels.

Francis Schaeffer commented:

This is very sad. He lies on his bunk and the Beagle tosses and turns and he makes daydreams, and his dreams and hopes are that someone would find in Pompeii or some place like this, an old manuscript by a distinguished Roman that would put his stamp of authority on it, which would be able to show that Christ existed. This is undoubtedly what he is talking about. Darwin gave up this hope with great difficulty. I think he didn’t want to come to the position where his accepted presuppositions were driving him. He didn’t want to give it up, just as an older man he understood where it would lead and “man can do his duty.” Instinctively this of brains understood where this whole thing was going to eventually go…

SINCE CHARLES DARWIN’S DEATH WE NOW HAVE LOTS OF HISTORICAL RECORDS AND MUCH EVIDENCE FROM THE FIELD OF ARCHAEOLOGY THAT SHOW THE BIBLE IS HISTORICALLY ACCURATE.

Just like Darwin you need to ask yourself this same question but you will be doing it almost a century and a half later: Is the Bible historically accurate and have I taken the time to examine the evidence? Obviously Darwin was hoping that archaeology would provide some hope for the accuracy of the Bible. Here are some of the posts I have done in the past on the subject and if you like you could just google these subjects: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.,

 CHARLES DARWIN’S AUTOBIOGRAPHY. Addendum. Written May 1st, 1881 [the year before his death].

“I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did….My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive….The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.”

Francis Schaeffer commented:

This is the old man Darwin writing at the end of his life. What he is saying here is the further he has gone on with his studies the more he has seen himself reduced to a machine as far as aesthetic things are concerned. I think this is crucial because as we go through this we find that his struggles and my sincere conviction is that he never came to the logical conclusion of his own position, but he nevertheless in the death of the higher qualities as he calls them, art, music, poetry, and so on, what he had happen to him was his own theory was producing this in his own self just as his theories a hundred years later have produced this in our culture. 

Unlike Darwin many people today still hang on to their love of music and the arts. Schaeffer points in his book The God Who Is There, pages 68-69, “The very ‘mannishness’ of man refuses to live in the logic of the position  to which his humanism and rationalism have brought him.  To say that I am only a machine is one thing; to live consistently  as if this were true is quite another…Every truly modern man is forced to accept some sort of leap in theory or practice, because the pressure of his own humanity demands it.  He can say what he will concerning what he himself is; but no matter what he says he is, he is still a man.”

Francis A. Schaeffer later asserted, “We cannot deal with people like human beings, we cannot deal with them on the high level of true humanity, unless we really know their origin-who they are. God tells man who he is. God tells us that He created man in His image. So man is something wonderful.” ( Escape from Reason: A Penetrating Analysis of Trends in Modern Thought )

The Beatles tried to escape from reason by turning to drugs. In the book HOW SHOULD WE THEN LIVE?, Schaeffer observed, “This emphasis on hallucinogenic drugs brought with it many rock groups–for example, Cream, Jefferson Airplane, Grateful Dead, Incredible String Band, Pink Floyd, and Jimi Hendrix. Most of their work was from 1965-1968. The Beatles’  SERGEANT PEPPER’S LONELY HEART S CLUB BAND (1967) also fits here. This disc is a total unity, not just an isolated series of individual songs, and for a time it became the rallying cry for young people throughout the world. As a whole, this music was the vehicle to carry the drug culture and the mentality which went with it across frontiers which were almost impassible by other means of communication.”

SERGEANT PEPPER’S LONELY HEART S CLUB BAND not only dealt with drugs but also with death. In the TELEGRAPH in Nicky Browne’s obit it was noted that “Paul McCartney told interviewers that he took LSD for the first time with Tara Browne.” Wikipedia records, “The Honourable Tara Browne (4 March 1945 – 18 December 1966) was a young London socialite and heir to the Guinness fortune and was the son of Dominick Browne, 4th Baron Oranmore and Browne, a member of the House of Lords since 1927 who later became famous for having served in that house longer than any other peer…According to some sources, Tara was the inspiration for the Beatles song “A Day in the Life“.  He sat in on the making of the Beatles record ‘Revolver’.

On 17 January 1967 John Lennon, a friend of Browne’s, was composing music at his piano whilst idly reading London’s Daily Mail and happened upon the news of the coroner’s verdict into Browne’s death. He worked the story into the song “A Day in the Life“, later released on the album Sgt. Pepper’s Lonely Hearts Club Band. The second verse features the following lines:

He blew his mind out in a car, He didn’t notice that the lights had changed, A crowd of people stood and stared, They’d seen his face before, Nobody was really sure, If he was from the House of Lords.

According to Lennon, in his 1980 interview with Playboy magazine, “I was reading the paper one day and I noticed two stories. One was the Guinness heir who killed himself in a car. That was the main headline story. He died in London in a car crash.”

A side note about Tara Browne is that in  Paris his social circle was the likes of Samuel Beckett, Salvador Dali, and Jean Cocteau. Samuel Beckett had a lot to say on this issue of man’s significance as William Lane Craig has noted, “If each individual person passes out of existence when he dies, then what ultimate meaning can be given to his life? Does it really matter whether he ever existed at all? It might be said that his life was important because it influenced others or affected the course of history. Twentieth-century man came to understand this. Read Waiting for Godot by Samuel Beckett. During this entire play two men carry on trivial conversation while waiting for a third man to arrive, who never does. Our lives are like that, Beckett is saying; we just kill time waiting—for what, we don’t know. In a tragic portrayal of man, Beckett wrote another play in which the curtain opens revealing a stage littered with junk. For thirty long seconds, the audience sits and stares in silence at that junk. Then the curtain closes. That’s all.”

DESPITE THE FACT THAT YOU BELIEVE THERE IS NO LASTING PURPOSE TO OUR LIVES THAT TRANSCENDS THIS LIFE WHY DO YOU THINK PEOPLE KEEP LOOKING FOR IT? I wonder if you were interested in the Beatles back the 1960’s? I  heard on the CBS radio news on 4-1-15 at 11 am that Cynthia Lennon had died at age 75 and an audio clip from the below interview given on the program “60 Minutes” was played and this is what was said between Cynthia and Mike Wallace:

MW: He said that he changed, and you didn’t. And that that is what eventually led to the breakup.

CL: [Nods] I think we both changed. But I did not want to go down the road that John was going.

MW: Which road?

CL: WHICH WAS THE ROAD OF “ENLIGHTENMENT” AS FAR AS DRUGS WAS CONCERNED.  John was in a more trapped situation than I was.

Later in this interview:

MW: And LSD was his road to self-discovery?

CL: That was the beginning. HE WAS ALWAYS SEARCHING. JOHN ALWAYS LOOKING FOR THE TRUTH, AN IDEAL, A DREAM. And I suppose once he’d got hooked on that situation and the mental state, he thought he’d found something new in life that nobody else had.

____________

No truer words were ever spoken. John in 1967 when the album  Sergeant Pepper’s Lonely Hearts Club Band was about to come out was in the middle of some big changes in his life.  He was searching for meaning in life in what I call the 6 big L words just like King Solomon did in the Book of Ecclesiastes. He looked into  learning (1:16-18), laughter, ladies, luxuries,  and liquor (2:1-3, 8, 10, 11), and labor (2:4-6, 18-20).

ECCLESIASTES 1:16-18  LEARNING

16 I said in my heart, “I have acquired great wisdom, surpassing all who were over Jerusalem before me, and my heart has had great experience of wisdom and knowledge.” 17 And I applied my heart to know wisdom and to knowmadness and folly. I perceived that this also is but a striving after wind.

18 For in much wisdom is much vexation,
    and he who increases knowledge increases sorrow.

ECCLESIASTES 2:1-3, 8, 10, 11 LAUGHTER (v. 2), LIQUOR (v. 3), LUXURIES (v. 8), and LADIES (v. 8, “many concubines”)

v. 1 I said in my heart, “Come now, I will test you with pleasure; enjoy yourself.” But behold, this also was vanity.[i] 2 I said of laughter, “It is mad,” and of pleasure, “What use is it?” I searched with my heart how to cheer my body with wine—my heart still guiding me with wisdom—and how to lay hold on folly, till I might see what was good for the children of man to do under heaven during the few days of their life.

v. 8  I also gathered for myself silver and gold and the treasure of kings and provinces. I got singers, both men and women, and many concubines,[j] the delight of the sons of man. v 10-11 And whatever my eyes desired I did not keep from them. I kept my heart from no pleasure, for my heart found pleasure in all my toil, and this was my reward for all my toil. 11 Then I considered all that my hands had done and the toil I had expended in doing it, and behold, all was vanity and a striving after wind, and there was nothing to be gained under the sun.

ECCLESIASTES 2:4-6, 18-20 LABOR

4 I made great works. I built houses and planted vineyards for myself. I made myself gardens and parks, and planted in them all kinds of fruit trees. I made myself pools from which to water the forest of growing trees. 18 I hated all my toil in which I toil under the sun, seeing that I must leave it to the man who will come after me, 19 and who knows whether he will be wise or a fool? Yet he will be master of all for which I toiled and used my wisdom under the sun. This also is vanity. 20 So I turned about and gave my heart up to despair over all the toil of my labors under the sun,

YOU CAN SEE JOHN LENNON’S EFFORTS IN THESE SAME AREAS OF HIS LIFE TOO. In the first part of his career he put almost all of his time into his music (his labor), and when he achieved fame and fortune (luxuries) he turned to laughter (the movie Hard Days Night demonstrated this well), and then to drugs (Solomon only had liquor to turn to since LSD had not been invented yet). Next when he was unsatisfied with his first marriage he married another woman and then in 1974 actually left Yoko and lived in LA getting drunk continually and having sex with many woman (ladies).

Finally Cynthia and Yoko noted something else about John’s journey:

CL: HE BECAME LESS INTERESTED IN THE ORIGINAL DREAM OF BECOMING FAMOUS AND BECOMING WEALTHY,  and that didn’t matter to him anymore. He had that, he had it all….

MW: He seemed to be always searching, whether it was drugs — a lot of them — or vegetarianism, or the Maharishi.

YO: I know, HE WAS ALWAYS SEARCHING. WE WERE ALWAYS SEARCHING. Together we went through macrobiotic, we went through vegetarian. And, um…we went…we went into all sorts, actually. Primal therapy.

_______

John also tried searching into learning about religions and other things that may bring him a meaning in life, but he never found it. (Actually I found Steve Turner’s article “John Lennon’s Born-Again Phase,” very enlightening.  Turner noted that Lennon “enjoyed watching some of America’s best-known evangelists—Pat Robertson, Billy Graham, Jim Bakker, and Oral Roberts. In 1972 he had written a desperate letter to Roberts confessing his dependence on drugs and his fear of facing up to ‘the problems of life.’ ” Sadly, after a short period of investigating Christianity Lennon turned back into a strong critic of Christianity.) NONE OF THESE 6 “L” WORDS CAN BRING SATISFACTION IN LIFE IF GOD IS NOT IN THE PICTURE.

Francis Schaeffer noted that Solomon took a look at the meaning of life on the basis of human life standing alone between birth and death “under the sun.” This phrase UNDER THE SUN appears over and over in Ecclesiastes. The Christian Scholar Ravi Zacharias noted, “The key to understanding the Book of Ecclesiastes is the term UNDER THE SUN — What that literally means is you lock God out of a closed system and you are left with only this world of Time plus Chance plus matter.” 

If you are an atheist then you have a naturalistic materialistic worldview, and this short book of Ecclesiastes should interest you because the wisest man who ever lived in the position of King of Israel came to THREE CONCLUSIONS that will affect you.

FIRST, chance and time have determined the past, and they will determine the future.  (Ecclesiastes 9:11-13)

These two verses below  take the 3 elements mentioned in a naturalistic materialistic worldview (time, chance and matter) and so that is all the unbeliever can find “under the sun” without God in the picture. You will notice that these are the three elements that evolutionists point to also.

Ecclesiastes 9:11-12 is following: I have seen something else under the sun: The race is not to the swift or the battle to the strong, nor does food come to the wise or wealth to the brilliant or favor to the learned; but time and chance happen to them all. Moreover, no one knows when their hour will come: As fish are caught in a cruel net, or birds are taken in a snare, so people are trapped by evil times that fall unexpectedly upon them.

SECOND, Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)

THIRD, Power reigns in this life, and the scales are not balanced(Eccl 4:1, 8:15)

Ecclesiastes 4:1-2: “Next I turned my attention to all the outrageous violence that takes place on this planet—the tears of the victims, no one to comfort them; the iron grip of oppressors, no one to rescue the victims from them.” Ecclesiastes 8:14; “ Here’s something that happens all the time and makes no sense at all: Good people get what’s coming to the wicked, and bad people get what’s coming to the good. I tell you, this makes no sense. It’s smoke.”

Solomon had all the resources in the world and he found himself searching for meaning in life and trying to come up with answers concerning the afterlife. However, it seems every door he tries to open is locked. Today men try to find satisfaction in learning, liquor, ladies, luxuries, laughter, and labor and that is exactly what Solomon tried to do too.  None of those were able to “fill the God-sized vacuum in his heart” (quote from famous mathematician and philosopher Blaise Pascal). You have to wait to the last chapter in Ecclesiastes to find what Solomon’s final conclusion is.

In 1978 I heard the song “Dust in the Wind” by Kansas when it rose to #6 on the charts. That song told me that Kerry Livgren the writer of that song and a member of Kansas had come to the same conclusion that Solomon had. I remember mentioning to my friends at church that we may soon see some members of Kansas become Christians because their search for the meaning of life had obviously come up empty even though they had risen from being an unknown band to the top of the music business and had all the wealth and fame that came with that. Furthermore, Solomon realized death comes to everyone and there must be something more.

Livgren wrote:

All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Take a minute and compare Kerry Livgren’s words to that of the late British humanist H.J. Blackham:

On humanist assumptions, life leads to nothing, and every pretense that it does not is a deceit. If there is a bridge over a gorge which spans only half the distance and ends in mid-air, and if the bridge is crowded with human beings pressing on, one after the other they fall into the abyss. The bridge leads nowhere, and those who are pressing forward to cross it are going nowhere….It does not matter where they think they are going, what preparations for the journey they may have made, how much they may be enjoying it all. The objection merely points out objectively that such a situation is a model of futility“( H. J. Blackham, et al., Objections to Humanism (Riverside, Connecticut: Greenwood Press, 1967).

Both Kerry Livgren and the bass player DAVE HOPE of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and DAVE HOPE had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on youtube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible Church. DAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

Those who reject God must accept three realities of their life UNDER THE SUN.  FIRST, death is the end and SECOND, chance and time are the only guiding forces in this life.  FINALLY, power reigns in this life and the scales are never balanced. In contrast, Dave Hope and Kerry Livgren believe death is not the end and the Christian can  face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.

Solomon’s experiment was a search for meaning to life “under the sun.” Then in last few words in the Book of Ecclesiastes he looks above the sun and brings God back into the picture: “The conclusion, when all has been heard, is: Fear God and keep His commandments, because this applies to every person. For God will bring every act to judgment, everything which is hidden, whether it is good or evil.”

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

_________ 

You can hear DAVE HOPE and Kerry Livgren’s stories from this youtube link:

(part 1 ten minutes)

(part 2 ten minutes)

Kansas – Dust in the Wind (Official Video)

Uploaded on Nov 7, 2009

Pre-Order Miracles Out of Nowhere now at http://www.miraclesoutofnowhere.com

About the film:
In 1973, six guys in a local band from America’s heartland began a journey that surpassed even their own wildest expectations, by achieving worldwide superstardom… watch the story unfold as the incredible story of the band KANSAS is told for the first time in the DVD Miracles Out of Nowhere.

XXXXXXXXXXXXXX

Interview of Sir Richard Friend, part 1

Uploaded on Oct 31, 2008

An interview on the life and work of Sir Richard Friend, Cavendish Professor of Physics at the University of Cambridge. For a higher quality, downloadable, version, please see http://www.alanmacfarlane.com

All revenues go to the World Oral Literature Project

All revenues go to the World Oral Literature Project

Interview of Sir Richard Friend, part 2

_________________________________

________

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 70 John Searle, Phil Dept, Berkeley, “I think religion is here to stay because it does satisfy [our] needs, but intellectually I don’t think you can justify it!”

 

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

_________________

Below you have picture of Dr. Harry Kroto:

______________

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Sir David AttenboroughMark Balaguer, Patricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart EhrmanIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldAlan Guth, Jonathan HaidtHermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman JonesShelly KaganStuart Kauffman,  Lawrence KraussHarry Kroto, Elizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaDouglas Osheroff,   Saul PerlmutterHerman Philipse,  Robert M. PriceLisa RandallLord Martin Rees,  Oliver SacksMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

____________________________

In  the first video below in the 29th clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

John Searle

From Wikipedia, the free encyclopedia
John Rogers Searle
John searle2.jpg

Searle in 2005.
Born July 31, 1932 (age 82)
Denver, Colorado, USA
Alma mater University of Wisconsin
University of Oxford
Era Contemporary philosophy
Region Western philosophy
School Analytic
Main interests
Notable ideas
Indirect speech acts
Chinese room
Biological naturalism
Signature SearleSign.jpg
Website
Homepage at UC Berkeley

John Rogers Searle (/sɜrl/; born July 31, 1932) is an American philosopher and currently the Slusser Professor of Philosophy at the University of California, Berkeley. Widely noted for his contributions to the philosophy of language, philosophy of mind and social philosophy, he began teaching at Berkeley in 1959. He received the Jean Nicod Prize in 2000; the National Humanities Medal in 2004; and the Mind & Brain Prize in 2006. Among his notable concepts is the “Chinese room” argument against “strong” artificial intelligence.

Biography

Searle’s father, G. W. Searle, an electrical engineer, was employed by AT&T Corporation, while his mother, Hester Beck Searle, was a physician. Searle began his college education at the University of Wisconsin-Madison and subsequently became a Rhodes Scholar at Oxford University, where he obtained a doctorate in philosophy.

_________________________________

Below is the letter I wrote to Dr. Searle and I responded to his quote in the letter.

December 25, 2014

Dr. John Searle, Department of Philosophy,University of California,Berkeley, CA,

Dear Dr. Searle,

I have read a lot of your material and I recently came across this quote from you, ” I think religion is here to stay because it does satisfy [our] needs, but intellectually I don’t think you can justify it. The arguments for god’s existence are uniformly bad…We ought methodologically to be suspicious of believing something we would very much want to believe, something that would make us immensely satisfied. ”

I have taken a look at the lives of many atheists and I still find that they have this longing from inside to find God. Let me present you with some evidence that God exists and also discuss some of these atheists that am talking about.

I wanted to write you today for two reasons. First, I wanted to make some observations about the life of Carl Sagan and I would love to hear your thoughts on his life too. Second, I wanted to point out some scientific evidence that caused Antony Flew to switch from an atheist (as you are now) to a theist. Twenty years I had the opportunity to correspond with two individuals that were regarded as two of the most famous atheists of the 20th Century, Antony Flew and Carl Sagan. (I have enclosed some of those letters between us.) I had read the books and seen the films of the Christian philosopher Francis Schaeffer and he had discussed the works of both of these men. I sent both of these gentlemen philosophical arguments from Schaeffer in these letters and in the first letter I sent a cassette tape of my pastor’s sermon IS THE BIBLE TRUE? (CD is enclosed also.) You may have noticed in the news a few years ago that Antony Flew actually became a theist in 2004 and remained one until his death in 2010. Carl Sagan remained a skeptic until his dying day in 1996.

You will notice in the enclosed letter from June 1, 1994 that Dr. Flew commented, “Thank you for sending me the IS THE BIBLE TRUE? tape to which I have just listened with great interest and, I trust, profit.” It would be a great honor for me if you would take time and drop me a note and let me know what your reaction is to this same message.

On December 5, 1995, I got a letter back from Carl Sagan and I was very impressed that he took time to answer several of my questions and to respond to some of the points that I had made in my previous letters. I had been reading lots of his books and watching him on TV since 1980 and my writing today is a result of that correspondence. It is my conclusion that Carl Sagan died an unfulfilled man on December 20, 1996 with many of the big questions he had going unanswered.

Much of Carl Sagan’s aspirations and thoughts were revealed to a mass audience of movie goers just a few months after his death. The movie “CONTACT” with Jodie Foster and Matthew McConaughey  is a fictional story written by Sagan  about the SEARCH FOR EXTRATERRESTRIAL INTELLIGENCE (SETI). Sagan visited the set while it was filming and it was released on July 11, 1997 after his unfortunate death.

The movie CONTACT got me thinking about Sagan’s life long hope to find a higher life form out in the universe and I was reminded of Dr. Donald E. Tarter of NASA who wrote me  in a letter a year or so earlier and stated, “I am not a theist. I simply and honestly do not know the answer to the great questions…This brings me to why I am interested in the SEARCH FOR EXTRATERRESTRIAL INTELLIGENCE (SETI)…Let me assure you, one of the first questions I would want to ask another intelligence if one were discovered is, DO YOU BELIEVE IN OR HAVE EVIDENCE OF A SUPREME INTELLIGENCE?”

Was Sagan ever satisfied with the answers he came up with in his life? It is my view that  true peace and satisfaction can come from a personal relationship with Christ and only in the Bible can we find absolute answers that touch this world we live in. The Apostle Paul was totally content when he wrote the book of Philippians from a jail in Rome right before he was beheaded (according to tradition). Paul observed, “Not that I am speaking of being in need, for I have learned in whatever situation I am to be content.  I know how to be brought low, and I know how to abound. In any and every circumstance, I have learned the secret of facing plenty and hunger, abundance and need.  I can do all things through him (Christ) who strengthens me” (Philippians 4:11-13). On March 11, 2012 my pastor Brandon Bernard at Fellowship Church Little Rock read that scripture and then commented:

Paul is reminding us that in every circumstance and in everything he has gone through that his satisfaction is found deeply in Christ. You think about this guy who is writing from prison. He is in this prison cell and it is a hardship in his life, but him of all people is saying that “I am writing to you but I am content and I am satisfied.” That is a statement you don’t hear from a lot of people these days… A lot of people are discontent and dissatisfied… Think about the poets from your generation or the generation before us. How about the deep theologians called “The Rolling Stones.” Remember them. They wrote this song “I can’t get no satisfaction.” And you know what they say after that phrase? “And I try and I try and I try.” I am not sure how deep most of their lyrics are, but they voice the cry of many people. “I can’t get no satisfaction and I try and I am trying and I am trying.”

What about one of those other poets by the name of Bono who wrote a song called, “I still haven’t found what I am looking for.” It is interesting. “I still haven’t found what I am looking for.” It has a nice melody to it but there is probably a reason why it is so popular because there is a lot of people deep down in their soul feel like they haven’t found what they are looking for. It is true. What is so funny to me is that what is so desired is so elusive. 

Rice Broocks in his book GOD’S NOT DEAD noted:

Astronomer Carl Sagan was a prolific writer and trustee of the SETI Institute (Search for Extraterrestrial Intelligence) founded in 1984 to scan the universe for any signs of life beyond earth. Sagan’s best-selling work COSMOS also became an award-winning television series explaining the wonders of the universe and exporting the belief not in an intelligent Creator but in potential intelligent aliens. He believed somehow that by knowing who they are, we would discover who we as humans really are. “The very thought of there being other beings different from all of us can have a very useful cohering role for the human species” (quoted from you tube clip “Carl Sagan appears on CBC to discuss the importance of SETI [Carl Sagan Archives]” at the 7 minute mark, Oct 1988 ). Sagan reasoning? If aliens could have contacted us, knowing how impossible it is for us to reach them, they would have the answers we seek to our ultimate questions. This thought process shows the desperate need we have as humans for answers to the great questions of our existence. Does life have any ultimate meaning and purpose? Do we as humans have any more value than the other animals? Is there a purpose to the universe, or more specifically, to our individual lives?

Carl Sagan had to live  in the world that God made with the conscience that God gave him. This created a tension. As you know the movie CONTACT was written by Carl Sagan and it was about Dr. Arroway’s SEARCH FOR EXTRATERRESTRIAL INTELLIGENCE (SETI) program and her desire to make contact with aliens and ask them questions. It is my view that Sagan should have examined more closely  the accuracy of the Bible and it’s fulfilled prophecies from the Old Testament in particular before chasing after aliens from other planets for answers. Sagan himself had written,”Plainly, there’s something within me that’s ready to believe in life after death…If some good evidence for life after death was announced, I’d be eager to examine it; but it would have to be real scientific data, not mere antedote”(pp 203-204, The DemonHaunted World, 1995).

Sagan said he had taken a look at Old Testament prophecy and it did not impress him because it was too vague. He had taken a look at Christ’s life in the gospels, but said it was unrealistic for God to send a man to communicate for God. Instead, Sagan suggested that God could have written a mathematical formula in the Bible or put a cross in the sky. However, what happens at the conclusion of the movie CONTACT?  This is Sagan’s last message to the world in the form of the movie that appeared shortly after his death. Dr Arroway (Jodie Foster) who is a young atheistic scientist who meets with an alien and this alien takes the form of Dr. Arroway’s father. The alien tells her that they thought this would make it easier for her. In fact, he meets her on a beach that resembles a beach that she grew up near so she would also be comfortable with the surroundings. Carl Sagan when writing this script chose to put the alien in human form so Dr. Arroway could relate to the alien. Christ chose to take our form and come into our world too and still many make up excuses for not believing.

Lastly, Carl Sagan could not rid himself of the “mannishness of man.” Those who have read Francis Schaeffer’s many books know exactly what I am talking about. We are made in God’s image and we are living in God’s world. Therefore, we can not totally suppress the objective truths of our unique humanity. In my letter of Jan 10, 1996 to Dr. Sagan, I really camped out on this point a long time because I had read Sagan’s  book SHADOWS OF FORGOTTON ANCESTORS  and in it  Sagan attempts to  totally debunk the idea that we are any way special. However, what does Dr. Sagan have Dr. Arroway say at the end of the movie CONTACT when she is testifying before Congress about the alien that  communicated with her? See if you can pick out the one illogical word in her statement: “I was given a vision how tiny, insignificant, rare and precious we all are. We belong to something that is greater than ourselves and none of us are alone.”

Dr Sagan deep down knows that we are special so he could not avoid putting the word “precious” in there. Francis Schaeffer said unbelievers are put in a place of tension when they have to live in the world that God has made because deep down they know they are special because God has put that knowledge in their hearts.We are not the result of survival of the fittest and headed back to the dirt forevermore. This is what Schaeffer calls “taking the roof off” of the unbeliever’s worldview and showing the inconsistency that exists.

In several of my letters to Sagan I quoted this passage below:

Romans 1:17-22 (Amplified Bible)

17For in the Gospel a righteousness which God ascribes is revealed, both springing from faith and leading to faith [disclosed through the way of faith that arouses to more faith]. As it is written, The man who through faith is just and upright shall live and shall live by faith.18For God’s [holy] wrath and indignation are revealed from heaven against all ungodliness and unrighteousness of men, who in their wickedness repress and hinder the truth and make it inoperative. 19For that which is known about God is evident to them and made plain in their inner consciousness, because God [Himself] has shown it to them. 20For ever since the creation of the world His invisible nature and attributes, that is, His eternal power and divinity, have been made intelligible and clearly discernible in and through the things that have been made (His handiworks). So [men] are without excuse [altogether without any defense or justification],21Because when they knew and recognized Him as God, they did not honor and glorify Him as God or give Him thanks. But instead they became futile and [a]godless in their thinking [with vain imaginings, foolish reasoning, and stupid speculations] and their senseless minds were darkened. 22Claiming to be wise, they became fools [professing to be smart, they made simpletons of themselves].

Can a man  or a woman find lasting meaning without God? Three thousand years ago, Solomon took a look at life “under the sun” in his book of Ecclesiastes. Christian scholar Ravi Zacharias has noted, “The key to understanding the Book of Ecclesiastes is the term ‘under the sun.’ What that literally means is you lock God out of a closed system, and you are left with only this world of time plus chance plus matter.”

Let me show you some inescapable conclusions if you choose to live without God in the picture. Solomon came to these same conclusions when he looked at life “under the sun.”

  1. Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)
  2. Chance and time have determined the past, and they will determine the future.  (Ecclesiastes 9:11-13 “I have seen something else under the sun:  The race is not to the swift
    or the battle to the strong, nor does food come to the wise or wealth to the brilliant  or favor to the learned; but time and chance happen to them all.  Moreover, no one knows when their hour will come: As fish are caught in a cruel net, or birds are taken in a snare, so people are trapped by evil times  that fall unexpectedly upon them.”)
  3. Power reigns in this life, and the scales are not balanced(Eccl 4:1; “Again I looked and saw all the oppression that was taking place under the sun: I saw the tears of the oppressed—
    and they have no comforter; power was on the side of their oppressors—  and they have no comforter.” 7:15 “In this meaningless life of mine I have seen both of these: the righteous perishing in their righteousness,  and the wicked living long in their wickedness. ).
  4. Nothing in life gives true satisfaction without God including knowledge (1:16-18), ladies and liquor (2:1-3, 8, 10, 11), and great building projects (2:4-6, 18-20).
  5. There is no ultimate lasting meaning in life. (1:2)

By the way, the final chapter of Ecclesiastes finishes with Solomon emphasizing that serving God is the only proper response of man. Solomon looks above the sun and brings God back into the picture in the final chapter of the book in Ecclesiastes 12:13-14, “ Now all has been heard; here is the conclusion of the matter: Fear God and keep his commandments, for this is the whole duty of man.  For God will bring every deed into judgment, including every hidden thing, whether it is good or evil.”

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted. In 1978 I heard the song “Dust in the Wind” by Kansas when it rose to #6 on the charts. That song told me that Kerry Livgren the writer of that song and a member of Kansas had come to the same conclusion that Solomon had and that “all was meaningless.” I remember mentioning to my friends at church that we may soon see some members of Kansas become Christians because their search for the meaning of life had obviously come up empty even though they had risen from being an unknown band to the top of the music business and had all the wealth and fame that came with that.

Livgren wrote, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Both Kerry Livgren and Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on youtube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible Church. Hope is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221

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SCHAEFFER SUNDAY The Miracle of Morality ATHEISM’S (OTHER) ACHILLES HEEL By: Eric Metaxas|Published: February 2, 2015

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When I think of morality it always makes me remember Francis Schaeffer and C.Everett Koop and their film series WHATEVER HAPPENED TO THE HUMAN RACE? EPISODE 4  “BASIS FOR HUMAN DIGNITY.” Here it is below followed by an excellent article by Eric Metaxas.

Francis Schaeffer pictured below:

 

 

Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR

ATHEISM’S (OTHER) ACHILLES HEEL

Can you be good if you don’t believe in God? For the simple and uncontroversial answer, stay tuned to BreakPoint.

Eric Metaxas

Last month I raised a lot of hackles by writing an op-ed in the Wall Street Journal arguing what should be obvious by now: science increasingly makes the case for God’s existence. Whether we’re talking about the finely-tuned constants of our universe, or the simple logic that dictates the cosmos had a beginning and therefore a cause, all of the signposts are pointing in one direction: up.

Of course, that didn’t stop the objections from pouring in. Bloggers and academics from all over made arguments against my piece ranging from the scientific, to the philosophical, to the downright personal. But writers far more credentialed than I in the scientific community have done a fine job refuting these objections. I’ll link you to the best of their articles at BreakPoint.org.

For now, let’s just say I’ve discovered firsthand how controversial it is to mention “science” and “God” in the same paragraph in a major American newspaper. But if you think writing what I did in the Wall Street Journal was brave, I’d like to introduce you to Pastor Rick Henderson. Last month this courageous soul dared to write a piece in the Huffington Post entitled: “Why There Is No Such Thing as a Good Atheist.” I hope he ducked.

Henderson preempted the predictable reactions by throwing down yet another gauntlet: “For those of you who are eager to pierce me with your wit and crush my pre-modern mind,” he writes, “allow me to issue a challenge. I contend that any response you make will only prove my case.”

And prove his case they did. The comment section and subsequent op-eds were a rerun of billboards that appeared around the U.K. a few years ago: there are, in fact, well-behaved atheists.

No argument there, either from Henderson or any other sensible Christian. But as apologist William Lane Craig has reminded atheists time and again, the real question isn’t “can you be good without believing in God?” but “can you be good without God?”

And as Henderson shows, the answer to that is a resounding “no.”

The fundamental tenets of atheism, he explains, make it impossible to believe in objective good or evil. If the universe arose randomly and is purely material, governed by discernible laws, both impersonal and unconscious, then universal morality is, “At best…the mass delusion shared by humanity, protecting us from the cold sting of despair.”

It’s the same argument C. S. Lewis made years ago in Mere Christianity when he wrote that his former atheism was “too simple.”  In order to object to God on the basis of how cruel and unjust the world is, Lewis realized he had to assume cruelty and injustice are wrong. But nothing in the material world provides a basis for that assumption. Only God can. Thus, Lewis reasoned, even atheists know more than they’re letting on.

If his argument sounds familiar, it’s because it’s not very new. Just open your Bible to Romans chapters 1 and 2 to see how the Apostle Paul used almost the same words to stop the mouths of unbelievers in his day.

But here’s why these arguments are still relevant and worth our time (and a few knocks from critics) to publish them: If Paul was right, even the most dedicated atheist looks at the stars, feels the prick of conscience, and knows there is a God. He may deny it. But the slightest sound—the whispers of intelligent design in the universe and in our consciences—will spook him.

So, please do come to BreakPoint.org for more on science, morality, and the existence of God.

FURTHER READING AND INFORMATION

The Miracle of Morality: Atheism’s (Other) Achilles Heel
Check out the links below for more in-depth study and information on science, morality, and the existence of God.

RESOURCES

Why There Is No Such Thing as a Good Atheist
Pastor Rick Henderson | Huffington Post | February 17, 2014

The Kalam Cosmological Argument
William Lane Craig | Youtube video | September 1, 2013

The Moral Argument
William Lane Craig | Youtube video | January 21, 2015

Science Increasingly Makes the Case for God
Eric Metaxas | Wall Street Journal | December 25, 2014

Still Taking Aim at Eric Metaxas, the Media Underestimate the Degree to which Physicists See Evidence for Intelligent Design
Casey Luskin | Evolutionnews.org | January 13, 2015

The Cosmic Fine-Tuning Argument for Intelligent Design, Now with “No More Tears” Formula
David Klinghoffer | evolutionnews.org | January 14, 2015

You Go, Eric Metaxas! Measuring the Improbability of Intelligent Life Elsewhere in the Cosmos
Daniel Bakkan | evolutionnews.org | January 13, 2015

A Christmas Gift that Keeps Giving: Lawrence Krauss on Eric Metaxas on Science, on God
David Klinghoffer | evolutionnews.org | January 8, 2015

COMMENTS:

The response of a former atheist

Mr. Metaxas,

First of all, when I read the description of today’s commentary, and listened to the first few paragraphs, I thought you were going in a different direction. Accordingly, I was thinking how I would answer your question, anticipating how I thought you were going to answer it: “Well, it depends on what you mean by ‘good’. If you mean well-behaved by man’s standards, …” At this point, you acknowledged the existence of well-behaved atheists, so I thought we were on the same page. I continued, “… that is, people who don’t commit violent crimes like murder, rape, mugging, etc., and perhaps even do some good deeds like donating to charities that assist the needy, and helping little old ladies cross the street. But by God’s standard, none of us is good. There are neither good atheists nor good Christians, for we are all sinners.” But, of course, that’s not what you were leading up to. Okay.

Now that that is out of the way, let me give the response I would have given (I think) when I was an atheist, before I was born again: “If we atheists are right, we are as we are because we evolved that way. And we evolved that way because it is conducive to survival. Our concept of good comes from the way our brains are wired, and that’s the way they evolved. So there is no mystery to why we think altruism is good, and violent crime is bad, therefore no need to explain those preferences by inventing an imaginary god who created us and gave us those preferences. Only ignorant people who don’t understand how evolution works feel the need to do that.”

Your turn.

P.S. Why I spelled ‘god’ with a small g: The word ‘God’ with a capital G is used only to refer to the one true God. That God is not imaginary, so I would be blaspheming Him if I put that word after the word ‘imaginary’.

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 69 George Lakoff, Cognitive Linguist, Berkeley, “So the soul doesn’t see, doesn’t think, doesn’t hear, doesn’t have emotions, or a personality. Okay, whose soul is it and what good is it?”

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 69

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

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Below you have picture of Dr. Harry Kroto:

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I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif Ahmed, Sir David AttenboroughMark Balaguer, Patricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtHermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman JonesShelly KaganMichio Kaku,  Stuart Kauffman, George Lakoff,  Lawrence KraussHarry Kroto, Elizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,   Saul PerlmutterHerman Philipse,  Robert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

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George Lakoff

From Wikipedia, the free encyclopedia
George Lakoff
Pop!Tech 2008 - George Lakoff.jpg

Professor George Lakoff
Born May 24, 1941 (age 73)
Bayonne, New Jersey
Residence Berkeley, California, USA
Nationality United States
Fields Cognitive linguistics
Cognitive science
Institutions University of California, Berkeley
Alma mater Indiana University
MIT
Known for Conceptual metaphor theory
Embodied cognition
Spouse Robin Lakoff (divorced), Kathleen Frumkin (current spouse)
Website
georgelakoff.com

George P. Lakoff (/ˈlkɒf/, born May 24, 1941) is an American cognitive linguist, best known for his thesis that lives of individuals are significantly influenced by the central metaphors they use to explain complex phenomena.

The metaphor thesis, introduced in his 1980 book Metaphors We Live By has found applications in a number of academic disciplines and its application to politics, literature, philosophy and mathematics has led him into territory normally considered basic to political science. In the 1996 book Moral Politics, Lakoff described right-wing voters as being influenced by the “strict father model” as a central metaphor for such a complex phenomenon as the state and left-wing voters as being influenced by the “nurturant parent model” as the folk psychological metaphor for this complex phenomenon. According to him, an individual’s experience and attitude towards sociopolitical issues is influenced by being framed in linguistic constructions. In Metaphor and War: The Metaphor System Used to Justify War in the Gulf, he argues that the American involvement in the Gulf war was either obscured or was put a spin on, by the metaphors which were used by the first Bush administration to justify it. Between 2003 and 2008, Lakoff was involved with aprogressive think tank, the now defunct Rockridge Institute.[1][2] He is a member of the scientific committee of the Fundación IDEAS (IDEAS Foundation), Spain’s Socialist Party‘s think tank.

The more general theory that elaborated his thesis is known as embodied mind. He is a professor of linguistics at the University of California, Berkeley, where he has taught since 1972.

In  the second video below in the 60th clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

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Below is a letter I wrote to Dr. Lakoff and I respond to his quote in the letter.

April 7, 2015

Dr. George P. Lakoff, c/o University of California, Berkeley, Department of Linguistics,

Dear Dr. Lakoff,

I saw you on the show CLOSER TO TRUTH and that is what me started reading your material. Let me start off by saying that this is not the first time that I have written you. Earlier I shared several letters of correspondence I had with Carl Sagan, and Antony Flew. Both men were strong believers in evolution as you are today. Instead of talking to you about their views today I wanted to discuss the views of you and Charles Darwin. 

TWO THINGS MADE ME THINK OF YOU RECENTLY. On April 5, 2015 at the Fellowship Bible Church Easter morning service in Little Rock, Arkansas our pastor Mark Henry described DOUBTING THOMAS and that description made me think of you.  Moreover, your skeptical view towards  Christianity reminds me of CHARLES DARWIN’S growing doubts throughout his life on these same theological issues such as skepticism in reaction to the claims of the Bible!!!

I’m an evangelical Christian and you are a secularist but I am sure we can both agree with the apostle Paul when he said in First Corinthians 15 that if Christ did not rise from the dead then Christians are to be most pited!!!! I attended Easter services this week and this issue came up and Mark Henry asserted that there is plenty of evidence that indicates that the Bible is historically accurate. Did you know that CHARLES DARWIN thought about this very subject quite a lot?

I just finished reading the online addition of the book Darwin, Francis ed. 1892. Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters [abridged edition]. London: John Murray. There are several points that Charles Darwin makes in this book that were very wise, honest, logical, shocking and some that were not so wise. The Christian Philosopher Francis Schaeffer once said of Darwin’s writings, “Darwin in his autobiography and in his letters showed that all through his life he never really came to a quietness concerning the possibility that chance really explained the situation of the biological world. You will find there is much material on this [from Darwin] extended over many manufacturers years that constantly he was wrestling with this problem.”

Your QUOTE from CLOSER TO TRUTH:

Does the soul have a personality?  Well it turns out that if you  have certain strokes in certain parts of the brain your personality changes. Without that part of the brain whose personality is the soul? So the soul doesn’t see, doesn’t think, doesn’t hear, doesn’t have emotions, or a personality. Okay, whose soul is it and what good is it? It doesn’t fit the usual notion of a soul as you are. 

Quotes like this indicate to me that you are a DOUBTING THOMAS type. YOU MAY FIND IT INTERESTING THAT CHARLES DARWIN WAS ALSO INTERESTED IN THE HISTORICAL ASPECT OF THE BIBLE. When I read the book  Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters, I also read  a commentary on it by Francis Schaeffer and I wanted to both  quote some of Charles Darwin’s own words to you and then include the comments of Francis Schaeffer on those words. I have also enclosed a CD with two messages from Adrian Rogers and Bill Elliff concerning Darwinism.

Charles Darwin observed:

“But I was very unwilling to give up my belief; I feel sure of this, for I can well remember often and often inventing day-dreams of old letters between distinguished Romans, and manuscripts being discovered at Pompeii or elsewhere, which confirmed in the most striking manner all that was written in the Gospels.

Francis Schaeffer commented:

This is very sad. He lies on his bunk and the Beagle tosses and turns and he makes daydreams, and his dreams and hopes are that someone would find in Pompeii or some place like this, an old manuscript by a distinguished Roman that would put his stamp of authority on it, which would be able to show that Christ existed. This is undoubtedly what he is talking about. Darwin gave up this hope with great difficulty. I think he didn’t want to come to the position where his accepted presuppositions were driving him. He didn’t want to give it up, just as an older man he understood where it would lead and “man can do his duty.” Instinctively this of brains understood where this whole thing was going to eventually go…

SINCE CHARLES DARWIN’S DEATH WE NOW HAVE LOTS OF HISTORICAL RECORDS AND MUCH EVIDENCE FROM THE FIELD OF ARCHAEOLOGY THAT SHOW THE BIBLE IS HISTORICALLY ACCURATE.

**************TAKE TIME TO CONSIDER THIS EVIDENCE BELOW********************

I  have been amazed at the prophecies in the Bible that have been fulfilled in history, and also many of the historical details in the Bible have been confirmed by archaeology too. One of the most amazing is the prediction that the Jews would be brought back and settle in Jerusalem again. Another prophecy in Psalms 22 describes the Messiah dying on a cross  almost 1000 years before the Romans came up with this type of punishment.

Many times it has been alleged that the author of the Book of Daniel was from a later period but how did a later author know these 5 HISTORICAL FACTS? How did he know [1] that Belshazzar was ruling during the last few years of the Babylonian Empire when the name “Belshazzar” was lost to history until 1853 when it was uncovered in the monuments? [2] The author also knew that the Babylonians executed individuals by casting them into fire, and that the Persians threw the condemned to the lions. [3] He knew  the practice in the 6th Century was to mention first the Medes, then the Persians and not the other way around. [4] Plus he knew the laws made by Persian kings could not be revoked and [5] he knew that in the sixth century B.C., Susa was in the province of Elam (Dan. 8:2). Of course, the Book of Daniel (2:37-42) clearly predicted the rise of the 4 world empires in the correct order of Babylon, Medo-Persia, Greece, and Rome.

One of the top 10 posts on my blog on this next subject concerning Tyre.   John MacArthur went through every detail of the prophecy concerning Tyre and how history shows the Bible prophecy was correct.  Sagan said he had taken a look at Old Testament prophecy and it did not impress him because it was too vague.

HOW CAN ANYONE SAY THAT THIS FOLLOWING PROPHECY CONCERNING TYRE IS “TOO VAGUE?”

Below is an outline from a sermon from Dr. John MacArthur

Photo of John MacArthur

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John MacArthur on the amazing fulfilled prophecy on Tyre and how it was fulfilled by historical events.

LESSON

I. BIBLICAL PROPHECY CONCERNING TYRE (Ezekiel 26:1–28:19)

A. The Forecast

1. The specifics

a) That King Nebuchadnezzar of Babylon would destroy the mainland city of Tyre (26:7-8).

b) That many nations would rise up against Tyre. These nations would come like waves of the sea, one after another (26:3- 4).

c) That Tyre will be made like a flat rock (26:4, 14).

d) That fisherman will dry their nets there (26:5, 14).

e) That the rubble of the city would be cast into the sea (26:12).

f) That Tyre would never be rebuilt (26:14).

2. The setting

Tyre was a great city. It was one of the largest and most powerful cities of Phoenicia, which is modern day Lebanon.

It was well fortified. A great wall protected the city from land attacks while their world-renowned fleet protected them from attack by sea.

Tyre was a flourishing city during the time when Joshua led Israel into the Promised Land. King Hiram, who began his reign during the rule of David, offered David cedars from Tyre to build his palace. He also loaned David his artisans to craft parts of the great palace (1 Chron. 14:1). Hiram also helped Solomon build the Temple by floating cedars down the shoreline to be picked up and hauled to Jerusalem (2 Chron. 2:16). So Tyre was a great city, and both David and Solomon looked to it for aid.

B. The Fulfillment

1. The prophetic call

a) To Nebuchadnezzar

Not long after the prophecy given by Ezekiel, Nebuchadnezzar did exactly what had been predicted–he laid siege against the city in 585 B.C. For thirteen years Nebuchadnezzar cut off the flow of supplies into the city. In 537 B.C. he finally succeeded in breaking the gates down, but found the city almost empty.

During the thirteen-year siege, the people of Tyre moved all their possessions by ship to an island one-half mile offshore. So Nebuchadnezzar gained no plunder (Ezek. 29:17- 20). Although he destroyed the mainland city (Ezek. 26:8), the new city offshore continued to flourish for 250 years. The prophecy of Ezekiel 26:12–“they shall lay thy stones and thy timber and thy dust in the midst of the water”–remained unfulfilled.

b) To Alexander the Great

At age twenty-two, Alexander the Great came east conquering the known world with an army of between thirty and forty thousand men. Having defeated the Persians under Darius III, Alexander was on the march toward Egypt.

(1) The dilemma

Alexander arrived in the Phoenician territory and demanded that the cities open their gates to him. The citizens of Tyre refused, feeling they were secure on their island with their superior fleet.

(2) The decision

Realizing he did not have a fleet that could match Tyre’s, Alexander decided to build a causeway to the island using the ruins from the mainland city. It was about two hundred feet wide. The prophet said that the city would be thrown into the water, and that’s exactly what happened.

(3) The details

Arrian, a Greek historian, wrote about the overthrow of Tyre and how it was accomplished (The Campaigns of Alexander [New York: Penquin, 1958], pp. 132-43). The fortification of Tyre resembled Alcatraz. The city sat offshore like a rock with walls that came down to the edge of the water. Alexander set out to build the only means to approach the city–a land peninsula. Soldiers started pitching rubble into the water, leveling it off as they went so they could march on it. The water got deeper as they approached the island, and to make their task even more difficult, the people of Tyre bombarded them with missiles.

Werner Keller in The Bible as History tells us that to safeguard the operation, Alexander built mobile shields called “tortoises” (New York: Bantam, 1956], p. 361). Knowing that when they reached the city they would have to scale the walls, Alexander built “Hele-poleis,” which were mobile siege towers 160 foot high. The idea was to roll these structures across the causeway and push them up against the walls. A drawbridge on the front of the towers enabled the soldiers to march across the top of the walls and into the city.

Alexander’s men were under constant attack from people within the city and from the Tyrian navy. Realizing that he needed ships to defend his flanks, Alexander returned to the cities he had conquered and demanded their assistance. That fulfilled the prophecy that God “will cause many nations to come up against thee, as the sea causeth its waves to come up” (Ezek. 26:3).

(4) The destruction

Alexander’s plan succeeded. Eight thousand people were slain and thirty thousand were sold into slavery. It took Alexander seven months to conquer Tyre. The causeway he built can be seen to this day.

2. The prophetic result

How did Ezekiel know all those things would happen? The only explanation is he expressed the mind of God. Historian Philip Myers said, “Alexander the Great reduced it [Tyre] to ruins (332 B.C.). She recovered in a measure from this blow, but never regained the place she had previously held in the world. The larger part of the site … is now as bare as the top of a rock–a place where the fishermen that still frequent the spot spread their nets to dry” (General History for Colleges and High Schools [Boston: Ginn and Co., 1889], p. 55). That fulfills the prophecies of Ezekiel 26:4-5, 14. The island city was repopulated, later to be destroyed by the Moslems in A.D. 1281. However, God said the mainland city would never be rebuilt–and it never has. Jerusalem has been rebuilt many times but Tyre will never be rebuilt because a prophet in Babylon said twenty-five centuries ago, “Thou shalt be built no more” (Ezek. 26:14).

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ANY HISTORIAN CAN HAVE ACCESS TO ALL OF THESE RECORDS. WHY NOT TAKE A FEW MOMENTS AND CHECK OUT THESE FACTS YOURSELF? As a secularist you believe that it is sad indeed that millions of Christians are hoping for heaven but no heaven is waiting for them. Paul took a close look at this issue too:

I Corinthians 15 asserts:

12 But if it is preached that Christ has been raised from the dead, how can some of you say that there is no resurrection of the dead? 13 If there is no resurrection of the dead, then not even Christ has been raised. 14 And if Christ has not been raised, our preaching is useless and so is your faith. 15 More than that, we are then found to be false witnesses about God, for we have testified about God that he raised Christ from the dead. But he did not raise him if in fact the dead are not raised. 16 For if the dead are not raised, then Christ has not been raised either. 17 And if Christ has not been raised, your faith is futile; you are still in your sins. 18 Then those also who have fallen asleep in Christ are lost. 19 If only for this life we have hope in Christ, we are of all people most to be pitied.

I sent you a CD that starts off with the song DUST IN THE WIND by Kerry Livgren of the group KANSAS which was a hit song in 1978 when it rose to #6 on the charts because so many people connected with the message of the song. It included these words, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Kerry Livgren himself said that he wrote the song because he saw where man was without a personal God in the picture. Solomon pointed out in the Book of Ecclesiastes that those who believe that God doesn’t exist must accept three things. FIRST, death is the end and SECOND, chance and time are the only guiding forces in this life.  FINALLY, power reigns in this life and the scales are never balanced. The Christian can  face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.

Both Kerry Livgren and the bass player Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on You Tube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible ChurchDAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

You can hear DAVE HOPE and Kerry Livgren’s stories from this youtube link:

(part 1 ten minutes)

(part 2 ten minutes)

Kansas – Dust in the Wind (Official Video)

Uploaded on Nov 7, 2009

Pre-Order Miracles Out of Nowhere now at http://www.miraclesoutofnowhere.com

About the film:
In 1973, six guys in a local band from America’s heartland began a journey that surpassed even their own wildest expectations, by achieving worldwide superstardom… watch the story unfold as the incredible story of the band KANSAS is told for the first time in the DVD Miracles Out of Nowhere.

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Adrian Rogers on Darwinism

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SCHAEFFER SUNDAY Richard Dawkins Vs Alister McGrath (Featured artist is Richard Dawkins’ good friend Desmond Morris)

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Francis Schaeffer pictured below:

 

Dr. Francis Schaeffer – The Naturalistic, Materialistic, World View

Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR

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Francis Schaeffer and  Gospel of Christ in the pages of the Bible

(The Bible is the key in understanding the universe in its form)

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프란시스 쉐퍼 – 그러면 우리는 어떻게 살 것인가 introduction (Episode 1)

Age of Nonreason

#02 How Should We Then Live? (Promo Clip) Dr. Francis Schaeffer

The clip above is from episode 9 THE AGE OF PERSONAL PEACE AND AFFLUENCE

10 Worldview and Truth

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Two Minute Warning: How Then Should We Live?: Francis Schaeffer at 100

A Christian Manifesto Francis Schaeffer

Published on Dec 18, 2012

A video important to today. The man was very wise in the ways of God. And of government. Hope you enjoy a good solis teaching from the past. The truth never gets old.

 

115. Filosofia: Richard Dawkins Vs Alister McGrath

Published on Dec 21, 2012

Neste vídeo: Richard Dawkins Vs Alister McGrath
Curta nossa página no facebook:
https://www.facebook.com/multiversosp…

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As Oxford professor and arch-evangelist of atheism Richard Dawkins continues his crusade against religion, we finally have the first book-length critique of The God Delusion: Alister McGrath and Joanna Collicutt McGrath’s The Dawkins Delusion?: Atheist Fundamentalism and the Denial of the Divine (InterVarsity Press).

One could hardly think of a more contrasting figure to Dawkins or a better apologist for theism than Alister McGrath. This atheist-turned-Christian, also of Oxford, is a professor of historical theology. But as a student of molecular biophysics, he possesses the dual credibility in science and religion that Dawkins lacks. Further, McGrath authored Dawkins’ God: Genes, Memes, and the Meaning of Life in 2004, and is thus thoroughly familiar with Dawkins’s other writings. This is especially helpful for calling Dawkins to consistency.

For example, Dawkins’s central argument is that God’s existence cannot explain the world because he must be at least as complex, and therefore as improbable, as the world itself; and such an improbable entity would also require explanation. Recalling Dawkins’s earlier work Climbing Mount Improbable, McGrath notes Dawkins’s admission that humanity’s existence itself is overwhelmingly improbable. But of course we exist. “We may be highly improbable—yet we are here,” writes McGrath. “The issue, then, is not whether God is probable but whether he is actual.”

Although McGrath’s response is provocative, it is precisely at such points in The Dawkins Delusion? that one wishes McGrath had plumbed the depth of Dawkins’s philosophical naïveté. In asserting that God is improbable, the zoologist is out of his habitat. Probability theorists have developed complex equations to tackle exactly this sort of problem.

Suffice it to say that if Dawkins’s argument (i.e., God’s existence cannot account for the design of the world because his existence is improbable) is correct, God’s trial is over before it begins. In other words, Dawkins does not have to counter specific empirical evidence for purposeful design.

Dawkins next proposes that evolution shaped human brains to believe religious hypotheses (even though religion is itself not evolutionarily beneficial). McGrath is at his finest here, observing that while Dawkins is a scientist writing about religion, he fails to study religion scientifically. In fact, Dawkins does not even offer a rigorous definition of religion.

Like watching one schoolboy do another’s work, McGrath’s true gift is pointing out what Dawkins is obliged to show in order to make his case. Different propositions are, unsurprisingly, processed differently by the brain. So if Dawkins is to proffer religious belief as a byproduct of our evolution, it is incumbent on him to tell us what category religious statements belong to, what other sorts of statements religious thoughts may piggyback on, and how the brain processes them—none of which Dawkins seems aware he should provide.

As McGrath rightly points out, “There is nothing specific to religion here.” All of our thoughts (including atheistic thoughts) are brain-dependent. What is worse, Dawkins presupposes a reductionist approach in which mental states have a one-way relationship from the physical brain rather than a more complex approach in which mental states—depression is McGrath’s example—have a multiplicity of causes, both physical and social. And McGrath can’t resist noting that while love has physical correlates in the brain, this should not be taken to prove that one’s beloved does not exist!

Finally, concerning religious beliefs—where Dawkins paints in broad strokes—McGrath admirably delves into their complexity and diversity. It may make a nice sound bite to lump Christian evangelicals with Islamic extremists. But to develop a serious scientific critique of religion, one must discuss pertinent differences in theology. And McGrath finds Dawkins’s knowledge of Jesus of Nazareth, the roots of religious violence, and the Bible (e.g., Dawkins asserts without qualification that Paul wrote Hebrews) seriously wanting.

The Dawkins Delusion? is a deliberately short work not intended to fight Dawkins on all fronts. Even so, it is odd that McGrath does not attempt to counter Dawkins on neo-Darwinism, for this is Dawkins’s whole cachet. As Dawkins put it, “Darwin made it possible to be an intellectually fulfilled atheist.” Thus, any critique of Dawkins’s atheism without tackling its Darwinian foundation is bound to leave the reader unsatisfied.

McGrath does not attack Darwinism because he views it as equally compatible with both theism and atheism. Either interpretation is legitimate, he says. McGrath cites as a witness atheist-Darwinist Stephen Jay Gould, who noted that half his Darwinist colleagues believed in God, and half did not. Therefore, thought Gould, Darwinism must be compatible with both worldviews, or half of his colleagues must be “stupid.” But of course this would not make half of them stupid; it would just make half wrong. McGrath recounts surveys showing many scientists to be theists. Unfortunately, this does nothing to establish the compatibility of Darwinism and theism. Humans hold incompatible beliefs all the time.

To see why Darwinism and theism are incompatible, consider random mutations and natural selection—the two elements of modern Darwinian theory. Random mutations are, well, random. By definition, random mutations are unguided. “Mutations are simply errors in DNA replication,” according to University of Chicago biologist Jerry Coyne. “The chance of a mutation happening is indifferent to whether it would be helpful or harmful.” If a mutation is harmful, the organism with the mutation will leave fewer offspring; but if the mutation is beneficial for reproduction, the mutated gene will be passed to many offspring. This is the “natural” selection part. Theistic Darwinists claim that this process creates life’s diversity and is also “used” by God.

While theists can have a variety of legitimate views on life’s evolution, surely they must maintain that the process involves intelligence. So the question is: Can an intelligent being userandom mutations and natural selection to create? No. This is not a theological problem; it is a logical one. The words random and natural are meant to exclude intelligence. If God guides which mutations happen, the mutations are not random; if God chooses which organisms survive so as to guide life’s evolution, the selection is intelligent rather than natural.

Theistic Darwinists maintain that God was “intimately involved” in creation, to use Francis Collins’s words. But they also think life developed via genuinely random mutations and genuinely natural selection. Yet they never explain what God is doing in this process. Perhaps there is still room for him to start the whole thing off, but this abandons theism for deism.

So there is a danger in the approach of theistic Darwinists such as McGrath. He is surely right that the religious and scientific worldviews are compatible. Harmony can be found. But this is not because theism can concede a materialist origin story and escape unscathed. Rather, it is because the materialist story is false and, further, is contradicted by mounting physical evidence in physics, chemistry, and biology.

McGrath is, if anything, too generous with Dawkins. The Dawkins Delusion? is written with a scholarly care and graciousness that Dawkins lacks. Dawkins’s arrogance and contempt lead him to be sloppy with his opponents’ arguments. McGrath, despite his flaws, takes Dawkins seriously.

Logan Paul Gage, policy analyst, Discovery Institute.

Related Elsewhere:

The Dawkins Delusion? is available from ChristianBook.com and other retailers.

Previous articles about atheism and Dawkins’ work include:

Puncturing Atheism | Fourfold God Squad brilliantly takes on Dawkins, Hitchens, & Co. (October 31, 2007)

The New Intolerance | Fear mongering among elite atheists is not a pretty sight. AChristianity Today editorial (January 25, 2007)

The Dawkins Confusion | Naturalism ad absurdum. (March/April 2007)

The Know-Nothing Party | How should Christians respond to ill-informed attacks? (February 5, 2007)

Clockwork Origins, parts 1, 2, and 3 | Richard Dawkins is absolutely confident that science will finally accomplish what philosophy has been unable to do in more than 2,000 years—make theism intellectually indefensible. (Jan/Feb 1996)

Alister McGrath participated in a Christianity Today discussion about the state of the evangelical mind.

My haven: Anthropologist, artist and TV presenter, Desmond Morris, 83, in the studio at his Oxfordshire home

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Desmond Morris at his house in Oxford surrounded by some of his favourite things including his great-grandfather's brass microscope and a painting he completed a few months ago

Desmond Morris at his house in Oxford surrounded by some of his favourite things including his great-grandfather’s brass microscope and a painting he completed a few months ago

1 MY INSPIRATION

Desmond Morris at his house in Oxford surrounded by some of his favourite things including his great-grandfather's brass microscope

The most precious object I own is my great-grandfather’s brass microscope. I found it in the attic when I was a child, and using it led to the two pursuits that have dominated my entire life – zoology and art. I began drawing the organisms I saw under the lens and exhibited my first collection of work in 1948. Although I use modern microscopes today, I would never part with this one.

2 CAVE CUBES

Desmond Morris

When my wife Ramona and I visited a mineral fair a few years ago I fell in love with this amazing object, so she secretly bought it for me. It’s a piece of cave wall dotted with dozens of pyrite cubes with such precise edges and smooth faces it’s hard to believe they’re natural. My old friend David Attenborough came to see it and said, ‘You may have more cubes than I have, but mine are bigger!’

3 HEAVY, MAN!

Desmond Morris at his house in Oxford surrounded by some of his favourite things including his great-grandfather's brass microscope

Seven years ago my son Jason bought this huge fossil from a gallery in Ireland for my birthday. It’s so heavy I can hardly lift it. It’s called Cladocyclus and I discovered that 110 million years ago itwas a very fast and ferocious marine predator. I value it highly, partly because it’s a relief to find something older than me, but even more so because my son went to so much trouble to get it to my studio.

4 I’VE BEEN FRAMED

Desmond Morris at his house in Oxford surrounded by some of his favourite things including his great-grandfather's brass microscope

This is a favourite painting of mine, completed only a few months ago. It’s number 2365 out of the 2392 I’ve done since I began in 1944. I have no idea what drives me on, but it certainly makes my haven a place of work as well as a place of rest. I’m fascinated by the totem poles of American Indians and allowed my Biomorphs, the strange beings that have inhabited my work since the 40s, to grow out of the tops of them.

5 100 NOT OUT!

Desmond Morris

It was a schoolboy ambition of mine to visit 100 countries before I die and I did it in February 2010 when I set foot on Christmas Island in the Pacific. The islanders are a delightful people who live in small villages, three of which are quaintly called Banana, London and Poland. The women make these ornaments out of cowrie shells and this is very special to me because it symbolises my lifetime of travel.

6 DUMMY RUN

Desmond Morris at his house in Oxford surrounded by some of his favourite things including his great-grandfather's brass microscope

Many years ago I found this tailor’s dummy in a junk shop and I’ve added bits to it from faraway lands so it’s developed its own bizarre character. There’s an antique scythe I found in Cyprus and a doctor’s birdmask from Croatia (the long beak kept the doctor at a distance from infectious patients). On its head I placed a wig I found on Pier 39 in San Francisco and a coolie hat from Java.

Recent paintings by Desmond Morris are on show at the Taurus Gallery, North Parade, Oxford, tel: 01865 514870.

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Desmond Morris

From Wikipedia, the free encyclopedia
For the Australian rugby league footballer, coach and administrator, see Des Morris.
Desmond Morris
Desmond Morris (1969).jpg

Desmond Morris (1969)
Born Desmond John Morris
24 January 1928 (age 88)
Purton, Wiltshire, England
Occupation Zoologist and ethologist
Known for The Naked Ape (1967)

Desmond John Morris (born 24 January 1928) is an English zoologist, ethologist and surrealist painter, as well as a popular author in human sociobiology.

Early life[edit]

Born on 24 January 1928 in Purton, Wiltshire, Desmond John Morris is the son of Marjorie (née Hunt) and the children’s fiction author Harry Morris. In 1933, the Morrises moved to the nearby town of Swindon, which remained his primary home until 1951. During this time in Swindon, Morris began to develop a strong interest in both natural history and writing. In 1941 Morris attended Dauntsey’s School, a co-educational boarding school for 11- to 18-year-olds on the northern edge of Salisbury Plain in Wiltshire. It was during this time away at school that Morris’s passion for both zoology and the modern visual arts began to intensify and come to the surface.[1]

In 1946, Morris was conscripted into the army for two years of national service. During this time, he became a lecturer in fine arts at the Chiseldon Army College, and also began to take painting seriously. In 1948 he was demobilised from the army, and that same year held his first one-man show of his own paintings at the Swindon Arts Centre. Pursuing his interests immediately, that autumn he enrolled as an undergraduate in the Zoology Department of the University of Birmingham. Morris graduated with a First Class Honours Degree in zoology. He moved on in 1951 to the Oxford University Zoology Department to begin his research into animal behaviour for his doctorate degree, mainly basing his studies on reproductive communication systems.[1] In 1954 he earned a Doctor of Philosophy for his research and works leading to his doctoral thesis regarding reproductive behaviour of the ten-spined stickleback.

Sociobiology[edit]

After receiving his doctoral degree from Oxford University, Morris continued at the university, conducting research on the reproductive behaviour of birds. After some time elapsed, including Morris’s move to London in 1956, he thence began a research project into the picture-making abilities of apes.[1] The following year of 1957 he organised an exhibition at the Institute of Contemporary Arts in London, all of paintings and drawings composed by chimpanzees. Later, in 1958 he co-organised an exhibition which compared pictures made by the likes of infants, human adults, and apes. The event was called The Lost Image and was held at the Royal Festival Hall in London. After assuming the position of Curator in 1959, Morris’ upcoming years begin to fill with strings and strings of books to be released on the topics of animal behaviour, art, many centring on the topic of human behaviour, as well as comparisons to primates, viewing humanity as revolutionised from the hunter-gatherer to the city dweller.[1] Morris also published books covering infant behaviour watching, as well as man watching, and watchings of various types of animals such as cats and dogs.[2]

Morris’ works have been published worldwide. His first book that concerned human behaviour was The Naked Ape: A Zoologist’s Study of the Human Animal,[3] published in 1967. The book gained much popularity. Following its success, in 1968 Morris moved to the Mediterranean island of Malta in order to focus on preparing a sequel as well as freely painting and other activities. Shortly thereafter, with books still continuously being published, in 1971 he opened his research headquarters in Malta, in order to conduct research towards producing an encyclopedia of all human actions, more specifically, to classify all human action-patterns. However, in 1973 Morris left Malta to work for the Nobel Prize winner Niko Tinbergen in his research group studying animal behaviour, with the Department of Zoology at Oxford University.[4]

In 1982 Morris began to study archaeological research for a new, slightly different book, The Art of Ancient Cyprus. The following year Morris published Book of Ages, a year-by-year account of human life from birth to death. Morris finished writing The Art of Ancient Cyprus the next year, 1984, and published it in 1985. His next research project, conducted in 1988, focused on the colors used in decorating human homes.[1] The findings and data were brought together that same year within a report called Nestbuilders. Throughout his entire career Desmond Morris has produced a steady stream of books on the observations of life, humans, animals and even paintings as well as children’s books on the matters. Despite all of his other interests, the majority of his books took place under the category of sociobiology.[2]

Art[edit]

In 1948 Morris had his first one-man showing of his paintings, at Swindon Art Centre. Two years later, he emerged into the surrealist art scene at the London Gallery. For the first time at an event held by the Belgiansurrealist Edouard Mesen’s.[clarification needed] The event was held with Joan Miró. The following year (1951), Morris travelled to Belgium to exhibit his paintings at an international art festival. His next art showing wasn’t until 1957 when he organised a chimpanzee paintings and drawings exhibition at the Institute of Contemporary Arts, London (a result of his research study into the drawing abilities of apes). In the spring of 1967, upon release of Morris’s first human behavioural book, he resigned from his post of Curator held at the London Zoo, and thence became executive director of the London Institute of Contemporary Arts for only a year, until 1968 with the release of The Naked Ape, thus sending Morris on an absence from the arts world of over twenty years, while his sociobiology career took the front seat.[1]

In 1974, shortly after returning from his time painting, studying and writing in Malta, Morris held his first exhibition of his surrealist paintings since before the takeoff of his career in other areas. The showing was held at the Stooshnoff Fine Art Gallery in London. Two years Morris held four more exhibitions of paintings, including an exhibition holding 61 works of his from over thirty years – held at the Public Art Gallery in his former home of Swindon. In 1987 Morris combined his two passions of writing and art, to create and publish his first book about his surrealist paintings called The Secret Surrealist, with introduction by Phillip Oakes.[1] His first showing of paintings after the book’s release was held the following year in New York at the Shippee Gallery. Morris continues his showings to this day, with his works being documented and recognised officially by his biographer Silvano Levy in Desmond Morris: 50 Years of Surrealism in 1997. Morris has since travelled showing his art exhibits around the world, from his home in Britain branching throughout Europe. In 2005 a solo exhibit, Ape Artists of the 1950s, of paintings by apes from his earlier studies in the 1950s, was held at the Mayor Gallery in London.

Solo art showings
Swindon Art Centre Swindon 1948
London Gallery London 1950
Ashmolean Museum Oxford 1952
Stooshnoff Fine Art London 1974
Quasrangle Gallery Oxford 1976
Wolfson College Oxford 1976
Lasson Gallery London 1976
Public Art Gallery Swindon 1977
Galerie d’Eendt Amsterdam 1978
Mayor Gallery London 1987
Shipee Gallery New York 1988
Keats Gallery Knokkle-le-Zoute 1988
Mayor Gallery London 1989
Mayor Gallery London 1991
Galerie Michele Heyraud Paris 1991
Public Art Galley Swindon 1993
Mayor Gallery London 1994
Public art galleries Stoke and Nottingham 1996
Mayor Gallery London 1997
Charleston Gallery Sussex 1997
Public Art Gallery Buxton 1997
Clayton Gallery Newcastle 1998
Keitelman Gallery Brussels 1998
Rossaert Gallery Antwerp 1998
Witteveen Gallery Amsterdam 1999

Television and film[edit]

In 1950 Desmond Morris made his entrance into film and television,[1] writing and directing two surrealist films entitled Time Flower and The Butterfly and the Pin. In 1956 he moved to London in order to assume the position at the Zoological Society of London as Head of the Granada TV and Film Unit. Morris’s job thus included creating programmes for both film and television on the topic of animal behaviour and other various zoology-orientated topics. His job remained as a host for Granada TV’s weekly Zoo Time programme for the following three years up until 1959. During his time in this position, a total of eight years, Morris scripted and hosted a total of 500 Zoo Time programmes, along with 100 episodes of the show Life in the Animal World for BBC2.[1] During this time he also dabbled in radio for the BBC on topics of natural history. However, he left the Film & TV unit at the London Zoo in order to become the Zoological Society’s Curator of Mammals (1959).[1]

After a long break from the world of television, Morris re-entered the game in 1979, undertaking a new television series for Thames TV. The series was called The Human Race, focusing on human behaviour. The show’s filming ran on schedule and was presented on television in 1982. Later the series was shown in many other countries as well. That same year, Morris travelled to Japan for another television expedition to make a production titled Man Watching in Japan, which was shown on Japan Television in that autumn of 1982. In 1986 Morris started working on a new TV series (co-presented by British TV Broadcaster Sarah Kennedy) which was called The Animals Road Show. The show totalled 40 programmes over the next three years, as well as a book published on the series within that time frame.[1] After the show’s second year airing, Morris began filming another TV series that was called The Animal Contract. The show aired for Australian television, wrapping up in 1989. Although The Animal Road Show ended in 1989 also, Morris and Kennedy reunited in 1992 to show a second series of exactly fourteen half-hour episodes. This was followed by a third series the following year in 1993, with thirteen half-hour programmes. This was followed by a fourth series in 1994, and finally a fifth in 1995, all with Sarah Kennedy. In 1994, Morris also wrote then presented a series of six one-hour TV episodes for BBC1, called The Human Animal. This series went on to win the Cable Ace Award in Los Angeles for best documentary series in 1995. The following year Morris began to work on The Human Sexes, a new TV sequel to The Human Animal, which was completed in 1997.

Filmography[edit]

  • Zootime (Weekly, 1956–67)
  • Life (1965–67)
  • The Human Race (1982)
  • The Animals Roadshow (1987–89)
  • The Animal Contract (1989)
  • Animal Country (1991–96)
  • The Human Animal (1994)
  • The Human Sexes (1997)

Lectures[edit]

In 1964 he was invited to deliver the Royal Institution Christmas Lecture on Animal Behaviour.

Bibliography[edit]

  • The Biology of Art (1963) – a look at the paintings of primates and their relation to human art
  • The Big Cats (1965) – part of The Bodley Head Natural Science Picture Books, looking at the habits of the five Big Cats, the lion, tiger, leopard, jaguar, snow leopard, and the cheetah.[5]
  • The Mammals: A Guide to the Living Species (1965) — a comprehensive and compelling listing of all mammal genera, all non-rodent non-bat species, and additional information on select species.
  • The Naked Ape (1967) — an unabashed look at the human species. The book is notable for its focus on humanity’s animalistic qualities and our similarity with other apes. Reprinted many times and in many languages, it continues to be a best-seller.
  • The Human Zoo (1969) — a continuation of the previous book, analysing human behaviour in big modern societies and their resemblance to animal behaviour in captivity.
  • Intimate Behaviour (1971) — In “Intimate Behaviour” Morris studies the human side of intimate behaviour from clapping to cutting hair, from the embrace to copulation. Morris examines how natural selection shaped human physical contact in and how intimate behaviours are expressed and/or repressed in modern culture. Morris explains the origins of complex and mundane human signaling and body contact relating much of it to the pre-natal condition in the womb and the experience of the protection and attention that children receive when young and helpless. Morris infers that most intimate contact is a variation or repetition of such comforting and secure contact which is expressed in thinly disguised forms from pats on the back to massage “therapy”. Morris describes an increasingly rigid modern society empty of typical physical interaction in public and how people compensate by enacting intimate behaviour in other forms in private or through deviant behaviour in public.
  • Manwatching: A Field Guide to Human Behaviour (1978)
  • Gestures: Their Origin and Distribution (1979)
  • Animal Days (1979) — Autobiographical
  • The Soccer Tribe (1981)
  • Pocket Guide to Manwatching (1982)
  • Inrock (1983)
  • Bodywatching – A Field Guide to the Human Species (1985) — Hundreds of photos analyzing the human body from hair down to the feet.
  • Catwatching: & Cat Lore (1986) — a study of one of the most popular of household pets across the centuries.
  • Dogwatching (1986) — an in-depth study of “man’s best friend”.
  • Horsewatching (1989) — subtitled “Why does a horse whinny and everything else you ever wanted to know”
  • Animalwatching (1990)
  • Babywatching (1991)
  • Bodytalk (1994)
  • The Human Animal (1994) — book and BBC documentary TV series
  • The Human Sexes (1997) — Discovery/BBC documentary TV series
  • Cat World: A Feline Encyclopedia (1997)
  • The Naked Eye (2001)
  • Dogs: The Ultimate Dictionary of over 1,000 Dog Breeds (2001)
  • Peoplewatching: The Desmond Morris Guide to Body Language (2002)
  • The Naked Woman: A Study of the Female Body (2004)
  • Linguaggio muto (Dumb language) (2004)
  • The Nature of Happiness (2004)
  • Watching (2006)
  • The Naked Man: A Study of the Male Body (2008)
  • Baby: A Portrait of the First Two Years of Life (2008)
  • Planet Ape (2009)
  • Owl (2009) – Part of the Reaktion Books Animal series, Desmond Morris covers the natural history, conservation and place in human culture, history, art and pop culture, of the owl.
  • Monkey (20013) – Part of the Reaktion Books Animal series, Desmond Morris covers the natural history, conservation and place in human culture, history, art and pop culture, of the monkey.
  • Leopard (2014) – Part of the Reaktion Books Animal series, Desmond Morris covers the natural history, conservation and place in human culture, history, art and pop culture, of the leopard.
  • Bison (2015) – Part of the Reaktion Books Animal series, Desmond Morris covers the natural history, conservation and place in human culture, history, art and pop culture, of the bison.

Major events[edit]

  • In 1951 upon moving his studies to Oxford University, Desmond studied under Dr. Nikolaas Tinbergen, a Dutch ethologist and ornithologist, who in 1973 shared the Nobel Prize in Physiology or Medicine with two other scientists for their discoveries.
  • Holds one man art show at the world’s first university museum (Ashmolean Museum of Art and Archaeology) in 1952, in Oxford.
  • In 1952 the journal Behavior, published Morris’s first scientific paper on animal behavior. He produced 47 more over the next fifteen years.[1][6]
  • Awarded Doctor of Philosophy (D.Phil) in 1954 by Oxford University, his thesis on the “Reproductive Behaviour of the Ten-spined Stickleback“.
  • First scientific book published in 1958: The Reproductive Behaviour of the Ten-spined Stickleback as well as a children’s book titled The Story of Congo.
  • In 1983, Desmond published his first fiction novel, called Inrock (science fiction, fantasy), reflective of the surrealist world he created within his paintings. Said to be primarily aimed towards children, but not entirely.
  • In 1992 Desmond held his first one-man showing of his paintings in Paris.
  • In 1996 an exhibition titled “Desmond Morris 50 Years of Surrealism” was held at both Stoke Gallery, and then second Nottingham Public Gallery. Followed by a solo exhibit at Mayor Gallery in 1997 to coincide with Desmond’s official biographer Silvano Levy’s book entitled Desmond Morris: 50 Years of Surrealism.
  • In 1998 Desmond Morris is awarded the honour of becoming a Doctor of Science by the University of Reading in Reading, Berkshire.

Personal life[edit]

When Morris was 14, his father was killed whilst serving in the armed forces. In a 2008 interview Morris said, “it was the beginning of a life-long hatred of the establishment. The church, the government and the military were all on my hate list and have remained there ever since.”[7] As said in another interview, Morris’s reasoning behind drifting towards the surrealist subculture is rather profound. In a time living as a child in the Second World War and then losing his father to the repercussions of that violence, an inner urge for rebellion against authority struck Morris.

Surrealism started in the 1920s as a rebellion against the horrendous natures of the Great War, these ideas fitted Desmond’s current mindset quite perfectly. Enabling him to create his own world for himself within his paintings. Painting he proclaims is his own personal pleasure, not business. So his rebellion ended up coming forth in other ways, more positive ways, not just within his paintings but within his desire to share knowledge throughout over 79 publications with the world. Not wanting to cause grief for anyone in other aspects (due to his prior grief), he decided to aim his energies in these more positive directions such as writing evolutionarily beneficial works. And so he did, as seen through his life accomplishments, or entire lists of works. Desmond’s grandfather William Morris, a very enthusiastic Victorian naturalist is noted to have played a great influence on Desmond during his time living in Swindon. Interesting to note, William Morris founded the Swindon local newspaper.[1]

In July 1952, Morris married Ramona Baulch, a history graduate from Oxford. The two conceived their only son Jason in Malta. This occurred in 1968 following the success of The Naked Ape.[1] In 1978 Desmond was elected Vice-Chairman of Oxford United F.C..

Desmond reflected in an interview[8] with the following quote : “I also carried my message – about how fascinating animal behaviour and human behaviour can be – to an even wider audience by making television programmes, and presented a total of about 700 programmes over a period of half a century. I have now stopped that work and I am devoting my final years to the three things I enjoy most; writing books, painting pictures and travelling the world. I have so far managed to visit 95 countries and I have a schoolboy ambition to make that 100 countries before I die.”

See also[edit]

References[edit]

  1. ^ Jump up to:a b c d e f g h i j k l m n Williams, D. “Desmond Morris Biography”. Desmond-morris.com. Retrieved 2012-11-28.
  2. ^ Jump up to:a b Williams, D. “Desmond Morris – Bibliography”. Desmond-morris.com. Retrieved 2012-11-28.
  3. Jump up^ Morris, D. (1967). The Naked Ape: A Zoologist’s Study of the Human Animal (1st American ed.). New York: McGraw-Hill.
  4. Jump up^ Harré, R. (2006). “Chapter 5: The Biopsychologists”. Key Thinkers in Psychology, pp. 125-132. London: Sage.
  5. Jump up^ “The Big Cats … Illustrated by Barry Driscoll.”. http://explore.bl.uk. The British Library Board. Retrieved 23 May 2015. External link in |website= (help)
  6. Jump up^ Williams, D. “Desmond Morris – Research”. Desmond-morris.com. Retrieved 2012-11-28.
  7. Jump up^ Douglas, Alice (1 November 2008). “My family values: Desmond Morris interview”. London: The Guardian. Retrieved 2012-11-28.
  8. Jump up^ [1]

External links[edit]

___

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Ecclesiastes, Purpose, Meaning, and the Necessity of God by Suiwen Liang (Quotes Will Durant, Madalyn Murray O’Hair, Stephen Jay Gould,Richard Dawkins, Jean-Paul Sartre,Bertrand Russell, Leo Tolstoy, Loren Eiseley,Aldous Huxley, G.K. Chesterton, Ravi Zacharias, and C.S. Lewis.)

Ecclesiastes 2-3 Published on Sep 19, 2012 Calvary Chapel Spring Valley | Sunday Evening | September 16, 2012 | Derek Neider _____________________________ I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope to show how secular […]

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 68 Stephen F Gudeman, Anthropologist, MN “I say I am an agnostic…I don’t know how the universe started period!”

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 68

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

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Below you have picture of Dr. Harry Kroto:

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I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Sir David AttenboroughMark Balaguer, Patricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart EhrmanIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldAlan Guth, Jonathan HaidtHermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman JonesShelly KaganStuart Kauffman,  Lawrence KraussHarry Kroto, Elizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaDouglas Osheroff,   Saul PerlmutterHerman Philipse,  Robert M. PriceLisa RandallLord Martin Rees,  Oliver SacksMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

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Stephen F Gudeman

Professor
CLA Anthropology
UMN Twin Cities

In  the third video below in the 131st clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

Interview with Stephen Gudeman, Part 1 of 2

Published on Jul 16, 2012

Stephen Gudeman interviewed by Alan Macfarlane 14th May 2010.

All revenues are donated to the World Oral Literature Project: http://www.oralliterature.org/

For a full, higher quality, downloadable version, please see http://www.alanmacfarlane.com

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Interview with Stephen Gudeman, Part 2 of 2

Below is a letter I sent to Dr. Gudeman and I responded to his quote.

September 29, 2015

Dr. Stephen Gudeman, c/o Univ of Minnesota, Anthropology Dept,

Dear Dr. Gudeman,

The last time I wrote you I mentioned Michael Polanyi who was the brother of the famous economist Karl Polanyi who you talked about in your excellent in-depth interview with Alan MacFarlane. I love watching the interviews he does because he asks such good questions.  Today I am going to return to the subject of Michael Polanyi.

In the popular You Tube video “Renowned Academics Speaking About God” you made the following statement:

I would say that is the only mild disagreement  my wife and I have. I say I am an agnostic and she says she is an atheist. She says her’s cuts deeper than mine because an atheist says there is no God and I say I don’t know, then she says I am admitting there could be a God and I say, “No, I don’t know how the universe started period.” ALAN MACFARLANE: You don’t believe in a personal deity or in an afterlife? YOUR RESPONSE: No I do not. 

I WANT TO SAY HOW MUCH I RESPECT YOUR VIEW THAT YOU ARE OPEN TO MORE EVIDENCE CONCERNING THE EXISTENCE OF GOD VERSUS ASSERTING THAT GOD DOES NOT EXIST WITHOUT HAVING ALL THE FACTS. Let me further respond with the words of Francis Schaeffer from his book HE IS THERE AND HE IS NOT SILENT (the chapter is entitled, “Is Propositional Revelation Nonsense?”

Of course, if the infinite uncreated Personal communicated to the finite created personal, he would not exhaust himself in his communication; but two things are clear here:
 
1. Even communication between once created person and another is not exhaustive, but that does not mean that for that reason it is not true. 
 
2. If the uncreated Personal really cared for the created personal, it could not be thought unexpected for him to tell the created personal things of a propositional nature; otherwise as a finite being the created personal would have numerous things he could not know if he just began with himself as a limited, finite reference point. In such a case, there is no intrinsic reason why the uncreated Personal could communicate some vaguely true things, but could not communicate propositional truth concerning the world surrounding the created personal – for fun, let’s call that science. Or why he could not communicate propositional truth to the created personal concerning the sequence that followed the uncreated Personal making everything he made – let’s call that history. There is no reason we could think of why he could not tell these two types of propositional things truly. They would not be exhaustive; but could we think of any reason why they would not be true? The above is, of course, what the Bible claims for itself in regard to propositional revelation.
DOES THE BIBLE ERR IN THE AREA OF SCIENCE AND HISTORY? The Bible is true from cover to cover and can be trusted. Charles Darwin himself longed for evidence to come forward from the area of  Biblical Archaeology  but so much has  advanced  since Darwin wrote these words in the 19th century! Here are some of the posts I have done in the past on the subject and if you like you could just google these subjects: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem, 2. Hezekiah’s Siloam Tunnel Inscription.13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

Recently I had the opportunity to come across a very interesting article by Michael Polanyi,LIFE TRANSCENDING PHYSICS AND CHEMISTRY, in the magazine CHEMICAL AND ENGINEERING NEWS, August 21, 1967, and I also got hold of a 1968 talk by Francis Schaeffer based on this article. Polanyi’s son John actually won the 1986 Nobel Prize for Chemistry. This article by Michael Polanyi concerns Francis Crick and James Watson and their discovery of DNA in 1953. Polanyi noted:

Mechanisms, whether man-made or morphological, are boundary conditions harnessing the laws of in
animate nature, being themselves irreducible to those laws. The pattern of organic bases in DNA which functions as a genetic code is a boundary condition irreducible to physics and chemistry. Further controlling principles of life may be represented as a hierarchy of boundary conditions extending, in the case of man, to consciousness and responsibility.

I would like to send you a CD copy of this talk because I thought you may find it very interesting. It includes references to not only James D. Watson, and Francis Crick but also  Maurice Wilkins, Erwin Schrodinger, J.S. Haldane (his son was the famous J.B.S. Haldane), Peter Medawar, and Barry Commoner. I WONDER IF YOU EVER HAD THE OPPORTUNITY TO RUN ACROSS THESE MEN OR ANY OF THEIR FORMER STUDENTS?

Below is a portion of the transcript from the CD and Michael Polanyi’s words are in italics while Francis Schaeffer’s words are not:

During the past 15 years, I have worked on these questions, achieving gradually stages of the argument presented in this paper. These are:

  1. Machines are not formed by physical and chemical equilibration. 
  2. The functional terms needed for characterizing a machine cannot for defined in terms of physics and chemistry. 

Polanyi is talking about specific machines but I would include the great cause and effect machine of the external universe that functions on a cause and effect basis. So if this is true of the watch,  then you have to ask the same question about the total machine that Sartre points out that is there, and that is the cause and effect universe.Polanyi doesn’t touch on this and he doesn’t have an answer, and I know people who know him. Yet nevertheless he sees the situation exactly as it is. And I would point out what  Alfred North Whitehead (1861–1947) and J. Robert Oppenheimer (1904–1967) said and that it needed a Christian consensus to produce modern science because it was the Christian consensus that gave the concept that the world being created by a reasonable God and that it could be found out and discovered by reason. So the modern science when it began with Copernicus and Galileo and all these men conceived that the cause and effect system of the universe would be there on the basis that it was created by a reasonable God, and that is Einstein’s big dilemma and that is why he became a mystic at the end of life…What Polanyi says here can be extended to the watch, and the bridge and the automobile but also to the big cause and effect universe.You have to give some kind of answer to this too and I would say this to Michael Polanyi if Iever have a chance to talk to him.You need another explanation too Polanyi.

3. No physical chemical topography will tell us that we have a machine before us and what its functions are. 

In other words, if you only know the chemicals and the physics you don’t know if you have a machine. It may just be junk. So nobody in the world could tell if it was a machine from merely the “physical chemical-topography.” You have to look at the machineness of the machine to say it is a machine. You could take an automobile and smash it into a small piece of metal with a giant press and it would have the same properties of the automobile, but the automobile would have disappeared. The automobile-ness of the automobile is something else than the physical chemical-topography.

4. Such a topography can completely identify one particular specimen of a machine, but can tell us nothing about a class of machines. 

5. And if we are asked how the same solid system can be subject to control by two independent principles, the answer is: The boundary conditions of the system are free of control by physics and can be controlled therefore by nonphysical, purely technical, principles. 

In other words you have to explain the engineering by something other than merely physical principles and of course it is. You can’t explain the watchness of the watch merely by this. You can explain it on the basis of engineering principles in which the human mind conceives of a use for the machine and produces the machine. But notice where Polanyi is and that is in our argument of a need of personality in the universe though Polanyi doesn’t draw this final conclusion, though I thought that is the only explanation.

If you look at the watch a man has made it for the purpose of telling time. When you see the automobile a man has made it for the purpose of locomotion and the explanation of the difference is not in the chemical and physical properties but in the personality of a man to make these two different machines for two different purposes out of the same material. So what you are left here is the need of personality in the universe.

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Thank you for your time. I know how busy you are and I want to thank you for taking the time to read this letter.

Sincerely,

Everette Hatcher,

P.O. Box 23416, Little Rock, AR 72221, United States, cell ph 501-920-5733, everettehatcher@gmail.com

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______________   George Harrison Swears & Insults Paul and Yoko Lucy in the Sky with Diamonds- The Beatles The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking […]

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__________________   Beatles 1966 Last interview I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about them and their impact on the culture of the 1960’s. In this […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 49 THE BEATLES (Part A, The Meaning of Stg. Pepper’s Cover) (Feature on artist Mika Tajima)

_______________ The Beatles documentary || A Long and Winding Road || Episode 5 (This video discusses Stg. Pepper’s creation I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about […]

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_______________ Francis Schaeffer pictured below: _____________________ I have included the 27 minute  episode THE AGE OF NONREASON by Francis Schaeffer. In that video Schaeffer noted,  ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” How Should […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 47 Woody Allen and Professor Levy and the death of “Optimistic Humanism” from the movie CRIMES AND MISDEMEANORS Plus Charles Darwin’s comments too!!! (Feature on artist Rodney Graham)

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 46 Friedrich Nietzsche (Featured artist is Thomas Schütte)

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 45 Woody Allen “Reason is Dead” (Feature on artists Allora & Calzadilla )

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 101 BEATLES,(MANY CHRISTIANS ATTACKED THE BEATLES WHILE FRANCIS SCHAEFFER STUDIED THEIR MUSIC! Part B) Artist featured today is Cartoonist Gahan Wilson

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Francis Schaeffer did not shy away from appreciating the Beatles. In fact, SERGEANT PEPPER’S LONELY HEARTS CLUB BAND album was his favorite and he listened to it over and over. I am a big fan of Francis Schaeffer but there are detractors that attack him because he did not have all the degrees that they have. However, even many of them give Schaeffer credit for inspiring many young people to further their education and to engage the culture. Professor Barry Hankins of Baylor University noted concerning Francis Schaeffer:

George Marsden had been following Francis Schaeffer’s career since the sixties, having visited L’Abri himself. Marsden’s first occasion to write about Schaeffer came in 1968, during one of Schaeffer’s lecture tours, when Marsden was a young assistant professor at Calvin College. Marsden covered Schaeffer’s visit for an underground newspaper called The Spectacle, where he wrote: “For a Calvin Faculty member the most startling aspect of this achievement is that Mr. Schaeffer, without displaying any particular academic credentials and with an apparent disregard for the usual academic standards and precautions, did exactly what we always have hoped to do-make Christianity appear intellectually relevant to the contemporary era.”14 Noting the strengths and weaknesses of Schaeffer’s style, Marsden compared his lecture to a person sketching a map of the world in five minutes. There would be many erroneous details, but the general outline would be quite helpful. “

“Within a typical hour,” George Marden wrote, “he may present the thought of Antonioni, Aquinas, two Francis Bacons, the Beatles, Bergman, Berstein, Camus, Cezanne, Cimabue, Francis Crick, Leonardo Da Vinci, Eliot, Fellini, Gauguin, Giotto, Hegel, Heidegger, several Huxley’s, Jaspers, Kierkegaard, Leary, Henry Miller, Picasso, Rousseau, Marquis de Sade, Sartre, Terry Southern, Siessinger, Tillich, and Zen Buddhism. Intellectual modesty is not Schaeffer’s long suit. One might sympathize if in the audience another scholar who had spent most of his adult life trying to understand, for instance, Kierkegaard, was appalled.” In contrast to Calvin College at the time, which had censured the official school newspaper for suggesting that students go to movies, Schaeffer, in Marsden’s words, “has seen the dirty movies, read the dirty books, and even heard the dirty words, yet for all that he is a better Christian. Doubtless such evident empathy for the contemporary culture accounts largely for Schaeffer’s remarkable appeal “

In Robert M. Price’s book BEYOND BORN AGAIN we read the reason that many Christians had avoided Beatles’ music:

Bob Larson warns, ” Lyrical content which is directly opposed to Biblical standards and accepted Christian behavior should definitely be avoided. For teenagers listening to the Beatles sing NOWHERE MAN or ELEANOR RIGBY would stop to realize the philosophical implications of the lyrics of these sayings. Nevertheless, the philosophical outlook conveyed will influence their thoughts.”

| On Apr 05, 2013

Jake Meador writes on Edith (and Francis) Schaeffer over at Mere Orthodoxy.

Without the Schaeffers, I sincerely wonder if we’d have magazines like Relevant and Cardus or journals like Books & Culture or the Mars Hill Audio Journal. I know that the nonprofit Ransom Fellowship, run by two very dear friends of mine, would not exist as it does. And even as some of the work they inspired has fallen out of favor in recent years (most notably the Christian worldview movement spearheaded by Charles Colson and Nancy Pearcey), I suspect its critics would not be nearly so well equipped to address the movement’s shortcomings were it not for the trailblazing work of the Schaeffers. After all, the worldview movement’s most astute critic, Jamie Smith, is drawing from the same (reformed) theological well as the Schaeffers.

The Schaeffers made it possible in a way it had not been before to be thoughtfully engaged with (and even delighted by) much of popular culture while still holding to Christian orthodoxy. That is a tremendous accomplishment when one considers that today’s evangelicals are, by and large, the theological descendants of fundamentalists who emphasized separation from the world. When Francis Schaeffer first came to Wheaton in 1968, he spoke on the music of The Rolling Stones and THE BEATLES and Pink Floyd. He talked about the films of Bergman and Antonioni–and at a time when Wheaton’s honor code forbade students from seeing any movies at all! That the Schaeffers accomplished such an enormous cultural work while also modeling a tremendously generous, sacrificial hospitality at L’Abri that imaged the Gospel to thousands of guests over nearly 30 years is nothing short of remarkable.

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In the video THE AGE OF NON-REASON Schaeffer noted,  ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” 

How Should We then Live Episode 7 small (Age of Nonreason)

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Saving Leonardo: Book Trailer

Take a look at Nancy Pearcey’s story:

I became acutely aware that I had no answers to the most basic questions: Where did I come from? Was life just a chance accident of blind forces? Did it have any purpose? Were there any principles so true and so real that I could build my life on them?

Eventually I embraced RELATIVISM AND SUBJECTIVISM and several of the other popular “isms” of modern culture. For I was determined to be ruthlessly hon-est about the logical consequences of unbelief. IF THERE IS NO GOD, THEN WHAT CAN BE THE BASIS FOR OBJECTIVE OR UNIVERSAL TRUTH? I REALIZED THAT IT IS IMPOSSIBLE TO STEP OUTSIDE OUR LIMITED EXPERIENCE–OUR INSIGNIFICANTLY SMALL SLOT IN THE VAST SCOPE OF THE HISTORY OF THE UNIVERSE–IN ORDER TO GAIN ACCESS TO UNIVERSAL KNOWLEDGE, VALID FOR ALL TIMES AND PLACES.

AND IF THERE IS NO GOD, THEN WHAT CAN BE THE BASI FOR UNIVERSALLY VALID MORAL STANDARDS? Once, when a classmate described someone’s action as “wrong,” I shook my head and began arguing that we cannot know right or wrong in any ultimate sense.

Eventually I began to wonder whether I could even be sure about any reality outside my own head. I began doodling little cartoons of the entire world as nothing more than a thought bubble in my mind. When I graduated from high school, I wrote a senior paper on the topic of “Why I Am Not a Christian.” Later I would discover that Bertrand Russell had written a famous essay by that title (which I had not read yet)–but this was my own manifesto of unbelief.

It was a few years later, when I was attending school in Germany and studying violin at the Heidelberg Conservatory, that I stumbled across L’Abri in Switzerland, the residential ministry of Francis Schaeffer. I was stunned by this place. It was the first time I had ever encountered Christians who actually answered my questions–who gave reasons and arguments for the truth of Christianity instead of simply urging me to have faith. When I arrived, the most obvious thing that struck me was that most of the guests were not even Christian. The place was crowded with hippies sporting long hair, beards, and bell-bottom jeans. At the time, it was extremely rare to discover Christian ministries capable of crossing the countercultural divide to reach alienated young people, and my curiosity was sparked. Who were these Christians?

Schaeffer himself used to strike people as somewhat odd, with his goatee and knickers. (Though when you were actually at L’Abri, it didn’t seem odd at all: After all, this was the Alps–and he dressed like a Swiss farmer.) But when he opened his mouth and began to speak, people were transfixed: Here was a Christian talking about modern philosophy, quoting the existentialists, analyzing worldview themes in the lyrics of Led Zeppelin, explaining the music of John Cage and the paintings of Jackson Pollock. You must remember that this was in an era when Christian college students were not even allowed to go to Disney movies–yet here he was, discussing films by Bergman and Fellini.[34]

[Footnote 34: “This small, intense man from the Swiss mountains delivered a message unlike any heard in evangelical circles in the mid-1960s. At Wheaton College, students were fighting to show films like Bambi, while Francis was talking about the films of Bergman and Fellini. Administrators were censoring existential themes out of student publications, while Francis was discussing Camus, Sartre, and Heidegger. He quoted Dylan Thomas, knew the artwork of Salvador Dali, listened to the music of THE BEATLES and John Cage” (Michael Hamilton, “The Dissatisfaction of Francis Schaeffer” [Christianity Today, March 3, 1997], at www.antithesis.com/ features/dissatisfaction.html).]

Seeing Christians who engaged with the intellectual and cultural world was a complete novelty. In fact, it was such a novelty that I was afraid that I might make a decision for Christianity based on emotion instead of genuine conviction, and so, after only one month, I returned to the States. (To be honest, I fled back home.) And I thought, “I’m going to test these ideas in my college philosophy classes, and see how well they stand up in a secular university setting.”

The most dramatic response came almost immediately. Signing up for my first philosophy course, I discovered it was a huge introductory class, with some three hundred students. Pretty intimidating. For the first major assignment, I took out my copy of Schaeffer’s Escape from Reason and wove some of its themes into my paper. A week or so later, the professor said, “I have your papers to hand back … but first I would like to read one of them to the entire class.”

It was my paper.

Needless to say, I was astonished. And even more so when the professor went on to say, “I have never seen such mature thought in an undergraduate.”Of course, it wasn’t really my thought–it was the Christian worldview analysis I had been learning through L’Abri.Again and again, I tested these ideas in my university classes, and I saw that Christianity really does have the intellectual resources to stand up in a secular academic setting.

While still at L’Abri, I had once accosted another student, demanding that he explain why he had converted to Christianity. A pale, thin young man with a strong South African accent, he responded simply, “They shot down all my arguments.”

“Total Truth” – Nancy Pearcey Book Talk 2006

(Nancy Pearcey below)

The Beatles Help ! | Subtitulada

The Beatles “Help” Live 1965 (Reelin’ In The Years Archives)

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Artist featured today is Cartoonist Gahan Wilson

GAHAN WILSON: Born Dead Still Weird – Q & A screening at 2011 San Diego Comic Con

“I’LL SHOW YOU!”

INTERVIEW: Filmmaker Steven-Charles Jaffe and ‘Gahan Wilson: Born Dead, Still Weird’

Gahan-Wilson-Steven-Charles-Jaffe-2013

“If Crumb can have a documentary, then so can Gahan Wilson!” The decision had been made.

Gahan Wilson is a force of nature. And so is filmmaker Steven-Charles Jaffe. Wilson found in Jaffe someone who would do justice to his legendary career that spans over 50 years of cartoons for The New Yorker, Playboy, and National Lampoon. Who else even comes close to such an output? That’s why a documentary had to be made. It is called, “Gahan Wilson: Born Dead, Still Weird.” Yes, you read that right, “Born Dead, Still Weird,” and it is currently the subject of a Kickstarter campaign that you can join here.

It was upon seeing “Crumb,” Terry Zwigoff’s landmark 1995 documentary on underground cartoonist Robert Crumb, that Jaffe resolved he needed to create a similarly worthy documentary of his friend and idol, Gahan Wilson. The idea of Jaffe and Wilson working together had already been kicking around for a few years. One plan that continues to interest them is a feature length animated movie based on Wilson’s illustrated book, “Eddy Deco’s Last Caper.” Jaffe and director Nicholas Meyer have approached IMAX about the project so we shall see. A Gahan Wilson animated movie in 3-D would be worth the wait.

For a taste of what it’s like for Wilson and Jaffe to work together, you can view the 2008 animated short, “It Was a Dark and Silly Night.” A story about children determined to have a jello war, even if it’s in a cemetery, this animated short is based on a collaboration between Neil Gaiman and Gathan Wilson for an illustrated anthology, compiled and edited by Art Spiegelman and Françoise Mouly, “Little Lit: It Was a Dark and Silly Night.

There is so much to a Gahan Wilson cartoon: it is entertaining, memorable, scary, and above all else, it won’t let go. “I can’t tell you how many times I have seen a Gahan Wilson cartoon that relates right back to his own life.” Jaffe makes the observation with awe and admiration. An artist of the caliber of Wilson has both a keen sense of whimsy and a backbone made of steel. He was a child of two out of control alcoholic parents. For him, he had to grow up fast while holding on ever tighter to his dreams.

The dream behind “Born Dead, Still Weird” is to give it as wide an audience as possible. Much in the same way that “Crumb” was transcendent, so too this documentary aims to show you the real man and artist. “That’s what struck such a chord with people, to see Robert Crumb on a human level,” says Jaffe. Both Crumb and Wilson climbed their ways out of adversity to unprecedented success. If Jaffe can accomplish his goal of stirring up the pot and getting his documentary considered for an Academy Award nomination, it will go a long way in securing a high profile for “Born Dead, Still Weird.” The essential stage, getting the documentary made is done. But the last stage, marketing and distribution, and just making sure the documentary is known about, is still ahead.

Jaffe recalls the kind words from Robert Redford in support of “Born Dead, Still Weird.” After viewing it, Redford wrote back to Jaffe, “I’m a huge proponent of art not only getting into the educational system but for its ability to save some lives and enhance some lives. It is a fine piece of work and I thank you.” Saving lives. What a joy to be able to make such a difference. This is something that has genuinely stuck with Jaffe. He’s the first to say that he did not set out to make an inspirational film and yet Gahan’s life attracts just that.

From Jaffe’s first encounter with a Gahan Wilson cartoon in Playboy at the tender age of 10, up to today, Jaffe’s felt his own life enriched by Wilson. “He is a total nonconformist,” Jaffe says with delight. In a world where being different can have harsh consequences, as with bullies in school, Gahan Wilson is a shining example of someone who is going to live his life his way.

I hope you enjoy the podcast below that includes the entire interview with Steven-Charles Jaffe. Just click below:

Steven-Charles Jaffe

Be sure to stop by and visit the Kickstarter campaign for “Gahan Wilson: Born Dead, Still Weird” right here.

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Gahan Wilson: Born Dead, Still Weird – Official Trailer

Gahan Wilson: Born Dead, Still Weird

Veteran Horror Producer launches Oscar Campaign for GAHAN WILSON Doc

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Veteran producer Steven-Charles Jaffe,  the man behind such FANGORIA-approved classics as MOTEL HELL, DEMON SEED and NEAR DARK and the romantic sci-fi/fantasy gems TIME AFTER TIME, GHOST and STRANGE DAYS recently turned his energy towards the life and times of legendary macabre socio-political cartoonist and illustrator Gahan Wilson with his already award-winning doc BORN DEAD, STILL WEIRD.

And though the film has screened to great acclaim at festivals around the world, it is unfortunately still somewhat invisible. Jaffe is hoping to change that and he needs your help.

The filmmaker’s hope is to get GAHAN WILSON: BORN DEAD, STILL WEIRD recognized by the Academy of Motion Picture Arts and Sciences – aka The Oscars –  for nomination consideration as Best Documentary. To do this, Jaffe needs to raise $26,000 by September 16th. A longshot? Jaffe  is adamant that this loveletter to the inimitable Wilson gets the love it deserves and he’s hoping the artist’s legion of fans around the world feel the same.

Visit www.borndeadstillweird.com to learn more about the hilarious, moving and fascinating film, how you can pledge, the incredible rewards you can receive for being part of this campaign and more. And keep an eye out for an upcoming feature article and interview with Jaffe in FANGORIA where he discusses his thirty-year career producing, directing and writing genre film classics.

Stephen Colbert Extra extras

Hef’s Cartoon Method extra extras

101 Weird Writers #28 — Gahan Wilson

Hearts Like Oysters in “The Sea Was Wet As Wet Could Be”

This post is part of an ongoing series on 101 weird writers featured in The Weird compendium, the anthology that serves as the inspiration for this site. There is no ranking system; the order is determined by the schedule of posts.

gahanwilsonGahan Wilson (1930 – ) is an iconic American writer and cartoonist who has received the World Fantasy Lifetime Achievement Award. (The World Fantasy Award bust of H.P. Lovecraft was designed by Wilson.) His art, routinely appearing in The New Yorker and Playboy, intersects with his fiction in their shared playful grotesquery. Stories of his have appeared inPlayboy, Omni, and, perhaps most famously, in Again, Dangerous Visions with a tale whose title was simply an ink blob. The three-volume set, Gahan Wilson: 50 Years of Playboy Cartoons (2010), recently showcased his art. “The Sea Was Wet As Wet Could Be” (1967), using Lewis Carroll’s Through the Looking Glass as partial inspiration, is one of the weirder and more disturbing tales included in The Weird. In this latest installment of 101 Weird Writers, returning contributor Leif Schenstead-Harris pays tribute to Gahan Wilson and dissects the weird power of “The Sea Was Wet As Wet Could Be” through both its own effects and its connection to Lewis Carroll’s Alice in Wonderland.

 – Adam Mills, editor of 101 Weird Writers

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 I. What to do when Santa dies in your chimney?

Early in his career Gahan Wilson had a tough time finding a publisher for his cartoons. After all, as he’d be the first to admit, his pictures possess a dark and cruel whimsy. Despite Wilson’s initial difficulties finding a publisher for his work, however, none other than Hugh Hefner tells us that, in the history of Playboy—Wilson’s first and longest publisher—“no cartoonist was more popular, or more enduring, than Gahan Wilson” (7). Wilson’s long tenure as cartoonist for Playboy reveals two general tendencies in his work which I’d like to draw attention to here: the first, a weird fascination with the figure of Santa; the second, situations where a skeleton sits unnoticed among the living, to their laughably myopic failure to see or, more darkly, their failure to care.

A cartoon from October 1964 illustrates a convergence of the two fascinations—but with a twist, as if the time of inattention has come undone and the previously unseen skeletons have fallen into view—only in this case it is Santa’s skeleton that has appeared.

gahan-wilson, Playboy Oct-1964-miss-emmy, page 106(1)

The morbid wonder of the cartoon turns on the caption’s black joke. The illustration shows a skeletal Santa-corpse at the feet of two gray, cloddish workmen and a shapeless and vague-seeming Miss Emmy, her mouth a tiny line reflecting the faint curve of her almost hidden eyebrows. Only Miss Emmy’s oversized eyes and tiny, anxious hands betray any sign of human emotion. Like so many of Wilson’s cartoons, the faces here make the piece, faces which “convey a fearful and discombobulated response to the bewildering and unnerving circumstances they usually find themselves in” (Groth 882). These rare faces are some of the few sites available to sympathy in Wilson’s cartooning work, which is otherwise dominated by, as Neil Gaiman writes, “strange, squashed, Plasticene-faced people […] raggedy mummies and acts of unspeakable cruelty and nightmare” (328). Poised against this aesthetic is Wilson’s nuanced idea of human frailty: “If you’re alive,” Gahan Wilson says, “you’re vulnerable by definition” (Tibbetts 244). Perhaps it’s a mark of his concern for such vulnerability that engenders his fascination with cruelty. Why should a little perversity surprise us?

The October cartoon’s importance lies in its convergence of three features: a morbid theme, a fantastical subject, and an emotional spectator. Each is an important feature of Wilson’s artistic vision. With Santa’s corpse dislodged from Miss Emmy’s chimney, the three characters are confronted with something that challenges their worldview. What would you do if Santa came tumbling dead down your chimney? Coming dead into the world and only belatedly noticed by grey, dull people (despite his soft speech in interviews, Wilson seems very much a contemporary believer in the old cry épater le bourgeois, “shock the middle class”), the fantastic or weird object provokes only widened eyes and anxiety—and, deepest of all, the reminder of death’s inevitability. We might note too that Wilson’s skeletons gesture toward his own early brush with death. Declared still-born at birth, “born dead” as he puts it, young Gahan was only resuscitated by an icy plunge into cold water (Groth 885). The cruel shock saved his life. As the cover of I Paint What I Seesuggests—a grotesque family portrait of the dead, the abnormal, and the rapacious living—Wilson’s art is a straightforward and uncompromising examination of cruelty and morbidity (Altobello). The weird intersections between these ways of being are the channels through which his art takes shape. Being dead, being strange, and being alive: to Gahan Wilson these aren’t ontologies but phases, and troublingly fluid at that.

gahan-wilson-i-paint-what-i-see-cover

The Running lady

Gahan Wilson and The Chicago Art Institute

II. Writing for children: “nobody really gets hurt”

A crucial difference between Gahan Wilson’s cartoons and prose is found by examining their different emotional valences. These differences emerge by comparing certain expectations about artistic genre. The cartoon is a very particular genre, Wilson says, in which “the basic thing is that it should be funny. If it isn’t funny I’ve failed. If I do a monster which just terrified you, or made you sick or something like that, I’d have blown it. What you have to do is take these horrors and end up being a joke, or it’s not a cartoon” (Schweitzer 106). Whatever disconcerting implications his cartoons might engender about human cruelty, death’s inevitability, or so on, a cartoon by Wilson must first be funny.

This firm stance on genre and corresponding admission of a dominant black humour shatters into pieces when taking shape in Wilson’s prose. His short stories achieve a variety of effects, of which “The Sea Was Wet as Wet Could Be” illustrates the blackest terror. At the other end of the spectrum, playful stories such as “The Science Fiction Horror Movie Pocket Computer” could almost pass for a Facebook meme today.

The Science Fiction Horror Movie Pocket Computer; originally published in The National Lampoon

The Science Fiction Horror Movie Pocket Computer; originally published in The National Lampoon

Wilson’s children’s literature—books such as The Bang-Bang Family (1974), Harry the Fat Bear Spy (1973), Harry and the Sea Serpent (1976)—stands in contrast to his work for adults. Here Wilson barely touches his erstwhile fascinations with the monstrous and the horrific. For instance, in Harry and the Sea Serpent, the barely-able bear-spy must overcome his fear of being put to sea in a boat so that he can investigate strange rumours of a sea monster. This accomplished, he discovers that the monster is, in reality, nothing other than an elaborate charade of mirrors. We might say that Wilson’s children’s writing comes packaged with all the normal ideologies of “realist” fiction: that everything is as it seems and, further, that weird threats to this worldview will always have some rational explanation.

While Harry the Bear Spy comes bundled with his genre’s usual accoutrements—cloaks and mysteries, villains and code phrases—the world in which he moves lacks teeth. (But itis one in which macaroons play a signature role.) “[T]he absolute rule in the Harry books is nobody really gets hurt in any sense,” Gahan Wilson says. “And the villains are not really villains, they’re simply sort of silly” (Tibbets 242). In other words, this is hardly fare for even young adults. Wilson’s children’s books are, he admits, “definitely aimed at children. The only adults who are likely to read them are adults with children who are reading them to their kids” (Schweitzer 109). This narrowly focused approach effectively clears a space in Wilson’s writing for adult audiences for material darker, more cynical, and much more threatening.

III. Stories about picnics with “bored and boring drunks”

The characters of “The Sea Was Wet as Wet Can Be” are recognizable as fleshy relatives of Wilson’s skeletal living dead, further examples of his obsession with the posthumous and the skin-creep. Take Carl, Phil’s ominous boss, both threatening and pathetic; in him, despite the bluster of noir-ish cynicism—“Don’t tell me, you never heard of the Walrus and the Carpenter? […] Disgusting, […] You’re an uncultured bitch” (418)—lurks an inner deadness, a disturbing sense of life’s failure. Let’s face it. These aren’t the most sympathetic characters in the canon. Although Carl convincingly acts vivaciously, Phil, our narrator, gives the game away:

Once you got to know Carl, and it took a while, you realized that none of it was really happening. That was because Carl had died, or been killed, long ago. Possibly in childhood. Possibly he had been born dead. So, under the actor’s warmth and rage, the eyes were always the eyes of a corpse. (419)

Furthest from Carl is Irene, perhaps the most sympathetic sketch of the story. Yet even Irene has a twist of weariness about her—she lives with the despair of unsuccessful suicide attempts. Her body is wearing away and she seems “frail and thin against the sunlight” (421). As for Phil, he admits himself to be a veritable archive of regret: “I smoked too much and I drank too much. I did all the wrong things. I didn’t do any of the right things” (421). Between Horace and Mandie, the remaining members of the picnic quintet, readers can almost hear the leaden echoes of a passive aggression that marks their only line of communication. A faint masochist, Horace—Phil “had a sneaking suspicion that [Horace] was really happier when groveling” before his family (417). One wonders about her source of joy in their marriage. All told, then, a ragged and disreputable bunch or, in Phil’s self-loathing judgment, “a crowd of bored and boring drunks” (416).

Wilson’s characters suggest what is also apparent in the story’s narrative arc and context. This is a much different take on the genre than is familiar to the modernist expectations of a James Joyce or Katherine Mansfield. It is more rough-hewn than Edgar Allan Poe, more grounded in its milieu than H.P. Lovecraft. All told, Wilson’s story argues for a changing conception of the genre’s reliance on emotional intensity, epiphanies, and horrific effects. In 1975, eight years after the story’s publication and speaking at the first World Fantasy Conference, Wilson tellingly observed that “[y]our standard television news show is more horrific these days than many of the gothics” or stories such as Dracula or Frankenstein(Schweitzer 105). The prosaic access to this source of horror dulls its effect and through incessant repetition—the “news cycle” works 24 hours a day, every day of the week—flattens emotions. Resultantly, a short story struggling to disrupt this reality cannot come up with a profound epiphany or revelation, as Joyce might wish. It’s all the story can do to overcome its own sense of knowing self-dismissal, even irrelevancy, and produce a clear and overpowering single emotion, to adopt Poe’s famous mandate. The story’s beginning instead sets a tone of weary disgust. “We’re like a group of sticky bugs crawling in an ugly little crowd over polished marble,” thinks Phil (416). He’s not far wrong, despite the simile’s grossness. These days we’ve all read a little Nietzsche. When confronted by nihilism, it’s difficult not to give in to its wearied appeal, let alone critically analyze its effects.

“The Sea Wet as Wet Could Be” turns on its affiliations with Lewis Carroll’s poem (and, more broadly, Carroll’s Alice in Wonderland and Through the Looking Glass). From Carroll, Wilson’s story takes its name, antagonists, and logic. If the short story, as writers from Poe to Joyce to Henry James argue, depends on knowledge and perception, on secrets and surprising twists, then Wilson’s story finds fertile ground in its knowing use of such well-known stories. In his typically obnoxious fashion, Carl mansplains to Mandie that “[t]he Walrus and the Carpenter are probably two of the most famous characters in literature.” (418). Don Quixote and Elizabeth Bennett, take a seat. What’s significant here are at least two things. First, that Carroll’s Alice is a notoriously relentless truth seeker, a born rule-maker whose adventures through Wonderland exemplify the terror of logic and the demand for conformity in the face of startling disorder. Second, that Carl, Mandie, and Phil knowingly discuss the similarities of the two men they meet with Carroll’s characters. Phil even cites Tenniel’s famous illustrations to cinch the question of whether the Carpenter wears an apron or not. It doesn’t seem that they grasp the significance of these figures, however, as if the glamour of fiction clouds their critical faculties. Maybe they’re too ironically knowing to think twice about it. Maybe they’re simply too tired and drunk to wonder.

walrus and carpenter

Unlike Carroll’s Alice, Wilson’s characters linger on superficialities of appearance. Not for them the grasping for the internal logic of size-changing food, nor any patience for a pedantic Caterpillar’s riddles and logical word games. Although conveniently able to quote from Carroll’s poem, they’re unable to understand the relevance of its lines. They are unwilling, perhaps, to think critically about the emergence of these imagined figures from the world of art into their own world. The truth seems before their eyes, but they refuse to see it, swayed by the denials of the two uncanny interlopers from Wonderland. “I would have sworn you were looking for oysters,” Carl manages to piece together, but is rebuffed by Tweedy: “Oh, no, we’ve got the oysters. All we lack is the means to cook ’em” (419). But, with a classic touch of dramatic irony, the trust Wilson’s characters have for these two looks all wrong to readers. The story is fairly transparent in its machinations, as the intruders themselves indicate. Thus when the Walrus ingratiates himself into the picnic party’s logic of alcohol and storytelling, his nature as a loose fragment from another world is exposed, his monstrous presence announces itself as such. “His specialty was outrageous fantasy: wild tales involving incongruous objects, events, and characters. His invention was endless” (420). Warning bells should be ringing for our picnickers.

Hammering the point home, the text intersperses lines from Carroll’s poem, effectively forming direct, textual parallels between the two stories—only now the characters from the poem are telling stories to an audience who once heard stories told about those characters. It would take an Alice to understand the weird logic here taking shape. Despite the utter implausibility of figures wandering out from a fucked-up children’s tale and into a story seemingly of the contemporary world, the Walrus and the Carpenter make a place for themselves—despite the very nonsense of it all. Perhaps they bring the nonsense over with them from Wonderland. We’d be right to be wary. Writing an afterword to his story, Gahan Wilson admits that, when he was a child reading Alice’s Adventures in Wonderlandand Through the Looking Glass,

If it hadn’t been for brave, stolid Alice (bless her stout, young British heart), herself a child, I don’t think I could have survived those goddamn books.

But there is no Alice in this story.

IV. “They’d eaten every one.”

So to avoid the dilemma of the story’s characters, then, and to play Alice a little ourselves, we could retreat a little from the story and give context to the poem it takes its name from. As the poem’s tellers Tweedledee and Tweedledum tell Alice, “The Walrus and the Carpenter” is the longest poem they know. Further, they tell it to her without proper consent. She is lost and in need of directions, more concerned with dealing with a fairly bewildering decision: how is she to escape the dark wood in which she’s lost—a forest becoming ominously dark. Alice’s dilemma comes directly from Dante Alighieri’s Inferno, the first canto of which begins

Nel mezzo del cammin di nostra vita
mi ritrovai per una selva oscura,
ché la diritta via era smarrita.

Or, in Robert Hollander’s English translation,

Midway in the journey of our life
I came to myself in a dark wood,
for the straight way was lost.

The Tweedles are no Virgil. They give her not directions but a poem characterized by nonsense. What kind of aid is this? Is it guidance at all? Perhaps it is a warning about signs. The poem begins thus:

The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright—
And this was odd, because it was
The middle of the night.

The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done—
‘It’s very rude of him,’ she said,
‘To come and spoil the fun!’

The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying overhead—
There were no birds to fly. (118-119).

The lively, regular iambs and skipping rhyme of the Tweedles’ ballad masks a dark process. The poem’s objects are given and then immediately negated, as if the iambic foot’s rhythm of up-and-down, here-and-there became one of presence-and-absence, existence-and-negation. The feet beat out duplicitous time. In this uncanny doubling words repeat themselves as self-descriptions (“wet as wet,” “dry as dry”) and seem to empty themselves of meaning (well, then, what does it mean to be wet, or dry?). In this way the poem narrates nonsensical objects that exist simply because. Or they don’t. But, in a twist of negative tautology, you only discover their non-existence in a double take after you’ve imagined them into being.[1] The secret here is language. “One of Carroll’s general techniques,” French philosopher Gilles Deleuze reminds us, “consists of presenting the event twice, precisely because everything occurs by way of, and within, language” (34). The Tweedles’ apparent nonsense can only be rationalized by an act of meta-interpretation, an act that violates the sanctity of our suspension of disbelief and draws attention to the poem’s material existence as words on a page. To conclude, then, there are neither clouds nor birds because both are linguistic figments—the sky, as is so often said, is the only limit of the imagination. The Tweedles’ poem is also, Phil realizes, “a perfect description of a lifeless earth […] Carroll was describing barrenness and desolation” (420). As soon as images are conjured into being they self-destruct, leaving behind word-traces only.  Fiction proclaims its unreality, but—weirdly—we believe in it anyway.

Already we can see how Gahan Wilson rapidly spins the tables on art’s usual distance, bringing it directly into the world, though allowing it to remain inhuman (despite their human names, the Walrus and the Carpenter cannot be taken seriously in this disguise). In his story the negativity of art’s paradox (that it “is not” real as it claims to be, but exists nonetheless; “Ceci n’est pas une pipe”) consumes the conventional signs we intuitively understand, represented here by the regular seeming characters together at a picnic, drinking. What could be more normal? The inclusion of the poem’s lines disrupts narrative coherence, while such familiar figures as Carroll’s bring with them further cognitive dissonance. The fabric of the story is being eaten away. So too are our assumptions about fiction’s relationship to life. The weird aesthetic draws attention to itself as a fabrication but then dismantles the distinctions we normally draw between the imagination and reality.

But how does Alice, that model of Victorian morality, respond to the Tweedles’ poem? After some hemming and hawing, she goes straight to the obvious: “Well! They were bothvery unpleasant characters—,” she says of the Walrus and the Carpenter, but leaves her thought unfinished. She has been distracted, hearing some sound. “‘Are there any lions or tigers about here?’ she asked timidly” (122). Only the Red King snoring. Still, Alice is right to fear. She too is to be incorporated by Wilson’s story, ingested so fully her name disappears and, with it, her caution, her prudence.

Written almost a hundred years after Through the Looking Glass, “The Sea Was Wet as Wet Could Be” replaces middle class Alice with disillusioned and boozy Phil. What else has changed? Carroll’s Wonderland has already been called a vision of “monstrous mindlessness” where “life, viewed rationally and without illusion, appears to be a nonsense tale told by an idiot mathematician,” and from its vision readers can conclude that “we all live slapstick lives, under an inexplicable sentence of death” (Gardner 13). Gahan Wilson, for his part, clearly sees the dangers of Wonderland. He “distrusted the Alice books from the start. […] I knew they were dangerous,” he says; “I opened them only rarely and gingerly” (“Author’s Note”). Compressed into a vicious short story, opposed to the blasé normalcy of the Miss Emmys of the world, Wilson’s weird tale turns Carroll’s poem inside out. It upstages our assumptions about how fiction works, despite all our foreknowledge as grown up Alices who’ve read Carroll through and through: twas brillig, and the slithy toves… Most startlingly, the story does so despite its sheer implausibility—just imagine the narrative equivocation on which the story’s denouement rests: a heart for an oyster!

V. The Terror

Wilson’s voice is one of the growing chorus who tell of the dangerous weirdness of art which we only notice too late, like so many Santa Claus skeletons fallen into uncomprehending view. It has been in our midst all the time. Writing in broad sweeps, Thomas Leitch argues that the “American short story as a genre presents a critique of the notion of a stable and discrete personal identity constituted by an individual’s determinate actions—a means to the author’s unmaking, and the audience’s unknowing, an active determinate self that was only an illusion to begin with” (134). Maybe Leitch is right—now is not the time to properly investigate his claims. But this much is true: if, like Alice, we try to make sense of the world, we will face madness and ultimately disappear into fiction and if, like Phil, we are insensate to fiction’s rapacious appetite for the raw material of human life, we will not only disappear but become consumed, much as the characters of the story are prey to their own consumptive interests: alcohol, pills, destructive relationships. Remember Carl, who “used drinks like other sadists used whips” (416)? It may be initially counterintuitive, but the reader’s consumption of fiction is similarly dangerous, for what else is reading but a resurrection of the ghosts who lie dormant in the body of the text, flitting uneasily in the pages, waiting to spring into the mind of the reader? The land of “make believe” is enticing but full of risks, especially when we think of it as a place to which we might escape. Such is the great ironic appeal of Lev Grossman’s The Magicians, for instance, or the seeming betrayal of heartless George R.R. Martin. Such is also the moral of Gahan Wilson’s short story, if it is to have one at all, signaled by the return of the Walrus and the Carpenter, loosed from their textual bonds in Carroll’s Wonderland to invade a world that eerily looks similar to our own.

From the critical and countercultural impulse épater le bourgeois Wilson develops Angela Carter’s ideas on the Gothic tradition of short stories. This type of story’s only humour, she writes, is “black humour”; its only morality “a single moral function—that of provoking unease” (133). We may not have much left for hearts by the end of the story. What does remain is Phil’s inconstantly compassionate mind. Truthfully, the characters do experience an epiphany of sorts, a dramatic realization of imaginative beauty in inventive storytelling. This mid-story epiphany causes Phil to drunkenly think “the whole secret of everything, the whole core secret, was simply to enjoy it, to take it as it came” (420, my emphasis). Such banality is triggered by the seemingly infinite possibilities of the “endless” and “outrageous” artistry with which the Walrus tells his tales; it is also, however, deeply nonsensical (what does “it” refer to, precisely? Some general feeling of goodness? Beauty?). The Walrus’ epiphany is generated by a world possible only in the imagination—an inhuman world that dreams

Of shoes—and ships—and sealing wax—
Of cabbages—and kings—
And why the sea is boiling hot—
And whether pigs have wings.

The emergence and welcomed reception of such nonsense in the otherwise disillusioned world of Phil, Irene, Carl, Horace, and Mandie is the sign of art and language forcibly colonizing life. It is what Italian philosopher Giorgio Agamben would call an aesthetic of Terror. In this twist, where “the secret” of pure absurdity and excess annexes our prosaic world of suspicion and pills, arguments and cynicism, the characters share “the dream of a language that would be nothing but meaning, of a thought in whose flame the sign would be consumed” (Agamben 8): the disturbing nature of Wonderland reveals itself not in the question of why its inventions exist—simply because—but in their actual and weird existence. “The dream of the Terror,” Agamben writes, “is to create works that are in the world in the same way as the block of stone or the drop of water; it is a dream of a productthat exists according to the statute of the thing” (8). Here is a visceral demonstration of inhuman agency—the dream of a work of art that is its own object: nonsensical, intransitive, deathly. This artwork is as alien to humans as the beach lazily stretching itself before Phil at the end of the story: “vast, smooth, empty, and remote” (422). The beach resembles the perfect space of art: a blank canvas teeming with potential, a dead letter voracious for human attention to invigorate its emptiness. For what is the life of the work of art but one that demands our full investment? No wonder Agamben calls this feature of art “the Terror.” Before such a demonstration (as if a dead Santa Clause has appeared) our eyes may widen, our hands wring. Maybe there’s more than a little of Miss Emmy in each of us.

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Works Cited

Agamben, Giogio. The Man Without Content [L’uomo senza contenuto]. 1970. Trans. Georgia Albert. Stanford, CA: Stanford University Press, 1999. Print.

Altobelo, Stephen. “Great Gahan Wilson and Poor Miss Emmy.” Peel Slowly 18 March (2010). Web. 10 May 2013.

Carroll, Lewis. The Annotated Alice: The Definitive Edition; Alice’s Adventures in Wonderland & Through the Looking Glass. 1865 & 1871. Ed. Martin Gardner. New York & London: W.W. Norton, 2000. Print.

Carter, Angela. Fireworks: Nine Stories in Various Disguises. London: Chatto and Windus, 1974. Print.

Dante Aligheri. Inferno. Ed. Giorgio Petrocchi. Trans. Robert Hollander. Princeton Dante Project. Web. 20 May 2013.

Deleuze, Gilles. The Logic of Sense [Loguique du sens]. 1969. Trans. Mark Lester. New York: Columbia University Press, 1990. Print.

Gaiman, Neil. Introduction to Gahan Wilson: Fifty Years of Playboy Cartoons, Volume Two. 3 Volumes. Seattle, WA: Fantagraphics Books, 2009. 327-329. Print.

Gardner, Martin. Introduction to The Annotated Alice: The Definitive Edition. Ed. Martin Gardner. New York & London: W.W. Norton, 2000. xiii-xxii. Print.

Grossman, Lev. The Magicians. New York: Viking, 2009. Print.

Groth, Gary. “Appreciation and Biography.” Gahan Wilson: Fifty Years of Playboy Cartoons, Volume Three. 3 Volumes. Seattle, WA: Fantagraphics Books, 2009. 881-899. Print.

Hefner, Hugh. Introduction to Gahan Wilson: Fifty Years of Playboy Cartoons, Volume One. 3 Volumes. Seattle, WA: Fantagraphics Books, 2009. 5-7. Print.

Leitch, Thomas M. “The Debunking Rhythm of the American Short Story.” Short Story Theory at a Crossroads. Eds. Susan Lohafer and Jo Ellyn Clarey. Baton Rouge: Louisiana State University Press, 1989. Print.

Schweitzer, Darrell. “Interview with Gahan Wilson.” SF Voices: Interviewed by Darrell Schweitzer. Kansas City, MO: T.K. Graphics, 1976. 104-109. Print.

Tibbetts, John. “Gahan Wilson’s Diner: Interview with Gahan Wilson.” The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media. New York: Palgrave Macmillan, 2011. 238-244. Print.

Wilson, Gahan. Author’s Note to “The Sea Was Wet as Wet Could Be.” 1967. Sci Fiction / SciFi.com. Web. 10 May 2013.

———. Harry and the Sea Serpent. New York: Dell, 1976. Print.

———. Harry the Fat Bear Spy. New York: Dell, 1973. Print.

———. I Paint What I See. New York: Simon & Schuster, 1971. Print.

———. The Bang-Bang Family. New York: Scribner, 1974. Print.

———. “The Science Fiction Horror Movie Pocket Computer.” The Year’s Best Science Fiction #5. Eds. Harry Harrison and Brian Aldiss. London: Sphere Books, 1972. 116-117. Print.

———. “The Sea Wet as Wet Can Be.” 1967. The Weird: A Compendium of Strange and Dark Stories. Ed. Ann and Jeff VanderMeer. New York: Tor, 2011. 518-520. Print.

Wolf, Ror. “Nothing was Said.” Trans. Jennifer Marquart. Guernica 3 June 2013. Web.

———. Two or Three Years Later: Forty-Nine Digressions. Trans. Jennifer Marquart. Rochester, NY: Open Letter, 2013. Print.


[1] For an unsettling version of this effect starkly at work in contemporary prose, see the fiction of Ror Wolf, especially the vignettes titled “Nothing was Said” collected at Guernica Magazine. These are excerpted from Two or Three Years Later: Forty Nine Digressions, a selection of Wolf’s work translated by Jennifer Marquart.

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Image result for sergent peppers album cover

Francis Schaeffer’s favorite album was SGT. PEPPER”S and he said of the album “Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.”  (at the 14 minute point in episode 7 of HOW SHOULD WE THEN LIVE? ) 

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How Should We Then Live – Episode Seven – 07 – Portuguese Subtitles

Francis Schaeffer

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 202 the BEATLES’ last song FREE AS A BIRD (Featured artist is Susan Weil )

February 15, 2018 – 1:45 am

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 200 George Harrison song HERE ME LORD (Featured artist is Karl Schmidt-Rottluff )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 184 the BEATLES’ song REAL LOVE (Featured artist is David Hammonds )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 170 George Harrison and his song MY SWEET LORD (Featured artist is Bruce Herman )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 168 George Harrison’s song AWAITING ON YOU ALL Part B (Featured artist is Michelle Mackey )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 167 George Harrison’s song AWAITING ON YOU Part A (Artist featured is Paul Martin)

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 133 Louise Antony is UMass, Phil Dept, “Atheists if they commit themselves to justice, peace and the relief of suffering can only be doing so out of love for the good. Atheist have the opportunity to practice perfect piety”

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 166 George Harrison’s song ART OF DYING (Featured artist is Joel Sheesley )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 165 George Harrison’s view that many roads lead to Heaven (Featured artist is Tim Lowly)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 164 THE BEATLES Edgar Allan Poe (Featured artist is Christopher Wool)

PART 163 BEATLES Breaking down the song LONG AND WINDING ROAD (Featured artist is Charles Lutyens )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 162 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part C (Featured artist is Grace Slick)

PART 161 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part B (Featured artist is Francis Hoyland )

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 160 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part A (Featured artist is Shirazeh Houshiary)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 159 BEATLES, Soccer player Albert Stubbins made it on SGT. PEP’S because he was sport hero (Artist featured is Richard Land)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 158 THE BEATLES (breaking down the song WHY DON’T WE DO IT IN THE ROAD?) Photographer Bob Gomel featured today!

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 118 THE BEATLES (Why was Tony Curtis on cover of SGT PEP?) (Feature on artist Jeffrey Gibson )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 117 THE BEATLES, Breaking down the song WITHIN YOU WITHOUT YOU Part B (Featured artist is Emma Amos )

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Related posts:

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 85 (Breaking down the song “When I’m Sixty-Four” Part B) Featured Photographer and Journalist is Bill Harry

One would think that the young people of the 1960’s thought little of death but is that true? The most successful song on the  SGT PEPPER’S album was about the sudden death of a close friend and the album cover was pictured in front of a burial scene.   Francis Schaeffer’s favorite album was SGT. […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 84 (Breaking down the song “When I’m Sixty-Four”Part A) Featured Photographer is Annie Leibovitz

_________ I think it is revolutionary for a 18 year old Paul McCartney to write a song about an old person nearing death. This demonstrates that the Beatles did really think about the process of life and its challenges from birth to day in a  complete way and the possible answer. Solomon does that too […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 83 THE BEATLES (Why was Karlheinz Stockhausen on the cover of Sgt. Pepper’s? ) (Feature on artist Nam June Paik )

_____________ Karlheinz Stockhausen was friends with both Lennon and McCartney and he influenced some of their music. Today we will take a close look at his music and his views and at some of the songs of the Beatles that he influenced.   Dr. Francis Schaeffer: How Should We Then Live? Episode 9 (Promo Clip) […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 82 THE BEATLES, Breaking down the song DEAR PRUDENCE (Photographer featured is Bill Eppridge)

Mia and Prudence Farrow both joined the Beatles in their trip to India to check out Eastern Religions. Francis Schaeffer noted, ” The younger people and the older ones tried drug taking but then turned to the eastern religions. Both drugs and the eastern religions seek truth inside one’s own head, a negation of reason. […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 81 THE BEATLES Why was Dylan Thomas put on the cover of SGT PEPPERS? (Featured artist is sculptor David Wynne)

    Dylan Thomas was included on SGT PEPPER’S cover because of words like this, “Too proud to cry, too frail to check the tears, And caught between two nights, blindness and death.” Francis Schaeffer noted: This is sensitivity crying out in darkness. But it is not mere emotion; the problem is not on this […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 80 THE BEATLES (breaking down the song “Lucy in the Sky with Diamonds” ) (Featured artist is Saul Steinberg)

John Lennon was writing about a drug trip when he wrote the song LUCY IN THE SKY WITH DIAMONDS and Paul later confirmed that many years later. Francis Schaeffer correctly noted that the Beatles’ album Sgt. Pepper’s brought the message of drugs and Eastern Religion to the masses like no other means of communication could. Today […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 79 THE BEATLES (Why was William Burroughs on Sgt. Pepper’s cover? ) (Feature on artist Brion Gysin)

______________ Why was William S. Burroughs put on the cover of Sgt. Pepper’s Lonely Hearts Club Band? Burroughs was challenging the norms of the 1960’s but at the same time he was like the Beatles in that he was also searching for values and he never found the solution. (In the last post in this […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 78 THE BEATLES (Breaking down the song TOMORROW NEVER KNOWS) Featured musical artist is Stuart Gerber

The Beatles were “inspired by the musique concrète of German composer and early electronic music pioneer Karlheinz Stockhausen…”  as SCOTT THILL has asserted. Francis Schaeffer noted that ideas of  “Non-resolution” and “Fragmentation” came down German and French streams with the influence of Beethoven’s last Quartets and then the influence of Debussy and later Schoenberg’s non-resolution which is in total contrast […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 77 THE BEATLES (Who got the Beatles talking about Vietnam War? ) (Feature on artist Nicholas Monro )

It was the famous atheist Bertrand Russell who pointed out to Paul McCartney early on that the Beatles needed to bring more attention to the Vietnam war protests and Paul promptly went back to the group and reported Russell’s advice. We will take a closer look at some of Russell’s views and break them down […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 76 THE BEATLES (breaking down the song STRAWBERRY FIELDS FOREVER) (Artist featured is Jamie Wyeth)

Francis Schaeffer correctly noted: In this flow there was also the period of psychedelic rock, an attempt to find this experience without drugs, by the use of a certain type of music. This was the period of the Beatles’ Revolver (1966) and Strawberry Fields Forever (1967). In the same period and in the same direction […]

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 67 Michio Kaku, Physics Dept, City College of New York, “Remarkable claims require remarkable proof”

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

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Below you have picture of Dr. Harry Kroto:

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I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Today I look at Michio Kaku but here are some of my earlier posts:

Sir David AttenboroughMark Balaguer, Patricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart EhrmanIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldAlan Guth, Jonathan HaidtHermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman JonesShelly KaganStuart Kauffman,  Lawrence KraussHarry Kroto, Elizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaDouglas Osheroff,   Saul PerlmutterHerman Philipse,  Robert M. PriceLisa RandallLord Martin Rees,  Oliver SacksMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

Michio Kaku

From Wikipedia, the free encyclopedia
Michio Kaku
Michio Kaku Presentation.jpg

Michio Kaku giving a talk at Campus Party Brasilon February 11, 2012
Born January 24, 1947 (age 67)
San Jose, California, United States
Residence New York City, New York, U.S.
Nationality American
Fields Theoretical physics
Institutions City University of New York
New York University
Institute for Advanced Study
Alma mater Harvard University (A.B., 1968)
University of California, Berkeley(Ph.D., 1972)
Doctoral advisor Stanley Mandelstam
Known for String field theory, popular science
Notable awards Klopsteg Memorial Award (2008)
Website
http://mkaku.org/home/

Michio Kaku (/ˈmi ˈkɑːk/; born January 24, 1947) is an American communicator and popularizer of science, futurist, theoretical physicist, and Henry Semat Professor of Theoretical Physics at the City College of New York. He has written several books about physics and related topics, has made frequent appearances on radio, television, and film, and writes extensive online blogs and articles. He has written three New York Times Best Sellers: Physics of the Impossible (2008), Physics of the Future (2011), and The Future of the Mind (2014). Kaku has hosted several TV specials for the BBC, the Discovery Channel, the History Channel, and the Science Channel.

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In  the second video below in the 71st clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

Below is my letter to Dr. Kaku and evidence that I provided to him that answered his quest for remarkable proof.

April 7, 2015

Dr. Michio Kaku,  Professor of Physics, THE CITY COLLEGE OF NEW YORK, New York, NY 10031,

Dear Kaku,

I noticed that you went to Christian schools when growing up and heard that on the program CLOSER TO TRUTH and  that is what me started reading your material. Let me start off by saying that this is not the first time that I have written you. Earlier I shared several letters of correspondence I had with Carl Sagan, and Antony Flew. Both men were strong believers in evolution as you are today. Instead of talking to you about their views today I wanted to discuss the views of you and Charles Darwin. 

TWO THINGS MADE ME THINK OF YOU RECENTLY. On April 5, 2015 at the Fellowship Bible Church Easter morning service in Little Rock, Arkansas our pastor Mark Henry described DOUBTING THOMAS and that description made me think of you.  Moreover, your skeptical view towards  Christianity reminds me of CHARLES DARWIN’S growing doubts throughout his life on these same theological issues such as skepticism in reaction to the claims of the Bible!!!

I’m an evangelical Christian and you are a secularist but I am sure we can both agree with the apostle Paul when he said in First Corinthians 15 that if Christ did not rise from the dead then Christians are to be most pited!!!! I attended Easter services this week and this issue came up and Mark Henry asserted that there is plenty of evidence that indicates that the Bible is historically accurate. Did you know that CHARLES DARWIN thought about this very subject quite a lot?

I just finished reading the online addition of the book Darwin, Francis ed. 1892. Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters [abridged edition]. London: John Murray. There are several points that Charles Darwin makes in this book that were very wise, honest, logical, shocking and some that were not so wise. The Christian Philosopher Francis Schaeffer once said of Darwin’s writings, “Darwin in his autobiography and in his letters showed that all through his life he never really came to a quietness concerning the possibility that chance really explained the situation of the biological world. You will find there is much material on this [from Darwin] extended over many manufacturers years that constantly he was wrestling with this problem.”

Your QUOTE from your tv program:

 

To get everlasting life in heaven, you have to trust that heaven actually exists. Speaking as a scientist, I think that there is a problem with regards to the afterlife and religious immortality, and that is there’s no proof that it exists. Remarkable claims require remarkable proof. But maybe you don’t need proof. Well, I do.

Quotes like this indicate to me that you are a DOUBTING THOMAS type. YOU MAY FIND IT INTERESTING THAT CHARLES DARWIN WAS ALSO INTERESTED IN THE HISTORICAL ASPECT OF THE BIBLE. When I read the book  Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters, I also read  a commentary on it by Francis Schaeffer and I wanted to both  quote some of Charles Darwin’s own words to you and then include the comments of Francis Schaeffer on those words. I have also enclosed a CD with two messages from Adrian Rogers and Bill Elliff concerning Darwinism.

Charles Darwin observed:

“But I was very unwilling to give up my belief; I feel sure of this, for I can well remember often and often inventing day-dreams of old letters between distinguished Romans, and manuscripts being discovered at Pompeii or elsewhere, which confirmed in the most striking manner all that was written in the Gospels.

Francis Schaeffer commented:

This is very sad. He lies on his bunk and the Beagle tosses and turns and he makes daydreams, and his dreams and hopes are that someone would find in Pompeii or some place like this, an old manuscript by a distinguished Roman that would put his stamp of authority on it, which would be able to show that Christ existed. This is undoubtedly what he is talking about. Darwin gave up this hope with great difficulty. I think he didn’t want to come to the position where his accepted presuppositions were driving him. He didn’t want to give it up, just as an older man he understood where it would lead and “man can do his duty.” Instinctively this of brains understood where this whole thing was going to eventually go…

SINCE CHARLES DARWIN’S DEATH WE NOW HAVE LOTS OF HISTORICAL RECORDS AND MUCH EVIDENCE FROM THE FIELD OF ARCHAEOLOGY THAT SHOW THE BIBLE IS HISTORICALLY ACCURATE.

**************TAKE TIME TO CONSIDER THIS EVIDENCE BELOW********************

I  have been amazed at the prophecies in the Bible that have been fulfilled in history, and also many of the historical details in the Bible have been confirmed by archaeology too. One of the most amazing is the prediction that the Jews would be brought back and settle in Jerusalem again. Another prophecy in Psalms 22 describes the Messiah dying on a cross  almost 1000 years before the Romans came up with this type of punishment.

Many times it has been alleged that the author of the Book of Daniel was from a later period but how did a later author know these 5 HISTORICAL FACTS? How did he know [1] that Belshazzar was ruling during the last few years of the Babylonian Empire when the name “Belshazzar” was lost to history until 1853 when it was uncovered in the monuments? [2] The author also knew that the Babylonians executed individuals by casting them into fire, and that the Persians threw the condemned to the lions. [3] He knew  the practice in the 6th Century was to mention first the Medes, then the Persians and not the other way around. [4] Plus he knew the laws made by Persian kings could not be revoked and [5] he knew that in the sixth century B.C., Susa was in the province of Elam (Dan. 8:2). Of course, the Book of Daniel (2:37-42) clearly predicted the rise of the 4 world empires in the correct order of Babylon, Medo-Persia, Greece, and Rome.

One of the top 10 posts on my blog on this next subject concerning Tyre.   John MacArthur went through every detail of the prophecy concerning Tyre and how history shows the Bible prophecy was correct.  Sagan said he had taken a look at Old Testament prophecy and it did not impress him because it was too vague.

HOW CAN ANYONE SAY THAT THIS FOLLOWING PROPHECY CONCERNING TYRE IS “TOO VAGUE?”

Below is an outline from a sermon from Dr. John MacArthur

Photo of John MacArthur

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John MacArthur on the amazing fulfilled prophecy on Tyre and how it was fulfilled by historical events.

LESSON

I. BIBLICAL PROPHECY CONCERNING TYRE (Ezekiel 26:1–28:19)

A. The Forecast

1. The specifics

a) That King Nebuchadnezzar of Babylon would destroy the mainland city of Tyre (26:7-8).

b) That many nations would rise up against Tyre. These nations would come like waves of the sea, one after another (26:3- 4).

c) That Tyre will be made like a flat rock (26:4, 14).

d) That fisherman will dry their nets there (26:5, 14).

e) That the rubble of the city would be cast into the sea (26:12).

f) That Tyre would never be rebuilt (26:14).

2. The setting

Tyre was a great city. It was one of the largest and most powerful cities of Phoenicia, which is modern day Lebanon.

It was well fortified. A great wall protected the city from land attacks while their world-renowned fleet protected them from attack by sea.

Tyre was a flourishing city during the time when Joshua led Israel into the Promised Land. King Hiram, who began his reign during the rule of David, offered David cedars from Tyre to build his palace. He also loaned David his artisans to craft parts of the great palace (1 Chron. 14:1). Hiram also helped Solomon build the Temple by floating cedars down the shoreline to be picked up and hauled to Jerusalem (2 Chron. 2:16). So Tyre was a great city, and both David and Solomon looked to it for aid.

B. The Fulfillment

1. The prophetic call

a) To Nebuchadnezzar

Not long after the prophecy given by Ezekiel, Nebuchadnezzar did exactly what had been predicted–he laid siege against the city in 585 B.C. For thirteen years Nebuchadnezzar cut off the flow of supplies into the city. In 537 B.C. he finally succeeded in breaking the gates down, but found the city almost empty.

During the thirteen-year siege, the people of Tyre moved all their possessions by ship to an island one-half mile offshore. So Nebuchadnezzar gained no plunder (Ezek. 29:17- 20). Although he destroyed the mainland city (Ezek. 26:8), the new city offshore continued to flourish for 250 years. The prophecy of Ezekiel 26:12–“they shall lay thy stones and thy timber and thy dust in the midst of the water”–remained unfulfilled.

b) To Alexander the Great

At age twenty-two, Alexander the Great came east conquering the known world with an army of between thirty and forty thousand men. Having defeated the Persians under Darius III, Alexander was on the march toward Egypt.

(1) The dilemma

Alexander arrived in the Phoenician territory and demanded that the cities open their gates to him. The citizens of Tyre refused, feeling they were secure on their island with their superior fleet.

(2) The decision

Realizing he did not have a fleet that could match Tyre’s, Alexander decided to build a causeway to the island using the ruins from the mainland city. It was about two hundred feet wide. The prophet said that the city would be thrown into the water, and that’s exactly what happened.

(3) The details

Arrian, a Greek historian, wrote about the overthrow of Tyre and how it was accomplished (The Campaigns of Alexander [New York: Penquin, 1958], pp. 132-43). The fortification of Tyre resembled Alcatraz. The city sat offshore like a rock with walls that came down to the edge of the water. Alexander set out to build the only means to approach the city–a land peninsula. Soldiers started pitching rubble into the water, leveling it off as they went so they could march on it. The water got deeper as they approached the island, and to make their task even more difficult, the people of Tyre bombarded them with missiles.

Werner Keller in The Bible as History tells us that to safeguard the operation, Alexander built mobile shields called “tortoises” (New York: Bantam, 1956], p. 361). Knowing that when they reached the city they would have to scale the walls, Alexander built “Hele-poleis,” which were mobile siege towers 160 foot high. The idea was to roll these structures across the causeway and push them up against the walls. A drawbridge on the front of the towers enabled the soldiers to march across the top of the walls and into the city.

Alexander’s men were under constant attack from people within the city and from the Tyrian navy. Realizing that he needed ships to defend his flanks, Alexander returned to the cities he had conquered and demanded their assistance. That fulfilled the prophecy that God “will cause many nations to come up against thee, as the sea causeth its waves to come up” (Ezek. 26:3).

(4) The destruction

Alexander’s plan succeeded. Eight thousand people were slain and thirty thousand were sold into slavery. It took Alexander seven months to conquer Tyre. The causeway he built can be seen to this day.

2. The prophetic result

How did Ezekiel know all those things would happen? The only explanation is he expressed the mind of God. Historian Philip Myers said, “Alexander the Great reduced it [Tyre] to ruins (332 B.C.). She recovered in a measure from this blow, but never regained the place she had previously held in the world. The larger part of the site … is now as bare as the top of a rock–a place where the fishermen that still frequent the spot spread their nets to dry” (General History for Colleges and High Schools [Boston: Ginn and Co., 1889], p. 55). That fulfills the prophecies of Ezekiel 26:4-5, 14. The island city was repopulated, later to be destroyed by the Moslems in A.D. 1281. However, God said the mainland city would never be rebuilt–and it never has. Jerusalem has been rebuilt many times but Tyre will never be rebuilt because a prophet in Babylon said twenty-five centuries ago, “Thou shalt be built no more” (Ezek. 26:14).

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ANY HISTORIAN CAN HAVE ACCESS TO ALL OF THESE RECORDS. WHY NOT TAKE A FEW MOMENTS AND CHECK OUT THESE FACTS YOURSELF? As a secularist you believe that it is sad indeed that millions of Christians are hoping for heaven but no heaven is waiting for them. Paul took a close look at this issue too:

I Corinthians 15 asserts:

12 But if it is preached that Christ has been raised from the dead, how can some of you say that there is no resurrection of the dead? 13 If there is no resurrection of the dead, then not even Christ has been raised. 14 And if Christ has not been raised, our preaching is useless and so is your faith. 15 More than that, we are then found to be false witnesses about God, for we have testified about God that he raised Christ from the dead. But he did not raise him if in fact the dead are not raised. 16 For if the dead are not raised, then Christ has not been raised either. 17 And if Christ has not been raised, your faith is futile; you are still in your sins. 18 Then those also who have fallen asleep in Christ are lost. 19 If only for this life we have hope in Christ, we are of all people most to be pitied.

I sent you a CD that starts off with the song DUST IN THE WIND by Kerry Livgren of the group KANSAS which was a hit song in 1978 when it rose to #6 on the charts because so many people connected with the message of the song. It included these words, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Kerry Livgren himself said that he wrote the song because he saw where man was without a personal God in the picture. Solomon pointed out in the Book of Ecclesiastes that those who believe that God doesn’t exist must accept three things. FIRST, death is the end and SECOND, chance and time are the only guiding forces in this life.  FINALLY, power reigns in this life and the scales are never balanced. The Christian can  face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.

Both Kerry Livgren and the bass player Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on You Tube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible ChurchDAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

You can hear DAVE HOPE and Kerry Livgren’s stories from this youtube link:

(part 1 ten minutes)

(part 2 ten minutes)

Kansas – Dust in the Wind (Official Video)

Uploaded on Nov 7, 2009

Pre-Order Miracles Out of Nowhere now at http://www.miraclesoutofnowhere.com

About the film:
In 1973, six guys in a local band from America’s heartland began a journey that surpassed even their own wildest expectations, by achieving worldwide superstardom… watch the story unfold as the incredible story of the band KANSAS is told for the first time in the DVD Miracles Out of Nowhere.

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Adrian Rogers on Darwinism

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Related posts:

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The John Lennon and the Beatles really were on a long search for meaning and fulfillment in their lives  just like King Solomon did in the Book of Ecclesiastes. Solomon looked into learning (1:12-18, 2:12-17), laughter, ladies, luxuries, and liquor (2:1-2, 8, 10, 11), and labor (2:4-6, 18-20). He fount that without God in the picture all […]

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______________   George Harrison Swears & Insults Paul and Yoko Lucy in the Sky with Diamonds- The Beatles The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking […]

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__________________   Beatles 1966 Last interview I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about them and their impact on the culture of the 1960’s. In this […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 49 THE BEATLES (Part A, The Meaning of Stg. Pepper’s Cover) (Feature on artist Mika Tajima)

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 48 “BLOW UP” by Michelangelo Antonioni makes Philosophic Statement (Feature on artist Nancy Holt)

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 47 Woody Allen and Professor Levy and the death of “Optimistic Humanism” from the movie CRIMES AND MISDEMEANORS Plus Charles Darwin’s comments too!!! (Feature on artist Rodney Graham)

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____________________________________ Francis Schaeffer pictured below: __________ Francis Schaeffer has written extensively on art and culture spanning the last 2000years and here are some posts I have done on this subject before : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” , episode 9 “The Age of Personal Peace and Affluence”, episode 8 […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 45 Woody Allen “Reason is Dead” (Feature on artists Allora & Calzadilla )

Love and Death [Woody Allen] – What if there is no God? [PL] ___________ _______________ How Should We then Live Episode 7 small (Age of Nonreason) #02 How Should We Then Live? (Promo Clip) Dr. Francis Schaeffer 10 Worldview and Truth Two Minute Warning: How Then Should We Live?: Francis Schaeffer at 100 Francis Schaeffer […]

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___________________________________ Francis Schaeffer pictured below: ____________________________ Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR Dr. Francis schaeffer – The flow of Materialism(from Part 4 of Whatever happened to human race?) Dr. Francis Schaeffer – The Biblical flow of Truth & History (intro) Francis Schaeffer – The Biblical Flow of History & Truth (1) Dr. Francis Schaeffer […]

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 66 Stephan Feuchtwang, London School of Economics, “I am deeply respectful, as well as utterly sceptical, of what people say they have as their spiritual experience including what they say about God”

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

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Below you have picture of Dr. Harry Kroto:

Professor Stephan Feuchtwang

FeuchtwangProfessor Stephan Feuchtwang is an emeritus professor of the Department. He has been engaged in research on popular religion and politics in mainland China and Taiwan since 1966, resulting in a number of publications on charisma, place, temples and festivals, and civil society. He has recently been engaged in a comparative project exploring the theme of the recognition of catastrophic loss, including the loss of archive and recall, which in Chinese cosmology and possibly elsewhere is pre-figured in the category of ghosts. Most recently he has been pursuing a project on the comparison of civilisations and empires.

Selected publications:

2011. Feuchtwang, Stephan  After the event: the transmission of grievous loss in Germany, China and Taiwan. Berghahn Books, London, UK. ISBN 9780857450869

2011. Feuchtwang, Stephan  Exhibition and awe: regimes of visibility in the presentation of an emperor. Journal of material culture, 16 (1). pp. 64-79. ISSN 1359-1835

2011. Feuchtwang, Stephan Afterword. In: Shih, Fang-Long and Thompson, Stuart and Tremlett, Paul-François, (eds.) Re-writing culture in Taiwan. Routledge, London, UK. ISBN 9780415602938

2010. Feuchtwang, Stephan Recalling the Great Leap Famine and recourse to irony.In: Zhang, Everett and Kleinman, Arthur and Tu, Weiming, (eds.) Governance of life in Chinese moral experience: the quest for an adequate life. Routledge, London, UK. ISBN 9780415597197

In  the third video below in the 135th clip in this series are his words and  my response is below them. 

An interview of Stefan Feuchtwang, part 1

Uploaded on Jun 29, 2009

An interview with the anthropologist of China Stefan Feuchtwang, made by Alan Macfarlane on 12th March 2009
For a higher quality, downloadable, version with a summary, please see http://www.alanmacfarlane.com

An interview of Stephan Feuchtwang, part 2

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

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October 9, 2015

Professor Stephan Feuchtwang, LSE (London School of Economics and Political Science),
London

 

Dear Dr. Feuchtwang,

I really enjoyed your lengthy interview with Dr. Alan Macfarlane. He does the best in depth scholarly interviews on the internet. Thank you for agreeing to give him an interview. I think I have watched almost all of the interviews he has ever done and that is over 100 by now. I have even gone back and watched many of them over and over. I actually did a post on my blog about  Alan Macfarlane.

In that interview you noted:

I think I was always an atheist; I had to ask myself what is God all the time; however, I am deeply respectful, as well as utterly sceptical, of what people say they have as their spiritual experience including what they say about God or gods; I have a preference for polytheism. I come from a psycho-analytically inclined family culture; my mother was psycho-analysed and did graphology, and I am married to a psycho-analytic therapist; what Freud calls an oceanic experience, the emotion of religiosity that goes with a belief in God, I think I can detect in myself; I have never had an epiphany but have had oceanic experiences, the sense of wonder, as the arch-atheist, Richard Dawkins, himself has; I think that is part of one’s human heritage. 

Although you claim that you are a firm atheist I am hopeful that you will take a look at the archaeological evidence I provided at the end of this letter in favor of the Bible’s historicity.

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto  who I have been corresponding with and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

__________________________

There are 3 videos in this series and they have statements by 150 academics and scientists and I saw that you were featured in this film series. I have been responding to some of the statements concerning God and I plan on responding to what you have said on this issue too.

Now on to the other topics I wanted to discuss with you today. I wanted to write you today for two reasons. First, do you think there is a categorical difference between humans and animals or are they just different in degrees?   Second, I wanted to point out some scientific evidence that caused Antony Flew to switch from an atheist (as you are now) to a theist. Twenty years I had the opportunity to correspond with two individuals that were regarded as two of the most famous atheists of the 20th Century, Antony Flew and Carl Sagan. (I have enclosed some of those letters between us.) I had read the books and seen the films of the Christian philosopher Francis Schaeffer and he had discussed the works of both of these men. I sent both of these gentlemen philosophical arguments from Schaeffer in these letters and in the first letter I sent a cassette tape of my pastor’s sermon IS THE BIBLE TRUE? (CD is enclosed also.) You may have noticed in the news a few years ago that Antony Flew actually became a theist in 2004 and remained one until his death in 2010. Carl Sagan remained a skeptic until his dying day in 1996.

You will notice in the enclosed letter from June 1, 1994 that Dr. Flew commented, “Thank you for sending me the IS THE BIBLE TRUE? tape to which I have just listened with great interest and, I trust, profit.” It would be a great honor for me if you would take time and drop me a note and let me know what your reaction is to this same message.

Dr. John J. Shea appeared on the TV series APE MAN with Walter Cronkite back in the 1990’s and claimed that there is only a degree of difference between monkeys and humans and not a categorical difference. After that program aired I had the opportunity to correspond with Dr. Shea and he was kind enough to send me a two page response to my questions. (This correspondence took place back in 1994 and 1995.)

Dr. Shea also suggested that I read SHADOWS OF FORGOTTEN ANCESTORS by Carl Sagan and his wife Ann Druyan, and I did so. Here are my thoughts on the question.

First, only humans lie in the sense we are held morally responsible. Sagan wrote, “Deception in the social relations of animals…is an emerging and productive topic in biology…” (p. 379). This may be true, but are animals responsible to God? I think not. Romans 3:23 teaches that “All MEN have sinned and fall short of the glory of God.” Animals may deceive but they are not morally responsible.

Second, only men feel guilt. Sagan refers briefly to the fact that men feel guilt (p. 4.14), but he does not spend a lot of time on this. Romans 1:19 asserts, “For that which is known about God is evident to them and made plain in their inner consciousness, because God has show it to them” (Amplified Bible).  Here Sagan turns to  Thomas Henry Huxley who he quotes:

On all sides, I shall hear the cry–“We are men and women, not a mere better sort of apes, a little longer in the leg, more compact in the foot, and bigger in brain than your brutal Chimpanzees and Gorillas. The power of knowledge–the conscience of good and evil--the pitiful tenderness of human affections, raise us out of all real fellowship with the brutes, however, closely they may seem to approximate us.”

To this I can reply that the exclamation would be just and would be most just and would have my entire sympathy, if it were only relevant. But, it is not I who seek to base Man’s dignity upon this great toe, or insinuate that we are lost if an Ape has a hippocampus minor (in its brain). On the contrary, I have done my best to sweep away this vanity… 

WHY DID SAGAN AND HUXLEY FACE SUCH A LARGE CHORUS THAT WAS OBJECTING TO THIS VIEW THAT WE DON’T HAVE A GOD-GIVEN CONSCIENCE? The answer is very simple and it deals with the consequences of Social Darwinism. Chuck Colson said that Larry King was not very impressed with his long talk on the historical accuracy of the scriptures, but when he touched on this subject things got interesting:

Larry King invited me to dinner. “I don’t believe in God,” Larry told me straight out. “But tell me why you believe.” I responded, “Have you seen Woody Allen‘s movie CRIMES AND MISDEMEANORS

Yes, he loved it, in fact. It’s about a doctor who is haunted by GUILT after hiring a killer to murder his mistress. His Jewish father has taught him that God will surely bring justice. In the end the doctor suppresses his GUILT, convincing himself that LIFE IS AN DARWINIAN STRUGGLE WHERE ONLY THE RUTHLESS SURVIVE.

I asked Larry, “Is that our only choice–to be tormented by GUILT or else kill our conscience? Larry, how do you deal with your conscience?” He dropped his fork. I said, “What do you do with the GUILT that is in here? What do you do with what you know you have done wrong?

Then he was ready to listen. I went on and shared with him from Romans which teaches about the voice of conscience that God has given us. 

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Third, men have a longing for significance which expresses itself most clearly in the fear of non being.

Fourth, I would point to the fact that only people worship.

Fifth, men are not satisfied unless they have their spiritual needs met. Carl Sagan quotes the poet Walt Whitman, “Not one (animal) is dissatisfied…Not one is respectable or unhappy over the whole earth…” Sagan comments, “On this basis of the evidence presented in this book, we doubt if any of Whitman’s  six purported differences between other animals and humans is true…” (p. 389).

I read Sagan’s book cover to cover and made over 15 pages of notes, and I have yet to find any of the “evidence” that Sagan speaks of on page 389. I find the comments of NOAM CHOMSKY more logical. He calls animal language an “evolutionary miracle” akin to “finding an island of humans who could be taught to fly.”

I like Francis Schaeffer‘s term “Mannishness” of man. He defines it as those aspects of man, such as significance, love, rationality and the fear of non being, which mark him off from animals and machines and give evidence of his being created in the image of a personal God.

The scientist Blaise Pascal is quoted by Sagan on page 364 and then Sagan notes, “Most of the philosophers adjudged great in the history of western thought held that humans are fundamentally different from other animals…”

As you know Pascal was the inventor of the barometer and he lived from 1623 to 1662. Pascal also observed, “There is a God-shaped vacuum in the heart of every man,and only God can fill it.”

What is the solution? “For God so loved the world that He gave his one and only Son, that whoever believes in him should not perish but have eternal life” (John 3:16). The scriptural directive is not for us to work harder to achieve God’s favor (Romans 3:20), but to accept God’s mercy through our repentance and receiving Christ as a free gift (Ephesians 2:8-10).

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221

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PS:

Is the Bible historically accurate? If you want to know then google these ancient subjects. Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

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