“She’s Leaving Home” is a Lennon–McCartney song, released in 1967 on the Beatles album Sgt. Pepper’s Lonely Hearts Club Band. Paul McCartney wrote and sang the verse and John Lennon the chorus while neither George Harrison nor Ringo Starr were involved in the recording. The song was performed entirely by a small string orchestra arranged by Mike Leander, and was one of only a handful of Beatles songs in which the members did not play any instruments on the recording.

Background[edit]

Paul McCartney:

John and I wrote ‘She’s Leaving Home’ together. It was my inspiration. We’d seen a story in the newspaper about a young girl who’d left home and not been found, there were a lot of those at the time, and that was enough to give us a story line. So I started to get the lyrics: she slips out and leaves a note and then the parents wake up … It was rather poignant. I like it as a song, and when I showed it to John, he added the long sustained notes, and one of the nice things about the structure of the song is that it stays on those chords endlessly. Before that period in our song-writing we would have changed chords but it stays on the C chord. It really holds you. It’s a really nice little trick and I think it worked very well.

While I was showing that to John, he was doing the Greek chorus, the parents’ view: ‘We gave her most of our lives, we gave her everything money could buy.’ I think that may have been in the runaway story, it might have been a quote from the parents. Then there’s the famous little line about a man from the motor trade; people have since said that was Terry Doran, who was a friend who worked in a car showroom, but it was just fiction, like the sea captain in “Yellow Submarine“, they weren’t real people.^[1]

The newspaper story McCartney mentioned was from the front page of the Daily Mirror, about a girl named Melanie Coe. Although McCartney invented most of the content in the song, Coe, who was 17 at the time, claims that most of it was accurate. In actuality, Coe did not “meet a man from the motor trade”, but instead a croupier, and left in the afternoon while her parents were at work, while the girl in the song leaves early in the morning as her parents sleep. Coe was found ten days later because she had let slip where her boyfriend worked.^[2] When she returned home, she was pregnant and had an abortion.^[3]

In a bizarre coincidence, Coe had actually met McCartney three years earlier, in 1963 when he chose her as the prize winner in a dancing contest on ITV’s Ready Steady Go!.^[4] An update on Coe appeared in the Daily Mail in May 2008,^[5] and she was interviewed about the song on the BBC programme The One Show on 24 November 2010.

Recording[edit]

The day before McCartney wanted to work on the song’s score, he learned that George Martin, who usually handled the Beatles’ string arrangements, was not available. He contacted Mike Leander, who did it in Martin’s place. It was the first time a Beatles song was not arranged by Martin (and the only time it was done with the Beatles’ consent: Phil Spector‘s orchestration of Let It Be was done without McCartney’s knowledge or approval). Martin was hurt by McCartney’s actions, but he produced the song and conducted the string section. The harp was played by Sheila Bromberg, one of the first studio musicians to appear on a Beatles record.^[6][7]

The stereo version of the song runs at a slower speed than the mono mix, and consequently is a semitone lower in pitch. This is mentioned in the booklet accompanying The Beatles in Mono CD box set, but no reason is given. A 2007 Mojo magazine article revealed the mono mix was sped up to make Paul sound younger and tighten the track.^[8]

Critical reception[edit]

When discussing Sgt. Pepper’s Lonely Hearts Club Band, composer Ned Rorem described “She’s Leaving Home” as “equal to any song that Schubert ever wrote.”^[9] In April 1967, McCartney visited Brian Wilson of the Beach Boys in L.A. to preview Sgt. Pepper, playing “She’s Leaving Home” on the piano for him and his wife. “We both just cried,” Wilson said. “It was beautiful.”^[3]

Writers Lennon and McCartney received the 1967 Ivor Novello award for Best Song Musically and Lyrically.^[10]

____________

Stuart Sutcliffe
Sutcliffe (left) playing with George Harrison
Background information
Birth name	Stuart Fergusson Victor Sutcliffe
Born	23 June 1940 Edinburgh, Scotland
Died	10 April 1962 (aged 21) Hamburg, West Germany
Occupation(s)	Poet painter musician
Instruments	Bass
Associated acts	The Beatles

Stuart Fergusson Victor Sutcliffe (23 June 1940 – 10 April 1962) was a Scottish-born artist and musician best known as the original bassist for the Beatles. Sutcliffe left the band to pursue his career as an artist, having previously attended the Liverpool College of Art. Sutcliffe and John Lennon are credited with inventing the name, “Beetles”, as they both liked Buddy Holly‘s band, the Crickets. The band used this name for a while until Lennon decided to change the name to “the Beatles”, from the word Beat. As a member of the group when it was a five-piece band, Sutcliffe is one of several people sometimes referred to as the “Fifth Beatle“.

When the Beatles played in Hamburg, he met photographer Astrid Kirchherr, to whom he was later engaged. After leaving the Beatles, he enrolled in the Hamburg College of Art, studying under future pop artist,Eduardo Paolozzi, who later wrote a report stating that Sutcliffe was one of his best students. Sutcliffe earned other praise for his paintings, which mostly explored a style related to abstract expressionism.

While studying in Germany, Sutcliffe began experiencing severe headaches and acute sensitivity to light. In the first days of April 1962, he collapsed in the middle of an art class after complaining of head pains. German doctors performed various checks, but were unable to determine the exact cause of his headaches. On 10 April 1962, he was taken to hospital, but died in the ambulance on the way. The cause of death was later revealed to have been an aneurysm in his brain’s right hemisphere.

Early years[edit]

Sutcliffe’s father, Charles Sutcliffe (1905 – 18 March 1966), was a senior civil servant, who moved to Liverpool to help with wartime work in 1943, and then signed on as a ship’s engineer, and so was often at sea during his son’s early years. His mother, Millie, was a schoolteacher at an infants’ school.^[1] Sutcliffe had two younger sisters, Pauline and Joyce.^[2][3]

Sutcliffe was born at the Simpson Memorial Maternity Pavilion Hospital in Edinburgh, Scotland,^[4] and after his family moved south,^[5] he was brought up at 37 Aigburth Drive in Liverpool.^[6] He attended Park View Primary School, Huyton (1946–1950), andPrescot Grammar School (1950–1956).^[7][8] When Sutcliffe’s father did return home on leave, he invited his son and art college classmate, Rod Murray (also Sutcliffe’s roommate and best friend), for a “real good booze-up“, slipping £10 into Sutcliffe’s pocket before disappearing for another six months.^[7] The Beatles’ biographer, Philip Norman, wrote that Charles Sutcliffe was a heavy drinker and physically cruel to his wife, which the young Sutcliffe had witnessed.^[1]

During his first year at the Liverpool College of Art, Sutcliffe worked as a bin man on the Liverpool Corporation’s waste collection trucks.^[9] Lennon was introduced to Sutcliffe by Bill Harry, a mutual friend, when all three were studying at the Liverpool College of Art. According to Lennon, Sutcliffe had a “marvellous art portfolio” and was a very talented painter who was one of the “stars” of the school.^[7][10] He helped Lennon to improve his artistic skills, and with others, worked with him when Lennon had to submit work for exams.^[11] Sutcliffe shared a flat with Murray at 9 Percy Street, Liverpool, before being evicted and moving to Hillary Mansions at 3 Gambier Terrace, where another art student lived, Margaret Chapman, who competed with Sutcliffe to be the best painter in class.^[12] The flat was opposite the new Anglican cathedral in the rundown area of Liverpool 8, with bare lightbulbs and a mattress on the floor in the corner. Lennon moved in with Sutcliffe in early 1960.^[13][14] (Paul McCartney later admitted that he was jealous of Sutcliffe’s relationship with Lennon, as he had to take a “back seat” to Sutcliffe).^[15] Sutcliffe and his flatmates painted the rooms yellow and black, which their landlady did not appreciate. On another occasion the tenants, needing to keep warm, burned the flat’s furniture.^[16]

After talking to Sutcliffe one night at the Casbah Coffee Club (owned by Pete Best‘s mother, Mona Best), Lennon and McCartney persuaded Sutcliffe to buy a Höfner President 500/5 model bass guitar on hire-purchase from Frank Hessey’s Music Shop.^[9][17][18] Sutcliffe was versed in music: he had sung in the local church choir in Huyton, his mother had insisted on piano lessons for him since the age of nine, he had played bugle in the Air Training Corps, and his father had taught him some chords on the guitar.^[19][20] In May 1960, Sutcliffe joined Lennon, McCartney, and George Harrison (then known as “the Silver Beatles“).^[21][22] Sutcliffe’s fingers would often blister during long rehearsals, as he had never practised long enough for his fingers to become calloused, even though he had previously played acoustic guitar.^[23][24] Sutcliffe started acting as a booking agent for the group, and they often used his Gambier Terrace flat as a rehearsal room.^[13]

In July 1960, the Sunday newspaper, The People, ran an article entitled “The Beatnik Horror” that featured a photograph taken in the flat below Sutcliffe’s of a teenaged Lennon lying on the floor, with Sutcliffe standing by a window.^[25] As they had often visited the Jacaranda club,^[26] its owner, Allan Williams, arranged for the photograph to be taken, subsequently taking over from Sutcliffe to book concerts for the group: Lennon, McCartney, Harrison and Sutcliffe.^[27] The Beatles’ subsequent name change came during an afternoon in the Renshaw Hall bar when Sutcliffe, Lennon and his girlfriend, Cynthia Powell, thought up names similar to Holly’s band, the Crickets, and came up with Beetles.^[28] Lennon later changed the name because he thought it sounded French, suggesting Le Beat or Beat-less.

The Beatles and Hamburg[edit]

Sutcliffe’s playing style was elementary, mostly sticking to root notes of chords.^[29] Harry—an art school friend and founder and editor of the Mersey Beat newspaper—complained to Sutcliffe that he should be concentrating on art and not music, as he thought that Sutcliffe was a competent musician whose talents would be better used in the visual arts.^[30] While Sutcliffe is often described in Beatles’ biographies as appearing very uncomfortable onstage, and often playing with his back to the audience, their drummer at the time, Best, denies this, recalling Sutcliffe as usually good-natured and “animated” before an audience.^[31] When the Beatles auditioned for Larry Parnes at the Wyvern Club, Seel Street, Liverpool, Williams later claimed that Parnes would have taken the group as the backing band for Billy Fury for £10 per week, but as Sutcliffe turned his back to Parnes throughout the audition—because, as Williams believed, Sutcliffe could not play very well—Parnes said that he would only employ the group if they got rid of Sutcliffe. Parnes later denied this, stating his only concern was that the group had no permanent drummer.^[32] Klaus Voormann regarded Sutcliffe as a good bass player,^[33] although Beatles’ historian Richie Unterberger described Sutcliffe’s bass playing as an “artless thump”.^[34]

Sutcliffe’s popularity grew after he began wearing Ray-Ban sunglasses and tight trousers.^[35] Sutcliffe’s high spot was singing “Love Me Tender“, which drew more applause than the other Beatles, and increased the friction between him and McCartney. Lennon also started to criticise Sutcliffe, making jokes about Sutcliffe’s size and playing.^[36] On 5 December 1960, Harrison was sent back to Britain for being under-age. McCartney and Best were deported for attempted arson at the Bambi Kino, which left Lennon and Sutcliffe in Hamburg.^[37][38] Lennon took a train home, but as Sutcliffe had a cold he stayed in Hamburg.^[39] Sutcliffe later borrowed money from his girlfriend, Astrid Kirchherr, in order to fly back to Liverpool on Friday, 20 January 1961, although he returned to Hamburg in March 1961, with the other Beatles.^[36]

In July 1961, Sutcliffe decided to leave the group to continue painting.^[40] After being awarded a postgraduate scholarship,^[11] he enrolled at the Hamburg College of Art under the tutelage of Paolozzi.^[35] He lent McCartney his bass until the latter could earn enough to buy a specially made smaller left-handed Höfner bass guitar of his own in June 1961, but asked McCartney (who is left-handed) not to change the strings around, so McCartney had to play the guitar upside down.^[41] In 1967, a photo of Sutcliffe was among those on the cover of the Sgt. Pepper’s Lonely Hearts Club Band album (extreme left, in front of fellow artist Aubrey Beardsley).^[42]

Astrid Kirchherr[edit]

Kirchherr was brought up by her widowed mother, Nielsa Kirchherr, in Eimsbütteler Strasse, in a wealthy part of the Hamburg suburb of Altona.^[43] Sutcliffe met Kirchherr in the Kaiserkeller club, where she went to watch the Beatles perform. After a photo session with the group, Kirchherr invited them to her mother’s house for tea and showed them her bedroom; decorated in black, including the furniture, with silver foil on the walls and a large tree branch hanging from the ceiling. Sutcliffe began dating Kirchherr shortly thereafter.^[44]

Sutcliffe wrote to friends that he was infatuated with Kirchherr, and asked her German friends which colours, films, books and painters she liked. Best commented that the beginning of their relationship was, “like one of those fairy stories”.^[45] Kirchherr and Sutcliffe got engaged in November 1960, and exchanged rings, as is the German custom.^[35] Sutcliffe later wrote to his parents that he was engaged to Kirchherr, which they were shocked to learn, as they thought he would give up his career as an artist,^[46]although he told Kirchherr that he would like to be an art teacher in London or Germany in the future.^[47] After moving into the Kirchherr family’s house, Sutcliffe used to borrow her clothes. He wore her leather pants and jackets, collarless jackets, over-sized shirts and long scarves, and also borrowed a corduroy suit with no lapels that he wore on stage, which prompted Lennon to sarcastically ask if his mother had lent him the suit.^[47]

Sutcliffe displayed artistic talent at an early age.^[7][48] Helen Anderson (a fellow student), remembered his early works as being very aggressive, with dark, moody colours, which was not the type of painting she expected from such a “quiet student”.^[10] One of Sutcliffe’s paintings was shown at the Walker Art Gallery in Liverpool as part of the John Moores exhibition, from November 1959 until January 1960. After the exhibition, Moores bought Sutcliffe’s canvas for £65, which was then equal to 6–7 weeks’ wages for an average working man.^[13] The picture Moore bought was called Summer Painting, and Sutcliffe attended a formal dinner to celebrate the exhibition with another art student, Susan Williams.^[49] Murray remembered that the painting was painted on a board, not a canvas, and had to be cut into two pieces (because of its size) and hinged. Murray added that only one of the pieces actually got to the exhibition (because they stopped off in a pub to celebrate), but sold nonetheless because Moores bought it for his son.^[50]

Sutcliffe had been turned down when he applied to study for an ATD (Art Teachers Diploma) course at the Liverpool Art College,^[40] but after meeting Kirchherr, he decided to leave the Beatles and attend the Hamburg College of Art in June 1961, under the tutelage of Paolozzi, who later wrote a report stating that Sutcliffe was one of his best students.^[35][51][52] He wrote: “Sutcliffe is very gifted and very intelligent. In the meantime he has become one of my best students.”^[5]

Sutcliffe’s few surviving works reveal influence from the British and European abstract artists contemporary with the Abstract Expressionist movement in the United States. His earlier figurative work is reminiscent of the kitchen sink school, particularly of John Bratby, though Sutcliffe was producing abstract work by the end of the 1950s, including The Summer Painting, purchased by Moores.^[53] Sutcliffe’s works bear some comparison with those of John Hoyland and Nicolas de Staël, though they are more lyrical (Sutcliffe used the stage name “Stu de Staël” when he was playing with the Beatles on a Scottish tour in spring 1960). His later works are typically untitled, constructed from heavily impastoed slabs of pigment in the manner of de Staël, whom he learned about from Surrey born, art college instructor, Nicky Horsfield, and overlaid with scratched or squeezed linear elements creating enclosed spaces. Hamburg Painting no. 2 was purchased by Liverpool’s Walker Art Gallery and is one of a series entitled “Hamburg” in which the surface and colour changes produced atmospheric energy. European artists (including Paolozzi) were also influencing Sutcliffe at the time.^[54] The Walker Art Gallery has other works by Sutcliffe, which are “Self-portrait” (in charcoal) and “The Crucifixion“.^[55][56] Lennon later hung a pair of Sutcliffe’s paintings in his house (Kenwood) in Weybridge, and McCartney had a Paolozzi sculpture in his Cavendish Avenue home.^[57][58]

Death[edit]

While in Germany, Sutcliffe began experiencing severe headaches and acute sensitivity to light,^[59] and Kirchherr stated that some of the headaches left him temporarily blind.^[60][61] In 1962, Sutcliffe collapsed in the middle of an art class in Hamburg. Kirchherr’s mother had German doctors perform various checks on him, but they were unable to determine exactly what was causing the headaches. They suggested he go back to Britain and have himself checked into a hospital with better facilities, but Sutcliffe was told there was nothing wrong with him, so he returned to Hamburg. While living at the Kirchherrs’ house his condition got worse, and after collapsing again on 10 April 1962, he was taken to hospital by Kirchherr (who rode with him in the ambulance), but he died before the ambulance reached the hospital.^[61] The cause of death was revealed to have been a cerebral haemorrhage, specifically, a ruptured aneurysm^[61][62] resulting in “cerebral paralysis due to bleeding into the right ventricleof the brain.”^[63]

On 13 April 1962, Kirchherr met the group at Hamburg Airport, telling them that Sutcliffe had died a few days before.^[38][62] Sutcliffe’s mother flew to Hamburg with the Beatles’ manager Brian Epstein, and returned to Liverpool with her son’s body.^[47]Sutcliffe’s father did not hear of his son’s death for three weeks, as he was sailing to South America, although the family arranged for a padre to tell him when he docked in Buenos Aires.^[64] After Sutcliffe’s death, Kirchherr wrote a letter to his mother, apologising for being too ill to attend his funeral in Liverpool and saying how much she and Lennon missed him: “Oh, Mum, he (Lennon) is in a terrible mood now, he just can’t believe that darling Stuart never comes back. [He’s] just crying his eyes out … John is marvellous to me, he says that he knows Stuart so much and he loves him so much that he can understand me.”^[65]

The cause of Sutcliffe’s aneurysm is unknown, although it is believed to have been started by an earlier head injury, as he was either kicked in the head, or thrown, head first, against a brick wall during a fight outside Lathom Hall, after a performance in January 1961.^[66] According to former manager Allan Williams, Lennon and Best went to Sutcliffe’s aid, fighting off his attackers before dragging him to safety. Sutcliffe sustained a fractured skull in the fight and Lennon’s little finger was broken. ^[67] Sutcliffe refused medical attention at the time and failed to keep an X-ray appointment at Sefton General Hospital.^[68] However, in the comments section to an article in the New York Times, a posting under the name of Sutcliffe’s friend, Mersey Beat editor Bill Harry, claimed that Sutcliffe did not appear at Lathom Hall at the time Williams said the attack had happened. According to Harry, Sutcliffe’s mother told him that he had fallen down the steps from the attic room in Kirchherr’s house, and that Neilsa Kirchherr, Astrid’s mother, confirmed this.^[69] Sutcliffe’s sister Pauline later alleged that his death had been caused by Lennon; she claimed that Stuart had told her that he and Lennon were walking one day when Lennon attacked him unprovoked, and then ran away. She gave Paul McCartney as the only witness, although McCartney has denied this, saying “It’s possible Stuart and John had a fight in a drunken moment, but I don’t remember anything that stands out.”^[70]

Although Lennon did not attend or send flowers to Sutcliffe’s funeral, his second wife, Yoko Ono, remembered that Lennon mentioned Sutcliffe’s name very often, saying that he was “[My] alter ego … a spirit in his world … a guiding force”.^[2]

Anthology series[edit]

The Beatles’ compilation album, Anthology 1, consisting mostly of previously unreleased recordings from the group’s early years, was released in 1995. Sutcliffe is pictured on the front covers of both Anthology 1 and Anthology 3, in the top right corner. He is featured playing bass with the Beatles on three songs they recorded in 1960: “Hallelujah, I Love Her So“, “You’ll Be Mine“, “Cayenne” and “My Bonnie“.^[71]