FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 98 THE BEATLES (Breaking down the song “Penny Lane”Part A) Featured artist is Marty Balin

Francis Schaeffer noted concerning the Beatles:

The Beatles moved through several stages, including the concept of the drug and psychedelic approach. The psychedelic began with their records REVOLVER, STRAWBERRY FIELDS FOREVER, AND PENNY LANE. This was developed with great expertness in their record SERGEANT PEPPER’S LONELY HEARTS CLUB BAND in which psychedelic music, with open statements concerning drug-taking, was knowingly presented as a religious answer. 

The Beatles were looking for lasting satisfaction in their lives and their journey took them down many of the same paths that other young people of the 1960’s were taking. No wonder in the video THE AGE OF NON-REASON Schaeffer noted,  ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” 

How Should We then Live Episode 7 small (Age of Nonreason)



Lucy in the sky with diamonds is pretty obvious. what are the others?
1 Answer

Jon Pennington

Jon Pennington, I love music, any kind of music…


Psychedelia is in the ear of the beholder, but telltale signs of psychedelic rock usually include unusual sounds and timbres (e.g., sitars, fuzz tone, mellotron, electronically distorted sounds), upwardly moving melodies that give the sensation of “flight,” oscillating or lurching rhythms, slowed-down rhythms, speeded-up rhythms, abrupt changes in rhythm to signify disorientation, use of musical modes that sound “Oriental” or “Indian,” lyrical references to bright colors, and an inward lyrical focus on the singer’s interior life.  Psychedelic influences start to creep into the Beatles’ work in 1965, but they haven’t necessarily produced any full-fledged psychedelic songs by then.

The songs from 1965 most likely believed to have some psychedelic influence, but probably can’t be classified as fully psychedelic, include:

  • Help! (recorded April 13, 1965; one theory has it that it was inspired by the soul searching that John Lennon did after his coffee was dosed with LSD by George’s dentist in March 1965; not too psychedelic, but supposedly written as a Roy Orbison-style ballad that later became more uptempo)
  • Norwegian Wood (recorded October 12, 21, 1965; except for George’s sitar, it was more inspired by American folk rock than psychedelic drugs per se)
  • Day Tripper (recorded October 16, 1965; uses “trip” as a drug double entendre, but otherwise more influenced by R&B than psychedelia)

The Beatles’ purest psychedelic period doesn’t begin until the band takes three months off after finishing Rubber Soul:

  • Tomorrow Never Knows (recorded April 6-7, 1966; includes Indian tamboura, a melody similar to an Indian raga drone that barely moves out of the key of C, lyrics borrowed from Timothy Leary, swirly vocals modified using a Leslie speaker cabinet, tape loops with unusual sounds at random intervals, drumming from Ringo that sounds like a tape loop but isn’t)
  • Love You To (recorded April 11, 1966; George’s first song written in Indian raga style)
  • Rain (recorded April 14, 16, 1966; included multiple overdubs recorded at slow speed and high speed to fatten up the sound and make the tempo slightly more draggy, includes drone-like textures)
  • I’m Only Sleeping (recorded April 27-May 6, 1966; inspired by how John’s LSD use encouraged his desire to be lazy, use of dreamlike imagery, backward guitar sounds)
  • I Want to Tell You (recorded June 2-3, 1966; lurching and oscillating harmonies, lyrics focusing on internal confusion, sounds of a piano that sounds out of tune)
  • She Said She Said (recorded June 21, 1966; “fattened” vocals similar to “Rain,” lyrics inspired by an encounter John Lennon had with Peter Fonda while taking an LSD trip, tapes of Ringo’s drums may have been manipulated to sound choppier)
  • Strawberry Fields Forever (recorded November 24 thru December 22, 1966; mellotron, George playing an Indian instrument called a svarmandal, two melodies in different keys combined into one song by playing them at slightly different speeds, introspective lyrics focused on self-doubt, insistence that “nothing is real”)
  • Penny Lane (recorded December 29, 1966 thru January 17, 1967; may have been Paul’s first song reacting to LSD, lyrics mention poppies on a tray, use of harmonium and piccolo trumpet, focus on returning to childhood experience)
  • Carnival of Light (recorded January 5, 1967; avant-garde free form piece still not yet released, possibly could be viewed as Paul’s version of Revolution #9)
  • A Day in the Life (recorded January 19, 1967 thru February 22, 1967; disorienting time-shifts between verses written by John and Paul, symphony orchestra crescendos chaotically until ended in a long, droning chord)
  • Only A Northern Song (recorded February 13-20, 1967; ethereal organ, musical instruments speeded up, in-studio chatter)
  • Being for the Benefit of Mr. Kite (recorded February 17, 1967; features tape manipulation and swirly organ sounds to approximate the sound of being in the middle of a circus)
  • Lucy in the Sky with Diamonds (recorded February 28, 1967 thru March 2, 1967; lyrics feature considerable color imagery, atmposhere shifts from slow and dreamy tempo on the verses to more uptempo on the chorus, ethereal vocals)
  • Within You Without You (recorded March 15, 1967 thru April 4, 1967; inspired by both Indian music and philosophy, song rarely moves out of the key of C)
  • Magical Mystery Tour (recorded April 25, 1967 thru May 3, 1967; partially inspired by the LSD-soaked tours of Ken Kesey and his “magic bus” in the mid-1960s, uses “trip” as a double entendre)
  • Baby, You’re A Rich Man (recorded May 11, 1967; not very psychedelic lyrically, but the clavioline keyboard gives the songs a very unusual texture)
  • It’s All Too Much (recorded May 25, 1967-June 2, 1967; distorted guitar, Hammond organ with lots of sustained drones, main melody rarely moves out of key of G)
  • I Am the Walrus (recorded September 5 thru September 29, 1967; surrealistic lyrics, disorienting tempo changes between verses, nonsense chants, random radio noise from a BBC broadcast of King Lear)
  • Blue Jay Way (recorded September 6 thru October 6, 1967; lyrics inspired by the disorientation of being lost in L.A., includes phasing and backward tapes, oscillates between C major and C diminished)
  • The Inner Light (recorded January 12 thru February 8, 1968; Indian influence on melody, lyrics focus on how you can “travel” without leaving your house)
  • Across the Universe (recorded February 4-8, 1968; the original version before it was modified by Phil Spector features floating Lennon vocals with droning noises and unusual wildlife sounds, a child’s voice matching John’s voice also appears in the mix)

Listing the recording dates is instructive here, because some of these songs   would not get released until the Yellow Submarine LP (It’s Only A Northern Song, It’s All Too Much) or the Let It Be LP (Across the Universe in its Phil Spector version), but were definitely made during the period when psychedelic drugs had the biggest effect on the Beatles creative output.  After February 1968, the Beatles went to Rishikesh to commune with the Maharishi, where they were told not to bring any drugs along, because Trascendental Meditation was a more natural high.  Although the Beatles probably did take some marijuana along to Rishikesh, their use of strong hallucinogens ended at that point, except for John, who used LSD a few more times after Rishikesh.

The Beatles celebrate the completion of their album, ‘Sgt Pepper’s Lonely Hearts Club Band’, on May 19th, 1967 in London.



I just wanted to point out what an impact that the short 119 page book ESCAPE FROM REASON has had. Below is a story of Paul McGuire who had never been exposed to Christianity until he read that book and it changed his whole worldview.


By Paul McGuire
My spiritual pilgrimage began at a very young age when the questions, “Who am I? What is my purpose in life?” and “What am I doing here?” haunted me and burned in my mind night and day. While other children were content to play, I was driven to ask questions about the meaning of life. Raised in New York City, I came from a liberal, educated family. Both my parents were teachers, and neither believed in God.

As a young boy, I thought science could give me the answers to my questions about life. Reading every book I could get my hands on about science and the lives of the great scientists, I often devoured ten books a week. I read about men like Albert Einstein, Nicola Tesla, Thomas Edison, Enrico Fermi, Louis Pasteur, and John Oppenheimer. Building a huge laboratory in my bedroom, I undertook amateur experiments on cryogenics and nuclear physics. Soon, however, I realized that these brilliant men did not have the answers I was looking for. Thus, at an early age I discovered the bankruptcy of scientific materialism.

After exhausting science as a means of finding the meaning of life, I next investigated the occult and Eastern religions. Biblical Christianity was not even an option for me. I had never once met a Bible-believing Christian or seen an evangelist on television, and the churches in my neighborhood were steeped in liberal theology or dead orthodoxy.

The only religion we had at home was secular humanism – the belief that there is no God and man is the center of the universe. As a result, I was raised to believe that there was no absolute right or wrong. Around the dinner table, my parents taught me that human evil was due to ignorance and that the concept of a personal God was an archaic belief any educated person should transcend. In addition, they told me that Christians were intellectually pathetic people who were “anti-love,” “anti-joy,” and “anti-sex.” Instead of promoting anything good, Christians were responsible for the crusades and the Inquisition.

One Thanksgiving evening my grandmother asked my father to pray. Instead, he launched into a thunderous tirade about how there was no reason to thank God – everything we had came from man’s hard work.

In the atheistic environment of my home, the spiritual void within me grew deeper, and I plunged headlong into the New Age philosophy and radical politics. Soon after I reached puberty, my parents divorced, ripping my world apart. My spiritual pilgrimage merged with a growing hatred of all authority and society. I was ripe to be seduced by the counterculture and the psychedelic philosophy of the ’60s which has now become the New Age Movement.

Although my mother held a secular humanist worldview, she was always full of loving concern and discipline. She spent thousands of hours reading me books and taking me to museums and libraries. Genuinely concerned about her rebellious son, my mother sent me to a psychotherapist whom she hoped would solve my problems.

I told my therapist that I wanted to know why I was alive, who I was, and what purpose there was for my life. He could not help me and only provided a listening board. In the vain hope of finding answers, I began reading Sigmund Freud, Carl Rogers, and Carl Jung. But all the leading psychological theorists seemed to contradict each other, and I was left more confused than ever.

Then the “hippie” movement with its drugs and “free love” exploded across the nation. I remember the first time I saw Timothy Leary. Wearing a white outfit and grinning like the “Cheshire Cat” from Alice In Wonderland, he said on national television “Tune in, turn on, and drop out.” This psychedelic prophet of LSDwas in distinct contrast to the people involved in organized religion. Then the Beatles recorded “Sgt. Pepper’s Lonely Hearts Club Band,” and the psychedelic invasion of drugs, Eastern religion, and promiscuous sex spread.

At the age of fifteen, I was wearing long hair and boots and demonstrating with Abbie Hoffman in New York City. I organized demonstrations and was even made an honorary member of the Black Panther Party for protesting outside a prison against the arrest of Panther leaders.

Simultaneously, I deepened my activities in Eastern mysticism and was introduced to drugs by an “honor student” in my high school. I read a book by Aldous Huxley titled Heaven and Hell and the Doors of Perception, which describes Huxley’s experimentation with hashish and mescaline as a means to enter a higher state of consciousness. This fellow student, whose father was a doctor, “turned me on” to hashish and mescaline as part of a serious scientific experiment. Together, we passed through the “doors of perception” and entered a higher realm of consciousness.

Fueled by drugs like LSD and mescaline, it was the psychedelic ’60s that ushered in the current New Age Movement. Powerful mind altering drugs like LSD blasted people into the spiritual realm and forced them to acknowledge the presence of a spiritual reality. This opened the door to the occult and the myriad practices of Eastern mysticism that gave birth to the New Age Movement.

In my own life, the use of powerful psychedelic drugs like LSD intensified my plunge into the New Age philosophy and Eastern Mysticism. Thus began an electric pilgrimage into Hinduism, Buddhism, the teachings of Don Juan, yoga, mental telepathy, altered states of consciousness, hypnotherapy, astral projection, reincarnation, the occult, devil’s weed, spirit guides, and a smorgasbord of mystical experiences. I was greatly influenced by men like Baba Ram Dass, Ken Kesey, Timothy Leary, and Stephen Gaskin.

In fact, my major at the University of Missouri was called “Altered States of Consciousness,” a brand-new accredited field within the Department of Psychology. We studied different means of entering higher states of consciousness and engaged in exercises based on Eastern mystical teaching and experiences by men like Carlos Castaneda. It was during this time of intense New Age activity that I developed spiritual powers and “cosmic consciousness.”

My professor at the University of Missouri was a practicing mystic and taught a number of courses on mental illness. He believed, as did popular psychologists like R.D. Laing, that mental illness or madness could be a means of entering higher consciousness. In this theory, insane people are considered spiritual pilgrims caught between two realities.

My professor invited gurus to teach and perform supernatural feats of levitation. Once while my professor was lecturing, I heard a distinct voice within me shout, “Surrender to the dark forces within!” At this point in my life I noticed a growing intensity in the manifestation of strong paranormal experiences. Yet at the same time, I had a growing feeling that things were getting out of control. The more bizarre things became, however, the more I believed I was moving toward “enlightenment.” I became convinced that everything happening was due to my excess “karma” burning off.

As is often the case with people involved in drugs and the occult, I experienced mixed feelings of great elation and depression. I became a kind of mystical “wildman,” hiking into the woods while on psychedelic drugs and communing with what I thought was God. But I was like a comet crashing into the atmosphere, burning more brightly as I moved through the heavens and consuming myself in flames. One evening I broke into my psychology professor’s office and wrote him an anonymous note warning him of the dangers of “the journey.”

Invasion Of The Jesus Movement

In the early ’70s, a strange thing happen at the University of Missouri: The Jesus Movement spread from the West Coast and entered the campus town of Columbia, Missouri. I remember seeing an article on the Jesus Movement in a national magazine. Reading about these Christians, who I thought were going to regress mankind into a new Dark Age with their “primitive blood-stained religion,” made me furious. I hated them because I thought they would stop the “revolution” and the establishment of the new world order based on higher consciousness.

People involved in the New Age Movement hold the very same beliefs, for their goal is to create a one-world government and unify the planet under a spiritual system of higher consciousness. Like many New Agers, I viewed Christians with all their talk of Jesus Christ being the “only way” as an anachronism and a threat to the spiritual/political revolution coming to the planet.

About this time, however, I finally came face to face with genuine Christians who moved in the supernatural flow of the Holy Spirit and had the glory of God shining on their countenances. I encountered Spirit-filled Christians everywhere and thought it was my duty to defend the faith of Eastern mysticism and the religion of “higher consciousness.” Attacking and debating believers in philosophy classes whenever they spoke out about their faith, I delighted in trying to humiliate them and prove them wrong through intellectual arguments.

In addition, I increased my “outrageous” behavior in front of Christians in an attempt to mock and ridicule them. Since I studied film, I made X-rated animation movies with Barbie dolls in an attempt to sneer at Judeo-Christian morality.

Despite my bitter hatred, a couple of true Christians began to zero in on me and share the love of Jesus Christ. Beneath all my bravado was a hurting, frightened individual reaching out for answers. At first, my mind completely rejected everything they were saying. But they continued to love me with a pure, deep, spiritual agape love. Even though I thought what they were saying was complete idiocy, I felt myself being wooed and convicted by the Holy Spirit as they talked.

For the first time in my life, I sensed God’s love for me. All my intellectual arguments were reduced to nothing as I encountered something far more real than anything I had experienced before. This was not some “trip” or mystical high. The purity and love that I felt had to be God.

Empowered by the Holy Spirit, these supernatural Christians opened up their lives to me. They cared about me as a person and loved me. They invited me to their prayer meetings and had me over for dinner. Through their personal ministry to me, I felt the arms of the living God embrace me and hug me like my father never had. As the Lord touched me deep within my heart, the hurt and bruised child locked inside me emerged and responded to His love.

Although I wasn’t yet ready to surrender, the Holy Spirit continued to work in my life. I had all kinds of intellectual questions, so my Christian friends gave me a book by Dr. Francis Schaeffer called ESCAPE FROM REASON. It changed my life. I was shocked to discover that a person could be both intelligent and a Christian. Talking about God, film, art, and philosophy in brilliant and articulate terms, Dr. Schaeffer explained contemporary culture in a way I had never understood.

Still I fought with the Holy Spirit, and the forces of darkness did not want to let me go. As these Christians prayed for me, the Holy Spirit continued to convict me. Sometimes I found myself walking alone by the highway, and, even though I was “stoned,” I would begin sobbing and weeping as Almighty God touched me.

The Hand Of Providence

One afternoon a guy named Tim invited me to a retreat in a wooded area about an hour away from the campus. I had mysteriously met Tim in the hallway of a dormitory, where he sat reading the Bible that he carried with him everywhere. He was in the hallway to meet someone else, but providentially he met me and invited me to this Christian retreat. Tim’s eyes shone with sincerity and the love of God, so I accepted his invitation.

Dressed in boots, blue jeans, and long hair, I arrived at the retreat center. A brief look at the place quickly convinced me that these people didn’t have what I was looking for. They were the kind of Christians I had seen before – religious but lacking the depth and dimension of people who have had a personal encounter with Jesus Christ.

While at the retreat center, I noted vague references to the Bible, but primarily we played games like “spin the bottle.” I was totally disgusted, for these people reinforced my worst preconceptions about Christianity. After spending the night I told Tim during breakfast that I was going to hitchhike back to the university. Tim walked me to the highway and said, “Paul, God will take care of your ride home.” Wondering if he was some kind of religious nut but hoping to humor him, I said, “Yeah, yeah sure.” Then I stuck out my thumb and tried to hitch a ride.

The first person to pick me up was a Pentecostal preacher. He and his wife talked to me about Jesus the entire ride. Stunned, I chalked it up as coincidence; after all, this was the Bible Belt. After they let me out, I stuck out my thumb and was picked up by a Bible salesman with a station wagon filled with Bibles! As we whizzed down the highway, he opened a giant Bible and began reading. With no hands on the wheel, he asked me if I wanted to receive Jesus into my life. I managed to gulp a “yes,” and he pulled off the road.

As we rolled to a stop, the thought raced through my mind, “What have I got myself into? Is this guy some kind of religious psychopath or axe murderer?” Growing up in New York City had taught me to suspect everybody’s motives and not to trust strangers.

The next thing I knew this Bible salesman was leading me in a prayer. With head bowed and hands clasped, I heard myself saying, “Jesus Christ, I ask you to forgive me of my sins. I invite you to come into my life and make me born again. In Jesus’ name. Amen.” I couldn’t believe I had said this prayer. I wasn’t even sure what sin was, although it seemed to me like an archaic concept. But I prayed in faith and meant it.

Hours later, I forgot the incident had even occurred and “partied” the night away with friends. The next day I woke up hung over and decided to visit a Christian girl named Laura. She and her boyfriend, Burgess, had spent a lot of time ministering and witnessing to me about Jesus.

As Laura and I talked, we were walking next to some giant Roman columns in the university quadrangle. I told her about my highway experience, and another girl sitting on the lawn overheard our conversation. It turned out that she was a minister’s daughter wrestling with the question of whether or not Christianity was really true. Looking at me pointblank, she said, “Do you believe that Jesus Christ was the Son of God?”

All of a sudden the words, “Yes, I believe that Jesus Christ is the Son of God!” leapt from deep within me. I was shocked. I had never said anything like that before. As I spoke, I had the most powerful spiritual experience of my life. It seemed that the sky had cracked open, and the presence of God overwhelmed me. A giant veil was lifted from my eyes as I realized God truly did exist.

I understand that I risk losing credibility by relating this experience exactly as it happened. True miracles can be cheapened by relating them in either a glib or a sensational manner. Many Christians carelessly utter the word “miracle” with such arrogance that it loses all its value. In addition, I understand that many people have had quiet but profound experiences with Jesus Christ that have just as much validity as mine.

But for me to minimize or reduce what happened to more logical terms just to make it more plausible would be inaccurate. I felt as if every dream I had ever had within the depths of my soul came true in an instant. Literally caught up in the Holy Spirit, I felt I was floating for weeks. Although I was higher than I had ever been in my entire life, I knew that the experience was genuine and pure.

Everything I had searched for in Eastern mysticism, human relationships, and the New Age Movement, I now found in Jesus Christ. This was not just another higher state of consciousness, an “upper story leap” without rational content, or a mystical trip. Nothing about this was artificial or mystical.

One could easily misconstrue my involvement in the New Age Movement and my encounter with Jesus Christ as the path of someone hopping from experience to experience lacking rational and verifiable content. Let me assure you that when I began my spiritual journey I did so as a scientist and a skeptic.

The contrast between mystical experiences and my encounter with Jesus Christ was as different as night and day. All of the New Age and Eastern mystical experiences I was involved in had an illusory quality no matter how real they seemed at the time. Jesus Christ was not just another “experience.” My newfound relationship with Him conveyed a reality so strong that I knew I had found God.


How Should We then Live Episode 7 small (Age of Nonreason)

Marty Balin. art-50339-Grace-mirror-c

MARTY BALIN – MUSIC OF MY LIFE – A Journey Into His Art & Music


Marty Balin. art-50347-Hendrex-montage-c-



Marty Balin – Hearts

Marty Balin / Jefferson Airplane by mstrychowska Marty Balin / Jefferson Airplane by mstrychowska

Featured artist is Marty Balin


MARTY BALIN “VOLUNTEERS” with Jorma Kaukonen & Jack Casady

Marty Balin – Rock & Roll with a Splash of Color



By Ashley Bates
photos SJBuchwald®

It’s not every day that a Rock & Roll Hall of Fame inductee graces downtown St. Augustine, belting out rock hits.
In September, art enthusiasts at the First Friday Art Walk had the chance to see just that when Marty Balin of famed Jefferson Airplane came to town.But when Balin made his appearance at the art walk in September, it was to showcase his art work not his music.

Even though many of us know Balin for his historic rock hits like “Hearts,” “Atlantic Lady” and “Volunteers,” he was a painter long before he began recording hit songs. Actually, Balin got his start painting when he was a child and says painting was his first artistic expression.“I’ve been painting since I was young…selling my artwork in shows. I actually did that before I played music,” said Balin, who has lived in Tampa for the last 20 years.Balin’s full art collection, featuring rock legends many of whom Balin knew personally, can be found at 130 King Fine Art Gallery in downtown St. Augustine.

You wouldn’t be too surprised at what images Balin portrays in his artwork–rock legends from years past including several paintings of the Grateful Dead’s lead singer Jerry Garcia, the queen of rock Janis Joplin, The Door’s Jim Morrison and Elton John, all grace Balin’s canvases. 
Balin said he chooses specific musicians from certain time periods to relive a personal memory. 
“Really it’s a way for me to go back to those memories, like when you see a picture,” said Balin, who has been known to journal while painting to jot down special memories.



When asked what his favorite pieces in his own collection are, Balin explains that the French Le Pétomane pieces are his favorites. 
Le Pétomane was a French entertainer from the Belle Époque era (French for “Beautiful Era”). The famous cabaret, the Moulin Rouge in Paris, also became famous during that time. 
“I just love the idea of the Moulin Rouge, the top hats, the colors,” Balin said. 
The bright, whimsical colors can be seen in his Le Pétomane pieces complete with carousels, elephants and of course the French entertainer Le Pétomane.

The whimsical nature of nature of Balin’s artwork could be attributed to where he was raised as a young boy. Balin was born in Cincinnati but grew up in the San Francisco area, which is where he found his calling to rock music by none other than pop music legend Johnny Mathis. It has been said that Balin was one of the musicians that catapulted San Francisco onto the music scene in the 1960s. Balin formed Jefferson Airplane in the summer of 1965, in San Francisco, as a folk-rock group but the band later came to be known in the psychedelic scene, scoring a gold record with their 1967 second album, “Surrealistic Pillow.” Balin wrote hit songs for the band including “Comin’ Back To Me,” “Plastic Fantastic Lover” and “Share a Little Joke.”

Later, in the early 1970s, Jefferson Starship was formed by several members of the original band Jefferson Airplane.
 Balin and Jefferson Airplane were inducted into the Rock & Roll Hall of Fame in 1996, with the likes of David Bowie, Pink Floyd and Gladys Knight & the Pips, to name a few. “Rock and Roll will never die, good music will always be around,” commented Balin on the evolution of modern rock music.

Balin continues to record his brand of rock ‘n’ roll in the studio and is currently recording an album at the studio in Tampa. “Currently I’m in the studio. (The album) will be Marty Balin music…I haven’t come up with a name for the album just yet.”

Today some of the musicians he says are on his radar are Katy Perry and Madonna. “I guess Katy Perry is pretty good,” he said. “I was watching Madonna’s new tour on TV the other day and she’s still pretty good.”
Even though Balin has enjoyed supreme success in rock ‘n’ roll, he says his greatest accomplishment is “that I’m still here today and alive.”

Jefferson Airplane – Volunteers (Live at Woodstock Music & Art Fair, 1969)


Image result for sergent peppers album cover

Francis Schaeffer’s favorite album was SGT. PEPPER”S and he said of the album “Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.”  (at the 14 minute point in episode 7 of HOW SHOULD WE THEN LIVE? ) 

Image result for francis schaeffer how should we then live

How Should We Then Live – Episode Seven – 07 – Portuguese Subtitles

Francis Schaeffer

Image result for francis schaeffer



February 15, 2018 – 1:45 am

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 200 George Harrison song HERE ME LORD (Featured artist is Karl Schmidt-Rottluff )


FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 170 George Harrison and his song MY SWEET LORD (Featured artist is Bruce Herman )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 168 George Harrison’s song AWAITING ON YOU ALL Part B (Featured artist is Michelle Mackey )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 167 George Harrison’s song AWAITING ON YOU Part A (Artist featured is Paul Martin)

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 133 Louise Antony is UMass, Phil Dept, “Atheists if they commit themselves to justice, peace and the relief of suffering can only be doing so out of love for the good. Atheist have the opportunity to practice perfect piety”

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 166 George Harrison’s song ART OF DYING (Featured artist is Joel Sheesley )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 165 George Harrison’s view that many roads lead to Heaven (Featured artist is Tim Lowly)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 164 THE BEATLES Edgar Allan Poe (Featured artist is Christopher Wool)

PART 163 BEATLES Breaking down the song LONG AND WINDING ROAD (Featured artist is Charles Lutyens )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 162 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part C (Featured artist is Grace Slick)

PART 161 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part B (Featured artist is Francis Hoyland )


FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 160 A look at the BEATLES Breaking down the song ALL WE NEED IS LOVE Part A (Featured artist is Shirazeh Houshiary)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 159 BEATLES, Soccer player Albert Stubbins made it on SGT. PEP’S because he was sport hero (Artist featured is Richard Land)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 158 THE BEATLES (breaking down the song WHY DON’T WE DO IT IN THE ROAD?) Photographer Bob Gomel featured today!

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 118 THE BEATLES (Why was Tony Curtis on cover of SGT PEP?) (Feature on artist Jeffrey Gibson )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 117 THE BEATLES, Breaking down the song WITHIN YOU WITHOUT YOU Part B (Featured artist is Emma Amos )

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Francis Schaeffer’s “How should we then live?” Video and outline of episode 3 “The Renaissance” Francis Schaeffer: “How Should We Then Live?” (Episode 3) THE RENAISSANCE I was impacted by this film series by Francis Schaeffer back in the 1970′s and I wanted to share it with you. Schaeffer really shows why we have so […]

Francis Schaeffer’s “How should we then live?” Video and outline of episode 2 “The Middle Ages” (Schaeffer Sundays)

  Francis Schaeffer: “How Should We Then Live?” (Episode 2) THE MIDDLE AGES I was impacted by this film series by Francis Schaeffer back in the 1970′s and I wanted to share it with you. Schaeffer points out that during this time period unfortunately we have the “Church’s deviation from early church’s teaching in regard […]

Francis Schaeffer’s “How should we then live?” Video and outline of episode 1 “The Roman Age” (Schaeffer Sundays)

Francis Schaeffer: “How Should We Then Live?” (Episode 1) THE ROMAN AGE   Today I am starting a series that really had a big impact on my life back in the 1970′s when I first saw it. There are ten parts and today is the first. Francis Schaeffer takes a look at Rome and why […]

By Everette Hatcher III | Posted in Francis Schaeffer | Edit | Comments (0)


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