Monthly Archives: August 2015

WOODY WEDNESDAY Review of Woody Allen’s latest movie IRRATIONAL MAN Part 4

Irrational Man Official Trailer #1 (2015) – Emma Stone, Joaquin Phoenix Movie HD

Woody Allen, Emma Stone and the cast of Irrational Man in Cannes

‘Irrational Man’ Review

CANNES FILM FESTIVAL

MAY 15, 2015 1:13 PM

Emma Stone Shines in Woody Allen’s Surprising Irrational Man

Courtesy of the Cannes Film Festival
It’s not the icky professor-student romantic comedy you’re expecting.

As far as Woody Allen philosophical thought experiments go, you could do a lot worse than his latest film, Irrational Man, which premiered out of competition at the Cannes Film Festival today. Working in a half-light, half-dark vein that’s a bit like Match Point (his best film of the past 10 years) with more jokes, Allen has made something that’s certainly entertaining, if not exactly enlightening. He’s working at dinner-party depth here, tossing out bits of Kant and Kierkegaard to add some intellectual padding to a swift little story about a college professor going nuts. I was pleasantly surprised by the film’s unexpected wicked edge, as I had steeled myself for the icky professor-student romantic comedy the trailers suggested. There is some of that in the film, but it’s not the primary focus.

I’m reluctant, though, to tell you what the film is actually about, seeing as the trailer is so careful not to reveal that. So, if you’d rather not know, stop reading now!

Joaquin Phoenix plays Abe Lucas, a depressed, alcoholic philosophy professor who arrives in Newport, Rhode Island, to teach a summer session at a fictional liberal-arts college. Known for his provocative writing on the futility of existence—and for an elaborately tragic backstory that keeps changing as people retell it, like a game of Telephone—Abe quickly catches the eye of a fellow professor named Rita (Parker Posey) and an eager student, Jill (Emma Stone). Dogged by rumors of past affairs with students, Abe is initially resistant to Jill’s obvious come-ons, and instead tries to make something work with Rita. He’s been having performance issues for the past year, though, so he’s not really able to “unblock” himself, as Rita puts it. At this point in the film, I settled in for a light, Philip Rothian comedy of conflicted virility, which didn’t seem terribly interesting.

But then, a twist. While having lunch with Jill one day, Abe overhears a woman bemoaning her sad situation to her friends: her lout of an ex-husband is trying to gain custody of their two kids, and the judge in the case is in cahoots with the guy’s lawyer. She feels utterly helpless, and says that she wishes the judge would get cancer and die. This puts a crazy, but, as he sees it, rational thought in Abe’s head: he should kill the judge. The judge is a bad man and this poor woman needs help, so getting rid of him would be a good, anonymous, morally defensible, even righteous, thing to do. Of course Abe is nuts to think this, buthe doesn’t know that. So he goes about plotting this man’s demise, suddenly invigorated and renewed by his new sense of purpose—his new philosophy for living. He gives into his attraction to Jill, a blissful if illicit love blooms, and, all told, things seem to have worked out quite well. Of course, they don’t stay that way.

As Irrational Man becomes a comedy about that murder, the film is infused with an intriguing jolt of seriousness, which is always welcome from Allen. Irrational Man doesn’t take on the deliciously unsettling nervous tingle of Match Point, nor the tricky moral dynamics of Crimes and Misdemeanors, but it does have genuine dramatic stakes, which mix discordantly, in a good way, with the film’s bouncy score and summery, sun-splashed setting. It makes for an odd film, but it works.

Phoenix hasn’t been asked to do a Woody impression like some actors in Allen’s past films, which is a good thing. This is one of the more low-key Phoenix performances to date, even though he’s playing a hard-drinking murderous lech. He’s funny, but ultimately doesn’t make much of an impression. In his defense, that might be because Stone commands such attention in her scenes, giving a lively, intelligent performance that puts her high up on the list of Allen’s best recurring actresses. She has a real understanding of Allen’s cadence and rhythm, and just about sells the silly notion that college students in 2015 talk like Woody Allen characters. (Irrational Man is alone worth a watch to see what Woody Allen thinks a college party is like.) I wish Allen would just write a real lead role for her next time. While he’s at it, maybe he could write something juicy for Parker Posey, too. She’s great here, but I wish she had a little more to do.

Stone, and the film’s terrific final two scenes, are the best things about Irrational Man, which plays like a slight but enjoyable short story. There’s nothing wrong with that—minor works can still be good—but if the film is, perhaps, trying to spark any deep thinking with its warmed-over philosophy, it doesn’t succeed. Still, thanks largely to Stone, I have a perhaps irrational affection for the movie, surprising and satisfying as it is.

Irrational Man: Is It Any Good? (Cannes 2015)

Cannes 2015 – IRRATIONAL MAN by Woody ALLEN (Press conference)

Cannes presents: Woody Allen’s ‘Irrational Man’ (Red Carpet)

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“The Social Responsibility of Business is to Increase its Profits” by Milton Friedman

Milton Friedman on Self-Interest and the Profit Motive 1of2

Milton Friedman on Self-Interest and the Profit Motive 2of2

The Social Responsibility of Business is to Increase its Profits

by Milton FriedmanThe New York Times Magazine, September 13, 1970. Copyright @ 1970 by The New York Times Company.

When I hear businessmen speak eloquently about the “social responsibilities of business in a free-enterprise system,” I am reminded of the wonderful line about the Frenchman who discovered at the age of 70 that he had been speaking prose all his life. The businessmen believe that they are defending free en­terprise when they declaim that business is not concerned “merely” with profit but also with promoting desirable “social” ends; that business has a “social conscience” and takes seriously its responsibilities for providing em­ployment, eliminating discrimination, avoid­ing pollution and whatever else may be the catchwords of the contemporary crop of re­formers. In fact they are–or would be if they or anyone else took them seriously–preach­ing pure and unadulterated socialism. Busi­nessmen who talk this way are unwitting pup­pets of the intellectual forces that have been undermining the basis of a free society these past decades.

The discussions of the “social responsibili­ties of business” are notable for their analytical looseness and lack of rigor. What does it mean to say that “business” has responsibilities? Only people can have responsibilities. A corporation is an artificial person and in this sense may have artificial responsibilities, but “business” as a whole cannot be said to have responsibilities, even in this vague sense. The first step toward clarity in examining the doctrine of the social responsibility of business is to ask precisely what it implies for whom.

Presumably, the individuals who are to be responsible are businessmen, which means in­dividual proprietors or corporate executives. Most of the discussion of social responsibility is directed at corporations, so in what follows I shall mostly neglect the individual proprietors and speak of corporate executives.

In a free-enterprise, private-property sys­tem, a corporate executive is an employee of the owners of the business. He has direct re­sponsibility to his employers. That responsi­bility is to conduct the business in accordance with their desires, which generally will be to make as much money as possible while con­forming to the basic rules of the society, both those embodied in law and those embodied in ethical custom. Of course, in some cases his employers may have a different objective. A group of persons might establish a corporation for an eleemosynary purpose–for exam­ple, a hospital or a school. The manager of such a corporation will not have money profit as his objective but the rendering of certain services.

In either case, the key point is that, in his capacity as a corporate executive, the manager is the agent of the individuals who own the corporation or establish the eleemosynary institution, and his primary responsibility is to them.

Needless to say, this does not mean that it is easy to judge how well he is performing his task. But at least the criterion of performance is straightforward, and the persons among whom a voluntary contractual arrangement exists are clearly defined.

Of course, the corporate executive is also a person in his own right. As a person, he may have many other responsibilities that he rec­ognizes or assumes voluntarily–to his family, his conscience, his feelings of charity, his church, his clubs, his city, his country. He ma}. feel impelled by these responsibilities to de­vote part of his income to causes he regards as worthy, to refuse to work for particular corpo­rations, even to leave his job, for example, to join his country’s armed forces. Ifwe wish, we may refer to some of these responsibilities as “social responsibilities.” But in these respects he is acting as a principal, not an agent; he is spending his own money or time or energy, not the money of his employers or the time or energy he has contracted to devote to their purposes. If these are “social responsibili­ties,” they are the social responsibilities of in­dividuals, not of business.

What does it mean to say that the corpo­rate executive has a “social responsibility” in his capacity as businessman? If this statement is not pure rhetoric, it must mean that he is to act in some way that is not in the interest of his employers. For example, that he is to refrain from increasing the price of the product in order to contribute to the social objective of preventing inflation, even though a price in crease would be in the best interests of the corporation. Or that he is to make expendi­tures on reducing pollution beyond the amount that is in the best interests of the cor­poration or that is required by law in order to contribute to the social objective of improving the environment. Or that, at the expense of corporate profits, he is to hire “hardcore” un­employed instead of better qualified available workmen to contribute to the social objective of reducing poverty.

In each of these cases, the corporate exec­utive would be spending someone else’s money for a general social interest. Insofar as his actions in accord with his “social responsi­bility” reduce returns to stockholders, he is spending their money. Insofar as his actions raise the price to customers, he is spending the customers’ money. Insofar as his actions lower the wages of some employees, he is spending their money.

The stockholders or the customers or the employees could separately spend their own money on the particular action if they wished to do so. The executive is exercising a distinct “social responsibility,” rather than serving as an agent of the stockholders or the customers or the employees, only if he spends the money in a different way than they would have spent it.

But if he does this, he is in effect imposing taxes, on the one hand, and deciding how the tax proceeds shall be spent, on the other.

This process raises political questions on two levels: principle and consequences. On the level of political principle, the imposition of taxes and the expenditure of tax proceeds are gov­ernmental functions. We have established elab­orate constitutional, parliamentary and judicial provisions to control these functions, to assure that taxes are imposed so far as possible in ac­cordance with the preferences and desires of the public–after all, “taxation without repre­sentation” was one of the battle cries of the American Revolution. We have a system of checks and balances to separate the legisla­tive function of imposing taxes and enacting expenditures from the executive function of collecting taxes and administering expendi­ture programs and from the judicial function of mediating disputes and interpreting the law.

Here the businessman–self-selected or appointed directly or indirectly by stockhold­ers–is to be simultaneously legislator, execu­tive and, jurist. He is to decide whom to tax by how much and for what purpose, and he is to spend the proceeds–all this guided only by general exhortations from on high to restrain inflation, improve the environment, fight poverty and so on and on.

The whole justification for permitting the corporate executive to be selected by the stockholders is that the executive is an agent serving the interests of his principal. This jus­tification disappears when the corporate ex­ecutive imposes taxes and spends the pro­ceeds for “social” purposes. He becomes in effect a public employee, a civil servant, even though he remains in name an employee of a private enterprise. On grounds of political principle, it is intolerable that such civil ser­vants–insofar as their actions in the name of social responsibility are real and not just win­dow-dressing–should be selected as they are now. If they are to be civil servants, then they must be elected through a political process. If they are to impose taxes and make expendi­tures to foster “social” objectives, then politi­cal machinery must be set up to make the as­sessment of taxes and to determine through a political process the objectives to be served.

This is the basic reason why the doctrine of “social responsibility” involves the acceptance of the socialist view that political mechanisms, not market mechanisms, are the appropriate way to determine the allocation of scarce re­sources to alternative uses.

On the grounds of consequences, can the corporate executive in fact discharge his al­leged “social responsibilities?” On the other hand, suppose he could get away with spending the stockholders’ or customers’ or employees’ money. How is he to know how to spend it? He is told that he must contribute to fighting inflation. How is he to know what ac­tion of his will contribute to that end? He is presumably an expert in running his company–in producing a product or selling it or financing it. But nothing about his selection makes him an expert on inflation. Will his hold­ ing down the price of his product reduce infla­tionary pressure? Or, by leaving more spending power in the hands of his customers, simply divert it elsewhere? Or, by forcing him to produce less because of the lower price, will it simply contribute to shortages? Even if he could an­swer these questions, how much cost is he justi­fied in imposing on his stockholders, customers and employees for this social purpose? What is his appropriate share and what is the appropri­ate share of others?

And, whether he wants to or not, can he get away with spending his stockholders’, cus­tomers’ or employees’ money? Will not the stockholders fire him? (Either the present ones or those who take over when his actions in the name of social responsibility have re­duced the corporation’s profits and the price of its stock.) His customers and his employees can desert him for other producers and em­ployers less scrupulous in exercising their so­cial responsibilities.

This facet of “social responsibility” doc­ trine is brought into sharp relief when the doctrine is used to justify wage restraint by trade unions. The conflict of interest is naked and clear when union officials are asked to subordinate the interest of their members to some more general purpose. If the union offi­cials try to enforce wage restraint, the consequence is likely to be wildcat strikes, rank­-and-file revolts and the emergence of strong competitors for their jobs. We thus have the ironic phenomenon that union leaders–at least in the U.S.–have objected to Govern­ment interference with the market far more consistently and courageously than have business leaders.

The difficulty of exercising “social responsibility” illustrates, of course, the great virtue of private competitive enterprise–it forces people to be responsible for their own actions and makes it difficult for them to “exploit” other people for either selfish or unselfish purposes. They can do good–but only at their own expense.

Many a reader who has followed the argu­ment this far may be tempted to remonstrate that it is all well and good to speak of Government’s having the responsibility to im­pose taxes and determine expenditures for such “social” purposes as controlling pollu­tion or training the hard-core unemployed, but that the problems are too urgent to wait on the slow course of political processes, that the exercise of social responsibility by busi­nessmen is a quicker and surer way to solve pressing current problems.

Aside from the question of fact–I share Adam Smith’s skepticism about the benefits that can be expected from “those who affected to trade for the public good”–this argument must be rejected on grounds of principle. What it amounts to is an assertion that those who favor the taxes and expenditures in question have failed to persuade a majority of their fellow citizens to be of like mind and that they are seeking to attain by undemocratic procedures what they cannot attain by democratic proce­dures. In a free society, it is hard for “evil” people to do “evil,” especially since one man’s good is another’s evil.

I have, for simplicity, concentrated on the special case of the corporate executive, ex­cept only for the brief digression on trade unions. But precisely the same argument ap­plies to the newer phenomenon of calling upon stockholders to require corporations to exercise social responsibility (the recent G.M crusade for example). In most of these cases, what is in effect involved is some stockholders trying to get other stockholders (or customers or employees) to contribute against their will to “social” causes favored by the activists. In­sofar as they succeed, they are again imposing taxes and spending the proceeds.

The situation of the individual proprietor is somewhat different. If he acts to reduce the returns of his enterprise in order to exercise his “social responsibility,” he is spending his own money, not someone else’s. If he wishes to spend his money on such purposes, that is his right, and I cannot see that there is any ob­jection to his doing so. In the process, he, too, may impose costs on employees and cus­tomers. However, because he is far less likely than a large corporation or union to have mo­nopolistic power, any such side effects will tend to be minor.

Of course, in practice the doctrine of social responsibility is frequently a cloak for actions that are justified on other grounds rather than a reason for those actions.

To illustrate, it may well be in the long run interest of a corporation that is a major employer in a small community to devote resources to providing amenities to that community or to improving its government. That may make it easier to attract desirable employees, it may reduce the wage bill or lessen losses from pilferage and sabotage or have other worthwhile effects. Or it may be that, given the laws about the deductibility of corporate charitable contributions, the stockholders can contribute more to chari­ties they favor by having the corporation make the gift than by doing it themselves, since they can in that way contribute an amount that would otherwise have been paid as corporate taxes.

In each of these–and many similar–cases, there is a strong temptation to rationalize these actions as an exercise of “social responsibility.” In the present climate of opinion, with its wide spread aversion to “capitalism,” “profits,” the “soulless corporation” and so on, this is one way for a corporation to generate goodwill as a by-product of expenditures that are entirely justified in its own self-interest.

It would be inconsistent of me to call on corporate executives to refrain from this hyp­ocritical window-dressing because it harms the foundations of a free society. That would be to call on them to exercise a “social re­sponsibility”! If our institutions, and the atti­tudes of the public make it in their self-inter­est to cloak their actions in this way, I cannot summon much indignation to denounce them. At the same time, I can express admiration for those individual proprietors or owners of closely held corporations or stockholders of more broadly held corporations who disdain such tactics as approaching fraud.

Whether blameworthy or not, the use of the cloak of social responsibility, and the nonsense spoken in its name by influential and presti­gious businessmen, does clearly harm the foun­dations of a free society. I have been impressed time and again by the schizophrenic character of many businessmen. They are capable of being extremely farsighted and clearheaded in matters that are internal to their businesses. They are incredibly shortsighted and muddle­headed in matters that are outside their businesses but affect the possible survival of busi­ness in general. This shortsightedness is strikingly exemplified in the calls from many businessmen for wage and price guidelines or controls or income policies. There is nothing that could do more in a brief period to destroy a market system and replace it by a centrally con­trolled system than effective governmental con­trol of prices and wages.

The shortsightedness is also exemplified in speeches by businessmen on social respon­sibility. This may gain them kudos in the short run. But it helps to strengthen the already too prevalent view that the pursuit of profits is wicked and immoral and must be curbed and controlled by external forces. Once this view is adopted, the external forces that curb the market will not be the social consciences, however highly developed, of the pontificating executives; it will be the iron fist of Government bureaucrats. Here, as with price and wage controls, businessmen seem to me to reveal a suicidal impulse.

The political principle that underlies the market mechanism is unanimity. In an ideal free market resting on private property, no individual can coerce any other, all coopera­tion is voluntary, all parties to such coopera­tion benefit or they need not participate. There are no values, no “social” responsibilities in any sense other than the shared values and responsibilities of individuals. Society is a collection of individuals and of the various groups they voluntarily form.

The political principle that underlies the political mechanism is conformity. The indi­vidual must serve a more general social inter­est–whether that be determined by a church or a dictator or a majority. The individual may have a vote and say in what is to be done, but if he is overruled, he must conform. It is appropriate for some to require others to contribute to a general social purpose whether they wish to or not.

Unfortunately, unanimity is not always feasi­ble. There are some respects in which conformity appears unavoidable, so I do not see how one can avoid the use of the political mecha­nism altogether.

But the doctrine of “social responsibility” taken seriously would extend the scope of the political mechanism to every human activity. It does not differ in philosophy from the most explicitly collectivist doctrine. It differs only by professing to believe that collectivist ends can be attained without collectivist means. That is why, in my book Capitalism and Freedom, I have called it a “fundamentally subversive doctrine” in a free society, and have said that in such a society, “there is one and only one social responsibility of business–to use it resources and engage in activities designed to increase its profits so long as it stays within the rules of the game, which is to say, engages in open and free competition without deception or fraud.”

 

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“Friedman Friday” (“Free to Choose” episode 3 – Anatomy of a Crisis. part 7of 7)

TEMIN: We don’t think the big capital arose before the government did? VON HOFFMAN: Listen, what are we doing here? I mean __ defending big government is like defending death and taxes. When was the last time you met anybody that was in favor of big government? FRIEDMAN: Today, today I met Bob Lekachman, I […]

“Friedman Friday” (“Free to Choose” episode 3 – Anatomy of a Crisis. part 6of 7)

worked pretty well for a whole generation. Now anything that works well for a whole generation isn’t entirely bad. From the fact __ from that fact, and the undeniable fact that things are working poorly now, are we to conclude that the Keynesian sort of mixed regulation was wrong __ FRIEDMAN: Yes. LEKACHMAN: __ or […]

 

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 37 (Dr. Noam Chomsky, MIT, American linguist, philosopher, cognitive scientist, logician, political commentator, anarcho-syndicalist activist, NEED EVIDENCE BEFORE BELIEVING)

Noam Chomsky & Howard Zinn “Is There Hope in This Desperate Time?”

Published on Dec 10, 2012

This event was a fundraiser for Spare Change street paper and the Homeless Empowerment Project. Recorded on September 27, 2004

Dr. Noam Chomsky pictured below:

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

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Below you have picture of 1996 Chemistry Nobel Prize Winner Dr. Harry Kroto:

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There are 3 videos in this series and they have statements by 150 academics and scientists and I hope to respond to all of them. Wikipedia notes Avram Noam Chomsky (/ˈnm ˈɒmski/; born December 7, 1928) is an American linguist, philosopher,[21][22] cognitive scientist, logician,[23][24][25] political commentator and anarcho-syndicalist activist. Sometimes described as the “father of modern linguistics”,[26][27] Chomsky is also a major figure in analytic philosophy.[21] He has spent most of his career at the Massachusetts Institute of Technology (MIT), where he is currently Professor Emeritus, and has authored over 100 books. He has been described as a prominent cultural figure, and was voted the “world’s top public intellectual” in a 2005 poll.[28]

Born to a middle-class Ashkenazi Jewish family in Philadelphia, Chomsky developed an early interest in anarchism from relatives in New York City. He later undertook studies in linguistics at the University of Pennsylvania, where he obtained his BA, MA, and PhD, while from 1951 to 1955 he was appointed to Harvard University‘s Society of Fellows. In 1955 he began work at MIT, soon becoming a significant figure in the field of linguistics for his publications and lectures on the subject. He is credited as the creator or co-creator of the Chomsky hierarchy, the universal grammar theory, the Chomsky–Schützenberger representation theorem, and the Chomsky–Schützenberger enumeration theorem. Chomsky also played a major role in the decline of behaviorism, and was especially critical of the work of B.F. Skinner.[29][30] In 1967 he gained public attention for his vocal opposition to U.S. involvement in the Vietnam War, in part through his essay The Responsibility of Intellectuals, and came to be associated with the New Left while being arrested on multiple occasions for his anti-war activism. While expanding his work in linguistics over subsequent decades, he also developed the propaganda model of media criticism with Edward S. Herman. Following his retirement from active teaching, he has continued his vocal public activism, for instance supporting the anti-Iraq War and Occupy movements.

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In  the first video below in the 8th clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

I grew up at Bellevue Baptist Church under the leadership of our pastor Adrian Rogers and I read many books by the Evangelical Philosopher Francis Schaeffer and have had the opportunity to contact many of the evolutionists or humanistic academics that they have mentioned in their works. Many of these scholars have taken the time to respond back to me in the last 20 years and some of the names  included are  Ernest Mayr (1904-2005), George Wald (1906-1997), Carl Sagan (1934-1996),  Robert Shapiro (1935-2011), Nicolaas Bloembergen (1920-),  Brian Charlesworth (1945-),  Francisco J. Ayala (1934-) Elliott Sober (1948-), Kevin Padian (1951-), Matt Cartmill (1943-) , Milton Fingerman (1928-), John J. Shea (1969-), , Michael A. Crawford (1938-), Paul Kurtz (1925-2012), Sol Gordon (1923-2008), Albert Ellis (1913-2007), Barbara Marie Tabler (1915-1996), Renate Vambery (1916-2005), Archie J. Bahm (1907-1996), Aron S “Gil” Martin ( 1910-1997), Matthew I. Spetter (1921-2012), H. J. Eysenck (1916-1997), Robert L. Erdmann (1929-2006), Mary Morain (1911-1999), Lloyd Morain (1917-2010),  Warren Allen Smith (1921-), Bette Chambers (1930-),  Gordon Stein (1941-1996) , Milton Friedman (1912-2006), John Hospers (1918-2011), Michael Martin (1932-).Harry Kroto (1939-), Marty E. Martin (1928-), Richard Rubenstein (1924-), James Terry McCollum (1936-), Edward O. WIlson (1929-), Lewis Wolpert (1929), Gerald Holton (1922-),  and  Ray T. Cragun (1976-).

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Noam Chomsky Quote:

“I believe in a principle that was enunciated rather well by Bertrand Russell which is that you should try to keep away from having irrational beliefs. You should believe things for which you can find some evidence, apart from commitment to principles – like equality, freedom, and justice.”

What is the real problem that Dr. Chomsky has? Unlike others who have examined the evidence he just outright dismisses it.

I sent Dr. Chomsky a letter  that included many scriptures from the Old Testament that showed that the prophets predicted  the Jews would be brought back from all over the world to rebirth the country of Israel again.

Is this good evidence to show there is a God behind it all?

 First, isn’t it worth noting that the Old Testament predicted that the Jews would regather from all over the world and form a new reborn nation of Israel. Second, it was also predicted that the nation of Israel would become a stumbling block to the whole world. Third, it was predicted that the Hebrew language would be used again as the Jews first language even though we know in 1948 that Hebrew at that time was a dead language!!!Fourth, it was predicted that the Jews would never again be removed from their land.

Note to Dr. Chomsky:  I sent you a CD entitled, “How can I know the Bible is the Word of God?” by Adrian Rogers, and I wonder what you thought of that evidence?

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How Can I Know the Bible is the Word of God?
By Dr. Adrian Rogers

Overview

The historical, scientific, and prophetic accuracy of Scripture, along with its life-changing qualities, offer evidence that the Bible is the revealed Word of God.

Introduction

Scripture Passage: Revelation 22:18-19

It is absolutely imperative that you are certain of God’s Word. You will never get much of anything else settled until you are sure of the Bible. Your salvation depends on it, since the Bible says you are born again by “the Word of God” (1 Peter 1:23). Your sanctification depends upon it, because Jesus said, “Sanctify them through thy truth. Thy Word is truth” (John 17:17). Your usefulness depends on it, for the Scriptures say, “These things have I written unto you that believe on the name of the Son of God that you might know that you have eternal life” (1 John 5:13). If you want to be sure of your faith; if you want to be an exclamation pointrather than a question mark, then you need to be certain that the Bible is the Word of God.

Discussion

“For I testify unto every man that heareth the words of the prophecy of this book, If any man shall add unto these things, God shall add unto him the plagues that are written in this book: and if any man shall take away from the words of the book of this prophecy, God shall take away his part out of the book of life, and out of the holy city, and from the things which are written in this book” (Rev. 22:18-19).

God makes it very clear that we are to believe and revere our Bibles, but there is in our world a war over the Word; a battle over the Bible. There are those who despise it; they are against all that we Christians stand for. There are those who deny it; they simply refuse to believe the Bible is the Word of God. There are those who distort it; they twist the words of the Bible to their own destruction. There are those who dissect it, treating Scripture more like a math text than a love story. There are those who disregard it, claiming it unimportant and irrelevant. They want to focus on the here-and-now, so they spend their energies making this world abetter place from which to go to hell. There are those who claim to believe it, giving lip service to the Bible as God’s Word, but they do not know it, nor do they live by it. There is dust on their Bibles and drought in their hearts. Finally, there are those who believe it. They know the Bible is the inspired, inerrant, infallible, authentic Word of God, and they trust it for the daily guidance of their lives. We can have a firm assurance that the Bible is the Word of God. There is an abundance of evidence to support the fact.

Scientific Evidence

Skeptics seem to think that the Bible is full of scientific errors. However, before an individual can make that assertion, they had better make sure they know both science and Scripture. You see, I have heard unbelievers state that the Bible is not a book of science, but a book of religion, which is basically true. It is not written to teach us about science, but to teach us about God. But the God of salvation and the God of creation are the same. Science doesn’t take God by surprise. A close look at Scripture reveals that it is scientifically accurate.

Every now and then science may disagree with the Bible, but usually science just needs time to catch up. For example, in 1861 a French scientific academy printed a brochure offering 51 incontrovertible facts that proved the Bible in error. Today there is not a single reputable scientist who would support those supposed “facts,” because modern science has disproved them all!

The ancients believed the earth was held up by Atlas, or resting on pillars, or even seated on the backs of elephants. But today we know the earth is suspended in space, a fact the Word of God records in Job 26:7: “He . . . hangeth the earth upon nothing.” God revealed the facts of cosmology long before man had any idea of the truth.

For centuries man believed the earth was flat, but now we know the earth is a globe. The prophet Isaiah, writing 750 years before the birth of Christ, revealed that “God sitteth upon the circle of the earth” (Isaiah 40:22). The word translated here as “circle” was more commonly translated “sphere.” In other words, Isaiah explained that the earth was a globe centuries before science discovered it.

When Ptolemy charted the heavens, he counted 1026 stars in the sky. But with the invention of the telescope man discovered millions and millions of stars, something that Jeremiah 33:22 revealed nearly three thousand years ago: “The host of heaven cannot be numbered.” How did these men of God know the truth of science long before the rest of the world discovered it? They were moved by the Holy Spirit to write the truth. God’s Word is not filled with errors. It is filled with facts, even scientific facts.

When the black plague was killing one quarter of Europe’s population in the fourteenth century, it was the church, not science, that helped overcome the dread disease. The leaders in the church noticed the instructions given by the Lord to Moses in Leviticus 13:46: “All the days wherein the plague shall be in him he shall be defiled; he is unclean: he shall dwell alone; without the camp shall his habitation be.” These early believers did not know microbiology or understand what germs were, but they could understand a clear teaching to quarantine someone who was sick. So they followed the Biblical dictum, quarantined those sick with the plague, and stopped it from spreading. The Bible had its science correct even before man discovered the truth! Don’t accept the charge that the Bible is filled with scientific errors. Modern science seems determined to explain God away, and refuses to acknowledge any evidence of the supernatural. But the science of Scripture is one reason to accept the Bible as God’s Word.

Historical Evidence

The Bible is not primarily a history book, but it records history, and all the things we believe as Christians are historical fact. Historians have criticized the Bible as being filled with errors, but in our lifetime we have seen the history of the Scriptures proven right time after time. For example, linguists rejected the fact that Moses authored the Pentateuch, claiming that people didn’t know how to write during Moses’ day. But then the Tel Elarmona tablets were discovered in northern Egypt, containing business transactions of people in Palestine centuries before Moses was born. It turns out the Bible was correct–the people of Moses’ day did have a written language.

For years historians claimed Daniel’s story of King Belshazzar was a fake, that there was no record of that Babylonian king. They claimed the last Babylonian king was named Nabinitus, and that Belshazzar never existed. Then one day an archeologist uncovered a clay tablet describing the rule of Belshazzar, who was co-regent with his father, King Nabinitus. The Bible had been right all along.

Historians and archaeologists have dug into the history of both the Old and New Testaments, and each time the historical accuracy of Scripture has been upheld. That is one of the reasons we can trust the Bible.

Wonderful Unity

Another reason to trust the Scripture as the Word of God is that it offers a unique unity. Here is one unified book, yet it is really 66 books put together. Those books were written by at least forty different authors over a period of sixteen hundred years. They were written in thirteen countries, on three continents, by people of all different backgrounds. Some were shepherds, others were kings; some were soldiers, others were scholars; some were learned historians, others were unschooled fishermen. They wrote on different subjects, at different times, in at least three different languages. Yet on all subjects they came together to create one unified book that reveals the story of God and His people. From Genesis to Revelation, it reads as one book. What incredible unity! I’ve been studying this book for forty years, and the more I study the more unified I find it. There are no hidden flaws, only hidden beauties. The Bible has but one theme: salvation. It has one hero: Jesus. It has one villain: Satan. It has one purpose: to glorify God. How could this incredible book be written apart from divine intervention? There was clearly a Master Architect who designed this book, giving it a wonderful unity. That’s why I believe it.

Fulfilled Prophecy

Another reason we can believe the Bible is because of the fulfilled prophecies contained in it. It is the only book of its kind with so many accurate prophecies. For example, there are over 300 Old Testament prophecies dealing with Jesus Christ that are fulfilled in the New Testament. Statisticians tell us that to suggest they are merely fulfilled by chance is an impossibility. A skeptic might say that Jesus, as a student of the Old Testament, simply arranged to fulfill these prophecies. But how could He arrange to be born in Bethlehem, fulfilling the prophecy of Micah? How could He arrange to be born of a virgin? How could He arrange for the prophet Isaiah to write all kinds of intricate details of the Lord centuries before He was born? And could He have arranged for the psalmist to describe His death by crucifixion long before that style of punishment was first used? Could He have arranged for the Roman government to crucify Him upon a cross, or for Judas to betray Him for exactly thirty pieces of silver, as the Old Testament prophesied? Finally, could He have arranged His own resurrection from the dead three days after His burial?

Well, in a sense the Lord Jesus did arrange all of that. As God, He revealed it to the Old Testament authors, who wrote the prophecies that Jesus fulfilled. And so convinced were those who saw Jesus, that they were willing to lay down their lives for the truth. No one lays down their life for a lie. The early Christians knew that Jesus was who He claimed to be. There is no way to explain fulfilled prophecy apart from divine inspiration.

The Ever-Living Quality of Scripture

Another reason we can trust the Bible is that it is always alive. No book has endured as much opposition. Men have laughed at it, scorned it, burned it, and made laws against it. At times it has been illegal to even own a Bible. Men have preached its funeral. But the corpse has outlived its pallbearers. The Bible has survived. Despite all the attempts to bury the Bible, it has continued to endure. No other book can make that claim. The ancient religious manuscripts of the pagans have disappeared, but the Bible continues. The wisdom of great men is often forgotten by succeeding generations, but the wisdom of God remains intact and available. The Word of the Lord endureth forever. That unique quality makes me believe that this is a special book–God’s book–and He intends for man to have it.

The Life-Changing Quality of Scripture

The Bible is not like any other book. It is alive and powerful. It describes itself as a sword and as dynamite. It has power to change lives and power to save sinners. No other book, no other power can take men’s guilt away except the Bible. It sanctifies those who believe. It brings truth and maturity to the saints. You will never grow spiritually strong until you begin to feed on the milk of the Word. It offers sufficiency to the sufferer. Many times I have seen people hurting or in torment, and they have found comfort in the Bible which they could find nowhere else. It brings satisfaction to the scholar. You can study it for a lifetime and still not fathom its depths. It is a book so deep you can swim forever and never touch bottom, yet so peaceful that even a child can take a drink without fear of drowning. You can never move on in your faith until you come to see the Bible for what it is: God’s precious gift to us, given so that we may know Him and find eternal life in Him. You can be certain that the Bible is the Word of God.

About Dr. Adrian Rogers

Dr. Adrian Rogers was the Pastor Emeritus of Bellevue Baptist Church and one of America’s most respected Bible preachers. Under his pastoral leadership, Bellevue Baptist Church in Memphis, Tennessee, grew from 9,000 members in 1972 to more than 29,000. A staunch defender of Biblical inerrancy, Pastor Rogers was called upon to serve three times as President of the 14-million member Southern Baptist Convention. Adrian Rogers has written numerous books: Mastering Your Emotions; God’s Way to Health, Wealth and Wisdom; The Power of His Presence; and Ten Secrets for a Successful Family; Kingdom Authority, Believe in Miracles but Trust in Jesus; Standing for Light and Truth; God’s Wisdom is Better Than Gold; plus many others.

Dr. Rogers was also the pastor/teacher of Love Worth Finding, a ministry which extends the message of Dr. Rogers far beyond the congregation, proving to be a blessing to listeners around the nation every day. This radio and television ministry takes Dr. Rogers’ message in four languages to more than 14,000 television outlets and 1,100 radio outlets in the United States and in 150 other countries including all of Europe, Latin America, China, Australia, Africa, India, and beyond. Tapes and other resources from Dr. Rogers are available through Love Worth Finding Ministries, P.O. Box 38300, Memphis, TN 38183-0300, 1-800-274-LOVE (5683).

Dr. Rogers went to be with Jesus on November 15, 2005.

– See more at: http://www.fbcmd.org/message.php?messageID=3033&#sthash.KrRcF92Y.dpuf

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

The Bible maintains several characteristics that prove it is from God. One of those is the fact that the Bible is accurate in every one of its details. The field of archaeology brings to light this amazing accuracy.Many people have questioned the accuracy of the Bible, but I have posted many videos and articles with evidence pointing out that the Bible has many pieces of evidence from archaeology supporting the view that the Bible is historically accurate. Take a look at the video below.

The Bible and Archaeology – Is the Bible from God? (Kyle Butt 42 min)

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Related posts:

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 35 Robert M. Pirsig (Feature on artist Kerry James Marshall)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 34 Aleksandr Solzhenitsyn (Feature on artist Shahzia Sikander)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 33 Aldous Huxley (Feature on artist Matthew Barney )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 32 Steven Weinberg and Woody Allen and “The Meaningless of All Things” (Feature on photographer Martin Karplus )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 31 David Hume and “How do we know we know?” (Feature on artist William Pope L. )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 30 Rene Descartes and “How do we know we know?” (Feature on artist Olafur Eliasson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 29 W.H. Thorpe and “The Search for an Adequate World-View: A Question of Method” (Feature on artist Jeff Koons)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 28 Woody Allen and “The Mannishness of Man” (Feature on artist Ryan Gander)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 27 Jurgen Habermas (Featured artist is Hiroshi Sugimoto)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 26 Bettina Aptheker (Featured artist is Krzysztof Wodiczko)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 25 BOB DYLAN (Part C) Francis Schaeffer comments on Bob Dylan’s song “Ballad of a Thin Man” and the disconnect between the young generation of the 60’s and their parents’ generation (Feature on artist Fred Wilson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 24 BOB DYLAN (Part B) Francis Schaeffer comments on Bob Dylan’s words from HIGHWAY 61 REVISITED!! (Feature on artist Susan Rothenberg)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 23 BOB DYLAN (Part A) (Feature on artist Josiah McElheny)Francis Schaeffer on the proper place of rebellion with comments by Bob Dylan and Samuel Rutherford

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 22 “The School of Athens by Raphael” (Feature on the artist Sally Mann)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 21 William B. Provine (Feature on artist Andrea Zittel)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 20 Woody Allen and Materialistic Humanism: The World-View of Our Era (Feature on artist Ida Applebroog)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 19 Movie Director Luis Bunuel (Feature on artist Oliver Herring)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 18 “Michelangelo’s DAVID is the statement of what humanistic man saw himself as being tomorrow” (Feature on artist Paul McCarthy)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 17 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part C (Feature on artist David Hockney plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 16 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part B (Feature on artist James Rosenquist plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 15 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part A (Feature on artist Robert Indiana plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 14 David Friedrich Strauss (Feature on artist Roni Horn )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 13 Jacob Bronowski and Materialistic Humanism: The World-View of Our Era (Feature on artist Ellen Gallagher )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 12 H.J.Blackham and Materialistic Humanism: The World-View of Our Era (Feature on artist Arturo Herrera)

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 10 David Douglas Duncan (Feature on artist Georges Rouault )

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 8 “The Last Year at Marienbad” by Alain Resnais (Feature on artist Richard Tuttle and his return to the faith of his youth)

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 5 John Cage (Feature on artist Gerhard Richter)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 4 ( Schaeffer and H.R. Rookmaaker worked together well!!! (Feature on artist Mike Kelley Part B )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 3 PAUL GAUGUIN’S 3 QUESTIONS: “Where do we come from? What art we? Where are we going? and his conclusion was a suicide attempt” (Feature on artist Mike Kelley Part A)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 2 “A look at how modern art was born by discussing Monet, Renoir, Pissaro, Sisley, Degas,Cezanne, Van Gogh, Gauguin, Seurat, and Picasso” (Feature on artist Peter Howson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 1 HOW SHOULD WE THEN LIVE? “The Roman Age” (Feature on artist Tracey Emin)

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“Truth Tuesday” Taking on Ark Times Bloggers on the “Absurdity of Life without God!!” Part 5 (Do atheists avoid serving God so they can do what they want?)

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

The Bible and Archaeology – Is the Bible from God? (Kyle Butt 42 min)

Why Can’t Morals Be Grounded In Society?

Published on Aug 31, 2012

Dr William Lane Craig was invited by the School of Oriental and African Studies (SOAS) Christian Union, London to give a lecture titled “Can we be good without God?” In this video Dr Craig answers a question about the objectivity of morality. Should we consider morals to be objective? If so, why can’t morals be “abiding” and objectively grounded in society?

The lecture formed part of the Reasonable Faith Tour in October 2011. The Tour was sponsored by Damaris Trust, UCCF and Premier Christian Radio.

The entire lecture “Can We Be Good Without God” can be viewed here: http://youtu.be/jzlEnrJfDBc

For more resources visit Dr Craig’s website: http://www.reasonablefaith.org

We welcome your comments in the Reasonable Faith forums:
http://www.reasonablefaith.org/forums/

Be sure to visit both of our Youtube channels for more videos:
youtube.com/reasonablefaithorg and youtube.com/drcraigvideos

More videos from the tour can be viewed at: http://www.youtube.com/user/Reasonabl…

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Dr. Francis schaeffer – The flow of Materialism

(Samuel Beckett example: Life is  meaningless, live in tension with reality)

(Modern man sees no hope for the future and has deluded himself by appealing to nonreason to stay sane. Look at the example of the lady tied to the railroad tracks in this above video as a example.)

Francis and Edith Schaeffer pictured below:

HOW SHOULD WE THEN LIVE? was both a book and a film series.

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Life without God in the picture is absurdity!!!. That was the view of King Solomon when he wrote the Book of Ecclesiastes 3000 years ago and it is the view of many of the modern philosophers today. Modern man has tried to come up with a lasting meaning for life without God in the picture (life under the sun), but it is not possible. Without the infinite-personal God of the Bible to reveal moral absolutes then man is left to embrace moral relativism. In a time plus chance universe man is reduced to a machine and can not find a place for values such as love. Both of Francis Schaeffer’s film series have tackled these subjects and he shows how this is reflected in the arts.

Here are some posts I have done on the series “HOW SHOULD WE THEN LIVE? : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” episode 9 “The Age of Personal Peace and Affluence”episode 8 “The Age of Fragmentation”episode 7 “The Age of Non-Reason” episode 6 “The Scientific Age”  episode 5 “The Revolutionary Age” episode 4 “The Reformation” episode 3 “The Renaissance”episode 2 “The Middle Ages,”, and  episode 1 “The Roman Age,” .

In the film series “WHATEVER HAPPENED TO THE HUMAN RACE?” the arguments are presented  against abortion (Episode 1),  infanticide (Episode 2),   euthenasia (Episode 3), and then there is a discussion of the Christian versus Humanist worldview concerning the issue of “the basis for human dignity” in Episode 4 and then in the last episode a close look at the truth claims of the Bible.

I have discussed many subjects with my liberal friends over at the Ark Times Blog in the past and I have taken them on now on the subject of the absurdity of life without God in the picture. Most of my responses included quotes from William Lane Craig’s book THE ABSURDITY OF LIFE WITHOUT GOD.  Here is the result of one of those encounters from June of 2013:

Hackett’s secular atheist worldview could only lead to one conclusion and sure enough he stated, “Yeah! SR you’re going to the same place I am…straight into the dirt.”

I SALUTE YOU HACKETT FOR FOLLOWING A GOOD LINE OF LOGIC!!!! THIS QUOTE FROM BERTRAND RUSSELL COMES TO THE SAME CONCLUSION THAT YOU DO, “All the noonday brightness of human genius, [is] destined to extinction in the vast death of the solar system, and that the whole temple of Man’s achievement must inevitably be buried beneath the debris of a universe in ruins.” (Bertrand Russell, “A Free Man’s Worship,” Two Modern Essays on Religion (Hanover, NH: Westholm Publications, 1959) 25)

DO YOU REALLY BELIEVE THERE IS NO GOD OR DO YOU WANT TO AVOID BELIEVING IN GOD BECAUSE YOU DON’T WANT TO OBEY HIM? A THIEF DOESN’T WANT TO FIND A POLICEMAN EITHER!!!!!

The atheist ALDOUS HUXLEY found the logical conclusion that life is meaningless exhilarating:

“We objected to the morality because it interfered with our sexual freedom; we objected to the political and economic system because it was unjust. The supporters of these systems claimed that in some way they embodied the meaning (a Christian meaning, they insisted) of the world. There was one admirably simple method of confuting these people at the same time justifying ourselves… we could deny that the world had any meaning.” (Aldous Huxley, Ends and Means (New York and London: Harper & Brothers Publishers, 1937) 316)

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Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 5) TRUTH AND HISTORY Published on Oct 7, 2012 by AdamMetropolis This crucial series is narrated by the late Dr. Francis Schaeffer and former Surgeon General Dr. C. Everett Koop. Today, choices are being made that undermine human rights at their most basic level. Practices once […]

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 4) THE BASIS FOR HUMAN DIGNITY

The opening song at the beginning of this episode is very insightful. Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 4) THE BASIS FOR HUMAN DIGNITY Published on Oct 7, 2012 by AdamMetropolis This crucial series is narrated by the late Dr. Francis Schaeffer and former Surgeon General Dr. C. Everett Koop. Today, choices […]

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 3) DEATH BY SOMEONE’S CHOICE

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 3) DEATH BY SOMEONE’S CHOICE Published on Oct 6, 2012 by AdamMetropolis This crucial series is narrated by the late Dr. Francis Schaeffer and former Surgeon General Dr. C. Everett Koop. Today, choices are being made that undermine human rights at their most basic level. Practices […]

Francis Schaeffer: “Whatever Happened to the Human Race?” (Episode 2) SLAUGHTER OF THE INNOCENTS

Francis Schaeffer: “Whatever Happened to the Human Race?” (Episode 2) SLAUGHTER OF THE INNOCENTS Published on Oct 6, 2012 by AdamMetropolis This crucial series is narrated by the late Dr. Francis Schaeffer and former Surgeon General Dr. C. Everett Koop. Today, choices are being made that undermine human rights at their most basic level. Practices […]

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE

It is not possible to know where the pro-life evangelicals are coming from unless you look at the work of the person who inspired them the most. That person was Francis Schaeffer.  I do care about economic issues but the pro-life issue is the most important to me. Several years ago Adrian Rogers (past president of […]

Ecclesiastes, Purpose, Meaning, and the Necessity of God by Suiwen Liang (Quotes Will Durant, Madalyn Murray O’Hair, Stephen Jay Gould,Richard Dawkins, Jean-Paul Sartre,Bertrand Russell, Leo Tolstoy, Loren Eiseley,Aldous Huxley, G.K. Chesterton, Ravi Zacharias, and C.S. Lewis.)

Ecclesiastes 2-3 Published on Sep 19, 2012 Calvary Chapel Spring Valley | Sunday Evening | September 16, 2012 | Derek Neider _____________________________ I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope to show how secular […]

Robert Leroe on Ecclesiastes (Mentions Thomas Aquinas, Princess Diana, Mother Teresa, King Solomon, King Rehoboam, Eugene Peterson, Chuck Swindoll, and John Newton.)

Ecclesiastes 1 Published on Sep 4, 2012 Calvary Chapel Spring Valley | Sunday Evening | September 2, 2012 | Pastor Derek Neider _____________________ I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope to show how […]

Super Bowl, Black Eyed Peas, and the Meaning of Life and Ecclesiastes

Ecclesiastes 8-10 | Still Searching After All These Years Published on Oct 9, 2012 Calvary Chapel Spring Valley | Sunday Evening | October 7, 2012 | Pastor Derek Neider _______________________ Ecclesiastes 11-12 | Solomon Finds His Way Published on Oct 30, 2012 Calvary Chapel Spring Valley | Sunday Evening | October 28, 2012 | Pastor Derek Neider […]

Brian LePort on Ecclesiastes

Ecclesiastes 6-8 | Solomon Turns Over a New Leaf Published on Oct 2, 2012 Calvary Chapel Spring Valley | Sunday Evening | September 30, 2012 | Pastor Derek Neider _____________________ I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series […]

J.W. Wartick on Ecclesiastes

Ecclesiastes 4-6 | Solomon’s Dissatisfaction Published on Sep 24, 2012 Calvary Chapel Spring Valley | Sunday Evening | September 23, 2012 | Pastor Derek Neider ___________________ I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope […]

Overview of the Book of Ecclesiastes

Overview of the Book of Ecclesiastes Overview of the Book of EcclesiastesAuthor: Solomon or an unknown sage in the royal courtPurpose: To demonstrate that life viewed merely from a realistic human perspective must result in pessimism, and to offer hope through humble obedience and faithfulness to God until the final judgment.Date: 930-586 B.C. Ecclesiastes 2-3 Published on Sep 19, […]

Doy Moyer on the Book of Ecclesiastes and Apologetics

Ecclesiastes 1 Published on Sep 4, 2012 Calvary Chapel Spring Valley | Sunday Evening | September 2, 2012 | Pastor Derek Neider _____________________ I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope to show how […]

Solomon was the author of Ecclesiastes

Ecclesiastes 8-10 | Still Searching After All These Years Published on Oct 9, 2012 Calvary Chapel Spring Valley | Sunday Evening | October 7, 2012 | Pastor Derek Neider _______________________ Ecclesiastes 11-12 | Solomon Finds His Way Published on Oct 30, 2012 Calvary Chapel Spring Valley | Sunday Evening | October 28, 2012 | Pastor Derek Neider […]

By Everette Hatcher III | Posted in Current Events | Edit | Comments (0)

THE ARTISTS, POETS and PROFESSORS of BLACK MOUNTAIN COLLEGE (the college featured in the film THE LONGEST RIDE) Part 15 Willem de Kooning (Part B)

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The Longest Ride Movie CLIP – Bull Riding Lesson (2015) – Britt Robertson, Scott Eastwood Movie HD

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Scott Eastwood Interview – The Longest Ride

The Longest Ride Official Trailer #1 (2015) – Britt Robertson Movie HD

My first post in this series was on the composer John Cage and my second post was on Susan Weil and Robert Rauschenberg who were good friend of CageThe third post in this series was on Jorge Fick. Earlier we noted that  Fick was a student at Black Mountain College and an artist that lived in New York and he lent a suit to the famous poet Dylan Thomas and Thomas died in that suit.

The fourth post in this series is on the artist  Xanti Schawinsky and he had a great influence on John Cage who  later taught at Black Mountain College. Schawinsky taught at Black Mountain College from 1936-1938 and Cage right after World War II. In the fifth post I discuss David Weinrib and his wife Karen Karnes who were good friends with John Cage and they all lived in the same community. In the 6th post I focus on Vera B. William and she attended Black Mountain College where she met her first husband Paul and they later  co-founded the Gate Hill Cooperative Community and Vera served as a teacher for the community from 1953-70. John Cage and several others from Black Mountain College also lived in the Community with them during the 1950’s. In the 7th post I look at the life and work of M.C.Richards who also was part of the Gate Hill Cooperative Community and Black Mountain College.

In the 8th post I look at book the life of   Anni Albers who is  perhaps the best known textile artist of the 20th century and at Paul Klee who was one  of her teachers at Bauhaus. In the 9th post the experience of Bill Treichler in the years of 1947-1949  is examined at Black Mountain College. In 1988, Martha and Bill started The Crooked Lake Review, a local history journal and Bill passed away in 2008 at age 84.

In the 10th post I look at the art of Irwin Kremen who studied at Black Mountain College in 1946-47 and there Kremen spent his time focused on writing and the literature classes given by the poet M. C. Richards. In the 11th post I discuss the fact that Josef Albers led the procession of dozens of Bauhaus faculty and students to Black Mountain.

In the 12th post I feature Wassily Kandinsky (1866-1944) who was featured in the film THE LONGEST RIDE and the film showed Kandinsky teaching at BLACK MOUNTAIN COLLEGE which was not true according to my research. Evidently he was invited but he had to decline because of his busy schedule but many of his associates at BRAUHAUS did teach there. In the 13th post I look at the writings of the communist Charles Perrow. 

Willem de Kooning was such a major figure in the art world and because of that I have dedicated the 14th15th and 16th posts in this series on him. Paul McCartney got interested in art through his friendship with Willem because Linda’s father had him as a client. Willem was a  part of New York School of Abstract expressionism or Action painting, others included Jackson Pollock, Elaine de Kooning, Lee Krasner, Franz Kline, Arshile Gorky, Mark Rothko, Hans Hofmann, Adolph Gottlieb, Anne Ryan, Robert Motherwell, Philip Guston, Clyfford Still, and Richard Pousette-Dart.

PBS Show on Black Mountain College:

Black Mountain College

For a short time in the middle of the twentieth century a small town in North Carolina became a hub of American cultural production. The town was Black Mountain and the reason was Black Mountain College. Founded in 1933, the school was a reaction to the more traditional schools of the time. At its core was the assumption that a strong liberal and fine arts education must happen simultaneously inside and outside the classroom. Combining communal living with an informal class structure, Black Mountain created an environment conducive to the interdisciplinary work that was to revolutionize the arts and sciences of its time.Among Black Mountain’s first professors were the artists Josef and Anni Albers, who had fled Nazi Germany after the closing of the Bauhaus. It was their progressive work in painting and textiles that first attracted students from around the country. Once there, however, students and faculty alike realized that Black Mountain College was one of the few schools sincerely dedicated to educational and artistic experimentation. By the forties, Black Mountain’s faculty included some of the greatest artists and thinkers of its time: Walter Gropius, Jacob Lawrence, Willem de Kooning, Robert Motherwell, John Cage, Alfred Kazin, Merce Cunningham, and Paul Goodman. Students found themselves at the locus of such wide ranging innovations as Buckminster Fuller‘s Geodesic Dome, Charles Olson’s Projective Verse, and some of the first performance art in the U.S.By the late 40s, word of what was happening in North Carolina had started to spread throughout the country. With a Board of Directors that included William Carlos Williams and Albert Einsteinand impressive programs in poetry and photography, Black Mountain had become the ideal of American experimental education. Its concentration on cross-genre arts education would influence the programs of many major American institutions.In 1953, as many of the students and faculty left for San Francisco and New York, those still at Black Mountain saw the shift in interest and knew the school had run its course. Black Mountain had existed on its own terms, and on its own terms had succeeded in expanding the possibilities of American education. Realizing that they had essentially achieved their goals, they closed their doors forever. Black Mountain’s legacy continued however, with former students such as painter Robert Rauschenberg, publisher Jonathan Williams, and poet John Wieners bringing the revolutionary spirit of their alma mater to the forefront of a number of other cultural movements and institutions.

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Great article 

Willem de Kooning Life and Art Periods

“I’m not interested in ‘abstracting’ or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it – drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it again becomes an emotion or idea.”

WILLEM DE KOONING SYNOPSIS

After Jackson Pollock, de Kooning was the most prominent and celebrated of theAbstract Expressionist painters. His pictures typify the vigorous gestural style of the movement and he, perhaps, did more than any of his contemporaries to develop a radically abstract style of painting that fused Cubism, Surrealism and Expressionism. Although he established his reputation with a series of entirely abstract pictures, he felt a strong pull towards traditional subjects and would eventually become most famous for his pictures of women, which he painted in spells throughout his life. Later he turned to landscapes, which were also highly acclaimed, and which he continued to paint even into his eighties, when his mind was significantly impaired by Alzheimer’s disease.

WILLEM DE KOONING KEY IDEAS

De Kooning strongly opposed the restrictions imposed by naming movements and, while generally considered to be an Abstract Expressionist, he never fully abandoned the depiction of the human figure. His paintings of women feature a unique blend of gestural abstraction and figuration. Heavily influenced by the Cubism of Picasso, de Kooning became a master at ambiguously blending figure and ground in his pictures while dismembering, re-assembling and distorting his figures in the process.
Although known for continually reworking his canvases, de Kooning often left them with a sense of dynamic incompletion, as if the forms were still in the process of moving and settling and coming into definition. In this sense his paintings exemplify ‘action painting’ – they are like records of a violent encounter, rather than finished works in the old Beaux Arts tradition of fine painting.
Although he came to embody the popular image of the macho, hard-drinking artist – and his most famous Women series seems painted with angry vigor – de Kooning approached his art with careful thought and was considered one of the most knowledgeable among the artists associated with the New York School. He is thought to possessed the greatest facility and polished techniques of painters in the New York School, one that compares to that of Old Masters, and he looked to the likes of Ingres, Rubens and Rembrandt for inspiration.

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MOST IMPORTANT ART

Seated Woman (1940)
Seated Woman was de Kooning’s first major painting of a woman, and it evolved, curiously, out of a commission for a slightly earlier picture, Portrait of a Woman (c.1940). The artist seems to have held on to the commissioned portrait and started to use it to develop new pictures. The earlier work was shaped in part by contemporary images of women in magazines and by de Kooning’s wife Elaine who had even stood in as a model when the portrait’s subject was not available. These factors surely encouraged de Kooning to see the possibilities of using a ‘portrait’ to represent womankind in general, rather than a specific individual. Seated Woman was also undoubtedly influenced by Arshile Gorky, in particular the figurative The Artist and his Mother, which Gorky worked on for almost fifteen years after 1926.
Oil and charcoal on masonite – The Philadelphia Museum of Art

WILLEM DE KOONING BIOGRAPHY

Childhood / Early Training

Born in Rotterdam in the Netherlands in 1904, Willem de Kooning was raised mostly by his mother, who owned a bar, after his parents divorced when he was three. He found his vocation early and left school when he was twelve to apprentice at a commercial design and decorating firm. He also studied at Rotterdam Academy of Fine Arts and Techniques. During this period, he became interested in Jugendstil, the German variant of Art Nouveau, and its organic forms were significant in shaping his early style. However, he was soon distracted by the ascendant Dutch movement De Stijl, becoming particularly interested in its emphasis on purity of color and form, and its conception of the artist as a master craftsman.

After living for a year in Belgium in 1924, de Kooning returned to Rotterdam before travelling as a stowaway to the United States, arriving in Virginia in August 1926. He worked his way to Boston on a coal ship, then worked as a house painter in Hoboken, New Jersey before moving across the Hudson to Manhattan. There he took jobs in commercial art, designed window displays and produced fashion advertisements, work which would consume him for several years. De Kooning was still unable to devote himself to the art he loved, but he found the community of artists in New York too valuable to leave behind; when offered a salaried job in Philadelphia, he remarked that he would rather be poor in New York than rich in Philadelphia.

Willem de Kooning Biography

Several artists proved important for his development in those early years. He valued the example of Stuart Davis’ urbane modernism, as well as John Graham’s ideas, but Arshile Gorky was to be the biggest stylistic influence on de Kooning – “I met a lot of artists,” he once said, “but then I met Gorky.” Gorky had spent years working through Picasso’s Cubism and then Miró’s Surrealism before reaching his own mature style, and in subsequent years, de Kooning would follow a similar path: he was impressed by two major exhibitions he saw at MoMA in 1936, “Cubism and Abstract Art” and “Fantastic Art, Dada, and Surrealism,” and he was powerfully influenced by a Picassoretrospective that was staged at the same museum in 1939.

De Kooning worked on projects for the WPA mural division from 1935-37, and for the first time he was able to focus entirely on fine art instead of commercial painting. His network expanded to include Harold Rosenberg, the art critic who later heralded him as a leader of action painting. And in 1936 he was included in the show New Horizons in American Art at MoMA. Men were often the subjects of his pictures in this period, and although they are often traditionally posed, the bodies of figures such as The Glazier (c.1940) were radically distorted and the planes flattened. De Kooning often struggled with certain details in his portraits – hair, hands and shoulders – and this encouraged a habit of scraping back and reworking areas of his pictures, which left them with the appearance of being unfinished. He also painted highly abstract pictures during this time, and these, such as The Wave (c.1942-44), are characterized by flat, biomorphic forms similar to those which had first attracted the young artist to Jugendstil.

Willem de Kooning Photo

In 1938, de Kooning took on Elaine Fried as an apprentice; she became his wife in 1943, and in time she would become a prominent Abstract Expressionist in her own right. The two shared a tempestuous, alcohol-fueled relationship, one which was not aided by extramarital affairs on both sides. Following their separation at the end of the 1950s, de Kooning had a child with another woman, and even had an affair with Ruth Kligman, the former lover of Jackson Pollock who had survived the car crash that killed him. However, Elaine and Willem reunited in the mid 1970s and remained together until her death in 1989.

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WILLEM DE KOONING LEGACY

Although undoubtedly an equal of Jackson Pollock in talent and achievement, de Kooning’s work has proved less influential. His achievement was to blend Cubism,Expressionism and Surrealism, and he did so with astonishing power throughout a career remarkable for its consistent high quality. Yet as artists’ concerns moved away from those of modernism, his work seemed less relevant, and for a generation of less macho, more Pop-influenced artists such as Robert Rauschenberg and Jasper Johns, de Kooning represented the epitome of the grand heroics they distrusted. Rauschenberg himself would express their distance from him most powerfully – and famously – when he purchased a drawing by de Kooning, erased it, and exhibited the result as his own artwork (Erased de Kooning Drawing, (1953)). Nevertheless, de Kooning’s influence on painters remains important even to this day, particularly those attracted to gestural styles; the highly abstract and erotic work of prominent 1990s painter Cecily Brown is inconceivable without his example.

Original content written by The Art Story Contributors
Willem de Kooning. [Internet]. 2015. TheArtStory.org website. Available from:
http://www.theartstory.org/artist-de-kooning-willem.htm [Accesed 03 May 2015]

WILLEM DE KOONING QUOTES

“I don’t paint to live, I live to paint”

“I’d like to get all the colors in the world into one painting”.

“I never was interested in how to make a good painting.. But to see how far one can go”.

“Art never seems to make me peaceful or pure. I always seem to be wrapped up in the melodrama of vulgarity.”

“I don’t paint with ideas of art in mind. I see something that excites me. It becomes my content.”

“Even abstract shapes must have a likeness”

“Flesh was the reason why oil painting was invented”

INFLUENCES

ARTISTS

Pablo Picasso

Joan Miró

Piet Mondrian

Arshile Gorky

Chaim Soutine
FRIENDS

Clement Greenberg

Harold Rosenberg

Franz Kline

John Graham
MOVEMENTS

Cubism

De Stijl

Surrealism

Expressionism
Willem de Kooning Bio Photo
Willem de Kooning
Years Worked: 1930 – 1990
ARTISTS

Robert Rauschenberg Overview

Robert Rauschenberg

Joan Mitchell Overview

Joan Mitchell

Franz Kline Overview

Franz Kline

Richard Diebenkorn Overview

Richard Diebenkorn

Cecily Brown Overview

Cecily Brown
FRIENDS

Harold Rosenberg Overview

Harold Rosenberg

Clement Greenberg Overview

Clement Greenberg

Arshile Gorky Overview

Arshile Gorky
MOVEMENTS

Pop Art Overview

Pop Art

Post-Painterly Abstraction Overview

Post-Painterly Abstraction

Neo-Expressionism Overview

Neo-Expressionism

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Good article

This is the PopLifeArt.com blog. I’ll use the blog to let you know what’s going on in the world of celebrity art.

Paintings by Paul McCartney

Ancient Connections by Paul McCartney

Like his former Beatles bandmates Ringo Starr and the late John Lennon, Paul McCartney is a painter. His interest in art developed in the 1960s through his friendship with gallery-owner Robert Fraser. Through Fraser McCartney met many well-known artists including Andy Warhol. He later became a fan of Rene Magritte. He used Magritte’s painting of an apple for the Apple Records logo. He also established a friendship with artist Willem de Kooning who is said to have had a large influence on McCartney’s artistic style. Paul McCartney took up painting in 1983. He exhibited his paintings for the first time in Siegen, Germany in 1999. The catalog from this exhibition was later released as a book titled Paul McCartney: Paintings. In 2002 he had a comprehensive exhibition of his artwork at the Walker Art Gallery in his home town of Liverpool. The image posted here is “Ancient Connections” by Paul McCartney.

See the Pop Life Art homepage for links to the artwork of Paul McCartney and other singers, musicians, and actors.

Paul McCartney Free Concert and Art Exhibit in the Ukraine (4/29/08)

Photographs by Linda McCartney to go on Display in London (4/4/08)

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Paul McCartney and Luigi’s Alcove

Big Mountain Face

I’m sure you know Paul McCartney as a singer and song-writer. But did you know the ex-Beatle also paints?

A few years ago, I got the book Paul McCartney: Paintings. He does these big, expressive, semi-abstract pieces that have a sort of visceral effect, with lots of drips and runs. Very much influenced by Willem de Kooning’sabstract expressionism.

Great article on Black Mountain College:

Experimental liberal arts college at Black Mountain, NC, open from 1933 to 1957. In the 1940s and early 1950s it was a centre for a group of painters, architects, musicians and poets associated particularly with the development of performance and multimedia work, crossing many disciplines. It was founded by John Andrew Rice (1888–1968) and a group of students and staff from Rollins College, Winter Park, FL. It was located in the Blue Ridge Assembly Buildings, c. 29 km east of Asheville, NC, until 1941, when it moved to nearby Lake Eden until its closure. The progressive ideas of John Dewey influenced the interaction of formal education with community life, the absence of conventional grades and credits and the central importance accorded to the arts. The college was owned and administered by the staff. The setting was modest, and fewer than 1200 students attended in 24 years.

In the founding year Josef Albers, the first of many European refugees to teach at Black Mountain, came from Germany to teach art; through his activities the college disseminated Bauhaus teaching methods and ideas into American culture. The visual arts curriculum included courses in design and colour that later became a standard part of art education, as well as workshops in weaving, wood-working, printing, photography and bookbinding. Anni Albers, a former Bauhaus student, developed a weaving course that emphasized designing for industrial production. Xanti Schawinsky (1904–79), who studied with Oskar Schlemmer at the Bauhaus, taught art and stage studies from 1936 to 1938 and directed Spectodrama: Play, Life, Illusion, one of the earliest performances of abstract theatre in the USA.

In 1944 Black Mountain College sponsored its first summer arts programme, which attracted many major artists for intense periods of teaching and participation in concerts, exhibitions, lectures and drama and dance performances. Among the European artists who taught were Lyonel Feininger, Walter Gropius, Leo Lionni (b1910), Amédée Ozenfant, Bernard Rudofsky (1905–88) and Ossip Zadkine. Other summer staff included Leo Amino (b 1911), John Cage, Mary Callery (1903–77), Merce Cunningham, Willem de Kooning, Buckminster Fuller, Jacob Lawrence (b 1917), Barbara Morgan (b 1900) and Robert Motherwell. Ilya Bolotowsky taught from 1946 to 1948.

After Josef Albers left in 1949, the central figure in the community was the poet and critic Charles Olson (1910–70), who taught at the college in 1948–9 and returned in 1951. Under his direction the college became a centre for the formulation of a new poetics based on open form and ‘projective verse’. The Black Mountain Review, edited by Robert Creeley (b 1926), was one of the most influential small-press journals of the period, and the college played a formative role in the revival of the small-press movement in the USA. Creeley, Joseph Fiore (b 1925), M. C. Richards (b 1916) and Robert Duncan (1919–88) were among the members of the young American staff. A ceramics course was added to the curriculum and the faculty included Robert Turner (b 1913), Karen Karnes (b 1925) and David Weinrib (b 1924). The summer sessions in the arts brought many artists to the campus, including Harry Callahan, Shōji Hamada, Franz Kline, Bernard Leach, Ben Shahn, Aaron Siskind, Jack Tworkov and Peter Voulkos (b 1924).

Albers and the other European artists brought the spirit of modernism to the progressive, experimental spirit of the founders, and the fusion of these two movements culminated in a creative atmosphere and an intense, intellectual community, receptive to experimental ventures in the arts. It was at Black Mountain College that Buckminster Fuller attempted to raise his first dome in 1948, that John Cage staged his first work of performance art in 1952, and that the Cunningham Dance Company was founded in 1953. Through the work of its students, among them Ruth Asawa (b 1926), John Chamberlain, Ray Johnson, Kenneth Noland, Robert Rauschenberg, Dorothea Rockburne (b 1929), Kenneth Snelson, Cy Twombly, Stanley Vanderbeek (1927–84) and Jonathan Williams (b1929), the college played a formative role in the definition of an American aesthetic and identity in the arts during the 1950s and 1960s.

Mary Emma Harris
From Grove Art Online

© 2009 Oxford University Press

Spark’s latest ‘The Longest Ride’ filmed across NC

Like most of NC native Nicholas Sparks‘ stories, “The Longest Ride” is set in North Carolina and involves love stories that intertwine across time. In “The Longest Ride”  Luke, a rodeo rider played by Clint Eastwood’s son Scott Eastwood, and Sophia, an art history major at Wake Forest University  played by Britt Robertson, fall in love against a backdrop of North Carolina mountains and Piedmont hills. A second plot line features Ira, a WWII vet played by Alan Alda. Told mostly in flashback, this story is largely set at historic Black Mountain College, an experimental school just outside Asheville which left a huge legacy both in the arts and in education during its brief life.
Released by 20th Century Fox on April 10, 2015, the film was made in North Carolina, using locations across the state. Filming destinations included Wilmington, Winston-Salem, Jacksonville and the Yadkin River Valley, home of North Carolina’s largest wine area, as well as the NC mountains and the isolated peak of Pilot Mountain, just north of Winston-Salem.
“Nicholas Sparks, who makes his home in New Bern, N.C., finds endless inspiration in the history and beauty of North Carolina,” said Wit Tuttell, executive director of Visit North Carolina. “By using the natural landscapes to bring ‘The Longest Ride’ to the screen, the filmmakers have created a special invitation to explore the state’s scenery, heritage and an artistic streak that extends from the mountains to the coast.”
To help film tourists experience places featured in the film and the novel, Visit North Carolina has put together a four-day trip across the state (we think a week would do it more justice). Here are some highlights:
The itinerary begins in Asheville’s River Arts District, where you can join the stars in exploring some 189 working studios and dine in some of the trendiest restaurants in this foodie obsessed city. Consider an overnight stay at the Omni Grove Park Inn, with majestic views of the city and the mountains, where Alda and his bride, played by Oona Chaplin, honeymooned. Downtown Asheville is also a great spot to begin your exploration of the phenomenon that was Black Mountain College. The Asheville Art Museum houses the Black Mountain Collection which includes works by some of the most influential artists who made their home at the college including Elaine de Kooning, Ken Noland, and Ray Johnson. The Black Mountain College Museum and Event Center, located a block or so away, tells the history of this remarkable institution.
Day Two takes visitors down I-40 for a driveby of the old Black Mountain College campus on Lake Eden off Old Hwy 70. In operation from just 1933 to 1957, the grounds are now used as a boys camp, but regain some of their artistic spark during the Lake Eden Arts Festival, held twice a year. The artsy community of Black Mountain, home of numerous galleries and shops, is worth a visit year round.
Continue down I-40 to I-77 for a hike or horse ride on the trails at Pilot Mountain State Park, with 2,421-foot quartzite dome, a National Natural Landmark, climbed by Luke and Sophia in the movie. This is the heart of the Yadkin Valley wine region, with lots of options for tastings and dining, as well as accommodations on winery grounds. To complete the film experience, plan a stay at the Mitchell River House, Luke’s home in “The Longest Ride.”
Day Three heads for Winston-Salem, home of the lush campus of Wake Forest University, where Sophia studied art. Plan your trip into town through the towns of Pinnacle and King, location of the American Legion Complex scene of the movie’s rodeo action. The city of Winston-Salem is home to several important art galleries, including the Reynolda House Museum, once home of the Reynolds family, as well as the living history neighborhood of Old Salem. Follow Luke and Sophia’s steps to Sakura Japanese Restaurant & Sushi Bar or the elegant Fabian’s Restaurant.
Day Four of the itinerary travels to Wilmington, a 3.5 hour drive down I-40. Make a short detour at Exit 384 to visit the charming downtown of Wallace, NC, which stood in for downtown Greensboro during the era when Ira was growing up there. Locations from the film include Wallace storefronts that “played” Ira’s father’s haberdashery, the soda shop, bus station and newsstand.
Much of the filming of “The Longest Ride” took place in Wilmington, known as Hollywood East and the location of the sound stages of EUE/Screen Gems Studios, which are again open for touring during the travel season. Wilmington locations used in filming include the Temple of Israel, the Union Station Building, St. Mary’s Catholic School and homes in historic neighborhoods, best seen by horse-drawn carriage. The galleries of the Cameron Art Museum stood in for several of the museums visited in the film. Sign up for the Hollywood Location Walk to discover Wilmington locations used in many movies from “Blue Velvet” to “Iron Man 3” as well as many Sparks films and TV shows. Plan to stay at the Greystone Inn, where the “Longest Ride” party scene was filmed.
The final stop in the itinerary is nearby Caswell Beach, located on remote Oak Island, which served as a stand-in for the Outer Banks where Ruth’s family vacationed.
Learn more and access everything you need for planning a trip at VisitNC.com, or call 1-800-VISITNC (1-800-847-4862).

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 52 THE BEATLES (Part D, There is evidence that the Beatles may have been exposed to Francis Schaeffer!!!) (Feature on artist Anna Margaret Rose Freeman )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 51 THE BEATLES (Part C, List of those on cover of Stg.Pepper’s ) (Feature on artist Raqib Shaw )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 50 THE BEATLES (Part B, The Psychedelic Music of the Beatles) (Feature on artist Peter Blake )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 49 THE BEATLES (Part A, The Meaning of Stg. Pepper’s Cover) (Feature on artist Mika Tajima)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 48 “BLOW UP” by Michelangelo Antonioni makes Philosophic Statement (Feature on artist Nancy Holt)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 47 Woody Allen and Professor Levy and the death of “Optimistic Humanism” from the movie CRIMES AND MISDEMEANORS Plus Charles Darwin’s comments too!!! (Feature on artist Rodney Graham)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 46 Friedrich Nietzsche (Featured artist is Thomas Schütte)

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 21 (Dr. Lawrence Krauss, theoretical physicist and cosmologist at Arizona State, “…most scientists don’t think enough about God…There’s no evidence that we need any supernatural hand of God”)

________________

MUSIC MONDAY Take It Away (Paul McCartney song)

_____

Paul McCartney – Take It Away

Paul McCartney & Wings: “Take It Away” 1980 Rehearsal

Take It Away (Paul McCartney song)

From Wikipedia, the free encyclopedia
“Take It Away”
Single by Paul McCartney
from the album Tug of War
B-side “I’ll Give You a Ring” (7″)
“I’ll Give You a Ring” / “Dress Me Up as a Robber” (12″)
Released 21 June 1982 (7″)
5 July 1982 (12″)
Format 7″, 12″
Recorded February 1981
Genre Pop rock
Length 4:13 (album version)
3:59 (single version)
Label Parlophone/EMI
Writer(s) Paul McCartney
Producer(s) George Martin
Paul McCartney singles chronology
Ebony and Ivory
(1982)
Take It Away
(1982)
Tug of War
(1982)

Take It Away” is a single by Paul McCartney from his 1982 album Tug of War. The single spent sixteen weeks on the Billboard Hot 100 singles chart, reaching #10[1][2] It reached #15 in the UK.[3] The music video features former Beatles‘ drummer Ringo Starr and long-time producer George Martin, both of whom played on the track, as well as actor John Hurt[citation needed].

Although there is a notable fade from “Tug of War” and into this song on the album, the single version of the song omits this, instead starting with a clean opening. The single also fades sooner, omitting part of the ending trumpet solo.

Track listings[edit]

7″ single
  1. “Take It Away” – 3:59
  2. “I’ll Give You a Ring” – 3:05
12″ single (black vinyl everywhere else; clear yellow vinyl in Japan)[4]
  1. “Take It Away” – 3:59
  2. “I’ll Give You a Ring” – 3:05
  3. “Dress Me Up as a Robber” – 2:40

Personnel[edit]

Chart performance[edit]

Weekly singles charts[edit]

Chart (1982) Position
Australian Kent Music Report[5] 18
Belgian Singles Chart (Flanders) [6] 28
Canadian RPM Top 100 Singles[7] 17
Canadian RPM Adult Contemporary[8] 2
Dutch Singles Chart[9] 43
Irish Singles Chart [10] 26
New Zealand Singles Chart[11] 30
Norwegian VG-lista Singles Chart[12] 7
UK Singles Chart[3] 15
US Billboard Hot 100[2] 10
US Billboard Adult Contemporary[2] 6
US Billboard Mainstream Rock[2] 39
US Cash Box Top 100[13] 6
West German Media Control Singles Chart[14] 46

Year-end charts[edit]

Chart (1982) Position
US Billboard Top Pop Singles[15] 70
US Cash Box[16] 45
US Billboard Top AC Singles[15] 47

References[edit]

  1. Jump up^ Whitburn, Joel (2004). The Billboard Book of Top 40 Hits, 8th Edition (Billboard Publications)
  2. ^ Jump up to:a b c d “Allmusic: Paul McCartney: Charts & Awards”. allmusic.com. Retrieved 2 May 2013.
  3. ^ Jump up to:a b “Paul McCartney > Artists > Official Charts”. The Official Charts Company. Retrieved 5 May 2013.
  4. Jump up^ Paul McCartney – Take It Away at Discogs
  5. Jump up^ Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN 0-646-11917-6.
  6. Jump up^ “ultratop.be Paul McCartney – “Take It Away”” (ASP). Hung Medien (in Dutch). Ultratop. Retrieved 5 May 2013.
  7. Jump up^ “Top Singles – Volume 37, No. 5”. RPM. 18 September 1982. Retrieved 5 May 2013.
  8. Jump up^ “Adult Contemporary – Volume 37, No. 8”. RPM. 9 October 1982. Retrieved 5 May 2013.
  9. Jump up^ “dutchcharts.nl Paul McCartney – “Take It Away”” (ASP). Hung Medien. MegaCharts. Retrieved 5 May 2013.
  10. Jump up^ “Search the Charts” (ENTER “PAUL MC CARTNEY” INTO THE “SEARCH BY ARTIST” BOX, THEN SELECT “SEARCH”). Irish Recorded Music Association. Retrieved 3 May 2010.
  11. Jump up^ “charts.org.nz Paul McCartney – “Take It Away”” (ASP). Hung Medien. Recording Industry Association of New Zealand. Retrieved 5 May 2013.
  12. Jump up^ “norwegiancharts.com Paul McCartney – “Take It Away”” (ASP). VG-lista. Retrieved 31 August 2011.
  13. Jump up^ http://50.6.195.142/archives/80s_files/19820904.html
  14. Jump up^ “Single Search: Paul McCartney – “Take It Away”” (in German). Media Control. Retrieved 20 February 2013.
  15. ^ Jump up to:a b Nielsen Business Media, Inc (25 December 1982). Billboard – Talent in Action 1982. Retrieved 1 May 2014.
  16. Jump up^ http://50.6.195.142/archives/80s_files/1982YESP.html

External links[edit]

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Levin on Milton Friedman: ‘One Thing to Have Free Immigration to Jobs, Another for Welfare’ By Michael Morris | January 16, 2015

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Levin on Milton Friedman: ‘One Thing to Have Free Immigration to Jobs, Another for Welfare’

By Michael Morris | January 16, 2015 | 5:12 PM EST

During his show on January 15, 2015, Nationally syndicated radio host Mark Levin recalled the famed economist Milton Friedman and explored an important reason why open immigration, despite what many now think, is not in the best interest of the United States and its citizenry.

“I want to talk about what’s about to happen,” said Levin, “and it’s going to upset you and disappoint you. I have no control over that.”

You aren’t going to be happy about it, Levin suggests.

Levin continued:

“I want to remind you of something – what Milton Friedman said many years ago about what he called free immigration to jobs and welfare. I played this some time ago, as well as many other clips, and we’ve dug deeply into this subject. You know more about the issue of immigration and illegal immigration and amnesty than the average political hack voter.”

I want to remind you about what Milton Friedman said about all of this, “because this whole notion that you can have open borders or you can pretend you are going to secure the border, and then, immediately after passing that bill, you’re passing a wide range of other bills, which all add up to so-called comprehensive immigration reform,” says Levin. “There’s nothing reformist about it.”

Milton Friedman had the following to say about immigration:

“I have always been amused by kind of a paradox. Suppose you go around and ask people: ‘The United States, as you know, before 1914 had completely free immigration. Anybody could get on a boat and come to these shores. If you landed on Ellis Island, it was an immigrant. Was that a good thing or a bad thing?’ You will find hardly a soul who will say it was a bad thing. Almost everybody will say it was a good thing.

“But then, suppose I say to the same people: ‘But now, what about today? Do you think we should have free immigration?’

“’Oh no,’ they’ll say. ‘We couldn’t possibly have free immigration today. Boy that would, uhh, that would flood us with immigrants from India and God knows where. We’d be driven down to a bare subsistence level.’

“What’s the difference? How can people be so inconsistent? Why is it that free immigration was a good thing before 1914 and free immigration is a bad thing today?

“Well, there is a sense in which that answer is right. There is a sense in which free immigration, in the same sense in which we had it before 1914, is not possible today.

“Why not? Because it is one thing to have free immigration to jobs. It is another thing to have free immigration to welfare.”

“It is one thing to have free immigration to jobs, which is what the radical amnesty crowd argues for, including many in the Republican Party, and another thing to have free amnesty or free immigration to welfare,” repeated Levin.

“And look how Obama is handling this issue, in addition to his lawlessness,” remarked Levin.

“He’s immediately trying to sign people up for social security, many of whom haven’t paid a penny into it. He’s immediately trying to sign people up to Medicaid, for all kinds of benefits.

“And this is, really, one of the key issues,” said Levin. It’s ignored by many. It is argued that it will benefit the U.S. economically; it is said that the people coming here do so because they love this country; and these people reject Milton Friedman’s words.

“You have a massive welfare state. We have too many American citizens, who are dipping into our welfare system and are encouraged to do it,” said Levin.

Mark Levin then finished with this query, followed by Milton Friedman’s answer:

“What do you think dirt poor people from overseas, aliens, are going to do when they come into this country – when they’re encouraged to do this by our own government and politicians?

“So it’s one thing to come to America, it’s one thing to immigrate for jobs, it’s another for welfare.”

_________________

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_____________________________

I have gone back and forth with Ark Times liberal bloggers on the issue of abortion, but I am going to try something new. I am going to respond with logical and rational reasons the pro-life view is true. All of this material is from a paper by Scott Klusendorf called FIVE BAD WAYS TO ARGUE ABOUT ABORTION .

On 2-8-13 on the Ark Times blog the person using the username “AngryOldWoman” stated, “If you are against one (abortion) don’t have it.”

____________________

Here is my response:
 

Scott Klusendorf responded to this kind of thinking by stating:

As a guest on the television show Politically Incorrect, former super-model Kathy Ireland gave a carefully reasoned scientific and philosophic defense of the pro-life position.  The show’s host, Bill Maher, ignored her evidence completely and shot back with (paraphrase) “Kathy, that’s just your view.”

What’s wrong with this response?  Maher was confusing a moral claim with a preference claim.  But there is a difference between disliking something (say, for example, a particular flavor of ice cream) and thinking it is morally wrong.  Put simply, when pro-life advocates say that abortion is morally wrong, they are not saying they personally dislike abortion or would prefer that people not have one.  Rather, they are saying that elective abortion is objectively wrong for everyone, regardless of how one feels about it.  This is why the popular bumper sticker “Don’t like abortion? Don’t have one!” misses the point entirely.  It confuses the two types of claims.  (Try this: “Don’t like slavery?  Don’t own a slave!”)

Now it may be the case that pro-life advocates like Kathy Ireland are mistaken about their claim.  Perhaps their evidence that abortion unjustly takes the life of a defenseless child is weak and inconclusive.  But instead of proving this with facts and arguments, abortion advocates like Bill Maher ignore the evidence altogether.  “Well, that’s just your view.”  This not only relativizes the pro-lifers claim, it is intellectually lazy.  It attempts to dismiss evidence rather than refute it.

Imagine if I were to say, “There is a pink elephant in the corner of the room just beneath the window.”7 How should you respond to my claim?  Perhaps I’m mistaken (and chances are I would be), but it would do no good to say, “That’s just your view.”  The problem is I was not offering an opinion, I was claiming to be right.   To refute me, you must show that my claim is false.  The correct response is to say, “Your evidence is lousy.  We looked in the corner and there is no elephant.”

But again, Maher did not do that.  At no point did he challenge her facts and arguments.  What he said in effect was “Go away Kathy.  You have your views and I have mine.”  This was very condescending because he did not even entertain the possibility that she had good evidence for her claim.  Nor did he acknowledge the type of claim she was making.

To sum up, Maher was confusing a preference claim with a distinctly moral one.  Preference claims cannot be evaluated as true or false because they are matters of personal taste.  You cannot reasonably argue that vanilla ice cream is objectively better than chocolate.  But moral claims are different.  They can be evaluated as true or false based on the evidence.  They do not say, “This is better tasting,” they say, “This is right”.  Kathy Ireland’s claim was, Abortion is wrong because it takes the life of a defenseless child, and I think I’m right.  Maher’s glib response did nothing to refute this.  In fact, one could stop Maher dead in his tracks by saying, “Bill, it’s just your view that it’s just my view.”

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Here are the links to articles on Antony Flew’s conversion from Atheism to Theism from March and April 2014 on www.thedailyhatch.org !

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Antony Flew – World’s Most Famous Atheist Accepts Existence of God

Uploaded on Nov 28, 2008

Has Science Discovered God?

A half-century ago, in 1955, Professor Antony Flew set the agenda for modern atheism with his Theology and Falsification, a paper presented in a debate with C.S. Lewis. This work became the most widely reprinted philosophical publication of the last 50 years. Over the decades, he published more than 30 books attacking belief in God and debated a wide range of religious believers.

Then, in a 2004 Summit at New York University, Professor Flew announced that the discoveries of modern science have led him to the conclusion that the universe is indeed the creation of infinite Intelligence.

For More Info Visit:
http://ScienceFindsGod.com

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Is God a Delusion? – William Lane Craig vs Lewis Wolpert

Published on Apr 30, 2012

Professor Craig debated Professor Wolpert at Central Hall, Westminster, Feb. 28, 2007, with John Humphrys in the chair. Professor Wolpert is Professor of Biology as Applied to Medicine at University College, London and is well known for his atheistic beliefs.

We welcome your comments in the Reasonable Faith forums:
http://www.reasonablefaith.org/forums

http://www.reasonablefaith.org

___________

Ricky Gervais on religion and atheism (Feb 2012 interview)

__________________

The Bible and Science (Part 01)

Making Sense of Faith and Science

Uploaded on May 16, 2008

Dr. H. Fritz Schaefer confronts the assertion that one cannot believe in God and be a credible scientist. He explains that the theistic world view of Bacon, Kepler, Pascal, Boyle, Newton, Faraday and Maxwell was instrumental in the rise of modern science itself. Presented as part of the Let There be Light series. Series: Let There Be Light [5/2003] [Humanities] [Show ID: 7338]

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I have learned several things about atheists in the last 20 years while I have been corresponding with them. First, they know in their hearts that God exists and they can’t live as if God doesn’t exist, but they will still search in some way in their life for a greater meaning. Second, many atheists will take time out of their busy lives to examine the evidence that I present to them. Third, there is hope that they will change their views.

At the bottom of this post I have listed every post from March and April 2014 that is about Antony Flew, who was arguably the most famous atheist philosopher of the 20th century and his conversion from atheism to theism.

Let’s go over again a few points I made at the first of this post.  My first point is backed up by  Romans 1:18-19 (Amplified Bible) ” For God’s wrath and indignation are revealed from heaven against all ungodliness and unrighteousness of men, who in their wickedness REPRESS and HINDER the truth and make it inoperative. For that which is KNOWN about God is EVIDENT to them and MADE PLAIN IN THEIR INNER CONSCIOUSNESS, because God  has SHOWN IT TO THEM,”(emphasis mine). I have discussed this many times on my blog and even have interacted with many atheists from CSICOP in the past.

My second point is that many atheists will take the time to consider the evidence that I have presented to them and will respond. The late Adrian Rogers was my pastor at Bellevue Baptist when I grew up and I sent his sermon on evolution and another on the accuracy of the Bible to many atheists to listen to and many of them did. I also sent many of the arguments from Francis Schaeffer also.

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Adrian Rogers and his wife Joyce pictured above with former President George Bush at Union University in Tennessee.
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Many of these scholars have taken the time to respond back to me in the last 20 years and some of the names  included are  Ernest Mayr (1904-2005), George Wald (1906-1997), Carl Sagan (1934-1996),  Robert Shapiro (1935-2011), Nicolaas Bloembergen (1920-),  Brian Charlesworth (1945-),  Francisco J. Ayala (1934-) Elliott Sober (1948-), Kevin Padian (1951-), Matt Cartmill (1943-) , Milton Fingerman (1928-), John J. Shea (1969-), , Michael A. Crawford (1938-), (Paul Kurtz (1925-2012), Sol Gordon (1923-2008), Albert Ellis (1913-2007), Barbara Marie Tabler (1915-1996), Renate Vambery (1916-2005), Archie J. Bahm (1907-1996), Aron S “Gil” Martin ( 1910-1997), Matthew I. Spetter (1921-2012), H. J. Eysenck (1916-1997), Robert L. Erdmann (1929-2006), Mary Morain (1911-1999), Lloyd Morain (1917-2010),  Warren Allen Smith (1921-), Bette Chambers (1930-),  Gordon Stein (1941-1996) , Milton Friedman (1912-2006), John Hospers (1918-2011), and Michael Martin (1932-).
Third, there is hope that an atheist will reconsider his or her position after examining more evidence. Twenty years I had the opportunity to correspond with two individuals that were regarded as two of the most famous atheists of the 20th Century, Antony Flew and Carl Sagan.  I had read the books and seen the films of the Christian philosopher Francis Schaeffer and he had discussed the works of both of these men. I sent both of these gentlemen philosophical arguments from Schaeffer in these letters and in the first letter I sent a cassette tape of my pastor’s sermon IS THE BIBLE TRUE? You may have noticed in the news a few years that Antony Flew actually became a theist in 2004 and remained one until his death in 2010. Carl Sagan remained a skeptic until his dying day in 1996.Antony Flew wrote me back several times and in the  June 1, 1994 letter he  commented, “Thank you for sending me the IS THE BIBLE TRUE? tape to which I have just listened with great interest and, I trust, profit.” I later sent him Adrian Rogers’ sermon on evolution too. 
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The New Atheism, Norman Geisler

Uploaded on Nov 12, 2011

This video was produced by and downloaded from:http://www.youtube.com/user/rfvidz

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Tuesday, May 1, 2012

Dr. Norman Geisler on even Atheists long for God…

 

John Paul Sarte –

“I need God…I reached out for religion, I longed for it, it was the remedy. Had it been denied me, I would have invented it myself.” (words, 102, 97).

“Atheism is a cruel, long-term business: I believe that I have gone through it to the end.” – Jean-Paul Sartre.

Before Sartre’s death he is recorded as saying,

“I do not feel that I am the product of chance, a speck of dust in the universe, but someone who was expected, prepared, prefigured. In short, a being whom only a Creator could put here” (National Review, 11 June, 1982, p. 677).
Sigmund Freud speaking of God admitted that

“It would be very nice indeed if there was a God.” There is “a sense of man’s insignificance or impotence in the face of the universe.”

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Friedrich Nietzsche –

“God is dead. God remains dead. And we have killed him. How shall we, the murderers, of all murderers, comfort ourselves?”

“I hold up before myself the images of Dante and Spinoza (believers), who were better at accepting the lot of solitude….My life now consists in the wish that it might be otherwise…And that somebody might make my ‘truths’ appear incredible to me…”

Thus Spake Zarathustra:

“Unknown one! Speak. What wilt thou, unknown-god?… Do come back With all thy tortures! To the last of all that are lonely, Oh, come back!…
“And the last flame of my heart Up it gloweth unto thee! Oh, come back, Mine unknown God, my pain! My last happiness!…”

David Hume—

“Most fortunately it happens, that since reason is incapable of dispelling these colds, nature herself suffices to that purpose, and cures me of this philosophical melancholy and delirium. I din, I play a game of backgammon, I converse, and am merry with my friends; and when after three or four hour’s amusement, I would return to these speculations, they appear so cold and strained and ridiculous, that I cannot find in my heart to enter into them any farther.”

Walter Kauffman, German American Philosopher,

“Religion is rooted in man’s aspirations to transcend himself…Whether he worships idols or strives to perfect himself, man is the god-intoxicated ape.”

Will Durant, an American writer, historian and philosopher was interviewed by the Chicago Sun-Times.

I survive morally because I was taught the moral code along with religion, while I have discarded the religion, which was Roman Catholicism. You and I are living on a shadow…because we are operating on the Christian ethical code which was given us, unfused with Christian faith…but what will happen with our children…? We are not giving them an ethics warmed up with Christian faith. They are living on the shadow of a shadow.”

Alber Camus

For anyone who is alone, without God and without a master, the weight of days is dreadful” (The Fall, 133).

“… Despite the fact that there is no God, at least the Church must be built” (The Rebel, 147).

Bertrand Russell

“Even when one feels nearest to other people, something in one seems obstinately to belong to God…–at least that is how I should express it if I thought there was a God. It is odd, isn’t it? I care passionately for this world and many things and people in it, and yet…what is it all?” There must be something more important one feels, though I don’t believe there is”

The British Humanist Magazine charged that Humanism is almost “clinically detached from life.” It recommends they develop a humanist Bible, a humanist hymnal, Ten Commandments for humanists, and even confessional practices! In addition,

“the use of hypnotic techniques–music and other psychological devices–during humanist services would give the audience that deep spiritual experience and they would emerge refreshed and inspired with their humanist faith…” (1964).

Jesus felt the sadness too:

“O Jerusalem, Jerusalem, you who kill the prophets and stone those sent to you, how often I have longed to gather your children together, as a hen gathers her chicks under her wings, but you were not willing.” (Matthew 23:37)

Thanks to Norman Geisler:

http://www.youtube.com/watch?v=_LVM3GQ41vk

thanks to:

Ken Probst

http://blogs.nazarene.org/kpprobst/tag/john-paul-sarte/

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Here are the links to articles on Antony Flew’s conversion from Atheism to Theism from March and April 2014 on http://www.thedailyhatch.org !

Former atheist Antony Flew: “Although I was once sharply critical of the argument to design, I have since come to see that, when correctly formulated, this argument constitutes a persuasive case for the existence of God!”

Discussion (1 of 3): Antony Flew, N.T. Wright, and Gary Habermas Uploaded on Sep 22, 2010 A discussion with Antony Flew, N.T. Wright, and Gary Habermas. This was held at Westminster Chapel March, 2008 Debate – William Lane Craig vs Christopher Hitchens – Does God Exist? Uploaded on Jan 27, 2011 April 4, 2009 – Craig vs. […]

Former atheist Antony Flew said, “I was particularly impressed with Gerry Schroeder’s point-by-point refutation of what I call the MONKEY THEOREM!”

____________ Discussion (1 of 3): Antony Flew, N.T. Wright, and Gary Habermas Uploaded on Sep 22, 2010 A discussion with Antony Flew, N.T. Wright, and Gary Habermas. This was held at Westminster Chapel March, 2008 Is Goodness Without God is Good Enough? William Lane Craig vs. Paul Kurtz Published on Jul 29, 2013 Date: October 24, 2001 […]

The argument from design led former atheist Antony Flew to assert: “I must say again that the journey to my discovery of the Divine has thus far been a pilgrimage of reason, and it has led me to accept the existence of a self-existent, immutable, immaterial, omnipotent, and omniscient Being!”

  ____________ Jesus’ Resurrection: Atheist, Antony Flew, and Theist, Gary Habermas, Dialogue Published on Apr 7, 2012 http://www.veritas.org/talks – Did Jesus die, was he buried, and what happened afterward? Join legendary atheist Antony Flew and Christian historian and apologist Gary Habermas in a discussion about the facts surrounding the death and resurrection of Jesus Christ. Join […]

Former atheist Antony Flew pointed out that natural selection can’t explain the origin of first life and in every other case, information necessarily points to an intelligent source!

______________ Does God Exist? Thomas Warren vs. Antony Flew Published on Jan 2, 2014 Date: September 20-23, 1976 Location: North Texas State University Christian debater: Thomas B. Warren Atheist debater: Antony G.N. Flew For Thomas Warren: http://www.warrenapologeticscenter.org/ ______________________ Antony Flew and his conversion to theism Uploaded on Aug 12, 2011 Antony Flew, a well known spokesperson […]

Former Atheist Antony Flew noted that Evolutionists failed to show “Where did a living, self-reproducing organism come from in the first place?”

____   Does God Exist? Thomas Warren vs. Antony Flew Published on Jan 2, 2014 Date: September 20-23, 1976 Location: North Texas State University Christian debater: Thomas B. Warren Atheist debater: Antony G.N. Flew For Thomas Warren: http://www.warrenapologeticscenter.org/ ______________________ Antony Flew and his conversion to theism Uploaded on Aug 12, 2011 Antony Flew, a well known […]

(BP)–Antony Flew, a legendary British philosopher and atheist, has changed his mind about the existence of God in light of recent scientific evidence.Flew –

_____________ Famed atheist sees evidence for God, cites recent discoveries Antony Flew NASHVILLE, Tenn. (BP)–Antony Flew, a legendary British philosopher and atheist, has changed his mind about the existence of God in light of recent scientific evidence.Flew — a prolific author who has argued against the existence of God and the claims of Christianity for […]

Antony Flew in his book THERE IS A GOD talks about his “notoriety” as an atheist! ( also 7 News : Web Extra: Ricky Gervais on God)

  7News : Web Extra: Ricky Gervais on God Published on Mar 23, 2014 He’s not shy about sharing his opinion with 5 million social media followers so Ricky Gervais was happy to clear a few things up for us too. __________________________________ Discussion (2 of 3): Antony Flew, N.T. Wright, and Gary Habermas Atheist Lawrence Krauss loses debate […]

Was Antony Flew the most prominent atheist of the 20th century?

_________ Antony Flew on God and Atheism Published on Feb 11, 2013 Lee Strobel interviews philosopher and scholar Antony Flew on his conversion from atheism to deism. Much of it has to do with intelligent design. Flew was considered one of the most influential and important thinker for atheism during his time before his death […]

Why the world’s most famous atheist (Antony Flew) now believes in God by James A. Beverley

____________ Antony Flew on God and Atheism Published on Feb 11, 2013 Lee Strobel interviews philosopher and scholar Antony Flew on his conversion from atheism to deism. Much of it has to do with intelligent design. Flew was considered one of the most influential and important thinker for atheism during his time before his death […]

The Death of a (Former) Atheist — Antony Flew, 1923-2010 Antony Flew’s rejection of atheism is an encouragement, but his rejection of Christianity is a warning. Rejecting atheism is simply not enough, by Al Mohler

Discussion (1 of 3): Antony Flew, N.T. Wright, and Gary Habermas Uploaded on Sep 22, 2010 A discussion with Antony Flew, N.T. Wright, and Gary Habermas. This was held at Westminster Chapel March, 2008 ______________________ Making Sense of Faith and Science Uploaded on May 16, 2008 Dr. H. Fritz Schaefer confronts the assertion that one cannot believe […]