MUSIC MONDAY Cole Porter’s songs “De-Lovely” and “Let’s misbehave”

Cole Porter’s songs “De-Lovely” and “Let’s misbehave”


‘At Long Last Love’: Let’s Misbehave/De-Lovely

Uploaded on Apr 1, 2009

Burt Reynolds and Cybil Shepherd give an extraordinarily charming performance of Cole Porter’s songs in Peter Bogdanovich’s absolutely wonderful tribute to the golden age of film musicals, ‘At Long Last Love’.




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Theatrical release poster
Directed by Irwin Winkler
Produced by Simon Channing Williams
Written by Jay Cocks
Starring Kevin Kline
Ashley Judd
Jonathan Pryce
Kevin McNally
Sandra Nelson
Allan Corduner
Peter Polycarpou
Music by Cole Porter
Cinematography Tony Pierce-Roberts
Editing by Julie Monroe
Studio Winkler Films
Distributed by Metro-Goldwyn-Mayer
Release date(s)
  • July 2, 2004
Running time 125 minutes
Country United States
Language English
Budget $20 million
Box office $18,396,382


De-Lovely is a 2004 musical biopic directed by Irwin Winkler. The screenplay by Jay Cocks is based on the life and career of Cole Porter, from his first meeting with Linda Lee Thomas until his death. It is the second biopic about the composer, following Night and Day.





As he is about to die, Porter’s life flashes before him in the form of a musical production staged by the archangel Gabriel in the Indiana theater where the composer first performed on stage. From the start, Linda is aware of Cole’s gay feelings, but her love for and devotion to him are strong enough for her to overlook his romantic flings outside their marriage. After a while, she can no longer ignore the innuendos in his songs and their relationship grows strained. Cole is photographed in an amorous embrace with another man in the rest room of a gay nightclub, and both he and Linda are blackmailed into paying a heavy settlement to suppress publication of the pictures. When he shrugs off the blackmail, she finally goes to Paris, leaving him bereft. Not until he is injured in a horseback riding accident that seriously cripples him does she return to his side, willing to forgive but still finding it difficult to cope with his extramarital affairs. Eventually she is diagnosed with emphysema, and as she prepares herself and her husband for her impending death, she attempts to forge a relationship between him and her interior decorator so he’ll have a companion following her death, which deeply affects him. The eventual amputation of his right leg adds to his deep depression, affecting his creative output. Porter becomes increasingly reclusive, as well as becoming more dependent on alcohol.[1][2]







Although Porter was a passable singer at best, director Irwin Winkler cast Kevin Kline, winner of two Tony Awards and two Drama Desk Awards for his musical performances on Broadway, as the composer. He stayed in character by limiting his vocal range. Most of his singing was recorded live on the set, and the actor played the piano himself in the scenes where Porter plays.


According to Winkler’s commentary on the DVD release of the film, he had considered numerous actresses for the role of Linda when Ashley Judd‘s agent advised him she was interested in the part. Winkler was certain her salary demand would exceed that allowed by the budget, but the actress was so anxious to portray Linda she was willing to lower her usual asking price. Judd is twenty years younger than Kline, although the composer’s wife was eight years older than he.


Filming locations included Chiswick House and Luton Hoo.


The film premiered at the 2004 Cannes Film Festival.[3] It was shown at the CineVegas International Film Festival, the Sydney Film Festival, and the San Francisco International Lesbian and Gay Film Festival before going into limited release in the US.




A soundtrack album of music from the film was released on June 15, 2004.


Track Listing (Europe)


  1. It’s De-Lovely” performed by Robbie Williams
  2. Let’s Do It (Let’s Fall In Love)” performed by Alanis Morissette
  3. Begin the Beguine” performed by Sheryl Crow
  4. Let’s Misbehave” performed by Elvis Costello
  5. Be a Clown” performed by Kevin Kline, Peter Polycarpou, and Chorus
  6. Night and Day” performed by John Barrowman
  7. Easy to Love” performed by Kevin Kline (American release omits this track)
  8. True Love” by Ashley Judd and Tayler Hamilton
  9. What is This Thing Called Love?” performed by Lemar
  10. I Love You” performed by Mick Hucknall
  11. Just One of Those Things” performed by Diana Krall
  12. Anything Goes” performed by Caroline O’Connor
  13. “Experiment” performed by Kevin Kline
  14. Love for Sale” performed by Vivian Green
  15. So in Love” performed by Lara Fabian and Mario Frangoulis
  16. Ev’ry Time We Say Goodbye” performed by Natalie Cole
  17. “Blow, Gabriel, Blow” performed by Jonathan Pryce, Kevin Kline, Cast, and Chorus
  18. In the Still of the Night” performed by Kevin Kline and Ashley Judd
  19. You’re the Top” performed by Cole Porter




The film grossed $13,337,299 in the US and $5,059,083 in other markets for a total worldwide box office of $18,396,382.[4]


Critically, the film had a mixed reception. It garnered a score of 53 from Metacritic[5] and a 48% rating from review aggregator Rotten Tomatoes.[6] Roger Ebert gave the film 3.5 out of a possible four stars. He wrote, for his review in the Chicago Sun-Times, that De-Lovely “…brings […] a worldly sophistication that is rare in the movies”.[7]


Larry King said “Far and away the best musical biography ever made.”


In his review in The New York Times, Stephen Holden called the film “lethally inert” and “lifeless and drained of genuine joie de vivre” and added, “It didn’t have to be like this. In their highly stylized ways, All That Jazz (Bob Fosse‘s morbidly manic screen autobiography), Ken Russell‘s surreal portraits of composers or any of Federico Fellini‘s libidinous self-explorations have delved deeply into the muck of artistic creativity. Sadly, the daring and imagination required to go below the surface are nowhere to be found in De-Lovely.”[8]


Ruthe Stein of the San Francisco Chronicle said, “The movie never gels – despite Kline’s nuanced performance, the stars’ exquisite period clothes designed by Armani, and, of course, Porter’s great songs. Director Irwin Winkler’s highly stylized technique is difficult to connect with emotionally. His film also suffers from shockingly sloppy editing for a studio production. If nothing else, the composer . . . deserves a movie that has rhythm. But De- Lovely lurches along like a car with a missing spark plug.”[9]


In Rolling Stone, Peter Travers rated the film three out of a possible four stars and commented, “In voice, manner, patrician charm and private torment, Kevin Kline is perfection as legendary composer Cole Porter . . . At its best, De-Lovely evokes a time, a place and a sound with stylish wit and sophistication.”[10]


Steve Persall of the St. Petersburg Times graded the film C- and observed, “The movie is actually an ugly compilation of clashing cinematic styles occasionally salvaged by musical numbers that essentially are part of the problem. You can’t make a good movie about a 1930s composer using a 1970s film conceit while hiring 21st century recording artists to perform Porter’s classic songs. A tribute CD, maybe, but not a movie . . . [it] plays like a cabaret review rather than a motion picture, a sublime collection of songs linked by scripted banter barely scratching the surface of its subject. Not delightful, not delicious, just disappointing.”[11]


Awards and nominations



See also






External links



Let’s Misbehave


From Wikipedia, the free encyclopedia


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“Let’s Misbehave” is a song written by Cole Porter in 1927, originally intended for the female lead of his first major production, Paris. Although it was discarded before the Broadway opening in favor of Let’s Do It, Let’s Fall in Love, the star of the Broadway production, Irene Bordoni, did a phonograph recording of it which was labelled as from the production of Paris. It was included perhaps most famously in the 1962 revival of Anything Goes. It was a notable hit for Irving Aaronson and his Commanders.


This version was used in two Woody Allen films: at the opening and close of the 1972 film Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask), and at the close of the 1994 film Bullets Over Broadway. The song is featured in a prominent dance sequence by Christopher Walken in the Steve Martin musical Pennies From Heaven (1981).


It is used in the closing credits of Johnny Dangerously (1984), and sung by Elvis Costello in the 2004 movie De-Lovely.


The song is featured (sung by Cybill Shepherd) in the 1975 film At Long Last Love and in the 2008 film Easy Virtue, and the title is one of the film’s taglines.


Cole Porter‘s original version was also featured on The Simpsons Season 15, Episode 15, entitled “Co-Dependent’s Day“.


Most recently, a 1928 recording of the song by Irving Aaronson and his Commanders appeared in the 2013 film The Great Gatsby.

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