Posted on Tuesday, February 21st, 2017 by Jack Giroux
Another period piece is coming our way from writer-director Woody Allen. We know little about his latest movie, titled Wonder Wheel, which is typical of Allen’s movies. Rarely are character and plot details shared early on. But we do know his latest film stars Justin Timberlake, Kate Winslet, and Juno Temple and it takes place in the 1950s.
Below, check out the first photo from Woody Allen’s next movie.
Wonder Wheel is the famous Ferris wheel found in Coney Island. Allen spent three weeks there shooting last summer, making it his first time shooting there since Annie Hall. The Wonder Wheel does appear in that film. Allen’s story follows characters working on and around the boardwalk.
Allen’s latest co-stars Jim Belushi (According to Jim), Max Casella (Blue Valentine), and Steve Schirripa (The Sopranos). According to The Coney Island blog, Winslet plays a character “targeted by” by Tony Sirico‘s(The Sopranos) character. She ends up falling for Timberlake’s lifeguard.
Allen spent a good amount of time shooting the boardwalk and the city last summer. He joked with Page Six a little about recreating the period and locations:
This movie’s set in the ’50s, and we’re re-creating the Parachute Jump. Even sunny beaches. It’s no longer my job to have to run around and find that anymore. Today we live in the future. While I’m home, some nerd wearing glasses in an office with a computer turns dials and creates sunny beaches. Justin Timberlake, Jim Belushi, Juno Temple are in this. We’re filming in The Bronx and all over the city.
Allen’s 47th film is expected to come out this year. Over the past couple of years, his movies are often released during the summertime. Amazon released his last picture, the disappointing Cafe Society, last July. The distributor has a good relationship with Allen, after releasing his last Hollywood-set comedy and making his series, Crisis in Six Scenes. According to THR, they spent $25 million to finance Wonder Wheel. Allen’s movies had a home at Sony Pictures Classics the last few years, but he apparently has struck up a fruitful partnership with Amazon.
While Allen’s movies have been more hit or miss the past decade or so, when he makes a hit, it’s usually quite special. When he misses, at least there’s still a few laughs. Let’s hope Wonder Wheel is another hit from the filmmaker.
___________ Justin Timberlake Talks ‘Trolls,’ Family Life and His New Album With Pharrell Williams Andrew Barker Senior Features Writer@barkerrant TOM MUNRO FOR VARIETY NOVEMBER 1, 2016 | 10:00AM PT Settling into a hotel bar in Soho after a long day shooting a film for Woody Allen in the Bronx, Justin Timberlake wastes no time ordering […]
_ Woody Allen – standup – ’65 – RARE! Happy 81st Birthday, Woody Allen December 2, 2016 1 Comment Woody Allen turns 81 today. And he shows no signs of slowing down. Allen spent his 80th year being remarkably prolific, even by his own standards. The end of 2015 saw that year’s film, Irrational Man, […]
_ Everything We Know About Woody Allen’s 2017 Film With Kate Winslet And Justin Timberlake October 16, 2016 3 Comments Woody Allen has, it seems, wrapped production on his 2017 Film. The new film stars Kate Winlset and Justin Timberlake. And despite some very public days of shooting, We still don’t know that much […]
_____________ Woody Allen – The Atheist At 79, Woody Allen Says There’s Still Time To Do His Best Work JULY 29, 2015 5:03 PM ET When asked about his major shortcomings, filmmaker Woody Allen says, “I’m lazy and an imperfectionist.” Thibault Camus/AP Woody Allen is a prolific filmmaker — he’s been releasing films pretty much […]
Midnight in Paris: TAP’s Movie of the Month for June 2015 JUNE 1, 2015 by TAP Adventures Each month in TAP, we select a Movie of the Month to help prepare our students for their overseas trip. This month we’re starting to prepare for our 2016 adventure in France and the Benelux countries, so we’ve selected […]
This interview below reveals Woody Allen’s nihilistic views and reminds me of his best movie which is CRIMES AND MISDEMEANORS!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm Woody […]
Top 10 Woody Allen Movies Woody’s Cold Comforts Robert E. LauderApril 19, 2010 – 1:36pm Friends have often asked me about my interest in the films of Woody Allen: Why is a Catholic priest such an ardent admirer of the work of an avowed atheist, an artist who time and again has insisted on […]
Woody Allen & Parker Posey Red-Carpet Interviews for ‘Irrational Man’ New bio reassesses Woody Allen at 80 James Endrst , Special for USA TODAY2:03 p.m. EST November 7, 2015 Woody: The Biography by David Evanier (St. Martin’s Press) in Biography Buy Now USA TODAY Rating Woody Allen turns 80 on Dec. 1 and David Evanier has […]
___ Existentialism and the Meaningful Life [The Common Room] Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR A Handy Guide to All the Philosophers Referenced in Irrational Man Eliza Berman @lizabeaner July 17, 2015 David Livingston–Getty ImagesJoaquin Phoenix and Emma Stone attend the premiere of “Irrational Man” in Los Angeles on July 9, 2015. Leave it […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
This interview below reveals Woody Allen’s nihilistic views and reminds me of his best movie which is CRIMES AND MISDEMEANORS!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm Woody […]
Top 10 Woody Allen Movies Woody’s Cold Comforts Robert E. LauderApril 19, 2010 – 1:36pm Friends have often asked me about my interest in the films of Woody Allen: Why is a Catholic priest such an ardent admirer of the work of an avowed atheist, an artist who time and again has insisted on […]
Woody Allen & Parker Posey Red-Carpet Interviews for ‘Irrational Man’ New bio reassesses Woody Allen at 80 James Endrst , Special for USA TODAY2:03 p.m. EST November 7, 2015 Woody: The Biography by David Evanier (St. Martin’s Press) in Biography Buy Now USA TODAY Rating Woody Allen turns 80 on Dec. 1 and David Evanier has […]
___ Existentialism and the Meaningful Life [The Common Room] Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR A Handy Guide to All the Philosophers Referenced in Irrational Man Eliza Berman @lizabeaner July 17, 2015 David Livingston–Getty ImagesJoaquin Phoenix and Emma Stone attend the premiere of “Irrational Man” in Los Angeles on July 9, 2015. Leave it […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
The Woody Allen Special [1969] (Guests: Candice Bergen, Billy Graham and the 5th Dimension)
Published on Sep 8, 2016
For all the Woody Allen/television fans, here is the rare 1969 CBS special! Featuring the flawless stand-up of Woody, and skits such as: Woody and Candice having to rehearse nude for an artistic play. A funny interview with Billy Graham on religion and God. Woody Allen’s take on the heyday of the silent film era, featuring a short film about a doomed love affair with rich girl Candice. Finally, Rabbi Woody teaches the vacuous Candice Bergen to be an intellectual with knowledge on music, art and films. The 5th Dimension perform “Workin’ On A Groovy Thing” and the No. 1 hit “Wedding Bell Blues”. Also features original commercials with Tony Randall promoting Libby’s canned goods. A real find! Please subscribe and hope you enjoy!
What day is it? That’s right; it’s Woody Allen’s birthday! The filming legend has been directing timeless classics such as “Blue Jasmine”, “Midnight in Paris”, “Annie Hall” and “Manhattan” for over 50 years. In celebration of his 81st birthday, eniGma Magazine decided to compile five lesser-known facts about the four-time Academy Award winner:
1- He began his career as a comedy writer:
Comedy runs in Woody Allen’s blood. That’s not surprising, of course. After all, his films’ trademark humour has frequently been cited as one of the bigger reasons for his success. Not many people know, though, that Allen actually began his career by writing comedy in some major projects and was reportedly making more money than his parents combined before he even turned 20. Talk about talent.
2- He plays the jazz clarinet and piano:
Allen is an avid jazz fan. In fact, he’s been playing with a band for years now, often performing at Carlyle Hotel in Manhattan, but also at some bigger platforms such as the Montreal International Jazz Festival on occasion.
3- His movies have never grossed over 200 million dollars worldwide:
Despite his considerable success, Allen’s numerous pictures never broke the 200 million dollar benchmark in revenue. His movies have never been highly budgeted by Hollywood standards, either, often being budgeted between 20 and 30 million dollars.
4- He claims to have never watched any of his movies after they were released:
We really don’t know what to make of that; we just think it’s cool.
5- His given birth name was Allan Stewart Konigsberg:
In fact, Allen first changed his name to Heywood Allen, before settling on Woody Allen.
This interview below reveals Woody Allen’s nihilistic views and reminds me of his best movie which is CRIMES AND MISDEMEANORS!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm Woody […]
Top 10 Woody Allen Movies Woody’s Cold Comforts Robert E. LauderApril 19, 2010 – 1:36pm Friends have often asked me about my interest in the films of Woody Allen: Why is a Catholic priest such an ardent admirer of the work of an avowed atheist, an artist who time and again has insisted on […]
Woody Allen & Parker Posey Red-Carpet Interviews for ‘Irrational Man’ New bio reassesses Woody Allen at 80 James Endrst , Special for USA TODAY2:03 p.m. EST November 7, 2015 Woody: The Biography by David Evanier (St. Martin’s Press) in Biography Buy Now USA TODAY Rating Woody Allen turns 80 on Dec. 1 and David Evanier has […]
___ Existentialism and the Meaningful Life [The Common Room] Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR A Handy Guide to All the Philosophers Referenced in Irrational Man Eliza Berman @lizabeaner July 17, 2015 David Livingston–Getty ImagesJoaquin Phoenix and Emma Stone attend the premiere of “Irrational Man” in Los Angeles on July 9, 2015. Leave it […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
and you will hear what far smarter people than I have to say on this matter. I agree with them.
Harry Kroto
I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:
Max Ferdinand PerutzOMCHCBEFRS (19 May 1914 – 6 February 2002)[1] was an Austrian-born Britishmolecular biologist, who shared the 1962 Nobel Prize for Chemistry with John Kendrew, for their studies of the structures of hemoglobin and myoglobin. He went on to win the Royal Medal of the Royal Society in 1971 and the Copley Medal in 1979. At Cambridge he founded and chaired (1962–79) The Medical Research CouncilLaboratory of Molecular Biology, fourteen of whose scientists have won Nobel Prizes. Perutz’s contributions to molecular biology in Cambridge are documented in The History of the University of Cambridge: Volume 4 (1870 to 1990) published by the Cambridge University Press in 1992.
Perutz was born in Vienna, the son of Adele “Dely” (Goldschmidt) and Hugo Perutz, a textile manufacturer.[2][3] His parents were Jewish by ancestry, but had baptized Perutz in the Catholic religion.[4][5][6] Although Perutz rejected religion and was an atheist in his later years, he was against offending others for their religious beliefs.[7][8]
His parents hoped that he would become a lawyer, but he became interested in chemistry while at school. Overcoming his parents’ objections he enrolled as a chemistry undergraduate at the University of Vienna and completed his degree in 1936. Made aware by lecturer Fritz von Wessely of the advances being undertaken at the University of Cambridge into biochemistry by a team led by Gowland Hopkins, he asked Professor Marks who was soon to visit Cambridge to make inquiries to Hopkins about whether there would be a place for him. However Marks forgot. However he had visited J.D. Bernal, who was looking for a research student to assist him with studies into X-ray crystallography.[9] Perutz was dismayed as he knew nothing about the subject. Marks countered by saying that he would soon learn. Bernal accepted him as a research student in his crystallography research group at Cavendish Laboratory. His father had deposited ₤500 with his London agent to support him. He learnt quickly. Bernal encouraged him to use the X-ray diffraction method to study the structure of proteins. As protein crystals were difficult to obtain he used horse haemoglobin crystals, and began his doctoral thesis on its structure. Haemoglobin was a subject which was to occupy him for most of his professional career. He completed his PhD. under William Lawrence Bragg.
Rejected by Kings and St John’s colleges he applied to and became a member of Peterhouse, on the basis that it served the best food. He was elected an Honorary Fellow of Peterhouse in 1962. He took a keen interest in the Junior Members, and was a regular and popular speaker at the Kelvin Club, the College’s scientific society.
When Hitler took over Austria in 1938 Perutz’s parents managed to escape to Switzerland, but lost all of their money. As a result, Perutz lost their financial support. With his ability to ski, experience in mountaineering since childhood and his knowledge of crystals Perutz was accepted as a member of a three-man team to study the conversion of snow into ice in Swiss glaciers in the summer of 1938. His resulting article for the Proceedings of the Royal Society made him known as an expert on glaciers.[10]
Lawrence Bragg who was head of the Professor of Experimental Physics at Cavendish, thought that Perutz’s research into haemoglobin had promise and encouraged him to apply for a grant from the Rockefeller Foundation to continue his research. The application was accepted in January 1939 and with the money Perutz was able to bring his parents from Switzerland in March 1939 to England.[10]
On the outbreak of World War II Perutz was rounded up along with other persons of German or Austrian background, and sent to Newfoundland (on orders from Winston Churchill).[11] After being interned for several months he returned to Cambridge. Because of his previous research into the changes in the arrangement of the crystals in the different layers of a glacier before the War he was asked for advice on whether if a battalion of commandos were landed in Norway, could they be hidden in shelters under glaciers. His knowledge on the subject of ice then lead to him in 1942 being recruited for Project Habakkuk. This was a secret project to build an ice platform in mid-Atlantic, which could be used to refuel aircraft. To that end he investigated the recently invented mixture of ice and woodpulp known as pykrete. He carried out early experiments on pykrete in a secret location underneath Smithfield Meat Market in the City of London.
After the War he returned briefly to glaciology. He demonstrated how glaciers flow.[12][13][14][15][16]
In 1947 Perutz, with the support of Professor Bragg was successful in obtaining support from the Medical Research Council (MRC) to undertake research into the molecular structure of biological systems. This financial support allowed him to establish the Molecular Biology Unit at the Cavendish Laboratory.[17] Perutz’s new unit attracted researchers who realized that the field of molecular biology had great promise, among them was Francis Crick in 1949 and James D. Watson in 1951.
In 1953 Perutz showed that diffracted X-rays from protein crystals could be phased by comparing the patterns from crystals of the protein with and without heavy atoms attached. In 1959 he employed this method to determine the molecular structure of the protein hemoglobin, which transports oxygen in the blood.[citation needed] This work resulted in his sharing with John Kendrew the 1962 Nobel Prize for Chemistry. Nowadays the molecular structures of several thousand proteins are determined by X-ray crystallography every year.
After 1959, Perutz and his colleagues went on to determine the structure of oxy- and deoxy- hemoglobin at high resolution. As a result, in 1970, he was at last able to suggest how it works as a molecular machine: how it switches between its deoxygenated and its oxygenated states, in turn triggering the uptake of oxygen and then its release to the muscles and other organs. Further work over the next two decades refined and corroborated the proposed mechanism. In addition Perutz studied the structural changes in a number of hemoglobin diseases and how these might affect oxygen binding. He hoped that the molecule could be made to function as a drug receptor and that it would be possible to inhibit or reverse the genetic errors such as those that occur in sickle cell anemia. A further interest was the variation of the hemoglobin molecule from species to species to suit differing habitats and patterns of behavior. In his final years Perutz turned to the study of changes in protein structures implicated in Huntington and other neurodegenerative diseases. He demonstrated that the onset of Huntington disease is related to the number of glutamine repeats as they bind to form what he called a polar zipper.[18]
Perutz with his wife Gisela at the 1962 Nobel ball
During the early 1950s, while Watson and Crick were determining the structure of deoxyribonucleic acid (DNA), they made use of unpublished X-ray diffraction images taken by Rosalind Franklin, shown at meetings and shared with them by Maurice Wilkins, and of Franklin’s preliminary account of her detailed analysis of the X-ray images included in an unpublished 1952 progress report for the King’s College laboratory of Sir John Randall. Randall and others eventually criticized the manner in which Perutz gave a copy of this report to Watson and Crick.
It is debatable whether Watson and Crick should have been granted access to Franklin’s results without her knowledge or permission, and before she had a chance to publish a detailed analysis of the content of her unpublished progress report. It is also not clear how important the content of that report had been for Watson and Crick’s modeling. In an effort to clarify this issue, Perutz later published the report, arguing that it included nothing that Franklin had not said in a talk she gave in late 1951, which Watson had attended. Perutz also added that the report was addressed to an MRC committee created in order to “establish contact between the different groups of people working for the Council”. Randall’s and Perutz’s labs were both funded by the MRC.
In his later years, Perutz was a regular reviewer/essayist for The New York Review of Books on biomedical subjects. Many of these essays are reprinted in his 1998 book I wish I had made you angry earlier.[19] In August 1985 The New Yorker also published his account tiled “That Was the War: Enemy Alien” of his experiences as an internee during World War 2. Perutz’s flair for writing was a late development. His relative Leo Perutz, a distinguished writer, told Max when he was a boy that he would never be a writer, an unwarranted judgement, as demonstrated by Perutz’s remarkable letters written as an undergraduate. They are published in What a Time I Am Having: Selected Letters of Max Perutz. Perutz was delighted to win the Lewis Thomas Prize for Writing about Science in 1997.
Perutz attacked the theories of philosophers Sir Karl Popper and Thomas Kuhn and biologist Richard Dawkins in a lecture given at Cambridge on ‘Living Molecules’ in 1994. He criticised Popper’s notion that science progresses through a process of hypothesis formation and refutation, saying that hypotheses are not necessarily the basis of scientific research and, in molecular biology at least, they are not necessarily subject to revision either. For Perutz, Kuhn’s notion that science advances in paradigm shifts that are subject to social and cultural pressures is an unfair representation of modern science.
These criticisms extended to scientists who attack religion, in particular to Richard Dawkins. Statements which offend religious faith were for Perutz tactless and simply damage the reputation of science. They are of quite a different order to criticism of the demonstrably false theory of creationism. He concluded that “even if we do not believe in God, we should try to live as though we did.”[20]
Within days of the 11 September attacks in 2001, Perutz wrote to British Prime Minister Tony Blair, appealing to him not to respond with military force: “I am alarmed by the American cries for vengeance and concerned that President Bush’s retaliation will lead to the death of thousands more innocent people, driving us into a world of escalating terror and counter-terror. I do hope that you can use your restraining influence to prevent this happening.”[21]
In 1942, Perutz married Gisela Clara Mathilde Peiser (1915-2005), a medical photographer. They had two children, Vivien (b. 1944), an art historian; and Robin (b. 1949), a professor of Chemistry at the University of York. Gisela was a refugee from Germany (she was a Protestant whose own father had been born Jewish).[23]
He was cremated on 12 February 2002 at Cambridge Crematorium (Cambridgeshire) and his ashes interred with his parents Hugo Perutz and Dely Perutz in the Parish of the Ascension Burial Ground in Cambridge.[24] His wife was cremated on 28 December 2005 and her ashes were interred in the same grave.
1962. Proteins and Nucleic Acids: Structure and Function. Amsterdam and London. Elsevier
1989. Is Science Necessary? Essays on science and scientists. London. Barrie and Jenkins. ISBN 0-7126-2123-7
1990. Mechanisms of Cooperativity and Allosteric Regulation in Proteins. Cambridge. Cambridge University PressISBN 0-521-38648-9
1992. Protein Structure : New Approaches to Disease and Therapy. New York. Freeman (ISBN 0-7167-7021-0)
1997. Science is Not a Quiet Life : Unravelling the Atomic Mechanism of Haemoglobin. Singapore. World Scientific. ISBN 981-02-3057-5
2002. I Wish I’d Made You Angry Earlier.Cold Spring Harbor, New York. Cold Spring Harbor Laboratory Press. ISBN 978-0-87969-674-0
2009. What a Time I Am Having: Selected Letters of Max Perutz edited by Vivien Perutz. Cold Spring Harbor, New York. Cold Spring Harbor Laboratory Press. ISBN 978-0-87969-864-5
In the second video below in the 77th clip in this series are his words and my response is below them.
50 Renowned Academics Speaking About God (Part 1)
Another 50 Renowned Academics Speaking About God (Part 2)
A Further 50 Renowned Academics Speaking About God (Part 3)
________
Max Perutz asserted: “….we should fight creationism and when asked say we don’t believe in religion. I don’t think we should upset those people who do, who are a very large number of reasonable and decent people.”
Sometimes people like Max Perutz get mad at people like Richard Dawkins but I see where Dawkins is coming from because he feels strongly about what he feels is the truth.
Let me respond with three points.
FIRST, Christ commands us Christians to tell everyone about the gospel because there is a day of Judgment coming.
Matthew 24:14: “And this gospel of the kingdom will be preached in all the world as a witness to all the nations, and then the end will come.”
Revelation 14:6-7:“Then I saw another angel flying in the midst of heaven, having the everlasting gospel to preach to those who dwell on the earth—to every nation, tribe, tongue, and people— saying with a loud voice, ‘Fear God and give glory to Him, for the hour of His judgment has come; and worship Him who made heaven and earth, the sea and springs of water.’”
My former pastor at Bellevue Baptist Church, Adrian Rogers in his sermon A PLACE CALLED HELL noted:
The late, great Dr. Robert G. Lee, who was the pastor of this church, said this, and I wrote it down, he said, ”I know some people call the preacher who stands squarely upon the teaching of Christ and his apostles narrow, harsh, cruel.” then he said, ”as to being narrow, I have no desire to any broader than was Jesus. As to being cruel, is it cruel to tell a man the truth? Is a man to be called cruel who declares the whole counsel of God and points out to men their danger? Is it cruel to arouse sleeping people to the fact that the house is on fire? Is it cruel to jerk a blind man away from the rattlesnake in the coil? Is it cruel to declare to people the deadliness of disease and tell them which medicine to take?” and then dr. Lee said this; he said, ”I had rather be called cruel for being kind, than to be called kind for being cruel.”
The cruelest thing a man could do would be to fail to warn people about what the bible has to say about hell. To speak sneeringly, disparagingly about a preacher who believes in hell, to ridicule a preacher who warns of hell would be the same as to ridicule a doctor who warns of cancer. It’s not a pleasant subject, but it is a fact. And I’m going to tell you, dear friend, that the idea of hell is ridiculed today. And, I know why it is ridiculed today, because people don’t like the idea and they try to laugh it away. You can laugh your way into hell, but you can’t laugh your way out once you’re there.
THIRD, without God in the picture everything is permitted. Woody Allen demonstrated this brilliantly in his 1989 film CRIMES AND MISDEMEANORS. I bring this up because I read this below:
“All is lawful.”
– Fyodor Dostoevsky, The Brothers Karamazov
“Viper will eat viper, and it would serve them both right!”
– Fyodor Dostoevsky, The Brothers Karamazov
“If you were to destroy in mankind the belief in immortality, not only love but every living force maintaining the life of the world would at once be dried up. Moreover, nothing then would be immoral; everything would be lawful, even cannibalism.”
– Fyodor Dostoevsky, The Brothers Karamazov
Julian Huxley evidently agreed with Perutz because Huxley also wrote, “God does not in fact exist, but act as if He does!” Woody Allen addressed the same point in his movie CRIMES AND MISDEMEANORS and I have written this same subject over and over and over again on this blog.
In both the East and the West, however, there are attempts to relieve the tension of seeming to be nothing, while in fact being something very real – a person in a real world which has a definite form. On the materialist side, Sir Julian Huxley (1887-1975) has clarified the dilemma by acknowledging, though he was an atheist, that somehow or other – against all that one might expect – a person functions better if he acts as though God exists. “So,” the argument goes, “God does not in fact exist, but act as if He does!” As observed by the Norwegian playwright Henrik Ibsen (1828-1906) in The Wild Duck: “Rob the average man of his life-illusion, and you rob him of his happiness at the same stroke.” In other words, according to Huxley, you can function properly only if you live your whole life upon a lie. You act as if God exists, which to the materialist is false. At first this sounds like a feasible solution for relieving the tension produced by a materialist world-view. However, a moment’s reflection shows what a terrible solution it is. You will find no deeper despair than this for a sensitive person. This is no optimistic, happy, reasonable, brilliant answer. It is darkness and death. Another way the tension is relieved is through the theory of evolution, the idea that by chance there is an increasing advance. People are given an impression of progress – up from the primeval slime and the amoeba, up through the evolutionary chain, with life developing by chance from the simple carbon molecule to the complex, right up to the pinnacle, mankind. This is not the place to discuss evolutionary theory, but it surprises us how readily people accept it, even on the scientific side, as if it had no problems. There are problems, even if these are not commonly realized or discussed.89 The primary point we are interested in, however, is not evolution itself but the illusion of “progress” which has been granted by it. By chance, this amazing complexity called “man” has been generated out of the slime. So, of course, there is progress! By this argument people are led into imagining that the whole of reality does have purpose even if, as we have said, there is no way that it really can have purpose within the humanistic world-view. Evolution makes men and women feel superior and at the top of the pile, but in the materialistic framework, the whole of reality is meaningless; the concept of “higher” means nothing. Even if, within the humanist world-view, people are more complex than plants and animals, both “higher” and “lower” have no meanings. We are left with everything being sad and absurd. Thus, the concept of progress is an illusion. Only some form of mystical jump will allow us to accept that personality comes from impersonality.90 No one has offered to explain, let alone demonstrate it to be feasible, how the impersonal plus time plus chance can give personality. We are distracted by a flourish of words – and, lo, personality has appeared out of a hat. Imagine a universe made up of only liquids and solids, one containing no free gases. A fish is swimming in this universe. This fish, quite naturally, is conformed to its environment so that it is able to exist quite happily. Let us suppose, then, that by blind chance (as the evolutionists would have us believe) this fish developed lungs as it continued swimming in this universe without any gases. The fish would no longer be able to function and to fulfill its position as a fish. Would it then be “higher” or “lower” in its new state with lungs? Obviously it would be lower, for it would drown. In the same way, if a person has been kicked up from the impersonal by chance, those things that make him a person – hope of purpose and significance, love, notions of morality and rationality and beauty – are ultimately unfulfillable and are thus meaningless. In such a situation, is man higher or lower? Mankind would then be the lowest creature on the scale, the least conforming to what reality is. Thus we see how hopeless is the illusion of meaning or purpose as derived from evolutionary thought.
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Why Woody Allen’s movie CRIMES AND MISDEMEANORS blows Perutz and Huxley comments out of the water!!!
“Existential subjects to me are still the only subjects worth dealing with. I don’t think that one can aim more deeply than at the so-called existential themes, the spiritual themes.” WOODY ALLEN
Evangelical Chuck Colson has observed that it used to be true that most Americans knew the Bible. Evangelists could simply call on them to repent and return. But today, most people lack understanding of biblical terms or concepts. Colson recommends that we first attempt to find common ground to engage people’s attention. That then may open a door to discuss spiritual matters.
Woody Allen’s 1989 movie, CRIMES AND MISDEMEANORS , is an excellent icebreaker concerning the need of God while making decisions in the area of personal morality. In this film, Allen attacks his own atheistic view of morality. Martin Landau plays a Jewish eye doctor named Judah Rosenthal raised by a religious father who always told him, “The eyes of God are always upon you.” However, Judah later concludes that God doesn’t exist. He has his mistress (played in the film by Anjelica Huston) murdered because she continually threatened to blow the whistle on his past questionable, probably illegal, business activities. She also attempted to break up Judah ‘s respectable marriage by going public with their two-year affair. Judah struggles with his conscience throughout the remainder of the movie. He continues to be haunted by his father’s words: “The eyes of God are always upon you.” This is a very scary phrase to a young boy, Judah observes. He often wondered how penetrating God’s eyes are.
Later in the film, Judah reflects on the conversation his religious father had with Judah ‘s unbelieving Aunt May at the dinner table many years ago:
“Come on Sol, open your eyes. Six million Jews burned to death by the Nazis, and they got away with it because might makes right,” says aunt May
Sol replies, “May, how did they get away with it?”
Judah asks, “If a man kills, then what?”
Sol responds to his son, “Then in one way or another he will be punished.”
Aunt May comments, “I say if he can do it and get away with it and he chooses not to be bothered by the ethics, then he is home free.”
Judah ‘s final conclusion was that might did make right. He observed that one day, because of this conclusion, he woke up and the cloud of guilt was gone. He was, as his aunt said, “home free.”
Woody Allen has exposed a weakness in his own humanistic view that God is not necessary as a basis for good ethics. There must be an enforcement factor in order to convince Judah not to resort to murder. Otherwise, it is fully to Judah ‘s advantage to remove this troublesome woman from his life.
The Bible tells us, “{God} has also set eternity in the hearts of men…” (Ecclesiastes 3:11 NIV). The secularist calls this an illusion, but the Bible tells us that the idea that we will survive the grave was planted in everyone’s heart by God Himself. Romans 1:19-21 tells us that God has instilled a conscience in everyone that points each of them to Him and tells them what is right and wrong (also Romans 2:14 -15).
It’s no wonder, then, that one of Allen’s fellow humanists would comment, “Certain moral truths — such as do not kill, do not steal, and do not lie — do have a special status of being not just ‘mere opinion’ but bulwarks of humanitarian action. I have no intention of saying, ‘I think Hitler was wrong.’ Hitler WAS wrong.” (Gloria Leitner, “A Perspective on Belief,” THE HUMANIST, May/June 1997, pp. 38-39)
Here Leitner is reasoning from her God-given conscience and not from humanist philosophy. It wasn’t long before she received criticism. Humanist Abigail Ann Martin responded, “Neither am I an advocate of Hitler; however, by whose criteria is he evil?” (THE HUMANIST, September/October 1997, p. 2)
The secularist can only give incomplete answers to these questions: How could you have convinced Judah not to kill? On what basis could you convince Judah it was wrong for him to murder?
As Christians, we would agree with Judah ‘s father that “The eyes of God are always upon us.” Proverbs 5:21 asserts, “For the ways of man are before the eyes of the Lord, and He ponders all his paths.” Revelation 20:12 states, “…And the dead were judged (sentenced) by what they had done (their whole way of feeling and acting, their aims and endeavors) in accordance with what was recorded in the books” (Amplified Version). The Bible is revealed truth from God. It is the basis for our morality. Judah inherited the Jewish ethical values of the Ten Commandments from his father, but, through years of life as a skeptic, his standards had been lowered. Finally, we discover that Judah ‘s secular version of morality does not resemble his father’s biblically-based morality.
Woody Allen’s CRIMES AND MISDEMEANORS forces unbelievers to grapple with the logical conclusions of a purely secular morality. It opens a door for Christians to find common ground with those whom they attempt to share Christ; we all have to deal with personal morality issues. However, the secularist has no basis for asserting that Judah is wrong.
Larry King actually mentioned on his show, LARRY KING LIVE, that Chuck Colson had discussed the movie CRIMES AND MISDEMEANORS with him. Colson asked King if life was just a Darwinian struggle where the ruthless come out on top. Colson continued, “When we do wrong, is that our only choice? Either live tormented by guilt, or else kill our conscience and live like beasts?” (BREAKPOINT COMMENTARY, “Finding Common Ground,” September 14, 1993)
Later, Colson noted that discussing the movie CRIMES AND MISDEMEANORS with King presented the perfect opportunity to tell him about Christ’s atoning work on the cross. Colson believes the Lord is working on Larry King. How about your neighbors? Is there a way you can use a movie to find common ground with your lost friends and then talk to them about spiritual matters?
(Caution: CRIMES AND MISDEMEANORS is rated PG-13. It does include some adult themes.)
Adrian Rogers is pictured below and Francis Schaeffer above.
Watching the film HOW SHOULD WE THEN LIVE? in 1979 impacted my life greatly
Francis Schaeffer in the film WHATEVER HAPPENED TO THE HUMAN RACE?
Francis and Edith Schaeffer
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On May 15, 1994 on the 10th anniversary of the passing of Francis Schaeffer I attempted to send a letter to almost every living Nobel Prize winner and I believe Dr. Max Perutz was probably among that group and here is a portion of that letter below:
I have enclosed a cassette tape by Adrian Rogers and it includes a story about Charles Darwin‘s journey from the position of theistic evolution to agnosticism. Here are the four bridges that Adrian Rogers says evolutionists can’t cross in the CD “Four Bridges that the Evolutionist Cannot Cross.” 1. The Origin of Life and the law of biogenesis. 2. The Fixity of the Species. 3.The Second Law of Thermodynamics. 4. The Non-Physical Properties Found in Creation.
Evolution Fact of Fiction Adrian Rogers (same message I put on cassette tape back in 1994)
Uploaded on Nov 13, 2011
The Theory of Evolution Destroyed!!
In the first 3 minutes of the cassette tape is the hit song “Dust in the Wind.” Below I have given you some key points Francis Schaeffer makes about the experiment that Solomon undertakes in the book of Ecclesiastes to find satisfaction by looking into learning (1:16-18), laughter, ladies, luxuries, and liquor (2:1-3, 8, 10, 11), and labor (2:4-6, 18-20).
Schaeffer noted that Solomon took a look at the meaning of life on the basis of human life standing alone between birth and death “under the sun.” This phrase UNDER THE SUN appears over and over in Ecclesiastes. The Christian Scholar Ravi Zacharias noted, “The key to understanding the Book of Ecclesiastes is the term UNDER THE SUN — What that literally means is you lock God out of a closed system and you are left with only this world of Time plus Chance plus matter.”
Here the first 7 verses of Ecclesiastes followed by Schaeffer’s commentary on it:
The words of the Preacher, the son of David, king in Jerusalem. Vanity of vanities, says the Preacher, vanity of vanities! All is vanity. What does man gain by all the toil at which he toils under the sun? A generation goes, and a generation comes, but the earth remains forever. The sun rises, and the sun goes down, and hastens to the place where it rises. The wind blows to the south and goes around to the north; around and around goes the wind, and on its circuits the wind returns. All streams run to the sea, but the sea is not full; to the place where the streams flow, there they flow again.
Solomon is showing a high degree of comprehension of evaporation and the results of it. Seeing also in reality nothing changes. There is change but always in a set framework and that is cycle. You can relate this to the concepts of modern man. Ecclesiastes is the only pessimistic book in the Bible and that is because of the place where Solomon limits himself. He limits himself to the question of human life, life under the sun between birth and death and the answers this would give.
Solomon doesn’t place man outside of the cycle. Man doesn’t escape the cycle. Man is in the cycle. Birth and death and youth and old age.
There is no doubt in my mind that Solomon had the same experience in his life that I had as a younger man (at the age of 18 in 1930). I remember standing by the sea and the moon arose and it was copper and beauty. Then the moon did not look like a flat dish but a globe or a sphere since it was close to the horizon. One could feel the global shape of the earth too. Then it occurred to me that I could contemplate the interplay of the spheres and I was exalted because I thought I can look upon them with all their power, might, and size, but they could contempt nothing. Then came upon me a horror of great darkness because it suddenly occurred to me that although I could contemplate them and they could contemplate nothing yet they would continue to turn in ongoing cycles when I saw no more forever and I was crushed.
Let me show you some inescapable conclusions if you choose to live without God in the picture. Schaeffer noted that Solomon came to these same conclusions when he looked at life “under the sun.”
Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)
Chance and time have determined the past, and they will determine the future. (Ecclesiastes 9:11-13 “I have seen something else under the sun: The race is not to the swift
or the battle to the strong, nor does food come to the wise or wealth to the brilliant or favor to the learned; but time and chance happen to them all. Moreover, no one knows when their hour will come: As fish are caught in a cruel net, or birds are taken in a snare, so people are trapped by evil times that fall unexpectedly upon them.”)
Power reigns in this life, and the scales are not balanced(Eccl 4:1; “Again I looked and saw all the oppression that was taking place under the sun: I saw the tears of the oppressed—
and they have no comforter; power was on the side of their oppressors— and they have no comforter.” 7:15 “In this meaningless life of mine I have seen both of these: the righteous perishing in their righteousness, and the wicked living long in their wickedness. ).
Nothing in life gives true satisfaction without God including knowledge (1:16-18), ladies and liquor (2:1-3, 8, 10, 11), and great building projects (2:4-6, 18-20).
There is no ultimate lasting meaning in life. (1:2)
By the way, the final chapter of Ecclesiastes finishes with Solomon emphasizing that serving God is the only proper response of man. Solomon looks above the sun and brings God back into the picture in the final chapter of the book in Ecclesiastes 12:13-14, “ Now all has been heard; here is the conclusion of the matter: Fear God and keep his commandments, for this is the whole duty of man. For God will bring every deed into judgment, including every hidden thing, whether it is good or evil.”
The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted. In 1978 I heard the song “Dust in the Wind” by Kansas when it rose to #6 on the charts. That song told me that Kerry Livgren the writer of that song and a member of Kansas had come to the same conclusion that Solomon had and that “all was meaningless UNDER THE SUN,” and looking ABOVE THE SUN was the only option. I remember mentioning to my friends at church that we may soon see some members of Kansas become Christians because their search for the meaning of life had obviously come up empty even though they had risen from being an unknown band to the top of the music business and had all the wealth and fame that came with that.
Livgren wrote, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”
Both Kerry Livgren and Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible Church. Hope is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.
The John Lennon and the Beatles really were on a long search for meaning and fulfillment in their lives just like King Solomon did in the Book of Ecclesiastes. Solomon looked into learning (1:12-18, 2:12-17), laughter, ladies, luxuries, and liquor (2:1-2, 8, 10, 11), and labor (2:4-6, 18-20). He fount that without God in the picture all […]
______________ George Harrison Swears & Insults Paul and Yoko Lucy in the Sky with Diamonds- The Beatles The Beatles: I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking […]
The Beatles in a press conference after their Return from the USA Uploaded on Nov 29, 2010 The Beatles in a press conference after their Return from the USA. The Beatles: I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis […]
__________________ Beatles 1966 Last interview I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about them and their impact on the culture of the 1960’s. In this […]
_______________ The Beatles documentary || A Long and Winding Road || Episode 5 (This video discusses Stg. Pepper’s creation I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about […]
_______________ Francis Schaeffer pictured below: _____________________ I have included the 27 minute episode THE AGE OF NONREASON by Francis Schaeffer. In that video Schaeffer noted, ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” How Should […]
Crimes and Misdemeanors: A Discussion: Part 1 ___________________________________ Today I will answer the simple question: IS IT POSSIBLE TO BE AN OPTIMISTIC SECULAR HUMANIST THAT DOES NOT BELIEVE IN GOD OR AN AFTERLIFE? This question has been around for a long time and you can go back to the 19th century and read this same […]
____________________________________ Francis Schaeffer pictured below: __________ Francis Schaeffer has written extensively on art and culture spanning the last 2000years and here are some posts I have done on this subject before : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” , episode 9 “The Age of Personal Peace and Affluence”, episode 8 […]
Love and Death [Woody Allen] – What if there is no God? [PL] ___________ _______________ How Should We then Live Episode 7 small (Age of Nonreason) #02 How Should We Then Live? (Promo Clip) Dr. Francis Schaeffer 10 Worldview and Truth Two Minute Warning: How Then Should We Live?: Francis Schaeffer at 100 Francis Schaeffer […]
___________________________________ Francis Schaeffer pictured below: ____________________________ Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR Dr. Francis schaeffer – The flow of Materialism(from Part 4 of Whatever happened to human race?) Dr. Francis Schaeffer – The Biblical flow of Truth & History (intro) Francis Schaeffer – The Biblical Flow of History & Truth (1) Dr. Francis Schaeffer […]
First published: December 1, 2016, 3:30 PM IST | Updated: December 1, 2016
One of the most celebrated filmmakers of Hollywood, Woody Allen turns 81 today. Born and raised in Brooklyn as Allen Konigsberg he is arguably most famous for his neurotic outlook on life as he is for his filmmaking.
Allen’s career spans over 50 years and films like Annie Hall, Vicky Cristina Barcelona and Blue Jasmine give us a brief understanding of a masterpiece that he is. Woody Allen’s plotlines are unique, much like the controversies in his personal life, and are peppered with his brand of humour just like his take on life.
Here are 15 quotes by the genius on life. Don’t miss the dash of humour he imparts to each one of them.
Wishing the quirky filmmaker a very happy birthday.
This interview below reveals Woody Allen’s nihilistic views and reminds me of his best movie which is CRIMES AND MISDEMEANORS!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm Woody […]
Top 10 Woody Allen Movies Woody’s Cold Comforts Robert E. LauderApril 19, 2010 – 1:36pm Friends have often asked me about my interest in the films of Woody Allen: Why is a Catholic priest such an ardent admirer of the work of an avowed atheist, an artist who time and again has insisted on […]
Woody Allen & Parker Posey Red-Carpet Interviews for ‘Irrational Man’ New bio reassesses Woody Allen at 80 James Endrst , Special for USA TODAY2:03 p.m. EST November 7, 2015 Woody: The Biography by David Evanier (St. Martin’s Press) in Biography Buy Now USA TODAY Rating Woody Allen turns 80 on Dec. 1 and David Evanier has […]
___ Existentialism and the Meaningful Life [The Common Room] Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR A Handy Guide to All the Philosophers Referenced in Irrational Man Eliza Berman @lizabeaner July 17, 2015 David Livingston–Getty ImagesJoaquin Phoenix and Emma Stone attend the premiere of “Irrational Man” in Los Angeles on July 9, 2015. Leave it […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Allen – Concerto Parigi 1996 – Wild Man Blues
Woody Allen & The Eddy Davis New Orleans Jazz Band
I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of his own secular view. I salute him for doing that. That is why I have returned to his work over and over and presented my own Christian worldview as an alternative.
REMO CASILLI REUTERS Director Woody Allen looks on during the shooting of his movie “The Bop Decameron” in downtown Rome … Continued
by Michelle Boorstein
REMO CASILLI
REUTERS
Director Woody Allen looks on during the shooting of his movie “The Bop Decameron” in downtown Rome July 25, 2011.
Earlier this year I was sitting at a cafeteria lunch table with evangelical icon Chuck Colson and some of his close faith advisors when the conversation took a turn I hadn’t predicted: Colson started talking about Woody Allen.
In detail.
It turned out Colson and some others at the table, who help him craft theological writings and classes, are hard-core fans of Allen, and were easily able to recite bits of dialogue. A debate launched about the religious subtexts of various Allen films and what were the moviemaker’s own theological conclusions.
It was only when my regular chats with Southern Baptist leader Richard Land began turning to Allen that I got curious — what’s the deal with evangelicals and Woody Allen?
It turned out that I was clueless to a fascination that now makes perfect sense, since Allen marries two things core to modern-day evangelicals: popular culture and religion. Think “Crimes and Misdemeanors” and the symbolism of the rabbi going blind; think “Match Point” and questions raised about the apparent randomness of life.
Many of Allen’s films wrestle in a complex way with core moral themes, such as the nature of forgiveness, what to do with sin, whether life can have any meaning without God. And he does this as an agnostic.
Land is also a huge Allen fan and can rattle off an amazing amout of dialogue. You can’t get the guy off the phone once he starts talking Woody.
This evangelical-Allen thing reappeared the other day when some friends on Facebook started zapping around an amazing piece of vintage talk-show footage — Allen interviewing evangelical leader Billy Graham (it’s in two parts).
I haven’t been able to determine what show Allen was hosting (he declined to be interviewed), but it looks to be the 1960s, with a wise-guy, 30-something Allen engaging the handsome, older preacher about sex, drugs and life after death.
Allen: “If you come to one of my movies or something, I’ll go to one of your revival meetings.”
Graham: “Well now that is a deal.”
Allen: “You could probably convert me because I’m such a pushover. I have no convictions in any direction and if you make it appealing and promise me some sort of wonderful afterlife with a white robe and wings I would go for it.”
Graham: “I can’t promise you a white robe and wings, but I can promise you a very interesting, thrilling life.”
Allen: “One wing, maybe?”
The off-camera audience is cracking up the entire time, and both men are smiling and relaxed through the 10-minute interview even as they clearly aren’t seriously entertaining the other’s views. It’s entertainment, but it’s also sweet, particularly on Graham’s part, which results in a piece of footage that manages to be both deep and silly (this is not easy to pull off).
The primary feeling I had watching the video was one of nostalgia for a time when the subject of religion wasn’t so firmly planted at the center of a culture war, when people of totally different convictions about matters of life and death and morality could agree to disagree. It seemed almost romantic.
It seems impossible to imagine. Can anyone think of a comparable exchange today? I considered The Daily Show but even that seems too slick.
In the interview Allen is dorky and giggly – he almost seems like a teenager embarassed to ask about dating.
Could he have sex before marriage, he asks Graham, to ensure that his betrothed isn’t “an absolute yo-yo?” Graham turns fatherly, but not dogmatic; “that won’t happen to you,” he assures Allen.
Graham’s framing of the role of faith is decidedly secular, perhaps aimed at Allen’s audience. The purpose of the religious doctrine and rules is because God wants you to have “the best of life .. happiness and fulfillment.” The ban on sex outside a committed marriage, he says, is to protect your psychological self, to keep your body free from disease.
I asked Land to look at the videos and he commented that the wise-cracking Woody of the 1960s seemed to have “less swagger in his agnosticism” than the Woody who created the characters of “Crimes and Misdemeanors” in the 1980s, with their agonizing over mortality and purpose.
“I find Woody over the years, and of course this is true of people as they get older, there is more resignation,” he said. “There is a light touch and a confidence in his earlier movies — I’m not dead, I won’t die for a long time so I have a long time to figure this all out. Some of his more recent movies, you can see he’s aware of his own mortality.”
Land is sure he sees an Allen less confident.
“He asks all the right questions, he just doesn’t have the right answers,” Land said with a chuckle.
In trying to find the source of the clip I stumbled on a 2010 interview with Allen in which he seems to reference the Graham chat and shows that he hasn’t changed his mind a bit. He still has no faith in any higher power and says Graham is “delusional.”
Speaking of characters in his new movie, Allen says “sooner or later, reality sets in in a crushing way. As it does and will with everybody, including Billy Graham. But it’s nice if you can delude yourself for as long as possible.”
It’s hard for me to imagine a talk being the two men being as light-hearted today.
More on: 2011, Billy Graham, Chuck Colson, Culture War, Evangelical Leader, Faith, Religion, Religious Doctrine, Richard Land, Woody Allen
Woody Allen about meaning and truth of life on Earth
WOODY ALLEN TAKE THE MONEY AND RUN CELLO MARCHING BAND SCENE
Bananas
1971
Bananas (1971) – Trailer
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Play it Again, Sam
1972
Play It Again, Sam trailer
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A surprisingly civil discussion between evangelical Billy Graham and agnostic comedian Woody Allen. Skip to 2:00 in the video to hear Graham discuss premarital sex, to 4:30 to hear him respond to Allen’s question about the worst sin and to 7:55 for the comparison between accepting Christ and taking LSD. ___________________ The Christian Post > […]
Crimes and Misdemeanors: A Discussion: Part 1 If you like Woody Allen films as much as I do then join me every Wednesday for another look the man and his movies. Below are some of the posts from the past: “Woody Wednesday” How Allen’s film “Crimes and Misdemeanors makes the point that hell is necessary […]
I really enjoyed this documentary on Woody Allen from PBS. Woody Allen: A Documentary, Part 1 Published on Mar 26, 2012 by NewVideoDigital Beginning with Allen’s childhood and his first professional gigs as a teen – furnishing jokes for comics and publicists – WOODY ALLEN: A DOCUMENTARY chronicles the trajectory and longevity of Allen’s career: […]
Crimes and Misdemeanors: A Discussion: Part 3 Uploaded by camdiscussion on Sep 23, 2007 Part 3 of 3: ‘Is Woody Allen A Romantic Or A Realist?’ A discussion of Woody Allen’s 1989 movie, Crimes and Misdemeanors, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/antons@mail.ubc.ca ______________ One of my favorite Woody Allen movies and I reviewed […]
Crimes and Misdemeanors: A Discussion: Part 2 Uploaded by camdiscussion on Sep 23, 2007 Part 2 of 3: ‘What Does The Movie Tell Us About Ourselves?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/antons@mail.ubc.ca _________________- One of my favorite Woody Allen movies and I reviewed it earlier but […]
I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]
Crimes and Misdemeanors: A Discussion: Part 1 If you like Woody Allen films as much as I do then join me every Wednesday for another look the man and his movies. Below are some of the posts from the past: “Woody Wednesday” How Allen’s film “Crimes and Misdemeanors makes the point that hell is necessary […]
I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]
Crimes and Misdemeanors: A Discussion: Part 1 Uploaded by camdiscussion on Sep 23, 2007 Part 1 of 3: ‘What Does Judah Believe?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/antons@mail.ubc.ca _____________ One of my favorite films is this gem by Woody Allen “Crimes and Misdemeanors”: Film Review By […]
Crimes and Misdemeanors: A Discussion: Part 3 Uploaded by camdiscussion on Sep 23, 2007 Part 3 of 3: ‘Is Woody Allen A Romantic Or A Realist?’ A discussion of Woody Allen’s 1989 movie, Crimes and Misdemeanors, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/antons@mail.ubc.ca ______________ One of my favorite Woody Allen movies and I reviewed […]
Crimes and Misdemeanors: A Discussion: Part 2 Uploaded by camdiscussion on Sep 23, 2007 Part 2 of 3: ‘What Does The Movie Tell Us About Ourselves?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/antons@mail.ubc.ca _________________- One of my favorite Woody Allen movies and I reviewed it earlier but […]
Crimes and Misdemeanors: A Discussion: Part 1 Uploaded by camdiscussion on Sep 23, 2007 Part 1 of 3: ‘What Does Judah Believe?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/antons@mail.ubc.ca _____________ Today I am starting a discusssion of the movie “Crimes and Misdemeanors” by Woody Allen. This 1989 […]
Something about television brings out the nostalgist in Woody Allen (well, y’know, even more than usual), and understandably – it’s a medium inextricably tied to his own early days. He got his start as a staff writer for The Colgate Comedy Hour, Sid Caesar specials, and sitcoms like The Gary Moore Show; in his stand-up and early (comic) filmmaking days, he was a fixture on Jack Paar, Ed Sullivan, Dick Cavett, and Merv Griffin’s shows, and even had a couple of prime-time specials. But after his Nixon-baiting Men of Crisis: The Harvey Wallinger Story was yanked from PBS, he swore off the medium, and mostly stuck to his guns. His last major television project was a 1994 TV movie adaptation of his hit ‘60s play Don’t Drink the Water, in which he was now old enough to play the harried patriarch confounded by his times. [13]
-Woody Allen’s six-episode miniseries for Amazon, “Crisis in Six Scenes,” which runs just less than two and a half hours in total, is, in effect, his “American Pastoral.” Like Philip Roth’s 1997 novel, it’s a vision (a comedic one, where Roth’s is tragic) of a liberal suburban household, in the late nineteen-sixties, that’s thrown into turmoil by a young woman who commits an act of political terrorism. It has the virtues and the faults of Allen’s later films—which is to say that his ideas come to the fore in sharp focus, sketched with clear and decisive lines, but sometimes the sketchiness detaches them from the context of lived experience and turns them merely assertive and hermetic. [1]
-In “Crisis,” Allen writes himself back, in current form, into an time in which he was actually already anachronistic. Allen made his great breakthrough, with “Annie Hall,” not at the beginning of an era but at its end. He was already older than forty; he had twenty years of show biz behind him, and his nineteen-sixties weren’t an age of protest and activism but of trying to establish himself, tooth and nail, as the filmmaker that he had decided to become. “Crisis in Six Scenes” starkly conveys the wistful—yet not regretful—sense that his sixties were secondhand and spectatorial. [1]
-Above all, however, the core of the series is the secondhand experience not of the sixties as action but of the sixties as political rhetoric. It isn’t only Alan and Kay who are transformed by Lennie’s presence. Kay also delivers the political literature to the members of her book club, mainly elderly women, who become comically enthusiastic acolytes of violent revolution, spouting Mao’s aphorisms and eagerly, if obliviously, anticipating bloodshed. [1]
-This readiness of many people to fall for the virtuous-sounding but hollow, reckless, dangerous, and destructive rhetoric of dictatorial revolutionaries is the very through-line of the series. [1]
-Allen presents his Sid as the one sane man who, despite—or rather, because of—his neurotic inhibitions and practical artistic ambitions and ideals, remains invulnerable to such flights of grandiose and vapid thinking. As a portrait of the sixties, this relentless satire of revolutionary action serves to justify the course of Allen’s own ideas and activity, even as he hints at admiration for the fervor and daring of the revolutionaries themselves [1]
___________ Justin Timberlake Talks ‘Trolls,’ Family Life and His New Album With Pharrell Williams Andrew Barker Senior Features Writer@barkerrant TOM MUNRO FOR VARIETY NOVEMBER 1, 2016 | 10:00AM PT Settling into a hotel bar in Soho after a long day shooting a film for Woody Allen in the Bronx, Justin Timberlake wastes no time ordering […]
_ Woody Allen – standup – ’65 – RARE! Happy 81st Birthday, Woody Allen December 2, 2016 1 Comment Woody Allen turns 81 today. And he shows no signs of slowing down. Allen spent his 80th year being remarkably prolific, even by his own standards. The end of 2015 saw that year’s film, Irrational Man, […]
_ Everything We Know About Woody Allen’s 2017 Film With Kate Winslet And Justin Timberlake October 16, 2016 3 Comments Woody Allen has, it seems, wrapped production on his 2017 Film. The new film stars Kate Winlset and Justin Timberlake. And despite some very public days of shooting, We still don’t know that much […]
_____________ Woody Allen – The Atheist At 79, Woody Allen Says There’s Still Time To Do His Best Work JULY 29, 2015 5:03 PM ET When asked about his major shortcomings, filmmaker Woody Allen says, “I’m lazy and an imperfectionist.” Thibault Camus/AP Woody Allen is a prolific filmmaker — he’s been releasing films pretty much […]
Midnight in Paris: TAP’s Movie of the Month for June 2015 JUNE 1, 2015 by TAP Adventures Each month in TAP, we select a Movie of the Month to help prepare our students for their overseas trip. This month we’re starting to prepare for our 2016 adventure in France and the Benelux countries, so we’ve selected […]
This interview below reveals Woody Allen’s nihilistic views and reminds me of his best movie which is CRIMES AND MISDEMEANORS!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm Woody […]
Top 10 Woody Allen Movies Woody’s Cold Comforts Robert E. LauderApril 19, 2010 – 1:36pm Friends have often asked me about my interest in the films of Woody Allen: Why is a Catholic priest such an ardent admirer of the work of an avowed atheist, an artist who time and again has insisted on […]
Woody Allen & Parker Posey Red-Carpet Interviews for ‘Irrational Man’ New bio reassesses Woody Allen at 80 James Endrst , Special for USA TODAY2:03 p.m. EST November 7, 2015 Woody: The Biography by David Evanier (St. Martin’s Press) in Biography Buy Now USA TODAY Rating Woody Allen turns 80 on Dec. 1 and David Evanier has […]
___ Existentialism and the Meaningful Life [The Common Room] Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR A Handy Guide to All the Philosophers Referenced in Irrational Man Eliza Berman @lizabeaner July 17, 2015 David Livingston–Getty ImagesJoaquin Phoenix and Emma Stone attend the premiere of “Irrational Man” in Los Angeles on July 9, 2015. Leave it […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Settling into a hotel bar in Soho after a long day shooting a film for Woody Allen in the Bronx, Justin Timberlake wastes no time ordering the first of several Vesper martinis. “I was terrified all day today, dude,” he says.
This story first appeared in the October 25, 2016 issue of Variety. Subscribe today.
“All day I’m thinking about what Woody was going to say to me on set, like, ‘Man, he’s gonna annihilate me.’ I think we all have a level of anxiety. I have it. I’ve had panic attacks.”
Timberlake, 35, is hardly a stranger to working with storied auteurs, among them David Fincher, the Coen brothers, and Jonathan Demme, and yet for the rest of the evening he’ll joke about Allen potentially firing him from the production. He also recalls the day the role came his way.
“Literally, it’s embarrassing,” he says of being cold-called by Allen and offered a part. “Woody, Jonathan… I’m literally working with all my heroes. It’s leading me to drinking.”
His fears are surprising, since Timberlake, over the last two decades, has amassed a remarkable career as a pop star, songwriter, and actor. Yet his modesty seems quite genuine. Full-scale leading-man movie stardom, after all, is perhaps the one brass ring that has eluded him. But if film stardom remains a hole in his résumé, Timberlake is making up for it by expanding his reach into unexplored creative corners.
In September, for instance, he traveled from his home in Manhattan to the Toronto Film Festival for the premiere of his Demme-directed concert film, “Justin Timberlake + the Tennessee Kids,” which has since been released by Netflix. In May, he visited Cannes on a press jaunt for DreamWorks Animation’s animated comedy “Trolls,” in which he voices a lead character and serves as executive producer of music. “Can’t Stop the Feeling!,” one of his original songs for the film, stands as the best-selling single of 2016 and has accrued plenty of Oscar buzz along the way.
TOM MUNRO FOR VARIETY
This year also marked Timberlake’s first foray into film scoring, with “The Book of Love,” which premiered at Tribeca and was produced by his wife, Jessica Biel, who also stars. He’s also spending time in the studio with an old mentor, producer Pharrell Williams, recording songs with an eye toward his next album. On top of that, he’s working to develop and star in a biopic about the life of Casablanca Records founder Neil Bogart, with Nick Cassavetes lined up to direct. All this, and Timberlake has an 18-month-old son at home.
And yet, by Timberlake standards, 2016 has been a year of newfound balance between the vocal booth and the mixing board, above-the-line and below. After all, the last time Timberlake released new music, it was the double-album blitz of “The 20/20 Experience,” which saw the singer flood the airwaves with two and a half hours of new music in a single year, sell six million albums, make appearances on just about every televised venue, and embark on a series of tours that stretched for two years.
“My life has changed and is changing. So it’s important to discover that there’s work you can do where you get more time with your family,” Timberlake says. “I wouldn’t go on tour next week, because I wanna be with my son. I wanna be with my wife. What does touring even look like for me now? It’s such a luxury to be able to make those decisions: to be able to think about how you could do the work you used to do in a different way. As men, we’re always taught at a young age to be a man and have your priorities in order. And you get to a point where you’re like, ‘It’s not about “being a man” — it’s about fulfillment.’ Which is a totally different thing.”
Timberlake apologizes for “sounding like I’m reading from the New Age Entertainer Manuscript,” but this level of easy-going maturity suits him. For someone who won his first Emmy for co-writing “Dick in a Box,” his humor is now largely of the dad-joke variety. He tells detailed diaper-changing anecdotes, asks for film and music recommendations, and almost proudly says, “I haven’t seen or heard anything in a year.” (Although, for the record, he’s keen to discuss Chris Stapleton and Chance the Rapper’s latest albums, and when the topic of Frank Ocean’s “Blonde” is broached, he offers some impromptu a cappella beat-boxed renditions of “Solo” and “Ivy” in the middle of a crowded restaurant.)
“You’ll notice I say ‘I don’t know’ a lot,” he says later. “And you know the reason why? Because I don’t f—king know! I’ve realized that I don’t really know anything, and when you realize that, you realize a lot.”
He adds, “I think you always have to be able to be malleable. The worst thing you can do is base all your creativity on some sort of ideal destination. Because you never get there. Which is not to say that I didn’t think more like that when I was young, but that’s a big part of growing up.”
There’s no doubt that Timberlake spent the first stretch of his career working ruthlessly toward a particular destination. Raised around Memphis by his mother and stepfather — a manager and a banker, respectively — and the son of a church choir director father, Timberlake caught the performance bug early.
“My parents were divorced,” he says, “and I’ll never forget going to stay with my father for a weekend, and he had a vinyl player that he had set up in my bedroom for me. There were a lot of records, and I just looked at the cover of Queen’s ‘A Night at the Opera’ and put it on, and I didn’t leave the room for a weekend. I listened to it over and over again.”
“I think everyone I’m working with right now knows I’m notorious for being like, ‘Yeah, let’s work. I have no idea when I’ll put it out, though.’ I’ll put it out when it’s done, when it feels right.”
JUSTIN TIMBERLAKE
Timberlake first appeared on “Star Search” at age 11, and by 15 he had joined the nascent boy band NSYNC, quickly ascending to the front pages of both the music and gossip press as the group’s standout member. As stratospheric as the group’s popularity would soon become — the first week’s sales for their 2000 album “No Strings Attached” set a record that was broken only last fall, by Adele — Timberlake still had to prove himself as a credible adult solo artist. “Justified,” executive produced by Pharrell, started that process in 2002, and 2006’s “FutureSex/LoveSounds” — the first of Timberlake’s three album-length collaborations with producer Timbaland — finished the job.
Unlikely collaborators when they first crafted Timberlake’s 2002 No. 3 hit, “Cry Me a River,” the former boy-band star and the hip-hop-bred producer have since become one of the most forward-thinking star-producer duos in pop music. Their work on Timberlake’s second solo album not only brought the star into his own, it also helped recalibrate the sonic frequency of several years’ worth of pop-radio trends.
“My connection with Justin is very deep,” says Timbaland. “Just because I like what’s in his brain, and he likes what’s in my brain. And our process is we just sit around, talk and vibe, catch up on life. All the while, the musical equipment is hooked up, and we play little sounds until we find something and go, ‘Ooh! Let’s do that.’ When a sound stops the conversation, that’s where we start.”
But even as Timberlake established himself as one of the new millennium’s premier pop idols, film has been a difficult nut to crack. It took him years of work to develop a reputation as more than a moonlighter, an image that finally began to dissipate with his supporting roles as Sean Parker in Fincher’s “The Social Network,” and as a guileless folk singer in the Coen brothers’ “Inside Llewyn Davis.”
Yet, strangely, while those roles served notice to most people that Timberlake had genuine promise as an actor, it was through admiring his film work that Jonathan Demme became acquainted with Timberlake as a musician.
“There’s a certain irony to it,” Demme says. “When I saw ‘The Social Network,’ J.T. came on, and he just knocked me literally out of my seat. I couldn’t believe how thrilling and dynamic this guy was in that story. And I just felt this extraordinary potential as an actor from him. But I wasn’t at all hip to his music. I’m stuck decades back, really, when it comes to pop music. But it was like, ‘OK, this is on my relatively short list of things I want to do: make a movie starring Justin Timberlake.’ ”
The two met four years ago to discuss a possible lead role in which Timberlake would play a schoolteacher, but Timberlake kept turning the conversation to one of Demme’s older projects, the storied 1984 Talking Heads concert film “Stop Making Sense.”
“ ‘Stop Making Sense’ is a whole thing for me,” Timberlake says. “Within that meeting, I probably made [Demme] slightly uncomfortable with how much I brought it up.”
Demme’s scripted Timberlake vehicle ended up fizzling, but the singer called him up years later and asked him to film the last stop on the “20/20 Experience Tour” in Las Vegas, in January 2015. Much like “Stop Making Sense” captured Talking Heads in what would eventually be their last major concerts, “Justin Timberlake + the Tennessee Kids” is suffused with the go-for-broke energy of a grand finale, serving as both a spectacle and a time-capsule glimpse of the peak of Timberlake’s pop star ubiquity and ability.
TOM MUNRO FOR VARIETY
“I have accepted the fact I may not be physically able to do that again,” Timberlake says, not entirely joking, of watching his own dancing in the film.
Of course, acting ability is rarely diminished by age, and Demme believes that Timberlake is due to make a definitive statement as a leading man. “I think he can do anything,” the director says. “And part of the director’s ego is that you want to direct someone’s first gigantic breakout movie, right? Well, Justin is right on the verge of his gigantic breakout movie.”
Whether that breakout will come with Allen’s film remains to be seen. (With no announced premise or even title for the movie, Timberlake remains mum on the project’s details “in the interest of keeping my job until the end of principal photography.”)
But there have certainly been bumps along the way. As much as he’s excelled in smaller parts, his leading turn in 2013’s “Runner Runner” was a nonstarter, and the effortless comic timing he’d displayed on “SNL,” or with skit-buddy Jimmy Fallon, didn’t entirely translate to 2011’s “Friends With Benefits.” Timberlake acknowledges that there’s a perception of overreaching that comes with working in both film and music.
“For this generation of actors and musicians, to try to do both probably feels gratuitous in a way,” he says. “I just feel like I grew up thinking about Frank Sinatra or Gene Kelly — that era of entertainment, where everyone could use their voice and sing, everyone studied acting. It just seemed like being an entertainer was an all-encompassing and unabashed thing.”
He traces this sort of multimedia ambition to his first brush with stardom, when he was cast on “The All-New Mickey Mouse Club” alongside the pubescent Britney Spears, Ryan Gosling, Keri Russell, and Christina Aguilera.
“Listen, my first job ever was on a television show. It’s not a stretch when you see people who’ve come out of that show and go, ‘Oh, that guy can sing? Oh, that girl can act?’ We were taught all that, and we were just sponges — most of us, anyway — just soaking it all in.”
Jeffrey Katzenberg, who hired Timberlake on “Trolls,” recalls their first encounter when he was a top executive at Disney. “The first time I met Justin, it was literally right after I saw an audition tape of him singing. And even then he was brilliant. He was charismatic, captivating, warm, charming. He was Justin.”
Timberlake was always eager to soak up more than just the ins-and-outs of on-camera razzle-dazzle. Shortly after joining NSYNC, the 15-year-old was sent to Sweden to work with songwriter-producer Max Martin, who was then just beginning to accrue the résumé that would make him the reigning pop hitmaker of the last two decades.
“Already back then, in the mid-’90s, he stood out,” Martin says of Timberlake via email. “You could tell that his interest in writing and producing was there from the very beginning.”
Tasked with composing a few key original songs for “Trolls,” Timberlake reunited with Martin for the first time since his boy-band days, and their combined knack for earworms paid off handsomely with “Can’t Stop the Feeling!” a song so perfectly geared toward beach trips and pool parties that it was strategically unleashed months before the film’s November release.
Katzenberg says he was amazed how skillfully Timberlake and Martin adhered to the film’s creative demands. “There were so many different guidelines for the song within the movie: It had to fit into a specific place, a specific mood, a specific type of melody and sentiment, and a lyric that could talk to the character moments…. It’s inconceivable to me that it worked.”
Timberlake was originally tapped simply to voice Branch, a co-lead succinctly described in the film’s marketing materials as a “paranoid, disgruntled Troll survivalist.” Over time, he accrued more and more roles within the project, taking what had initially been conceived as a needle-drop musical and reworking it into something he describes as “a ‘Saturday Night Fever’ approach to an animated movie.”
TOM MUNRO FOR VARIETY
“He took it and made it into this glorious, cohesive, fully rainbowed pop soundtrack,” says producer Gina Shay.
In addition to re-recording old standards like “September” and “True Colors” with the film’s cast (which includes Anna Kendrick and Zooey Deschanel), Timberlake started from scratch with new songs for Ariana Grande and Gwen Stefani. Yet “Can’t Stop the Feeling!” scores a particularly essential moment in the film’s third act, an emotional pivot over which director Mike Mitchell had spent months agonizing before Timberlake came to the rescue.
“We had maybe a thousand different temp songs in there, and sometimes there were two or three of them mashed up,” Mitchell remembers. “It was cacophonous, and it was messy, and it was frustrating. And when Justin signed on as music producer, it was like, ‘Well, there’s that problem going away forever.’”
Martin remembers writing the song with Timberlake and frequent collaborator Shellback. “The lyric was the hardest part, to capture the vibe of the scene, the characters, and the movie overall, but still making it a relevant pop song,” he says. “I personally am always nervous and paranoid before a song comes out — if it’s going to work or not. In this case, I felt I was alone in feeling this way.”
The perpetually bouncy, kid-friendly track is unlike anything in Timberlake’s recent discography — from the sinewy robo-funk of “FutureSex” to the sprawling luxury pop of “The 20/20 Experience” — and Timberlake naturally nods toward his experiences entertaining a particular audience of one as inspiration.
“I think I would’ve said yes to the project regardless, but I do think that song came together the way it did because I’d had a son at that point,” he says. “It’s the sort of thing where you realize, ‘Man, there’s nothing wrong with putting some good vibes in the world.’ Like, ‘Hey, you over there trying hard to act like you don’t care, that sounds exhausting.’”
Whether or not “Can’t Stop” is an arbiter of Timberlake’s future musical direction, he’s confident he’ll continue to work closely with his core collaborators.
“I wouldn’t say [my new material] is the antithesis of ‘20/20,’ but it does sound more singular,” he says. “If ‘20/20’ sounded like it literally surrounds your entire head, this stuff feels more like it just punches you between the eyes.”
Which, of course, could just as well describe the distinction between Timbaland and Pharrell. Timberlake defines his major collaborators like this: “Tim is a sound junkie, the same way Pharrell is a song junkie. And then Max is like music’s Morpheus.”
After a few weeks in the studio with Timberlake this year, Pharrell reports, “Songwise, I think we’ve got a good solid six that are like, ‘Whoa, what was that? Play that again.’” He also notes that the sessions have been unusually personal and self-reflective. “I would pay Justin a huge compliment to say he’s just discovering who he is now.”
Pharrell explains: “For the biggest pop stars in the world, the place where they have the most trouble is honesty. It’s hard for them to know that the beauty of a record, the sweetest spot in the song, is where they show vulnerability. Because there’s a formulaic sort of vulnerability, like, ‘Baby, I can’t sleep without you …’ and that’s not really it. But if you’re able to really screenshot your own vulnerability, and frame it properly, and color-correct it, then it becomes something that every human can relate to. And I think Justin is in the place where he’s mastering that right now.”
As for when this new material will see the light of day, there’s no need to mark any calendars. Timberlake has cultivated an old-fashioned insistence on developing material at his own pace — pop-radio demands be damned — and that’s unlikely to change.
“I think everyone I’m working with right now knows that I’m notorious for being like, ‘Yeah let’s work. I have no idea when I’ll put it out, though,’” he says. “I’ll put it out when it’s done — when it feels right.”
He continues: “I’m just in the now of now. I think it’s an effect of just enjoying my life more. For a long time I lived my life for a lot of other people, or for the idea that those other people had an idea of me. And whatever — there’s a guy who’s gonna wake up tomorrow and transfer an organ from one body to another and save someone’s life — so what are we even doing?”
Lingering in the hotel entryway after dinner, Timberlake is approached by a fan — the first such encounter in the past three hours. He responds warmly and appreciatively, and then makes his exit without too much fuss. It’s a subtle survival skill: neither dismissing the enthusiasm of his supporters, nor allowing their attentions to overwhelm him.
“But the more I go through this — making people laugh, and making people feel — it’s an amazing thing to be a part of,” he says. “I get a gift out of it. When you’re younger, sometimes you can’t see that gift; I think that’s how some people in our industry become so megalomaniacal, in a way: It’s easy to be made to feel like, ‘I made all this happen.’ But you didn’t. You were just there for it. That’s what I feel like whenever I write a song. I was just there for it.”
This interview below reveals Woody Allen’s nihilistic views and reminds me of his best movie which is CRIMES AND MISDEMEANORS!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm Woody […]
Top 10 Woody Allen Movies Woody’s Cold Comforts Robert E. LauderApril 19, 2010 – 1:36pm Friends have often asked me about my interest in the films of Woody Allen: Why is a Catholic priest such an ardent admirer of the work of an avowed atheist, an artist who time and again has insisted on […]
Woody Allen & Parker Posey Red-Carpet Interviews for ‘Irrational Man’ New bio reassesses Woody Allen at 80 James Endrst , Special for USA TODAY2:03 p.m. EST November 7, 2015 Woody: The Biography by David Evanier (St. Martin’s Press) in Biography Buy Now USA TODAY Rating Woody Allen turns 80 on Dec. 1 and David Evanier has […]
___ Existentialism and the Meaningful Life [The Common Room] Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR A Handy Guide to All the Philosophers Referenced in Irrational Man Eliza Berman @lizabeaner July 17, 2015 David Livingston–Getty ImagesJoaquin Phoenix and Emma Stone attend the premiere of “Irrational Man” in Los Angeles on July 9, 2015. Leave it […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Allen turns 81 today. And he shows no signs of slowing down.
Allen spent his 80th year being remarkably prolific, even by his own standards.
The end of 2015 saw that year’s film, Irrational Man, wrap up its European run. It hit DVD and Blu-Ray shelves shortly after. Of course, Allen had already moved on.
He released a new film – Café Society – including an appearance at the Cannes Film Festival and the Venice Film Festival. He surprised everyone by signing a new deal for it – with Amazon. It turned out to be Allen’s biggest hit since 2013’s Blue Jasmine.
He went on to write and direct in a 6 episode series also for Amazon called Crisis In Six Scenes. He also starred in it, his first time starring in his own work since 2012’s To Rome With Love. Also in the series were Elaine May and Miley Cyrus.
And of course, he spent a couple of months shooting a new film for 2017, starring Juno Temple, Justin Timberlake and Kate Winslet. It looks like a murder drama set in the 1950s.
Allen’s musical Bullets Over Broadway went on tour around the US for the first time, including a premiere in Los Angeles. In New York, the New York Philharmonic paid tribute to Allen with a live performance of the score to Manhattan. Hannah And Her Sisters was given an exclusive live read, directed by Olivia Wilde, with a huge array of stars.
Twilight Time continued their US Blu Ray reissues of Allen’s early works. In the UK, Arrow Academy released new lavish blu-ray box sets.
Of course, Allen continued his jazz residency with the Eddy Davis New Orleans Jazz Band, most Mondays at the Carlyle Hotel in NYC.
Next year seems to be another typically prolific year. Most interesting comment this year for us was Allen saying he was thinking about writing an autobiography. It will no doubt be a huge seller and a big deal if he does.
This interview below reveals Woody Allen’s nihilistic views and reminds me of his best movie which is CRIMES AND MISDEMEANORS!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm Woody […]
Top 10 Woody Allen Movies Woody’s Cold Comforts Robert E. LauderApril 19, 2010 – 1:36pm Friends have often asked me about my interest in the films of Woody Allen: Why is a Catholic priest such an ardent admirer of the work of an avowed atheist, an artist who time and again has insisted on […]
Woody Allen & Parker Posey Red-Carpet Interviews for ‘Irrational Man’ New bio reassesses Woody Allen at 80 James Endrst , Special for USA TODAY2:03 p.m. EST November 7, 2015 Woody: The Biography by David Evanier (St. Martin’s Press) in Biography Buy Now USA TODAY Rating Woody Allen turns 80 on Dec. 1 and David Evanier has […]
___ Existentialism and the Meaningful Life [The Common Room] Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR A Handy Guide to All the Philosophers Referenced in Irrational Man Eliza Berman @lizabeaner July 17, 2015 David Livingston–Getty ImagesJoaquin Phoenix and Emma Stone attend the premiere of “Irrational Man” in Los Angeles on July 9, 2015. Leave it […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Wednesday All 47 Woody Allen movies – ranked from worst to best (L-R): Annie Hall, Sleeper and To Rome With Love Robbie Collin, Film Critic Tim Robey, Film Critic 12 October 2016 • 2:55pm Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies […]
Woody Allen has, it seems, wrapped production on his 2017 Film. The new film stars Kate Winlset and Justin Timberlake. And despite some very public days of shooting, We still don’t know that much about the new film, but here’s what we know so far.
Minor spoilers below!
Premise
The new film is set in the 1950s, in and around an amusement park. Allen had started talking about these elements at Cannes, although it seemed to take longer than usual for him and his team to set production.
We know the film will be a drama. The little plot we know – completely unconfirmed – is that Kate Winslet’s character is on the run, and finds herself at this amusement park.
The cast and characters
It seems clear that it’s the Kate Winslet show. She is the star who sets the story off. We saw her in scenes on the beach, and working as a waitress in a clam bar. She was the first person cast in the film.
Justin Timberlake plays a lifeguard. Reports of his character’s name is Mickey Rubin. He spent many days filming on the beach, with several other characters. It is unclear if that relationship is romantic.
Juno Temple was also spotted in production. She is a waitress along with Winslet’s character, and has some interaction with Timberlake as well.
Tony Sirico and Steven Schirripa were also spotted. Both Sopranos co-stars were announced as joining the film at different times. They were spotted on the street, unsure if they were supposed to be in costume.
There’s a number of cast members we didn’t see at all including Jack Gore, Jim Belushi and Max Casella.
Locations
At Cannes, he expressed his preference to shoot at Coney Island in New York. Near where Allen himself grew up and referenced in his 1977 classic Annie Hall. And that’s where most of filming has happened in the last weeks.
Most of the filming we saw took place on the beach, and the main promenade, which was changed to look like it did in 1950.
Additional filming took place in Brooklyn and Manhattan, where streets were changed to reflect the 1950s. There was also filming on Staten Island at Sailor’s Snug Harbour.
Production took place for three weeks outdoors, and then switched to interiors and perhaps studio shooting. Which means there is a big part of this film we didn’t see at all, and likely involves many of the characters we didn’t spot.
Crew, Production, Release
Vittorio Storaro is back as cinematographer, Santo Loquasto is back as production designer and Suzy Benzinger is back as costume designer.
Production started a lot later for Allen, who usually shoots in the heart of summer. The September/October shoot shouldn’t delay the film too much. We would reckon Allen is in the editing room right now.
If you were a betting man, you’d be looking at a late July 2017 release date. Word is that Amazon are looking to acquire the film as well, but no deal has been announced and remains to be seen.
In my opinion Woody Allen’s best movie is CRIMES AND MISDEMEANORS and he really does take a tough look at the atheistic world that he believes is the case!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God Why should an evangelical watch the atheistic films of Woody […]
Top 10 Woody Allen Movies __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 (More On) Woody Allen’s Atheism As I wrote in a previous post, I like Woody Allen. I have long admired his […]
This post by Mike Duran on his blog was very insightful and it reminded me of Woody Allen’s best movie of all time which is CRIMES AND MISDEMEANORS!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God Woody Allen: The Honest Atheist by MIKE DURAN · 157 COMMENTS […]
_____ Woody Allen Says Life is Meaningless Jul 26, 2014 by Gary DeMar 1 Comment An atheist post on Facebook got me thinking about the meaning of life. The post was about how beef production is ten times more damaging to the environment than automobiles. Putting aside the factual basis of the study and who […]
___ Woody Allen’s Bleak Vision by REV. ROBERT BARRON August 12, 2014 12:46 PM I was chagrined, but not entirely surprised, when I read Woody Allen’s recent ruminations on ultimate things. To state it bluntly, Woody could not be any bleaker in regard to the issue of meaning in the universe. We live, he said, […]
___ The article needs to be updated at one point and that is Steve Carell has replaced Bruce Willis. Woody Allen’s New Movie Has A Really Stacked Cast BY MIKE REYES 1 MONTH AGO 1 COMMENT When it comes to his work, Woody Allen is a man of secrets. He has a history of revealing the […]
__________ This interview below reveals Woody Allen’s nihilistic views and reminds me of his best movie which is CRIMES AND MISDEMEANORS!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – […]
__________ In my opinion Woody Allen’s best movie is CRIMES AND MISDEMEANORS and he really does take a tough look at the atheistic world that he believes is the case!!!! Crimes and Misdemeanors 1989 Woody Allen Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God Why should an evangelical watch the atheistic films […]
______ Top 10 Woody Allen Movies PBS American Masters – Woody Allen A Documentary 01 PBS American Masters – Woody Allen A Documentary 02 __________ John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!! Monday, August 06, 2012 […]
Why do A-list actors still work for Woody Allen? By Sara Stewart August 28, 2015 | 4:09pm Modal Trigger Emma Stone, Scarlett Johansson and Kristen Stewart.Photo: Weinstein Company/ Sony Pictures Classics / AP The latest, as-yet-untitled Woody Allen movie is in production, with a cast featuring Kristen Stewart, Jesse Eisenberg, Parker Posey, Blake Lively, Corey Stoll […]