Monthly Archives: November 2015

“Schaeffer Sunday” Debating Kermit Gosnell Trial, Abortion and infanticide with Ark Times Bloggers Part 10 Matt Barber: I appreciate President Obama’s candor on the matter, Like he said, laws preventing abortionists like Gosnell from finishing (abortion survivors) off are “really designed simply to burden the original decision of the woman and the physician to induce labor and perform an abortion”

C. Everett Koop, 1980s.jpg
Surgeon General of the United States
In office
January 21, 1982 – October 1, 1989
President Ronald Reagan
George H. W. Bush
Francis Schaeffer
Francis Schaeffer.jpg

Founder of the L’Abri community
Born Francis August Schaeffer
January 30, 1912

Died May 15, 1984 (aged 72)

I truly believe that many of the problems we have today in the USA are due to the advancement of humanism in the last few decades in our society. Ronald Reagan appointed the evangelical Dr. C. Everett Koop to the position of Surgeon General in his administration. He partnered with Dr. Francis Schaeffer in making the video below. It is very valuable information for Christians to have.  Actually I have included a video below that includes comments from him on this subject.

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE

Published on Oct 6, 2012 by 

I have gone back and forth and back and forth with many liberals on the Arkansas Times Blog on many issues such as abortionhuman rightswelfarepovertygun control  and issues dealing with popular culture . This time around I have discussed morality with the Ark Times Bloggers and particularly the trial of the abortionist Dr. Kermit Gosnell and through that we discuss infanticide, abortion and even partial birth abortion. Here are some of my favorite past posts on the subject of Gosnell: ,Abby Johnson comments on Dr. Gosnell’s guilty verdict, Does President Obama care about Kermit Gosnell verdict?Dr. Gosnell Trial mostly ignored by mediaKermit Gosnell is guilty of same crimes of abortion clinics are says Jennifer MasonDenny Burk: Is Dr. Gosnell the usual case or not?, Pro-life Groups thrilled with Kermit Gosnell guilty verdict,  Reactions to Dr. Gosnell guilty verdict from pro-life leaders,  Kermit Gosnell and Planned Parenthood supporting infanticide?, Owen Strachan on Dr. Gosnell Trial, Al Mohler on Kermit Gosnell’s abortion practice, Finally we get justice for Dr. Kermit Gosnell .

In July of 2013 I went back and forth with several bloggers from the Ark Times Blog concerning Dr. Kermit Gosnell’s abortion practice and his trial which had finished up in the middle of May:

Elwood wrote, “Saline makes plain he wants the gubmint out of our lives and bidnesses except he wants gov in control of what wingnuts fear most, female sexuality and autonomy.”

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Elwood you are so concerned about the freedom of choice of ladies on the issue of abortion, but what about the right to life that unborn females have?

Matt Barber wrote on April 28, 2013 just days before the Gosnell verdict came out these words:

What’s the big deal?

I mean, why are we surprised that an abortionist and his staff would, behind the walls of an always-lethal abortion clinic, commit one of the most horrific serial killings in American history? What did you think abortionists do, heal people?

Why are we taken aback that there was no oversight, no regulation, or that Planned Parenthood, though privy to the clinic’s filthy, medieval conditions, refused to report it to the Department of Health? After all, Planned Parenthood, Barack Obama and the DNC have vehemently opposed all laws – such as those in Virginia, Mississippi and elsewhere – designed to prevent exactly the same kind of squalid conditions found in Gosnell’s clinic (and others), laws that simply direct abortion mills to meet the same minimal safety standards required of all other medical facilities.

You didn’t really buy that whole “women’s health” nonsense, did you?

Sucker.

Seriously, there are so few sociopathic doctors left willing to hack alive those inconvenient little buggers; What did you think women were “choosing” with abortion, some kind of medical treatment? Besides, there’s billions to be made in the death racket.

Let’s keep it real. The only difference between what happened in Gosnell’s Philadelphia clinic and what happens every day in Planned Parenthoods across the country can be measured by a matter of inches – by the child’s proximity to her mother in the room. Whether the baby is in the womb or 12 inches removed, a dead baby is a dead baby, right? So why all the drama? Relax. You know, Roe v. Wade and all.

Besides, what’s an abortionist to do (wink, wink) if that resilient little pest does survive, if she’s born alive? I appreciate President Obama’s candor on the matter. Like he said, laws preventing abortionists like Gosnell from finishing her off are “really designed simply to burden the original decision of the woman and the physician to induce labor and perform an abortion.” Snippety-snip, eh, Barack? You know, choice and all.

Or, as Gosnell attorney Jack McMahon noted during the trial, it’s “ludicrous … to say a baby is born alive because it moves one time.” You anti-choice zealots don’t get to define the terms here. One man’s “alive” is another man’s “unwanted pregnancy.” Potato, potahto.

In reality, to the media, this stuff is old news. Gosnell is on trial for doing something nearly indistinguishable from partial-birth abortion – a “never necessary” procedure (according to the AMA) Obama vocally endorsed. He said that banning it was part of a concerted effort “to steadily roll back the hard-won rights of American women.”

Furthermore, why are we surprised that this rush-to-judgment-when-it-suits-his-political-agenda president suddenly “can’t comment” on Gosnell “because it’s an active trial”? Remember? This is the same race-baiting “community organizer” who said that Cambridge police “acted stupidly” when arresting a combative black Harvard professor who, as it turned out, was himself acting stupidly. Don’t forget; this is the same president who had no problem laying guilt on a “presumed innocent” George Zimmerman, saying, “If I had a son, he’d look like Trayvon.”

To “pro-choicers” it’s not that old Kermit did anything wrong; it’s just that he got caught doing it. He was careless. He pulled back the curtain of “reproductive freedom” to reveal abortion’s house of horrors. Kermit Gosnell is liberalism personified, and liberalism relies on deceit. The “progressive” culture is a culture of death. Moral relativism is as moral relativism does.

Speaking of moral relativism, on Friday the first sitting president in United States history gave the keynote address at a Planned Parenthood fundraiser. Nice timing. Even as the Gosnell mass-murder trial wraps up, Obama was lending the full weight of his presidency to a mass-murder celebration.
http://townhall.com/columnists/mattbarber/…

Melissa Ohden: An Abortion Survivor – CBN.com

Melissa is the survivor of a failed saline infusion abortion in 1977 (copies of her medical records that document the abortion meant to end her life can be viewed on this website’s picture page).
2013Despite the initial concerns regarding Melissa’s future after surviving the attempt to end her life and being born alive at approximately seven months gestation, she has not only survived but thrived.  With a Master’s Degree in Social Work, she has worked in the fields of substance abuse, mental health, domestic violence/sexual assault counseling, and child welfare.  Melissa and her husband Ryan have a daughter, Olivia, whose birth at the same hospital where Melissa’s life was supposed to end, has significantly shaped Melissa’s ministry.

Melissa was formerly a College Outreach Speaker with Feminists for Life and former Patron of Real Choices Australia.  She is the Founder and Director of For Olivia’s Sake, an organization which seeks to raise awareness of the intergenerational impact of abortion on men, women, children, families, and communities. The birth of Olivia, her first child, in 2008,who never would have existed if Melissa’s birthmother’s abortion would have succeeded in ending her life, prompted Melissa to create this organization that would positively raise awareness of the ripple effect of abortion across generations.

In 2012, Melissa founded The Abortion Survivors Network, www.theabortionsurvivors.com, after recognizing the number of abortion survivors and how most felt alone in this role, and after recognizing the need for the public to be educated about the reality of failed abortions and abortion survivors.  Since ASN’s inception, Melissa has been in contact with over 130 survivors and she is working on a healing ministry curriculum and a retreat for survivors.

Melissa has been featured on television and radio programs including:  The 700 Club, EWTN’s Life on the Rock and Defending Life, Fox News, Facing Life Head On, Focus on the Family, and American Family Radio, the Mike Huckabee show, and the Teresa Tomeo show.  Her life and ministry is featured in the award winning pro-life documentary, A Voice for Life.

After years of searching for her biological family and offering them forgiveness for the decision that was made to end her life, Melissa’s story, and her life, is so much more than one of survival.  Melissa’s life story is about the beauty of God’s grace in our lives, about the power of love, about the hope for joy and healing in the midst of grief and loss, and  about the transformational power of forgiveness and in answering God’s call for your life.

Fulfilling the purpose that she believes God set out for her when He saved her from the certain death of the abortion attempt, Melissa is truly a voice for the voiceless.

For more information about hosting Melissa at an upcoming event, please see the “links” section on this site for more information on Ambassador Speaker’s Bureau, the oldest and most established faith-based talent agency in the United States, who Melissa is affiliated with, or visit the Ambassador Speaker’s Bureau website directly at ambassadorspeakers.com.

Related posts:

GBCSUMC on Gosnell: What’s abortion got to do with it? #UMC

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Kermit Gosnell and the irony of the coat hanger back alley argument

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

History’s Jury Is Out: Has Gosnell Rocked Our Conscience?

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Evangelical Blogger Lists Eight Reasons the Media Are Ignoring the Gosnell Murder Trial

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Cornerstone Executive Ashley Pratte on Gosnell Trial Verdict

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Dr. Gosnell Trial ignored for a while by mainstream media

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

ANALYSIS: Will the Kermit Gosnell verdict change the abortion debate?

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

What’s So Bad About Kermit Gosnell?

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Kermit Gosnell and the Gospel

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

VIDEO: Kermit Gosnell killings like ‘weeding your garden’

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Gosnell: The Silence is Deafening

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Five Thoughts on the Gosnell Conviction

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Implications of the Kermit Gosnell Verdict

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Godly comments on Dr. Kermit Gosnell

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Dr. Gosnell Trial has prompted closer look at Albuquerque abortion clinic

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Why won’t President Obama comment on Dr. Gosnell Trial?

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Dr. Alveda King reacts to guilty verdict of Kermit Gosnell

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ What a great article below: Dr. Alveda King: Guilty Gosnell Verdict May Spark More Justice for Women and Babies Contact: Eugene Vigil, King for America, 470-244-3302 PHILADELPHIA, May 13, 2013 /Christian Newswire/ […]

Kristen Hatten: Dr. Gosnell guilty verdict, but what about the rest?

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Lila Rose of Live Action comments on Kermit Gosnell guilty verdict

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ May 14, 2013 Murdered Thousands, Convicted for Three: The Kermit Gosnell Verdict By Drew Belsky Read more: http://www.americanthinker.com/2013/05/murdered_thousands_convicted_for_three_the_kermit_gosnell_verdict.html#ixzz2TMstLk1c Follow us: @AmericanThinker on Twitter | AmericanThinker on FacebookPhiladelphia abortionist Kermit Gosnell was convicted […]

Gerard M. Nadal: Dr. Gosnell Guilty, but now what?

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Reince Priebus on Kermit Gosnell guilty verdict

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ A Verdict Doesn’t End the Gosnell Story By: Chairman Reince Priebus (Diary)  |  May 13th, 2013 at 03:27 PM  |  28 RESIZE: AAA The horrors that unfolded in the clinic of Dr. […]

Kirsten Powers of USA Today on Dr. Gosnell Trial

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Top 10 Revelations of Kermit Gosnell Trial

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ All-American Horror Story: Top 10 Kermit Gosnell Trial Revelations by Kristan Hawkins | Washington, DC | LifeNews.com | 4/12/13 3:38 PM Since so many in the media have failed/refused to report on […]

Denny Burk: We have to learn from Dr. Gosnell’s Crimes

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Tony Perkins on Kermit Gosnell Trial

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis _____________ Tony Perkins: Gosnell Trial – FOX News Published on May 13, 2013 Tony Perkins: Gosnell Trial – FOX News ________________ Hey Obama, Kermit Gosnell Is What a Real War on Women Looks Like […]

Ross Douthat of NY Times on Dr. Gosnell

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Family Research Council happy with Kermit Gosnell Guilty Verdict

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ___ _____________ Tony Perkins: Gosnell Trial – FOX News Published on May 13, 2013 Tony Perkins: Gosnell Trial – FOX News ________________ Family Research Council Praises Jury for Bringing Justice to Victims of Abortionist […]

Peter Jones on Infanticide and Dr. Gosnell

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Is Dr. Gosnell a “one-of-a-kind anomaly”?

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Kermit Gosnell and the Logic of “Pro-Choice”

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ _____________ Tony Perkins: Gosnell Trial – FOX News Published on May 13, 2013 Tony Perkins: Gosnell Trial – FOX News ________________ Kermit Gosnell and the Logic of “Pro-Choice” by  Matthew J. Franck within […]

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Do New York late term abortionists need more attention like Dr. Gosnell did?

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Dr. Gosnell Trial has prompted Texas authorities to take closer look a Houston abortionist

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Father Frank Pavone reacts to Kermit Gosnell guilty verdict

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ Fr. Pavone: Right to choose must yield to right to life STATEN ISLAND, NY — Father Frank Pavone, National Director of Priests for Life, had the following comment on the verdict in […]

NAF reacts to Dr. Gosnell guilty verdict

Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors)  to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]

Hope for Kermit Gosnell’s repentance?

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ The truth of abortion … the hope for Gosnell’s repentance A conviction in the murder trial of Philadelphia abortionist Kermit Gosnell has boosted the efforts of pro-lifers to demonstrate what abortion really […]

The Selfishness of Chris Evert Part 5 (Includes videos and Pictures)

The Selfishness of Chris Evert Part 2 (Includes videos and Pictures) _________________________________ _____________________ _______________________ __________________________ Tennis – Wimbledon 1974 [ Official Film ] – 05/05 Published on May 1, 2012 John Newcombe, Ken Rosewall, Bjor Borg, Jimmy Connors, Cris Evert… ___________________ Jimmy Connors Reflects Published on May 13, 2013 Jimmy Connors visits “SportsCenter” to discuss his memoir, […]

By Everette Hatcher III | Posted in Current Events, Francis Schaeffer, Prolife | Tagged , | Edit | Comments (0)

The art of Francoise Gilot

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TateShots: Françoise Gilot – Studio Visit

Red and Gold, 1978. Oil on canvas

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Francoise Gilot

I employ the word “muse” on this blog always with complimentary intent. I myself am a muse to artists, and I revel in that role, as you all know. I even made sure to incorporate it in my blog title. But the word “muse” alone is woefully inadequate to describe Francoise Gilot, Picasso’s companion for ten years, and the mother of two of his children, Paloma and Claude.

Of all the biographies I’ve had to research for this blog, none has absorbed me, impressed me, and inspired me more than Francoise Gilot’s. I have come to admire her immensely. Fascinating, beautiful, intelligent, and accomplished, Francoise is a woman who stands fully on her own. Her “attachment” to Picasso need not define her life, her vision, or her place in history. While I am certainly no expert on Picasso’s psychology (nor would I want to be!), I will go out on a limb and editorialize for a moment. I believe the biggest blunder of Picasso’s personal life was his failure to hold onto Francoise Gilot. He attracted a woman of great depth, ambition, intellect, and artistic talent, and blew it in the end with his abuse, disrespect, and mistreatment. Major fuck up.

You are probably all familiar with Robert Capa’s famous photograph of Picasso and Francoise cavorting on the beach. What a great shot. Francoise is radiant, and I love that Picasso is holding the umbrella for her. That’s right, Pablo. Treat her like a lady!

Born in the Paris suburbs in 1921, Francoise knew at the age of five that she wanted to be an artist. While her mother and grandmother were supportive of her aspiration, her autocratic father, Emile, was not. His own dreams for Francoise included law school and a prestigious career in the mainstream. She dutifully attended classes and exhibited solid academic ability. She earned a degree in philosophy from the University of Paris and a degree in English Literature from the British Institute. But Francoise doggedly held onto her artistic pursuits throughout her youth, and had to do it all covertly so as not to anger her father. She learned etching and drypoint. She sought out art classes and instructors to give her guidance and support. She set up an art studio in her grandmother’s attic. She appeased her demanding, despotic father by attending law school, all the while knowing that her passion for art would not, and could not, be quelled.

In 1940, Francoise joined other students in Paris for a rally at the Arc De Triomphe to honor the Tomb of the Unknown Soldier and commemorate the armistice of World War 1 – a brazen, impudent act since Paris, at that time, was already under German Occupation. Needless to say, the German soldiers didn’t take kindly to the students’ activism. They harassed them, a melee ensued, and many were arrested. Francoise found her name placed on the “watch list” and was considered a hostage. She was “trapped” in Paris for months, and had to report daily to the local police station.

Picasso’s drawing, Portrait of Francoise, from 1946:

When Francoise finally announced to her father that she intended to devote herself completely to her art, Emile Gilot became livid. He cut her off from the family, and their relationship was irreparably damaged. Resilient, resourceful, and determined, Francoise moved in with her sympathetic grandmother, and supported herself by giving horseback riding lessons in the Bois du Bologne.

In 1943, Francoise was in Paris for an exhibit of her art at the Madeleine Decre Gallery. She and her good friend Genevieve were sitting in a cafe when they spotted Picasso at a nearby table. Although he was with his then companion Dora Maar, that didn’t stop Picasso from approaching the young women with a bowl of cherries and asking his friend for an introduction. The friend obliged, and presented Genevieve as the “pretty one” and Francoise as the “intelligent one”.

Francoise had invited Picasso to her art exhibit and, to her amazement, he came. He then reciprocated by inviting her to his studio. After a courtship dance of studio visits, walks through Paris, afternoons at the museums, and drawing sessions, a May-December romance started to develop between the 61 year old artistic giant and the independent 21 year old free spirit. But Francoise did not jump impulsively into a relationship with Picasso. She likely had some trepidations. So Picasso had to chase her – a predatory role-play he no doubt enjoyed.

Another photo of Picasso and Francoise. Although he is positioned in the background, ostensibly like a subordinate, he seems to be eyeballing her, like the control freak he was:

Picasso and Gilot’s circle of friends included some very prominent figures of the 20th century cultural scene. Among them were George Braque, Marc Chagall, Jean Cocteau, and Picasso’s longtime good friends, Gertrude Stein and Henri Matisse, both of whom were very fond of Francoise.

Picasso and Francoise in Antibes:

They were happy for a time, their greatest source of joy undoubtedly their two boisterous children. They both drew inspiration from the kids and created art which featured the children’s spirits, curiosity, and playfulness around the home.

A charming Picasso family portrait:

But the good times wouldn’t last. Francoise became increasingly frustrated with Picasso’s domineering ways, oppressive temperament, and infidelity. He was jealous of her friendships, as they represented time and attention taken away from him. Once, in an angry rage, he burned a cigarette out in Francoise’s face.

The breakup was inevitable, and ugly. Francoise left with the two children. Upon hearing that their home had been ransacked by Picasso, Francoise returned to discover that Picasso had indeed emptied the place and taken many of her belongings; her book collection, drawings he had given her, letters and correspondence from Matisse. But the final vindictive blow came when Picasso used his considerable influence to have Francoise dropped from her gallery.

So by the still young age of 31, Francoise Gilot had already endured more than her share of totalitarian forces, from every which way; her personal relationships and a wartorn Europe. All trying to keep her down, manipulate her, and break her will. But they failed. Throughout it all, Francoise evolved as an artist, fed her passion, raised her children, and kept her sanity! Amid war, controlling men, and a tumultuous European 20th century.

A 1956 trip to Tunisia inspired this painting by Gilot, Entering the Souk. It depicts a busy marketplace:

Figure drawing by Francoise, The Pink Veil:

You guys didn’t think Monet had the exclusive rights to paint waterlilies, did you? Here they are a la Gilot:

I am so pleased that unlike many of Picasso’s female companions (or most of the other muses I discuss here) Francoise Gilot did not live a “post-Picasso” life of misery and loneliness, or meet with a tragic demise. What a relief! She continued to evolve as an artist, worked tirelessly, exploring new themes, and mastering diverse media. In 1970, Francoise met and married Dr. Jonas Salk, discoverer of the polio vaccine. The marriage was solid, extremely happy, and lasted 25 years until his death from congestive heart failure.

Francoise Gilot is alive and well, living in New York, still working, exhibiting, lecturing, writing, and as vital as ever. Her legacy is breathtaking; painter, illustrator, lithographer, author, and, perhaps most challenging, mother. Any woman who could survive and withstand both the Nazis and Pablo Picasso is officially my hero.

The website which served as an invaluable resource for me in composing this post was the Francoise Gilot Archives. There you can find detailed biographical information on Francoise and incredible images of her life and art. It’s an overall excellent site, and I highly recommend it. The extraordinary life of an extraordinary woman.

Also, YouTube has an hour long interview with Francoise on the Charlie Rose Show. Unfortunately the sound quality is terrible. I watched it, but it was disappointing for that reason. If you’re willing to give it a shot clickYouTube-FrancoiseGilot

Related posts:

MUSIC MONDAY Paul McCartney’s song “Picasso’s Last Words (Drink to Me)”

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Paul McCartney’s song “Picasso’s Last Words (Drink to Me)”

____________________  – Picasso’s Last Words (Drink To Me) – Lyrics Picasso’s Last Words (Drink to Me) From Wikipedia, the free encyclopedia “Picasso’s Last Words (Drink to Me)” Song by Paul McCartney & Wings from the album Band on the Run Released 7 December 1973 Recorded September–October 1973 Lagos, Nigeria Genre Rock Length 5:50 Label Apple […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 2 “A look at how modern art was born by discussing Monet, Renoir, Pissaro, Sisley, Degas,Cezanne, Van Gogh, Gauguin, Seurat, and Picasso” (Feature on artist Peter Howson)

__________________________ 프란시스 쉐퍼 – 그러면 우리는 어떻게 살 것인가 introduction (Episode 1) How Should We then Live Episode 7 small (Age of Nonreason) #02 How Should We Then Live? (Promo Clip) Dr. Francis Schaeffer The clip above is from episode 9 THE AGE OF PERSONAL PEACE AND AFFLUENCE 10 Worldview and Truth In above clip […]

Picasso painting “The acrobat” in Woody Allen movie “Midnight in Paris”

Pablo Picasso, ‘The acrobat,’ January 18, 1930 Picasso Dreamed About Limbs by DAVE SEGAL The Acrobat (1930) is a simple, surreal cartoon, almost comical in its minimalism. It’s practically a one-line drawing that was seemingly slapdashed off in a few minutes, offering a barely feasible depiction of the body’s pliability. With utmost economy (a black […]

The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 29, Pablo Picasso)

In his weekly opinion piece, Andy Rooney shares his views on public art. I have really enjoyed this series on the characters referenced in the film “Midnight in Paris.” I can’t express how much I have learned during this series on the characters referenced in Woody Allen’s latest movie “Midnight  in Paris.” Today I am looking […]

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 23,Adriana, fictional mistress of Picasso)

(UPDATE: A reader that used the username “therealchirpy” notes, “Although any affair with Picasso may be fictional, isn’t the ‘Adriana’ referred to in Allen’s ‘Midnight in Paris’ based on Hemingway’s mistress Adriana Ivancich.” I have found some evidence for that. I read a review that draws that same conclusion although some have said that Hemingway […]

THE ARTISTS, POETS and PROFESSORS of BLACK MOUNTAIN COLLEGE (the college featured in the film THE LONGEST RIDE) Part 28  artist Donald Alter

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“Friedman Friday” NEW RIVER MEDIA INTERVIEW WITH: MILTON FRIEDMAN Professor Emeritus of Economics, University of Chicago Senior Fellow, Hoover Institution

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Milton Friedman – A Conversation On Minimum Wage

Milton Friedman Interview
Milton Friedman is Professor Emeritus of Economics at the University of Chicago and Senior Fellow at the Hoover Institution.Dr. Friedman received the 1976 Nobel Memorial Prize for Economic Science. Member of the research staff of the National Bureau of Economic Research from 1937 to 1981.

He is a co-author of Free to Choose: A Personal Statement and Two Lucky People: Memoirs. He is the author ofCapitalism and Freedom and other works.

NEW RIVER MEDIA INTERVIEW WITH: MILTON FRIEDMAN
Professor Emeritus of Economics, University of Chicago
Senior Fellow, Hoover Institution 
QUESTION: Do Americans know enough about social statistics? MILTON FRIEDMAN: Americans know very little about social statistics, but I am not sure that it’s important that Americans know about social statistics. The people who are interpreting America to them, the people whom they count on for advice and for instruction ought to know a great deal about social statistics.

QUESTION: We had this huge argument about inequality, how you measure it. 

MILTON FRIEDMAN: In the particular problem of inequality, what is true, what is unquestionably true, is that there’s been a widening difference in wages earned. You have had the skilled wages go up relative to the unskilled wages. However, there has been no comparable widening in the levels of consumption. If instead of looking at income, you look at levels of consumption, if anything that’s become more equal. The fraction of families that have a dishwasher, that have a sewing machine, that have a television set. In respect to consumption, it’s very hard to avoid the view that people have been getting more equal rather than more unequal.

So, partly it depends on what questions you’re asking what you want to get an answer to. I don’t believe that statistics, as somebody has said, statistics do not speak for themselves. Alfred Marshall once said, “There is no person, no theorist so reckless as he who says that the facts speak for themselves.” The facts never speak for themselves. They have to be interpreted in terms of some understanding of where they come from and what the relation between them is.

QUESTION: Who have been, in this century, the great luminaries, in economics, who have expanded our ability to measure precisely? 

MILTON FRIEDMAN: Simon Kuznets was an immigrant from Russia that came to this country at the age of, I think, sixteen or seventeen or eighteen, something like that, and studied at Columbia, where he came to the attention of Wesley Mitchell. And he got his Ph.D. in economics, taught to begin with at the University of Pennsylvania, but was a research associate at the National Bureau of Economic Research.

The National Bureau of Economic Research which, in a way, in answer to the question of what promoted and developed methods of measurement perhaps ought to be given very high ranks. It was established in 1920 by a group of people who were very much interested in pursuing a more scientific approach to public issues and economics. And one of their first projects was the development of measures of national income. Simon Kuznets operated in that area, wrote a number of important books in the 1920s. In 1932 or 1933, the middle of the Depression, the Department of Commerce launched on a project of developing official estimates of national income, national output. And Simon Kuznets undertook to supervise that project and produced the first official estimates of national income which were published, as I remember it, for the first time in 1934 in a congressional document. And that was the beginning of the enormous efforts from that day to this in developing national income statistics. He started in 1936 or 1937 a conference on national income, conference on income, I don’t have the name exactly right, but that is still existing. It now recently celebrated its fiftieth anniversary, and it’s going very strong.

QUESTION: What happened during the Depression? 

MILTON FRIEDMAN: We have to distinguish what we mean when we talk about the Great Depression. What you had was that in 1929 the United States was in a boom. It hit a relative high point. And the stock market crashed in October 1929. But that was not the cause of what caused the Great Depression. It was, in my opinion, a very minor element of it. What happened was that from 1929 to 1933 you had a major contraction which, in my opinion, was caused primarily by the failure of the Federal Reserve System, to follow the course of action for which it was set up. It was set up to prevent exactly what happened from 1929 to 1933. But instead of preventing it, they facilitated it.

The Depression, I may say, which started in 1929 was rather mild from 1929 to 1930. And, indeed, in my opinion would have been over in 1931 at the latest had it not been that the Federal Reserve followed a policy which led to bank failures, widespread bank failures, and led to a reduction in the quantity of money.

What happened was that for every $100 of money, by which I mean the cash that people keep in their pockets, and the deposits they have in the bank, for every $100 of money that there was in 1929, by 1933 there was only $67. The Federal Reserve allowed the quantity of money to decline by a third. While, at all times, it had the possibilities and the power of preventing that from happening.

QUESTION: Why did they act that way? What was their theory? 

MILTON FRIEDMAN: It was a combination of internal power struggle within the system between the several Federal Reserve Banks, New York on the one hand, Chicago, Boston on the other, and the Federal Reserve Board. It was partly the acceptance by the people who ran the system of a false economic theory, of a false idea of how the quantity of money should be determined. It’s not easy to excuse what they did, in my opinion. I think it was disgraceful, and that they did know better. And some of the people within the system knew better, particularly as it happens those who were at the New York bank. But there were other people who kept talking while the economy was falling through the floor, kept talking about how the banks have to hoard their funds so they’ll be ready when a real emergency develops. Now, you’ve asked a very complicated question to which there is no really simple answer.

I think there is universal agreement within the economics profession that the decline – the sharp decline in the quantity of money played a very major role in producing the Great Depression.

People will also go on to say, there were other factors at work. There are some people who are saying, you were suffering from over-expansion in the 1920s. Other people who are saying that at the same time that this was happening, there was a collapse, for independent reasons, of consumption. But here is no doubt that everybody will agree that whether this was the sole source or not, it was a major factor. And many people attribute it to over-acceptance of the idea of the gold standard. One of the explanations given for the Federal Reserve action was that they were tied to the ideology of the gold standard. The gold standard is not a limiting factor, and the Federal Reserve at all times had enough gold so they could have maintained the requirements of the gold standard at the same time that they expanded the quantity of money.

The Great Depression in the United States was caused – I won’t say caused, was enormously intensified and made far worse than it would have been by bad monetary policy. Now, the bad monetary policy was not the result of one decision. It was the result of a whole series of decisions. But the fact that that bad monetary policy was carried out was, in part, the result of a real accident, which was that the dominant figure in the Federal Reserve System, Benjamin Strong, who was Governor of the Federal Reserve Bank in New York, had died in 1928. It is my considered opinion that if he had lived two or three more years, you might very well not have had a Great Depression.

QUESTION: If the Depression told the American people that government is the solution rather than government is the problem, some decades later you get deeply involved in trying to change that perception. What did you preach, and how did you ultimately prevail, in a sense? 

MILTON FRIEDMAN: I believe that one of the important factors that affected it, [that is] professional opinion, was the result of our book on the history of money, and the demonstration of the role that the Fed had played in the Great Depression. I think that played a very important role on professional opinion. But, so far as popular opinion about the role of government, I believe that has been changed by experience. People have observed that government policies don’t work. The government sets out to eliminate poverty, it has a war on poverty, so-called “poverty” increases. It has a welfare program, and the welfare program leads to an expansion of problems. A general attitude develops that government isn’t a very efficient way of doing things. The Post Office becomes an object of scorn.

Now, you never have real changes unless you have a time of crisis. And when you have a time of crisis what happens depends on what ideas are floating around, and what ideas have been developed, and thought through, and are made effective. And I believe the role that people like myself have played in the transformation of public opinion has been by persistently presenting a different point of view, a point of view which stresses the importance of private markets, of individual freedom, and the distorting effect of governmental policy. That may not persuade anybody, in one sense, but it provides an alternative when the time comes that you have a crisis and people realize that you have to change.

In this particular area what was the crisis? What is it that has produced so dramatic a change? The fall of the Berlin Wall, [which] really demonstrated beyond the shadow of a doubt that there was a bad system, and what subsequently happened in the Soviet Union, that that system was a failure. And it made people, I think, much more receptive to the kind of ideas that I and others of my persuasion had been promoting for years.

QUESTION: I thought you were going to say that the big crisis that started turning people around was the inflation and the stagflation of the 1970s, that’s where we hit a wall. 

MILTON FRIEDMAN: So far as monetary policy is concerned, about attitudes toward inflation and monetary policy, there’s no doubt that the stagflation of the 1970s was the major factor that turned people around. That was a very interesting case, because the argument had been made in the abstract, it was predicted that that was happening. I gave a presidential address to the American Economic Association in 1967, I believe it was, in which I essentially predicted that if you continue to use monetary policy to attempt to promote full employment the result would be that you would have higher inflation, and that you would not have lower unemployment.

Up until in the 1950s and 1960s, a view that came to be called Keynesian came to be accepted. And John Maynard Keynes, was a great economist at Cambridge, England. I happen to believe that his particular theory about the Depression was wrong, but I don’t want to denigrate him, he was a great economist. And the policy had been accepted that you could push and create a little inflation, and you would get in return for that a lower level of unemployment, and that there was a tradeoff between more inflation on the one side, and less unemployment on the other. And in the presidential talk I gave I argued that that was a fallacy, in 1967, that was where I coined the term, a natural rate of unemployment, and argued that if you tried to follow the policy of using inflation to try to cut down unemployment you would end up with both more inflation and more unemployment.

And I said, you can’t keep fooling the people all the time, and people will recognize what’s happening, and as they recognize what’s happening you’ll have to have more and more inflation to achieve that objective. And even that won’t work because people will catch on to it. And what happened in the 1970s was about as clear a demonstration of something that had already been predicted in advance as you could have. And that’s what made the stagflation. It’s another example of where a crisis came along and a theory was already developed which explained it. So that it was accepted.

QUESTION: Did an increase in the money supply at that time coincide with the reelection of Richard Nixon? 

MILTON FRIEDMAN: Yes. You had inflation running at about 3 to 4 percent, per year, in 1971. Yet, on August 15th, 1971, Richard Nixon imposed wage and price control in order to stop inflation, which was at a level that today we would consider very moderate. And he really didn’t impose it in order to stop inflation, he imposed it because we go back to a more complicated picture in which you are having a drain in the U.S. currency. The U.S. currency was pegged to gold at that time, again. We were supposedly maintaining the price of gold at $35 an ounce. At that price gold was abnormally cheap, and people were wanting to buy gold, so we were having a drain on gold.

Nixon had to do something about that, and what he did was to close the gold window, that is to take the U.S. off the gold standard. But, if he had done only that every newspaper in the country would have had a headline about negative Nixon, and Nixon takes the country off gold. Instead he wrapped it up in a big package, as a package to get the U.S. moving again, bring prosperity to the U.S. And the package included closing the gold window, but also wage and price controls, which he sold as a positive program.

That unquestionably in my opinion, the wage and price controls not only did not cut down inflation, but it was a major reason why we had both inflation and stagnation during the rest of the 1970s.

QUESTION: Now, how did we get out of that mess? 

MILTON FRIEDMAN: We got out of that mess because in 1980 to 1982, newly elected President Reagan supported the Federal Reserve in following a policy of slowing down sharply the rate of monetary growth. No other president in the twentieth century in my opinion would have stood by without trying to prevent the Fed from doing what it was doing, because the only way you could get out of that inflation was by suffering a recession. And the contractionary policy of the Fed from 1980 to 1982 led to a very severe recession, triggered by a later chairman of the Fed, Paul Volcker. And Reagan’s courage in your judgment was to back him. At the time, at the depth of the depression in 1982, Reagan’s poll standings had gone way down. Every other president, in my opinion, would have brought pressure on Volcker to reverse policy. Reagan did not do so.

In 1983 Volcker sort of reverses course and starts expanding the money supply a little more rapidly. Appropriately, he did the right thing. The economy recovers, but inflation keeps on going down. And then you get Alan Greenspan coming in, in 1988, I think it’s 1988. I’m not sure. He follows Volcker, and he and his board follow a very good policy of relatively slow and stable monetary growth. And inflation keeps on coming down. And in my judgment, it is the stability more than the slowness that is important.

I believe that the monetary stability is an absolutely critical element in the satisfactory operation of a system. A private enterprise system needs some measuring rod, it needs something, it needs money to make its transactions. You can’t run a big complicated system through barter, through converting one commodity into another. You need a monetary system to operate. And the instability in that monetary system is devastating to the performance of the economy.

QUESTION: So, right now, things have been going very well for the last fifteen or so years. Is it unprecedented? 

MILTON FRIEDMAN: Current behavior is not unprecedented. The 1920s were a very good period from about 1922 to 1929 was a long period of rapid – in fact, more rapid economic growth than we’ve had in the last seven years. We’ve had a period in which inflation has come down, and the economy has been relatively stable. But if you look at the average rate of growth of the economy, it’s been relatively slow in this last expansion compared to earlier expansions. So, it’s not the unmatched performance it is sometimes referred to. What really has been bringing euphoria is not the extraordinary behavior of the economy, but it’s the behavior of the stock market, and the bull market bubble.

QUESTION: You said the magic word, “bubble.” You think it’s going to go splat? 

MILTON FRIEDMAN: Yes.

QUESTION: I have to call my broker. Tell me about your views of how we measure poverty? 

MILTON FRIEDMAN: We measure poverty by what I believe is a very, very crude concept. We actually measure poverty by trying to get some kind of an estimate of the minimum expenditures on food that are required to maintain health, multiplying that number by three, and saying that’s the level of poverty. And it’s a very crude, inaccurate arrangement. There is no good way of measuring poverty, don’t misunderstand me. I don’t have a magic way of doing it. And I think in some ways it would make more sense to have as a poverty level a relative concept and say, the level of poverty is that level of income or that level of consumption below which 10 percent of the people now are.

QUESTION: But then you could never cure poverty. 

MILTON FRIEDMAN: You never can cure poverty. Poverty is in the eye of the beholder.

QUESTION: Let’s stipulate that the measurements of poverty are not accurate, they’re crude, as you say. But if you take them year after year, as we have done for the last, I guess, about thirty-five years now, doesn’t the direction tell you something? 

MILTON FRIEDMAN: Yes, it does. Obviously, any measurement which you make consistently will tell you something. And it says that this arbitrary level has been moving in a certain way, and a certain fraction of people are below it.

QUESTION: Do you see any harbinger that it’s been running sort of between 12 and 15 percent ever since Johnson’s time when it went down? 

MILTON FRIEDMAN: Yes.

QUESTION: Do you see any possibility now in this euphoric economic age that it will dip, say, into single digits? 

MILTON FRIEDMAN: I think the measures that would do the most to get the poverty level to come down are, number one, decriminalizing drugs; and, number two, introducing parental choice in schooling, because the place where poverty has been really serious and disastrous for the country has been in the inner cities, and in the inner cities that poverty is driven by the way in which the attempt to prohibit drugs has destroyed the stability and safety of the inner city, and the way in which our school system has shortchanged the low income classes in this country.

I think it’s a scandal what has been happening in the school system so far as lower income classes. The dropout rates, the illiteracy rate, you know literacy in the United States was a lot higher in 1890 than it is now.

Milton Friedman’s Free to Choose (1980), episode 3 – Anatomy of a Crisis. part 1

Milton Friedman on Donahue – 1979

Uploaded on Aug 26, 2009

Dr. Milton Friedman, Nobel Laureate, promoting “Free to Choose” on the show Donahue.

Milton Friedman: There’s No Such Thing as a Free Lunch

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Milton Friedman on Hayek’s “Road to Serfdom” 1994 Interview 1 of 2

Milton Friedman on Hayek’s “Road to Serfdom” 1994 Interview 2 of 2

Milton Friedman The Power of the Market 2-5

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Milton Friedman on Self-Interest and the Profit Motive 1of2

Milton Friedman on Self-Interest and the Profit Motive 2of2

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Milton Friedman The Power of the Market 1-5

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Milton Friedman – The Negative Income Tax

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 84 (Breaking down the song “When I’m Sixty-Four”Part A) Featured Photographer is Annie Leibovitz

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I think it is revolutionary for a 18 year old Paul McCartney to write a song about an old person nearing death. This demonstrates that the Beatles did really think about the process of life and its challenges from birth to day in a  complete way and the possible answer. Solomon does that too in the Book of Ecclesiastes when he looks at life UNDER THE SUN.  I am going to spend two posts looking at this song WHEN I’M SIXTY-FOUR and break it down.

Why did Paul write a song about an old person nearing death called WHEN I’M SIXTY-FOUR in 1961 when he was 18 years old? “When I get older losing my hair…Will you still need me, will you still feed me, When I’m sixty-four?,  You’ll be older too…Yours sincerely, wasting away..” Maybe one reason was that he lost his mother at a young age.

Paul’s friend Johnny Cash in 2001 was filmed by the famous photographer Annie Leibovitz (who I am featuring in today’s post). Below I have posted a portion of the article, “From Annie Leibovitz: Life, and Death, Examined,” by JANNY SCOTT,  October 6, 2006. The ironic thing to me is that Johnny Cash’s last two song video’s pointed out that Christ is the only answer to the problem of death, pain and suffering and that repentance is the only way to get God’s forgiveness for sin or else you are heading toward a sure judgement.  I hope both McCartney and Leibovitz will find that the answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

King Solomon was the wisest man who ever lived and he said at the end of his life, “The conclusion, when all has been heard, is: fear God and keep His commandments, because this applies to every person. For God will bring every act to judgment, everything which is hidden, whether it is good or evil.”

When I’m Sixty-Four- The Beatles

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How Should We then Live Episode 7 

The Beatles – When I’m Sixty-Four

When I’m Sixty-Four

From Wikipedia, the free encyclopedia
For the 2004 television film, see When I’m 64 (television film).
“When I’m Sixty-Four”
When I'm Sixty-Four - The Beatles.jpeg

The 1996 US jukebox single release of the song, as the B-side to “Lucy in the Sky with Diamonds
Song by the Beatles from the album Sgt. Pepper’s Lonely Hearts Club Band
Released 1 June 1967
Recorded 6–21 December 1966,
EMI Studios, London
Genre
Length 2:37
Label Parlophone
Writer Lennon–McCartney
Producer George Martin
Sgt. Pepper’s Lonely Hearts Club Bandtrack listing

When I’m Sixty-Four” is a song by the Beatles, written by Paul McCartney[3][4] (credited to Lennon–McCartney) and released in 1967 on their album Sgt. Pepper’s Lonely Hearts Club Band.

Composition[edit]

The song is sung by a young man to his lover, and is about his plans of growing old together with her. Although the theme is ageing, it was one of the first songs McCartney wrote, when he was only 16.[3] It was on the Beatles playlist in their early days as a song to perform when the amplifiers broke down or the electricity went off.[5][6] Both George Martin and Mark Lewisohn speculated that McCartney may have thought of the song when recording began for Sgt. Pepper in December 1966 because his father turned 64 earlier that year.[5][6]

Lennon said of the song, “Paul wrote it in the Cavern days. We just stuck a few more words on it like ‘grandchildren on your knee’ and ‘Vera, Chuck and Dave’ … this was just one that was quite a hit with us.”[7] In his 1980 interview for Playboy he said, “I would never even dream of writing a song like that.”[4]

Instrumentation[edit]

A clarinet trio (two B-flat soprano clarinets and a bass clarinet) is featured prominently in the song, unusual in most music genres, but particularly in the context of rock and roll. Scored by Martin, he said they were added at McCartney’s request to “get around the lurking schmaltz factor” by using the clarinets “in a classical way.”[6] In the song’s final verse, the clarinet is played in harmony with McCartney’s vocal: an unusual method of harmonisation, especially in 1967. Supporting instruments include the piano, bass, drum set, tubular bells, and electric guitar.

Recording[edit]

The song was recorded on 6 December 1966, during one of the first sessions for the as-yet-unnamed album that became Sgt. Pepper’s Lonely Hearts Club Band. There were multiple overdub sessions, including the lead vocal by McCartney on 8 December and backing vocals by McCartney, Lennon, and George Harrison on 20 December. The clarinets were recorded on 21 December.[8]

The song is in the key of D-flat major. Recorded in C major, the master take was sped up to raise the key by one semitone at the insistence of McCartney. Martin remembers that McCartney suggested this change to make his voice sound younger.[9] McCartney says, “I wanted to appear younger, but that was just to make it more rooty-tooty; just lift the key because it was starting to sound turgid.”[3]

Release[edit]

The song was nearly released on a single as the B-side of either “Strawberry Fields Forever” or “Penny Lane“, but instead it was decided to put out a double-A-sided-disc of those two and include “When I’m Sixty-Four” on the Sgt. Pepper album.[10]

Cultural references[edit]

  • McCartney’s children recorded a special version of “When I’m Sixty-Four” at Abbey Road Studios as a surprise present for McCartney’s 64th birthday in June 2006, and played it for him at his birthday party. They changed the lyrics to fit the occasion with the help of Giles Martin. At the time, by unfortunate coincidence, McCartney was recently separated from his second wife, Heather Mills; they later divorced. [13][14]

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Featured Photographer today is Annie Leibovitz

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John Lennon with a Kodak Instamatic by Annie Leibovitz

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Annie Leibovitz and Jann S. Wenner in the Rolling Stone offices at 625 Third Street in San Francisco. 1973. Photograph by Annie Leibovitz.

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Elizabeth II, Buckingham Palace, London, March 28, 2007. Photograph by Annie Leibovitz.

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Obama Family Portrait Annie Leibovitz

Annie Leibovitz

From Wikipedia, the free encyclopedia
Annie Leibovitz
Annie Leibovitz-SF-1-Crop.jpg

Leibovitz in February 2008
Born Anna-Lou Leibovitz
October 2, 1949 (age 65)
Waterbury, Connecticut, U.S.
Nationality American
Education San Francisco Art Institute
Known for Photography

Anna-Lou “Annie” Leibovitz (/ˈlbəvɪts/; born October 2, 1949) is an Americanportraitphotographer.

Early life[edit]

Born in Waterbury, Connecticut, on October 2, 1949,[1] Anna-Lou Leibovitz is the third of six children of Marilyn Edith (née Heit) and Samuel Leibovitz.[2] She is a third-generation American; her father’s parents were Romanian Jews.[2] Her mother was a modern dance instructor of EstonianJewish heritage. Her father was a lieutenant colonel in the U.S. Air Force. The family moved frequently with her father’s duty assignments, and she took her first pictures when he was stationed in the Philippines during the Vietnam War.[3]

At Northwood High School,[4] she became interested in various artistic endeavors and began to write and play music. She attended the San Francisco Art Institute,[4] where she studied painting. For several years, she continued to develop her photography skills while holding various jobs, including a stint on a kibbutz in Amir, Israel, for several months in 1969.[5]

Career[edit]

Rolling Stone magazine[edit]

When Leibovitz returned to the United States in 1970, she started her career as staff photographer, working for the just launched Rolling Stone magazine. In 1973, publisher Jann Wenner named Leibovitz chief photographer of Rolling Stone, a job she would hold for 10 years. Leibovitz worked for the magazine until 1983, and her intimate photographs of celebrities helped define the Rolling Stone look.[5]

While working for Rolling Stone, Leibovitz became more aware of the other magazines and learned that she could work for magazines and still create personal work, which for her was the most important.[citation needed] She sought intimate moments with her subjects, who “open their hearts and souls and lives to you”. [6]

She was awarded The Royal Photographic Society‘s Centenary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 2009.[citation needed]

Inspirations[edit]

Photographers such as Robert Frank and Henri Cartier-Bresson influenced her during her time at the San Francisco Art Institute. “Their style of personal reportage—taken in a graphic way—was what we were taught to emulate.”[6] Leibovitz has also cited Richard Avedon‘s portraits as an important and powerful example in her life.[citation needed]

The Rolling Stones[edit]

Leibovitz photographed the Rolling Stones in San Francisco in 1971 and 1972, and served as the concert-tour photographer for Rolling Stones Tour of the Americas ’75. Her favorite photo from the tour was a photo of Mick Jagger in an elevator.[7]

Joan Armatrading[edit]

In 1978 Leibovitz became the first woman to photograph Joan Armatrading for an album. She did the photography for Armatrading’s fifth studio album To the Limit, spending four days at her house capturing the images.[8] Liebovitz also did the photography for Armatrading’s live album, Steppin’ Out.[citation needed]

John Lennon[edit]

On December 8, 1980, Leibovitz had a photo shoot with John Lennon for Rolling Stone, and she promised him he would make the cover.[9] She had initially tried to get a picture with just Lennon alone, as Rolling Stone wanted, but Lennon insisted that both he and Yoko Ono be on the cover. Leibovitz then tried to re-create something like the kissing scene from the couple’s Double Fantasy1980 album cover, a picture Liebovitz loved, and she had John remove his clothes and curl up next to Yoko on the floor. Leibovitz recalls, “What is interesting is she said she’d take her top off and I said, ‘Leave everything on’ — not really preconceiving the picture at all. Then he curled up next to her and it was very, very strong. You couldn’t help but feel that he was cold and he looked like he was clinging on to her. I think it was amazing to look at the first Polaroid and they were both very excited. John said, ‘You’ve captured our relationship exactly. Promise me it’ll be on the cover.’ I looked him in the eye and we shook on it.”[10] Leibovitz was the last person to professionally photograph Lennon—he was shot and killed five hours later.[11]

The photograph was subsequently re-created in 2009 by John and Yoko’s son Sean Lennon, posing with his girlfriend Charlotte Kemp Muhl, with male/female roles reversed (Sean clothed, Kemp naked),[12][13] and by Henry Bond and Sam Taylor-Wood in their YBA pastiche October 26, 1993.[14]

In 2011, Leibovitz was nominated alongside Singaporean photographer Dominic Khoo and Wing Shya for Asia Pacific Photographer of the Year.[citation needed]

From Vanity Fair: “For many of New York journalism’s future luminaries—and at least one of Hollywood’s—the strike created an opening for their more literary pursuits. From left to right, Robert Silvers, Calvin Trillin, Nora Ephron, Gay Talese, Pete Hamill, Tom Wolfe, and Jimmy Breslin, photographed by Annie Leibovitz.”

Other projects[edit]

  • In the 1980s, Leibovitz’s new style of lighting and use of bold colors and poses got her a position with Vanity Fair magazine.[15]
  • In 1991, Leibovitz mounted an exhibition at the National Portrait Gallery. She was the second living portraitist and first woman to show there.[11]
  • In 1991, Leibovitz had been made Commandeur de l’Ordre des Arts et des Lettres by the French Government.[11]
  • In 2007, major retrospective of Leibovitz’s work was held at the Brooklyn Museum,[16] The retrospective was based on her book, Annie Leibovitz: A Photographer’s Life, 1990–2005 and included many of her professional (celebrity) photographs as well as numerous personal photographs of her family, children, and partner Susan Sontag. This show, which was expanded to include three of the official portraits of Queen Elizabeth II, then went on the road for seven stops. It was on display at the Corcoran Gallery of Art in Washington, D.C., from October 2007 to January 2008 and at the Palace of the Legion of Honor in San Francisco from March 2008 to May 2008. In February 2009, the exhibition was moved to Berlin, Germany.[17] The show included 200 photographs.[18] At the exhibition, Leibovitz showed that she doesn’t have two lives, career and personal, but has one wherein assignments and personal pictures are all part of her works. This exhibition and her talk focused on her personal photographs and life.[citation needed]
  • In 2007, The BBC misrepresented Leibovitz’s portrait shooting of Queen Elizabeth II, to take the Queen’s official picture for her state visit to Virginia. This was filmed for the BBC documentary A Year with the Queen. A promotional trailer for the film showed the Queen reacting angrily to Leibovitz’s suggestion (“less dressy”) that she remove her tiara, then a scene of the Queen walking down a corridor, telling an aide “I’m not changing anything. I’ve had enough dressing like this, thank you very much.”[19] The BBC later apologized and admitted that the sequence of events had been misrepresented, as the Queen was in fact walking to the sitting in the second scene.[20] This led to a BBC scandal and a shake-up of ethics training.
  • In 2007, The Walt Disney Company hired her to do a series of photographs with celebrities in various roles and scenes for the Walt Disney Parks and ResortsYear of a Million Dreams” campaign.[21][22] Leibovitz claims she never liked the word “celebrity”. “I’ve always been more interested in what they do than who they are, I hope that my photographs reflect that.” She tries to receive a little piece of each subject’s personality in the photos.[6]
  • On April 25, 2008, Entertainment Tonight reported that 15-year-old Miley Cyrus had posed topless for a photo shoot with Vanity Fair.[23][24] The photograph and subsequently released behind-the-scenes photographs show Cyrus topless, her bare back exposed but her front covered with a bedsheet. The photo was taken by Leibovitz.[25] The full photograph was published with an accompanying story on The New York Times website on April 27, 2008. On April 29, 2008,The New York Times clarified: though the pictures left an impression that she was bare-breasted, Cyrus was wrapped in a bedsheet and was actually not topless.[26] Some parents expressed outrage at the nature of the photograph, which a Disney spokesperson described as “a situation [that] was created to deliberately manipulate a 15-year-old in order to sell magazines”.[26]

    In response to the Internet circulation of the photo and ensuing media attention, Cyrus released a statement of apology on April 27:

    “I took part in a photo shoot that was supposed to be ‘artistic’ and now, seeing the photographs and reading the story, I feel so embarrassed. I never intended for any of this to happen and I apologize to my fans who I care so deeply about.”[26]

    Leibovitz also released a statement saying:

    “I’m sorry that my portrait of Miley has been misinterpreted. … The photograph is a simple, classic portrait, shot with very little makeup, and I think it is very beautiful.”[26][27]

  • In October 2011, Leibovitz had an exhibit in Moscow. In an interview with Rossiya 24, she explained her photography style.[28]
  • In 2014, the New-York Historical Society mounted an exhibit of Leibovitz’s work, based on her 2011 book, Pilgrimages.[29]

Archive[edit]

Since 1977, Leibovitz licensing images have been represented by Contact Press Images, a photojournalism agency based in New York City. She ceased to be represented by Jim Moffat at A Corporation for Art & Commerce in 2009.

Personal life[edit]

Children[edit]

Leibovitz has three children. Her daughter Sarah Cameron Leibovitz was born in October 2001 when Leibovitz was 52 years old.[30] Her twins (two girls), Susan and Samuelle, were born to a surrogate mother in May 2005.[31]

Susan Sontag by Annie Leibovitz

Relationships[edit]

Leibovitz had a close relationship with writer and essayist Susan Sontag from 1989 until Sontag’s death in 2004. During Sontag’s lifetime, neither woman publicly disclosed whether the relationship was a platonic friendship or romantic.Newsweek in 2006 made reference to Leibovitz’s decade-plus relationship with Sontag, stating, “The two first met in the late ’80s, when Leibovitz photographed her for a book jacket. They never lived together, though they each had an apartment within view of the other’s.”[32] Leibovitz, when interviewed for her autobiography A Photographer’s Life: 1990-2005 (2006 in literature|2006), said the book told a number of stories, and “with Susan, it was a love story.”[33] While The New York Times in 2009 referred to Sontag as Leibovitz’s “companion”,[34] Leibovitz wrote in A Photographer’s Life that, “Words like ‘companion’ and ‘partner’ were not in our vocabulary. We were two people who helped each other through our lives. The closest word is still ‘friend.'” [35] That same year, Leibovitz said the descriptor “lover” was accurate.[36] She later reiterated, “Call us ‘lovers’. I like ‘lovers.’ You know, ‘lovers’ sounds romantic. I mean, I want to be perfectly clear. I love Susan.”[31]

Religion[edit]

Despite being raised in a Jewish home, Leibovitz no longer practices Judaism. When asked if being Jewish is important to her, Leibovitz replied, “I’m not a practicing Jew, but I feel very Jewish.”[2]

(Image Credit: Merce Cunningham. Photo Annie Leibovitz)

Examples of Leibovitz’s photographs[edit]

Leibovitz in front of her More Demi MooreVanity Fair cover photo, 2008

Johnny Cash & Family by Annie Leibovitz, 2001

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Tuesday, October 12, 2010

Annie Leibovitz – Some of my favorites

Angelina Jolie and Brad Pitt – just a sexy photo!

The Queen – all she needs is a cup o’ tea and a cucumber sandwich.

Gwyneth Paltrow and Mother – This little apple did not fall far.
Martina Navratilova

Nicole Kidman

Burroughs

Merce CunninghamEverybody knows Annie and her intriguing photographs of the rich and famous. Her portraiture captures more than just a face – she captures a personality a vision or a way of life with one click of her camera. There are so many inspiring images but these are some of my favorites!
COMMENTS 2

Appreciation Station { Annie Leibovitz }

This weekend I had the absolute pleasure of watching the biography of an incredible photographer, Annie Leibovitz.
It tells her story well, centering around the production of a book of her work(A Photographer’s Life: 1990-2005). So, we get to see her comments on the work as she decides what to put in the book and as she looks back on her past, there are interviews with family and friends, as well as film footage and photos of her youth. It does jump a bit, from current work to old, from childhood to the last few years but this method actually made it even more interesting. It was personal and there are some great candid moments and times where she speaks to her daughter that are really touching.

She has become known as a portrait artist, particularly of celebrities. She tells vivid stories with each picture and expresses parts of the subject’s personality through the theme, story, fashion, pose and expression.

WARNING: This will be a long post as I cannot decide which photos I like best..

She was born in Waterbury, Connecticut and is the third of 6 children. The family travelled a lot because Annie’s father Sam was a lieutenant colonel in the US Air Force. ‘Life Behind a Lens’ shows how family photographs were very important to her mother, Marilyn, and Annie began taking photos when they were stationed in Vietnam. After studying painting at the San Fransico art institute and some time spent in a kibbutz in Israel, she took night classes in photography and began working for (the new at the time) Rolling Stone Magazine. She became chief photographer and was instrumental in the magazine’s style that became iconic.
She says in the movie that she captures the moments between the big events, the things that happen behind the scenes, the thoughtful expressions, the real people behind the media haze. Her inventive and wildly creative images still stand out today in a world saturated with imagery. This in itself is testmament to her greatness.
Annie Leibovitz was the photographer who took the famous picture of Yoko Ono and John Lennon that made the Rolling Stone cover. Five hours after it was taken he was shot and killed.

Due to her mother’s background in dance she was fascinated by movement and how it is captured on camera. Hence she has done work for American Ballet Theatre, the Brooklyn Academy of Music, and the Mark Morris Dance Group, and with Mikhail Baryshnikov.
After Rolling Stone she moved on to Vanity Fair and continues to do great work for them as well as private pieces and photography for Vogue.

Annie’s love, Susan Sontag, a well known writer, passed away in 2004. In ‘Life Through A Lens’ we see how she inspired Annie and gave constructive criticism. They went to Sarajevo as Susan wanted her to capture real life, the despair, the pain, the reality of that place. Preparing her book,A Photographer’s Life: 1990-2005, and compiling her favourite images of Susan was integral to the grieving process after her death.

To quote Vanity Fair: Leibovitz has been designated a Living Legend by the Library of Congress and is the recipient of many other honors, including the Barnard College Medal of Distinction and the Infinity Award in Applied Photography from the International Center of Photography. She was decorated a Commandeur in the Ordre des Arts et des Lettres by the French government. She lives in New York with her three children, Sarah, Susan, and Samuelle.

She is, I agree.. a living legend.

Thanks to Vogue, Rolling Stone and Vanity Fair.

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by Abby Luby

Don Alter was very much at home in the well lit Hudson Beach gallery in Beacon. The 81 year old artist was surrounded by his latest body of work — a stopping point of sorts to mark more than six decades of painting. Alter is one of the sole remaining students of the famed Black Mountain College of the 1940’s, an experience that shaped him as a maturing, young artist. Today, Alter is more like a philosopher who articulates his theories through painting, and who is informed by a diverse set of life experiences .

Don Alter

Alter was a first generation American who was raised in the Bronx by his Polish immigrant father Sol Alter, a bread baker. As an artist, the young Alter attended the High School of Music and Art in Manhattan, after which he was accepted at the Black Mountain College in North Carolina. The small college was an artists’ mecca and Alter met and worked with such artists and thinkers as Willem de Kooning, Robert Motherwell, John Cage, Alfred Kazin, Merce Cunningham, and famed authors Arthur Penn and Paul Goodman, among others. On the board of directors was Albert Einstein and William Carlos Williams.

Alter was just under 18 and the youngest one at the Black Mountain campus, a small, open community of artists who embraced a liberal life style in and out of the classroom. For the young artist it was like being a kid in a toy store. “It was innovative and exciting,” says Alter. “It was like Shangri-​​La and everyone was very close.”

Alter studied drawing, painting and color under the rigorous tutelage of Josef Albers and textile design with Anni Albers, both who had just fled Nazi Germany after closing that country’s famous Bauhaus school.

The Albers taught us about the Bauhaus philosophy,” recalls Alter. “They taught us that there is a social responsibility between artists and the world. It got me thinking about my economic identity and how one makes their way in the world.”

The training paved the way for Alter’s successful career in textile design, but before he could test the commercial waters of the design world, he was drafted to serve in the Korean War. In the military he completed the vigorous combat training for overseas, but ended up state side creating military training aids and signs because of his artistic talent.

After his stint in the military, he set his goals towards the textile world and eventually became a well known and respected designer and founded Design Logic Inc. in New York City. His ideas grew from his art background — a rich mix of abstract and real imagery.

The work I did was very innovative in a competitive world.  It was a time when a lot of visually exciting things were happening in the world. People were working and there was a sense of optimism and an energetic retail market.”

As a successful textile designer, Alter always had his finger on the pulse of the visual world — both commercial and artistic. He created and produced textile designs for home furnishings, fabrics, wall paper and other products. He had commissioned and noncommissioned designs that were sold nationally and internationally. By the time he retired in 1990, he was ready to return to painting full time. Today, he lives with his wife Alice Himmel in Newburgh and his studio is a small space overcrowded with stacks of canvases.

Over the years, Alter has seen the growing number of surfaces with images that fill our everyday lives are a “bombardment of visual media where it has become so super saturated without intellectual comparison and too disparate.”  To that end, Alter says he wants to simplify the artist-​​viewer relationship. Today, his has deftly expressed his ideas combining abstract and realism. His colors are extraordinary and the subject matter is compelling. In “Airplane Landscape” rainbow colored flora and fauna grow off the canvas, a subtle, tiny airplane hints at a sense of perspective.

Donald Alter_APPLE ORCHARD

Apple Orchard” shows a young man integrated with nature, a mysterious ladder reaches up to a sky of ethereal plumes. Other work includes fantasy landscapes, beguiling faces and abstract explosions that reverberate off the canvas. Alter says as he gets older, experimenting and stepping outside the box becomes easier, as does showing his work.

Don Alter_Heads #11 of 12

I’m opening up more, maybe because it’s easier to get rejected at my age. You wait to be a unique voice. I want to take the time and develop skills to make something exciting. I am, after all, a provocateur.”

Two very dedicated friends and artists have helped Alter regularly show his work here in the Hudson Valley. Tony Moore, a sculptor, and Harald Plochberger, a painter, have curated the current two-​​part show of Alter’s work at the Hudson Beach gallery in Beacon, a community based gallery. Both men have produced the DVD film, “Donald Alter: A Dialogue on Painting,”  Both shows  (the second one started June 9) are calledChromatic Tales, Part 1 and Part 2.  

DONALD ALTER: Chromatic Tales – Part 1 and 2
Paintings, Drawings, Prints
May 12 — July 5, 2012

HUDSON BEACH GALLERY at HUDSON BEACH GLASS
162 MAIN STREET, BEACON, NY 12508 T 845 440‑0068
www​.hudsonbeachglass​.com

Abby Luby, author of the recently published e-​​​​book Nuclear Romance, has been in the field of communications for over 20 years and a journalist just over 10. She has a Bachelor’s degree in Communications/​​Music from Indiana University and attended the High School of Music and Art in New York City.

She is a freelance journalist for The New York Daily News, a regularly featured art critic for the Stamford Advocate/​​Greenwich Time and for the past five years has written for The Hudson Valley Table, a quarterly food magazine. Ms. Luby has contributed several articles on art events, gallery openings and artists in the Hudson Valley region to Roll Magazine. www​.abbylu​.com

My first post in this series was on the composer John Cage and my second post was on Susan Weil and Robert Rauschenberg who were good friend of CageThe third post in this series was on Jorge Fick. Earlier we noted that  Fick was a student at Black Mountain College and an artist that lived in New York and he lent a suit to the famous poet Dylan Thomas and Thomas died in that suit.

The fourth post in this series is on the artist  Xanti Schawinsky and he had a great influence on John Cage who  later taught at Black Mountain College. Schawinsky taught at Black Mountain College from 1936-1938 and Cage right after World War II. In the fifth post I discuss David Weinrib and his wife Karen Karnes who were good friends with John Cage and they all lived in the same community. In the 6th post I focus on Vera B. William and she attended Black Mountain College where she met her first husband Paul and they later  co-founded the Gate Hill Cooperative Community and Vera served as a teacher for the community from 1953-70. John Cage and several others from Black Mountain College also lived in the Community with them during the 1950’s. In the 7th post I look at the life and work of M.C.Richards who also was part of the Gate Hill Cooperative Community and Black Mountain College.

In the 8th post I look at book the life of   Anni Albers who is  perhaps the best known textile artist of the 20th century and at Paul Klee who was one  of her teachers at Bauhaus. In the 9th post the experience of Bill Treichler in the years of 1947-1949  is examined at Black Mountain College. In 1988, Martha and Bill started The Crooked Lake Review, a local history journal and Bill passed away in 2008 at age 84.

In the 10th post I look at the art of Irwin Kremen who studied at Black Mountain College in 1946-47 and there Kremen spent his time focused on writing and the literature classes given by the poet M. C. Richards. In the 11th post I discuss the fact that Josef Albers led the procession of dozens of Bauhaus faculty and students to Black Mountain.

In the 12th post I feature Wassily Kandinsky (1866-1944) who was featured in the film THE LONGEST RIDE and the film showed Kandinsky teaching at BLACK MOUNTAIN COLLEGE which was not true according to my research. Evidently he was invited but he had to decline because of his busy schedule but many of his associates at BRAUHAUS did teach there. In the 13th post I look at the writings of the communist Charles Perrow. 

Willem de Kooning was such a major figure in the art world and because of that I have dedicated the 14th15th and 16th posts in this series on him. Paul McCartney got interested in art through his friendship with Willem because Linda’s father had him as a client. Willem was a  part of New York School of Abstract expressionism or Action painting, others included Jackson Pollock, Elaine de Kooning, Lee Krasner, Franz Kline, Arshile Gorky, Mark Rothko, Hans Hofmann, Adolph Gottlieb, Anne Ryan, Robert Motherwell, Philip Guston, Clyfford Still, and Richard Pousette-Dart.

In the 17th post I look at the founder Ted Dreier and his strength as a fundraiser that make the dream of Black Mountain College possible. In the 18th post I look at the life of the famous San Francisco poet Robert Duncan who was both a student at Black Mountain College in 1933 and a professor in 1956. In the 19th post I look at the composer Heinrich Jalowetz who starting teaching at Black Mountain College in 1938 and he was one of  Arnold Schoenberg‘s seven ‘Dead Friends’ (the others being Berg, Webern, Alexander Zemlinsky, Franz Schreker, Karl Kraus and Adolf Loos). In the 20th post I look at the amazing life of Walter Gropius, educator, architect and founder of the Bauhaus.

In the 21st post I look at the life of the playwright Sylvia Ashby, and in the 22nd post I look at the work of the poet Charles Olson who in 1951, Olson became a visiting professor at Black Mountain College in North Carolina, working and studying here beside artists such as John Cage and Robert Creeley.[2] 

In the 23rd post is about the popular artist James Bishop who attended Black Mountain College towards the end of its existence. In the 24th post I look at the Poet-Writer Martha King. In the 25th post I talk about the life of the architect Claude Stoller and his time at Black Mountain College. In the 26th post I look at Ted Drieir. Jr., who was a student at Black Mountain College and the son of the founder. In the 27th post I look at the work of the artist Dorothea Rockburne and in the 28th post the artist Donald Alter.

Sparks Adaptation The Longest Ride Works for Both ‘Rom’ and ‘Com’

  • Susan EllingburgCrosswalk.com Contributing Writer
  • 201510 Apr
  • COMMENTS0

Sparks Adaptation <i>The Longest Ride</i> Works for Both 'Rom' and 'Com'

Release Date: April 10, 2015
Rating: PG-13 for some sexuality, partial nudity, and some war and sports action
Genre: Drama, Romance
Run Time: 139 minutes
Director: George Tillman Jr.
Cast: Scott Eastwood, Britt Robertson, Alan Alda, Jack Huston, Oona Chaplin

It’s Spring, and when a young movie-goer’s fancy turns to love, best-selling author Nicholas Sparks is ready to take her there. Based on the Sparks novel of the same name, The Longest Ride is a sweetheart of a movie that may not break new ground but is almost certain to please.

Sophia (Britt Robertson, Dan in Real Life and the upcoming Tomorrowland) is an art lover on the cusp of a brilliant career at a Manhattan gallery, just as soon as she finishes her last semester of college. Luke (Scott Eastwood, son of Clint) is a professional bull rider, a cowboy who has already had a spectacular rise and fall and is desperately trying to make a comeback. The two have little in common and almost no time to be together. Clearly, they’re meant for each other.

They do make an adorable couple. Sophia is cute and intense with a sweet, lively face that crinkles into any number of interested expressions. Luke is charming and a little old-fashioned with plenty of the smoldering appeal that made Eastwood’s movie star dad a favorite for an earlier generation of female fans. Their budding romance is delightfully awkward, but it’s all for naught as these two are clearly going their separate ways (or are they?). As if the glorious North Carolina scenery, romantic candlelight, etc. were not enough, their first date takes an intense turn when they happen upon a car accident and rescue the elderly driver and his box of mementos. Ira (Alan Alda, Tower Heist) is banged up but not so much that he loses his gift of good-natured, crotchety banter. When Sophia befriends Ira and gradually comes to know his story—mostly through the letters in his box—one tale becomes two as the relationship between young Ira and his beloved Ruth (Oona Chaplin) is woven into that of the modern couple.

While Sophia and Luke’s romance is sweet and all, when they were onscreen I found myself waiting for the next chapters of Ira and Ruth’s far more interesting love story. Set against the backdrop of WWII, and covering a span of many years, there’s a depth to the older couple’s love that is (naturally) missing in the newly-connected modern-day couple. The two couples have so many parallels it strains belief a bit, but this is a starry-eyed fantasy, after all. Sometimes reality is overrated.

In addition to all the sweetness, there are enough funny moments to justify both the ‘rom’ and ‘com’ labels. Both male and female viewers in my audience burst into laughter on several occasions, several confessed to a tear or two, and a good time was had by all… except maybe Rango, the bull who is Luke’s nemesis. All that bull riding—and there is a fair amount—is shown from a variety of interesting angles, including the rider’s. The film features a number of real-life cowboys from the PBR (Professional Bull Riders) circuit, adding a nice touch of gritty reality.

The soundtrack is more than just background music; it provides commentary on the action. Like the dulcet tones of the Pistol Annies singing “I feel a sin comin’ on; please Jesus don’t hold me back” or Ryan Adams crooning about “Desire.” As those titles suggest, Sophia and Luke’s is a modern relationship, which means they don’t bother with anything so quaint as waiting for marriage; they consummate their love in several scenes that are steamy in more ways than one. To director George Tillman Jr.’s credit, those scenes are, at least, artfully filmed and have a dreamy romantic feel. This is a true love story, not just a relationship movie.

The Longest Ride is the is the tenth Sparks book to be made into a movie, and at almost 2 hours, 20 minutes is the longest of them, but the time passes quickly. While the big “surprise” ending may not be much of a surprise to those familiar with the inspirational stories that populate Facebook (it’s a variation on a tale that made the rounds a year or so ago), it’s satisfying nonetheless. All ends as it should, making this an enjoyable girls’-night-out movie that, thanks to all the bull riding action, guys may actually enjoy, too.

  • Drugs/Alcohol: Drinking at bars, wine with dinner, occasional drunkenness.
  • Language/Profanity: A couple of muttered “Shhhhhht” one d-word and one exclamation of “Jesus.”
  • Sex/Nudity: Sophia’s friend pulls down Sophia’s t-shirt to expose more cleavage for her date with Luke and tells her “You’re the only girl I know who wouldn’t have a fling with a cowboy.” Teasing comment about not wearing underwear (more funny than sultry). Several kisses, some artistically-filmed sex scenes that show relatively discreet side and back nudity. We see a good amount of Luke’s muscular backside and hands caressing. Some slow stripping scenes and semi-skinny dipping (swimming in underwear).
  • Violent/Frightening/Intense: Bull riding is an intense, competitive, dangerous sport and we see it from a variety of angles. Some war scenes show troops under fire. Men are injured in a variety of ways. A victim is pulled from a wrecked car.

Publication date: April 10, 2015

The Longest Ride Official Trailer #1 (2015) – Britt Robertson Movie HD

It has been my practice on this blog to cover some of the top artists of the past and today and that is why I am doing  this current series on Black Mountain College (1933-1955). Here are some links to some to some of the past posts I have done on other artists: Marina AbramovicIda Applebroog,  Matthew Barney, Aubrey Beardsley, Larry BellWallace BermanPeter BlakeDerek BoshierPauline BotyBrenda Bury,  Allora & Calzadilla,   Christo and Jeanne-Claude, Heinz Edelmann Olafur EliassonTracey EminJan Fabre, Makoto Fujimura, Hamish Fulton, Ellen GallaugherRyan Gander, John Giorno, Rodney Graham,  Cai Guo-QiangBrion GysinJann HaworthArturo HerreraOliver HerringDavid Hockney, David Hooker,  Nancy HoltRoni HornPeter HowsonRobert Indiana, Jasper Johns, Martin KarplusMargaret KeaneMike Kelley, Peter KienJeff Koons Annie Leibovitz, John LennonRichard LinderSally MannKerry James MarshallTrey McCarley, Linda McCartney, Paul McCartneyPaul McCarthyJosiah McElhenyBarry McGee, Richard MerkinNicholas MonroYoko OnoTony Oursler, John OutterbridgeNam June PaikEduardo PaolozziGeorge PettyWilliam Pope L.Gerhard Richter, Anna Margaret Rose,  James RosenquistSusan RothenbergGeorges Rouault, Richard SerraShahzia Sikander, Raqub ShawThomas ShutteSaul SteinbergHiroshi SugimotoStuart SutcliffeMika Tajima,Richard TuttleLuc Tuymans, Alberto Vargas,  Banks Violett, H.C. Westermann,  Fred WilsonKrzysztof Wodiczko, Andrew WyethJamie WyethDavid WynneAndrea Zittel,

TUESDAY, NOVEMBER 30, 2010

Donald Alter and W.P. “Pete” Jennerjahn

As a supplement to the Mountain Xpress article, A Tale of Two Painters about Black Mountain College alumni, Donald Alter and W.P. “Pete” Jennerjahn, I am posting these excerpts from my conversations with each, respectively. The opportunity to speak at length with these two artists was tremendous. Both were incredibly accommodating and very pleasant to chat with.

Donald Alter


Donald Alter lives and works in Newburgh, NY. He was born in 1930 and attended Black Mountain College in 1948-1950. These are some comments Alter made during our telephone conversation November 19, 2010. See more of his work at
donaldalterpaintings.com

On Black Mountain College:

“Sometimes I smile at the realities of Black Mountain College, but I think that it is probably one of the main experiences of my life. That was a very very unique experience for me. Specifically there was contact with very exciting people. These were many artists in many areas and they were all accessible. It was very removed from the real world.

“We had a geographical location (Black Mountain) where all these artists could converge. That became a community where any talent could shine and emerge. Nobody would every think that Rauschenburg would be one of the greatest artists of the 20th century. We didn’t realize how unique it was.


“At Black Mountain it was all primarily painting, but I did everything that I could touch. I did sculpture, weaving, all kinds of crazy stuff. Albers encouraged that kind of thing. We did a lot of artwork that required no paint and brush at all.

“In 1948-50 this was a very exciting time for art. Art started to really gel and young people had opportunity. Those are days that I think are gone now. I don’t see that happening today.
This is a lesson I try to impart to young people: they stand in awe of this great place where all of these great artists live but I keep telling these people that there’s great talents all over and you cant recognize it until they develop it and let it emerge.
I’m not particularly excited in the world of academia or how art is taught and what happens to youngsters who get into it.

“[After I left Black Mountain College] I never went back to school. It’s an individual pursuit. Once you learn yellow and red make orange you’re off and running.

On painting and career:

“I went into the textile design field in NY, but I always had a paintbrush in my hand. I was always involved in the arts. At a later age I went back to painting. In my mind I differentiated between the commercial world of art and the fine art world. I opted to go back into the world of painting at the age of 65.

“Back then people needed textiles. There were retails markets that were selling textiles, now that’s all being done in China. The markets have shifted. But that’s a whole other conversation.

“I tried to live my life with integrity as an artist. Being an artist is a very risky endeavor. Really at this stage in the game I feel humble and modest. There’s a lot of nonsense in the world.

“It is a very difficult area to engage in. When I finish a painting I call it a day and that’s all I do. The more arduous the effort the more depressed I can get. So maybe I go back to it later and it becomes alive again.

“There’s a lot of self-doubt and you have to get rid of that — the self-doubt.
 
Hudson Valley Weave 2008

On personal creative evolution:

“The subject matter started to change (over the years.) I was no longer painting decorative flowers. If you look at those two paintings, in the gallery next to each other [Transformation 1949 and Hudson Valley Weave 2008]– I picked up right where I was when I was a student at Black Mountain The biological forms, the colors — it was uncanny.

“I went back and used the vocabulary I learned at Black Mountain
.
On Making a Living:

“Making a living is very difficult. That’s the real test that describes who you are. My neighbors don’t even know what I’m doing but I don’t disrespect them for it. The world is too complicated. You can ask a lot more of it than it’s bound to give you.

“There are people making large sums of money promoting painting. It’s a hard game to play and I don’t play it. I’m an old timer and the world I play in is a lot different.

“When I look at these younger upstarts I get excited, but a lot of it is hype. The art world is a very troublesome place. There are some crazy things going on.

“I figured out a way to make prints and sell them for 4 cents, I call them 4-penny prints. In the market place where art is being sold at Sotheby’s for millions of dollars I’ve been making prints for 4 cents, which I think, is pretty funny.

On criticism:

“It’s very difficult. Sometimes you feel a little bit upset –there’s no question about it. It’s like going to the office and the boss is not respecting your work. Its risky, it takes a lot of self-discipline. You really have to love it to keep up with it.

“Money pressure can get intense. I think that’s part of the real world that no one ever discusses in art school.

—————————————————————-

W.P “Pete” Jennerjahn and recent paintings

W.P “Pete” Jennerjahn lives near Sedona Arizona. Below are excerpts from our telephone conversation November 19, 2010.


On Black Mountain College and Josef Albers:

“I started life in 1922. I showed up at Black Mountain in 1948.

“I had already been through undergrad and grad programs at the University of Wisconsin in Madison. The other schools were traditional as far as the art departments – with regulation of tests and credits. But Black Mountain didn’t deal in credits. You were examined by your faculty involved, I wasn’t there long enough to actually get a degree, but what Black Mountain did was they would solicit from the nation someone who had a reputation in that field and that person would come and examine you and evaluate you if you could graduate or not.

“I was focused on whatever Josef Albers was teaching at the time — primarily color, painting and design.

“I had it up to here as far as responding to teachers in the grad schools I was at. My wife [Elizabeth Jennerjahn] who had been to BMC, recognized that Albers was someone special beyond any kind of other teacher.

“In previous teachers there were the kind of rote lessons on hue, value and intensity –and you did everything based on that kind of thing.

“I passed thru that period of my education during the Depression days when people we looked up to were doing murals in post offices and we were urged to do work murals. Of course that was a phase I passed on thru as I was encountering my teachers in college.

“At Black Mountain they didn’t deal in that at all. It was not the artistic theme we were working on. We were working in basic themes. Colors. In some of the painting classes we would do still life studies and work from the wonderful scenery on campus. There was actually a lake there and we were very influenced by it.

Contrary Shadows, 1952
 

On Color:


“What was in effect in the US at the time was that you were realistic about color. And the color did not have an independence or a value other than their literalness so if you wanted a whole other feeling to arise from what you were working on you could feel free to abandon the old rules.

“After my working with Albers I taught a color course. I would have the students answer a questionnaire with questions like, “What are your favorite colors? What colors would you not put together? The idea was to have them declare their attitudes towards color at the time. After some time I would have them take the colors they hate and make them shake off those old rules and work freshly with color to have something happen. I told them, ‘I want you to use the colors you hate and put them together so that they support each other.’

“Even in my painting now I’m continually challenging myself. The idea of the subject matter now is not important. I’ll put a color down and think which color I don’t want to see next to that color. So I work with those colors to figure out how to make the colors work together. I might give it some ludicrous type of title. More or less I am still struggling to keep from falling into the same combinations of things.

On the art world now:

“From what I gather from the young people I see submitting to the exhibits – they are much freer than when I was going through art studies back in the 40’s. There are still a number of them caught up in the old attitudes in relation to color so they’re not making full use to what the medium has to offer them.

“I remember in Milwaukee there was a contemporary art exhibit that came through [in the 1940’s] and there were things that came through in collage, that we were just scratching our heads over, and now nobody thinks twice about that kind of thing.

“I don’t subscribe to art magazines so I don’t have a good handle on the current art trends but I would say there is more flowing into the matter of not having things flat on the wall. There’s a lot more collage and layers of things, which was unheard of when I went through as a college level student.

“Many people are doing bulky 3D works that are much more tolerated than my time. It was rare to have things made out of metal and pipes and bent mechanical parts. Artists today are infinitely more adventurous in materials than they were back in those days.

On his own paintings:

“Lately I’ve been working with thin washes of acrylic. I started to give up on oils out of a frustration because I had a studio in the Adirondacks of NY and I would be getting all worked up making paintings and then when it was time to pack up the painting was too wet to ship.

“I began to like the flow of working with acrylics and I didn’t have to worry about drying time.
I enjoy working with acrylics because I can work with them in a way I had been doing with watercolors. I could do more things with liquid acrylics. It felt more on the same territory of expression as watercolor.

On mixing colors:

“It depends on what my need is. If I want a certain color that is opaque and it lies between cadmium orange and an earth color I will mix if I have to. I try to be economical about it — not to indulge so that it takes me 4 tubes to get around to a color. I feel that I should be able to arrive at a color that I had in mind with no more than two tubes.

“Albers would buy tube color but would only add white. He would only add white. The only indulgence he gave himself was to lighten colors with white. To a certain extent I try to keep that same kind of economy. And at time I try to get a variation.

“I have paintings 4 feet high with slight color variations produced as color stripes. I did 10 years in that phase of horizontal stripes. The shift changes very little from stripe to stripe –like in the sky. On most of those paintings there are no two similar stripes of color.

Click to access HarpersMagazine-1936-04-0019125.pdf

Black Mountain College was founded in the aftermath of a faculty governance dispute at Rollins College, a small Florida college.  The ejected parties, which included the College’s first rector, John Andrew Rice, went before an AAUP mediation panel that vindicated their actions but ultimately could not reinstate them as faculty.  They decided to found an educational institution that would avoid the pitfalls of an autocratic chancellor.  Black Mountain College was established with the aim of providing an education in life and pedagogy, loosening or altogether abolishing the types of distinctions between student and faculty, and faculty and administration, that usually served to specialize roles and bolster hierarchical distinctions.  With minimal structure, borne of both ideological inclination and economic necessity, Black Mountain’s experiment in education would prove innovative, yet provisional and ultimately untenable.

Black Mountain College’s institutional organization was peculiar and problematic.  It was wholly owned by the faculty and students, with a governing Board of Fellows (headed by an elected rector) composed of eight faculty members and one student member culled from their respective constituencies.  Non-binding recommendations were made by an external Advisory Board that met infrequently.  A work program was required of all college members, although in practice students executed many of the duties..

_______________

DONALD ALTER: BEYOND BLACK MOUNTAIN

By Tony Moore

​
Donald Alter is a long term resident of the Hudson Valley who will celebrate his eighty-second year in 2012. Although in faltering health, he vigorously paints, draws, collages and creates in a profoundly experimental way, indicative of his scholarship during formative years at Black Mountain College, Asheville, NC. 

Donald Alter attended Black Mountain as a student from 1948 to 1950 and again during the summer sessions of 1950 and 51. Historically, Black Mountain is long renowned as a foremost experimental, liberal arts, and almost utopian college community, ​dating back to its origins in1933. 
​Over a twenty-three year period, only some 1,200 students were enrolled, including the celebrated artist Robert Rauschenberg, among others. The profoundly influential faculty that established Black Mountain as an experimental center for the development of the American contemporary movement included Joseph and Anni Albers who brought with them from Germany the avant-garde provocations of the Bauhaus philosophies of rigorous investigation, experimentation and foundations in many varied visual and material disciplines. These were always coupled with the student’s orientation and personal development.

 While teachers and students were in flux, some coming for a semester, summer school or for the duration of several years (such as Alter), teaching approaches, administration and philosophically creative approaches also changed. While immersed in the buoyantly creative and social life of the “community”, Don met, knew or interacted with fellow students and teachers such as Rauschenberg, Joseph and Anni Albers (studying painting, color theory and textile design), Joseph Fiore (studying painting and drawing), the painter Kenneth Noland, art critic Clement Greenberg, musician/composer John Cage, dancer/choreographer Merce Cunningham and many others.

An example of Alter’s youthful vibrancy at this time might be epitomized by an affectionate memoir by fellow student Martha Rittenhouse: “Bob (Robert Rauschenberg) was one of the students at Black Mountain who had rhythm in their souls --. The other ones were Delores Fullman, Donald Alter, Ulrich Heinnemann-Rufer, and Errissinola Genesi, called Mitzi. I envied them with all my heart.”
​
In retrospect, Black Mountain College, its community and faculty was to have a life-long influence for the foundation and methodology for Don Alter’s work to come, both as an internationally successful textile designer, artist and member of whatever creative community he is associated with. His knowledge and digestion of 20th Century Modernism, the principles of design, color, line, plane, form, opacity, transparency i.e. the visual language of art and artmaking, are so internalized that he has tremendous facility to almost render anything that should come to mind. 

​While fluent in both figuration and abstraction, and moving fluidly between them without prejudice, Alter, at almost 82 years, in a jammed-packed small single car garage in Newburgh, NY, brings vitality and new thresholds of discovery, daily to his creative practice.

In particular, the exhibition’s curators (Tony Moore and Harald Plochberger) find Alter’s recent Hudson Valley landscapes to reflect and in some ways epitomize his oeuvre. Inventive, abstract, figurative, luscious, naive, sophisticated, mysterious and at times evoking an edgy anxiety, these paintings and drawings are a summation of a life-time of quiet achievement (after Black Mountain being drafted in to the army, a full career as a NYC based textile designer with his own company, husband bereaved and re-married, and father to three children.) 

The works contain something of a utopian vision or apparent innocence, coupled with an anxious foreboding of the “thicket” of both human and natural worlds. Always inventive and “perfectly” orchestrated, these landscapes are peopled with literal and metaphorical references
to space and time, recent and current events, psychological realities and, above all, to a certain delight in the craft and sincere belief in picture making.

Curators Moore and Plochberger propose that Donald Alter’s example of lifelong commitment to creativity and the investigative spirit is an example to behold/uphold.

​“May recognition within his lifetime, carry in spirit, both the artist and new generations ‘Beyond Black Mountain’.” 

SUMMER BREEZE          30″ H x 36″ W          Acrylic on Panel  2007

THROUGH THE BUSH           20.5″ H x 20″ W          Acrylic on Panel  2004

BACKYARD          12″ H x 10″ W          Acrylic on Panel  2006

Curators Biography:

Tony Moore is a sculptor and painter with works represented in several international museum collections including the Guggenheim Museum and Brooklyn Museum. He has taught, organized, curated and installed numerous exhibitions at museums and colleges within the US. and internationally. Locally organized exhibitions include two “Passionate Fire” exhibitions of international and regional ceramic artists, at Germain Keller Gallery, Garrison, Bronx artists at Bau Gallery, Beacon and most recently “Passionate Fire: Wood-fired Ceramics from the Tony Moore Kiln” at Hudson Beach Glass Gallery, Beacon. After 25 years in NYC, he now resides in Cold Spring, NY.
Harald Plochberger is a painter, multi-media artist and videographer. His work is exhibited internationally and represented in many European collections. He has taught, organized, curated and installed exhibitions and was a principal founding member of Bau Gallery, Beacon, where he was instrumental in organizing and promoting many successful exhibitions, jazz concerts and multi-media events. He has also designed and maintained websites for artists and galleries. He resides in Ellenville, NY.

___________

The Longest Ride Official Trailer #1 (2015) – Britt Robertson Movie HD

Related posts:

THE ARTISTS, POETS and PROFESSORS of BLACK MOUNTAIN COLLEGE (the college featured in the film THE LONGEST RIDE) Part 22 Poet Charles Olson, friend of Ezra Pound

THE ARTISTS, POETS and PROFESSORS of BLACK MOUNTAIN COLLEGE (the college featured in the film THE LONGEST RIDE) Part 21 Sylvia Ashby playwright

THE ARTISTS, POETS and PROFESSORS of BLACK MOUNTAIN COLLEGE (the college featured in the film THE LONGEST RIDE) Part 20 Walter Gropius, Bauhaus,

THE ARTISTS, POETS and PROFESSORS of BLACK MOUNTAIN COLLEGE (the college featured in the film THE LONGEST RIDE) Part 19 composer Heinrich Jalowetz, student of Arnold Schoenberg

______________________

WOODY WEDNESDAY Why should an evangelical watch the atheistic films of Woody Allen?


In my opinion Woody Allen’s best movie is CRIMES AND MISDEMEANORS and he really does take a tough look at the atheistic world that he believes is the case!!!!

Crimes and Misdemeanors 1989 Woody Allen

Existentialism and the Meaningful Life [The Common Room]

Published on Jul 7, 2015

Torrey Common Room Discussion with Janelle Aijian, Matt Jenson, and Diane Vincent

Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God

Why should an evangelical watch the atheistic films of Woody Allen? I think John Piippo has touched on some of the answers to that question in this blog post below and the number one reason is that Woody Allen tackles the biggest questions in life while others seem to ignore them.

Sunday, August 05, 2012

Woody Allen’s Atheism

Linda and I have enjoyed, over the years, watching every movie Woody Allen ever made. He is so intrinsically funny and clever, and he brings to his movies a pervading existentialist dread that is philosophical and psychological.

I’m pointed to Allen this afternoon, as I’m sitting on our back deck reading more of Jim Holt’s Why Does the World Exist?: An Existential Detective Story. Holt’s very fun book is a quest to find some answer to THE BIG QUESTION, which is: Why is there something rather than nothing? This question is one of the few that has lit my path since encountering its force in the early 1970s, as a young philosophy major.

I just finished Chapter 11 – “The Ethical Requiredness of There Being Something.” It’s on philosopher John Leslie’s theory of “axiarchism.” And what might that be? The Greek word “axiology” is “the study of value. Goodness, in a Platonic sense, is responsible for there being something rather than nothing. This is axiarchism’s answer to the BIG QUESTION.

Holt writes:

“To take axiarchism seriously, you have to believe three things. First, you have to believe that goodness is an objective value— that there are facts about what is good and evil, and that these facts are timelessly and necessarily true, independently of human concerns, and that they would be true even in the absence of all existent things. Second, you have to believe that the ethical needs that arise from such facts about goodness can be creatively effective— that they can bring things into existence and maintain those things in existence without the aid of any intermediary agent or force or mechanism. Third, you have to believe that the actual world— the world that we ourselves are a part of, even if we can only see a very tiny region of it— is the sort of reality that abstract goodness would bring into being. In other words, you have to believe that (1) value is objective, (2) value is creative, and (3) the world is good. If you buy into all three of these propositions, you’ve got your resolution to the mystery of existence.” (pp. 209-210)

In discussing 3 Holt brings in philosophers who doubt that the world is good. And, he mentions Woody Allen. Allen expresses his doubts that this world is good in an interview in Commonweal, in 2010. So, sitting on my back deck, I again discover some of the delightful goodness of our world which no longer needs to drive miles to a library, locate the edition of Commonweal in the periodicals section, and read. It’s all online. I’m so historically interested in the filmmaking of Allen that I pull it up, while taking another sip of my Tim Horton’s coffee (more evidence that our world is good).

Allen says that he makes films to give him “some kind of relief from the agony and terror of human existence.”

He continues:

“Human existence is a brutal experience to me…it’s a brutal, meaningless experience—an agonizing, meaningless experience with some oases, delight, some charm and peace, but these are just small oases. Overall, it is a brutal, brutal, terrible experience, and so it’s what can you do to alleviate the agony of the human condition, the human predicament? That is what interests me the most. I continue to make the films because the problem obsesses me all the time and it’s consistently on my mind and I’m consistently trying to alleviate the problem, and I think by making films as frequently as I do I get a chance to vent the problems. There is some relief. I have said this before in a facetious way, but it is not so facetious: I am a whiner. I do get a certain amount of solace from whining.”

This world, Allen believes, is “overwhelmingly bleak.” His films grant him and maybe some viewers a speck of relief in the vast darkness. Ultimately, his movies don’t help at all. Life is “horrible,” with a few “oases” here and there, like listening to a Mozart symphony. “Everybody knows how awful the world is and what a terrible situation it is and each person distorts it in a certain way that enables him to get through. Some people distort it with religious things. Some people distort it with sports, with money, with love, with art, and they all have their own nonsense about what makes it meaningful, and all but nothing makes it meaningful. These things definitely serve a certain function, but in the end they all fail to give life meaning and everyone goes to his grave in a meaningless way.”

As much as I disagree with Allen’s worldview, this is why I like him as well. He’s dealing with the big questions, foremost among which is: What is the meaning of my life? Though I’m not an atheist, I admire his logic of atheism, which concludes that life has no meaning, ultimately, and that the shadow of this conclusion is cast over all of life and its ultimately trivial ways of unconsciously coping with this.

In Allen’s movie “Whatever Works,” the protagonist “murders his pregnant mistress and a bystander whose death he views as “collateral damage.” He explains to their ghosts that there is no justice in the universe because there is no Intelligence directing it. If there were no God, surely Allen’s extreme pessimism—and the extreme language in which he expresses it—would be right on target.” (See “Woody’s Cold Comforts,” by Robert Lauder)

“Everyone,” says Allen the thoughtful atheist, “goes to his grave in a meaningless way.” (In Holt, 213) So true, if there is no God.

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 50 Elizabeth Loftus, UC Irvine, “…Out there in the world of religious beliefs…you can indoctrinate people with these beliefs even if they don’t make much sense”

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

_________________

Below you have picture of 1996 Chemistry Nobel Prize Winner Dr. Harry Kroto (on right and  Reg Colin on left):

______________________

Elizabeth Loftus

From Wikipedia, the free encyclopedia
Elizabeth F. Loftus
Elizabeth Loftus-TAM 9-July 2011.JPG

Elizabeth Loftus in 2011
Born October 16, 1944
Los Angeles[1]
Residence California
Citizenship United States
Nationality United States
Fields Psychology, CognitivePsychology, Psychology and Law
Institutions University of California, Irvine
University of Washington
New School University
National Judicial College,University of Nevada
Harvard University
Georgetown University Law Center
Alma mater Stanford University
University of California, Los Angeles
Doctoral advisor Patrick Suppes
Known for Studies of human memory and their application to forensic settings
Notable awards Grawemeyer Award (2005)
National Academy of Sciences(2004)
Royal Society of Edinburgh(2005)

Elizabeth F. Loftus (born Elizabeth Fishman, in 1944)[2][3][4] is an American cognitive psychologist and expert on human memory. She has conducted extensive research on the malleability of human memory. Loftus is best known for her ground-breaking work on the misinformation effect and eyewitness memory,[5] and the creation and nature of false memories,[6] including recovered memories of childhood sexual abuse.[7] As well as her prolific work inside the laboratory, Loftus has been heavily involved in applying her research to legal settings; she has consulted or provided expert witness testimony for hundreds of cases.[7][8] Loftus has been recognized throughout the world for her work, receiving numerous awards and honorary degrees. In 2002, Loftus was ranked 58th in the Review of General Psychology’s list of the 100 most influential psychological researchers of the 20th century, and was the highest ranked woman on the list.[9]

_____________________________

In  the third video below in the 117th clip in this series are her words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

I grew up at Bellevue Baptist Church under the leadership of our pastor Adrian Rogers and I read many books by the Evangelical Philosopher Francis Schaeffer and have had the opportunity to contact many of the evolutionists or humanistic academics that they have mentioned in their works. Many of these scholars have taken the time to respond back to me in the last 20 years and some of the names  included are  Ernest Mayr (1904-2005), George Wald (1906-1997), Carl Sagan (1934-1996),  Robert Shapiro (1935-2011), Nicolaas Bloembergen (1920-),  Brian Charlesworth (1945-),  Francisco J. Ayala (1934-) Elliott Sober (1948-), Kevin Padian (1951-), Matt Cartmill (1943-) , Milton Fingerman (1928-), John J. Shea (1969-), , Michael A. Crawford (1938-), Paul Kurtz (1925-2012), Sol Gordon (1923-2008), Albert Ellis (1913-2007), Barbara Marie Tabler (1915-1996), Renate Vambery (1916-2005), Archie J. Bahm (1907-1996), Aron S “Gil” Martin ( 1910-1997), Matthew I. Spetter (1921-2012), H. J. Eysenck (1916-1997), Robert L. Erdmann (1929-2006), Mary Morain (1911-1999), Lloyd Morain (1917-2010),  Warren Allen Smith (1921-), Bette Chambers (1930-),  Gordon Stein (1941-1996) , Milton Friedman (1912-2006), John Hospers (1918-2011), Michael Martin (1932-), John R. Cole  (1942-),   Wolf Roder,  Susan Blackmore (1951-),  Christopher C. French (1956-)  Walter R. Rowe Thomas Gilovich (1954-), Paul QuinceyHarry Kroto (1939-), Marty E. Martin (1928-), Richard Rubenstein (1924-), James Terry McCollum (1936-), Edward O. WIlson (1929-), Lewis Wolpert (1929), Gerald Holton (1922-), Martin Rees (1942-), Alan Macfarlane (1941-),  Roald Hoffmann (1937-), Herbert Kroemer (1928-), Thomas H. Jukes (1906-1999), Glenn BranchGeoff Harcourt (1931-), and  Ray T. Cragun (1976-).

___________

Elizabeth Loftus QUOTE from the program CLOSER TO TRUTH:

In our research we have planted whole memories into the minds of people. We have made people believe that they did things that they didn’t do, complete memories, you choked on a small object, you were attacked by a vicious animal. Some whole very rich event happened to you when you were younger…So it seems if we can do that in a short period of time because we are bringing a seemly credible source to bear on the subject but out there in the world of religious beliefs where you are soaked in repetition of those beliefs. You are hearing from them and from lots of other people. People all around you are believing them, it is no wonder that you can indoctrinate people with these beliefs even if they don’t make much sense.

___________

Let me respond to some of the professor’s points. First, the reason that so many people believe in God is given to us in the first chapter of the book of Romans and I explain more below. Actually the Bible assumes that every knows that God exists but some people just choose to ignore God and rebel against God. Second, the Bible is rooted in history and as a result we can investigate the accuracy of the historical details given in the Bible. That is also discussed below. You can judge for yourself if these beliefs “don’t make much sense” by examining the accuracy of the truth claims dealing with real historical events first and if they don’t match the historical details then I would agree that they should be abandoned. 

Below is a letter I wrote to Dr. Loftus earlier.

January 16, 2015

Professor Elizabeth Loftus, UC Irvine,

Dear Dr. Loftus,

I saw recently your involvement in the film series RENOWNED ACADEMICS SPEAKING ABOUT GOD on You Tube and I am almost my finished with my response to your quote and it will be appearing soon on http://www.thedailyhatch.org.

Now on to the other topics I wanted to discuss with you today. I wanted to write you today for two reasons. First, is there a good chance that deep down in your conscience you have repressed the belief in your heart that God does exist and is there a possibility  this deep belief of yours  be shown through a lie-detector? (Back in the late 1990’s I had the opportunity to correspond with over a dozen members of CSICOP on just this very issue.)

Second, I wanted to point out some scientific evidence that caused Antony Flew to switch from an atheist (as you are now) to a theist. Twenty years I had the opportunity to correspond with two individuals that were regarded as two of the most famous atheists of the 20th Century, Antony Flew and Carl Sagan. (I have enclosed some of those letters between us.) I had read the books and seen the films of the Christian philosopher Francis Schaeffer and he had discussed the works of both of these men. I sent both of these gentlemen philosophical arguments from Schaeffer in these letters and in the first letter I sent a cassette tape of my pastor’s sermon IS THE BIBLE TRUE? (CD is enclosed also.) You may have noticed in the news a few years that Antony Flew actually became a theist in 2004 and remained one until his death in 2010. Carl Sagan remained a skeptic until his dying day in 1996.

You will notice in the enclosed letter from June 1, 1994 that Dr. Flew commented, “Thank you for sending me the IS THE BIBLE TRUE? tape to which I have just listened with great interest and, I trust, profit.” It would be a great honor for me if you would take time and drop me a note and let me know what your reaction is to this same message.

I have a good friend who is a street preacher who preaches on the Santa Monica Promenade in California and during the Q/A sessions he does have lots of atheists that enjoy their time at the mic. When this happens he  always quotes Romans 1:18-19 (Amplified Bible) ” For God’s wrath and indignation are revealed from heaven against all ungodliness and unrighteousness of men, who in their wickedness REPRESS and HINDER the truth and make it inoperative. For that which is KNOWN about God is EVIDENT to them and MADE PLAIN IN THEIR INNER CONSCIOUSNESS, because God  has SHOWN IT TO THEM,”(emphasis mine). Then he  tells the atheist that the atheist already knows that God exists but he has been suppressing that knowledge in unrighteousness. This usually infuriates the atheist.

My friend draws some large crowds at times and was thinking about setting up a lie detector test and see if atheists actually secretly believe in God. He discussed this project with me since he knew that I had done a lot of research on the idea about 20 years ago.

Nelson Price in THE EMMANUEL FACTOR (1987) tells the story about Brown Trucking Company in Georgia who used to give polygraph tests to their job applicants. However, in part of the test the operator asked, “Do you believe in God?” In every instance when a professing atheist answered “No,” the test showed the person to be lying. My pastor Adrian Rogers used to tell this same story to illustrate Romans 1:19 and it was his conclusion that “there is no such thing anywhere on earth as a true atheist. If a man says he doesn’t believe in God, then he is lying. God has put his moral consciousness into every man’s heart, and a man has to try to kick his conscience to death to say he doesn’t believe in God.”

It is true that polygraph tests for use in hiring were banned by Congress in 1988.  Mr and Mrs Claude Brown on Aug 25, 1994  wrote me a letter confirming that over 15,000 applicants previous to 1988 had taken the polygraph test and EVERYTIME SOMEONE SAID THEY DID NOT BELIEVE IN GOD, THE MACHINE SAID THEY WERE LYING.

It had been difficult to catch up to the Browns. I had heard about them from Dr. Rogers’ sermon but I did not have enough information to locate them. Dr. Rogers referred me to Dr. Nelson Price and Dr. Price’s office told me that Claude Brown lived in Atlanta. After writing letters to all 9 of the entries for Claude Brown in the Atlanta telephone book, I finally got in touch with the Browns.

Adrian Rogers also pointed out that the Bible does not recognize the theoretical atheist.  Psalms 14:1: The fool has said in his heart, “There is no God.”  Dr Rogers notes, “The fool is treating God like he would treat food he did not desire in a cafeteria line. ‘No broccoli for me!’ ” In other words, the fool just doesn’t want God in his life and is a practical atheist, but not a theoretical atheist. Charles Ryrie in the The Ryrie Study Bible came to the same conclusion on this verse.

Here are the conclusions of the experts I wrote in the secular world concerning the lie detector test and it’s ability to get at the truth:

Professor Frank Horvath of the School of Criminal Justice at Michigan State University has testified before Congress concerning the validity of the polygraph machine. He has stated on numerous occasions that “the evidence from those who have actually been affected by polygraph testing in the workplace is quite contrary to what has been expressed by critics. I give this evidence greater weight than I give to the most of the comments of critics” (letter to me dated October 6, 1994).

There was no better organization suited to investigate this claim concerning the lie detector test than the Committee for the Scientific Investigation of Claims of the Paranormal (CSICOP). This organization changed their name to the Committe for Skeptical Inquiry in 2006. This organization includes anyone who wants to help debunk the whole ever-expanding gamut of misleading, outlandish, and fraudulent claims made in the name of science. I AM WRITING YOU TODAY BECAUSE YOU ARE ASSOCIATED WITH CSICOP.

I read The Skeptical Review(publication of CSICOP) for several years during the 90’s and I would write letters to these scientists about taking this project on and putting it to the test.  Below are some of  their responses (15 to 20 years old now):

1st Observation: Religious culture of USA could have influenced polygraph test results.
ANTONY FLEW  (formerly of Reading University in England, now deceased, in a letter to me dated 8-11-96) noted, “For all the evidence so far available seems to be of people from a culture in which people are either directly brought up to believe in the existence of God or at least are strongly even if only unconsciously influenced by those who do. Even if everyone from such a culture revealed unconscious belief, it would not really begin to show that — as Descartes maintained— the idea of God is so to speak the Creator’s trademark, stamped on human souls by their Creator at their creation.”

2nd Observation: Polygraph Machines do not work. JOHN R. COLE, anthropologist, editor, National Center for Science Education, Dr. WOLF RODER, professor of Geography, University of Cincinnati, Dr. SUSAN BLACKMORE,Dept of Psychology, University of the West of England, Dr. CHRISTOPHER C. FRENCH, Psychology Dept, Goldsmith’s College, University of London, Dr.WALTER F. ROWE, The George Washington University, Dept of Forensic Sciences, Graduate School of Arts and Sciences.

3rd Observation: The sample size probably was not large enough to apply statistical inference. (These gentlemen made the following assertion before I received the letter back from Claude Brown that revealed that the sample size was over 15,000.) JOHN GEOHEGAN, Chairman of New Mexicans for Science and Reason, Dr. WOLF RODER, and Dr WALTER F. ROWE (in a letter dated July 12, 1994) stated, “The polygraph operator for Brown Trucking Company has probably examined only a few hundred or a few thousand job applicants. I would surmise that only a very small number of these were actually atheists. It seems a statistically insignificant (and distinctly nonrandom) sampling of the 5 billion human beings currently inhabiting the earth. Dr. Nelson Price also seems to be impugning the integrity of anyone who claims to be an atheist in a rather underhanded fashion.”

4th Observation: The question (Do you believe in God?)  was out of place and it surprised the applicants. THOMAS GILOVICH, psychologist, Cornell Univ., Dr. ZEN FAULKES, professor of Biology, University of Victoria (Canada), ROBERT CRAIG, Head of Indiana Skeptics Organization, Dr. WALTER ROWE, 
 
5th Observation: Proof that everyone believes in God’s existence does not prove that God does in fact exist. PAUL QUINCEY, Nathional Physical Laboratory,(England), Dr. CLAUDIO BENSKI, Schneider Electric, CFEPP, (France),
6th Observation: Both the courts and Congress recognize that lie-detectors don’t work and that is why they were banned in 1988.  (Governments and the military still use them.)
Dr WALTER ROWE, KATHLEEN M. DILLION, professor of Psychology, Western New England College.
7th Observation:This information concerning Claude Brown’s claim has been passed on to us via a tv preacher and eveybody knows that they are untrustworthy– look at their history. WOLF RODER.
______________
Solomon wisely noted in Ecclesiastes 3:11 “God has planted eternity in the heart of men…” (Living Bible). No wonder Bertrand Russell wrote in his autobiography, “It is odd, isn’t it? I feel passionately for this world and many things and people in it, and yet…what is it all? There must be something more important, one feels, though I don’t believe there is. I am haunted. Some ghosts, for some extra mundane regions, seem always trying to tell me something that I am to repeat to the world, but I cannot understand that message.”
Gene Emery, science writer for Providence Journal-Bulletin is a past winner of the CSICOP “Responsibility in Journalism Award” and he had the best suggestion of all when he suggested, “Actually, if you want to make a good case about whether Romans 1:19 is true, arrange to have a polygraph operator (preferably an atheist or agnostic) brought to the next CSICOP meeting. (I’m not a member of CSICOP, by the way, so I can’t give you an official invitation or anything.) If none of the folks at that meeting can convince the machine that they truly believe in God, maybe there is, in fact, an innate willingness to believe in God.”

DO YOU HAVE ANY REACTIONS TO ADD TO THESE 7 OBSERVATIONS THAT I GOT 15 YEARS AGO? Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

The Bible and Archaeology – Is the Bible from God? (Kyle Butt 42 min)

Below is a piece of that evidence given by Francis Schaeffer concerning the accuracy of the Bible.

TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?, under footnote #96)

Now we should Now we should turn to one of the most spectacular of modern archaeological discoveries, Ebla. While digging on an extensive mound forty-four miles south of Aleppo in Syria in 1974/75, an Italian archaeological expedition came across another of the vast libraries to which we referred earlier. A small room within the palace suddenly yielded up a thousand tablets and fragments, while another not far away a further fourteen thousand. There lay row upon row, just where they had fallen from the burning wooden shelves when the palace was destroyed about 2250 B.C.

What secrets did these tablets reveal? Without wishing to seem unnecessarily repetitive, we can say immediately that Ebla represents yet another discovery from the ancient past which does not make it harder for us to believe the Bible, but quite the opposite. And remember, these tablets date from well before the time of Abraham. The implications of this discovery will not be exhausted by even the turn of this century. The translation and publication of such a vast number of tablets will take years and years. It is important to understand that the information we now have from Ebla does not bear directly upon the Bible. As far as has been discovered, there is no certain reference to individuals mentioned in the Bible, though many names are similar, for example, Ishmael, Israel, and so forth. Biblical place names like Megiddo, Hazor, Lachish are also referred to. What is clear, however, is that certain individuals outside the Bible who previously had been considered fictitious by the critical scholars, simply because of their antiquity, are now quite definitely historic characters.

For example, the Assyrian King Tudiya (approximately 2500 B.C.) had already been known from the Assyrian king list composed about 1000 B.C. His name appeared at the head of the list, but his reality was dismissed by many scholars as “free invention, or a corruption.”  In fact, he was very much a real king of Ebla. Thus, the genealogical tradition of the earlier parts of the Assyrian king list has been vindicated. It preserves faithfully, over a period of 1,500 years, the memory of real, early people who were Assyrian rulers. What we must learn from this is that when we find similar material in the Old Testament, such as the genealogical list in Genesis 7 or the patriarchal stories, we should be careful not to reject them out of hand, as the scholars have so often done. We must remember that these ancient cultures were just as capable of recording their histories as we are.

The most important aspect of the Ebla discoveries is undoubtedly their language. This has been found to be ancient West-Semitic language to which such languages as Hebrew, Canaanite, Ugaritic, Aramaic, and Moabite are related. Thus we have now, for the first time, the whole “tradition” of West-Semitic language stretching over 2,500 years–something which was previously true only of Egyptian and Akkadian, to which Babylonian and Assyrian belong.

Up until quite recently, therefore, this meant that scholars could argue that many words which appeared in the Hebrew Old Testament were what they called “late.” What they meant by this was that these words indicated a much later authorship than the time stated by the text itself. It would be as if one of us pretended to write a sixteenth-century  book using such modern words as AUTOMOBILE and COMPUTER. In the case of the Pentateuch, for example, this was one of the arguments which led some scholars to suggest that it was not Moses who wrote these books, as the Bible says, but anonymous scribes from approximately 1,000 years later. The discoveries at Ebla have shown that many of these words were not late, but very early. Here is yet another example of a claimed “scientific” approach that merely reflects the philosophical prejudices of the scholars involved.

 
Archaeology Confirms The Biblical Account

        Oftentimes people are not told about the archaeological discoveries that document the truths written in the Bible. We are told that science and the Bible disagree. But as is really the case: True science and the Bible do not contradict each other. We supply many short articles which show that archaeology confirms God’s Written Word, The Bible.

        The below articles are excerpted from various Archaeological trade journals and publications including Light on Archaeology magazine, and Associates for Biblical Research.

Archaeology: The study of human antiquities – usually as
discovered by excavation.  (Chambers English Dictionary)

Below we supply articles from the Associates for Biblical Research and Light on Archaeology to point the reader to the wealth of information that has literally been unearthed by the spades of patient, dedicated people which helps to confirm the historical accuracy of the Bible – God’s Word. Many sights exist in the lands mentioned in the Bible where artifacts of many kinds reveal the life and customs of the people who lived there many centuries earlier.

The Bible has been ridiculed and dismissed in recent times as inaccurate and unreliable. However, students of Biblical Archaeology have found that as the science of archaeology becomes more sophisticated, much more evidence is coming to light regularly that says just the opposite! Finds have been made that show us how historically accurate God’s Word really is.

For those of us who have been privileged to visit Israel – God’s Land, it is thrilling to look down and examine the shaft that Joab climbed up to take the city of Jebus (later Jerusalem) for King David.[2 Sam 5.7-9 : 1 Chron 11.5-7] It is exciting to wade through King Hezekiah’s tunnel, from the spring of Gihon to the pool of Siloam (Silwan). [2 Kings 20.20] It is fascinating to examine the actual scrolls found at Qumram by the Dead Sea and to walk around the Citadel of Jerusalem; the remains of Herod’s fortress palace where Christ was paraded, mocked and then condemned by Pilate.[ Luke 23.1-25] All of these places give us visible evidence of the accuracy of the Biblical record.

The following series of articles are only a small sample of the information available, but, hopefully, the object will be achieved to direct the reader to further studies of the deeper truths revealed in the Bible.

So with your Bible in hand, you are invited to examine the evidence to see whether the work of the archaeologist confirms or denies God’s Word.

NOTE:  We supply the below articles with the gracious permission of Bible Archeology.  They also provide a free magazine as well, the address for signing up for that is supplied at the end of this study. 

TEL MARDIKH: Have you heard of the Empire of Ebla? It is not surprising if you have not – for modern history text books make no references to this kingdom, which existed from approximately 2,300 B.C. to 1,700 B.C.

In fact, only students of ancient Middle East history are likely to have come across the name of Ebla, and even then, only in passing – not realizing the extent and power of this empire which stretched around the shores of the eastern Mediterranean for nearly 600 years. Now the re-writing of our history books will again be necessary to fill the gaps in our knowledge of the past; for there has been a remarkable archaeological discovery in Syria between Aleppo and Damascus, on the site of Tel Mardikh.

On this site of a 4,000 year old fortification, perhaps the most remarkable ‘find’ of the century has been uncovered – 18,000 fired clay and rock tablets relating to the economy, administration and international dealings of this once great empire of Ebla.

Popular history of the third millennium B.C. is taught with little regard for the Biblical account of the customs, manners, social behavior and level of education of the people of this period.

Now for the first time it appears that there exists a record contemporary with the Biblical account of the times, and so different is the picture it reveals from that of accepted historical suppositions, that the linguist in charge of the tablets, Dr Pettinato, has claimed that this discovery calls for a fundamental revision of third millennium B.C. culture and history.

The tablets were discovered in some out-buildings of a palace situated within the vast fortifications around the top of the tel. Many of the buildings, due to their solid roofs of some two feet in thickness, are intact and free of debris. Most of the walls are plastered a gray-green color, with murals in good condition. The two rooms in which the tablets were discovered had been shelved with wood but, due to time and the weight of the tablets, this shelving had collapsed with some breakages; but the tablets, many containing 3,000 lines of cuneiform writing, are in readable condition.

The tablets tell of an ’empire’ and names many areas under the control of Ebla, such as Sinai, Assyria, Lebanon, Cyprus, Carchemish, Lachish, Gaza, Hazor and others. Bible students will readily recognize that many of these names appear in the Old Testament record and it is interesting to note that of the three languages of the tablets, an hitherto unknown tongue, closely resembling Hebrew is prevalent and many common names recorded by the people of Ebla are easily recognizable to Bible readers.

  • AB-RA-MU – (ABRAM)
  • E-SA-UM – (ESAU)
  • IS-MA-EL – (ISHMAEL)
  • IS-RA-EL – (ISRAEL)
  • MI-KA-EL – (MICHAEL)
  • MI-KA-YAH – (MICAIAH)
  • YE-RU-SA-LU-UM – (JERUSALEM)

Further, many common Ebla words are the same as Hebrew, such as ‘and’ (WA), ‘perfect’ (TAMMIN), ‘fall’ (NAPAL) and ‘good’ (TOB).

But perhaps most interesting of all are the quite extensive descriptions of the Creation and of the Flood, so often derided by modern historians.

The tablets are being translated and published and their contents will be invaluable in enlarging our understanding of the world of 2,000 BC; for they reveal a sophisticated system of international and civil law, including treaties of trade between Ebla and her neighbors within the framework of political agreements. These have been likened to the present-day Treaty of Rome between the EC members.

In addition, long lists of zoological, geographic and mathematical material have been found and there are weather forecasts in some meteorological texts. Records were made of visiting Mesopotamian scribes and mathematicians.

Proverbs and literary works are also preserved, including a set of bilingual tablets for the purpose of teaching translation, besides thousands of matching words. There seems no doubt that the tablets of Tel Mardikh contain the worlds oldest vocabulary lists – a source of no little consternation to students of ancient languages; for it is widely held that Biblical Hebrew is an evolved language, used during the first millennium BC Isaiah, the Hebrew prophet however, had indicated that his language was ‘the language of Canaan’, [Isaiah 19v18] and the Tel Mardikh tablets now support the Biblical reference – Hebrew has now to be recognized as one of the world’s oldest languages (and perhaps the language spoken by Noah, Canaan being the grandson of Noah through Ham). [ Genesis 10v6]

Interesting for Bible students is the fact that the Bible records that Abram, together with his father Terah, left the city of Ur in southern Mesopotamia to go into Canaan. They traveled as far as Haran and dwelt there. [Genesis 11v31,32] Haran was some 300 miles north east from the site at Tell Mardikh and appears to be named after Haran, Abram’s brother. [ Genesis 11v27 ] On his journey to Canaan, Abram in all probability, passed through Tel Mardikh, the then centre of trade and commerce, and of course, the language of Abram would be that of Ebla and of Canaan.

The other two languages written in cuneiform and discovered at Tel Mardikh are Sumerian and Akkadian. It had previously been assumed that the earliest cuneiform languages, were these two languages, developed in east and south Mesopotamia and the possibility that Syrian and Canaanite communications existed in cuneiform had been ruled out (with the exception of Ugaritic texts). But the Tel Mardikh tablets now reveal Sumerian scripts pre-dating those found in eastern Mesopotamia – throwing accepted theories of language origins to the winds. The Akkadian scripts found at Tel Mardikh refer mainly to the later period of the history of Ebla. One of the deities worshipped at Mardikh was Marduk or the Merodak of the Bible. It appears to be basically the same name as Nimrod, the ‘mighty hunter before the Lord’ mentioned in Genesis 10v9 Nimrod, who founded the city of Babel, appears to have been deified and the cult continued long after Ebla had ceased. The main consonants of Nimrod are M R D, hence:

  • N i M R o D
  • M a R D ikh
  • M e R o D ak

Tel Mardikh was then the place of worship for Mardikh.

The finds of Tel Mardikh and the Empire of Ebla, so far have only revealed confirmation of the scriptural narrative.

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Why Can’t Morals Be Grounded In Society?

Published on Aug 31, 2012

Dr William Lane Craig was invited by the School of Oriental and African Studies (SOAS) Christian Union, London to give a lecture titled “Can we be good without God?” In this video Dr Craig answers a question about the objectivity of morality. Should we consider morals to be objective? If so, why can’t morals be “abiding” and objectively grounded in society?

The lecture formed part of the Reasonable Faith Tour in October 2011. The Tour was sponsored by Damaris Trust, UCCF and Premier Christian Radio.

The entire lecture “Can We Be Good Without God” can be viewed here: http://youtu.be/jzlEnrJfDBc

For more resources visit Dr Craig’s website: http://www.reasonablefaith.org

We welcome your comments in the Reasonable Faith forums:
http://www.reasonablefaith.org/forums/

Be sure to visit both of our Youtube channels for more videos:
youtube.com/reasonablefaithorg and youtube.com/drcraigvideos

More videos from the tour can be viewed at: http://www.youtube.com/user/Reasonabl…

____________________________________

Dr. Francis schaeffer – The flow of Materialism

(Samuel Beckett example: Life is  meaningless, live in tension with reality)

(Modern man sees no hope for the future and has deluded himself by appealing to nonreason to stay sane. Look at the example of the lady tied to the railroad tracks in this above video as a example.)

Francis and Edith Schaeffer pictured below:

HOW SHOULD WE THEN LIVE? was both a book and a film series.

______________

_________________

Life without God in the picture is absurdity!!!. That was the view of King Solomon when he wrote the Book of Ecclesiastes 3000 years ago and it is the view of many of the modern philosophers todayModern man has tried to come up with a lasting meaning for life without God in the picture (life under the sun), but it is not possible. Without the infinite-personal God of the Bible to reveal moral absolutes then man is left to embrace moral relativism. In a time plus chance universe man is reduced to a machine and can not find a place for values such as love. Both of Francis Schaeffer’s film series have tackled these subjects and he shows how this is reflected in the arts.

Here are some posts I have done on the series “HOW SHOULD WE THEN LIVE? : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” episode 9 “The Age of Personal Peace and Affluence”episode 8 “The Age of Fragmentation”episode 7 “The Age of Non-Reason” episode 6 “The Scientific Age”  episode 5 “The Revolutionary Age” episode 4 “The Reformation” episode 3 “The Renaissance”episode 2 “The Middle Ages,”, and  episode 1 “The Roman Age,” .

In the film series “WHATEVER HAPPENED TO THE HUMAN RACE?” the arguments are presented  against abortion (Episode 1),  infanticide (Episode 2),   euthenasia (Episode 3), and then there is a discussion of the Christian versus Humanist worldview concerning the issue of “the basis for human dignity” in Episode 4 and then in the last episode a close look at the truth claims of the Bible.

I have discussed many subjects with my liberal friends over at the Ark Times Blog in the past and I have taken them on now on the subject of the absurdity of life without God in the picture. Most of my responses included quotes from William Lane Craig’s book THE ABSURDITY OF LIFE WITHOUT GOD.  Here is the result of one of those encounters from June of 2013:

I wrote:

DeathByInches wrote that “there’s zero proof that we do anything except cease living when we die.”

There is plenty of evidence that there is an afterlife. The Bible has lots of evidence showing it is God’s revealed word to us and this has been demonstrated over and over again because of the historical records that show that many of the prophecies of the Bible have already been fulfilled in the past. If it can be shown that the Bible is God’s inerrant word then there is an afterlife. DO WE AGREE ON THAT?

Here is a post that I am quoting from:

https://thedailyhatch.org/2013/06/24/the-ol…

___________

Let’s take a look at a few Bible prophecies that were fulfilled about 2500 years ago when the ancient kingdoms and cities of Babylon, Nineveh, Tyre and Edom were destroyed. The Bible makes the assertion that these entities were destroyed because they had sought to destroy the Holy Land of Israel and the people of Israel (the Jews).

Babylon Will Rule Over Judah for 70 Years
You can read the first such prophecy in Jeremiah 25:11-12. This prophecy was written sometime from 626 to about 586 BC and was not fulfilled until about 609 BC to 539 BC (approximately 50 years later, depending on your calculation)

Babylon’s Gates Will Open for Cyrus
If you read Isaiah 45:1 (written perhaps between 701 and 681 BC), you will find a prophecy that was ultimately fulfilled hundreds of years later in 539 BC.

Babylon’s Kingdom Will Be Permanently Overthrown
In Isaiah 13:19 (written between 701 and 681 BC) there exists yet another prophecy that was not fulfilled until 539 BC.

Isaiah 13:19
Babylon, the jewel of kingdoms, the glory of the Babylonians’ pride, will be overthrown by God like Sodom and Gomorrah.

Babylon Will Be Reduced to Swampland
In Isaiah 14:23 (written between 701 and 681 BC), the prophet makes yet another prediction that does not come true until 539 BC.

Isaiah 14:23
“I will turn her into a place for owls and into swampland; I will sweep her with the broom of destruction,” declares the Lord Almighty.

The Jews Will Survive Babylonian Rule and Return Home
In Jeremiah 32:36-37, (written from about 626 and 586 BC), yet another prophet makes a bold prediction that was ultimately fulfilled in 536 BC.

Nineveh Will Be Destroyed By Fire
Once again, in Nahum 3:15 (written around 614 BC) the prophet makes a prediction which ultimately did come true.

Nahum 3:15
There the fire will devour you; the sword will cut you down and, like grasshoppers, consume you…

Tyre Will Be Attacked By Many Nations
In Ezekiel 26:3 (written between 587-586 BC) the prophet predicts the attacks on Tyre that occurred in 573 BC, 332 BC, and 1291 AD.

Ezekiel 26:3
therefore this is what the Sovereign Lord says: I am against you, O Tyre, and I will bring many nations against you, like the sea casting up its waves.

The prophet said that Tyre, the Phoenician Empire’s most powerful city, would be attacked by many nations, because of its treatment of Israel. At about the time that Ezekiel delivered this prophecy, Babylon had begun a 13-year attack on Tyre’s mainland. Later, in about 332 BC, Alexander the Great conquered the island of Tyre and brought an end to the Phoenician Empire. Then, after that, Tyre later fell again under the rule of the Romans, the Crusaders and the Moslems, who destroyed the city yet again, in 1291!

Tyre’s Stones, Timber and Soil Will Be Cast Into the Sea
In a remarkable prediction, the prophet writes in Ezekiel 26:12 (written between 587-586 BC) that the stone, timber and soil of Tyre will be thrown into the sea! This was fulfilled in 333-332 BC.

Ezekiel 26:12
They will plunder your wealth and loot your merchandise; they will break down your walls and demolish your fine houses and throw your stones, timber and rubble into the sea.

The prophet said that Tyre’s stones, timber and soil would be thrown into the sea. That’s probably a fitting description of how Alexander the Great built a land bridge from the mainland to the island of Tyre when he attacked in 333-332 BC. It is believed that he took the rubble from Tyre’s mainland ruins and tossed it – stones, timber and soil – into the sea, to build the land bridge (which is still there).

The Jews Will Avenge the Edomites
In Ezekiel 25:14 (written between 593-571 BC), the prophet predicts that the Jews will eventually have revenge against the Edomites. This was not fulfilled, however for over 400 years (until approximately 100 BC)

Edom Will Be Toppled and Humbled
In Jeremiah 49:16 (written sometime from 626 to about 586 BC) the prophet predicts that Edom will be toppled. This was fulfilled in approximately 100 BC:

________________

The Old Testament prophecies in Isaiah 53 and Psalms 22 are powerful and as are the ones in Daniel 2, 7-11.

These are researchable. I understand how skeptics love to take pot shots at the Bible, but let us take a look at some of the facts.

Craig L. Blomberg records a number of archaeological finds that coincide with events recorded in the gospel according to John:

Archaeologists have unearthed the five porticoes of the pool of Bethesda by the Sheep Gate (John 5:2), the pool of Siloam (9:1-7), Jacob’s well at Sychar (4:5), the ‘Pavement’ (Gabbatha) where Pilate tried Jesus (19:13), and Solomon’s porch in the temple precincts (10:22-23)… Since then, discovery of an ossuary (bone-box) of a crucified man named Johanan from first-century Palestine confirms that nails were driven in his ankles, as in Christ’s; previously some skeptics thought that the Romans used only ropes to affix the legs of condemned men to their crosses. And less than five years ago, in 1990, the burial grounds of Caiaphas, the Jewish high priest, and his family were uncovered in Jerusalem. These and numerous other details create a favorable impression of the Gospel’s trustworthiness in the areas in which they can be tested.

Sir William Ramsay, famed archaeologist, began a study of Asia Minor with little regard for the book of Acts. He later wrote:

I may fairly claim to have entered on this investigation without prejudice in favor of the conclusion which I shall now seek to justify to the reader. On the contrary, I began with a mind unfavorable to it,… It did not then lie in my line of life to investigate the subject minutely; but more recently I found myself brought into contact with the Book of Acts as an authority for the topography, antiquities and society of Asia Minor. It was gradually borne upon me that in various details the narrative showed marvelous truth.

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MUSIC MONDAY The Staple Singers Part 5

The Staple Singers Part 5

The Staple Singers – I’ll Take You There (1972)

Uploaded on Sep 10, 2009

 

There are certain songs that were so universally popular that they define moments in our lives. Well the Staple Singers’ “I’ll Take You There” definitely qualifies as one of those songs. Written by Alvertis Isbell, produced by Al Bell this song was the number one song nationally by June of 1972 and it hasn’t stopped playing somewhere since!

There sound has never been duplicated and I don’t believe it ever will. Here’s just a small taste of a classic.

Here they are: Pops, Mavis, Cleotha and Yvonne hailing from Chicago by way of Mississippi! The Staple Singers!

 

That pattern finally changed with Staples’ 2004 album Have a Little Faith, her first release following the death of her father in 2000. Have a Little Faith received rave reviews, paving the way for Staples to achieve a late career renaissance with the albums We’ll Never Turn Back (2007) and Live: Hope at the Hideout (2008). Her most recent album, 2010’s You Are Not Alone, won the Grammy Award for Best Americana Album.

 

 

Impact on Music

 

Mavis Staples will doubtlessly go down in history as one of the greatest gospel singers of all time, the breathtaking voice powering one of America’s great family bands, The Staple Singers. From the traditional gospel music of the 1950s to the 1960s protest songs that underscored some of the decade’s most dramatic social changes, from the self-empowerment anthems of the 1970s to the soulful love tunes and mature Americana of more recent years, Staples and her family have consistently created some of the best and most inspirational music of the past half-century.

 

And although Staples is now more than 70 years old, she has no intention of giving up the calling that has consumed her since she was a child. “Ain’t no stopping me, I will sing,” Staples declared in a recent interview. “You know, you’d have to come and scoop me off the stage. I’m gonna sing till I die.”

 

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“Schaeffer Sunday” Debating Kermit Gosnell Trial, Abortion and infanticide with Ark Times Bloggers Part 9 Owen Strachan: “The Gosnell murders reveal the evil heart that beats in the chest of our society”

C. Everett Koop, 1980s.jpg
Surgeon General of the United States
In office
January 21, 1982 – October 1, 1989
President Ronald Reagan
George H. W. Bush
Francis Schaeffer
Francis Schaeffer.jpg

Founder of the L’Abri community
Born Francis August Schaeffer
January 30, 1912

Died May 15, 1984 (aged 72)

I truly believe that many of the problems we have today in the USA are due to the advancement of humanism in the last few decades in our society. Ronald Reagan appointed the evangelical Dr. C. Everett Koop to the position of Surgeon General in his administration. He partnered with Dr. Francis Schaeffer in making the video below. It is very valuable information for Christians to have.  Actually I have included a video below that includes comments from him on this subject.

Dr. Francis Schaeffer: Whatever Happened to the Human Race Episode 1 ABORTION

Dr. Francis schaeffer – The flow of Materialism(from Part 4 of Whatever happened to human race?)

Dr. Francis Schaeffer – The Biblical flow of Truth & History (intro)

Francis Schaeffer – The Biblical Flow of History & Truth (1)

Dr. Francis Schaeffer – The Biblical Flow of Truth & History (part 2)

Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR

I have gone back and forth and back and forth with many liberals on the Arkansas Times Blog on many issues such as abortionhuman rightswelfarepovertygun control  and issues dealing with popular culture . This time around I have discussed morality with the Ark Times Bloggers and particularly the trial of the abortionist Dr. Kermit Gosnell and through that we discuss infanticide, abortion and even partial birth abortion. Here are some of my favorite past posts on the subject of Gosnell: ,Abby Johnson comments on Dr. Gosnell’s guilty verdict, Does President Obama care about Kermit Gosnell verdict?Dr. Gosnell Trial mostly ignored by mediaKermit Gosnell is guilty of same crimes of abortion clinics are says Jennifer MasonDenny Burk: Is Dr. Gosnell the usual case or not?, Pro-life Groups thrilled with Kermit Gosnell guilty verdict,  Reactions to Dr. Gosnell guilty verdict from pro-life leaders,  Kermit Gosnell and Planned Parenthood supporting infanticide?, Owen Strachan on Dr. Gosnell Trial, Al Mohler on Kermit Gosnell’s abortion practice, Finally we get justice for Dr. Kermit Gosnell .

In July of 2013 I went back and forth with several bloggers from the Ark Times Blog concerning Dr. Kermit Gosnell’s abortion practice and his trial which had finished up in the middle of May:

I don’t doubt you for a minute Olphart when you assert that “The genie will not go back into the bottle because women now enjoy reproductive freedom and they’re not about to give it up.”

You may be right on that but then it is showing how SELFISH AND NARCISSIST OUR COUNTRY HAS BECOME!!!!!

Owen Strachan observed:

If you missed it, the story is basically this: after months of complete inattention to the barbaric narrative of abortionist Kermit Gosnell, pro-life folks–including journalist Mollie Ziegler Hemingway, Lifesite.com leaders, and Eric Metaxas–decided to do their part to raise a ruckus. Gosnell gives us a window into the gruesome world of killing babies…

But here’s the thing to note: even if these abortions had happened in the tidiest manner possible, with swarms of smiling, bright-eyed attendants working in crystal-clean conditions and a long-established doctor with a warm bedside manner, they would be no less barbaric. Abortion, we are reminded, is barbaric. Strong word, this–barbaric. Yet it fits our society perfectly. We’re drunk on the fumes of our supposedly morally advanced society, our technology with its modern advances, our bright and pampered 21st-century world which seems the apotheosis of social Darwinism. We are the ones human history has been waiting for. We’re brighter, living longer, avoiding cataclysmic world wars, spreading democracy through virtual platforms, humane, tolerant, happy, and whole.

It’s this narrative, you see, that the Gosnell murders destroy. The Gosnell murders reveal the evil heart that beats in the chest of our society. They’re unusually sordid, but the practice at their core–abortion–is pure evil, the perfect flowering of an UNBRIDLED NARCISSISM. We’re patting ourselves on our backs, but our elegantly manicured hands have blood on them.

http://www.breakpoint.org/wvc-digest/featu…

A Twin Lives Through an Abortion – CBN.com

Uploaded on Jan 7, 2011

My name is Claire Culwell, and I am an abortion survivor…

__________

“Everyone needs to hear Claire’s story! Often times at pro-life events or banquets we can forget who is at stake in abortion. Claire’s passion reminds the audience that every life lost due to abortion cannot be taken back but every life saved from abortion is a profound witness of God’s hope and love for every human life. Having seen her speak multiple times, I know that Claire’s story captures an audience at a pregnancy center event like no other story because she is living proof of what we stand for, life!” –Shawn Carney, Co-founder 40 Days for Life, Host of Being Human on EWTN

Claire’s Story:

I found out I was affected by abortion about 3 years ago. This changed my life. I had walked into the Coalition For Life wondering what their organization provided and 5 months later I met my birth mother who told me my life is a miracle.

My birth mother was 13 years old at the time she became pregnant with me. Her mother took her straight to an abortion clinic where she had a surgical abortion. After thinking she had “fixed the problem,” a few weeks later she realized her belly was still growing. Her mother took her back to the abortion clinic where she learned that she had been pregnant with twins…One was aborted; One survived.

My life is a miracle and I would be selfish to keep this GIFT of life to myself. I want to tell everyone what a gift I and even they have been given!! I want to encourage them to seek alternatives to abortion because I would never want any woman/man to go through the grief and the pain that my birth mother went through simply because she didn’t know she had any other option. I also want to be a vessel to offer God’s forgiveness to the men and women who have previously had abortions. I know healing is possible and I have been given the gift of surviving an abortion so that I can tell these men and women that they are forgiven…coming from an aborted child, I hope they know the power of forgiveness and healing through meeting me. My involvement in Coalition For Life transformed me, taught me how to stand up for life on the front lines, and how to share my story in a meaningful way. I have the staff at Coalition For Life to thank for encouraging me to get involved and to share my story not only on the sidewalk but in public (my biggest fear) because God is glorified when I publically proclaim that “I am here not because of anything I did, but ONLY because of God’s mercy and love for me.”

My life is a testimony that there are wonderful alternatives to abortion (such as adoption in my case) and an accident/unwanted child still deserves life…even a child with disabilities. I was born 2 1/2 months early, weighed 3 lbs 2 oz, had dislocated hips and club feet. I had to wear casts on my feet, a harness and eventually a body cast. The abortion still affects me today. All that to say, LIFE IS STILL WORTH IT.If my life can touch just one person who has had an abortion or considering an abortion or adoption, then I am fulfilling my purpose in the pro-life movement.

I will not be silent because each mother and child are in the same place my biological mother, my twin and I were in 22 years ago and I am here to say THERE IS HOPE and there are options!

Traveling and sharing my story was not something that I had planned for myself, but God proved to have better plans for me than I had for myself. Sharing my story is as much of a gift to MYSELF as it is to others.

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By Everette Hatcher III | Posted in Current Events, Francis Schaeffer, Prolife | Tagged , | Edit | Comments (0)