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The Beatles – Live At Candlestick Park (1966)
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The Beatles – In my Life
Published on Feb 25, 2011
Here Comes The Sun – The Beatles Tribute
Not sung by George but good nonetheless!!
The Beatles – Revolution
Published on Oct 20, 2015
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Wikipedia noted:
It was created by Jann Haworth and Peter Blake, who in 1967 won the Grammy Award for Best Album Cover, Graphic Arts for their work on it.
Actually Jann Haworth reached out to me when she read some of my posts in this series and she rightly noted that she picked out most of the figures on the cover and not the individual Beatles. In fact, many of the artists featured on the cover were friends of hers and I made sure and pointed that out in my posts. However, there were some picks done by the Beatles and some of the picks did reflect the spirit of the 1960’s such as Aldous Huxley who wrote the book The Doors of Perception, which recalls experiences when taking a psychedelic drug; Francis Schaeffer had a lot to say about Huxley and the 1960’s drug movement. In fact, I attempted to base all my posts on Francis Schaeffer’s writings.
The rock band the DOORS got their name from Huxley’s book.
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Francis Schaeffer’s favorite album was SGT. PEPPER”S and he said of the album “Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” (at the 14 minute point in episode 7 of HOW SHOULD WE THEN LIVE? )
How Should We Then Live – Episode Seven – 07 – Portuguese Subtitles
Francis Schaeffer
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Featured artist is Mark Dion
Mark Dion
Mark Dion was born in New Bedford, Massachusetts, in 1961. He received a BFA (1986) and an honorary doctorate (2003) from the University of Hartford, School of Art, Connecticut. Dion’s work examines the ways in which dominant ideologies and public institutions shape our understanding of history, knowledge, and the natural world. “The job of the artist,” he says, “is to go against the grain of dominant culture, to challenge perception and convention.” Appropriating archaeological and other scientific methods of collecting, ordering, and exhibiting objects, Dion creates works that question the distinctions between “objective” (“rational”) scientific methods and “subjective” (“irrational”) influences.
The artist’s spectacular and often fantastical curiosity cabinets, modeled on Wunderkabinetts of the sixteenth century, exalt atypical orderings of objects and specimens. By locating the roots of environmental politics and public policy in the construction of knowledge about nature, Mark Dion questions the authoritative role of the scientific voice in contemporary society.
He has received numerous awards, including the ninth annual Larry Aldrich Foundation Award (2001). He has had major exhibitions at Miami Art Museum (2006); the Museum of Modern Art, New York (2004); the Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2003); and Tate Gallery, London (1999). Neukom Vivarium (2006), a permanent outdoor installation and learning lab for the Olympic Sculpture Park, was commissioned by the Seattle Art Museum. Dion lives and works in Pennsylvania.
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The Daily Hatch 