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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Dr. Lee Silver of Princeton asserts that Religions take advantage and hurt people!

 

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

_________________

Below you have picture of 1996 Chemistry Nobel Prize Winner Dr. Harry Kroto:

_____________

Biography

Lee Silver

An internationally renowned molecular biologist and expert on biomedical ethics, legal issues, and the societal challenges posed by advances in biotechnology, Silver is the author of many publications, including Mouse Genetics: Concepts and Practice, and Remaking Eden: Cloning and Beyond in a Brave New World, which has been published in 14 languages since its initial publication in 1997. The primary focus of that book is the ethical concerns and legal issues that arise from the technological advances that were, until recently, found only in science fiction. These issues form the basis for Silver’s new Woodrow Wilson School undergraduate course “Human Genetics, Reproduction, and Public Policy.” Silver is the coeditor of the official journal of the International Mammalian Genome Society. He is a fellow of the American Association for the Advancement of Science and was a member of the New Jersey Bioethics Commission Task Force, formed to recommend reproductive policy positions for the New Jersey State Legislature. He has testified on reproductive and genetic technologies before U.S. Congressional and New York State Senate committees. Ph.D. Harvard University.

Lee M. Silver

From Wikipedia, the free encyclopedia
“Lee Silver” redirects here. For Leon Theodore “Lee” Silver, geologist, see Leon Silver.

Lee M. Silver (born 1952) is an American biologist. He is a professor at Princeton University in the Department of molecular biology of the Woodrow Wilson School of Public and International Affairs. He also has joint appointments in the Program in Science, Technology, and Environmental Policy, the Center for Health and Wellbeing, the Office of Population Research, and the Princeton Environmental Institute, all at Princeton University.

Silver is the author of the book Remaking Eden: How Genetic Engineering and Cloning Will Transform the American Family (1998). In the book he takes a positive view on human cloning, designer babies and similar prospects. In this book he coined the termreprogenetics to describe the prospective fusion of reproductive technologies and genetics, which will allow positive eugenic actions on an individual level.

His most recent book, Challenging Nature: The Clash of Science and Spirituality at the New Frontiers of Life, was released in June 2006.

Silver is the co-founder of GenePeeks, a genetic research company which owns a simulation for screening genetic disorders.[1]

References[edit]

  1. Jump up^ de Lange, Catherine (April 6, 2014). “Startup offering DNA screening of ‘hypothetical babies’ raises fears over designer children”. The Guardian. Retrieved April 16, 2014.

External links[edit]

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In  the second video below in the 92nd clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

___________

Human cloning: why is there a fuss? (Lee Silver)

QUOTE from Lee Silver speaking about a Ghanaian Witch Doctor:

If you look at empirical facts this kind of religion really works. He is a priest and people come to him when they are sick or when their children are sick and he gives them special potions and the special potions actually work very often because he had gone to the city to buy medicines and he comes back to this town and he has things like antibiotics. The kids have inflammation and he goes and gives them a potion. The potions work often and then he gets a lot of wives and that is what he gets out of this the people get better. So it is hard to argue against this system. It works. He is taking advantage of these people but he is making them better. It is fuzzy here whether religion is good or bad. My own personal opinion is that is a lot of what religion is about witch doctors that come who actually figure out how to help.

Here is my response to Dr. Silver below:

October 15, 2015

Professor Lee Silver, Princeton University,

Dr. Lee Silver,

In the popular You Tube video “Renowned Academics Speaking About God” you made the following statement:

QUOTE from Lee Silver speaking about a Ghanaian Witch Doctor:

If you look at empirical facts this kind of religion really works. He is a priest and people come to him when they are sick or when their children are sick and he gives them special potions and the special potions actually work very often because he had gone to the city to buy medicines and he comes back to this town and he has things like antibiotics. The kids have inflammation and he goes and gives them a potion. The potions work often and then he gets a lot of wives and that is what he gets out of this the people get better. So it is hard to argue against this system. It works. He is taking advantage of these people but he is making them better. It is fuzzy here whether religion is good or bad. My own personal opinion is that is a lot of what religion is about witch doctors that come who actually figure out how to help.

I would agree with you that many people have done evil things in the name of religion, and let me make a few points about that. My view is that of evangelical Christianity. The crusades were done by Catholics. However, the point could be made that atheists and those who hold their views have killed far more in the last 100 years than all the Catholics through all the centuries. Take a look at this article by Ravi Zacharias below. 

Atheists Charge: “What about the thousands who have been killed in the name of religion?”

by Ravi Zacharias (from his book “Can Man Live Without God”)

One of the great blind spots of a philosophy that attempts to disavow God is its unwillingness to look into the face of the monster it has begotten and own up to being its creator. It is here that living without God meets its first insurmountable obstacle, the inability to escape the infinite reach of a moral law. Across scores of campuses in our world I have seen outraged students or faculty members waiting with predatorial glee to pounce upon religion, eager to make the oft-repeated but ill-understood charge: What about the thousands who have been killed in the name of religion?

The emotion-laden question is not nearly as troublesome to answer if the questioner first explains all the killing that has resulted from those who have lived without God, such as Hitler, Stalin, Mussolini, Mao, et al. The antitheist is quick to excoriate all religious belief by generically laying the blame at the door of all who claim to be religious, without distinction. By the same measure, why is there not an equal enthusiasm to distribute blame for violence engendered by some of the irreligious?

But the rub goes even deeper than that. The attackers of religion have forgotten that these large-scale slaughters at the hands of antitheists were the logical outworking of their God-denying philosophy. Contrastingly, the violence spawned by those who killed in the name of Christ would never have been sanctioned by the Christ of the Scriptures. Those who killed in the name of God were clearly self-serving politicizers of religion, an amalgam Christ ever resisted in His life and teaching. Their means and their message were in contradiction to the gospel. Atheism, on the other hand provides the logical basis for an autonomous, domineering will, expelling morality. Darwin himself predicted this slippery slope of violence if evolutionary theory were translated into a philosophy of life. Nietzche talked of the enshrouding darkness that had fallen over mankind–he saw its ramifications. The Russian novelist Fyodor Dostoevski repeatedly wrote of the hell that is let loose when man comes adrift from his Creators moorings and himself becomes god–he understood the consequences. Now, asproof positive, we witness our culture as a whole in a mindless drift toward lawlessness–we live with the inexorable result of autonomies in collision.

In case you fear that I am carrying this too far, I present the following for your consideration. It is not always easy in life to pinpoint moments that dramatically change you for the future. Sometimes, however, in retrospect we are able to look back upon such a moment and say, “For me, that was it.” Let me introduce you to one such experience for me.

A few years ago when I was speaking in Poland I was taken to the Nazi death camps of Auschwitz and Birkenau. I shall never be the same. Many, many times in silence I have reflected upon my first visit there, where the words of Hitler envisioning a generation of young people without a conscience are aptly hung on a wall, grimly reminding the visitor of the hell unleashed when his goal was realized.

I freed Germany from the stupid and degrading fallacies of conscience and morality…. We will train young people before whom the world will tremble. I want young people capable of violence–imperious, relentless and cruel.

On display for all to behold are thousands of pounds of women’s hair, retrieved and marketed as a commodity by the Nazi exterminators, architects of the final solution that sent multitudes to the gas ovens. The incredible reminders–from rooms filled with pictures of abused and castrated children to the toiletries and clothing that are stacked to the ceiling–cast an overwhelming pall of somberness upon the visitor.

That this was conceived and nurtured in the mind of the most educated nation at that time in history and brought forth on the soil that had also given birth to the Enlightenment almost defies belief. But it was atheism’s legitimate offspring. Man was beginning to live without God.

________

As a scientist you don’t accept anything on “blind faith” and I don’t blame you at all. Let me further respond with the words of Francis Schaeffer from his book HE IS THERE AND HE IS NOT SILENT (the chapter is entitled, “Is Propositional Revelation Nonsense?”

Of course, if the infinite uncreated Personal communicated to the finite created personal, he would not exhaust himself in his communication; but two things are clear here:
 
1. Even communication between once created person and another is not exhaustive, but that does not mean that for that reason it is not true. 
 
2. If the uncreated Personal really cared for the created personal, it could not be thought unexpected for him to tell the created personal things of a propositional nature; otherwise as a finite being the created personal would have numerous things he could not know if he just began with himself as a limited, finite reference point. In such a case, there is no intrinsic reason why the uncreated Personal could communicate some vaguely true things, but could not communicate propositional truth concerning the world surrounding the created personal – for fun, let’s call that science. Or why he could not communicate propositional truth to the created personal concerning the sequence that followed the uncreated Personal making everything he made – let’s call that history. There is no reason we could think of why he could not tell these two types of propositional things truly. They would not be exhaustive; but could we think of any reason why they would not be true? The above is, of course, what the Bible claims for itself in regard to propositional revelation.
DOES THE BIBLE ERR IN THE AREA OF SCIENCE AND HISTORY? The Bible is true from cover to cover and can be trusted. Charles Darwin himself longed for evidence to come forward from the area of  Biblical Archaeology  but so much has  advanced  since Darwin wrote these words in the 19th century! Here are some of the posts I have done in the past on the subject and if you like you could just google these subjects: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem, 2. Hezekiah’s Siloam Tunnel Inscription.13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

Recently I had the opportunity to come across a very interesting article by Michael Polanyi,LIFE TRANSCENDING PHYSICS AND CHEMISTRY, in the magazine CHEMICAL AND ENGINEERING NEWS, August 21, 1967, and I also got hold of a 1968 talk by Francis Schaeffer based on this article. Polanyi’s son John actually won the 1986 Nobel Prize for Chemistry. This article by Michael Polanyi concerns Francis Crick and James Watson and their discovery of DNA in 1953. Polanyi noted:

Mechanisms, whether man-made or morphological, are boundary conditions harnessing the laws of in
animate nature, being themselves irreducible to those laws. The pattern of organic bases in DNA which functions as a genetic code is a boundary condition irreducible to physics and chemistry. Further controlling principles of life may be represented as a hierarchy of boundary conditions extending, in the case of man, to consciousness and responsibility.

I would like to send you a CD copy of this talk because I thought you may find it very interesting. It includes references to not only James D. Watson, and Francis Crick but also  Maurice Wilkins, Erwin Schrodinger, J.S. Haldane (his son was the famous J.B.S. Haldane), Peter Medawar, and Barry Commoner. I WONDER IF YOU EVER HAD THE OPPORTUNITY TO RUN ACROSS THESE MEN OR ANY OF THEIR FORMER STUDENTS?

Below is a portion of the transcript from the CD and Michael Polanyi’s words are in italics while Francis Schaeffer’s words are not:

During the past 15 years, I have worked on these questions, achieving gradually stages of the argument presented in this paper. These are:

  1. Machines are not formed by physical and chemical equilibration. 
  2. The functional terms needed for characterizing a machine cannot for defined in terms of physics and chemistry. 

Polanyi is talking about specific machines but I would include the great cause and effect machine of the external universe that functions on a cause and effect basis. So if this is true of the watch,  then you have to ask the same question about the total machine that Sartre points out that is there, and that is the cause and effect universe.Polanyi doesn’t touch on this and he doesn’t have an answer, and I know people who know him. Yet nevertheless he sees the situation exactly as it is. And I would point out what  Alfred North Whitehead (1861–1947) and J. Robert Oppenheimer (1904–1967) said and that it needed a Christian consensus to produce modern science because it was the Christian consensus that gave the concept that the world being created by a reasonable God and that it could be found out and discovered by reason. So the modern science when it began with Copernicus and Galileo and all these men conceived that the cause and effect system of the universe would be there on the basis that it was created by a reasonable God, and that is Einstein’s big dilemma and that is why he became a mystic at the end of life…What Polanyi says here can be extended to the watch, and the bridge and the automobile but also to the big cause and effect universe.You have to give some kind of answer to this too and I would say this to Michael Polanyi if Iever have a chance to talk to him.You need another explanation too Polanyi.

3. No physical chemical topography will tell us that we have a machine before us and what its functions are. 

In other words, if you only know the chemicals and the physics you don’t know if you have a machine. It may just be junk. So nobody in the world could tell if it was a machine from merely the “physical chemical-topography.” You have to look at the machineness of the machine to say it is a machine. You could take an automobile and smash it into a small piece of metal with a giant press and it would have the same properties of the automobile, but the automobile would have disappeared. The automobile-ness of the automobile is something else than the physical chemical-topography.

4. Such a topography can completely identify one particular specimen of a machine, but can tell us nothing about a class of machines. 

5. And if we are asked how the same solid system can be subject to control by two independent principles, the answer is: The boundary conditions of the system are free of control by physics and can be controlled therefore by nonphysical, purely technical, principles. 

In other words you have to explain the engineering by something other than merely physical principles and of course it is. You can’t explain the watchness of the watch merely by this. You can explain it on the basis of engineering principles in which the human mind conceives of a use for the machine and produces the machine. But notice where Polanyi is and that is in our argument of a need of personality in the universe though Polanyi doesn’t draw this final conclusion, though I thought that is the only explanation.

If you look at the watch a man has made it for the purpose of telling time. When you see the automobile a man has made it for the purpose of locomotion and the explanation of the difference is not in the chemical and physical properties but in the personality of a man to make these two different machines for two different purposes out of the same material. So what you are left here is the need of personality in the universe.

____

Thank you for your time. I know how busy you are and I want to thank you for taking the time to read this letter.

Sincerely,

Everette Hatcher,

P.O. Box 23416, Little Rock, AR 72221, United States, cell ph 501-920-5733, everettehatcher@gmail.com

Big Think Interview with Lee Silver

Published on Apr 23, 2012

ADRIAN ROGERS ON DARWINISM

The Bible and Archaeology – Is the Bible from God? (Kyle Butt 42 min)

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Dr.Yujin Nagasawa of Birmingham “…why we don’t live in this kind of environment where we are not tempted to perform morally wrong?”

 

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

_________________

Below you have picture of Dr. Harry Kroto:

3063098-4x3-700x525

______________


Yujin Nagasawa
 is Professor of Philosophy and Co-Director of the John Hick Centre for Philosophy of Religion at the University of Birmingham. He was educated as an undergraduate at the State University of New York at Stony Brook and received his PhD from the Australian National University (ANU) in 2004. From 2004 to 2005 he was Izaak Walton Killam Memorial Postdoctoral Fellow in the Department of Philosophy at the University of Alberta, Canada and Research Fellow at the Centre for Applied Philosophy and Public Ethics (CAPPE) at ANU. He was awarded the Philosophical Quarterly Essay Prize in 2007, the John Templeton Award for Theological Promise in 2008, and the Excellence in Philosophy of Religion Prize in 2011.

 _____________________________

In  the third video below in the 1o3rd clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

___________

Quote from Yujin Nagasawa:

They might say that heaven is different from earth because in heaven the environment is different so maybe people are not tempted to commit sin in heaven, but then you wonder why on earth is not like that, why we don’t live in this kind of environment where we are not tempted to perform morally wrong.

March 12, 2015

Professor Yujin Nagasawa,  ERI Building 147, University of Birmingham, Edgbaston, Birmingham, B15 2TT, UK

Dear Dr.Nagasawa,

As you can tell from reading this letter I am an evangelical Christian and I have made it a hobby of mine to correspond with scientists or academics like yourself over the last 25 years. Some of those who corresponded back with me have been  Ernest Mayr (1904-2005), George Wald (1906-1997), Carl Sagan (1934-1996),  Robert Shapiro (1935-2011), Nicolaas Bloembergen (1920-),  Brian Charlesworth (1945-),  Francisco J. Ayala (1934-) Elliott Sober (1948-), Kevin Padian (1951-), Matt Cartmill (1943-) , Milton Fingerman (1928-), John J. Shea (1969-), , Michael A. Crawford (1938-), Paul Kurtz (1925-2012), Sol Gordon (1923-2008), Albert Ellis (1913-2007), Barbara Marie Tabler (1915-1996), Renate Vambery (1916-2005), Archie J. Bahm (1907-1996), Aron S “Gil” Martin ( 1910-1997), Matthew I. Spetter (1921-2012), H. J. Eysenck (1916-1997), Robert L. Erdmann (1929-2006), Mary Morain (1911-1999), Lloyd Morain (1917-2010),  Warren Allen Smith (1921-), Bette Chambers (1930-),  Gordon Stein (1941-1996) , Milton Friedman (1912-2006), John Hospers (1918-2011), Michael Martin (1932-), John R. Cole  (1942-),   Wolf Roder,  Susan Blackmore (1951-),  Christopher C. French (1956-)  Walter R. Rowe Thomas Gilovich (1954-), Paul QuinceyHarry Kroto (1939-), Marty E. Martin (1928-), Richard Rubenstein (1924-), James Terry McCollum (1936-), Edward O. WIlson (1929-), Lewis Wolpert (1929), Gerald Holton (1922-), Martin Rees (1942-), Alan Macfarlane (1941-),  Roald Hoffmann (1937-), Herbert Kroemer (1928-), Thomas H. Jukes (1906-1999), Glenn BranchGeoff Harcourt (1931-) and  Ray T. Cragun (1976-). I would consider it an honor to add you to this very distinguished list. 

I just finished reading the online addition of the book Darwin, Francis ed. 1892. Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters [abridged edition]. London: John Murray. There are several points that Charles Darwin makes in this book that were very wise, honest, logical, shocking and some that were not so wise. The Christian Philosopher Francis Schaeffer once said of Darwin’s writings, “Darwin in his autobiography and in his letters showed that all through his life he never really came to a quietness concerning the possibility that chance really explained the situation of the biological world. You will find there is much material on this [from Darwin] extended over many many years that constantly he was wrestling with this problem.”

Here is a quote I ran across from you recently:

They might say that heaven is different from earth because in heaven the environment is different so maybe people are not tempted to commit sin in heaven, but then you wonder why on earth is not like that, why we don’t live in this kind of environment where we are not tempted to perform morally wrong.

The problem of evil and suffering hit this world in a big way because of Adam and what happened in Genesis Chapter 3, and even though Adam and Eve were in a great environment they chose to rebel against God and fell morally and spiritually. Christians know that God can use all things for His glory and his purpose (Romans 8:28).

On February 15, 2015 at our church service at FELLOWSHIP BIBLE CHURCH in Little Rock, Arkansas, our teaching pastor Brandon Barnard told the story of my good friends Roger and Terrie Cheuvront  and the tragic death of their 19 year daughter Danaea on April 15, 2007 in a traffic accident. I was at the Funeral Home when the minister came in that very day, and I found the words of the pastor as a great comfort because we knew Danaea was in heaven. The sermon on 2-15-15 was about the time that Jesus wept at sight of his friend Lazarus’ tomb, and this 11th chapter of John had comforted Terrie Cheuvront because she knew that Jesus had felt the same pain that we have and he will eventually raise us too from the dead and her daughter Danaea is even now in heaven with Christ.

Rev Barnard actually read these words from Terri at our service: “God never intended us to experience sin and death, but sin brought about this consequence. I could be mad at death and all that it meant but the amazing thing was when I realized God’s plan then God took the anger and replaced it with His grace. It made me realize at a deeper level what God had truly done for me on the cross. He conquered sin and death for me. What amazing glorious hope he gives us. We live because He lives. Yes I am separated from my daughter now but there will be a glorious reunion.”

Let me make three points concerning the problem of evil and suffering. First, the problem of evil and suffering hit this world in a big way because of Adam and what happened in Genesis Chapter 3. Second, if there is no God then there is no way to distinguish good from evil and there will be no ultimate punishment for Hitler and Josef Mengele. (By the way Mengele never faced punishment and lived his long life out in peace.) Third. Christ came and suffered and will destroy all evil from this world eventually forever.

CHARLES DARWIN ALSO SPENT A LOT OF TIME TALKING ABOUT THIS ISSUE OF EVIL AND SUFFERING. When I read the book  Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters, I also read  a commentary on it by Francis Schaeffer and I wanted to both  quote some of Charles Darwin’s own words to you and then include the comments of Francis Schaeffer on those words. I have also enclosed a CD with two messages from Adrian Rogers and Bill Elliff concerning Darwinism.

Darwin, C. R. to Doedes, N. D.2 Apr 1873

“I am sure you will excuse my writing at length, when I tell you that I have long been much out of health, and am now staying away from my home for rest. It is impossible to answer your question briefly; and I am not sure that I could do so, even if I wrote at some length. But I may say that the impossibility of conceiving that this grand and wondrous universe, with our conscious selves, arose through chance, seems to me the chief argument for the existence of God; but whether this is an argument of real value, I have never been able to decide…....Nor can I overlook the difficulty from the immense amount of suffering through the world.”

Francis Schaeffer observed:

This of course is a valid problem. The only answer to the problem of evil is the biblical answer of the fall. Darwin has a problem because he never had a high view of revelation, so he doesn’t have the answer any more than the liberal theologian has the answer. If you don’t have a space-time fall then you don’t have an answer to suffering. If you have a very, very significant man at the beginning, Darwin did not have that, but if you had a very significant, wonderful man at the beginning and can change history then the fall is the possible answer that can be given to Darwin’s 2nd argument.

The passages which here follow are extracts, somewhat abbreviated, from a part of the Autobiography, written in 1876, in which my father gives the history of his religious views:—

But passing over the endless beautiful adaptations which we everywhere meet with, it may be asked how can the generally beneficent arrangement of the world be accounted for? Some writers indeed are so much impressed with the amount of suffering in the world, that they doubt, if we look to all sentient beings, whether there is more of misery or of happiness; whether the world as a whole is a good or a bad one. According to my judgment happiness decidedly prevails, though this would be very difficult to prove.”

Francis Schaeffer commented:

We come now to a funny situation where Darwin is arguing there is more happiness than sorry in the world. In this I think he is right. What he is saying if you could have a balance of 51% of happiness then it would open the door to thinking God is good, but I would never argue this way because it is not 51% of happiness versus 49% of unhappiness in the universe but how could a good God make unhappiness at all. The answer is in the [space time fall in Genesis].

Darwin continued:

“If the truth of this conclusion be granted, it harmonizes well with the effects which we might expect from natural selection. If all the individuals of any species were habitually to suffer to an extreme degree, they would neglect to propagate their kind; but we have no reason to believe that this has ever, or at least often occurred. Some other considerations, moreover, lead to the belief that all sentient begins have been formed so as to enjoy, as a general rule, happiness. Every one who believes, as I do, that all the corporeal and mental organs (excepting those which are neither advantageous nor disadvantageous to the possessor) of all beings have been developed through natural selection, or the survival of the fittest, together with use or habit, will admit that these organs have been formed so that their possessors may compete successfully with other beings, and thus increase in number.”

Francis Schaeffer noted:

What he is saying here is that from his own view he needs to hold that suffering is less than happiness otherwise what would drive the creatures on toward natural selection. The Christian of course does not have this problem. The Christian says everything is in agony because the whole has been thrown out of joint and there has been an reordering of the universe because of the fall. We don’t have to find such a balance as he was grappling with here.

From Darwin’s section on religion:

“The sum of such pleasures as these, which are habitual or frequently recurrent, give, as I can hardly doubt, to most sentient beings an excess of happiness over misery, although many occasionally suffer much. Such suffering is quite compatible with the belief in Natural Selection, which is not perfect in its action, but tends only to render each species as successful as possible in the battle for life with other species, in wonderfully complex and changing circumstances.  That there is much suffering in the world no one disputes. Some have attempted to explain this with reference to man by imagining that it serves for his moral improvement. But the number of men in the world is as nothing compared with that of all other sentient beings, and they often suffer greatly without any moral improvement. This very old argument from the existence of suffering against the existence of an intelligent First Cause seems to me a strong one; whereas, as just remarked, the presence of much suffering agrees well with the view that all organic beings have been developed through variation and natural selection.”

Francis Schaeffer :

He has to argue this otherwise what drove the creatures on. He has to have a 51% or 52% happiness. Then he says what does this do to God. We would answer if there is no space time fall it makes God if He exists the devil, on the other hand with a space time fall you have another answer.

_____________

Here is a portion of the text from the CD I sent you today on DARWINISM from Adrian Rogers:

I was in Israel, I was a guest, there, of the Israeli government. They gave me the best guide that they had in Israel. And, that man in Israel—I’ll not call his name, because, thank God, I believe he listens to this program; and, I’m grateful he does, because I’m still trying to witness to him—but this man—a brilliant man, the curator of the Rockefeller Museum there—became a friend. We sat up, one night, late, talking. I said, “Sir, do you believe in God?” He said, “No, I do not.” I said, “Why don’t you believe—why don’t you believe—in God?” He said, “The Holocaust. What kind of a God would allow that to happen?” That deals with the message I preached this morning.

Because of the Holocaust. I said, “Then Hitler has caused you not to believe in God?” He said, “Yes, I detest Hitler.” I said, “Well, you’re on the same side as Hitler. Hitler didn’t believe in God, as such; you don’t believe in God. Hitler believed in evolution; you believe in evolution. Evolution is the survival of the fittest; you believe in the survival of the fittest. And, Hitler had his gas ovens, because he thought that the Aryan race was superior to your people, sir. You’ve become very much like the thing that you fight.” It’s only a short step from believing in evolution to the gas ovens, or whatever.

You see, folks, if there is no God, you can choose what you want. I said to this man, “Sir, if you don’t believe in God, then let me give you a proposition: If there’s a sick baby and a healthy dog, which one would you choose?” In a moment of honesty, he said, “If it were my dog, I would choose the dog.” Let the baby die; let the dog live—why? There’s no God, no creation. Man is not distinct from the animals. All we are is an animal with a thumb juxtaposed to five fingers, with a knee that causes him to stand upright, with the ability to articulate and to think abstractly. If that’s all the difference there is, I submit to you, the man was right. And, who can say what is right, or who can say what is wrong?

Therefore, I reject—I reject—evolution on the moral basis. And, I want to tell you, folks, the battle lines are being drawn today. Over what? Euthanasia. Over what? Genetic engineering. Over what? Abortion. Over what? A basic sense of right or wrong. Now, if evolution is true, then all of these things are up for grabs. We have morality by majority—whatever a person wishes to believe or think. Self-autonomous man wants to have it his way.

I reject evolution for moral reasons—for moral reasons. Now, there were two atheists, who lived in the time of Darwin, who believed Darwin’s teaching and locked onto it. One was a man named Nietzsche, and the other was a man named Karl Marx. From Nietzsche we got Nazism. Hitler was a student of Nietzsche, who was a student of Charles Darwin. The other was Karl Marx. Karl Marx was the father of Communism—also a student of Darwin. And, you see, it’s easy to understand, if there is no God, how something like Communism, which is based on Godlessness, and Nazism, which is based on raw brutality, could come. People talk about all those who’ve died in religious wars—and many have, and that’s tragic. But, I want to say that far more—multiplied many more; millions, and millions, and multiplied millions—have died—not because of religion, but because of anti-godly evolution.

You think of those who were destroyed by Nazi Germany. Think of the gas camps. Think of the multiplied millions that were put to death under Stalin and the others, the atrocity of Communism. Well, why that? Why these immoral things? Well, if you believe that you came from animals, if you believe that everything is an accident, ultimately, there can be no standard of right or wrong. You teach people that they’ve come from animals; and, after a while, they’ll begin to live like animals. It follows as night follows day. What do animals live for? Self-gratification, self-preservation, self-propagation. And, that’s what the average American is living for.

Peter Singer, who is an ethicist—so-called—at Princeton, believes that we ought to be able to kill little babies, if we don’t like them, if they’re not perfect enough for us. Now, I’m not talking about babies in the womb; I’m talking about pure infanticide. He believes that a live chimpanzee is of more value, if that chimpanzee is healthy, than an unhealthy baby.

___________

FINALLY WE MUST ADMIT IF WE WERE NOT CREATED BY GOD THEN WE HAVE NO HOPE FOR OUR ETERNAL FUTURES.  I sent you a CD that starts off with the song DUST IN THE WIND by Kerry Livgren of the group KANSAS which was a hit song in 1978 when it rose to #6 on the charts because so many people connected with the message of the song. It included these words, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Kerry Livgren himself said that he wrote the song because he saw where man was without a personal God in the picture. Solomon pointed out in the Book of Ecclesiastes that those who believe that God doesn’t exist must accept three things. FIRST, death is the end and SECOND, chance and time are the only guiding forces in this life.  FINALLY, power reigns in this life and the scales are never balanced. The Christian can  face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.

Both Kerry Livgren and the bass player Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on You Tube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible ChurchDAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

You can hear DAVE HOPE and Kerry Livgren’s stories from this youtube link:

(part 1 ten minutes)

(part 2 ten minutes)

Kansas – Dust in the Wind (Official Video)

Uploaded on Nov 7, 2009

Pre-Order Miracles Out of Nowhere now at http://www.miraclesoutofnowhere.com

About the film:
In 1973, six guys in a local band from America’s heartland began a journey that surpassed even their own wildest expectations, by achieving worldwide superstardom… watch the story unfold as the incredible story of the band KANSAS is told for the first time in the DVD Miracles Out of Nowhere.

_____________________________

Adrian Rogers on Darwinism

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________

Today I am looking at Jacob Bronowski and his contribution to spreading the thought of Charles Darwin to a modern generation.  The artist Ellen Gallagher is one of those in today’s modern generation that talks about how evolution is pictured in her art works.

What are some of the observations that Francis Schaeffer makes concerning the evolution that both Bronowski and Gallagher hold so  dear? Here is a summary of some of the points Schaeffer makes in the paper below:

1. Materialists and humanists believe that men and women are not unique. 2. Humans do not have any final distinct value above that of an animal or of nonliving matter. 3. Schaeffer points out that this superior attitude towards Christianity–as if Christianity had all the problems and humanism had all the problems–is quite unjustified. 4. It is the humanist worldview that has brought us to the present devaluation of human life that we see today. 5. Therefore, we need a different worldview to drive out this inhumanity that the materialistic worldview brought down on us.

_______________

Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR

Materialistic Humanism: The World-View of Our Era
What has produced the inhumanity we have been considering in the previous chapters is that society in the West has adopted a world-view which says that all reality is made up only of matter…Those who hold such a view have argued that Christianity is unscientific, that it cannot be proved, that it belongs simply to the realm of “faith.” Christianity, they say, rests only on faith, while humanism rests on facts.
Professor Edmund R. Leach of Cambridge University expressed this view clearly, “Our idea of God is a product of history. What I now believe about the supernatural is derived from what I was taught by my parents, and what they taught me was derived from what they were taught, and so on…”
So some humanists act as if they have a great advantage over Christians. They act as if the advance of science and technology and a better understanding of history (through such concepts as the evolutionary theory) have all made the idea of God and Creation quite ridiculous.
This superior attitude, however, is strange because one of the most striking developments in the last half-century is the growth of a profound pessimism among both the well-educated and less-educated people. The thinkers in our society have been admitting for a long time that they have no final answers at all.
Take Woody Allen, for example. Most people know his as a comedian, but he has thought through where mankind stands after the “religious answers” have been abandoned. In an article in Esquire (May 1977), he says, “ It’s absolutely stupefying in its terror, and it renders anyone’s accomplishments meaningless.”
Allen sums up his view in his film Annie Hall with these words: “Life is divided into the horrible and the miserable.”
If there is no personal God, nothing beyond what our eyes can see and our hands can touch, then Woody Allen is right: life is both meaningless and terrifying.  The humanist H. J. Blackham has expressed this when he said, “On humanist assumptions, life leads to nothing, and every pretense that it does not is a deceit.”
One does not have to be highly educated to understand this. It follows directly from the starting point of the humanists’ position, namely, that everything is just matter. That is, that which has existed forever and ever is only some form of matter or energy, and everything in our world now is this and only this in a more or less complex form. Thus, Jacob Bronowski says in The Identity of Man (1965): “Man is a part of nature, in the same sense that a stone is, or a cactus, or a camel.” In this view, men and women are by chance more complex, but not unique.
Within this world-view there is no room for believing that a human being has any final distinct value above that of an animal or of nonliving matter. People are merely a different arrangement of molecules. There are two points, therefore, that need to be made about the humanist world-view. First, the superior attitude toward Christianity – as if Christianity had all the problems and humanism had all the answers – is quite unjustified. The humanists of the Enlightenment two centuries ago thought they were going to find all the answers, but as time has passed, this optimistic hope has been proved wrong. It is their own descendants, those who share their materialistic world-view, who have been saying louder and louder as the years have passed, “There are no final answers.”
Second, this humanist world-view has also brought us to the present devaluation of human life – not technology and not overcrowding, although these have played a part. And this same world-view has given us no limits to prevent us from sliding into an even worse devaluation of human life in the future.
So it is naive and irresponsible to imagine that this world-view will reverse the direction in the future. A well-meaning commitment to “do what is right” will not be sufficient. Without a firm set of principles that flows out of a world-view that gives adequate reason for a unique value to all human life, there cannot be and will not be any substantial resistance to the present evil brought on by the low view of human life we have been considering in previous chapters. It was the materialistic world-view that brought in the inhumanity; it must be a different world-view that drives it out.
An emotional uneasiness about abortion, infanticide, euthanasia, and the abuse of genetic knowledge is not enough. To stand against the present devaluation of human life, a significant percentage of people within our society must adopt and live by a world-view which not only hopes or intends to give a basis for human dignity but which really does. The radical movements of the sixties were right to hope for a better world; they were right to protest against the shallowness and falseness of our plastic society. But their radicalness lasted only during the life span of the adolescence of their members. Although these movements claimed to be radical, they lacked a sufficient root. Their world-view was incapable of giving life to the aspirations of its adherents. Why? Because it, too – like the society they were condemning – had no sufficient base. So protests are not enough. Having the right ideals is not enough. Even those with a very short memory, those who can look back only to the sixties, can see that there must be more than that. A truly radical alternative has to be found.
But where? And how?

_____

Jacob Bronowski

Article Free Pass

Jacob Bronowski,  (born January 18, 1908, Poland—died August 22, 1974, East Hampton, New York, U.S.), Polish-born British mathematician and man of letters who eloquently presented the case for the humanistic aspects of science.While Bronowski was still a child, his family immigrated to Germany and then to England, where he became a naturalized British subject. He won a scholarship to the University of Cambridge, where he studied mathematics. He not only achieved high honours in mathematics but also received critical acclaim for his poetry and prose. After receiving his Ph.D. (1933) from Cambridge, he taught mathematics (1934–42) at the University College of Hull. During World War II Bronowski pioneered in a field now known as operational research and worked to increase the effectiveness of Allied bombing. After the war he headed the projects division of UNESCO (1948) and then worked for Britain’s National Coal Board (1950–63).When Bronowski, on a scientific mission to Japan to study the effects of the atomic bombings (1945), saw firsthand the ruins of Nagasaki, he gave up military research. From that time on, he concentrated on the ethical as well as the technological aspects of science, and he shifted his attention from mathematics to the life sciences, the study of human nature, and the evolution of culture.Among his books are The Common Sense of Science (1951) and the highly praised Science and Human Values (1956; rev. ed. 1965). In these books Bronowski examined aspects of science in nontechnical language and made a case for his view that science needs an ethos in order to function. In The Identity of Man (1965) he sought to present a unifying philosophy of human nature. He also wrote William Blake, 1757–1827: A Man Without a Mask (1943), revised as William Blake and the Age of Revolution (1965), and four radio plays.From 1964 until his death Bronowski was a resident fellow of the Salk Institute of Biological Sciences (San Diego). His last major project was the authorship and narration of the BBC television series The Ascent of Man (1973), a luminous account of science, art, and philosophy in human history. The book was reissued in 2011, with a foreword by British biologist and writer Richard Dawkins.

_________

BBC. The Ascent of Man. Extra Interview with Sir David Attenborough.

Published on Jun 10, 2012

15 minute interview of Sir David Attenborough discussing his role in the ground-breaking documentary “The Ascent of Man” { Written and Presented by Dr Jacob Bronowski. }
This interview was filmed by the BBC. I also recommend Attenborough’s book ‘Life on Air’. It is brilliant.

________________

The Ascent of Man

From Wikipedia, the free encyclopedia
This article is about the documentary series. For the book “The Ascent of Man by Means of Natural Selection”, see Alfred Machin (writer).

The Ascent of Man is a thirteen-part documentary television series produced by the BBC and Time-Life Films first transmitted in 1973, written and presented by Jacob Bronowski. Intended as a series of “personal view” documentaries in the manner of Kenneth Clark‘s 1969 series Civilisation, the series received acclaim for Bronowski’s highly informed but eloquently simple analysis, his long unscripted monologues and its extensive location shoots.

Overview

The title alludes to The Descent of Man, the second book on evolution by Charles Darwin. Over the series’ thirteen episodes, Bronowski travelled around the world in order to trace the development of human society through its understanding of science. It was commissioned specifically to complement Kenneth Clark‘s Civilisation (1969), in which Clark argued that art reflected and was informed by the major driving forces in cultural evolution. Bronowski wrote in his 1951 book The Commonsense of Science: “It has been one of the most destructive modern prejudices that art and science are different and somehow incompatible interests”. Both series were commissioned by David Attenborough, then controller of BBC Two, whose colleague Aubrey Singer had been astonished by Attenborough prioritising an arts series given his science background.[1]

The 13-part series was shot on 16mm film. Executive Producer was Adrian Malone, film directors were Dick Gilling, Mick Jackson, David Kennard and David Paterson. Quotations were read by actors Roy Dotrice and Joss Ackland. Series music was by Dudley Simpson with Brian Hodgson and the BBC Radiophonic Workshop. Additional music includes, amongst others, music by Pink Floyd. Apart from Bronowski, the only other named person appearing is the sculptor Henry Moore.

Malone and Kennard later emigrated to Hollywood, where they produced Carl Sagan‘s Cosmos. Jackson followed them, and now directs feature films.

The book of the series, The Ascent of Man: A Personal View, is an almost word-for-word transcript from the television episodes, diverging from Bronowski’s original narration only where the lack of images might make its meaning unclear. A few details of the film version were omitted from the book, notably Episode 11, “Knowledge or Certainty.”

Series outline

  1. Lower than the Angels — Evolution of man from proto-ape to the modern form 400,000 years ago.
  2. The Harvest of the Seasons — Early human migration, agriculture and the first settlements, and war.
  3. The Grain in the Stone — Tools, and the development of architecture and sculpture.
  4. The Hidden Structure — Fire, metals and alchemy.
  5. Music of the Spheres — The language of numbers and mathematics.
  6. The Starry Messenger — Galileo’s universe—and the implications of his trial on the shift to “northern” science.
  7. The Majestic Clockwork — Explores Newton and Einstein’s laws.
  8. The Drive for Power — The Industrial Revolution and the effect on everyday life.
  9. The Ladder of Creation — Darwin and Wallace’s ideas on the origin of species.
  10. World within World — The story of the periodic table—and of the atom.
  11. Knowledge or Certainty — Physics and the clash of the pursuit of absolute vs. imperfect knowledge, and the misgivings of the scientists realizing the terrible outcome of the conflict. Auschwitz. Hiroshima and Nagasaki.
  12. Generation upon Generation — The joys of life, sex, and genetics—and the dark side of cloning.
  13. The Long Childhood — Bronowski’s treatise on the commitment of man.

Legacy

The Ascent of Man was placed 65th on a list of the 100 Greatest World Television Programmes voted for by industry professionals and drawn up by the British Film Institute in 2000.[2] Charlie Brooker praises Bronowski and The Ascent of Man on his BBC Four programme, Charlie Brooker’s Screenwipe.[3]

The complete series was released on DVD in 2007.

References

  1. Attenborough interview in The Ascent of Man DVD set
  2. “The BFI TV 100”. Retrieved 3 August 2009.
  3. “Charlie Brookers Screenwipe S1E1P1”. Retrieved 4 February 2010.

External links

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Page 12

Page 13

These are ones that everyone agrees are not pre-human intermediates between apes and humans.

  • Homo sapiens neanderthalensis (Neandertal man)-150 years ago Neandertal reconstructions were stooped and very much like an “ape-man’. It is now admitted that the supposedly stooped posture was due to disease and that Neandertal is just a variation of the human kind.
  • Ramapithecus-once widely regarded as the ancestor of humans, it has now been realised that it is merely an extinct type of orangutan (an ape).
  • Eoanthropus (Piltdown man)-a hoax based on a human skull cap and an orangutan’s jaw. It was widely publicized as the missing link for 40 years.
  • Hesperopithecus (Nebraska man)-based on a single tooth of a type of pig now only living in Paraguay.
  • Pithecanthropus (Java man)-now renamed to Homo erectus. See below.
  • Australopithecus africanus-this was at one time promoted as the missing link. It is no longer considered to be on the line from apes to humans. It is very ape-like.
  • Sinanthropus (Peking man) was once presented as an ape-man but has now been reclassified as Homo erectus (see below).

Currently fashionable ape-men

These are the ones that adorn the evolutionary trees of today that supposedly led to Homo sapiens from a chimpanzee-like creature.

  • Australopithecus-there are various species of these that have been at times proclaimed as human ancestors. One remains: Australopithecus afarensis, popularly known as the fossil “Lucy”. However, detailed studies of the inner ear, skulls and bones have suggested that “Lucy” and her like are not on the way to becoming human. For example, they may have walked more upright than most apes, but not in the human manner. Australopithecus afarensis is very similar to the pygmy chimpanzee.
  • Homo habilis-there is a growing consensus amongst most paleoanthropologists that this category actually includes bits and pieces of various other types-such as Australopithecus and Homo erectus. It is therefore an “invalid taxon”. That is, it never existed as such.
  • Homo erectus-many remains of this type have been found around the world. They are smaller than the average human today, with an appropriately smaller head (and brain size). However, the brain size is within the range of people today and studies of the middle ear have shown that Homo erectus was just like us. Remains have been found in the same strata and in close proximity to ordinary Homo sapiens, suggesting that they lived together.

Conclusion: There is no fossil evidence that man is the product of evolution. The missing links are still missing because they simply do not exist. The Bible clearly states, “then the Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living being.” (Genesis 2:7).

______

         What’s a Missing Link?

by John D. Morris, Ph.D.

Evolutionists often speak of missing links. They say that the bridge between man and the apes is the “missing link,” the hypothetical ape-like ancestor of both. But there are supposed missing links all over the evolutionary tree. For instance, dogs and bears are thought to be evolutionary cousins, related to each other through a missing link. The same could be said for every other stop on the tree. All of the animal types are thought to have arisen by the transformation of some other animal type, and at each branching node is a missing link, and between the node and the modern form are many more.

If you still don’t know what a missing link is, don’t worry. No one knows what a missing link is, because they are missing! We’ve never seen one. They’re still missing. Evolution depends on innumerable missing links, each of which lived in the unobserved past and have gone extinct, replaced by their evermore evolved descendants.

While we don’t really know what a missing link is (or was), we can know what they should be. As each type evolves into something else, there should be numerous in-between types, each stage gaining more and more traits of the descendant while losing traits of the ancestor.

If some type of fish evolved into some type of amphibian, there should have been distinct steps along the way of 90% fish/10% amphibian; then 80% fish/20% amphibian; etc., leading to the 100% amphibians we have today. You would suspect that unless evolution has completely stopped, there might even be some transitional links alive today, but certainly they lived and thrived for a while in the past before they were replaced.

Actually, evolutionists don’t mention missing links much anymore. With the introduction of “punctuated equilibrium” in the early 70s, they seem to have made their peace with the lack of transitional forms in the fossil record. Their claim is that basic animal types exhibited “stasis” (or equilibrium) for a long period, but they changed rapidly (punctuation) as the environment underwent rapid change, so rapidly they had little opportunity to leave fossils. Thus we wouldn’t expect to find transitional forms or missing links. Fair enough, but the fact is we don’t find them. Evolution says they did exist, but we have no record of them. Creation says they never existed, and agree that we have no record of them.

Some of these gaps which should be filled in by missing links are huge. Consider the gap between invertebrates and vertebrate fish. Which marine sea creature evolved into a fish with a backbone and internal skeleton? Fish fossils are even found in the lower Cambrian, and dated very early in the evolution scenario. But there are no missing links, no hint of ancestors. The missing links, which should be present in abundance, are still missing!

Both creation and evolution are views of history, ideas about the unobserved past, and both sides try to marshal evidence in their support. Creation says each basic category of life was created separately, thus there never were any “missing links.” Evolution says links existed whether or not we find them. The fact is we don’t find them. The question is: which historical idea is more scientific, and which is more likely correct?

* Dr. Morris is President of the Institute for Creation Research.

Cite this article: Morris, J. 2006. What’s a Missing Link? Acts & Facts. 35 (4).

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Bill Nye Debates Ken Ham – HD

    Streamed live on Feb 4, 2014

Is creation a viable model of origins in today’s modern, scientific era? Leading creation apologist and bestselling Christian author Ken Ham is joined at the Creation Museum by Emmy Award-winning science educator and CEO of the Planetary Society Bill Nye. To see Bill Nye’s arguments debunked visit http://debatelive.org .

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Dr. Francis schaeffer – The flow of Materialism(from Part 4 of Whatever happened to human race?)

 The Story of Francis and Edith Schaeffer

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Francis Schaeffer pictured below with some of his grand kids:

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Francis Schaeffer with his son Franky pictured below. Francis and Edith (who passed away in 2013) opened L’ Abri in 1955 in Switzerland.

Francis Schaeffer has written extensively on art and culture spanning the last 2000 years and here are some posts I have done on this subject before : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” episode 9 “The Age of Personal Peace and Affluence”episode 8 “The Age of Fragmentation”episode 7 “The Age of Non-Reason” episode 6 “The Scientific Age” episode 5 “The Revolutionary Age” ,  episode 4 “The Reformation” episode 3 “The Renaissance”episode 2 “The Middle Ages,”, and  episode 1 “The Roman Age,” . My favorite episodes are number 7 and 8 since they deal with modern art and culture primarily.(Joe Carter rightly noted, “Schaefferwho always claimed to be an evangelist and not a philosopher—was often criticized for the way his work oversimplified intellectual history and philosophy.” To those critics I say take a chill pill because Schaeffer was introducing millions into the fields of art and culture!!!! !!! More people need to read his works and blog about them because they show how people’s worldviews affect their lives!

J.I.PACKER WROTE OF SCHAEFFER, “His communicative style was not thaof a cautious academiwho labors foexhaustive coverage and dispassionate objectivity. It was rather that of an impassioned thinker who paints his vision of eternal truth in bold strokes and stark contrasts.Yet it is a fact that MANY YOUNG THINKERS AND ARTISTS…HAVE FOUND SCHAEFFER’S ANALYSES A LIFELINE TO SANITY WITHOUT WHICH THEY COULD NOT HAVE GONE ON LIVING.”

Francis Schaeffer’s works  are the basis for a large portion of my blog posts and they have stood the test of time. In fact, many people would say that many of the things he wrote in the 1960’s  were right on  in the sense he saw where our western society was heading and he knew that abortion, infanticide and youth enthansia were  moral boundaries we would be crossing  in the coming decades because of humanism and these are the discussions we are having now!)

There is evidence that points to the fact that the Bible is historically true as Schaeffer pointed out in episode 5 of WHATEVER HAPPENED TO THE HUMAN RACEThere is a basis then for faith in Christ alone for our eternal hope. This link shows how to do that.

Francis Schaeffer in Art and the Bible noted, “Many modern artists, it seems to me, have forgotten the value that art has in itself. Much modern art is far too intellectual to be great art. Many modern artists seem not to see the distinction between man and non-man, and it is a part of the lostness of modern man that they no longer see value in the work of art as a work of art.” 

Many modern artists are left in this point of desperation that Schaeffer points out and it reminds me of the despair that Solomon speaks of in Ecclesiastes.  Christian scholar Ravi Zacharias has noted, “The key to understanding the Book of Ecclesiastes is the term ‘under the sun.’ What that literally means is you lock God out of a closed system, and you are left with only this world of time plus chance plus matter.” THIS IS EXACT POINT SCHAEFFER SAYS SECULAR ARTISTS ARE PAINTING FROM TODAY BECAUSE THEY BELIEVED ARE A RESULT OF MINDLESS CHANCE.

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Today I featuring the artist Ellen Gallagher and she talks about Evolution in this video below. She asserts, “Matter is not fixed. It is always in motion. You are dealing with this idea of ecology, transformation and evolution into something different.”

Ellen Gallagher, Untitled, 2012.(Below)

Ellen Gallagher: “Osedax” | “Exclusive” | Art21

Published on Sep 6, 2013

Episode #188: Filmed in 2013, artist Ellen Gallagher discusses her large-scale installation “Osedax” (2010) at the New Museum in New York City. Made in collaboration with Dutch artist Edgar Cleijne, Osedax was inspired by and named after the bone-devouring worms recently discovered in an ocean canyon near Monterey, California. Drawn to scientists’ description of this discovery, Gallagher sees similarity between their account and how science fiction narratives unfold through the transformation and evolution of characters and physical matter.

Repetition and revision are central to Ellen Gallagher’s paintings, collages, and films. From afar, Gallagher’s work often appears abstract and minimal but, upon closer inspection, details reveal complex narratives that borrow from maritime history, science fiction, popular culture, and the experiences of African Americans. Although the work has often been interpreted as an examination of race, Gallagher also suggests a formal reading with respect to materials, processes, and formal structures.

Learn more about the artist at:
http://www.art21.org/artists/ellen-ga…

CREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Ian Forster. Camera: Rafael Salazar & Ava Wiland. Sound: Ava Wiland. Editor: Brad Kimbrough. Artwork Courtesy: Edgar Cleijne & Ellen Gallagher. Special Thanks: New Museum. Theme Music: Peter Foley.

“Ellen Gallagher: Don’t Axe Me” at the New Museum, New York
June 19–September 15, 2013
http://www.newmuseum.org/exhibitions/…

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Watery abstraction: “Osedax,” a 2010 film installation by Ellen Gallagher and Edgar Cleijne, in a Gallagher retrospective at the New Museum.  (below)

Ellen Gallagher | Art21 | Preview from Season 3 of “Art in the Twenty-First Century” (2005)

Uploaded on May 28, 2008

Repetition and revision are central to Ellen Gallagher’s treatment of advertisements appropriated from popular magazines. Although her work has often been interpreted as an examination of race, Gallagher also suggests a more formal reading—from afar the work appears abstract and minimal, and employs grids as both structure and metaphors for experience.

Ellen Gallagher is featured in the Season 3 episode “Play” of the Art21 series “Art in the Twenty-First Century”.

Learn more about Ellen Gallagher: http://www.art21.org/artists/ellen-ga…

© 2005-2007 Art21, Inc. All Rights Reserved.

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Ellen Gallagher: Projections | Art21 “Exclusive”

Uploaded on Apr 30, 2009

Episode #054: Artist Ellen Gallagher recounts her childhood obsession with projecting films, paired with documentation of her work “Murmur” (2003-04) installed at Gagosian Gallery in New York.

Repetition and revision are central to Ellen Gallaghers treatment of advertisements appropriated from popular magazines. Initially, Gallagher was drawn to the wig advertisements because of their grid-like structure. Later she realized that it was the accompanying language that attracted her, and she began to bring these narratives into her paintings—making them function through the characters of the advertisements as a kind of chart of lost worlds. Upon closer inspection, googly eyes, reconfigured wigs, tongues, and lips of minstrel caricatures multiply in detail. Although her work has often been interpreted as an examination of race, Gallagher also suggests a more formal reading- from afar the work appears abstract and minimal, and employs grids as both structure and metaphors for experience.

Learn more about Ellen Gallagher: http://www.art21.org/artists/ellen-ga…

VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera & Sound: Tom Hurwitz, Eddie Marritz, Mark Mandler, and Roger Phenix. Editor: Jenny Chiurco and Mary Ann Toman. Artwork Courtesy: Ellen Gallagher & Edgar Cleijne. Special Thanks: Gagosian Gallery, New York and Two Palms Press, New York.

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Ellen Gallagher: Master Printer Craig Zammiello | Art21 “Exclusive”

Uploaded on Jun 4, 2009

Episode #059: Master Printer Craig Zammiello and artist Ellen Gallagher discuss their working relationship during the process of creating “DeLuxe” (2004-05), a suite of 60 individual works employing both traditional and non-traditional printmaking techniques.

Repetition and revision are central to Ellen Gallaghers treatment of advertisements appropriated from popular magazines. Initially, Gallagher was drawn to the wig advertisements because of their grid-like structure. Later she realized that it was the accompanying language that attracted her, and she began to bring these narratives into her paintings—making them function through the characters of the advertisements as a kind of chart of lost worlds. Upon closer inspection, googly eyes, reconfigured wigs, tongues, and lips of minstrel caricatures multiply in detail. Although her work has often been interpreted as an examination of race, Gallagher also suggests a more formal reading- from afar the work appears abstract and minimal, and employs grids as both structure and metaphors for experience.

Learn more about Ellen Gallagher: http://www.art21.org/artists/ellen-ga…

VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Catherine Tatge. Camera & Sound: Mead Hunt and Mark Mandler. Editor: Mary Ann Toman. Artwork Courtesy: Ellen Gallagher. Special Thanks: Craig Zammiello of Two Palms Press, New York.

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Travelling Lines Conference 2011: Ellen Gallagher in Conversation with Tanya Barson

Published on Mar 25, 2013

Travelling Lines brings together scholars, artists, curators and collectors to create an international forum to consider three key themes: itinerant modes of drawing by Latin America based artists that prioritise investigation and exploration; how the nomadic practices of artists necessitate conceptual and low-key strategies associated with drawing, an especially portable medium; and how itinerant and other modes of drawing circulate within the transnational circuits of the globalised art world. Focusing on one medium, speakers address how visual languages participate in, depend on, and travel across local as well as global territories.

The conference is organised by TrAIN in collaboration with the Drawing Room. It coincides with the exhibition at the Drawing Room entitled The Peripatetic School: Itinerant drawing from Latin America, curated by Tanya Barson, international curator, Tate Modern. Artists whose work is in the exhibition are among the speakers. The exhibition includes art by Brigida Baltar, Jose Tony Cruz, Andre Komatsu, Mateo López, Jorge Macchi, Gilda Mantilla and Raimond Chaves, Nicolas Paris, and Ishmael Randall Weeks.

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About Ellen Gallagher

Ellen Gallagher was born in Providence, Rhode Island, in 1965, and lives and works in New York and Rotterdam, Holland. She attended Oberlin College and the School of the Museum of Fine Arts, Boston. Repetition and revision are central to Gallagher’s treatment of advertisements that she appropriates from popular magazines like “Ebony,” “Our World,” and “Sepia” and uses in works like “eXelento” (2004) and “DeLuxe” (2004–05). Initially, Gallagher was drawn to the wig advertisements because of their grid-like structure. Later, she realized that it was the accompanying language that attracted her, and she began to bring these “narratives” into her paintings—making them function through the characters of the advertisements, as a kind of chart of lost worlds. Although the work has often been interpreted strictly as an examination of race, Gallagher also suggests a more formal reading with respect to materials, processes, and insistences. From afar, the work appears abstract and minimal; upon closer inspection, googly eyes, reconfigured wigs, tongues, and lips of minstrel caricatures multiply in detail. Gallagher has been influenced by the sublime aesthetics of Agnes Martin’s paintings, as well the subtle shifts and repetitions of Gertrude Stein’s writing. In her earlier works, Gallagher glued pages of penmanship paper onto stretched canvas and then drew and painted on it. In “Watery Ecstatic” (2002–04), she literally carved images into thick watercolor paper, in her own version of scrimshaw, from which emerge images of the sea creatures from Drexciya, a mythical underwater Black Atlantis. Gallagher received the American Academy Award in Art and a Joan Mitchell Foundation Fellowship. Solo exhibitions include Whitney Museum of American Art; Museum of Contemporary Art, North Miami; St. Louis Art Museum; Des Moines Art Center; Yerba Buena Center for the Arts, San Francisco; and the Institute of Contemporary Art, Boston.

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Charles Darwent on Ellen Gallagher: AxME – The dog ate my homework, Miss Gallagher

Why does this highly-rated American artist ask so much of us before we even look at her work?

Saturday 04 May 2013

JF (alarmed): “Uh, I’m not sure ‘like’ is a word that can be used in critical discourse these days.”

So it goes. Once upon a time, long, long ago, there was nothing wrong with work that pleased, in whatever way it contrived to. Then someone invented critical theory, art schools became university departments, and pleasure went out of the window. Good painting might do a whole  thesaurus of things — ironise, deconstruct, conceptualise, “reference its own process”, etcetera – but it must on no account be likeable.

I have no doubt, by these lights, that Ellen Gallagher is a very good painter. The 47-year-old American is best known for her canvases, although, this being 2013, she also makes films and sculptures: one, Jungle Gym/Preserve, is in the new show of her work, AxME, at Tate Modern. There is nothing wrong with making art in different mediums – see Michelangelo. But it is the idea of Gallagher as a painter, of the kind of painting she does, that bothers me.

Let’s start with Double Natural (2002). This vast, yellow canvas, perhaps 7ft high and 10ft wide, is Gallagher’s best known. On it are pasted, in a grid 33 squares wide and 12 high, advertisements and cuttings from American black lifestyle magazines. (Gallagher’s father’s family came from Cape Verde.) All of these offer perfectability of a kind, or at least an idea of self-improvement. One woman beams at us from under a headline that says, unconvincingly, “I Am Happy”. Another asks, “Do you want men to OBEY YOU?”, while a third advertises an Amazing Liquid That Removes Corns.

It is hair that is Gallagher’s particular focus, though, as it is of the small ads she uses. The majority of these are for hairstyles or hair products. To these the artist has added plasticine hairdos – straightened bangs, cornrows, dreadlocks, flicks – moulded by hand and painted yellow. Gallagher has also blanked out her subjects’ eyes, turning them into zombies. Her point seems clear. Black women are sold a dream of white womanly perfection. She has taken that process to its deadening extreme by turning her women blonde.

To say that Double Natural is dislikeable is to state the obvious.  Its subject – the exploitation of racial insecurity for commercial gain – is not a pretty one, and Gallagher’s image would have no business being pretty. But the problem is that it isn’t anything else, either. Other than an immediate hit of macabre glibness, Double Natural just doesn’t deliver. The longer you look at it, the less you get back. Vacuousness in art can be extraordinarily powerful: Andy Warhol made an entire career out of it. But Gallagher’s painting isn’t empty in a good way. It is just empty.

Let me see if I can be clearer. Another work in this vast, 11-room show is called Bird in Hand. It, too, is vast. Like many contemporary artists, Gallagher has created her own myth-world, one figure of which is a one-legged tap-dancer called Pegleg. (Pegleg actually existed — one of the ads in Double Natural is for his show.) In Bird in Hand, he mutates into a pirate, his hair and half-leg doodling out to fill the canvas in tendrils that might be seaweed.

Gallagher is part of her own mythology. Prior to being an artist she studied marine biology, and did research into pteropods. The many works in her Watery Ecstatic series, given a whole room in this exhibition, start from an interest in sea-life – eels, urchins, octopi. The pictures are largely in watercolour and cut paper, and, as compositions, appear less to evolve than to mutate. You can see the reasoning. Life starts at Point A and wanders off where Darwin takes it: so why not art? Bird in Hand grows, pictorially, out of Gallagher’s own history and interests.

But does that make it a good painting? The abstract works of the Jerwood painter I spoke to stood on their own as images: you didn’t need to know his life story or theories on art to respond to them. To get Gallagher, you have to have done your homework. Her art is about understanding, not seeing; when she paints, she paints incidentally. Any other medium might have done – actually, her films seem to me far better than her canvases (Murmur: Super Boo is annoyingly unforgettable). But then many people disagree with me, and you may well be one of them.

 

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Francis Schaeffer’s “How should we then live?” Video and outline of episode 1 “The Roman Age” (Schaeffer Sundays)

Francis Schaeffer: “How Should We Then Live?” (Episode 1) THE ROMAN AGE   Today I am starting a series that really had a big impact on my life back in the 1970′s when I first saw it. There are ten parts and today is the first. Francis Schaeffer takes a look at Rome and why […]

By Everette Hatcher III | Posted in Francis Schaeffer | Edit | Comments (0)

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