Category Archives: Current Events

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 162F PAUSING to look at the life of John Raymond Smythies (April 16, 2017 letter to Dr. Smythies about the fact that at the start of his book on the effects of mescaline, The Doors of Perception, the author Aldous Huxley credits Smythies with having inspired him to take the substance)

I was saddened to learn of the passing of Dr. John Raymond Smythies on January 28, 2019 in La Jolla, CA,  and I wanted to spend time on several posts concentrating on him. I have several tributes, but the best I read can be found at this link.

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Francis August Schaeffer (January 30, 1912 – May 15, 1984[1])

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building of king solomon’s temple

Salomons dom.jpg

The Judgment of Solomon, 1617 by Peter Paul Rubens(1577–1640)
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Steel mezzotint engraving by John Sartain
of the 1863 painting by Christian Schussele

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Adrian Pierce Rogers (September 12, 1931 – November 15, 2005)

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Larry Joe Speaks  (August 20, 1947 to April 7, 2017)

Photo of Larry Joe Speaks

Larry Joe Speaks, 69, of Cabot, passed Friday, April 7, 2017. He was born August 20, 1947 in Fort Smith, Arkansas to the late Joe and Doris Speaks. H

On April 16, 2017 is the day we celebrate Easter which is about Christ’s resurrection from the dead!!!

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April 16, 2017

John Raymond Smythies, Center for Brain and Cognition,
La Jolla, CA 92093-0109

Dear Dr. Smythies,

Today I want to start off talking about your life’s work and your accomplishments.

You have been tremendously blessed in your talents and your life work has brought you much in financial rewards and notoriety in your field. With that in mind in today’s letter I want to compare you to King Solomon and look at what both you and Solomon have accomplished in the area of LABOR (or his life’s work).

Wikipedia noted:

John Raymond Smythies M.D. F.R.C.P. (born 30 November 1922) is a neuropsychiatristneuroscientist and neurophilosopher.

Smythies has served as President of the International Society of Psychoneuroendocrinology from 1970-1974 (31), Consultant to the World Health Organization from 1963-1968 (32), and Editor of the International Review of Neurobiology from 1958-1991. He was elected a member of the Athenaeum in 1968 (33). He has published over 200 scientific papers and sixteen books.

He has made extensive contributions to knowledge in a number of fields including the neurochemistry of schizophrenia (5,6) and the neuropharmacology of psychedelic drugs (7); the functional neuroanatomy of synapses with particular regard to the role of synaptic plasticityendocytosis and redox factors (8,9); the role in the brain of orthoquinone metabolites of catecholamines (10); the role of virtual reality mechanisms in visual perception (11) and, in particular, theories of brain-consciousness relations (12-17). Smythies has held positions as the Charles Byron Ireland Professor Emeritus of Psychiatric Research at the University of Alabama Medical Center at Birmingham, Visiting Scholar at the Center for Brain and CognitionUniversity of California, San Diego, and Senior Research Fellow at the Institute of Neurology, University College London.

At the start of his book on the effects of mescalineThe Doors of Perception, the author Aldous Huxley credits Smythies with having inspired him to take the substance.

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As  you know in these series of letters I am looking at  the 6 L words that  Solomon pursued in the Book  of Ecclesiastes and today I am looking at LABOR (Solomon’s life work). Now that we have looked at some of your accomplishments, let us take a look at SOLOMON. I consider you a very successful man in your field and in that sense you are similar to SOLOMON, and by comparing you two I am in no way trying to belittle your accomplishments. However, I do want to point out some of SOLOMON’s own words of analysis concerning his legacy from Ecclesiastes (which is Richard Dawkinsfavorite book in the Bible).

SOLOMON was remembered for his WISDOM and his success with the LADIES, but he was also remembered for his LABOR (his life work). For Solomon that basically came down to the labor he commissioned in his building campaigns through out his kingdom plus the effort he put forth building his own palace and the temple in Jerusalem.

Below are the comments of Francis Schaeffer on SOLOMON and the Book of Ecclesiastes:

Leonardo da Vinci and Solomon both were universal men searching for the meaning in life. Solomon was searching for a meaning in the midst of the details of life. His struggle was to find the MEANING OF LIFE. Not just plans in life. Anybody can find plans in life. A child can fill up his time with plans of building tomorrow’s sand castle when today’s has been washed away. There is a difference between finding plans in life and purpose in life. Humanism since the Renaissance and onward has never found it. Modern man has not found it and it has always got worse and darker in a very real way.

We have here the declaration of Solomon’s universality:

1 Kings 4:30-34

English Standard Version (ESV)

30 so that Solomon’s wisdom surpassed the wisdom of all the people of the east and all the wisdom of Egypt. 31 For he was wiser than all other men…and his fame was in all the surrounding nations. 32 He also spoke 3,000 proverbs, and his songs were 1,005. 33 He spoke of trees, from the cedar that is in Lebanon to the hyssop that grows out of the wall. He spoke also of beasts, and of birds, and of reptiles, and of fish. 34 And people of all nations came to hear the wisdom of Solomon, and from all the kings of the earth, who had heard of his wisdom.

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Here is the universal man and his genius. Solomon is the universal man with a empire at his disposal. Solomon had it all.

Ecclesiastes 1:3

English Standard Version (ESV)

3 What does man gain by all the toil
at which he toils under the sun?

Solomon took a look at the meaning of life on the basis of human life standing alone between birth and death “under the sun.”
After wisdom Solomon comes to the great WORKS of men. Ecclesiastes 1:14, “I have seen all the works which have been done under the sun, and behold, all is [p]vanity and striving after wind.” Solomon is the man with an empire at this disposal that speaks. This is the man who has the copper refineries in Ezion-geber. This is the man who made the stables across his empire. This is the man who built the temple in Jerusalem. This is the man who stands on the world trade routes. He is not a provincial. He knew what was happening on the Phonetician coast and he knew what was happening in Egypt. There is no doubt he already knew something of building. This is Solomon and he pursues the greatness of his own construction and his conclusion is VANITY AND VEXATION OF SPIRIT.

Ecclesiastes 2:18-20

18 Thus I hated all the fruit of my labor for which I had labored under the sun, for I must leave it to the man who will come after me. 19 And who knows whether he will be a wise man or a fool? Yet he will have control over all the fruit of my labor for which I have labored by acting wisely under the sun. This too is vanity. 20 Therefore I completely despaired of all the fruit of my labor for which I had labored under the sun.

He looked at the works of his hands, great and multiplied by his wealth and his position and he shrugged his shoulders.

Ecclesiastes 2:22-23

22 For what does a man get in all his labor and in his striving with which he labors under the sun? 23 Because all his days his task is painful and grievous; even at night his mind does not rest. This too is vanity.

Man can not rest and yet he is never done and yet the things which he builds will out live him. If one wants an ironical three phrases these are they. There is a Dutch saying, “The tailor makes many suits but one day he will make a suit that will outlast the tailor.”

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Many have tried sexual exploits just like Solomon did, and many have thrown their efforts into business too. Sadly Solomon also found the pursuit of great works in his LABOR just as empty. In Ecclesiastes 2:11 he asserted, “THEN I CONSIDERED ALL THAT MY HANDS HAD DONE AND THE TOLL I HAD EXPENDED IN DOING IT, AND BEHOLD, ALL WAS VANITY AND A STRIVING AFTER WIND, and there was nothing to be gained under the sun.”

Many people through history have reminded me of Solomon because they are looking for lasting meaning in their life and they are looking in the same 6 areas that King Solomon did in what I call the 6 big L words. He looked into learning (1:16-18), laughter, ladies, luxuries, and liquor (2:1-3, 8, 10, 11), and LABOR (2:4-6, 18-20).

Then in last few words in the Book of Ecclesiastes he looks above the sun and brings God back into the picture: “The conclusion, when all has been heard, is: Fear God and keep His commandments, because this applies to every person. For God will bring every act to judgment, everything which is hidden, whether it is good or evil.”

I started writing this series of 7 letters to you concerning Solomon and the meaning of life after the death of my good friend LARRY SPEAKS. During the last 20 years of his life Larry would hand out CD’s of Adrian Rogers’message WHO IS JESUS? and I wanted to share one of the points that is made in that sermon that particularly applies today since it is EASTER:

Simon Peter gave THREE LINES OF EVIDENCE, three witnesses; and we use these same three witnesses when we share Jesus today. Let’s look at Acts chapter 10:

39 And we are witnesses of all that he did both in the country of the Jews and in Jerusalem. They put him to death by hanging him on a tree, 40 but God raised him on the third day and made him to appear, 41 not to all the people but to us who had been chosen by God as witnesses, who ate and drank with him after he rose from the dead. 42 And he commanded us to preach to the people and to testify that he is the one appointed by God to be judge of the living and the dead. 43 To him all the prophets bear witness that everyone who believes in him receives forgiveness of sins through his name.”

I THE PERSONAL WITNESS OF THE SAINTS (Acts 10:39)

The apostles were a diverse group, yet they were united in their witness. Among them:
John was young, observant and sensitive.
Peter was a rough, hard-working fisherman.
Simon the Zealot was a political activist.
Nathaniel and Thomas both tended to be skeptical and inquiring.
Matthew was a hardened, political businessman.
Andrew was gentle and compassionate.
Philip was a calculating thinker.
James was a straight shooter.
They were eyewitnesses of the virtuous life of Jesus.
Acts 10:34 & 38
Matthew 17:1-5
They were eyewitnesses of His vicarious death.
Acts 10:39
Deuteronomy 21:23
They were eyewitnesses of His victorious resurrection.
Acts 10:40-41
II THE PROPHETIC WITNESS OF THE SCRIPTURES (Acts 10:43) (We looked at this in a previous letter.)

III THE PERSUASIVE WITNESS OF THE SPIRIT (Acts 10:44)

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Today is Easter and I listened to one one my favorite Easter Songs “O Praise the Name.” Let me encourage you to look it up on You Tube.  Christ died NOT for his own sins because he was sinless, but for ours (Romans 10:9) so we could receive the free gift of grace (Ephesians 2:8). Through your LABOR you can NOT earn salvation.

Romans 10:8-13 English Standard Version (ESV)

8 But what does it say? “The word is near you, in your mouth and in your heart” (that is, the word of faith that we proclaim); 9 because, if you confess with your mouth that Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved. 10 For with the heart one believes and is justified, and with the mouth one confesses and is saved. 11 For the Scripture says, “Everyone who believes in him will not be put to shame.” 12 For there is no distinction between Jew and Greek; for the same Lord is Lord of all, bestowing his riches on all who call on him. 13 For “everyone who calls on the name of the Lord will be saved.”

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thanks for your time.

Sincerely,

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, Little Rock, AR 72221

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

Nick Gathergood, David-Birkett, Harry-Kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif Ahmed, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BatePatricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Hermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart Kauffman,  Lawrence KraussHarry Kroto, George LakoffElizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,  Jonathan Parry,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

In  the second video below in the 95th clip in this series are his words but today I just wanted to pause and look at this life. 

Quote from Dr. John Raymond Smythies

I would like to describe how mescaline works. These hallucination drugs have a very specific action in two ways. Number 1 they produce fantastic visual hallucinations. These are described by the people who have them (most of them are down to earth scientists such as MacDonald Critchley) as being more beautiful than anything they have ever seen in normal art. Some of these people have the sort of experience as union with God, mystical experiences and so on.

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

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Related posts:

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 53 THE BEATLES (Part E, Stg. Pepper’s and John Lennon’s search in 1967 for truth was through drugs, money, laughter, etc & similar to King Solomon’s, LOTS OF PICTURES OF JOHN AND CYNTHIA) (Feature on artist Yoko Ono)

The John Lennon and the Beatles really were on a long search for meaning and fulfillment in their lives  just like King Solomon did in the Book of Ecclesiastes. Solomon looked into learning (1:12-18, 2:12-17), laughter, ladies, luxuries, and liquor (2:1-2, 8, 10, 11), and labor (2:4-6, 18-20). He fount that without God in the picture all […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 52 THE BEATLES (Part D, There is evidence that the Beatles may have been exposed to Francis Schaeffer!!!) (Feature on artist Anna Margaret Rose Freeman )

______________   George Harrison Swears & Insults Paul and Yoko Lucy in the Sky with Diamonds- The Beatles The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking […]

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  The Beatles in a press conference after their Return from the USA Uploaded on Nov 29, 2010 The Beatles in a press conference after their Return from the USA. The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis […]

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__________________   Beatles 1966 Last interview I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about them and their impact on the culture of the 1960’s. In this […]

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 49 THE BEATLES (Part A, The Meaning of Stg. Pepper’s Cover) (Feature on artist Mika Tajima)

_______________ The Beatles documentary || A Long and Winding Road || Episode 5 (This video discusses Stg. Pepper’s creation I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about […]

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_______________ Francis Schaeffer pictured below: _____________________ I have included the 27 minute  episode THE AGE OF NONREASON by Francis Schaeffer. In that video Schaeffer noted,  ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” How Should […]

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____________________________________ Francis Schaeffer pictured below: __________ Francis Schaeffer has written extensively on art and culture spanning the last 2000years and here are some posts I have done on this subject before : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” , episode 9 “The Age of Personal Peace and Affluence”, episode 8 […]

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Every James Bond Theme Song, Ranked Worst to Best Part 6 (#1-4)

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I really enjoyed the latest James Bond film NO TIME TO DIE and for my thoughts on it you can go to this link

Continue reading

Every James Bond Theme Song, Ranked Worst to Best Part 5 (#5-11)

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I really enjoyed the latest James Bond film NO TIME TO DIE and for my thoughts on it you can go to this link

Continue reading

Every James Bond Theme Song, Ranked Worst to Best Part 4 (#12-17)

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I really enjoyed the latest James Bond film NO TIME TO DIE and for my thoughts on it you can go to this link

Continue reading

Every James Bond Theme Song, Ranked Worst to Best Part 3 (#18-22)

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I really enjoyed the latest James Bond film NO TIME TO DIE and for my thoughts on it you can go to this link

We have all the time in the world… to debate the relative merits of 50 years of James Bond music, as we do each time a new entry, like Billie Eilish’s “No Time to Die,” is added to the canon. And in the case of the film of that name, a long-distant Bond song has also been revived for the new soundtrack — Louis Armstrong’s “We Have All the Time in the World” — the impact of which may cause everyone to completely rethink where that love theme from “On Her Majesty’s Secret Service” ranks, now that it puts us in mind of sad Daniel Craig instead of sad George Lazenby.

What follows is an unassailable list of 26 Bond songs rated from worst to best. A caveat: I have at least a twinge of respect or affection for every tune in the catalog — even the Jack White and Madonna tracks, which kind of deserve the black eyes they get from the vast majority of Bond buffs, but which deserve at least a little credit… okay, a very little credit… for fearlessness in shaking up what can lean toward a rather algebraic formula. The fact is, we love our post-Shirley Bassey Bond music most when it adheres to tradition in some ways while upending it in others. That could be Paul McCartney juxtaposing a sinister strings break with a goofy reggae bridge in “Live and Let Die,” or it could be Eilish and Finneas working a subtle sliver of Monty Norman’s “James Bond Theme” into their otherwise somber entry before bringing it home with the “spy chord”… the E minor Major 9 that will mean “Bond, James Bond” for the rest of time.

The other nearly universally despised Bond song is certainly a product of its era — the great techno scare of the late ‘90s and early 2000s. I find myself not loathing it as much as I probably should, maybe because the hook works — even if there’s not a lot else to the song but that herky-jerky hook — and because combining proto-EDM with orchestral string-section stings was a kind of intriguing combo that few followed up on. But Madonna seemed just a bit too resistant to throwing in bits of the Bond-song conventions that would have made the number a bit more palatable, and compositionally it remains the thinnest tune in the canon. Also: What’s Freud got to do with it?

You may intuit in these rankings a preference for the early stuff, but we’ll make an exception for this seminal entry, whose modest attributes tend to be overrated for reasons that have to come down mostly to nostalgia. As the first true pop song written for a Bond film, it merits credit for loosely establishing a tone that would follow in many of the tunes, setting out the spy as more of an inner romantic than his cavalier ways on screen might suggest. But really, it’s pretty colorless, pro forma pop — just the kind of tune that you’d expect to find favor a secret agent who mocked the Beatles in the following film. Monro’s vocal version was embedded within the film, while the opening credits featured an instrumental version made into a medley with two other themes. That was just as well — if this entire recording had introduced the film at the start, we might have a harder time remembering the movie as the classic it is.

Big Garbage fan here, so it’s hard to pin down exactly why this doesn’t click the way it should, especially with such a promising hook. Maybe it’s because the song is not enough to contain everything that the overly busy and compressed arrangement throws at it. Orchestration and tremolo guitar, yes — but the programmed-sounding percussion, a boon to many other Garbage songs, just sounds loud, clangy and exhausting in a milieu that demands a subtler touch. Still, you’ve got to give Shirley Manson props for being one of the few lyricists to write a song from the point of view of a Bond villain.

 

It’s easy to hear this song as a sort of successor to “Nobody Does It Better” and “For Your Eyes Only” in the completion of a romantic easy-listening trilogy. But this time it’s Bond mainstay John Barry saying “I can do that, too” after Marvin Hamlisch and Bill Conti stepped in to take his place on writing the melodies for those earlier hits in his absence. He succeeded, if not quite as wildly, as Coolidge’s song was a multi-week No. 1 hit at adult contemporary radio that didn’t fly quite as high on the pop chart. Each of these songs imagines Bond as a lady-pleaser, not a lady-killer. But because it’s Barry, there’s an intriguing hint of melancholy embedded in the sweet nothings that you didn’t get with the Carly Simon or Sheena Easton songs.

 

NO TIME TO DIE | Final US Trailer

007 : James Bond : Theme

 

Casino Royale – Chris Cornell – You Know My Name

 

Alicia Keys & Jack White – Another Way To Die [Official Video]

 

Goldfinger Theme Song – James Bond

Diamonds Are Forever Theme Song – James Bond

Moonraker Theme Song – James Bond

Adele – Skyfall (Lyric Video)

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Billie Eilish – No Time To Die

 

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Sam Smith – Writing’s On The Wall (from Spectre) (Official Video)

 

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Thunderball Theme Song – James Bond

 

Nancy Sinatra – You Only Live Twice (HQ)

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The Man with the Golden Gun Opening Title Sequence

 

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The spy who loved me (1977) INTRO HD

Sheena Easton • For Your Eyes Only – James Bond/007

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James Bond – Octopussy – Theme Song

A View to a Kill Opening Title Sequence

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A-ha • The Living Daylights – James Bond 007

 

LICENCE TO KILL HIGH DEFINITION

 

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James Bond – Goldeneye Opening Theme (HQ)

Sheryl Crow – Tomorrow Never Dies

 

Barry, Beatles, Billie: 60 years of Bond tunes

<img class=”i-amphtml-intrinsic-sizer” role=”presentation” src=”data:;base64,” alt=”” aria-hidden=”true” />Barry, Beatles, Billie: 60 years of Bond tunes

 

British actor Daniel Craig poses during a photocall to promote the 24th James Bond film ‘Spectre’ on February 18, 2015 at Rome’s city hall. AFP PHOTO / TIZIANA FABI (Photo by VINCENZO PINTO and TIZIANA FABI / AFP)

Paris, France — Ever since the twanging guitar of John Barry’s theme song first appeared in “Dr No” in 1962, music has been crucial to the James Bond phenomenon.

The songs written for each title sequence have become a way of marking out the evolution of pop music through the past 60 years, from the classics of Shirley Bassey and Paul McCartney to Adele and Billie Eilish.

Nobody remembers Monty

Many assume the original theme was written by John Barry, in part because he became so closely associated with the Bond franchise, composing the soundtrack for 11 of the films.

 

In fact, Barry only arranged and performed the theme tune.

The famous dung-digger-dung-dung line was actually written by theater composer Monty Norman, developed from an unused Indian-themed score he had written for an adaptation of VS Naipaul’s “A House for Mr Biswas.”

It was Barry’s job to jazz it up, adding the blaring horns that made it so dramatic.

While Norman was given a one-off payment of just £250, Barry built a Hollywood career that has included five Oscars and classic soundtracks to “Midnight Cowboy,” “Out of Africa,” and many more.

Golden girl Shirley Bassey

Bassey became almost as closely linked to Bond as Barry — the only singer to deliver three title tracks: “Goldfinger” (1964), “Diamonds are Forever” (1971), and “Moonraker” (1979).

The first two are considered the most memorable in Bond history, the latter less so — Bassey later admitted she hated the “Moonraker” song and only did it as a favor to Barry.

“Goldfinger” made her a star, but the recording sessions were grueling, with Barry insisting that Bassey, then 27, hold the last belting note for seven full seconds.

“I was holding it and holding it — I was looking at John Barry and I was going blue in the face and he’s going — hold it just one more second. When it finished, I nearly passed out,” she later recalled.

 A new Beatles beginning

The first Bond film without Barry on the baton was “Live and Let Die” in 1973.

For this, the producers turned to another famous “B” The Beatles.

The group’s producer George Martin took over composing duties and brought in Paul McCartney and his band Wings for the theme song.

It became another classic and spawned a famous cover by Guns’N’Roses in later years.

From this point on, the Bond title song became its own mini-industry, without the involvement of the composer.

Big pop tie-ins followed, ranging from the not-so-successful (Lulu’s “The Man with the Golden Gun”) to classics like Carly Simon’s “Nobody Does it Better” and Duran Duran’s “A View to a Kill.”

<img class=”i-amphtml-intrinsic-sizer” role=”presentation” src=”data:;base64,” alt=”” aria-hidden=”true” />Barry, Beatles, Billie: 60 years of Bond tunes

FILE PHOTO: Auctioneer specialists hold a rare intact James Bond ‘Thunderball’ (1965) film poster (estimate £8,000-£12,000), featuring two panels of poster illustrations on the left by Frank McCarthy and two on the right by Robert McGinnis, at Ewbank’s Auctioneers, ahead of an upcoming sale, in Woking, Britain, April 7, 2021. REUTERS/Hannah McKay

 

The next generation

After a few desultory outings during the Pierce Brosnan years, the Bond genre got a shot of adrenaline with Adele’s “Skyfall” in 2012, which was the first to win an Oscar for best song.

<img class=”i-amphtml-intrinsic-sizer” role=”presentation” src=”data:;base64,” alt=”” aria-hidden=”true” />Barry, Beatles, Billie: 60 years of Bond tunes

 

Image: Twitter/@007

The following year’s “Writing’s on the Wall” by Sam Smith also won an Oscar, though it got a more mixed critical reception.

The latest incarnation is pop princess Billie Eilish with “No Time to Die,” which she co-wrote with her brother Finneas.

It already has a thumbs-up from the doyenne of the Bond theme world, with Bassey telling The Big Issue: “She did a good job.”

Golden girl Shirley Bassey Bassey became almost as closely linked to Bond as Barry -- the only singer to deliver three title tracks: "Goldfinger" (1964), "Diamonds are Forever" (1971), and "Moonraker" (1979).  The first two are considered the most memorable in Bond history, the latter less so -- Bassey later admitted she hated the "Moonraker" song and only did it as a favor to Barry.

The latest James Bond movie “Skyfall” stars Daniel Craig. 007 boozed so much that in all reality he would have had the tremulous hands of a chronic alcoholic, according to an offbeat study published by the British Medical Journal. PHOTO FROM FACEBOOK.COM/JAMESBONDOO7

Live And Let Die Theme Song – James Bond

 

 

Paul McCartney Uncle Albert Rare Studio Demo

Paul McCartney; Uncle AlbertAdmiral Halsey. (RAM 1971)

Uncle Albert/Admiral Halsey

From Wikipedia, the free encyclopedia
 
 
“Uncle Albert/Admiral Halsey”
Single by Paul and Linda McCartney
from the album Ram
B-side Too Many People
Released 2 August 1971 (US only)
Format 7″
Recorded 6 November 1970
Genre
Length 4:49
Label Apple
Writer(s) Paul and Linda McCartney
Producer(s) Paul and Linda McCartney
Paul and Linda McCartney singles chronology
Another Day
(1971)
Uncle Albert/Admiral Halsey
(1971)
The Back Seat of My Car
(1971)
Ram track listing
 

Uncle Albert/Admiral Halsey” is a song by Paul and Linda McCartney from the album Ram. Released in the United States as a single on 2 August 1971,[1] but premiering on WLS the previous week (as a “Hit Parade Bound” (HPB)),[2] it reached number one on the Billboard Hot 100 on 4 September 1971,[3][4] making it the first of a string of post-Beatles, McCartney-penned singles to top the US pop chart during the 1970s and 1980s. Billboard ranked it number 22 on its Top Pop Singles of 1971 year-end chart.[5]

Elements and interpretation[edit]

https://youtu.be/XI6C7L66zq8
“Uncle Albert/Admiral Halsey” is composed of several unfinished song fragments that McCartney stitched together similar to the medleys from the Beatles‘ album Abbey Road.[6] The song is noted for its sound effects, including the sounds of a thunderstorm, with rain, heard between the first and second stanza, the sound of a telephone ringing, and a message machine, heard after the second stanza, and a sound of chirping sea birds and wind by the seashore. Linda’s voice is heard in the harmonies as well as the bridge section of the “Admiral Halsey” portion of the song.

McCartney said “Uncle Albert” was based on his uncle. “He’s someone I recall fondly, and when the song was coming it was like a nostalgia thing.”[7] McCartney also said, “As for Admiral Halsey, he’s one of yours, an American admiral”, referring to Fleet Admiral William “Bull” Halsey (1882–1959).[7] McCartney has described the “Uncle Albert” section of the song as an apology from his generation to the older generation, and Admiral Halsey as an authoritarian figure who ought to be ignored.[8]

Despite the disparate elements that make up the song, author Andrew Grant Jackson discerns a coherent narrative to the lyrics, related to McCartney’s emotions in the aftermath of the Beatles’ breakup.[9] In this interpretation, the song begins with McCartney apologizing to his uncle for getting nothing done, and being easily distracted and perhaps depressed in the lethargic “Uncle Albert” section.[9] Then, after some sound effects reminiscent of “Yellow Submarine,” Admiral Halsey appears to him calling him to action, although McCartney remains more interested in “tea and butter pie.” McCartney stated that he put the butter in the pie so that it would not melt at all.[9] Jackson sees a possible sinister allusion in the use of Admiral Halsey as a character in the song, since Halsey was famous for fighting the Japanese in World War II and claiming that “after the war, the Japanese language will be spoken only in hell,” and McCartney’s ex-Beatle partner John Lennon had recently married a Japanese woman, Yoko Ono.[9] The “hands across the water” section which follows could be taken as evocative of the command “All hands on deck!”, rousing McCartney to action, perhaps to compete with Lennon.[9] The song then ends with the “gypsy” section, in which McCartney resolves to get back on the road and perform his music, now that he was on his own without his former bandmates who no longer wanted to tour.[9]

Reception[edit]

Paul McCartney won the Grammy Award for Best Arrangement Accompanying Vocalists in 1971 for the song.[10][11] The single was certified Gold by the Recording Industry Association of America for sales of over one million copies.[12]

According to Allmusic critic Stewart Mason, fans of Paul McCartney’s music are divided in their opinions of this song.[13] Although some fans praise it as “one of his most playful and inventive songs” others criticize it for being “exactly the kind of cute self-indulgence that they find so annoying about his post-Beatles career.”[13] Mason himself considers it “churlish” to be annoyed by the song, given that song isn’t intended to be completely serious, and praises the “Hands across the water” section as being “lovably giddy.”[13]

On the US charts, the song set a songwriting milestone as the all-time songwriting record (at the time) for the most consecutive calendar years to write a #1 song. This gave McCartney eight consecutive years (starting with “I Want to Hold Your Hand“), leaving behind Lennon with only seven years.

Later release[edit]

“Uncle Albert/Admiral Halsey” also appears on Wings Greatest from 1978, even though Ram was not a Wings album, and again on the US version of McCartney’s 1987 compilation, All the Best!, as well as the 2001 compilation Wingspan: Hits and History.

Personnel[edit]

Song uses[edit]

Charts[edit]

Peak positions[edit]

Chart (1971) Position
Australian Kent Music Report[14] 5
Canadian RPM Top 100 Singles[15] 1
Mexican Singles Chart[16] 3
U.S. Billboard Hot 100[4] 1
West German Media Control Singles Chart[17] 30

Year-end charts[edit]

Chart (1971) Position
Canadian RPM Singles Chart[18] 14
U.S. Billboard Top Pop Singles[16] 22

Certifications[edit]

Region Certification
United States (RIAA)[19] Gold

Notes[edit]

  1. Jump up^ McGee 2003, p. 195.
  2. Jump up^ “89WLS Hit Parade”. 1971-08-02. Retrieved 2013-12-21.
  3. Jump up^ Billboard.
  4. ^ Jump up to:a b “Allmusic: Paul McCartney: Charts & Awards”. allmusic.com. Retrieved 2 May 2013.
  5. Jump up^ “Top Pop 100 Singles” Billboard December 25, 1971: TA-36
  6. Jump up^ Blaney, J. (2007). Lennon and McCartney: together alone: a critical discography of their solo work. Jawbone Press. pp. 46, 50. ISBN 978-1-906002-02-2.
  7. ^ Jump up to:a b McGee 2003, p. 196.
  8. Jump up^ Benitez, V.P. (2010). The Words and Music of Paul McCartney: The Solo Years. Praeger. pp. 30–31. ISBN 978-0-313-34969-0.
  9. ^ Jump up to:a b c d e f Jackson, A.G. (2012). Still the Greatest: The Essential Songs of The Beatles’ Solo Careers. Scarecrow Press. ISBN 978-0810882225.
  10. Jump up^ “Past Winners Search”. National Academy of Recording Arts and Sciences. Retrieved 2 May 2014.
  11. Jump up^ “1971 Grammy Awards”.
  12. Jump up^ riaa.com
  13. ^ Jump up to:a b c Mason, S. “Uncle Albert/Admiral Halsey”. Allmusic. Retrieved 2013-12-25.
  14. Jump up^ Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN 0-646-11917-6.
  15. Jump up^ “Top Singles – Volume 16, No. 5”. RPM. 18 September 1971. Retrieved 5 May 2013.
  16. ^ Jump up to:a b Nielsen Business Media, Inc (25 December 1971). Billboard – Talent in Action 1971. Retrieved 1 May 2014.
  17. Jump up^ “Single Search: Paul and Linda McCartney – “Uncle Albert/Admiral Halsey”” (in German). Media Control. Retrieved 20 February 2013.
  18. Jump up^ “RPM 100 Top Singles of 1971”. RPM. 8 January 1972. Retrieved 11 March 2014.
  19. Jump up^ “American single certifications – Paul Mc Cartney – Uncle Albert”. Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Single, then click SEARCH

References[edit]

Preceded by
How Can You Mend a Broken Heart” by Bee Gees
Billboard Hot 100 number-one single
4 September 1971 (one week)
Succeeded by
Go Away Little Girl” by Donny Osmond
Preceded by
Sweet Hitch-Hiker” by Creedence Clearwater Revival
Canadian “RPM” Singles Chart number-one single
18 September 1971 – 2 October 1971 (three weeks)
Succeeded by
Maggie May” by Rod Stewart

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Every James Bond Theme Song, Ranked Worst to Best Part 2 (#23-24)

________

I really enjoyed the latest James Bond film NO TIME TO DIE and for my thoughts on it you can go to this link

 

We have all the time in the world… to debate the relative merits of 50 years of James Bond music, as we do each time a new entry, like Billie Eilish’s “No Time to Die,” is added to the canon. And in the case of the film of that name, a long-distant Bond song has also been revived for the new soundtrack — Louis Armstrong’s “We Have All the Time in the World” — the impact of which may cause everyone to completely rethink where that love theme from “On Her Majesty’s Secret Service” ranks, now that it puts us in mind of sad Daniel Craig instead of sad George Lazenby.

What follows is an unassailable list of 26 Bond songs rated from worst to best. A caveat: I have at least a twinge of respect or affection for every tune in the catalog — even the Jack White and Madonna tracks, which kind of deserve the black eyes they get from the vast majority of Bond buffs, but which deserve at least a little credit… okay, a very little credit… for fearlessness in shaking up what can lean toward a rather algebraic formula. The fact is, we love our post-Shirley Bassey Bond music most when it adheres to tradition in some ways while upending it in others. That could be Paul McCartney juxtaposing a sinister strings break with a goofy reggae bridge in “Live and Let Die,” or it could be Eilish and Finneas working a subtle sliver of Monty Norman’s “James Bond Theme” into their otherwise somber entry before bringing it home with the “spy chord”… the E minor Major 9 that will mean “Bond, James Bond” for the rest of time.

NO TIME TO DIE | Final US Trailer

007 : James Bond : Theme

 

Casino Royale – Chris Cornell – You Know My Name

 

Alicia Keys & Jack White – Another Way To Die [Official Video]

 

Goldfinger Theme Song – James Bond

Diamonds Are Forever Theme Song – James Bond

Moonraker Theme Song – James Bond

Adele – Skyfall (Lyric Video)

—-

Billie Eilish – No Time To Die

 

——

Sam Smith – Writing’s On The Wall (from Spectre) (Official Video)

 

—-

Thunderball Theme Song – James Bond

 

Nancy Sinatra – You Only Live Twice (HQ)

__

The Man with the Golden Gun Opening Title Sequence

 

—-

The spy who loved me (1977) INTRO HD

Sheena Easton • For Your Eyes Only – James Bond/007

—-

James Bond – Octopussy – Theme Song

A View to a Kill Opening Title Sequence

 –

A-ha • The Living Daylights – James Bond 007

 

LICENCE TO KILL HIGH DEFINITION

 

-—

James Bond – Goldeneye Opening Theme (HQ)

Sheryl Crow – Tomorrow Never Dies

 

Barry, Beatles, Billie: 60 years of Bond tunes

<img class=”i-amphtml-intrinsic-sizer” role=”presentation” src=”data:;base64,” alt=”” aria-hidden=”true” />Barry, Beatles, Billie: 60 years of Bond tunes

 

British actor Daniel Craig poses during a photocall to promote the 24th James Bond film ‘Spectre’ on February 18, 2015 at Rome’s city hall. AFP PHOTO / TIZIANA FABI (Photo by VINCENZO PINTO and TIZIANA FABI / AFP)

Paris, France — Ever since the twanging guitar of John Barry’s theme song first appeared in “Dr No” in 1962, music has been crucial to the James Bond phenomenon.

The songs written for each title sequence have become a way of marking out the evolution of pop music through the past 60 years, from the classics of Shirley Bassey and Paul McCartney to Adele and Billie Eilish.

Nobody remembers Monty

Many assume the original theme was written by John Barry, in part because he became so closely associated with the Bond franchise, composing the soundtrack for 11 of the films.

 

In fact, Barry only arranged and performed the theme tune.

The famous dung-digger-dung-dung line was actually written by theater composer Monty Norman, developed from an unused Indian-themed score he had written for an adaptation of VS Naipaul’s “A House for Mr Biswas.”

It was Barry’s job to jazz it up, adding the blaring horns that made it so dramatic.

While Norman was given a one-off payment of just £250, Barry built a Hollywood career that has included five Oscars and classic soundtracks to “Midnight Cowboy,” “Out of Africa,” and many more.

Golden girl Shirley Bassey

Bassey became almost as closely linked to Bond as Barry — the only singer to deliver three title tracks: “Goldfinger” (1964), “Diamonds are Forever” (1971), and “Moonraker” (1979).

The first two are considered the most memorable in Bond history, the latter less so — Bassey later admitted she hated the “Moonraker” song and only did it as a favor to Barry.

“Goldfinger” made her a star, but the recording sessions were grueling, with Barry insisting that Bassey, then 27, hold the last belting note for seven full seconds.

“I was holding it and holding it — I was looking at John Barry and I was going blue in the face and he’s going — hold it just one more second. When it finished, I nearly passed out,” she later recalled.

 A new Beatles beginning

The first Bond film without Barry on the baton was “Live and Let Die” in 1973.

For this, the producers turned to another famous “B” The Beatles.

The group’s producer George Martin took over composing duties and brought in Paul McCartney and his band Wings for the theme song.

It became another classic and spawned a famous cover by Guns’N’Roses in later years.

From this point on, the Bond title song became its own mini-industry, without the involvement of the composer.

Big pop tie-ins followed, ranging from the not-so-successful (Lulu’s “The Man with the Golden Gun”) to classics like Carly Simon’s “Nobody Does it Better” and Duran Duran’s “A View to a Kill.”

<img class=”i-amphtml-intrinsic-sizer” role=”presentation” src=”data:;base64,” alt=”” aria-hidden=”true” />Barry, Beatles, Billie: 60 years of Bond tunes

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The next generation

After a few desultory outings during the Pierce Brosnan years, the Bond genre got a shot of adrenaline with Adele’s “Skyfall” in 2012, which was the first to win an Oscar for best song.

<img class=”i-amphtml-intrinsic-sizer” role=”presentation” src=”data:;base64,” alt=”” aria-hidden=”true” />Barry, Beatles, Billie: 60 years of Bond tunes

 

Image: Twitter/@007

The following year’s “Writing’s on the Wall” by Sam Smith also won an Oscar, though it got a more mixed critical reception.

The latest incarnation is pop princess Billie Eilish with “No Time to Die,” which she co-wrote with her brother Finneas.

It already has a thumbs-up from the doyenne of the Bond theme world, with Bassey telling The Big Issue: “She did a good job.”

Golden girl Shirley Bassey Bassey became almost as closely linked to Bond as Barry -- the only singer to deliver three title tracks: "Goldfinger" (1964), "Diamonds are Forever" (1971), and "Moonraker" (1979).  The first two are considered the most memorable in Bond history, the latter less so -- Bassey later admitted she hated the "Moonraker" song and only did it as a favor to Barry.

The latest James Bond movie “Skyfall” stars Daniel Craig. 007 boozed so much that in all reality he would have had the tremulous hands of a chronic alcoholic, according to an offbeat study published by the British Medical Journal. PHOTO FROM FACEBOOK.COM/JAMESBONDOO7

Live And Let Die Theme Song – James Bond

 

 

Paul McCartney Uncle Albert Rare Studio Demo

Paul McCartney; Uncle AlbertAdmiral Halsey. (RAM 1971)

Uncle Albert/Admiral Halsey

From Wikipedia, the free encyclopedia
 
 
“Uncle Albert/Admiral Halsey”
Single by Paul and Linda McCartney
from the album Ram
B-side Too Many People
Released 2 August 1971 (US only)
Format 7″
Recorded 6 November 1970
Genre
Length 4:49
Label Apple
Writer(s) Paul and Linda McCartney
Producer(s) Paul and Linda McCartney
Paul and Linda McCartney singles chronology
Another Day
(1971)
Uncle Albert/Admiral Halsey
(1971)
The Back Seat of My Car
(1971)
Ram track listing
 

Uncle Albert/Admiral Halsey” is a song by Paul and Linda McCartney from the album Ram. Released in the United States as a single on 2 August 1971,[1] but premiering on WLS the previous week (as a “Hit Parade Bound” (HPB)),[2] it reached number one on the Billboard Hot 100 on 4 September 1971,[3][4] making it the first of a string of post-Beatles, McCartney-penned singles to top the US pop chart during the 1970s and 1980s. Billboard ranked it number 22 on its Top Pop Singles of 1971 year-end chart.[5]

Elements and interpretation[edit]

https://youtu.be/XI6C7L66zq8
“Uncle Albert/Admiral Halsey” is composed of several unfinished song fragments that McCartney stitched together similar to the medleys from the Beatles‘ album Abbey Road.[6] The song is noted for its sound effects, including the sounds of a thunderstorm, with rain, heard between the first and second stanza, the sound of a telephone ringing, and a message machine, heard after the second stanza, and a sound of chirping sea birds and wind by the seashore. Linda’s voice is heard in the harmonies as well as the bridge section of the “Admiral Halsey” portion of the song.

McCartney said “Uncle Albert” was based on his uncle. “He’s someone I recall fondly, and when the song was coming it was like a nostalgia thing.”[7] McCartney also said, “As for Admiral Halsey, he’s one of yours, an American admiral”, referring to Fleet Admiral William “Bull” Halsey (1882–1959).[7] McCartney has described the “Uncle Albert” section of the song as an apology from his generation to the older generation, and Admiral Halsey as an authoritarian figure who ought to be ignored.[8]

Despite the disparate elements that make up the song, author Andrew Grant Jackson discerns a coherent narrative to the lyrics, related to McCartney’s emotions in the aftermath of the Beatles’ breakup.[9] In this interpretation, the song begins with McCartney apologizing to his uncle for getting nothing done, and being easily distracted and perhaps depressed in the lethargic “Uncle Albert” section.[9] Then, after some sound effects reminiscent of “Yellow Submarine,” Admiral Halsey appears to him calling him to action, although McCartney remains more interested in “tea and butter pie.” McCartney stated that he put the butter in the pie so that it would not melt at all.[9] Jackson sees a possible sinister allusion in the use of Admiral Halsey as a character in the song, since Halsey was famous for fighting the Japanese in World War II and claiming that “after the war, the Japanese language will be spoken only in hell,” and McCartney’s ex-Beatle partner John Lennon had recently married a Japanese woman, Yoko Ono.[9] The “hands across the water” section which follows could be taken as evocative of the command “All hands on deck!”, rousing McCartney to action, perhaps to compete with Lennon.[9] The song then ends with the “gypsy” section, in which McCartney resolves to get back on the road and perform his music, now that he was on his own without his former bandmates who no longer wanted to tour.[9]

Reception[edit]

Paul McCartney won the Grammy Award for Best Arrangement Accompanying Vocalists in 1971 for the song.[10][11] The single was certified Gold by the Recording Industry Association of America for sales of over one million copies.[12]

According to Allmusic critic Stewart Mason, fans of Paul McCartney’s music are divided in their opinions of this song.[13] Although some fans praise it as “one of his most playful and inventive songs” others criticize it for being “exactly the kind of cute self-indulgence that they find so annoying about his post-Beatles career.”[13] Mason himself considers it “churlish” to be annoyed by the song, given that song isn’t intended to be completely serious, and praises the “Hands across the water” section as being “lovably giddy.”[13]

On the US charts, the song set a songwriting milestone as the all-time songwriting record (at the time) for the most consecutive calendar years to write a #1 song. This gave McCartney eight consecutive years (starting with “I Want to Hold Your Hand“), leaving behind Lennon with only seven years.

Later release[edit]

“Uncle Albert/Admiral Halsey” also appears on Wings Greatest from 1978, even though Ram was not a Wings album, and again on the US version of McCartney’s 1987 compilation, All the Best!, as well as the 2001 compilation Wingspan: Hits and History.

Personnel[edit]

Song uses[edit]

Charts[edit]

Peak positions[edit]

Chart (1971) Position
Australian Kent Music Report[14] 5
Canadian RPM Top 100 Singles[15] 1
Mexican Singles Chart[16] 3
U.S. Billboard Hot 100[4] 1
West German Media Control Singles Chart[17] 30

Year-end charts[edit]

Chart (1971) Position
Canadian RPM Singles Chart[18] 14
U.S. Billboard Top Pop Singles[16] 22

Certifications[edit]

Region Certification
United States (RIAA)[19] Gold

Notes[edit]

  1. Jump up^ McGee 2003, p. 195.
  2. Jump up^ “89WLS Hit Parade”. 1971-08-02. Retrieved 2013-12-21.
  3. Jump up^ Billboard.
  4. ^ Jump up to:a b “Allmusic: Paul McCartney: Charts & Awards”. allmusic.com. Retrieved 2 May 2013.
  5. Jump up^ “Top Pop 100 Singles” Billboard December 25, 1971: TA-36
  6. Jump up^ Blaney, J. (2007). Lennon and McCartney: together alone: a critical discography of their solo work. Jawbone Press. pp. 46, 50. ISBN 978-1-906002-02-2.
  7. ^ Jump up to:a b McGee 2003, p. 196.
  8. Jump up^ Benitez, V.P. (2010). The Words and Music of Paul McCartney: The Solo Years. Praeger. pp. 30–31. ISBN 978-0-313-34969-0.
  9. ^ Jump up to:a b c d e f Jackson, A.G. (2012). Still the Greatest: The Essential Songs of The Beatles’ Solo Careers. Scarecrow Press. ISBN 978-0810882225.
  10. Jump up^ “Past Winners Search”. National Academy of Recording Arts and Sciences. Retrieved 2 May 2014.
  11. Jump up^ “1971 Grammy Awards”.
  12. Jump up^ riaa.com
  13. ^ Jump up to:a b c Mason, S. “Uncle Albert/Admiral Halsey”. Allmusic. Retrieved 2013-12-25.
  14. Jump up^ Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN 0-646-11917-6.
  15. Jump up^ “Top Singles – Volume 16, No. 5”. RPM. 18 September 1971. Retrieved 5 May 2013.
  16. ^ Jump up to:a b Nielsen Business Media, Inc (25 December 1971). Billboard – Talent in Action 1971. Retrieved 1 May 2014.
  17. Jump up^ “Single Search: Paul and Linda McCartney – “Uncle Albert/Admiral Halsey”” (in German). Media Control. Retrieved 20 February 2013.
  18. Jump up^ “RPM 100 Top Singles of 1971”. RPM. 8 January 1972. Retrieved 11 March 2014.
  19. Jump up^ “American single certifications – Paul Mc Cartney – Uncle Albert”. Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Single, then click SEARCH

References[edit]

Preceded by
How Can You Mend a Broken Heart” by Bee Gees
Billboard Hot 100 number-one single
4 September 1971 (one week)
Succeeded by
Go Away Little Girl” by Donny Osmond
Preceded by
Sweet Hitch-Hiker” by Creedence Clearwater Revival
Canadian “RPM” Singles Chart number-one single
18 September 1971 – 2 October 1971 (three weeks)
Succeeded by
Maggie May” by Rod Stewart

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MUSIC MONDAY Nico’s sad story of drugs and her interaction with Jim Morrison

Nico’s sad story of drugs and her interaction with Jim Morrison Nico – These Days The Doors (1991) – Movie Trailer / Best Parts The Doors Movie – Back Door Man/When The Music’s Over/Arrest of Jim Morrison Uploaded on Jul 30, 2009 A clip from “The Doors” movie with “Back Door Man”, “When The Music’s […]

MUSIC MONDAY Christian Singer’s Controversial Journey Revealed in New Documentary: ‘I Placed Homosexuality on Jesus’ Shoulders’ Oct. 2, 2014 2:23pm Billy Hallowell

Dennis Jernigan – You Are My All In All Uploaded on Oct 18, 2009 Dennis Jernigan – You Are My All In All __________________________________________ Christian Singer’s Controversial Journey Revealed in New Documentary: ‘I Placed Homosexuality on Jesus’ Shoulders’ Oct. 2, 2014 2:23pm Billy Hallowell Singer-songwriter Dennis Jernigan has been making Christian music for decades, recording […]

MUSIC MONDAY Cole Porter’s songs “De-Lovely” and “Let’s misbehave”

Cole Porter’s songs “De-Lovely” and “Let’s misbehave”   ‘At Long Last Love’: Let’s Misbehave/De-Lovely Uploaded on Apr 1, 2009 Burt Reynolds and Cybil Shepherd give an extraordinarily charming performance of Cole Porter’s songs in Peter Bogdanovich’s absolutely wonderful tribute to the golden age of film musicals, ‘At Long Last Love’. _____________________ De-Lovely   From Wikipedia, […]

MUSIC MONDAY Cole Porter’s song’s “My Heart Belongs to Daddy”

________ _______ Cole Porter’s song’s “My Heart Belongs to Daddy” My Heart Belongs To Daddy Uploaded on Jun 20, 2010 Mary Martin became popular on Broadway and received attention in the national media singing “My Heart Belongs to Daddy”. “Mary stopped the show with “My Heart Belongs to Daddy”. With that one song in the […]

MUSIC MONDAY Cole Porter’s song “Love for Sale”

______________ Love For Sale (De-Lovely) Love for Sale (song) From Wikipedia, the free encyclopedia Jump to: navigation, search This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2008) “Love for Sale“ Written by Cole Porter Published 1930 Form […]

MUSIC MONDAY Cole Porter’s song “Ev’ry Time We Say Goodbye”

Cole Porter’s song “Ev’ry Time We Say Goodbye” _________________ Natalie Cole – Ev’ry Time We Say Goodbye Ev’ry Time We Say Goodbye   From Wikipedia, the free encyclopedia   Jump to: navigation, search   This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be […]

MUSIC MONDAY Cole Porter’s song “So in Love”

Cole Porter’s song “So in Love” __________________ So in love – De-lovely So in Love From Wikipedia, the free encyclopedia Jump to: navigation, search For the song by Orchestral Manoeuvres in the Dark, see So in Love (OMD song). For the song by Jill Scott, see So in Love (Jill Scott song). Not to be […]

MUSIC MONDAY Cole Porter’s song “Night and Day”

____________________ Cole Porter’s song “Night and Day” Cole Porter´s Day and Night by Fred Astaire & Ginger Rogers Night and Day (song) From Wikipedia, the free encyclopedia Jump to: navigation, search This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article […]

MUSIC MONDAY John Lennon and Bob Dylan Conversation mention Johnny Cash and his song “Big River”

Johnny Cash – Big River Uploaded on Jan 16, 2008 Grand Ole Opry, 1962 _______________________________ John Lennon and Bob Dylan Conversation mention Johnny Cash and his song “Big River” _______________________ Big River (Johnny Cash song) From Wikipedia, the free encyclopedia Jump to: navigation, search This article may require cleanup to meet Wikipedia’s quality standards. No […]

Every James Bond Theme Song, Ranked Worst to Best Part 1 (#25-26)

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I really enjoyed the latest James Bond film NO TIME TO DIE and for my thoughts on it you can go to this link

Continue reading

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 162E PAUSING to look at the life of John Raymond Smythies (April 14, 2017 letter to Dr. Smythies about his good friend Carl Gustav Jung)

I was saddened to learn of the passing of Dr. John Raymond Smythies on January 28, 2019 in La Jolla, CA,  and I wanted to spend time on several posts concentrating on him. I have several tributes, but the best I read can be found at this link.

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Photo of Larry Joe Speaks

Larry Joe Speaks, 69, of Cabot, passed Friday, April 7, 2017. He was born August 20, 1947 in Fort Smith, Arkansas to the late Joe and Doris Speaks. H

Larry Joe Speaks pictured above his pastor Pastor Kirk Wetsell pictured below:

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Nelson Price pictured above and Adrian Rogers pictured below

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may 14 christina perri and david hodges on stage during bmi’s 61st annual pop awards at the beverly wilshire four seasons hotel on may 14 2013 in beverly hills california

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SEPTEMBER 23, 2013“See You Again” No. 1 party BMI’s Jody Williams presents (l-r) Carrie Underwood, Hillary Lindsey and David Hodges with their commemorative BMI cups, lauding the success of “See You Again.” Hodges, as it was his first No. 1 as a songwriter, also received the traditional BMI black acoustic guitar. (Photo by Rick Diamond)

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Daughtry frontman Chris Daughtry with opening act David Hodges at Pure in Caesars Palace.

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Three founding members of Evanescence, Amy Lee, Ben Moody and David Hodges

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April 14, 2017

John Raymond Smythies, Center for Brain and Cognition,
La Jolla, CA 92093-0109

Dear Dr. Smythies,

On April 9, 2015, I wrote you a letter about Carl Gustav Jung (1875-1961) and his idea of the collective consciousness and I tied it in to Romans 1. In this letter I want to return to that subject. It still amazes me that you knew Carl Gustav Jung personally.

Today was Larry Speaks’ funeral. It was known that Larry loved watches, knives, firearms and fine jewelry, but when he died he could not take any of his possessions with him. Moreover,  Larry wasn’t depending on those things to get him to heaven. Larry’s heart did not concentrate on luxuries but  on serving Christ. Larry often went to the Mall to hand out free CD’s of the message WHO IS JESUS? by Adrian Rogers.
I wanted to share with you what was said by Pastor Kirk Wetsell about Larry’s life. Kirk knew Larry very well because he was not only Larry’s pastor but also his brother-in-law. Over the last few days I have got to know Pastor Kirk Wetsell since we both were frequent visitors to the hospital after Larry’s stroke in early April. Kirk made some opening comments then he read several verses from Romans chapters 1, 2 and 3:
Larry had a passion for the study of scripture. He had assurance of his salvation because he had a conviction of his sin and he had repented.
Nothing focuses us on the afterlife more than times of death. Is there life after death? Is there any higher power or are we just a product of chance? Does my life have any meaning or purpose? The WESTMINSTER CATECHISM states, What is the chief end of man? A. Man’s chief end is to glorify God, and to enjoy him forever.

Romans Chapter 1

18 For [God does not overlook sin and] the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men who in their wickedness suppress and stifle the truth, 19 because that which is known about God is evident within them [in their inner consciousness], for God made it evident to them. 20 For ever since the creation of the world His invisible attributes, His eternal power and divine nature, have been clearly seen, being understood through His workmanship [all His creation, the wonderful things that He has made], so that they [who fail to believe and trust in Him] are without excuse and without defense.21 For even though they knew God [as the Creator], they did not honor Him as God or give thanks [for His wondrous creation]. On the contrary, they became worthless in their thinking [godless, with pointless reasonings, and silly speculations], and their foolish heart was darkened.

Chapter 2

14 When Gentiles, who do not have the Law [since it was given only to Jews], do instinctively the things the Law requires [guided only by their conscience], they are a law to themselves, though they do not have the Law.15 They show that the essential requirements of the Law are written in their hearts; and their conscience [their sense of right and wrong, their moral choices] bearing witness and their thoughts alternately accusing or perhaps defending them 16 on that day when, as my gospel proclaims, God will judge the secrets [all the hidden thoughts and concealed sins] of men through Christ Jesus.

Chapter 3

23 since all have sinned and continually fall short of the glory of God, 24 and are being justified [declared free of the guilt of sin, made acceptable to God, and granted eternal life] as a gift by His [precious, undeserved] grace, through the redemption [the payment for our sin] which is [provided] in Christ Jesus…

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Now let me interject another insight. Romans 1:18-19 says, “For [God does not overlook sin and] the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men who in their wickedness suppress and stifle the truth, 19 because that which is known about God is evident within them [in their inner consciousness], for God made it evident to them.”

Nelson Price in THE EMMANUEL FACTOR (1987) tells the story about Brown Trucking Company in Georgia who used to give polygraph tests to their job applicants. However, in part of the test the operator asked, “Do you believe in God?” In every instance when a professing atheist answered “No,” the test showed the person to be lying. My pastor Adrian Rogers used to tell this same story to illustrate Romans 1:19 and it was his conclusion that “there is no such thing anywhere on earth as a true atheist. If a man says he doesn’t believe in God, then he is lying. God has put his moral consciousness into every man’s heart, and a man has to try to kick his conscience to death to say he doesn’t believe in God.”

It is true that polygraph tests for use in hiring were banned by Congress in 1988.  Mr and Mrs Claude Brown on Aug 25, 1994  wrote me a letter confirming that over 15,000 applicants previous to 1988 had taken the polygraph test and EVERY TIME SOMEONE SAID THEY DID NOT BELIEVE IN GOD, THE MACHINE SAID THEY WERE LYING.

Pastor Kirk finished up his sermon today at Larry Speaks’ funeral with these words from the poem ONLY ONE LIFE, TWILL SOON BE PAST written by C.T. STUDD :

Two little lines I heard one day, Traveling along life’s busy way;
Bringing conviction to my heart, And from my mind would not depart;
Only one life, ‘twill soon be past, Only what’s done for Christ will last.

Only one life, yes only one, Soon will its fleeting hours be done;
Then, in ‘that day’ my Lord to meet, And stand before His Judgment seat;
Only one life, ‘twill soon be past, Only what’s done for Christ will last.

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Can we all agree with C.T. STUDD that after we die we can’t arrange to take our possessions with us? 

Solomon had it all and especially gold but he said all thefame and fortune is vanity and a chasing of the wind because it will NOT bring satisfaction or even last.

Back in 2001 our friend David Hodges was in a struggling rock band named EVANESCENCE in Little Rock but then they hit it big. Not only did Evanescence sell 20 million records but afterwards David wrote #1 smash singles: Kelly Clarkson’s “Because of You,” Daughtry’s“What About Now,” Carrie Underwood’s “See You Again” and many others. My personal favorite is A THOUSAND YEARS sung by Christina Perri. 

In October of 2016 David Hodges spoke to a meeting I attended in Little Rock. He said the 15 years he lived in Los Angeles had taught him a lot of lessons and the MOST IMPORTANT is the lesson from the BOOK OF ECCLESIASTES that TRUE JOY and HAPPINESS does not come from MONEY and POSSESSIONS.

I have been writing you the last few times on Solomon.   He was searching for meaning in life in what I call the 6 big L words in the Book of Ecclesiastes. He looked into  learning (1:16-18), laughter, ladies, luxuries,  and liquor(2:1-3, 8, 10, 11), and labor (2:4-6, 18-20). After searching  in area of luxuries Solomon found  them to be  “vanity and a striving after the wind.”

Ecclesiastes 2:7-11 English Standard Version (ESV)

7I had also great possessions of herds and flocks, more than any who had been before me in Jerusalem. 8 I also gathered for myself silver and gold and the treasure of kings and provinces. So I became great and surpassed all who were before me in Jerusalem…10 And whatever my eyes desired I did not keep from them. 11 Then I considered all that my hands had done and the toil I had expended in doing it, and behold, all was vanity and a striving after wind, and there was nothing to be gained UNDER THE SUN.

“For what does it profit a man to gain the whole world and forfeit his soul?” Mark 8:36 (Christ’s words)

God put Solomon’s story in Ecclesiastes in the Bible with the sole purpose of telling people like you that without God in the picture you  will find out the emptiness one feels when possessions are trying to fill the void that God can only fill.

Then in the last chapter of Ecclesiastes Solomon returns to looking above the sun and he says that obeying the Lord is the proper way to live your life. The  answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted. If you need more evidence then go to You Tube and watch the short videos  “Francis Schaeffer – The Biblical Flow of History & Truth (1),“(3 min, 5 sec) and “Dr. Francis Schaeffer – The Biblical Flow of Truth & History (part 2),” (10 min, 46 sec).

Thanks for your time.

Sincerely,

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

Nick Gathergood, David-Birkett, Harry-Kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif Ahmed, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BatePatricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Hermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart Kauffman,  Lawrence KraussHarry Kroto, George LakoffElizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,  Jonathan Parry,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

In  the second video below in the 95th clip in this series are his words but today I just wanted to pause and look at this life. 

Quote from Dr. John Raymond Smythies

I would like to describe how mescaline works. These hallucination drugs have a very specific action in two ways. Number 1 they produce fantastic visual hallucinations. These are described by the people who have them (most of them are down to earth scientists such as MacDonald Critchley) as being more beautiful than anything they have ever seen in normal art. Some of these people have the sort of experience as union with God, mystical experiences and so on.

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

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Related posts:

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 53 THE BEATLES (Part E, Stg. Pepper’s and John Lennon’s search in 1967 for truth was through drugs, money, laughter, etc & similar to King Solomon’s, LOTS OF PICTURES OF JOHN AND CYNTHIA) (Feature on artist Yoko Ono)

The John Lennon and the Beatles really were on a long search for meaning and fulfillment in their lives  just like King Solomon did in the Book of Ecclesiastes. Solomon looked into learning (1:12-18, 2:12-17), laughter, ladies, luxuries, and liquor (2:1-2, 8, 10, 11), and labor (2:4-6, 18-20). He fount that without God in the picture all […]

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  The Beatles in a press conference after their Return from the USA Uploaded on Nov 29, 2010 The Beatles in a press conference after their Return from the USA. The Beatles:   I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis […]

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MUSIC MONDAY “You Only Live Twice”, performed by Nancy Sinatra, is the theme song to the 1967 James Bondfilm of the same name. The music was by veteran Bond film composer John Barry!

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NO TIME TO DIE | Final US Trailer

007 : James Bond : Theme

Goldfinger Theme Song – James Bond

Diamonds Are Forever Theme Song – James Bond

Moonraker Theme Song – James Bond

Adele – Skyfall (Lyric Video)

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Billie Eilish – No Time To Die

 

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Sam Smith – Writing’s On The Wall (from Spectre) (Official Video)

 

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Thunderball Theme Song – James Bond

 

Nancy Sinatra – You Only Live Twice (HQ)

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You Only Live Twice“, performed by Nancy Sinatra, is the theme song to the 1967 James Bondfilm of the same name. The music was by veteran Bond film composer John Barry, with lyrics by Leslie Bricusse. The song is widely recognized for its striking opening bars, featuring a simple 2-bar theme in the high octaves of the violins and lush harmonies from French horns. It is considered by some to be among the best James Bond theme songs,[1] and has become one of Nancy Sinatra’s best known hits. Shortly after Barry’s production, Sinatra’s producer Lee Hazlewood released a more guitar-based single version.

“You Only Live Twice”
You Only Live Twice by Nancy Sinatra US single 1967.png

 

Side A of the US single
Single by Nancy Sinatra
from the album You Only Live Twice
B-side “Jackson”
Released 1967
Recorded 2 May 1967 at the CTS Studios in London
Genre
Length 2:48
Label Reprise
Songwriter(s)
Producer(s) John Barry

The song has been extensively covered by artists, from Coldplay to Soft Cell, Björk and Little Anthony & The Imperials to Shirley Bassey. Robbie Williamsnotably re-recorded the opening bars of the song for his hit “Millennium“.

 

BackgroundEdit

 

Nancy Sinatra in the 1960s

James Bond veteran John Barry returned to the franchise to produce the score. The lyrics were by Leslie Bricusse, who had previously cowritten the lyrics for the theme to Goldfinger.

An initial version of the song was performed by Julie Rogers and recorded with a 50 or 60 piece orchestra at CTS Studios. However, this version was not used since Barry decided to re-write and re-record the song: “It was usually the producers that said ‘this isn’t working, there’s a certain something that it needed’. If that energy wasn’t there, if that mysterioso kind of thing wasn’t there, then it wasn’t going to work for the movie.”[2] The Rogers song shares only two lines with the final version, “You only live twice”, and “you’ll pay the price”. Although there are many similarities in the harmony and orchestration with the final version, it is essentially a different song, with a less lush and more ethnic character.

The film’s producer Cubby Broccoli, wanted his friend Frank Sinatra to perform the song. Frank suggested that they use his daughter instead. Barry wanted to use Aretha Franklin, but the producers insisted that he use Nancy instead, who was enjoying great popularity in the wake of her single, “These Boots Are Made for Walkin’“.[3]

The final version (2:46) featured in the film’s opening title sequence and on the soundtrack LP is in the key of B and has a single vocal track. The song was recorded with a 60 piece orchestra on 2 May 1967 at the CTS Studios in Bayswater, London.[4] Sinatra later recalled that she was incredibly nervous during the recording, and it took around 30 takes to acquire enough material.[5]Producer John Barry eventually created the final version by incorporating vocals from 25 takes.[6]

In UK the soundtrack had been released but while soundtracks such as Doctor Zhivago and Fiddler on the Roof hit the Top 20, You Only Live Twice was less successful. Nancy Sinatra’s single version squeezed into the Top 20 for two weeks only. Barry also released an instrumental version but this failed to chart.

In Japan, the soundtrack was released in a gatefold with images from the film and a plot summary.[7]

Critical receptionEdit

Roy Wood described Barry’s string introduction to his song “You Only Live Twice” as “absolute perfection”. Mark Monahan of The Daily Telegraphdescribed the lyrics as “mysterious, romantically carpe diem … at once velvety, brittle and quite bewitching”.[8] David Ehrlich of Rolling Stone ranked “You Only Live Twice” the third best James Bond theme song, calling it “a classic.”[9]

 

Cover versionsEdit

The song is one of the most covered Bond themes.

 

In popular cultureEdit

The song was used in the closing montage of Mad Mens season five finale, “The Phantom“.[1] A parody of the song was created for The Simpsons episode “YOLO“.

 

ChartsEdit

Chart (1967) Peak
position
AUS 10
CAN 39
US 44
US AC 3

[13]

 

See alsoEdit

 

The Man with the Golden Gun Opening Title Sequence

 

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The spy who loved me (1977) INTRO HD

Sheena Easton • For Your Eyes Only – James Bond/007

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James Bond – Octopussy – Theme Song

A View to a Kill Opening Title Sequence

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A-ha • The Living Daylights – James Bond 007

 

LICENCE TO KILL HIGH DEFINITION

 

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James Bond – Goldeneye Opening Theme (HQ)

Sheryl Crow – Tomorrow Never Dies

 

Barry, Beatles, Billie: 60 years of Bond tunes

<img class=”i-amphtml-intrinsic-sizer” role=”presentation” src=”data:;base64,” alt=”” aria-hidden=”true” />Barry, Beatles, Billie: 60 years of Bond tunes

 

British actor Daniel Craig poses during a photocall to promote the 24th James Bond film ‘Spectre’ on February 18, 2015 at Rome’s city hall. AFP PHOTO / TIZIANA FABI (Photo by VINCENZO PINTO and TIZIANA FABI / AFP)

Paris, France — Ever since the twanging guitar of John Barry’s theme song first appeared in “Dr No” in 1962, music has been crucial to the James Bond phenomenon.

The songs written for each title sequence have become a way of marking out the evolution of pop music through the past 60 years, from the classics of Shirley Bassey and Paul McCartney to Adele and Billie Eilish.

Nobody remembers Monty

Many assume the original theme was written by John Barry, in part because he became so closely associated with the Bond franchise, composing the soundtrack for 11 of the films.

 

In fact, Barry only arranged and performed the theme tune.

The famous dung-digger-dung-dung line was actually written by theater composer Monty Norman, developed from an unused Indian-themed score he had written for an adaptation of VS Naipaul’s “A House for Mr Biswas.”

It was Barry’s job to jazz it up, adding the blaring horns that made it so dramatic.

While Norman was given a one-off payment of just £250, Barry built a Hollywood career that has included five Oscars and classic soundtracks to “Midnight Cowboy,” “Out of Africa,” and many more.

Golden girl Shirley Bassey

Bassey became almost as closely linked to Bond as Barry — the only singer to deliver three title tracks: “Goldfinger” (1964), “Diamonds are Forever” (1971), and “Moonraker” (1979).

The first two are considered the most memorable in Bond history, the latter less so — Bassey later admitted she hated the “Moonraker” song and only did it as a favor to Barry.

“Goldfinger” made her a star, but the recording sessions were grueling, with Barry insisting that Bassey, then 27, hold the last belting note for seven full seconds.

“I was holding it and holding it — I was looking at John Barry and I was going blue in the face and he’s going — hold it just one more second. When it finished, I nearly passed out,” she later recalled.

 A new Beatles beginning

The first Bond film without Barry on the baton was “Live and Let Die” in 1973.

For this, the producers turned to another famous “B” The Beatles.

The group’s producer George Martin took over composing duties and brought in Paul McCartney and his band Wings for the theme song.

It became another classic and spawned a famous cover by Guns’N’Roses in later years.

From this point on, the Bond title song became its own mini-industry, without the involvement of the composer.

Big pop tie-ins followed, ranging from the not-so-successful (Lulu’s “The Man with the Golden Gun”) to classics like Carly Simon’s “Nobody Does it Better” and Duran Duran’s “A View to a Kill.”

<img class=”i-amphtml-intrinsic-sizer” role=”presentation” src=”data:;base64,” alt=”” aria-hidden=”true” />Barry, Beatles, Billie: 60 years of Bond tunes

FILE PHOTO: Auctioneer specialists hold a rare intact James Bond ‘Thunderball’ (1965) film poster (estimate £8,000-£12,000), featuring two panels of poster illustrations on the left by Frank McCarthy and two on the right by Robert McGinnis, at Ewbank’s Auctioneers, ahead of an upcoming sale, in Woking, Britain, April 7, 2021. REUTERS/Hannah McKay

 

The next generation

After a few desultory outings during the Pierce Brosnan years, the Bond genre got a shot of adrenaline with Adele’s “Skyfall” in 2012, which was the first to win an Oscar for best song.

<img class=”i-amphtml-intrinsic-sizer” role=”presentation” src=”data:;base64,” alt=”” aria-hidden=”true” />Barry, Beatles, Billie: 60 years of Bond tunes

 

Image: Twitter/@007

The following year’s “Writing’s on the Wall” by Sam Smith also won an Oscar, though it got a more mixed critical reception.

The latest incarnation is pop princess Billie Eilish with “No Time to Die,” which she co-wrote with her brother Finneas.

It already has a thumbs-up from the doyenne of the Bond theme world, with Bassey telling The Big Issue: “She did a good job.”

Golden girl Shirley Bassey Bassey became almost as closely linked to Bond as Barry -- the only singer to deliver three title tracks: "Goldfinger" (1964), "Diamonds are Forever" (1971), and "Moonraker" (1979).  The first two are considered the most memorable in Bond history, the latter less so -- Bassey later admitted she hated the "Moonraker" song and only did it as a favor to Barry.

The latest James Bond movie “Skyfall” stars Daniel Craig. 007 boozed so much that in all reality he would have had the tremulous hands of a chronic alcoholic, according to an offbeat study published by the British Medical Journal. PHOTO FROM FACEBOOK.COM/JAMESBONDOO7

Live And Let Die Theme Song – James Bond

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Paul McCartney Uncle Albert Rare Studio Demo

Paul McCartney; Uncle AlbertAdmiral Halsey. (RAM 1971)

Uncle Albert/Admiral Halsey

From Wikipedia, the free encyclopedia
 
 
“Uncle Albert/Admiral Halsey”
Single by Paul and Linda McCartney
from the album Ram
B-side Too Many People
Released 2 August 1971 (US only)
Format 7″
Recorded 6 November 1970
Genre
Length 4:49
Label Apple
Writer(s) Paul and Linda McCartney
Producer(s) Paul and Linda McCartney
Paul and Linda McCartney singles chronology
Another Day
(1971)
Uncle Albert/Admiral Halsey
(1971)
The Back Seat of My Car
(1971)
Ram track listing
 

Uncle Albert/Admiral Halsey” is a song by Paul and Linda McCartney from the album Ram. Released in the United States as a single on 2 August 1971,[1] but premiering on WLS the previous week (as a “Hit Parade Bound” (HPB)),[2] it reached number one on the Billboard Hot 100 on 4 September 1971,[3][4] making it the first of a string of post-Beatles, McCartney-penned singles to top the US pop chart during the 1970s and 1980s. Billboard ranked it number 22 on its Top Pop Singles of 1971 year-end chart.[5]

Elements and interpretation[edit]

https://youtu.be/XI6C7L66zq8
“Uncle Albert/Admiral Halsey” is composed of several unfinished song fragments that McCartney stitched together similar to the medleys from the Beatles‘ album Abbey Road.[6] The song is noted for its sound effects, including the sounds of a thunderstorm, with rain, heard between the first and second stanza, the sound of a telephone ringing, and a message machine, heard after the second stanza, and a sound of chirping sea birds and wind by the seashore. Linda’s voice is heard in the harmonies as well as the bridge section of the “Admiral Halsey” portion of the song.

McCartney said “Uncle Albert” was based on his uncle. “He’s someone I recall fondly, and when the song was coming it was like a nostalgia thing.”[7] McCartney also said, “As for Admiral Halsey, he’s one of yours, an American admiral”, referring to Fleet Admiral William “Bull” Halsey (1882–1959).[7] McCartney has described the “Uncle Albert” section of the song as an apology from his generation to the older generation, and Admiral Halsey as an authoritarian figure who ought to be ignored.[8]

Despite the disparate elements that make up the song, author Andrew Grant Jackson discerns a coherent narrative to the lyrics, related to McCartney’s emotions in the aftermath of the Beatles’ breakup.[9] In this interpretation, the song begins with McCartney apologizing to his uncle for getting nothing done, and being easily distracted and perhaps depressed in the lethargic “Uncle Albert” section.[9] Then, after some sound effects reminiscent of “Yellow Submarine,” Admiral Halsey appears to him calling him to action, although McCartney remains more interested in “tea and butter pie.” McCartney stated that he put the butter in the pie so that it would not melt at all.[9] Jackson sees a possible sinister allusion in the use of Admiral Halsey as a character in the song, since Halsey was famous for fighting the Japanese in World War II and claiming that “after the war, the Japanese language will be spoken only in hell,” and McCartney’s ex-Beatle partner John Lennon had recently married a Japanese woman, Yoko Ono.[9] The “hands across the water” section which follows could be taken as evocative of the command “All hands on deck!”, rousing McCartney to action, perhaps to compete with Lennon.[9] The song then ends with the “gypsy” section, in which McCartney resolves to get back on the road and perform his music, now that he was on his own without his former bandmates who no longer wanted to tour.[9]

Reception[edit]

Paul McCartney won the Grammy Award for Best Arrangement Accompanying Vocalists in 1971 for the song.[10][11] The single was certified Gold by the Recording Industry Association of America for sales of over one million copies.[12]

According to Allmusic critic Stewart Mason, fans of Paul McCartney’s music are divided in their opinions of this song.[13] Although some fans praise it as “one of his most playful and inventive songs” others criticize it for being “exactly the kind of cute self-indulgence that they find so annoying about his post-Beatles career.”[13] Mason himself considers it “churlish” to be annoyed by the song, given that song isn’t intended to be completely serious, and praises the “Hands across the water” section as being “lovably giddy.”[13]

On the US charts, the song set a songwriting milestone as the all-time songwriting record (at the time) for the most consecutive calendar years to write a #1 song. This gave McCartney eight consecutive years (starting with “I Want to Hold Your Hand“), leaving behind Lennon with only seven years.

Later release[edit]

“Uncle Albert/Admiral Halsey” also appears on Wings Greatest from 1978, even though Ram was not a Wings album, and again on the US version of McCartney’s 1987 compilation, All the Best!, as well as the 2001 compilation Wingspan: Hits and History.

Personnel[edit]

Song uses[edit]

Charts[edit]

Peak positions[edit]

Chart (1971) Position
Australian Kent Music Report[14] 5
Canadian RPM Top 100 Singles[15] 1
Mexican Singles Chart[16] 3
U.S. Billboard Hot 100[4] 1
West German Media Control Singles Chart[17] 30

Year-end charts[edit]

Chart (1971) Position
Canadian RPM Singles Chart[18] 14
U.S. Billboard Top Pop Singles[16] 22

Certifications[edit]

Region Certification
United States (RIAA)[19] Gold

Notes[edit]

  1. Jump up^ McGee 2003, p. 195.
  2. Jump up^ “89WLS Hit Parade”. 1971-08-02. Retrieved 2013-12-21.
  3. Jump up^ Billboard.
  4. ^ Jump up to:a b “Allmusic: Paul McCartney: Charts & Awards”. allmusic.com. Retrieved 2 May 2013.
  5. Jump up^ “Top Pop 100 Singles” Billboard December 25, 1971: TA-36
  6. Jump up^ Blaney, J. (2007). Lennon and McCartney: together alone: a critical discography of their solo work. Jawbone Press. pp. 46, 50. ISBN 978-1-906002-02-2.
  7. ^ Jump up to:a b McGee 2003, p. 196.
  8. Jump up^ Benitez, V.P. (2010). The Words and Music of Paul McCartney: The Solo Years. Praeger. pp. 30–31. ISBN 978-0-313-34969-0.
  9. ^ Jump up to:a b c d e f Jackson, A.G. (2012). Still the Greatest: The Essential Songs of The Beatles’ Solo Careers. Scarecrow Press. ISBN 978-0810882225.
  10. Jump up^ “Past Winners Search”. National Academy of Recording Arts and Sciences. Retrieved 2 May 2014.
  11. Jump up^ “1971 Grammy Awards”.
  12. Jump up^ riaa.com
  13. ^ Jump up to:a b c Mason, S. “Uncle Albert/Admiral Halsey”. Allmusic. Retrieved 2013-12-25.
  14. Jump up^ Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN 0-646-11917-6.
  15. Jump up^ “Top Singles – Volume 16, No. 5”. RPM. 18 September 1971. Retrieved 5 May 2013.
  16. ^ Jump up to:a b Nielsen Business Media, Inc (25 December 1971). Billboard – Talent in Action 1971. Retrieved 1 May 2014.
  17. Jump up^ “Single Search: Paul and Linda McCartney – “Uncle Albert/Admiral Halsey”” (in German). Media Control. Retrieved 20 February 2013.
  18. Jump up^ “RPM 100 Top Singles of 1971”. RPM. 8 January 1972. Retrieved 11 March 2014.
  19. Jump up^ “American single certifications – Paul Mc Cartney – Uncle Albert”. Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Single, then click SEARCH

References[edit]

Preceded by
How Can You Mend a Broken Heart” by Bee Gees
Billboard Hot 100 number-one single
4 September 1971 (one week)
Succeeded by
Go Away Little Girl” by Donny Osmond
Preceded by
Sweet Hitch-Hiker” by Creedence Clearwater Revival
Canadian “RPM” Singles Chart number-one single
18 September 1971 – 2 October 1971 (three weeks)
Succeeded by
Maggie May” by Rod Stewart

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 162D PAUSING to look at the life of John Raymond Smythies (Asking him about Aldous Huxley)

I was saddened to learn of the passing of Dr. John Raymond Smythies on January 28, 2019 in La Jolla, CA,  and I wanted to spend time on several posts concentrating on him. I have several tributes, but the best I read can be found at this link.

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Sean Michael preaching on April 9, 2017 Palm Sunday at Calvary Chapel in Bauxite, Arkansas and he preached on II Corinthians chapters 4 and 5:

17 Therefore, if anyone is in Christ, he is a new creation.[f]The old has passed away; behold, the new has come. 18 All this is from God, who through Christ reconciled us to himself and gave us the ministry of reconciliation; 19 that is, in

Picture of Sean preaching here

Christ God was reconciling[g] the world to himself, not counting their trespasses against them, and entrusting to us the message of reconciliation. 20 Therefore, we are ambassadors for Christ, God making his appeal through us. We implore you on behalf of Christ, be reconciled to God. 21 For our sake he made him to be sin who knew no sin, so that in him we might become the righteousness of God.

(seen below) Sean Michel made it  to Hollywood in the 2007 AMERICAN IDOL COMPETITION while singing theJohnny Cash song GOD’S GONNA CUT YOU DOWN

Image result for sean michel arkansas american idol

Simon was taken back by the song GOD’S GONNA CUT YOU DOWN

Image result for american idol judges 2007

Check out on You Tube the song THIS IS AMAZING GRACE (It has about 30 million views)

Image result for phil wickham in concert

Jesus paid for our sin even though he was sinless

Image result for jesus pharisees

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Photo of Larry Joe Speaks

Larry Joe Speaks, 69, of Cabot, passed Friday, April 7, 2017. He was born August 20, 1947 in Fort Smith, Arkansas to the late Joe and Doris Speaks. H

The sermon WHO IS JESUS? was preached by Adrian Rogers (pictured below)  and my good friend Larry Speaks (pictured above) gave out hundreds of CD copies of it before he died on April 7, 2017 at the age of 69.

Image result for adrian rogers jesus

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Image result for wisdom of solomon

Blaise Pascal was one of the most brilliant scientists of all time and a believer

Image result for solomon ecclesiastes vanity of vanity education

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April 9, 2017

John Raymond Smythies,
La Jolla, CA 92093-0109

Dear Dr. Smythies,

It is simply amazing to me that you knew Aldous Huxleyand Carl Gustav Jung. These are two men that had major impacts on 20th century culture and thinking. I would love to know if you had any more stories to tell about these too intellectuals.  

Today I want to ask you to match your wit with King Solomon’s words from 3000 years ago.

In my last letter I told you that the loss of my good friend Larry Speaks has got me thinking a lot about the meaning of life. In this letter today I want to do 3 things.

First, I will tell you what the sermon and music was about today on Palm Sunday at the church service I attended.

Second, I want to take a short look at the message WHO IS JESUS? by Adrian Rogers and Rogers interaction with a scientist from NASA.  This sermon was Larry’s favorite sermon.

Third, I want to start looking at the 6 L words that Solomon pursued UNDER THE SUN to try to get meaning and satisfaction in this life without God in the picture in the Book of Ecclesiastes. Today’s word  is LEARNING. Can one find a lasting meaning to life  in the area of education? Solomon had a lot to say about that in the Book of Ecclesiastes.

Today I was invited by our family friend Sean  Michel to come hear him preach at Calvary Chapel today in Bauxite, Arkansas. Not only did Sean Michel preach but he also helped provide some of the music. In fact, one of the songs they played was my favorite and it is called “This is Amazing Grace,” by Phil Wickham and you can check it out on You Tube.

 In Sean’s sermon we discover that it is  NOT an uneducated head that is the problem to finding God but an UNWILLING STUBBORN HEART.
II Corinthians 4:3-4 (Amplified Bible)

But even if our gospel is [in some sense] hidden [behind a veil], it is hidden [only] to those who are perishing;among them the god of this world [Satan] has blinded the minds of the unbelieving to prevent them from seeing the illuminating light of the gospel of the glory of Christ, who is the image of God. 

This verse is clarified even more by Matthew 11:25 (AMP)

25 At that time Jesus said, “I praise You, Father, Lord of heaven and earth [I openly and joyfully acknowledge Your great wisdom], that You have hidden these things [these spiritual truths] from the wise and intelligent and revealed them to infants [to new believers, to those seeking God’s will and purpose].

Here we must observe that many people don’t want to find the truth just like a thief doesn’t want to find a policeman. I now want to share a portion of the sermon WHO IS JESUS? by Adrian Rogers because this very point is made:

Here is how the story goes:

Years ago Adrian Rogers counseled with a NASA scientist and his severely depressed wife. The wife pointed to her husband and said, “My problem is him.” She went on to explain that her husband was a drinker, a liar, and an adulterer.

Dr. Rogers asked the man if he were a Christian. “No!” the man laughed. “I’m an atheist.” “Really?” Dr. Rogers replied. “That means you’re someone who knows that God does not exist.” “That’s right,” said the man. “Would it be fair to say that you don’t know all there is to know in the universe?” “Of course,” the man admitted. Dr. Rogers asked, “Would it be generous to say you know half of all there is to know?” “Yes!” Then Dr. Rogers inquired,“Wouldn’t it be possible that God’s existence might be in the half you don’t know?” The man acknowledged, “Okay, but I don’t think He exists.” Dr. Rogers replied, “Well then, you’re not an atheist; you’re an agnostic. You’re a doubter.” The man asserted, “Yes, and I’m a big one.” Then Dr. Rogers popped the question, “It doesn’t matter what size you are. I want to know what kind [of doubter] you are.” 

“What kinds are there?”

“There are honest doubters and dishonest doubters. An honest doubter is willing to search out the truth and live by the results; a dishonest doubter doesn’t want to know the truth. He can’t find God for the same reason a thief can’t find a policeman.”

“I want to know the truth.”

“Would you like to prove that God exists?”

“It can’t be done.”

“It can be done. You’ve just been in the wrong laboratory. Jesus said, ‘If any man’s will is to do His will, he will know whether my teaching is from God or whether I am speaking on my own authority’ (John 7:17). I suggest you read one chapter of the book of John each day, but before you do, pray something like this, ‘God, I don’t know if You’re there, I don’t know if the Bible is true, I don’t know if Jesus is Your Son. But if You show me that You are there, that the Bible is true, and that Jesus is Your Son, then I will follow You. My will is to do your will.”

The man agreed. About three weeks later he returned to Dr. Rogers’s office and invited Jesus Christ to be his Savior and Lord.

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WHAT DOES SOLOMON HAVE TO SAY ABOUT PURSUING LEARNING in the Book of Ecclesiastes?

Francis Schaeffer noted that Solomon took a look at the meaning of life on the basis of human life standing alone between birth and death “under the sun.” This phrase UNDER THE SUN appears over and over in Ecclesiastes. The Christian Scholar Ravi Zacharias noted, “The key to understanding the Book of Ecclesiastes is the term UNDER THE SUN — What that literally means is you lock God out of a closed system and you are left with only this world of Time plus Chance plus matter.” 

As you know Solomon was searching for  for meaning in life in what I call the 6 big L words in the Book of Ecclesiastes. He looked into LEARNING (1:12-18, 2:12-17), laughter, ladies, luxuries, and liquor (2:1-2, 8, 10, 11), and labor (2:4-6, 18-20).

Here is his final conclusion concerning LEARNING:

ECCLESIASTES 1:12-18, 2:12-17 LEARNING

12 I the Preacher have been king over Israel in Jerusalem.13 And I applied my heart to seek and to search out by wisdom all that is done under heaven. It is an unhappy business that God has given to the children of man to be busy with. 14 I have seen everything that is done UNDER THE SUN, and behold, all is vanity and a striving after wind.

15 What is crooked cannot be made straight,
    and what is lacking cannot be counted.

16 I said in my heart, “I have acquired great wisdom, surpassing all who were over Jerusalem before me, and my heart has had great experience of wisdom and knowledge. 17 And I applied my heart to know wisdom and to know madness and folly. I perceived that this also is but a striving after wind.

18 For in much wisdom is much vexation,
    and he who increases knowledge increases sorrow.

12 So I turned to consider wisdom and madness and folly. For what can the man do who comes after the king? Only what has already been done. 13 Then I saw that there is more gain in wisdom than in folly, as there is more gain in light than in darkness. 14 The wise person has his eyes in his head, but the fool walks in darkness. And yet I perceived that the same event happens to all of them.15 Then I said in my heart, “What happens to the fool will happen to me also. Why then have I been so very wise?” And I said in my heart that this also is vanity. 16 For of the wise as of the fool there is no enduring remembrance, seeing that in the days to come all will have been long forgotten. How the wise dies just like the fool! 1So I hated life, because what is done UNDER THE SUN was grievous to me, for all is vanity and a striving after wind.

 Ecclesiastes was written to those who wanted to examine life UNDER THE SUN without God in the picture and Solomon’s conclusion in the final chapter was found in Ecclesiastes 12 when he looked at life ABOVE THE SUN:

13 The end of the matter; all has been heard. Fear God and keep his commandments, for this is the whole duty of man. 14 For God will bring every deed into judgment, with every secret thing, whether good or evil.

In an earlier letter to you I quoted Psalms chapter 22. Why not take a few minutes and just read the short chapter of Psalms 22 that was written hundreds of years before the Romans even invented the practice of Crucifixion. 1000 years BC the Jews had the practice of stoning people but we read in this chapter a graphic description of Christ dying on the cross. How do you explain that without looking ABOVE THE SUN to God.

Thanks for your time.

Sincerely,

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221

PS: Like I promised I will continue to write you and go through these 6 L words that Solomon was pursuing UNDER THE SUN in the Book of Ecclesiastes in order to find a lasting meaning to our lives.

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

Nick Gathergood, David-Birkett, Harry-Kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif Ahmed, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BatePatricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Hermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart Kauffman,  Lawrence KraussHarry Kroto, George LakoffElizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,  Jonathan Parry,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

In  the second video below in the 95th clip in this series are his words but today I just wanted to pause and look at this life. 

Quote from Dr. John Raymond Smythies

I would like to describe how mescaline works. These hallucination drugs have a very specific action in two ways. Number 1 they produce fantastic visual hallucinations. These are described by the people who have them (most of them are down to earth scientists such as MacDonald Critchley) as being more beautiful than anything they have ever seen in normal art. Some of these people have the sort of experience as union with God, mystical experiences and so on.

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

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