I truly believe that many of the problems we have today in the USA are due to the advancement of humanism in the last few decades in our society. Ronald Reagan appointed the evangelical Dr. C. Everett Koop to the position of Surgeon General in his administration. He partnered with Dr. Francis Schaeffer in making the video below. It is very valuable information for Christians to have. Actually I have included a video below that includes comments from him on this subject.
Olphart you gave me some good advice recently. You suggested, “How about trying to convince people through the media that abortion is not the best, most efficient form of birth control?”
I agree that abortion should not be used that often either but things are not going that way lately. It seems the world is getting much more selfish as everyday goes by and that means that abortion is being used more and more than ever as a birth control.
Drew Belsky is American Thinker‘s deputy editor. He is also communications director for Live Action. Take a look at what he had to say recently:
Former president and famed re definer of words BILL CLINTON USED TO BLOVIATE THAT HE WOULD SEE ABORTION “SAFE, LEGAL, AND RARE” – AND HIS SYCOPHANTS RAN WITH THE SLOGAN. SINCE THEN, THE DEMOCRATIC PARTY HAVE GIVEN UP ON “RARE,” STRIKING IT FROM THEIR PLATFORM and replacing it with “regardless of ability to pay” (that is to say, forcibly funded by taxpayers). Meanwhile, the Gosnell trial, and the extensive documentation of other Gosnells yet unpunished, proves that no number of laws can make abortion “safe” — not for the woman, and certainly not for the dismembered, scissored, and suctioned innocent child. It might make sense, then, to finish off this insidious trifecta and do away with “legal.”
Yet our current president — a bloviator to rival Clinton — tries to invoke God’s blessing for Planned Parenthood, declaring that the abortion giant “is not going anywhere,” and gleefully tweets about free birth control on Mother’s Day.
Hopefully the horror-novel quality of the Gosnell trial and verdict will help Americans — even those who steadfastly refuse to look this evil in the face — see through the gesticulations of the most creepily pro-abortion president in our nation’s history and face facts.
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ What a great article below: Dr. Alveda King: Guilty Gosnell Verdict May Spark More Justice for Women and Babies Contact: Eugene Vigil, King for America, 470-244-3302 PHILADELPHIA, May 13, 2013 /Christian Newswire/ […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ May 14, 2013 Murdered Thousands, Convicted for Three: The Kermit Gosnell Verdict By Drew Belsky Read more: http://www.americanthinker.com/2013/05/murdered_thousands_convicted_for_three_the_kermit_gosnell_verdict.html#ixzz2TMstLk1c Follow us: @AmericanThinker on Twitter | AmericanThinker on FacebookPhiladelphia abortionist Kermit Gosnell was convicted […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ A Verdict Doesn’t End the Gosnell Story By: Chairman Reince Priebus (Diary) | May 13th, 2013 at 03:27 PM | 28 RESIZE: AAA The horrors that unfolded in the clinic of Dr. […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ All-American Horror Story: Top 10 Kermit Gosnell Trial Revelations by Kristan Hawkins | Washington, DC | LifeNews.com | 4/12/13 3:38 PM Since so many in the media have failed/refused to report on […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis _____________ Tony Perkins: Gosnell Trial – FOX News Published on May 13, 2013 Tony Perkins: Gosnell Trial – FOX News ________________ Hey Obama, Kermit Gosnell Is What a Real War on Women Looks Like […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ___ _____________ Tony Perkins: Gosnell Trial – FOX News Published on May 13, 2013 Tony Perkins: Gosnell Trial – FOX News ________________ Family Research Council Praises Jury for Bringing Justice to Victims of Abortionist […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ _____________ Tony Perkins: Gosnell Trial – FOX News Published on May 13, 2013 Tony Perkins: Gosnell Trial – FOX News ________________ Kermit Gosnell and the Logic of “Pro-Choice” by Matthew J. Franck within […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ Fr. Pavone: Right to choose must yield to right to life STATEN ISLAND, NY — Father Frank Pavone, National Director of Priests for Life, had the following comment on the verdict in […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ The truth of abortion … the hope for Gosnell’s repentance A conviction in the murder trial of Philadelphia abortionist Kermit Gosnell has boosted the efforts of pro-lifers to demonstrate what abortion really […]
The Selfishness of Chris Evert Part 2 (Includes videos and Pictures) _________________________________ _____________________ _______________________ __________________________ Tennis – Wimbledon 1974 [ Official Film ] – 05/05 Published on May 1, 2012 John Newcombe, Ken Rosewall, Bjor Borg, Jimmy Connors, Cris Evert… ___________________ Jimmy Connors Reflects Published on May 13, 2013 Jimmy Connors visits “SportsCenter” to discuss his memoir, […]
That’s my attitude about Hillary Clinton. She proposes misguided policies at such a rapid rate that I feel like I’m having to spend too much of each day trying to correct all the economic mistakes that emanate from her and her campaign.
For the fifth time over the last seven days (see other examples here, here, here, and here), I feel obliged to do it again.
Our topic is her proposal to increase handouts, subsidies, and bailouts for colleges and universities.
Here’s a brief interview I just did on the topic. Our discussion had to be abruptly ended because of what the industry calls a “hard break,” but I got out my main points that 1) subsidies benefit college bureaucracies rather than students and 2) that Hillary’s ostensible reforms will make things worse.
By the way, I can’t resist chuckling about the main assertion put forth by Alan Colmes. He thought it would be effective to point out that some of the handouts started under President George W. Bush.
But so what?!? The fact that a bad policy originated under a Republican before being expanded by a Democrat doesn’t somehow turn a pig’s ear into a silk purse.
Also, just in case you’re curious about what I was planning to say when the interview was cut off. I was going to point out that I agreed with Alan about President Bush’s role, but I was going to say that was additional evidence (given Bush’s overall statist record while president) against what Hillary is proposing.
And then, my additional point was going to be that it’s a very bad idea to allow loan forgiveness just for former students who become bureaucrats (i.e., go into “public service”). For Heaven’s sake, people who get government jobs already are getting far higher compensation than taxpayers in the private sector. Needless to say, it’s not a good idea to make a life of bureaucratic indolence even more attractive.
But let’s return to the bigger issue of why it’s misguided to have bailouts, subsidies, and handouts for higher education. If you want the opinions of a real expert on this issue, Charlie Sykes has a column on the topic in the Wall Street Journal.
Hillary Clinton’s plan for higher education is simple: a massive bailout wrapped in the promise of free tuition and relief from student loans. It’s a proposal that seems specifically designed to further inflate the higher-education bubble, while relieving the college-industrial complex of any pressure to reform. …College today costs too much, takes too long and offers dubious value to too many students. For decades, the price of a degree has risen much faster than the rate of inflation. …schools are spending more than ever on administration, promotions, athletics and noninstructional student services. The New England Center for Investigative Reporting and the American Institutes for Research found that between 1987 and 2012, colleges added 517,636 administrators and professional employees, creating a ratio at public colleges of two non-academic staffers for every full-time, tenure-track faculty member.
If the student finances the bill with loans, it’s more like buying a Lamborghini on credit—and then driving it off a cliff. Total student-loan debt has hit $1.3 trillion, according to the Federal Reserve, exceeding both the nation’s credit-card debt and its auto loans. Two-thirds of students now borrow to pay for their education, up from 45% in 1993, according to a New York Times analysis of federal data. At the end of 2014 the average student-loan borrower owed $26,700,according to analysts at the New York Fed, while 4% owed $100,000 or more.
More giveaways from government may seem like a good idea for students, but that’s only made possible by instead hurting taxpayers.
And students almost surely will suffer as well when you consider the indirect effectsof this intervention.
Forgiving student debt or providing “free” tuition, with no new accountability measures, will only worsen today’s problems for future generations. The multibillion-dollar bailout Mrs. Clinton has proposed would only shift the costs of higher education to taxpayers, many of whom have not had the benefit of college. The Democratic nominee’s plan would also encourage more students to make poor educational choices by creating the illusion that college is free.
By the way, it’s very important to note that taxpayers are getting a rotten deal.
We’ve had lots more spending in recent decades, but no actual improvement in education.
Over the past five decades, billions in state and federal subsidies have contributed significantly to the exploding cost of higher education by making it easier for colleges to justify outrageous amenities. “Free” tuition will only further distort the incentives. …there is little evidence that additional spending has enhanced the value of the college degree. In a 2014 academic study of collegiate spending, economists Robert E. Martin and R. Carter Hill noted that research universities had cumulatively spent more than half a trillion dollars from 1987 to 2005. “There should be evidence of higher quality at these investment levels,” they wrote. Instead, “completion rates declined, grade inflation increased, students spend less time studying, adult numeracy/literacy rates declined, and critical thinking skills did not improve.”
Amen.
Indeed, this is exactly what we’ve seen in K-12 education.
Someone (more clever than me) needs to come up with the collegiate equivalent ofthis famous chart from the late Andrew Coulson.
We already know that the United Statesspends more per student on K-12 education than any other nation and gets mediocre results . That’s probably mostly due to the inefficient monopoly structureof elementary and secondary education.
The bottom line is that Hillary is right when she says higher-education spending is an investment. The problem is that she likes making investments that generate negative returns.
P.S. You won’t be surprised to learn that Paul Krugman also approves of investments with negative returns.
Reduce Out-of-Control College Costs by Ending Government Subsidies April 5, 2015 by Dan Mitchell I’ve written many times about the shortcomings of government schools at the K-12 level. We spend more on our kids than any other nation, yet our test scores are comparatively dismal. And one of my points, based on this very sobering […]
College costs are soaring higher than inflation ever since 1981 and the government has a lot to do with that. Who Should Be Blamed for the Rising Cost of College? December 11, 2012 by Dan Mitchell Notwithstanding the title of this post, perhaps nobody deserves blame. Sometimes, a good or service rises in price solely as […]
On May 15, 1994 on the 10th anniversary of the passing of Francis Schaeffer I sent a letter to H.J. Blackham and here is a portion of that letter below:
I have enclosed a cassette tape by Adrian Rogers and it includes a story about Charles Darwin‘s journey from the position of theistic evolution to agnosticism. Here are the four bridges that Adrian Rogers says evolutionists can’t cross in the CD “Four Bridges that the Evolutionist Cannot Cross.” 1. The Origin of Life and the law of biogenesis. 2. The Fixity of the Species. 3.The Second Law of Thermodynamics. 4. The Non-Physical Properties Found in Creation.
Adrian Rogers is pictured below and Francis Schaeffer above.
In the first 3 minutes of the cassette tape is the hit song “Dust in the Wind.” Below I have given you some key points Francis Schaeffer makes about the experiment that Solomon undertakes in the book of Ecclesiastes to find satisfaction by looking into learning (1:16-18), laughter, ladies, luxuries, and liquor (2:1-3, 8, 10, 11), and labor (2:4-6, 18-20).
Schaeffer noted that Solomon took a look at the meaning of life on the basis of human life standing alone between birth and death “under the sun.” This phrase UNDER THE SUN appears over and over in Ecclesiastes. The Christian Scholar Ravi Zacharias noted, “The key to understanding the Book of Ecclesiastes is the term UNDER THE SUN — What that literally means is you lock God out of a closed system and you are left with only this world of Time plus Chance plus matter.”
Here the first 7 verses of Ecclesiastes followed by Schaeffer’s commentary on it:
The words of the Preacher, the son of David, king in Jerusalem. Vanity of vanities, says the Preacher, vanity of vanities! All is vanity. What does man gain by all the toil at which he toils under the sun? A generation goes, and a generation comes, but the earth remains forever. The sun rises, and the sun goes down, and hastens to the place where it rises. The wind blows to the south and goes around to the north; around and around goes the wind, and on its circuits the wind returns. All streams run to the sea, but the sea is not full; to the place where the streams flow, there they flow again.
Solomon is showing a high degree of comprehension of evaporation and the results of it. Seeing also in reality nothing changes. There is change but always in a set framework and that is cycle. You can relate this to the concepts of modern man. Ecclesiastes is the only pessimistic book in the Bible and that is because of the place where Solomon limits himself. He limits himself to the question of human life, life under the sun between birth and death and the answers this would give.
Solomon doesn’t place man outside of the cycle. Man doesn’t escape the cycle. Man is in the cycle. Birth and death and youth and old age.
There is no doubt in my mind that Solomon had the same experience in his life that I had as a younger man (at the age of 18 in 1930). I remember standing by the sea and the moon arose and it was copper and beauty. Then the moon did not look like a flat dish but a globe or a sphere since it was close to the horizon. One could feel the global shape of the earth too. Then it occurred to me that I could contemplate the interplay of the spheres and I was exalted because I thought I can look upon them with all their power, might, and size, but they could contempt nothing. Then came upon me a horror of great darkness because it suddenly occurred to me that although I could contemplate them and they could contemplate nothing yet they would continue to turn in ongoing cycles when I saw no more forever and I was crushed.
___________
In the book WHATEVER HAPPENED TO THE HUMAN RACE? co-authored by Francis Schaeffer and C. Everett Koop I ran across this quote from YOU:
“On humanist assumptions, life leads to nothing, and every pretense that it does not is a deceit. If there is a bridge over a gorge which spans only half the distance and ends in mid-air, and if the bridge is crowded with human beings pressing on, one after the other they fall into the abyss. The bridge leads nowhere, and those who are pressing forward to cross it are going nowhere….It does not matter where they think they are going, what preparations for the journey they may have made, how much they may be enjoying it all. The objection merely points out objectively that such a situation is a model of futility“( H. J. Blackham, et al., Objections to Humanism (Riverside, Connecticut: Greenwood Press, 1967).
Let me show you some inescapable conclusions if you choose to live without God in the picture. Schaeffer noted that Solomon came to these same conclusions when he looked at life “under the sun.”
Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)
Chance and time have determined the past, and they will determine the future. (Ecclesiastes 9:11-13 “I have seen something else under the sun: The race is not to the swift
or the battle to the strong, nor does food come to the wise or wealth to the brilliant or favor to the learned; but time and chance happen to them all. Moreover, no one knows when their hour will come: As fish are caught in a cruel net, or birds are taken in a snare, so people are trapped by evil times that fall unexpectedly upon them.”)
Power reigns in this life, and the scales are not balanced(Eccl 4:1; “Again I looked and saw all the oppression that was taking place under the sun: I saw the tears of the oppressed—
and they have no comforter; power was on the side of their oppressors— and they have no comforter.” 7:15 “In this meaningless life of mine I have seen both of these: the righteous perishing in their righteousness, and the wicked living long in their wickedness. ).
Nothing in life gives true satisfaction without God including knowledge (1:16-18), ladies and liquor (2:1-3, 8, 10, 11), and great building projects (2:4-6, 18-20).
There is no ultimate lasting meaning in life. (1:2)
By the way, the final chapter of Ecclesiastes finishes with Solomon emphasizing that serving God is the only proper response of man. Solomon looks above the sun and brings God back into the picture in the final chapter of the book in Ecclesiastes 12:13-14, “ Now all has been heard; here is the conclusion of the matter: Fear God and keep his commandments, for this is the whole duty of man. For God will bring every deed into judgment, including every hidden thing, whether it is good or evil.”
The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted. In 1978 I heard the song “Dust in the Wind” by Kansas when it rose to #6 on the charts. That song told me that Kerry Livgren the writer of that song and a member of Kansas had come to the same conclusion that Solomon had and that “all was meaningless UNDER THE SUN,” and looking ABOVE THE SUN was the only option. I remember mentioning to my friends at church that we may soon see some members of Kansas become Christians because their search for the meaning of life had obviously come up empty even though they had risen from being an unknown band to the top of the music business and had all the wealth and fame that came with that.
Livgren wrote, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”
Both Kerry Livgren and Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible Church. Hope is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.
Harold John Blackham (born 31 March 1903), philosopher, lecturer, writer, ‘architect of the British and international humanist movements’ and ‘founder of the British Humanist Association’, has died at the age of 105 (on 23 January 2009). Obituaries were published by The Times and New Humanist and The Independent.
The only brother of four sisters, Harold Blackham was educated at King Edward VI School, but left early at the end of the First World War to be a farm labourer, where he worked with and developed an abiding love of horses. He went on to Birmingham University where he was a student of literature and ethics. For two years he taught at Doncaster Grammar School but left to work as a freelance lecturer and writer in Birmingham. In 1933 he moved to London where his active involvement in organised humanism began. He became the assistant to and then the successor of Stanton Coit, the American who ran the West London Ethical Society in Bayswater, and who had founded a British Union of Ethical Societies in 1896 after a long career of social reform in his native USA. In 1934 Blackham became chairman of the Union and it was this organisation that eventually became the British Humanist Association (BHA), of which he became the first director.
Blackham’s father, a Birmingham bookseller and lay Congregationalist preacher (as was his grandfather), died when he was a child but left him with a life-long love of the written word and his many articles and books over almost 70 years helped to make him one of the most significant figures in twentieth century Humanism. A biography of Stanton Coit, published by the Rationalist Press Association, was his first book in 1948 and at the age of 98, he wrote the epilogue to the revised version of J B Bury’s classic History of Freedom of Thought, published by the University Press of the Pacific in 2001. His Six Existentialist Thinkers, published by Routledge in 1952, became the standard university textbook on the subject, and was re-printed a number of times, but it was on Humanism that he wrote most widely. He edited Living as a Humanist, a collection of essays, in 1950 and his The Human Tradition (his own favourite of all his books) was published by Routledge in 1953, followed by Religion in a Modern Society (Constable, 1966) and Humanism (Penguin, 1968). He had edited Objections to Humanism, published by Constable in 1963 and Penguin in 1965, in which humanists responded to criticisms of the humanist worldview, and this critical openness also informed his Humanists and Quakers: an exchange of letters, published in 1969 by the Society of Friends. His other books included The Fable as Literature (1985) and The Future of our Past: from Ancient Greece to Global Village(1996). His fellow humanist writer, Barbara Smoker, in her anthology Blackham’s Best (1988 and various reprints), describes his writing as driven by a desire to distil and communicate the wisdom of the past to others, and as ‘condensed, taut, aphoristic … with multiple layers of meaning – often more like classical poetry than modern prose’.
It was not just in writing, however, that he earned his reputation as the effective founder of modern Humanism in Britain and internationally, but through a long life of practical action. As he said himself, ‘Faith without works is not Christianity, and unbelief without any effort to help shoulder the consequences for mankind is not humanism.’ (Objections to Humanism, 1963). During the Second World War he worked in the London Fire Service, driving a fire engine throughout the blitz in the London docks, finally becoming liaison officer to the Port of London, while continuing to work part-time as a philosophy lecturer and writer and the secretary of the West London Ethical Society and the Ethical Union. After the war he set out to revive the freethought movement under the banner of ‘Humanism’, a concept which had already been adopted in the United States, India and the Netherlands. As he wrote in 1981,
When, as the Second World War came to an end, I took on the secretaryship of the Ethical Union, it was with the idea of recovering for expression in a modern Humanism the full body of the age-old tradition, with its accumulating scientific, social and ethical content.
He saw this tradition as originating in the ancient world, with Greeks such as Epicurus, through the Renaissance and Enlightenment to emerge in the utilitarians, rationalism, secularism and the ethical movement, converging into ‘a modern consensus that human beings are of age and on their own, and have in their hands the technical means of providing for all the conditions of a life worthy to be called human.’ In 1944 he launched a quarterly magazine, The Plain View, which ran for twenty years and in which he worked out his ideas together with a group of colleagues and outside contributors, especially Julian Huxley and Gilbert Murray – in fact Blackham attracted the foremost minds of the day to contribute to this exceptional journal.
In Birmingham in the 1920s he had founded a local branch of the League of Nations Union and in 1938 he had helped to organise a World Union of Freethinkers conference in London, which turned out to mark the end of the old freethought movement in the face of Fascism and Communism (he was himself involved with bringing Jewish refugee children from Austria to Britain to escape Nazi persecution.) Still thinking internationally after the war, in 1946 he called a London conference of the World Union of Freethinkers to discuss ‘The Challenge of Humanism’. The need, however, was for a new international organisation and Blackham, working with the ethical organisations in Britain and other countries, and also with new Humanist organisations around the world. Visiting Holland after the war he met with the Dutch philosopher and humanist leader Jaap van Praag, with whom he went on to found theInternational Humanist and Ethical Union (IHEU). Today, the IHEU is a worldwide union of over 100 organisations in 40 nations which continues to develop Humanism internationally. Blackham served as its secretary from 1952 to 1967 and Julian Huxley became its first president, just as he was to become the first president of the British Humanist Association. (Blackham worked closely with Huxley in many ways including helping him to revise his Religion without Revelation.) As well as serving as its secretary, Blackham represented the IHEU in its dialogue with the Vatican Secretariat for Non-Believers. In recognition of his many contributions to international Humanism, he received the IHEU’s International Humanist Award in 1974, and the Special Award for Service to World Humanism in 1978.
At the same time as he was working on building the international humanist movement, Blackham worked to bring together Ethical and Rationalist organisations in Britain, and in 1963 his efforts led to the formation of the British Humanist Association, of which he was the effective founder and first director, retiring in March 1968. Today the British Humanist Association is the national charity supporting and representing non-religious in Britain, renowned for its work in education, in the provision of non-religious funerals and other ceremonies, and active in campaigning for an open society and a secular state. Without Harold Blackham it would not have existed. Working with leading British humanists such as Huxley, Barbara Wootton, A. J. Ayer and Jacob Bronowski, Blackham inspired and contributed to pioneering practical work in sheltered housing, adoption and non-directive counselling (he co-founded the British Association of Counselling) even as he continued to develop the philosophy of Humanism in his writing and lecturing, including part time at Goldsmith’s College.
Blackham cared deeply about education, and moral education in particular. This focus on education persists in the agenda of today’s BHA, stimulated by this decade’s sad expansion of state-funded faith schools which would have been unimaginable at the time of the BHA’s founding. Blackham himself had been involved in founding the Moral Education League while with the Ethical Union. Working with people like Cyril Bibby, Lionel Elvin, Sir Gilbert Flemming and Edward Blishen, he went on make the BHA a significant advocate of moral education and personal development in schools, recognised as such even by the Church of England Board of Education. He co-founded the Journal of Moral Education – which continues today as the leading global journal in its field and of which he remained an honorary associate until his death – and edited Moral and Religious Education in County Primary Schools (NFER 1975) and Education for Personal Autonomy: Inquiry into the School’s Resources for Furthering the Personal Development of Pupils (1977). Working with Dr James Hemming, his fellow humanist and educationist who died in 2007 aged 98, Blackham ensured that the humanist voice was a feature of debates over religious, moral and values education throughout the second half of the twentieth century, always seeking to work with non-humanists find agreed solutions. To that end he founded the Social Morality Council (later the Norham Foundation), which brought together humanists and eminent religious believers to produce agreed solutions to moral questions affecting society. In Moral and Religious Education in County Primary Schools, he said, ‘At all ages, when world religions and non-religious convictions are studied, it is important to foster an attitude of tolerance and a willingness to stand where the other person stands in an effort to see how something must appear to them. There is a danger that without an attempt to reach this empathetic standpoint, the study of different convictions may produce only negative results. Tolerance and understanding will be achieved most effectively by personal contact, and in the absence of that, by a skilful use of literature and by the teacher’s encouragement of sensitive relationships within the classroom and the school. The fostering of these positive attitudes in the children will then extend, we hope, outside the schools into the wider community.’
On his retirement in 1968, Harold Blackham joined the advisory council of the BHA, to which he had himself recruited such luminaries as Karl Popper and E M Forster, and he remained a member until his death including a spell as President, 1974-77. He was an appointed lecturer at London’s South Place Ethical Society from 1965 until his death and an Honorary Associate of the Rationalist Association from 1977 until his death, having been for many years a director. He continued writing, lecturing, and officiating at humanist funerals into his nineties, eventually retiring to the Wye valley, where he used his ‘uninterrupted leisure in spectacular natural surroundings’ to grow vegetables and continue his reading and writing. Although he described his personal philosophy as Epicurean, others have seen him as a stoic. He wrote of ‘a resourceful, self-dependent, realistic, constructive attitude to life’ – and his long and productive life, committed to a variety of progressive causes, is a monument to the Humanism he espoused.
Harold Blackham’s first wife was Olga, with whom he adopted a son, Paul, who, with his wife Wenol, now has three sons and two grandchildren. He was also pre-deceased by his second wife, Ursula.
On his retirement as director in 1968, the BHA described him as ‘the architect of the British and international humanist movements’ and said, ‘In Britain, he has guided the development of the movement as philosopher and scholar, principal administrator and activist since the war-time days…his retirement is a change of roles, a relief from an arduous programme which has involved something like 2,500 committee meetings and 4,000 speaking engagements since 1945.’
David Pollock, a former chair of the BHA, paid tribute to him at his 100th birthday celebrations in 2003, saying:
Harold created today’s vision of Humanism as a philosophy of life, a lifestance with equal depth as the religions and far greater justification, deserving of equal standing and promising far better results both for the individuals who adopt it and for the world as it grows in significance. That was Harold’s contribution, for which we owe him our eternal gratitude.
Former editor of New Humanist Jim Herrick described him as living ‘the exemplary humanist life, that of thought and action welded together.’
Paul Kurtz, philosopher and humanist activist, said,
I am grieved to learn of the death of Harold Blackham, a man who I first met in 1967 and had been in touch with over the years on my many trips to Britain. This continued in our cooperative work together on behalf of the IHEU. I especially enjoyed visiting him and his wife at their home and garden.
I remember so well my first meeting with Harold and Hector Hawton (of the Rationalist Press Association) as I was preparing to launch Prometheus Books, a new Humanist Press. Both of these dedicated humanists were very encouraging. HJ Blackham was a man of great dignity, philosophical profundity, and an unmatched understanding of the meaning of humanism in practical life. His rare talent was that he was able to combine a dedication to both reflective wisdom and active involvement of the humanist life stance. It was the union of reason and virtue that was a rare talent that is the mark of the dedicated humanist.
Barbara Smoker, writer, lecturer and humanist activist, recalled,
On breaking free from Catholicism, sixty years ago, I used to cross London to replace Sunday Mass by a lecture at the Ethical Church, Bayswater, whenever the New Statesman listings named H J Blackham as the lecturer. He had a quiet sense of humour and occasionally a witty turn of phrase. I thought he looked very much like John Stuart Mill, and he was a charismatic speaker, though not an easy one. His lectures largely comprised my further education – not only in humanistic philosophy, but also in the English language, for there were always several words to look up in the dictionary when I got home. Later, when the Ethical Union was preparing to host the 1957 IHEU Conference in Conway Hall, I volunteered to do some of the secretarial work at Prince of Wales Terrace, for the ‘three Bs’ – Blackham, Burnett and Burall – and I have remained active in the movement ever since.
Hilda Hayden, now a BHA member, reflects on her friendship with Harold Blackham, beginning in his 97th year.
I first met HJ, as I knew him, when he was 97 and had suffered a stroke which robbed him of much of his speech. John, my husband, had been asked as an Age Concern Visitor to talk to HJ and help him to regain what he had lost, and I went along because it was easier with two of us, and later after John died I continued alone, because by then we had got to know each other well.
He was a man of considerable intellect and he had clearly not lost his mental powers, and once we had established our system of inspired guesswork for the missing words we had many interesting talks.
A Conscientious Objector during the war, he had joined the London Fire Brigade and been billeted in the Tower of London, and one of his stories concerned the time when as the driver of a fire engine he had dashed off in his engine too hastily only to remember that he had left the crew behind.
As a young man he had worked on farms and developed a great love of horses, and these were always a favourite theme on birthday cards. He had many stories to tell about this part of his life. We learned about his life as a child in Jersey, the only boy among older sisters, and he seemed happy to dwell on his early life. It seemed we got to know the real HJ Blackham, quite apart from the man who later came to have such an influence on the development of Humanism.
HJ lent us a number of books about Humanism, which we found fairly hard going, but he seemed not to take offence at our inability. John was a very strong Anglican, whereas I had always been an agnostic, and so you might say HJ’s influence was more profound in my case, and I later joined the BHA.
I shall forever remember HJ sitting at his window overlooking the Wye and surveying the panoramic view, a tiny figure on his raised cushions. We watched the changing seasons, and he would draw my attention to the flooded fields, or the opening of leaf buds, or the movements of the flocks of sheep, or the swans that migrated about the river according to the weather, or the birds gathering for their long journey. There was always something for us to see and enjoy, and it was only most reluctantly that I had to leave him to another visitor when I began to have my own health problems.
HJ Blackham was a man whom I shall always remember with great affection.
Studio slang that expressed effusive approval in the Abstract Expressionist 1950s, whether swaggering or sentimental, became literal subject matter for numerous artists in the 1960s. Jasper Johns was a leading practitioner. For instance, with tongue firmly planted in cheek, his infamous “Painting With Two Balls” – a pair of actual spheres inserted into a canvas vigorously brushed with gestural color – lampooned the era’s machismo posturing.
Billy Al Bengston is another artist who took slang at its pictorial word. At Samuel Freeman Gallery, an approximate re-creation of Bengston’s second painting exhibition, held at L.A.’s Ferus Gallery 50 years ago this week, brings the strategy into focus.
In keeping with the season, it features a group of works whose central motif is a valentine. Now, that’s a painting with heart.
Bengston had been impressed with Johns’ American flags and other proto-Pop paintings during a 1958 European encounter at the Venice Biennale, when he was 24. Stuck in a gestural painting rut, like many American artists as the Ab Ex decade was drawing to a close, Bengston wanted out. The marvelous Ferus/Freeman exhibition shows him working his way into new terrain.
Geometry helped, toppling gesture from its pinnacle. The show includes two small canvases that feature a cruciform shape in the center of a square, its linear periphery piled high with an inch of thick oil paint, like wintry snowdrifts. Eight more paintings on paper sport cruciform shapes, some with tentative hearts beginning to emerge.
A monumental canvas, 6½ feet high and 7½ feet wide, nests a series of Josef Albers-type squares inside a gunmetal gray field of lightly brushed paint. Confetti-like daubs of bright color frame the canvas, while a crimson line and checkerboards of yellow-ocher and white or black and blue frame the big, bifurcated heart in the center. The heart and its background are painted four shades of green.
Titled “Big Hollywood,” it’s the mother ship for a host of subsequent Bengston paintings that take the first names of movie stars. “Sophia” (as in Loren) is a small but voluptuous canvas whose complementary colors of blue and orange ignite optical sparks in the central heart.
Bengston’s geometric formats and repetition of imagery seem designed to free up the paintings from the nagging problem of subject matter. Instead, they’re material meditations on luminous, sensual color.
The works are installed in a faithful reconstruction of the original Ferus Gallery on La Cienega Boulevard, an exceedingly modest footprint within Freeman Gallery and complete with a dropped-ceiling of acoustic tiles, clumsy lighting and brown twill carpeting. Proprietor Walter Hopps provided Ferus’ intellectual core, and seeing Bengston’s reconstructed show reminded me of Hopps’ commitment to the quixotic genius, Wallace Berman, whose aesthetic motto was “Art is Love is God.” Bengston’s Hollywood valentines enfold that sentiment in surprising ways.
A second partial reconstruction in the gallery, following installations of Bengston’s more flatly decorative recent work, assembles eight beautiful lacquer and polyester resin paintings on squares of aluminum. Called “dentos,” they’re folded, spindled and mutilated, some by a good whacking with a ball-peen hammer.
Why beat up a painting surface, which is about to have luscious pigment poured all over it? Well, given the vaguely condescending term “finish fetish” being applied to so much sleek, 1960s L.A. art, banging up the object was one good way to subsume preciosity.
So was showing the “dentos” in a dark room by candlelight, as they are here and were originally in 1970 at Rico Mizuno Gallery. Claims of mystical aura are undercut, art’s reigning period-cliché of California sunshine is neatly unplugged and sensuous perception is italicized. That’s called a hat-trick.
– Christopher Knight
Samuel Freeman Gallery, Bergamot Station, 2525 Michigan Ave., Santa Monica, (310) 449-1479, through March 12. Closed Sundays and Mondays. www.samuelfreeman.com.
Images: Billy Al Bengston, “Big Hollywood” (1960); “Sophia” (1960); “Dentos” installation. Courtesy of Samuel Freeman Gallery.
After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant‘s stripes. This recurring image was painted with industrial materials and techniques associated with the decoration of motorcycle tanks and surfboards.[1]
Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture, for instance by straddling a bike on the cover of the catalogue for a 1961 show at Ferus Gallery.[2] His interest in cars lead to Judy Chicago, one of his students, attending auto body school and using spray painting techniques.[2]Thomas E. Crow draws attention to the deliberate contrast between Bengston’s flamboyant, competitive, aggressively masculine stance and a delicate, modest approach to his art.[1] Silhouettes of iris flowers figure prominently in Bengston’s paintings. In the 1960s, he often painted a single centrally placed flower. In the 1970s, he began using multiple iris silhouettes, often surrounded by overlapping circles,[3] as in Canopus Dracula from 1977, in the collection of the Honolulu Museum of Art.
^ Jump up to:abThomas E. Crow, The Rise of the Sixties: American and European Art in the Era of Dissent, Laurence King Publishing, 2004, p80-81. ISBN 1-85669-426-7
___________ The Fine Tuning Argument for the Existence of God from Antony Flew! Imagine entering a hotel room on your next vacation. The CD player on the bedside table is softly playing a track from your favorite recording. The framed print over the bed is identical to the image that hangs over the fireplace at […]
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During the 1990′s I actually made it a practice to write famous atheists and scientists that were mentioned by Adrian Rogers and Francis Schaeffer and challenge them with the evidence for the Bible’s historicity and the claims of the gospel. Usually I would send them a cassette tape of Adrian Rogers’ messages “6 reasons I know […]
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E P I S O D E 6 How Should We Then Live 6#1 Uploaded by NoMirrorHDDHrorriMoN on Oct 3, 2011 How Should We Then Live? Episode 6 of 12 ________ I am sharing with you a film series that I saw in 1979. In this film Francis Schaeffer asserted that was a shift in […]
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Woody Allen got this idea from one of favorite Ingmar Bergman’s movies THE SEVENTH SEAL.
Woody Allen once said:
I’ve made perfectly decent films, but not 8½ (1963), not The Seventh Seal (1957) (“The Seventh Seal”), The 400 Blows (1959) (“The 400 Blows”) or L’avventura (1960) – ones that to me really proclaim cinema as art, on the highest level. If I was the teacher, I’d give myself a B.
In the late ’60s, Woody Allen left the world of stand-up comedy behind for the movies. Since then, he’s become one of American cinema’s most celebrated filmmakers. Sure, he’s had his stinkers and his private life hasn’t been without controversy. But he’s also crafted some of Hollywood’s most thought-provoking comedies. Philosophical, self-deprecating and always more than a tad pessimistic, Allen adds another title to his oeuvre this Friday with Midnight in Paris. Whether it will be remembered as one of his greatest or another flop is too early to say, but its release gives us a chance to look back at some of his most indispensable works.
Love and Death (1975)
Allen’s Love and Death owes a lot to Tolstoy’s War and Peace and the films of Swedish director Ingmar Bergman. Death himself even makes an appearance, recalling the existential dread of Bergman’s The Seventh Seal. But despite the movie’s many highbrow allusions, Allen is more concerned with simply having a good time. Gags and one-liners abound, making it, if not a comic masterpiece, a pretty good way to spend an hour and a half.
I will never forget the chess match with death in Ingmar Bergman’s movie The Seventh Seal. I watched it many years ago, and then again just a year ago. It’s bleak, nihilistic atmosphere proved a foil for my theistic worldview. I remember thinking, if there is no God, then life looks like a Bergman movie, and religious people are “heroic” quixotic individuals sparring with windmills. (Watch the chess match here.)
One report today writes: “When the news broke that Ingmar Bergman had died on the lonely and windswept island of Faro, off the coast of Sweden, it seemed like an appropriately tragic spot. Bergman spent a lifetime creating lonely and windswept movies: a cinema of inner life in which man was tormented by his relationship with women and with God.”
In his autobiography Bergman wrote, re. God: “I have struggled all my life with a tormented and joyless relationship with God. Faith and lack of faith, punishment, grace and rejection, all were real to me, all were imperative. My prayers stank of anguish, entreaty, trust, loathing and despair. God spoke, God said nothing. Do not turn from Thy face. The lost hours of that operation provided me with a calming message. You were born without purpose, you live without meaning, living is its own meaning. When you die, you are extinguished. From being you will be transformed to non-being. A god does not necessarily dwell among our capricious atoms. This insight has brought with it a certain security that has resolutely eliminated anguish and tumult, though on the other hand I have never denied my second (or first) life, that of the spirit.”
Bergman was married five times and had many sexual liaisons with the leading actresses in his films. He is considered to be one of the greatest, if not even the greatest, film-maker of all time. When I read of his death today I experienced a sense of loss, like the loss of an old friend. I found, in his films, an authentic representation of his experience of the non-response of God to his searching and prayers. I don’t personally affirm his conclusions, but I do find his work valuable, especially when I hear “atheists” joyfully declare God’s non-existence.
Woody Allen on Ingmar Bergman (2/2)
The Seventh Seal (1/3) (Det sjunde inseglet) – Breaking Down Bergman – Episode #17
Ingmar Bergman’s most recognized (and likely most parodied) film is broken down into three parts for this discussion. In part one, hosts David Friend and Sonia Strimban look at the origins of the film, setting the scene for the debates that follow in the two subsequent videos, which are linked.
All related clips and images are copyrighted and property of their respective owners.
Friend and Strimban are watching the career of the Swedish director from his first film to his last, in order, and discussing their observations. Visit the main channel for more details.
________________
The Seventh Seal (2/3) (Det sjunde inseglet) – Breaking Down Bergman – Episode #17 Part 2
Kristen Stewart and Jesse Eisenberg in Woody Allen’s “Café Society.”CreditSabrina Lantos/Gravier Productions
“Café Society,” Woody Allen’s new movie, comes wrapped in a double layer of nostalgia. Set in the 1930s, partly in Los Angeles, its script compulsively mentions Hollywood stars of the era. Joan Blondell! Robert Taylor! Barbara Stanwyck! Cagney and Crawford! Astaire and Rogers! Their names ring out like answers to trivia questions nobody had thought to ask.
At a recent New York critics’ screening, one fellow a few rows behind me chuckled at every name. I don’t think because the allusions were especially funny — the sentence “Adolphe Menjou is threatening to walk off the set” is not exactly a gut-buster, even in context — but because they signified a cultural awareness that the laugher in the dark wanted the rest of us to know he shared. And also perhaps because the dropped names stood in for jokes that the modern audience is too ignorant to get and that Mr. Allen has grown too lazy to make. He can gaze back fondly at the fast-receding golden age of Depression-era popular culture, and the rest of us can wistfully recall a time when he was able to spin those memories into better films than this one.
There’s no point in growing misty-eyed. “Café Society” is not “Radio Days”or “Bullets Over Broadway.” We can live with that. I’m happy to report that it’s not “The Curse of the Jade Scorpion” or “Magic in the Moonlight,”either. Which is to say that it’s neither another example of bad, late Woody Allen nor much in the way of a return to form. It is, overall, an amusing little picture, with some inspired moments and some sour notes, a handful of interesting performances and the hint, now and then, of an idea.
By AMAZON STUDIOS1:53Trailer: ‘Café Society’
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Trailer: ‘Café Society’
By AMAZON STUDIOS on Publish DateJuly 13, 2016. Photo by Amazon Studios. Watch in Times Video »
Like most of Mr. Allen’s recent work, this movie takes place within the hermetically enclosed universe of its maker’s long-established preoccupations. Rather than find fresh themes or problems, he likes to rearrange the old ones into a newish pattern, emphasizing some elements and letting others drift into the background. Here the dominant conceit is Mr. Allen’s well-documented ambivalence about California and the industry that has often seemed ambivalent about him. He loves movies, but Hollywood, with its shallowness and gossip, has always repelled him.
But with the help of his gifted collaborators, the production designer Santo Loquasto and the cinematographer Vittorio Storaro, he bathes “the film colony” in golden light and swathes its denizens in lovely period clothes. He sends an ambitious Bronx boy, Bobby Dorfman (Jesse Eisenberg), out West to seek his fortune. At first cold-shouldered by his Uncle Phil (Steve Carell), a powerful agent, Bobby is eventually taken under Phil’s wing and plunged into a swirl of parties and power lunches. He’s suitably intoxicated by his new surroundings.
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Corey Stoll in “Café Society.”CreditSabrina Lantos/Gravier Productions
“I’ve never mixed Champagne with bagels and lox,” he says.
“Welcome to Hollywood,” someone replies.
That’s not a bad line, and there are some other pretty good ones sprinkled throughout the sprawling script. Bobby’s bickering parents, played by Jeannie Berlin and Ken Stott, supply a few Yiddish-inflected laughs, as well as the requisite touch of metaphysical fatalism. (“I accept death, but under protest,” Dad says. “Protest to who?” Mom responds. Also not a bad line.) The ensemble is larger and the story looser than in Mr. Allen’s last few movies, making room for Corey Stoll’s relaxed turn as Bobby’s charismatic gangster brother and Parker Posey and Paul Schneider’s intriguing double act as a cynical and apparently happily married pair of bicoastal sophisticates.
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Blake Lively in “Café Society.”CreditSabrina Lantos/Gravier Productions
The axis on which everything turns is an old-fashioned love triangle that includes, of course, the passion of an older man for a younger woman. It turns out that Bobby and Phil are both in love with a transplanted Nebraskan called Vonnie (short for Veronica), who is Phil’s secretary.Kristen Stewart’s performance in the role, which blends gravity and lightness, glamour and its opposite, is certainly the best part of “Café Society,” but it also exposes just how thin and tired the rest of the movie is.
Mr. Allen’s literal voice, which supplies narration, sounds unusually sluggish and weary. The same is true of his voice as a writer and director. For every snappy scene or exchange there are three or four that feel baggy and half-written. We are treated to one survey of the clientele at the swanky Manhattan nightclub that is Bobby’s post-Hollywood professional perch and then, a while later, to another. We wander into jazz clubs and dining rooms and seem unsure of why we’ve come. Blake Lively, wandering into the movie’s second half as a second Veronica, seems to feel the same way. The movie seems much longer than its 96 minutes.
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Steve Carell in “Café Society.”CreditSabrina Lantos/Gravier Productions
Every once in a while we hear or see something that makes us cringe a little: a harsh, unfunny encounter between Bobby and a prostitute shortly after his arrival in Los Angeles; an anecdote about Errol Flynn’s sexual interest in underage girls. It’s hard to say if Mr. Allen is testing the audience’s tolerance or trolling our sensitivities, or for that matter if he’s just blithely carrying on as he always has, oblivious to changing mores or the vicissitudes of his own reputation.
257COMMENTS
It doesn’t really matter because “Café Society” ultimately poses no interesting questions about its maker or its characters. The movie most closely resembles the kind of Hollywood product for which its deepest nostalgia is reserved. It’s a pop-culture throwaway, a charming bit of trivia, the punch line to a half-forgotten joke.
“CAFÉ SOCIETY” AND “LIFE, ANIMATED” REVIEWS Woody Allen’s newest film, and a documentary about how a boy with autism connected with Disney movies. By Anthony Lane Jesse Eisenberg and Kristen Stewart in Woody Allen’s new movie.ILLUSTRATION BY BEN KIRCHNER The new Woody Allen film, “Café Society,” is set in the nineteen-thirties—you know, that far-off land […]
‘Cafe Society’ review: Kristen Stewart, Jesse Eisenberg enliven otherwise dull nostalgia by Michael PhillipsContact Reporter Chicago Tribune July 7, 2016 There’s not much to “Cafe Society,” but for a while now Woody Allen has been getting by with not much happening at the keyboard. Thanks to the warm, glowing light lavished on the film by cinematographer Vittorio […]
CAFE SOCIETY – Red Carpet – EV – Cannes 2016 ‘Café Society’: Designing 1930s Hollywood for Woody Allen The new film, with Jesse Eisenberg and Kristen Stewart, is full of lavish set designs By DON STEINBERG Updated July 6, 2016 7:11 p.m. ET 3 COMMENTS Re-creating opulent 1930s Hollywood and post-Prohibition New York for Woody […]
Woody Allen on Retiring and Childhood Memories / Cannes 2016 Café Society Published on Jun 4, 2016 Short clip from an interview with Woody Allen in occasion of the world premiere of his film “Café Society” at the Cannes film festival 2016. ‘Cafe Society’: Cannes Review 5:09 AM PDT 5/11/2016 by Todd McCarthy Woody Allen’s […]
New cast interview Café Society in Cannes Published on May 24, 2016 Subscribe on my Channel :* Cannes Film Review: ‘Café Society’ Owen Gleiberman Chief Film Critic @OwenGleiberman Editions: Subscribe Today! Film TV Digital Contenders Video Dirt Jobs More Sign In Home Film Reviews Cannes Film Review: ‘Café Society’ Owen Gleiberman Chief Film Critic @OwenGleiberman […]
Both Solomon in Ecclesiastes and Picasso in his painting had an obsession with the issue of their impending death!!! Picasso in the movie MIDNIGHT IN PARIS Pablo Picasso: Self-portrait Facing Death (1972) Does anyone not know the name Picasso? Based on sales of his works at auctions, he holds the title of top ranked […]
Picasso was a genius as a painter but he deliberately painted his secular worldview of fragmentation on his canvas but he could not live with the loss of humanness and he reverted back at crucial points and painted those he loved with all his genius and with all their humanness!!! Gertrude Stein (Kathy Bates) and […]
Just like Solomon in Ecclesiastes Picasso’s women mostly considered suicide or accepted nihilism and Woody Allen alludes to this in MIDNIGHT IN PARIS when Adriana tells her own story: GIL PENDER: No, you do! How long have you been dating Picasso?My God, did I just say that?Pardon?I don’t mean to…I didn’t meanto pry…. Were you born in […]
_ Just like Solomon Picasso slept with many women. Solomon actually slept with over 1000 women ( Eccl 2:8, I Kings 11:3), and both men ended their lives bitter against all women. Pablo Picasso: Midnight in Paris Woody Allen made it known that his pessimistic view on life started at a young age when he […]
_ Summing up Hemingway is not as hard as I thought it was going to be. Hemingway was nihilistic in that he understood the problem of modern man UNDER THE SUN without God in the picture just like Solomon did in the Book of Ecclesiastes. MICHAEL NICHOLSON in the article below does a great job of […]
and you will hear what far smarter people than I have to say on this matter. I agree with them.
Harry Kroto
I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:
Hinde was the master of St. John’s College, Cambridge in 1989-94.[2] He is the chair of BritishPugwash. He studies “the application of biological and psychological data to understanding the bases of religion and ethics” and “eliminating the causes of war”.[3]
. “Can Nonhuman Primates Help Us Understand Human Behavior?”. In Smuts, B.B., Cheney, D.L., Seyfarth, R.M., Wrangham, R.W., Struhsaker, T.T. (eds). Primate Societies. Chicago & London: University of Chicago Press. pp. 413–420. ISBN0-226-76715-9.
Cooperation and prosocial behaviour (Ed. with Jo Groebel). Cambridge University Press, 1991. ISBN 0-521-39110-5
The institution of war (Ed.). New York: St. Martin’s Press, 1992. ISBN 0-312-06611-2
Relationships: a dialectical perspective. Hove, East Sussex: Psychological Press, 1997. ISBN 0-86377-706-6
Why gods persist: a scientific approach to religion. London: Routledge, 1999. ISBN 0-415-20825-4
Why good is good: the sources of morality. London: Routledge, 2002. ISBN 0-415-27752-3
War, no more: eliminating conflict in the nuclear age (Ed. with Joseph Rotblat). London: Pluto Press, 2003. ISBN 0-7453-2192-5
In the second video below in the 99th clip in this series are his words and my response is below them.
50 Renowned Academics Speaking About God (Part 1)
Another 50 Renowned Academics Speaking About God (Part 2)
A Further 50 Renowned Academics Speaking About God (Part 3)
Interview of Robert Hinde – 2007 – part 1
Uploaded on Jan 22, 2008
Interview of the ethologist and sometime Master of St John’s College, Cambridge. For full downloadable version in higher quality, please see http://www.alanmacfarlane.com
Below is a letter in which I respond to the quote from Dr. Hinde:
April 13, 2016
Professor Robert Hinde, Department of Zoology, University of Cambridge, United Kingdom,
Dear Dr. Hinde,
I have been simply amazed at the people over the years you have been associated with. Students such as Pat Bateson, Jane Goodall and Dian Fossey. Also you were around such famous people as Bill Thorpe, Danny Lehrman and Jay Rosenblatt, Gabriel Horn, Danny Lehrman and Jay Rosenblatt, and Frank Beach. And I was stunned that you got to write a paper withErnst Mayr. I also had the honor of corresponding with him back in 1995.
Thank you for taking the time to give an interview to Dr. Alan MacFarlane. Dr. MacFarlane’s series of interviews have been so intriguing and yours was one of the best.
In the You Tube video “A Further 50 Renowned Academics Speaking About God (Part 2),” you asserted:
Later interest in religion was not influenced by work with YMCA at that time; called up and sent to Southern Rhodesia to train as a pilot; went on to flying training school and flew tiger moths; group of us were selected for Coastal Command and sent down to George in South Africa to train as a navigator; came home on a troop ship via South America; took months and months despite being on a fairly fast troop ship without an escort, having to keep watch for submarines; I was then a mild sceptical Christian but the man I was on lookout duty with was a passionate atheist; talked for weeks and weeks and when we got to England, he was a Christian and I was an agnostic;
If you are an agnostic/atheist and a humanist then what do you have to say about the negative view that many humanists have about the ultimate meaningless of life?
I know that you are active in the BRITISH HUMANIST ASSOCIATION so I thought this short letter may interest you.
H. J. Blackham was the founder of the BRITISH HUMANIST ASSOCIATION and he asserted:
“On humanist assumptions, life leads to nothing, and every pretense that it does not is a deceit. If there is a bridge over a gorge which spans only half the distance and ends in mid-air, and if the bridge is crowded with human beings pressing on, one after the other they fall into the abyss. The bridge leads nowhere, and those who are pressing forward to cross it are going nowhere….It does not matter where they think they are going, what preparations for the journey they may have made, how much they may be enjoying it all. The objection merely points out objectively that such a situation is a model of futility“( H. J. Blackham, et al., Objections to Humanism (Riverside, Connecticut: Greenwood Press, 1967).
On John Ankerberg’s show in 1986 there was a debate between Dr. Paul Kurtz, and Dr. Norman Geisler and when part of the above quote was read, Dr. Kurtz responded:
I think you may be quoting Blackham out of context because I’ve heard Blackham speak, and read much of what he said, but Blackham has argued continuously that life is full of meaning;
Harold J. Blackham (1903-2009)
With that in mind I wanted to ask you what does the BRITISH HUMANIST ASSOCIATION have to offer in the area of meaning and values? Francis Schaeffer two months before he died said if he was talking to a gentleman he was sitting next to on an airplane about Christ he wouldn’t start off quoting Bible verses. Schaeffer asserted:
I would go back rather to their dilemma if they hold the modern worldview of the final reality only being energy, etc., I would start with that. I would begin as I stress in the book THE GOD WHO IS THERE about their own [humanist] prophets who really show where their view goes. For instance, Jacques Monod, Nobel Prize winner from France, in his book NECESSITY AND CHANCE said there is no way to tell the OUGHT from the IS. In other words, you live in a totally silent universe.
The men like Monod and Sartre or whoever the man might know that is his [humanist] prophet and they point out quite properly and conclusively what life is like, not just that there is no meaningfulness in life but everyone according to modern man is just living out some kind of game plan. It may be knocking 1/10th of a second off a downhill ski run or making one more million dollars. But all you are doing is making a game plan within the mix of a meaningless situation. WOODY ALLEN exploits this very strongly in his films. He really lives it. I feel for that man, and he has expressed it so thoroughly in ANNIE HALL and MANHATTAN and so on.
According to the Humanist worldview Jacques Monod the universe is silent about values and therefore his good friendWoody Allendemonstrated this very fact so well in his 1989 movieCRIMES AND MISDEMEANORS. In other words, if we can’t get our values from the Bible then the answer is MIGHT MAKES RIGHT!!!!
I CHALLENGE YOU TO TAKE 90 MINUTES AND WATCH THE MOVIE “CRIMES AND MISDEMEANORS” AND THEN ANSWER THE QUESTION: “What reason is there that Judah should not have his mistress eliminated if there is no God and afterlife of judgment and rewards?”
CRIMES AND MISDEMEANORS was written and directed by Woody Allen
Judah has his mistress eliminated through his brother’s underworld connections
Anjelica Huston
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King Solomon closed the Book of Ecclesiastes (Richard Dawkins’ favorite Book of the Bible) with these words, “The end of the matter; all has been heard. Fear God and keep his commandments, for this is the whole duty of man.For God will bring every deed into judgment, with[d] every secret thing, whether good or evil.” With that in mind I have enclosed a short booklet called THIS WAS YOUR LIFE!
In light of your work with monkeys I thought you would be interested in this article below:
This observation uncovers the most serious objection to the idea that evolution is adequate to explain morality. There is one question that can never be answered by any evolutionary assessment of ethics. The question is this: Why ought I be moral tomorrow?
One of the distinctives of morality is its “oughtness,” its moral incumbency. Assessments of mere behavior, however, are descriptive only. Since morality is essentially prescriptive–telling what should be the case, as opposed to what is the case–and since all evolutionary assessments of moral behavior are descriptive, then evolution cannot account for the most important thing that needs to be explained: morality’s “oughtness.”
The question that really needs to be answered is: “Why shouldn’t the chimp (or a human, for that matter) be selfish?” The evolutionary answer might be that when we’re selfish, we hurt the group. That answer, though, presumes another moral value: We ought to be concerned about the welfare of the group. Why should that concern us? Answer: If the group doesn’t survive, then the species doesn’t survive. But why should I care about the survival of the species?
Here’s the problem. All of these responses meant to explain morality ultimately depend on some prior moral notion to hold them together. It’s going to be hard to explain, on an evolutionary view of things why I should not be selfish, or steal, or rape, or even kill tomorrow without smuggling morality into the answer.
The evolutionary explanation disembowels morality, reducing it to mere descriptions of conduct. The best the Darwinist explanation can do–if it succeeds at all–is explain past behavior. It cannot inform future behavior. The essence of morality, though, is not description, but prescription.
Evolution may be an explanation for the existence of conduct we choose to call moral, but it gives no explanation why I should obey any moral rules in the future. If one countered that we have a moral obligation to evolve, then the game would be up, because if we have moral obligations prior to evolution, then evolution itself can’t be their source.
Evolutionists are Wrong about Ethics
Darwinists opt for an evolutionary explanation for morality without sufficient justification. In order to make their naturalistic explanation work, “morality” must reside in the genes. “Good,” beneficial tendencies can then be chosen by natural selection. Nature, through the mechanics of genetic chemistry, cultivates behaviors we call morality.
This creates two problems. First, evolution doesn’t explain what it’s meant to explain. It can only account for preprogrammed behavior, which doesn’t qualify as morality. Moral choices, by their nature, are made by free agents, not dictated by internal mechanics.
Secondly, the Darwinist explanation reduces morality to mere descriptions of behavior. The morality that evolution needs to account for, however, entails much more than conduct. Minimally, it involves motive and intent as well. Both are non-physical elements which can’t, even in principle, evolve in a Darwinian sense.
Further, this assessment of morality, being descriptive only, ignores the most fundamental moral question of all: Why should I be moral tomorrow? Evolution cannot answer that question. It can only attempt to describe why humans acted in a certain way in the past. Morality dictates what future behavior ought to be.
Evolution does not explain morality. Bongo is not a bad chimp, he’s just a chimp. No moral rules apply to him. Eat the banana, Bongo.
Thank you again for your time. I know how busy you are.
Interview of the ethologist and sometime Master of St John’s College, Cambridge. For full downloadable version in higher quality, please see http://www.alanmacfarlane.com
The John Lennon and the Beatles really were on a long search for meaning and fulfillment in their lives just like King Solomon did in the Book of Ecclesiastes. Solomon looked into learning (1:12-18, 2:12-17), laughter, ladies, luxuries, and liquor (2:1-2, 8, 10, 11), and labor (2:4-6, 18-20). He fount that without God in the picture all […]
______________ George Harrison Swears & Insults Paul and Yoko Lucy in the Sky with Diamonds- The Beatles The Beatles: I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking […]
The Beatles in a press conference after their Return from the USA Uploaded on Nov 29, 2010 The Beatles in a press conference after their Return from the USA. The Beatles: I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis […]
__________________ Beatles 1966 Last interview I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about them and their impact on the culture of the 1960’s. In this […]
_______________ The Beatles documentary || A Long and Winding Road || Episode 5 (This video discusses Stg. Pepper’s creation I have dedicated several posts to this series on the Beatles and I don’t know when this series will end because Francis Schaeffer spent a lot of time listening to the Beatles and talking and writing about […]
_______________ Francis Schaeffer pictured below: _____________________ I have included the 27 minute episode THE AGE OF NONREASON by Francis Schaeffer. In that video Schaeffer noted, ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.” How Should […]
Crimes and Misdemeanors: A Discussion: Part 1 ___________________________________ Today I will answer the simple question: IS IT POSSIBLE TO BE AN OPTIMISTIC SECULAR HUMANIST THAT DOES NOT BELIEVE IN GOD OR AN AFTERLIFE? This question has been around for a long time and you can go back to the 19th century and read this same […]
____________________________________ Francis Schaeffer pictured below: __________ Francis Schaeffer has written extensively on art and culture spanning the last 2000years and here are some posts I have done on this subject before : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” , episode 9 “The Age of Personal Peace and Affluence”, episode 8 […]
Love and Death [Woody Allen] – What if there is no God? [PL] ___________ _______________ How Should We then Live Episode 7 small (Age of Nonreason) #02 How Should We Then Live? (Promo Clip) Dr. Francis Schaeffer 10 Worldview and Truth Two Minute Warning: How Then Should We Live?: Francis Schaeffer at 100 Francis Schaeffer […]
___________________________________ Francis Schaeffer pictured below: ____________________________ Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR Dr. Francis schaeffer – The flow of Materialism(from Part 4 of Whatever happened to human race?) Dr. Francis Schaeffer – The Biblical flow of Truth & History (intro) Francis Schaeffer – The Biblical Flow of History & Truth (1) Dr. Francis Schaeffer […]
I truly believe that many of the problems we have today in the USA are due to the advancement of humanism in the last few decades in our society. Ronald Reagan appointed the evangelical Dr. C. Everett Koop to the position of Surgeon General in his administration. He partnered with Dr. Francis Schaeffer in making the video below. It is very valuable information for Christians to have. Actually I have included a video below that includes comments from him on this subject.
Couldn’t be better wrote, “No, Saline, failure of the state of PA to monitor the doctors in their state, all of them, is the cause of how a Dr Giosnell gets by. That is a system failure by the state government of PA and had zero, nothing, naught, to do whether it was an abortion clinic or a foot surgeon or an ENT speciialist. Bad doctors are bad doctors, no matter what their speciality is. You won’t find one person on the blog who defends Gosnell.”
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Many of my relatives grew up in the Methodist Church and many of them have regretted the liberal direction the church has taken in the last few years. I enjoyed reading the words below of Matt O’Reilly on the recent statement of the United Methodist Church on the Gosnell verdict. Matt is the pastor of First United Methodist Church in Union Springs, Alabama, and an adjunct member of the faculties of New Testament at Wesley Biblical Seminary and Asbury Theological Seminary.
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The General Board of Church and Society (GBCS) has released a statement on the guilty verdict handed down earlier this week in the trial of Kermit Gosnell, who killed numerous newborns and at least one woman. I’m glad the statement from GBCS condemned the horrible crimes committed by the former abortion practitioner as reprehensible. They certainly were. I’m also very glad that the statement does not contradict our United Methodist Social Principles. There are, nevertheless, a variety of features that make the statement inadequate….The statement goes on to say that both supporters and opponents of abortion find Gosnell’s crimes reprehensible. This only is accurate to a degree. IT WOULD HAVE BEEN MORE ACCURATE TO SAY THAT SOME ABORTION SUPPORTERS FIND GOSNELL’S CRIMES REPREHENSIBLE. A GROWING NUMBER OF ABORTION ADVOCATES ARE ALSO CALLING FOR THE LEGALIZATION OF INFANTICIDE. Ethicist Peter Singer has been saying this for years, and others are beginning to join him. The key example is the most recent edition of the Journal of Medical Ethics, which is devoted to debating infanticide and contains articles arguing both for and against the killing of newborns. I point to other examples of this trend in a recent piece for The United Methodist Reporter, and you can follow Michael Bird who is chronicling the “Infanticide Blitz”. This is a debate we are now having. Certainly not all supporters of abortion reject infanticide, but GBCS should not lead us to think that supporters of abortion are of one mind with regard to infanticide. Many abortion advocates find Gosnell’s crimes horrific, but the arguments that gave us constitutionally protected abortion are being applied to newborns in a growing number of diverse arenas. The folks at GBCS need to read the relevant journals and websites and do their homework rather more carefully in order to stay on top of this highly important issue.
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ What a great article below: Dr. Alveda King: Guilty Gosnell Verdict May Spark More Justice for Women and Babies Contact: Eugene Vigil, King for America, 470-244-3302 PHILADELPHIA, May 13, 2013 /Christian Newswire/ […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ May 14, 2013 Murdered Thousands, Convicted for Three: The Kermit Gosnell Verdict By Drew Belsky Read more: http://www.americanthinker.com/2013/05/murdered_thousands_convicted_for_three_the_kermit_gosnell_verdict.html#ixzz2TMstLk1c Follow us: @AmericanThinker on Twitter | AmericanThinker on FacebookPhiladelphia abortionist Kermit Gosnell was convicted […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ A Verdict Doesn’t End the Gosnell Story By: Chairman Reince Priebus (Diary) | May 13th, 2013 at 03:27 PM | 28 RESIZE: AAA The horrors that unfolded in the clinic of Dr. […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ All-American Horror Story: Top 10 Kermit Gosnell Trial Revelations by Kristan Hawkins | Washington, DC | LifeNews.com | 4/12/13 3:38 PM Since so many in the media have failed/refused to report on […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis _____________ Tony Perkins: Gosnell Trial – FOX News Published on May 13, 2013 Tony Perkins: Gosnell Trial – FOX News ________________ Hey Obama, Kermit Gosnell Is What a Real War on Women Looks Like […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ___ _____________ Tony Perkins: Gosnell Trial – FOX News Published on May 13, 2013 Tony Perkins: Gosnell Trial – FOX News ________________ Family Research Council Praises Jury for Bringing Justice to Victims of Abortionist […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ _____________ Tony Perkins: Gosnell Trial – FOX News Published on May 13, 2013 Tony Perkins: Gosnell Trial – FOX News ________________ Kermit Gosnell and the Logic of “Pro-Choice” by Matthew J. Franck within […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ Fr. Pavone: Right to choose must yield to right to life STATEN ISLAND, NY — Father Frank Pavone, National Director of Priests for Life, had the following comment on the verdict in […]
Many in the world today are taking a long look at the abortion industry because of the May 14, 2013 guilty verdict and life term penalty handed down by a jury (which included 9 out of 12 pro-choice jurors) to Dr. Kermit Gosnell. During this time of reflection I wanted to put forth some of the […]
Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE Published on Oct 6, 2012 by AdamMetropolis ________________ The truth of abortion … the hope for Gosnell’s repentance A conviction in the murder trial of Philadelphia abortionist Kermit Gosnell has boosted the efforts of pro-lifers to demonstrate what abortion really […]
The Selfishness of Chris Evert Part 2 (Includes videos and Pictures) _________________________________ _____________________ _______________________ __________________________ Tennis – Wimbledon 1974 [ Official Film ] – 05/05 Published on May 1, 2012 John Newcombe, Ken Rosewall, Bjor Borg, Jimmy Connors, Cris Evert… ___________________ Jimmy Connors Reflects Published on May 13, 2013 Jimmy Connors visits “SportsCenter” to discuss his memoir, […]
Friedman would say, “IF A DOLLAR MORE RAISE IN THE MINIMUM WAGE WOULD HELP THEN WHY NOT RAISE EVERYONE UP TO $100 AN HOUR?” Of course, that exposes that fallacy of liberals’ argument and that is by raising up the minimum wage at some point will further limit access to the market to the most needy of our citizens would like to gain employment and cause massive layoffs!!!!!!
While economists are famous for their disagreements (and their incompetent forecasts), there is universal consensus in the profession that demand curves slope downward. That may be meaningless jargon to non-economists, but it simply means that people buy less of something when it becomes more expensive.
And this is why it makes no senseto impose minimum wage requirements, or to increase mandated wages where such laws already exist.
If you don’t understand this, just do a thought experiment and imagine what would happen if the minimum wage was $100 per hour. The answer is terrible unemployment, of course, which means it’s a very bad idea.
So why, then, is it okay to throw a “modest” number of people into the unemployment line with a “small” increase in the minimum wage?
Yet some politicians can’t resist pushing such policies because it makes them seem like Santa Claus to low-information voters. Vote for me, they assert, because I’ll get you a pay raise!
All of this sounds good, and it may even be the final result for some workers. But there’s overwhelming evidence that you get more unemployment when politicians boost the minimum wage.
There are no “magic boats.” In the real world, businesses only hire workers when they expect that additional employees will generate more than enough revenue to offset their costs. So when politicians artificially increase the cost of hiring workers, there will be some workers (particularly those with low skills) who become redundant.
And that’s exactly what we’re seeing in cities that have chosen to mandate higher minimum wages.
The Wall Street Journalopines on Seattle’s numbers.
Seattle’s increase last year seems to be reducing employment. That’s the finding of a new report by researchers at the University of Washington. The study compared nine months of 2015 in Seattle, where the wage is ticking up gradually and hit $13 an hour in January, with similar areas elsewhere in Washington. …The researchers found that the ordinance decreased the low-wage employment rate by about one-percentage point. …The ordinance “modestly held back” employment of low-wage earners, and hours worked “lagged behind” regional trends, on average four hours each quarter (or 19 minutes a week). Many such individuals moved to take jobs outside the city at “an elevated rate compared to historical patterns,” says the report. …None of this will surprise anyone who understands that increasing the cost of something will reduce the demand for it. Then again, that concept seems to elude both major presidential candidates, who have floated national minimum-wage increases.
And it goes without saying that Obama has been a demagogue on the issue.
Sigh.
Let’s examine evidence from another city. Mark Perry of the American Enterprise Institute looks at what has been happening in Washington, DC.
Since the DC minimum wage increased in July 2015 to $10.50 an hour, restaurant employment in the city has increased less than 1% (and by 500 jobs), while restaurant jobs in the surrounding suburbs increased 4.2% (and by 7,300 jobs). An even more dramatic effect has taken place since the start of this year – DC restaurant jobs fell by 1,400 jobs (and by 2.7%) in the first six months of 2016 between January and July – that’s the largest loss of District food jobs during a 6-month period in 15 years. Perhaps some of those job losses were related to the $1 an hour minimum wage hike on July 1, bringing the city’s new minimum wage to $11.50 an hour. In contrast, restaurant employment outside the city grew at a 1.6% rate in the suburbs (and by 2,900 jobs) during the January to July period. …While it might take several more years to assess the full impact, the preliminary evidence so far suggests that DC’s minimum wage law is having a negative effect on staffing levels at the city’s restaurants. At the same time that suburban restaurants have increased employment levels by nearly 3,000 new positions since January, restaurants in the District have shed jobs in five out of the last six months, with a total loss of 1,400 jobs during that period (an average of nearly 8 jobs lost every day). The last time DC experienced restaurant job losses in five out of six consecutive months was 25 years ago in 1991, and the last time 1,400 jobs were lost over any six-month period was 15 years ago during the 2001 recession.
Here’s a chart looking at how restaurant employment in DC and the suburbs used to be closely correlated, but how there’s been a divergence since the city hiked the minimum wage.
As Mark noted, we’ll know even more as time passes, but the net result so far is predictably negative.
For additional background info, this video is a succinct explanation of why minimum-wage mandates are such a bad idea.
Let’s close with something rather amusing. It turns out that the State Department, during Hillary Clinton’s tenure, actually understood that higher minimum wages destroy jobs. Indeed, her people were even willing to fight against such job-killing measures.
But in Haiti rather than America, as Politifactreports.
Memos from 2008 and 2009 obtained by Wikileaks strongly suggest…that the State Department helped block the proposed minimum wage increase. The memos show that U.S. Embassy officials in Haiti clearly opposed the wage hike and met multiple times with factory owners who directly lobbied against it to the Haitian president. …media outlets assessed the cables and found, among many other revelations, that the “U.S. Embassy in Haiti worked closely with factory owners contracted by Levi’s, Hanes, and Fruit of the Loom to aggressively block a paltry minimum wage increase” for workers in apparel factories. …Deputy Chief of Mission David Lindwall put it most bluntly, when he said the minimum wage law “did not take economic reality into account but that appealed to the unemployed and underpaid masses.” …The U.S. Embassy, meanwhile, continued to lament the hike… USAID studies found that a 200 gourdes minimum wage “would make the sector economically unviable and consequently force factories to shut down.”
Hmmm…., I wonder if some of those textile companies made contributions to theClinton Foundation?
P.S. People in Switzerland obviously understand this issue, overwhelmingly voting against a minimum-wage mandate in 2014.
____ February 13, 2013 1:07PM Obama’s Minimum Wage Plan By Chris Edwards Share Economic research has only a tenuous relationship to economic policymaking in Washington. President Obama’s new proposal to raise the federal minimum wage from $7.25 to $9.00 is a case in point. It would bad for workers and the economy, but the administration […]
_______ February 13, 2013 1:07PM Obama’s Minimum Wage Plan By Chris Edwards Share Economic research has only a tenuous relationship to economic policymaking in Washington. President Obama’s new proposal to raise the federal minimum wage from $7.25 to $9.00 is a case in point. It would bad for workers and the economy, but the administration […]
________ A Little Café shows the USA the real cost of the Minimum Wage Increase!!!! A Little Cafe That Sparked a Big Minimum Wage Debate Eric Boehm / @Watchdogorg / August 15, 2014 / 0 comments STILLWATER, Minn.—With its waitress and single cook, its retro-style booths with pale green cushions and its stainless steel wrap-around […]
___________ Jerry Brown raised taxes in California and a rise in the minimum wage, but it won’t work like Krugman thinks!!!! This cartoon below shows what will eventually happen to California and any other state that keeps raising taxes higher and higher. Krugman’s “Gotcha” Moment Leaves Something to Be Desired July 25, 2014 by […]
Open letter to President Obama (Part 513) (Emailed to White House on 5-4-13.) President Obama c/o The White House 1600 Pennsylvania Avenue NW Washington, DC 20500 Dear Mr. President, I know that you receive 20,000 letters a day and that you actually read 10 of them every day. I really do respect you for trying to get […]
Open letter to President Obama (Part 468) (Emailed to White House on 4-9-13.) President Obama c/o The White House 1600 Pennsylvania Avenue NW Washington, DC 20500 Dear Mr. President, I know that you receive 20,000 letters a day and that you actually read 10 of them every day. I really do respect you for trying […]
State of the Union 2013 Published on Feb 13, 2013 Cato Institute scholars Michael Tanner, Alex Nowrasteh, Julian Sanchez, Simon Lester, John Samples, Pat Michaels, Jagadeesh Gokhale, Michael F. Cannon, Jim Harper, Malou Innocent, Juan Carlos Hidalgo, Ilya Shapiro, Trevor Burrus and Neal McCluskey respond to President Obama’s 2013 State of the Union Address. Video […]
I have put up lots of cartoons from Dan Mitchell’s blog before and they have got lots of hits before. Many of them have dealt with the economy, eternal unemployment benefits, socialism, Greece, welfare state or on gun control. Funny…but Sad…Look at How the Minimum Wage Destroys Opportunity July 2, 2011 by Dan Mitchell My Cato colleague, Mark […]
It seems that everything President Obama does to help the economy actually does the opposite. Minimum Wage, Maximum Foolishness March 7, 2013 by Dan Mitchell Should the federal government make life more difficult for low-skilled workers? I hope everyone will emphatically say “NO!” Heck, most people understandably will think you’re crazy for even asking such […]
Williams with Sowell – Minimum Wage Why do the liberals want to increase unemployment more by increasing minimum wage? With Unemployment Already High, Why Are Leftists Pushing for an Increase in the Minimum Wage? September 3, 2012 by Dan Mitchell The unemployment rate has been stuck above 8 percent ever since Obama pushed through his ill-fated […]
I featured the artwork of Ellsworth Kelly on my blog both on November 23, 2015 and December 17, 2015. Also I mailed him a letter on November 23, 2015, but I never heard back from him. Unfortunately he died on December 27, 2015 at the age of 92.
Who were the artists who influenced Ellsworth Kelly?
ARTISTS
Paul Cézanne
Paul Klee
Pablo Picasso
Constantin Brancusi
Hans Arp
___________
Below these words of Roy Saper we take a closer look at Picasso and Francis Schaeffer’s comments later on Picasso’s technique concerning how he painted them.
In 1943 Picasso (age 62) then kept company with young art student Françoise Gilot (born in 1921). Their two children were Claude (1947) and Paloma (1949) who was named for the dove of peace that Picasso painted in support of the peace movement post World War II. Gilot, frustrated with Picasso’s relationships with other woman and his abusive nature left him in 1953. Gilot’s book “Life with Picasso” was published 11 years after their separation. In 1970 she married American physician-researcher Jonas Salk (who later died in 1995).
_______________________________
Picasso and Françoise with their two children were Claude (1947) and Paloma (1949) pictured below in the early 1950’s.
Picasso’s drawing, Portrait of Francoise, from 1946:
Francis Schaeffer in the episode, “The Age of Fragmentation,” Episode 8 of HOW SHOULD WE THEN LIVE? noted:
Monet, Renoir, Pissaro, Sisley, Degas were following nature as it has been called in their painting they were impressionists.They painted only what their eyes brought them. But was there reality behind the light waves reaching their eyes? After 1885 Monet carried this to its conclusion and reality tended to become a dream. With impressionism the door was open for art to become the vehicle for modern thought. As reality became a dream, impressionism began to fall apart. These men Cezanne, Van Gogh, Gauguin, Seurat, all great post Impressionists felt the problem, felt the loss of meaning. They set out to solve the problem, to find the way back to reality, to the absolute behind the individual things, behind the particulars, ultimately they failed. I am not saying that these painters were always consciously painting their philosophy of life, but rather in their work as a whole their worldview was often reflected. Cezanne reduced nature to what he considered its basic geometric forms. In this he was searching for an universal which would tie all kinds of individual things in nature together, but this gave a broken fragmented appearance to his pictures. In his bathers there is much freshness, much vitality. An absolute wonder in the balance of the picture as a whole, but he portrayed not only nature but also man himself in fragmented form.
I want to stress that I am not minimizing these men as men. To read van Gogh’s letters is to weep for the pain of this sensitive man. Nor do I minimize their talent as painters. Their work often has great beauty indeed. But their art did become the vehicle of modern man’s view of fractured truth and light. As philosophy had moved from unity to fragmentation so did painting. In 1912 Kaczynski wrote an article saying that in so far as the old harmony, that is an unity of knowledge have been lost, that only two possibilities remained: extreme abstraction or extreme naturalism, both he said were equal.
With this painting modern art was born. Picasso painted it in 1907 and called it Les Demoiselles d’Avignon. It unites Cezzanne’s fragmentation with Gauguin’s concept of the nobel savage using the form of the african mask which was popular with Parisian art circle of that time. In great art technique is united with worldview and the technique of fragmentation works well with the worldview of modern man. A view of a fragmented world and a fragmented man and a complete break with the art of the Renaissance which was founded on man’s humanist hopes.
Here man is made to be less than man. Humanity is lost. Speaking of a part of Picasso’s private collection of his own works David Douglas Duncan says “Of course, not one of these pictures was actually a portrait, but his prophecy of a ruined world.”
But Picasso himself could not live with this loss of the human. When he was in love with Olga and later Jacqueline he did not consistently paint them in a fragmented way. At crucial points of their relationship he painted them as they really were with all his genius, with all their humanity. When he was painting his own young children he did not use fragmented techniques and presentation. I want you to understand that I am not saying that gentleness and humanness is not present in modern art, but as the techniques of modern art advanced, humanity was increasingly fragmented. The opposite of fragmentation would be unity, and the old philosophic thinkers thought they could bring forth this unity from the humanist base and then they gave this up.
__________
Olga Khokhlova and Picasso (1917-1927)
In 1917 ballerina Olga Khokhlova (1891-1955) met Picasso while the artist was designing the ballet “Parade” in Rome, to be performed by the Ballet Russe.
They married in the Russian Orthodox church in Paris in 1918 and lived a life of conflict.
She was of high society and enjoyed formal events while Picasso was more bohemian in his interests and pursuits.
Their son Paulo (Paul) was born in 1921 (and died in 1975), influencing Picasso’s imagery to turn to mother and child themes. Paul’s three children are Pablito (1949-1973), Marina (born in 1951), and Bernard (1959). Some of the Picassos in this Saper Galleries exhibition are from Marina and Bernard’s personal Picasso collection.
Portrait of Paul Picasso as a Child. 1923. Oil on canvas.
Collection of Paul Picasso, Paris, France.
How Should We Then Live – Episode 8 – The Age of Fragmentation
Art This Week-At the Blanton Museum of Art-Ellsworth Kelly Symposium, Part 3-Questions
When Tim Teeman met the artist, they talked intimately about his life, art, and mortality—and his strange encounters with Picasso, Giacometti, Miró, and Francis Bacon.
TIM TEEMAN
12.28.15 7:15 PM ET
When I visited Ellsworth Kelly at his upstate New York studio in the hamlet of Spencertown in late 2011 for the London Times, he was then 88. After our introductions, the first thing I noticed were the thin rubber tubes in his nose, connected, via snaking thicker rubber tubes, to oxygen canisters.
As we walked from room to room, Kelly discarded one headset of rubber tubes for another.
The artist, who died Sunday at 92, didn’t seem frail when I met him. He moved and spoke slowly and carefully. Jack Shear, Kelly’s partner of then-27, now-31 years’ standing, ran his life and business affairs with the help of an assistant.
Two art assistants stretched Kelly’s canvases for him, but Kelly mixed all his own oil paints and did his own painting. Not for him the production-line assembly-making artistic practice of Jeff Koons.
For one of the last living American artistic greats—his compadre Jasper Johns is another—Kelly was working hard. When we met there was a show of his giant wood sculptures in Boston, and exhibitions featuring his drawings of plants and new black-and-white canvases in Munich.
He was about to exhibit new color canvases at Matthew Marks, his New York gallery.
“They just found out my heart doesn’t make enough oxygen,” Kelly told me, showing me those new color paintings. “The machines make oxygen, then I have tanks I carry around outside. I guess it’s my age. I smoked in Paris for a few years, but that was years ago. They said my blood was in bad shape for a non-smoker, and all I can think is it’s the turpentine that I’ve been using for 60 years.”
He had been in Madrid for the opening of a show when he had trouble breathing and “found I couldn’t walk that much.”
Kelly was much more interested in talking about the paintings in front of us than his life.
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I had always enjoyed Kelly’s work; the vivid blasts of color on canvases sometimes curved, sometimes sharply angled, sometimes square, sometimes semi-circular—color displayed in so many shapes, and contrasted to other colors—always made this gallery-goer simply stop, smile, and think. Kelly’s work seems to embody to me the heart of how visually immersive and mentally nourishing art could be.
As we stood in the studio, he indicated the paintings in front of us: beautiful, vivid contrast of color that used relief and radial curves. Orange overlapped blue, blue overlapped black.
If you want to encounter Kelly’s work in all its many glories, Phaidon recently published an impressive career-spanning monograph of his work, by Tricia Palk.
Kelly told me he became first interested in relief when he started painting in 1949 in Paris, white on whites at first, before his best-known early work, the 64 panels in Colors for a Large Wall, first used multiple colors.
“I was painting figuratively in 1948 and 1949, then asked myself, ‘What am I going to do?’” he recalled. “I could see what Picasso and Matisse were doing, and I met [Francis] Picabia, [Georges] Vantongerloo, and Giacometti. He was wonderful, very whimsical. He came to an opening of mine, and said, ‘Oh, you’re the one who did that big picture [‘Colors’]; let’s look at it.’
“He liked it and I said I’d like to see him once in a while, but I never stayed long. I last saw him at La Coupole. He sat down. My companion and I stood up, and knocked our glasses of water over. He looked at us and said, ‘Wow, you guys are really impressed, aren’t you?’”
Kelly bumped into Picasso, his enduring inspiration, “several times in some strange ways,” including when he was 24, walking near the artist’s Parisian studio, when Picasso’s car almost backed into him.
“Picasso was a rogue, really, a wild guy, the most competent and creative of all the artists in that school in Paris,” Kelly told me. “He and Matisse flowed back to each other and influenced each other.”
A visitor looks a painting by US artist Ellsworth Kelly on June 18, 2010 part of an exhibition at the Villa Medici, the headquarters of the French Academy in Rome.
ANDREAS SOLARO/AFP/GETTY
Kelly’s most dramatic encounter had been with Joan Miró at the Spanish painter’s studio in Majorca in the ’60s.
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“He was worried about his place with the new generation of Abstract Expressionists. I was the messenger. He said desperately, ‘What’s going on with these American painters? I’m being forgotten.’ I said, ‘You’re not being forgotten; you’re the master Miró.’”
I asked why Kelly had chosen to major in the abstract. “The figurative seemed too personal,” he replied. “There was nothing more that I could do after Matisse, Picasso, Brancusi, and Mondrian. I felt like I had to do something I hadn’t seen before, and in Paris I began to see new things like architecture, which echoed that. I began to look at things and make them abstract.”
Of his 1953 painting, “Seine,” he told the Guardian: “I lived on the Île Saint-Louis. Every night, walking home, I would walk down the outside quay and see the lights from the bridges on the water. I would just stand there and look at those reflections, and I thought: I want to do something that looks like this. But I don’t want to do a Pointillist painting. I said, I want to do something that flickers.
“So I wrote down 40 numbers and I put them in the box, one through 40.” He pulled out a single number—it must have been 21—and painted a single rectangle halfway down the left side of the canvas. “Then I picked out two numbers, then three, four, five, six, until I got to the black in the center. Then when I got halfway I started reversing it.”
***
Kelly’s formative adventures in Paris sounded far removed from his dreary New Jersey upbringing.
He told me he had been closer to his father, Allan, an insurance company executive, than to his mother, Florence. He had been a “very solitary” small boy who didn’t like sports. His paternal grandmother and mother took him bird-watching, an early inspiration, as most birds featured two or three defining colors: “I was astounded by the abstraction of the colors of the birds,” he told me. He was also ill with a lung disease that, before modern surgery, doctors had to cut into his back to treat.
A visitor looks at the artwork ‘Two Panels – Blue-Yellow’ (1970) by US artist Ellsworth Kelly as part of the exhibition “J’aime les panoramas” (I love the panoramas) at the Museum of European and Mediterranean Civilisations (MUCEM) in Marseille, southern France on November 2, 2015. The exhibition will run from November 4, 2015 to February 29, 2016.
BERTRAND LANGLOIS/AFP/GETTY
“I felt a little bit outside my family,” he said. “I’ve never been a family person at all, because it’s not very smart. You have to find yourself. Parents have their job, I suppose, but most of them are more interested in themselves, and if they only let their children alone, some of them might have a few of their own ideas or go wild.”
After attending the Pratt Institute in Brooklyn, he joined the Army and a unit nicknamed the Ghost Army, “nowhere near the front line,” devoted to creating objects such as inflatable tanks to deceive the enemy.
In 1946 he enrolled at the School of the Museum of Fine Arts in Boston, “where all I did was draw and paint nudes.” He hitchhiked to New York’s Metropolitan Museum of Art to see the work of Picasso and Brancusi.
In New York, Kelly knew Andy Warhol in the late ’50s, when Warhol was very young and “always wearing suits. He had his Factory, and frankly I was not very much moved by that.”
Kelly and a group of artists including Robert Indiana and Agnes Martin lived and worked together in Lower Manhattan. He was good friends with Roy Lichtenstein (“serious, a very hard worker, whimsical”) and told me he had stayed in touch with Jasper Johns, although there seemed to be a froideur there.
A woman looks at the pieces “Red curve in relief” (R) and “Concorde relief” by American artist Ellsworth Kelly during an open day at the Fondation Louis Vuitton in the Bois de Boulogne park in Paris on October 24, 2014. Emerging from the woods at the edge of Paris like a glass ship, the hyper-modern Louis Vuitton art museum was inaugurated on October 20, kicking off an art-filled week in the French capital. AFP PHOTO / FRANCOIS GUILLOT
–RESTRICTED TO EDITORIAL USE, MANDATORY CREDIT OF THE ARTIST, TO ILLUSTRATE THE EVENT AS SPECIFIED IN THE CAPTION —
(Photo credit should read FRANCOIS GUILLOT/AFP/Getty Images)
FRANCOIS GUILLOT/AFP/GETTY
When I asked if they were friends, Kelly said, “I need to be careful what I say. I see him once in a while—close friends, well, no, but as friends go…yeah, he’s a good one.”
Given his own stature, I wondered how Kelly felt about Damien Hirst, Tracey Emin, and other high-rolling celebrity artists. “You can’t avoid their work,” he said. “It’s complicated. Younger artists are searching for a new way; their painting, performance art, scattered art—a lot of it is figurative, and I automatically discount anything figurative. I’ve lived for 60 years with abstraction. I left figurative art because I was bored of it. Why make art of something you’ve looked at? I want to make art of something I haven’t seen before. I’m not a talking person. Words don’t come as easily as ideas do. I don’t feel it’s normal to be open about things. Tracey Emin loves the opposite.”
“I don’t like exposure,” Kelly told me. “I see the auction catalogues. I know Jeff Koons and Damien Hirst make art objects which sell for a lot of money, but they’re on different plane than Picasso, Matisse, Pollock, de Kooning, and Rothko. There’s a tradition of painting, of art, which is being broken up with their kind of performance and entertainment.”
***
There was an air of sadness about him, and I asked, gently, if Kelly had suffered from depression.
“Yes, I have,” he said tersely. “Two years ago. It’s all part of growing old. You can’t understand it. I kept it to myself. You don’t talk about it. Then things get better. There are medicines for things like that.”
Did he take them? “Yes, all old people take half a dozen pills. I have good doctors. I feel great now that I’ve got my oxygen. I can paint. I can do everything except move around, I can’t fly. My doctor said my depression was like getting a disease as you get older. You lose some of the chemicals in your body, and they give you the right chemicals to fill in what you lost.”
Shear brought us lunch. He is extremely handsome, with a luxuriant sweep of salt and pepper hair. At 62 (now, 58, then) he is 30 years Kelly’s junior; he had told me earlier on the drive from the train station that the couple had met in a photo-print shop in Los Angeles where Shear worked.
Shear “protected,” as he put it, Kelly from many things. The “deal” when they got together was that Shear couldn’t paint or sculpt, “which was fine by me,” Shear told me (Kelly had experienced being “used” professionally by other partners, he said).
A woman walks on the stairs which lead down to an exhibition of panel paintings by artist Ellsworth Kelly durin an exhibition preview on June 19, 2013 at The Phillips Collection in Washington, DC.
MANDEL NGAN/AFP/GETTY
Jack seems lovely, I said to Kelly. “Oh, he’s wonderful, very generous, very smart. He’s a good photographer, too,” said Kelly.
You’ve been together for 27 years, I said.
Kelly smiled. “It seems like…pffftt,” he said, gesturing to time passing in a flash. “He’s got a wonderful head on his shoulders, and we talk a lot.”
Were his parents finally proud of him? I asked. “My dad was. Very. He liked seeing me in newspapers. With my mother, it felt like a block. They wanted me to come to see them in New Jersey, but I would only spend the afternoon there. I did my duty. They were very ordinary, and I think that in order to do the painting I do, I am extraordinary, different, extraordinarily different. In some way growing up in my mother’s house made me a painter.”
He added, “There wasn’t much interaction there, and I think with a lot of creative people the desire to create is because there’s an emptiness to be filled. And I had that, from the age of 12 to 25. You have to become an adult, to live your life, and that emptiness—that’s what my painting was about.”
I asked if he felt fulfilled, and his answer took in how he felt about mortality, too.
“You look back at all the work you’ve done—and I’ve done more than 1,000 works—and that’s fulfilling enough. Death is inevitable. I want another 20 years, but you never know. Can I live to be 100? It would be nice. Now that I have my oxygen I can keep going, and the rest of my body seems OK, but the lungs are important, and if the doctors say it’s getting worse, it just depends on how much time I have left. But I feel pretty good, and I have been exercising.”
“I like your eyebrows. They’re very strong,” Kelly told me as I was leaving.
If you love Kelly’s bold, warm, enveloping canvases—their slashes of color, their angles, their shapes, their mastery of shape and contrast—you can perhaps understand why I will always cherish that compliment.
Ronald Davis, a.k.a. Ron Davis (born 1937), is an American painter whose work is associated with geometric abstraction, abstract illusionism, lyrical abstraction, hard-edge painting, shaped canvas painting, color fieldpainting, and 3D computer graphics. He is a veteran of nearly seventy solo exhibitions and hundreds of group exhibitions. Since the late 1960s, Ronald Davis has been an important figure in the world of abstract art. Using a painting style incorporating the freedom of Jackson Pollock, the spatial perspective of the Renaissance, and the precision of Piet Mondrian, Davis became known for his illusionary qualities which were previously missing within abstract art. Employing new technologies of the time, Davis became a master of geometric perspective, paint handling, color, and space. His style evolved from hard-edged, optical paintings to geometric, illusionistic paintings, using polyester resin and fiberglass. He later explored sound sculpture, silkscreening, lithography, etching, papermaking, a return to acrylic painting and computer-based painting. Davis makes apt analogies between the materials and techniques of traditional painting and the digital tools of graphic imaging. His recourse to modeling, texturing, and rendering software with a mouse and a keyboard requires the same artistic decision making as a traditional painter’s deployment of conventional perspective, modeling, brushwork, and finishing of the painted surface. If the comparison breaks down on formal grounds, it breaks in favor of the digital image. Its technology enables the artist to realize desired qualities of color and light at a level far superior to what can be achieved with hand-applied techniques and organic, volatile, and perishable mediums. Davis has numerous exhibitions to his name, including both solo shows and group exhibitions. His work has been exhibited in galleries, such as the Laguna Art Museum in Laguna Beach, CA, and the New Orleans Museum of Modern Art in City Park, NO. Some of his artwork continues to be displayed at the Museum of Modern Art in New York, NY, and at the Tate Gallery in London, England. He continues to reside on his ranch in Arroyo Hondo, NM.
Arch Duo and Vented Star, 1976; acrylic on canvas,Copper Slab, 2012, 42 x 42 inches, Pixeldust on Aluminum, Faux Frame,Cycloid Ring Three, 2012, 42 x 42 inches, Pixeldust on Aluminum, Faux Frame,Double Slice Rectangle XI, 1971, 56 x 138 x 1_4 inches, Polyester Resin and Fiberglass, Rectangle SeriesFront Cube, 2012, 42 x 42 inches, Pixeldust on Aluminum,Glass Box III, 2012, 36 x 36 inches, Pixeldust on Aluminum, Faux Frame,Mazzochio Twelve, 2012, 42 x 42 inches, Pixeldust on AluminumRonald Davis in studio
Ronald Davis from the earliest days of his career had a significant impact on contemporary abstract painting of the mid-1960s. According to art criticMichael Fried: “Ron Davis is a young California artist whose new paintings, recently shown at the Tibor de Nagy Gallery in New York, are among the most significant produced anywhere during the past few years, and place him, along with Stella and Bannard, at the forefront of his generation.”[3] He had his first one-person exhibition at the Nicholas Wilder Gallery in Los Angeles in 1965.[4]
Barbara Rose wrote an in depth essay about Ronald Davis’ paintings of the 1960s in the catalogue accompanying an exhibition of his Dodecagon Series in 1989 in Los Angeles. Among other observations she wrote: “Davis saw a way to use Duchamp‘s perspective studies and transparent plane in The Large Glass for pictorial purposes. Instead of glass, he used fiberglass to create a surface that was equally transparent and detached from any illusion of reality. Because his colored pigments are mixed into a fluid resin and harden quickly, multiple layers of color may be applied without becoming muddy. his is essentially an inversion of Old Masterlayering and glazing except that color is applied behind rather than on top of the surface. Alone among his contemporaries, Ronald Davis was equally concerned with traditional problems of painting: space, scale, detail, color relationships and illusions as he was with the California emphasis on hi-tech craft and industrial materials. How to reconcile the literal object produced with the latest technology with transcendental metaphor became the problem that occupied throughout the Sixties.” [5]
In a letter to the Tate Gallery, which had acquired the 1968 painting Vector, Davis described the technique he began using in 1966:
Fiberglass cloth and mat replaced canvas as reinforcement and support for the colored resin (paint). They were painted with a brush face down on a waxed Formica table mold. The illusionary plane nearest the viewer was masked out with tape and painted first, the furthest away was painted last. Layers of fiberglass impregnated with resin were laminated to the back of the painting… The completed painting was peeled from the waxed mold and polished.[citation needed]
In an Artforum article in 1970 artist/art critic Walter Darby Bannard commented: “Though Davis is plagued by “series” ideas, and has yet to get a grip on the inherent monumentality of his style, he is young and inspired, and these things will evolve naturally.”[6] From 1966 to 1972 Ron Davis created geometric shaped, illusionistic paintings using polyester resins and fiberglass. About Davis’ paintings of the late 1960s in an essay accompanying the Ronald Davis retrospective exhibition Forty Years of Abstraction, at the Butler Institute of American Art in 2002, the abstract painter Ronnie Landfield wrote: “the Dodecagons from 1968–69 remain among the most visually stunning, audacious and intellectually interesting bodies of work made by an abstract painter in the last half of the twentieth century.”[7]
One would think that the young people of the 1960’s thought little of death but is that true? The most successful song on the SGT PEPPER’S album was about the sudden death of a close friend and the album cover was pictured in front of a burial scene. Francis Schaeffer’s favorite album was SGT. […]
_________ I think it is revolutionary for a 18 year old Paul McCartney to write a song about an old person nearing death. This demonstrates that the Beatles did really think about the process of life and its challenges from birth to day in a complete way and the possible answer. Solomon does that too […]
_____________ Karlheinz Stockhausen was friends with both Lennon and McCartney and he influenced some of their music. Today we will take a close look at his music and his views and at some of the songs of the Beatles that he influenced. Dr. Francis Schaeffer: How Should We Then Live? Episode 9 (Promo Clip) […]
Mia and Prudence Farrow both joined the Beatles in their trip to India to check out Eastern Religions. Francis Schaeffer noted, ” The younger people and the older ones tried drug taking but then turned to the eastern religions. Both drugs and the eastern religions seek truth inside one’s own head, a negation of reason. […]
Dylan Thomas was included on SGT PEPPER’S cover because of words like this, “Too proud to cry, too frail to check the tears, And caught between two nights, blindness and death.” Francis Schaeffer noted: This is sensitivity crying out in darkness. But it is not mere emotion; the problem is not on this […]
John Lennon was writing about a drug trip when he wrote the song LUCY IN THE SKY WITH DIAMONDS and Paul later confirmed that many years later. Francis Schaeffer correctly noted that the Beatles’ album Sgt. Pepper’s brought the message of drugs and Eastern Religion to the masses like no other means of communication could. Today […]
______________ Why was William S. Burroughs put on the cover of Sgt. Pepper’s Lonely Hearts Club Band? Burroughs was challenging the norms of the 1960’s but at the same time he was like the Beatles in that he was also searching for values and he never found the solution. (In the last post in this […]
The Beatles were “inspired by the musique concrète of German composer and early electronic music pioneer Karlheinz Stockhausen…” as SCOTT THILL has asserted. Francis Schaeffer noted that ideas of “Non-resolution” and “Fragmentation” came down German and French streams with the influence of Beethoven’s last Quartets and then the influence of Debussy and later Schoenberg’s non-resolution which is in total contrast […]
It was the famous atheist Bertrand Russell who pointed out to Paul McCartney early on that the Beatles needed to bring more attention to the Vietnam war protests and Paul promptly went back to the group and reported Russell’s advice. We will take a closer look at some of Russell’s views and break them down […]
Francis Schaeffer correctly noted: In this flow there was also the period of psychedelic rock, an attempt to find this experience without drugs, by the use of a certain type of music. This was the period of the Beatles’ Revolver (1966) and Strawberry Fields Forever (1967). In the same period and in the same direction […]
Why was H.G.Wells chosen to be on the cover of SGT PEPPERS? Like many of the Beatles he had been raised in Christianity but had later rejected it in favor of an atheistic, hedonistic lifestyle that many people in the 1960’s moved towards. Wells had been born 100 years before the release of SGT PEPPERS […]
__ Ellsworth Kelly Ellsworth Kelly Featured artist today is Ellsworth Kelly Interview with Visual Artist Ellsworth Kelly at Art Basel Uploaded on Jun 4, 2008http://www.vernissage.tv | In honor of Ellsworth Kelly’s 85th birthday, Matthew Marks Gallery presents a one-person exhibition by the artist at Art 39 Basel. On display at the gallery’s booth at […]
In both his work and his interviews, Woody Allen shows a quietly insistent cynicism (he would say “realism”) about the futility of human endeavor in a meaningless, godless universe, and stuff. There is one aspect of earthly existence for which he has a demonstrable soft spot, however, and that is The Past. Which is possibly the reason that his most recent films set there—“Midnight in Paris” and this week’s “Café Society”—are among the most beguiling in his ongoing late work.
The opening image of “Café Society” sets the tone: a breathtaking shot of an impossibly clear-blue swimming pool at dusk, surrounded by elegant people in formal wear. Allen, production designer Santo Loquasto, and cinematographer Vittorio Storaro (the legendary camera maestro here working, as is Allen, for the first time in the digital format, and knocking it out of the park) have a very particular vision of 1930s Hollywood, despite Allen’s well-known and well-worn antipathy toward Los Angeles in general. It is here, Allen tells us in his voiceover narration, that talent agent Phil Stern (Steve Carell), seen at poolside “holding court” before being interrupted by a phone call, is a major player and contented fat cat. The phone call is from his older sister Rose (Jeannie Berlin), matriarch of a clan right out of Allen’s 1987 “Radio Days,” informing him that her youngest son Bobby (Jesse Eisenberg) is headed out to the West Coast, and that Phil should help set him up, despite the fact that the energetic young man hasn’t the faintest idea of what he wants to do.
Speaking of “Radio Days,” Allen limns Bobby’s family with the same anecdotal detail that he used to such great effect in the older film. Bobby’s sister Evelyn (Sari Lennick) is married to a philosophical academic, while his older brother Ben (Corey Stoll) is an aggressive gangster. How all this will come to bear on Bobby’s adventures a whole continent away we have no idea, but Allen’s discursive mode is not unpleasant, and it does in fact pay off, albeit in an oblique way.
As for Bobby himself, Eisenberg initially plays him as a young Allen stand-in, albeit a little more New York street-smart and self determined. Uncle Phil is so busy, and/or uninterested, in giving his nephew the time of day that he doesn’t see him for a week, during which time Bobby decides, with long-distance encouragement from Ben, to sample the local call-girl culture, leading to a “Deconstructing Harry”-reminiscent scene that’s one of the movie’s few sour notes,Anna Camp’s game efforts as an inexperienced prostitute notwithstanding. Once Phil does see the fellow, he makes him an errand boy, and outsources overseeing his social life to agency secretary Veronica, or Vonnie, played by a luminous Kristen Stewart. Together they sample Hollywood Mexican food, the edenic sands of Malibu, and ornate movie houses showing pristine prints of Barbara Stanwyck movies. What a paradise it seems, except that Bobby falls hopelessly in love with Vonnie and Vonnie’s got a mysterious boyfriend. One who’s almost never around because, for one thing, he’s a married man, and for another…
Well, I don’t want to give anything away, but if you don’t see what’s coming, you haven’t seen many Woody Allen films. While predictable in certain respects, “Café Society” surprises in others, one of which is the “life goes on” swerve it makes midway through, one by which, among other things, its title is justified. Bobby and Vonnie’s separate lives see Bobby taking over management of a swank New York nightclub owned by his gangster brother and Vonnie becoming a Hollywood wife. That they never really got over each other is the theme of the movie’s languid, lyrical and sad final third.
When I saw “Irrational Man,” Allen’s film prior to this, in 2015, it occurred to me that Allen has achieved something I never would have predicted, and he himself might have never dared hope: he is, at this point in his career, a better director than he is writer. The plot twists and dialogue of “Irrational Man” were familiar to the point of near-hoariness, but Allen’s work with his actors, his shot selection and his pacing were supple and fleet, and made the movie more effective than it would seem to have had the right to be. “Café Society” has sharper writing than “Irrational Man” (although the longtime Allen follower will hear more than one recycled gag, including one from, of all pictures, the 1967 “Casino Royale”), and when it doesn’t, his cast is motivated enough to bring it off; as tired as the movie’s already oft-quoted line about life being written by a “sadistic comedy writer” is, Eisenberg makes it work in context. (Eisenberg’s performance here, by the way, is one of his best in a while. After the one-two punch of “End of the Tour” and “Batman v Superman: Dawn of Justice,” I almost expected to never enjoy his work again, but he does some pretty special things here; his reaction to seeing Vonnie again, unexpectedly, after a long time apart, is one of them.)
But it’s the filmmaking around the writing that casts a particular spell. Particularly near the end, as Allen adds up the moral failings and squelched desires and doused dreams of all his characters. (The director provides voiceover narration throughout, and while his timing and inflection are on point as ever, his voice is frail, weakening; for the first time in a film, he sounds like the person he is, an 80-year-old man.) And then he wraps the whole thing up at a New Year’s celebration that’s as visually beautiful as the pool party at the film’s opening but is at the same time infused with a powerful but still wistful cinematic incense of paradise lost.
Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD
“CAFÉ SOCIETY” AND “LIFE, ANIMATED” REVIEWS Woody Allen’s newest film, and a documentary about how a boy with autism connected with Disney movies. By Anthony Lane Jesse Eisenberg and Kristen Stewart in Woody Allen’s new movie.ILLUSTRATION BY BEN KIRCHNER The new Woody Allen film, “Café Society,” is set in the nineteen-thirties—you know, that far-off land […]
‘Cafe Society’ review: Kristen Stewart, Jesse Eisenberg enliven otherwise dull nostalgia by Michael PhillipsContact Reporter Chicago Tribune July 7, 2016 There’s not much to “Cafe Society,” but for a while now Woody Allen has been getting by with not much happening at the keyboard. Thanks to the warm, glowing light lavished on the film by cinematographer Vittorio […]
CAFE SOCIETY – Red Carpet – EV – Cannes 2016 ‘Café Society’: Designing 1930s Hollywood for Woody Allen The new film, with Jesse Eisenberg and Kristen Stewart, is full of lavish set designs By DON STEINBERG Updated July 6, 2016 7:11 p.m. ET 3 COMMENTS Re-creating opulent 1930s Hollywood and post-Prohibition New York for Woody […]
Woody Allen on Retiring and Childhood Memories / Cannes 2016 Café Society Published on Jun 4, 2016 Short clip from an interview with Woody Allen in occasion of the world premiere of his film “Café Society” at the Cannes film festival 2016. ‘Cafe Society’: Cannes Review 5:09 AM PDT 5/11/2016 by Todd McCarthy Woody Allen’s […]
New cast interview Café Society in Cannes Published on May 24, 2016 Subscribe on my Channel :* Cannes Film Review: ‘Café Society’ Owen Gleiberman Chief Film Critic @OwenGleiberman Editions: Subscribe Today! Film TV Digital Contenders Video Dirt Jobs More Sign In Home Film Reviews Cannes Film Review: ‘Café Society’ Owen Gleiberman Chief Film Critic @OwenGleiberman […]
Both Solomon in Ecclesiastes and Picasso in his painting had an obsession with the issue of their impending death!!! Picasso in the movie MIDNIGHT IN PARIS Pablo Picasso: Self-portrait Facing Death (1972) Does anyone not know the name Picasso? Based on sales of his works at auctions, he holds the title of top ranked […]
Picasso was a genius as a painter but he deliberately painted his secular worldview of fragmentation on his canvas but he could not live with the loss of humanness and he reverted back at crucial points and painted those he loved with all his genius and with all their humanness!!! Gertrude Stein (Kathy Bates) and […]
Just like Solomon in Ecclesiastes Picasso’s women mostly considered suicide or accepted nihilism and Woody Allen alludes to this in MIDNIGHT IN PARIS when Adriana tells her own story: GIL PENDER: No, you do! How long have you been dating Picasso?My God, did I just say that?Pardon?I don’t mean to…I didn’t meanto pry…. Were you born in […]
_ Just like Solomon Picasso slept with many women. Solomon actually slept with over 1000 women ( Eccl 2:8, I Kings 11:3), and both men ended their lives bitter against all women. Pablo Picasso: Midnight in Paris Woody Allen made it known that his pessimistic view on life started at a young age when he […]
_ Summing up Hemingway is not as hard as I thought it was going to be. Hemingway was nihilistic in that he understood the problem of modern man UNDER THE SUN without God in the picture just like Solomon did in the Book of Ecclesiastes. MICHAEL NICHOLSON in the article below does a great job of […]