List of most wins in one season by any NCAA basketball team!!!!

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List of most wins in one season by any NCAA basketball team!!!!

1994 NCAA Basketball National Championship – Duke vs Arkansas

2008 NCAA Basketball National Semi-Final – Memphis vs UCLA

Wisconsin Defeats Kentucky Final Four 4/4/2015

#1 Kentucky vs #4 Louisville Ncaa Tournament Final Four 2012 (Full Game)

 

Single Season Coaching Leaders and Records for Wins

Leaders and Records: Single SeasonCareerYearly

Click on the Coach for career record and accomplishments.

Rank Coach W Season School
1. John Calipari 38 2014-15 Kentucky
John Calipari 38 2011-12 Kentucky
John Calipari 38 2007-08 Memphis
4. Bill Self 37 2007-08 Kansas
Bruce Weber 37 2004-05 Illinois
Mike Krzyzewski 37 1998-99 Duke
Jerry Tarkanian 37 1986-87 Nevada-Las Vegas
Mike Krzyzewski 37 1985-86 Duke
9. Bo Ryan 36 2014-15 Wisconsin
Billy Donovan 36 2013-14 Florida
Roy Williams 36 2007-08 North Carolina
Adolph Rupp 36 1947-48 Kentucky
Schubert Dyche 36 1928-29 Montana State
Ott Romney 36 1927-28 Montana State
15. Mark Few 35 2014-15 Gonzaga
Mike Krzyzewski 35 2014-15 Duke
Gregg Marshall 35 2013-14 Wichita State
Rick Pitino 35 2012-13 Louisville
Bill Self 35 2010-11 Kansas
John Calipari 35 2009-10 Kentucky
Mike Krzyzewski 35 2009-10 Duke
Ben Howland 35 2007-08 UCLA
Billy Donovan 35 2006-07 Florida
Thad Matta 35 2006-07 Ohio State
Mike Krzyzewski 35 2000-01 Duke
Tubby Smith 35 1997-98 Kentucky
Roy Williams 35 1997-98 Kansas
Clem Haskins 35 1996-97 Minnesota
Rick Pitino 35 1996-97 Kentucky
John Calipari 35 1995-96 Massachusetts
Jerry Tarkanian 35 1989-90 Nevada-Las Vegas
Lute Olson 35 1987-88 Arizona
Billy Tubbs 35 1987-88 Oklahoma
Larry Brown 35 1985-86 Kansas
John Thompson 35 1984-85 Georgetown
36. Sean Miller 34 2014-15 Arizona
Jim Boeheim 34 2011-12 Syracuse
Steve Fisher 34 2010-11 San Diego State
Thad Matta 34 2010-11 Ohio State
Roy Williams 34 2008-09 North Carolina
Jim Calhoun 34 1998-99 Connecticut
Bill Guthridge 34 1997-98 North Carolina
Roy Williams 34 1996-97 Kansas
Rick Pitino 34 1995-96 Kentucky
Dean Smith 34 1992-93 North Carolina
Mike Krzyzewski 34 1991-92 Duke
Nolan Richardson 34 1990-91 Arkansas
Jerry Tarkanian 34 1990-91 Nevada-Las Vegas
John Thompson 34 1983-84 Georgetown
Adolph Rupp 34 1946-47 Kentucky
51. Jay Wright 33 2014-15 Villanova
Sean Miller 33 2013-14 Arizona
Bill Self 33 2009-10 Kansas
Brad Stevens 33 2009-10 Butler
John Calipari 33 2008-09 Memphis
John Calipari 33 2006-07 Memphis
Bill Self 33 2006-07 Kansas
John Calipari 33 2005-06 Memphis
Billy Donovan 33 2005-06 Florida
Rick Pitino 33 2004-05 Louisville
Roy Williams 33 2004-05 North Carolina
Jim Calhoun 33 2003-04 Connecticut
Roy Williams 33 2001-02 Kansas
Tom Izzo 33 1998-99 Michigan State
Jerry Tarkanian 33 1985-86 Nevada-Las Vegas
Denny Crum 33 1979-80 Louisville
Bill Hodges 33 1978-79 Indiana State
Bertram Maris 33 1908-09 Notre Dame
69. Mike Brey 32 2014-15 Notre Dame
Kevin Ollie 32 2013-14 Connecticut
Brad Underwood 32 2013-14 Stephen F. Austin
Mark Few 32 2012-13 Gonzaga
Bill Self 32 2011-12 Kansas
Roy Williams 32 2011-12 North Carolina
Jim Calhoun 32 2010-11 Connecticut
Mike Krzyzewski 32 2010-11 Duke
Dave Rose 32 2010-11 Brigham Young
Ben Howland 32 2005-06 UCLA
Mike Krzyzewski 32 2005-06 Duke
Tubby Smith 32 2002-03 Kentucky
Gary Williams 32 2001-02 Maryland
Larry Eustachy 32 1999-00 Iowa State
Tom Izzo 32 1999-00 Michigan State
Bill Self 32 1999-00 Tulsa
Jim Calhoun 32 1997-98 Connecticut
Mike Krzyzewski 32 1997-98 Duke
Jim Calhoun 32 1995-96 Connecticut
Nolan Richardson 32 1994-95 Arkansas
Mike Krzyzewski 32 1990-91 Duke
John Chaney 32 1987-88 Temple
John Chaney 32 1986-87 Temple
Dean Smith 32 1986-87 North Carolina
Denny Crum 32 1985-86 Louisville
Eddie Sutton 32 1985-86 Kentucky
Dick Versace 32 1985-86 Bradley
Guy Lewis 32 1983-84 Houston
Denny Crum 32 1982-83 Louisville
Dean Smith 32 1981-82 North Carolina
Eddie Sutton 32 1977-78 Arkansas
Bob Knight 32 1975-76 Indiana
Frank McGuire 32 1956-57 North Carolina
Forddy Anderson 32 1950-51 Bradley
Adolph Rupp 32 1950-51 Kentucky
Forddy Anderson 32 1949-50 Bradley
Adolph Rupp 32 1948-49 Kentucky
Cam Henderson 32 1946-47 Marshall
Hank Iba 32 1930-31 Northwest Missouri State

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THE ARTISTS, POETS and PROFESSORS of BLACK MOUNTAIN COLLEGE (the college featured in the film THE LONGEST RIDE) Part 21 Sylvia Ashby playwright

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Nicholas Sparks Talks Adapting ‘The Longest Ride’ to the Screen

Fully Awake – PREVIEW

Tucked in the mountains of Western North Carolina, Black Mountain College (1933-1957) was an influential experiment in education that inspired and shaped 20th century modern art. Through narration, archive photography and interviews with students, teachers and historians, Fully Awake explores the development of this very special place – and how its collaborative curriculum inspired innovations that changed the very definition of “art”.

Great website:

I was born in Detroit and now reside in Texas.  In between, I’ve lived in North Carolina, Iowa, Northern and Southern California, Hawaii, Nebraska, and Florida–not necessarily in that order.  Long before starting to write plays, I concentrated on acting as an undergrad at Black Mountain College, the U. of Iowa, and a grad student at Hawaii.  In Iowa, I acquired a theatre historian/husband; we have two grown children.I have thirteen published scripts, with some 1500 productions–ranging from Iditarod Elementary School in Alaska to Actor’s Theatre of Louisville.  My adaptation of SECRET GARDEN was translated and published in the Netherlands.  My most popular script ANNE OF GREEN GABLES has been produced all over the U. S., with recent productions in England, Scotland, Australia, Canada.  Needless to say, I also have scripts in process.

In the article ‘The Longest Ride,’ A Love Story About Luke, A Champion Bull Rider, And Sophia, A Young College Girl, Is Based On The Bestselling Nicholas Sparks Novel, Hits Theaters April 10, 2015, I read:

From the art of bull riding to the art of…art, Nicholas Sparks’ research took him to unexpected places. “One of the story’s principal locales ended up being one of the greatest moments of kismet in my entire career,” he continues. “I remember sitting at the desk thinking, how on earth is this couple [young Ira and Ruth] from North Carolina going to become big art collectors?

“My research led me to Black Mountain College, which was the center of the modern art movement in the 1930s, 1940s and 1950s.”

Black Mountain College was founded in the 1930s as an experimental college. It came to define the modern art movement. “Everyone from de Kooning to Rauschenberg was there,” says Sparks. “Robert De Niro’s father, another noted artist, attended Black Mountain College. There were very famous artists there and if you look at the American modern art movement in the 1940s and 1950s, there were important intersections there with the great works of this century.”

My first post in this series was on the composer John Cage and my second post was on Susan Weil and Robert Rauschenberg who were good friend of CageThe third post in this series was on Jorge Fick. Earlier we noted that  Fick was a student at Black Mountain College and an artist that lived in New York and he lent a suit to the famous poet Dylan Thomas and Thomas died in that suit.

The fourth post in this series is on the artist  Xanti Schawinsky and he had a great influence on John Cage who  later taught at Black Mountain College. Schawinsky taught at Black Mountain College from 1936-1938 and Cage right after World War II. In the fifth post I discuss David Weinrib and his wife Karen Karnes who were good friends with John Cage and they all lived in the same community. In the 6th post I focus on Vera B. William and she attended Black Mountain College where she met her first husband Paul and they later  co-founded the Gate Hill Cooperative Community and Vera served as a teacher for the community from 1953-70. John Cage and several others from Black Mountain College also lived in the Community with them during the 1950’s. In the 7th post I look at the life and work of M.C.Richards who also was part of the Gate Hill Cooperative Community and Black Mountain College.

In the 8th post I look at book the life of   Anni Albers who is  perhaps the best known textile artist of the 20th century and at Paul Klee who was one  of her teachers at Bauhaus. In the 9th post the experience of Bill Treichler in the years of 1947-1949  is examined at Black Mountain College. In 1988, Martha and Bill started The Crooked Lake Review, a local history journal and Bill passed away in 2008 at age 84.

In the 10th post I look at the art of Irwin Kremen who studied at Black Mountain College in 1946-47 and there Kremen spent his time focused on writing and the literature classes given by the poet M. C. Richards. In the 11th post I discuss the fact that Josef Albers led the procession of dozens of Bauhaus faculty and students to Black Mountain.

In the 12th post I feature Wassily Kandinsky (1866-1944) who was featured in the film THE LONGEST RIDE and the film showed Kandinsky teaching at BLACK MOUNTAIN COLLEGE which was not true according to my research. Evidently he was invited but he had to decline because of his busy schedule but many of his associates at BRAUHAUS did teach there. In the 13th post I look at the writings of the communist Charles Perrow. 

Willem de Kooning was such a major figure in the art world and because of that I have dedicated the 14th15th and 16th posts in this series on him. Paul McCartney got interested in art through his friendship with Willem because Linda’s father had him as a client. Willem was a  part of New York School of Abstract expressionism or Action painting, others included Jackson Pollock, Elaine de Kooning, Lee Krasner, Franz Kline, Arshile Gorky, Mark Rothko, Hans Hofmann, Adolph Gottlieb, Anne Ryan, Robert Motherwell, Philip Guston, Clyfford Still, and Richard Pousette-Dart.

In the 17th post I look at the founder Ted Dreier and his strength as a fundraiser that make the dream of Black Mountain College possible. In the 18th post I look at the life of the famous San Francisco poet Robert Duncan who was both a student at Black Mountain College in 1933 and a professor in 1956. In the 19th post I look at the composer Heinrich Jalowetz who starting teaching at Black Mountain College in 1938 and he was one of  Arnold Schoenberg‘s seven ‘Dead Friends’ (the others being Berg, Webern, Alexander Zemlinsky, Franz Schreker, Karl Kraus and Adolf Loos). In the 20th post I look at the amazing life of Walter Gropius, educator, architect and founder of the Bauhaus.

In the 21st post I look at the life of the playwright Sylvia Ashby.

WHAT I DID LAST SUMMER
Black Mountain College, 1948
by
Sylvia Ashby


Sylvia Ashby
This image is housed at the Western Regional Archives, State Archives of North Carolina.

In October 2012 I turned the corner to 84. So when I write about my errant youth, you know it was a long, long time ago.

Sylvia Ashby: “This sketch of me was a birthday card for me done by room mate Sheila Oline (later Marbain) who had a print studio in Manhattan for decades ( Maurel Studios). The inscription reads ‘I have a birthday in my pocket.’ The costume was pretty much the BMC uniform.”

This item is housed at the Western Regional Archives, State Archives of North Carolina.

I like to write in old blue books. Not just old blue books but old, used blue books. When you sit down to write in a torn-up blue book, even if you’re writing drivel, at least you’re not wasting paper. Maybe that’s why I like to write in those discarded exam booklets. My blue books belong in a museum. They were used when I taught Freshman English in days of yore. Of course, I’d never taken Freshman English or Freshman anything for that matter. The idea was that students wrote on one side of the five-cent booklet, then made corrections on the opposite side. After finals, there’d be a stack of left-over blue books. I’d tear out the first few scribbled-on pages and have the rest for my very own. There’s something comforting, non-threatening about an old blue book. As for reading, I like memoirs—that’s my genre. I like reading about everyone’s life. Though not my own. When you think of memoirs, you think of confessions. I wonder if this is my confession–this story from my slightly errant, mostly clueless youth: Almost eighteen, an idealistic young thing, I rode the bus from Detroit to a college that was totally unaccredited—no grades, no hours, no tests, no majors, no rules. Black Mountain College, on a farm near Asheville, North Carolina, was the outpost of progressive education the U.S. At its height, when I arrived in 1946, there were at most 100 students.

Sylvia Ashby, second from right, with washboard.
This image is housed at the Western Regional Archives, State Archives of North Carolina.

In the summer session of 1948, the faculty included Merce Cunningham, John Cage, Buckminster Fuller. I’d like to say I was cool and understood how fascinating these folks were, but alas, I was a naive, self-absorbed Midwesterner. So many of the students had either grown up on the streets of Greenwich Village or were GI’s returning from the exploits of WWII. If “avant-garde” was the typical description of BMC, you could safely say I was bringing up the rear.

I thought the world’s first geodesic dome, which Bucky Fuller fashioned from rolls of aluminum venetian blind strips, was somewhat peculiar. Besides, it fell down a few days later.

Every night after dinner, John Cage serenaded us with an Eric Satie concert, perhaps the world’s first, possibly last, Eric Satie Festival. A few years before, Cage had chunked bits of hardware into the bowels of a piano thus creating his so-called “prepared piano.” Just what it was prepared for I’m not certain. I’ve read that BMC was credited with the world’s first “Happening” that summer, though again, I’m not sure what happened. I do remember then-student Arthur Penn, he of Bonnie and Clyde fame, directing a Satie script in which Merce danced (his wonderful “Monkey Dances” stayed in his repetoire) and Bucky proved a capable comic actor. I guess my claim to fame is that I danced with William de Kooning, though it lasted less than the required fifteen minutes. I’d heard he was supported, even then, by art patrons. Personally, I thought he should get a job. In the interest of full disclosure, I should admit to studying acting with Arthur Penn, and played the ingenue in his “Hello, Out There” and “Shadow and Substance.” Though a BMC student, Arthur was already a theatre professional, coming up through the ranks of the Neighborhood Playhouse, NYC bastion of Stanislavski’s Method Acting. In my defense, I’ll add that I did recognize his brilliance and fine future.

Our beloved literature teacher M. C. Richards had translated the Satie piece (and later translated Artaud’s “Theatre and Its Double”). M.C. looked kindly on the few scraps of poetry I’d managed to turn out. Attending a conference at the university in Greensboro, she showed my collected works to poet Randall Jarrell. He said I was operating under the influence of e. e. cummings. Bingo! If she’d shown him my prose, he would have said I was under the spell of Gertrude Stein, also true: I had just learned to discard all punctuation marks. Capital letters, I decided, were a bourgeois hindrance. But, as you can see, those determined little marks have crept back in. Occasionally visitors would appear on the scene, coming to check us out—to see just what was going on there. I recall James Farmer, a leading civil rights crusader from the 60’s and beyond; Denzel Washington played Farmer in a 2007 film. Photographer Irving Penn came out of curiosity, but mainly to see his kid brother Arthur. For me, most intriguing of visitors was Anais Nin, on the scandalous side even then, a reputation enhanced by her relationship with the more notorious Henry Miller. What impressed me about Anais was her make-up: I had never seen anyone with such a painted face, not even on canvas. All pinks and lavenders with bold dark lines, it had the exaggeration of ballet stage make-up–not that I’d ever seen a ballet. In fact, I’d never heard of Anais Nin. As for Mr. Miller, forget it. I’m sure Wikipedia could tell you who portrayed Anais in the film Henry and June.

America made history when Southern colleges and universities were desegregated in the early 60’s. But BMC, in that same segregated South, had black students when I arrived, and even before I arrived, and nobody paid any attention. I guess we slipped in below the radar. There was no public transportation, so on one of those rare occasions when I got to town—Asheville—I was walking down the main street with Jeanne, a pretty black student from Tennessee. We passed a Woolworth’s Five and Ten. “Let’s go get something to eat,” I said. Jeanne quickly turned, “I can’t do that!” She was shocked, no doubt, by my general cluelessness. The point was made more forcefully during the first Christmas break. At the train station in Asheville I discovered we could not sit together. Our small group sat in one car, but Jeanne would have to sit several sections back. You’d think I could have figured out that much by now. But BMC was so isolated, and so few people had cars, we could have been dropped by parachute onto another planet—a very beautiful planet.

Unlike most—no, make that all colleges—BMC had no Regents, no Board of Directors, no Deans. Instead there was a faculty council. No surprise, toward the end of my first year, they voted to put me on probation. I responded with a simple letter. Again, M.C. was pleased with my writing, longer than the compacted bits I usually squeezed out. M.C. read my letter at the next meeting. Arthur, as student rep on the council, was there too. Some faculty members feared I was suffering from a case of Terminal Stanislavki, contracted from over-exposure to Arthur’s “Method Acting.” Maybe there was madness in the Method? Had I been permanently transformed? My rebuttal must have worked: The BMC governors granted a last-minute reprieve, for better or worse.

At the end of two years, all my friends were leaving. Writer Isaac Rosenfeld, part of the 1948 summer faculty, preached the value of the orgone box; this was a mysterious invention of Wilhelm Reich, émigré psychoanalyst who, in a handful of years, would spend time in jail on fraud charges. The orgone box, a wooden structure you sat in, was somehow supposed to improve your sex life. Naturally, a few friends left in search of the Holy Grail—a.k.a, the orgone box.

I don’t know where everyone exited to. Arthur to U. of Perugia. One group traipsed off to start a commune in Oregon, though that term was not yet in common usage—not in the 40’s. Those who headed for San Francisco became in short order the forerunners of Beatniks and Hippies. That’s when Peggy Vaughn, living on a houseboat in Sausalito, pioneered the Tin Angel, a famous San Francisco night spot. My childhood friend Marion, returning to UCLA, gradually evolved into an Oscar-nominated film editor. Sheila went back to Manhattan, living with her boyfriend in a $6 a month cold-water flat. In time, Sheila mastered silk-screen printing; decades later she gave me copies of the posters she’d made for the likes of Andy Warhol, plus the iconic LOVE poster of Robert Indiana. But, Chick Perrow went straight, ended up a Yale sociology prof.

I returned home to Detroit. Isaac, the orgone box advocate, had encouraged me to try a university, maybe something in the mid-west. Jim Herlihy was a BMC buddy: we were about the same age, both from Detroit, both interested in acting and writing. He called me up. “So, what are you going to do?” “I don’t know,” I said. By now it was late August. “I’ve been accepted here at Wayne and the University of Iowa. I don’t know where to go.” Jim, who would later write Midnight Cowboy under his full title—James Leo Herlihy—found an almanac in his fairly-bookless, tar-papered home and read to me over the phone: Iowa City was a small town of 10,000 with a river running through it. Thank you, Jim. That did it. So off I went, once again. This time trading freedom for structure. And that’s when I saw my first blue book….

Sylvia Ashby: “I was born in Detroit, now reside in Texas, and have lived in North Carolina, northern and southern California, Hawaii, Florida, Nebraska–not necessarily in that order. I concentrated on acting when I was a student at Black Mountain College and at the University of Iowa, and as a grad student at the University of Hawaii. In Iowa, I acquired a theatre-historian husband; we have two grown children. I have published 15 scripts for family audiences, with some 2,000 productions. The most popular, Anne of Green Gables, has been produced on three continents. In the last decade I returned to acting: favorite roles were in Gin Game; Beauty Queen of Leenane; Importance of Being Earnest.”For a YouTube history of Black Mountain College, go

here.

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WOODY WEDNESDAY Steve Carell Replacing Bruce Willis In Woody Allen Movie by Ali Jaafar and Patrick Hipes August 28, 2015 1:14pm

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Top 10 Woody Allen Movies

Steve Carell Replacing Bruce Willis In Woody Allen Movie

Steve Carell

EXCLUSIVE: Four days after Deadline scooped that Bruce Willis exited the ensemble cast of Woody Allen’s new film, Steve Carell has been tapped to take over the role. He now joins a cast that includes Blake Lively, Parker Posey, Kristen Stewart, Jesse Eisenberg, Jeannie Berlin, Corey Stoll, Ken Stott, Anna Camp, Stephen Kunken, Sari Lennick and Paul Schneider. The swap-out keeps the production on schedule for the pic, which as usual is being kept under wraps. It shoots this month in New York and Los Angeles.

Carell was part of the ensemble cast of Allen’s 2004 film Melinda And Melinda, so the pair are on familiar ground.

On Monday, Allen’s camp confirmed Willis’ departure after he was one of the first actors to sign on. He also has plans to star in the adaptation of the Stephen King bestseller Misery on Broadway, and the schedules didn’t mesh.

The film is being produced by Letty Aronson and Steve Tenenbaum, and Edward Walson. Executive producers are Ronald L. Chez, Adam B. Stern, and Allan Teh.

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Which European Nations Have the Biggest Subsidies that Trap People in Poverty? September 7, 2015 by Dan Mitchell

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Back in 2013, my colleagues at the Cato Institute, Michael Tanner and Charles Hughes, released a study looking at the value of welfare programs in various states.

The most shocking finding was that the overall package of welfare benefits was greater than the median salary in eight states!

And more than 80 percent of the median salary in half the states.

That sounds like a hammock, not a safety net. No wonder taxpayers feel like they’re getting ripped off.

This system has been bad for taxpayers and bad for poor people.

Now Mike and Charles have a new study that looks at excessive welfare handouts in Europe. They start with an elementary observation about how people can be trapped in dependency when government benefits are too high.

If welfare benefits become too generous, they can create a significant incentive that encourages recipients to remain “on the dole” rather than to seek employment. Benefits in European Union (EU) countries vary widely, but in many of them, benefits are high relative to what an individual could expect to earn from a low-wage or entry-level job.

And he highlights some of his main finding.

■ Welfare benefits in nine EU countries exceeded €15,000 ($18,200) per year. In six countries, benefits exceeded €20,000 ($24,300). Denmark offers the most generous benefit package, valued at €31,709 ($38,558).

■ In nine countries, welfare benefits exceeded the minimum wage in that country.

■ Benefits in 11 countries exceeded half of the net income for someone earning the average wage in that country, and in 6 countries it exceeded 60 percent of the net average wage income

Since poor people can be just as rational as rich people, think about the perverse incentive structure this creates. If you work, you give up leisure time and expose yourself to all sorts of additional costs, such as transportation, childcare, and taxes.

So why endure those headaches when you can relax on the dole?

Let’s look at some charts from the study. We’ll start with one on the overall fiscal burden of the welfare state.

As you can see, nations in Northern Europe generally have greater levels of income redistribution, measured as a share of GDP.

Very depressing numbers, particularly when you consider that European nations used to have small governments with very little redistribution.

But this data only tells us about the overall burden on taxpayers. It doesn’t give us much information about the incentives of poor people.

So now let’s look at a chart showing potential welfare benefits for a single parent with two children.

Wow, Denmark must be a paradise for slackers. No wonder “Lazy Robert” is so happy.

Though you have to wonder how long the system can survive. The number of people producing wealth has been stagnant while the number of people riding in the “party boat” has been climbing.

Sooner or alter, those trend lines will cause big problems.

You’ll notice that the United States also is included in the above chart and that handouts in America are not that different than they are on the other side of the Atlantic Ocean.

Indeed, the value of redistribution programs in the United States is greater than what’s provided in France and only slightly behind the value of such programs in Sweden.

The numbers are even more remarkable when you look at American states compared to European nations.

Wow, Lazy Robert should move to Hawaii!

But it’s not just Hawaii. Many other states, mostly from the northeast (and California of course), also provide excessive benefits.

No wonder a record number of Americans are trapped in poverty.

Let’s now shift gears and look at a very interesting finding from the Cato study. Mike and Charles uncovered an inverse relationship between handouts and labor regulations.

In looking at the relationship between welfare and work, one additional factor should be considered. There appears to be an inverse relationship between the generosity of welfare benefits and the rigidity of labor-market regulations. That is, those countries with high benefits tend to have more flexible labor markets, and vice versa. …Nordic countries, in addition to Germany, the Netherlands, and a few others, have chosen to pursue what is often referred to as the “Nordic,” “Danish,” or “flexicurity” model. That version of the welfare state combines a largely deregulated labor market, one that makes it easier to hire and fire workers, with a generous safety net to cushion workers from the consequences of those policies. …In contrast, in much of southern Europe, countries such as Italy, Portugal, and Spain have smaller safety nets but much more tightly regulated labor markets. They effectively shift much of the social cost to employers.

While these nations obviously have different approaches, the bottom line is still similar.

…in southern Europe, the welfare benefits may not deter work to the same extent, but finding a job may be more difficult. Then again, in countries with flexicurity, it might be easier to find a job, but benefits and effective marginal tax rates are high enough to discourage workers from doing so. The result in both models is that workers are more likely to remain on welfare and out of work for longer than they otherwise would.

P.S. I’m actually in Hawaii as I’m writing this, so the results from the last chart got me thinking. Hawaii is one of the worst states in the Moocher Index and it does have relatively high welfare benefits, so you won’t be shocked to learn there’s a very high tax burden. But a surprisingly small share of the population utilizes food stamps, and the number of welfare bureaucrats is amazingly low.

P.P.S. Left-wing international bureaucracies such as the Paris-based Organization for Economic Cooperation and Development fabricate deliberately dishonest numbers when advocating more welfare spending in the United States. But we’d be much better off if we learned from the success of welfare reform in the 1990s and got the federal government out of the business of income redistribution.

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 43 Herman Philipse, professor of philosophy, Utrecht Univ, Netherlands “…scientific advances showed religious knowledge were not valid sources of religious knowledge at all”

 

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

_________________

 

Dr. Harry Kroto is the 1996 Chemistry Nobel Prize Winner and he is seen the photo below on the left:

___________

Herman Philipse

From Wikipedia, the free encyclopedia
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Herman Philipse
Herman Philipse-crop.jpg

At the Studium Generale of Utrecht University, 2012
Born (1951-05-13) 13 May 1951 (age 63)
The Hague, The Netherlands
Nationality Dutch
Alma mater Leiden University
Occupation Professor of philosophy
Years active 1986–present
Employer Utrecht University
Religion None (Atheist)
Website
http://www.phil.uu.nl/~philipse/

Herman Philipse (born 13 May 1951) is a professor of philosophy at Utrecht University in the Netherlands. From 1986 until 2003, he taught at Leiden University, where he obtained his doctorate in 1983.

_____________________________

In  the second video below in the 70th clip in this series are his words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

Quote from Herman Philipse:

It was very clear there was a fierce battle between science and religion and that scientific advances showed that all so called sources of religious knowledge were not valid sources of religious knowledge at all.

March 12, 2015

Prof.Dr.Mr. H. Philipse,Utrecht, The Netherlands

Dear Dr. Philipse, 

As you can tell from reading this letter I am an evangelical Christian and I have made it a hobby of mine to correspond with scientists or academics like yourself over the last 25 years. Some of those who corresponded back with me have been  Ernest Mayr (1904-2005), George Wald (1906-1997), Carl Sagan (1934-1996),  Robert Shapiro (1935-2011), Nicolaas Bloembergen (1920-),  Brian Charlesworth (1945-),  Francisco J. Ayala (1934-) Elliott Sober (1948-), Kevin Padian (1951-), Matt Cartmill (1943-) , Milton Fingerman (1928-), John J. Shea (1969-), , Michael A. Crawford (1938-), Paul Kurtz (1925-2012), Sol Gordon (1923-2008), Albert Ellis (1913-2007), Barbara Marie Tabler (1915-1996), Renate Vambery (1916-2005), Archie J. Bahm (1907-1996), Aron S “Gil” Martin ( 1910-1997), Matthew I. Spetter (1921-2012), H. J. Eysenck (1916-1997), Robert L. Erdmann (1929-2006), Mary Morain (1911-1999), Lloyd Morain (1917-2010),  Warren Allen Smith (1921-), Bette Chambers (1930-),  Gordon Stein (1941-1996) , Milton Friedman (1912-2006), John Hospers (1918-2011), Michael Martin (1932-), John R. Cole  (1942-),   Wolf Roder,  Susan Blackmore (1951-),  Christopher C. French (1956-)  Walter R. Rowe Thomas Gilovich (1954-), Paul QuinceyHarry Kroto (1939-), Marty E. Martin (1928-), Richard Rubenstein (1924-), James Terry McCollum (1936-), Edward O. WIlson (1929-), Lewis Wolpert (1929), Gerald Holton (1922-), Martin Rees (1942-), Alan Macfarlane (1941-),  Roald Hoffmann (1937-), Herbert Kroemer (1928-), Thomas H. Jukes (1906-1999), Glenn BranchGeoff Harcourt (1931-) and  Ray T. Cragun (1976-). I would consider it an honor to add you to this very distinguished list. 

I just finished reading the online addition of the book Darwin, Francis ed. 1892. Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters [abridged edition]. London: John Murray. There are several points that Charles Darwin makes in this book that were very wise, honest, logical, shocking and some that were not so wise. The Christian Philosopher Francis Schaeffer once said of Darwin’s writings, “Darwin in his autobiography and in his letters showed that all through his life he never really came to a quietness concerning the possibility that chance really explained the situation of the biological world. You will find there is much material on this [from Darwin] extended over many many years that constantly he was wrestling with this problem.”

I recently ran across this quote from you:

It was very clear there was a fierce battle between science and religion and that scientific advances showed that all so called sources of religious knowledge were not valid sources of religious knowledge at all.

YOU MAY FIND IT INTERESTING THAT CHARLES DARWIN WAS ALSO INTERESTED IN THE HISTORICAL ASPECT OF THE BIBLE. When I read the book  Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters, I also read  a commentary on it by Francis Schaeffer and I wanted to both  quote some of Charles Darwin’s own words to you and then include the comments of Francis Schaeffer on those words. I have also enclosed a CD with two messages from Adrian Rogers and Bill Elliff concerning Darwinism.

In 1879 Charles Darwin was applied to by a German student, in a similar manner. The letter was answered by a member of my father’s family, who wrote:–

“Mr. Darwin begs me to say that he receives so many letters, that he cannot answer them all.He considers that the theory of Evolution is quite compatible with the belief in a God; but that you must remember that different persons have different definitions of what they mean by God.” 

Francis Schaeffer commented:

You find a great confusion in his writings although there is a general structure in them. Here he says the word “God” is alright but you find later what he doesn’t take is a personal God. Of course, what you open is the whole modern linguistics concerning the word “God.” is God a pantheistic God? What kind of God is God? Darwin says there is nothing incompatible with the word “God.”

This, however, did not satisfy the German youth, who again wrote to my father, and received from him the following reply:—

“I am much engaged, an old man, and out of health, and I cannot spare time to answer your questions fully,—nor indeed can they be answered. Science has nothing to do with Christ, except in so far as the habit of scientific research makes a man cautious in admitting evidence. For myself, I do not believe that there ever has been any revelation.As for a future life, every man must judge for himself between conflicting vague probabilities.”

Francis Schaeffer observed:

So he has come to the place as an old man that he doesn’t believe there has been any revelation. In his younger years he held a different position. He lost his position not on the basis of reason but simply that it disagreed with his theory and his presuppositions and he was forced to give it up.

The passages which here follow are extracts, somewhat abbreviated, from a part of the Autobiography, written in 1876, in which my father gives the history of his religious views:—“During these two years* (ft note *October 1836 to January 1839.) I was led to think much about religion. Whilst on board the Beagle I was quite orthodox, and I remember being heartily laughed at by several of the officers (though themselves orthodox) for quoting the Bible as an unanswerable authority on some point of morality.

Francis Schaeffer noted:

So you find that as a younger man he did accept the Bible. As an older man he has given up revelation but he is not satisfied with his own answers. He is caught in the tension that modern man is caught in. He is a prefiguration  of the modern man and he himself contributed to. Then Darwin goes on and tells us why he gave up the Bible.

Darwin went to write:

I suppose it was the novelty of the argument that amused them. But I had gradually come by this time, i.e. 1836 to 1836, to see that the Old Testament was no more to be trusted than the sacred books of the Hindoos. The question then continually rose before my mind and would not be banished,—is it credible that if God were now to make a revelation to the Hindoos, he would permit it to be connected with the belief in Vishnu, Siva, &c., as Christianity is connected with the Old Testament? This appeared to me utterly incredible.

Francis Schaeffer asserted:

Darwin is saying that he gave up the New Testament because it was connected to the Old Testament. He gave up the Old Testament because it conflicted with his own theory. Did he have a real answer himself and the answer is no. At the end of his life we see that he is dehumanized by his position and on the other side we see that he never comes to the place of intellectual satisfaction for himself that his answers were sufficient.

Darwin continued:

“But I was very unwilling to give up my belief; I feel sure of this, for I can well remember often and often inventing day-dreams of old letters between distinguished Romans, and manuscripts being discovered at Pompeii or elsewhere, which confirmed in the most striking manner all that was written in the Gospels.

Francis Schaeffer commented:

This is very sad. He lies on his bunk and the Beagle tosses and turns and he makes daydreams, and his dreams and hopes are that someone would find in Pompeii or some place like this, an old manuscript by a distinguished Roman that would put his stamp of authority on it, which would be able to show that Christ existed. This is undoubtedly what he is talking about. Darwin gave up this hope with great difficulty. I think he didn’t want to come to the position where his accepted presuppositions were driving him. He didn’t want to give it up, just as an older man he understood where it would lead and “man can do his duty.” Instinctively this of brains understood where this whole thing was going to eventually go…

SINCE CHARLES DARWIN’S DEATH WE NOW HAVE LOTS OF HISTORICAL RECORDS AND MUCH EVIDENCE FROM THE FIELD OF ARCHAEOLOGY THAT SHOW THE BIBLE IS HISTORICALLY ACCURATE.

**************TAKE TIME TO CONSIDER THIS EVIDENCE BELOW********************

I  have been amazed at the prophecies in the Bible that have been fulfilled in history, and also many of the historical details in the Bible have been confirmed by archaeology too. One of the most amazing is the prediction that the Jews would be brought back and settle in Jerusalem again. Another prophecy in Psalms 22 describes the Messiah dying on a cross  almost 1000 years before the Romans came up with this type of punishment.

Many times it has been alleged that the author of the Book of Daniel was from a later period but how did a later author know these 5 HISTORICAL FACTS? How did he know [1] that Belshazzar was ruling during the last few years of the Babylonian Empire when the name “Belshazzar” was lost to history until 1853 when it was uncovered in the monuments? [2] The author also knew that the Babylonians executed individuals by casting them into fire, and that the Persians threw the condemned to the lions. [3] He knew  the practice in the 6th Century was to mention first the Medes, then the Persians and not the other way around. [4] Plus he knew the laws made by Persian kings could not be revoked and [5] he knew that in the sixth century B.C., Susa was in the province of Elam (Dan. 8:2). Of course, the Book of Daniel (2:37-42) clearly predicted the rise of the 4 world empires in the correct order of Babylon, Medo-Persia, Greece, and Rome.

One of the top 10 posts on my blog on this next subject concerning Tyre.   John MacArthur went through every detail of the prophecy concerning Tyre and how history shows the Bible prophecy was correct.  Sagan said he had taken a look at Old Testament prophecy and it did not impress him because it was too vague.

HOW CAN ANYONE SAY THAT THIS FOLLOWING PROPHECY CONCERNING TYRE IS “TOO VAGUE?”

Below is an outline from a sermon from Dr. John MacArthur

Photo of John MacArthur

________________

John MacArthur on the amazing fulfilled prophecy on Tyre and how it was fulfilled by historical events.

LESSON

I. BIBLICAL PROPHECY CONCERNING TYRE (Ezekiel 26:1–28:19)

A. The Forecast

1. The specifics

a) That King Nebuchadnezzar of Babylon would destroy the mainland city of Tyre (26:7-8).

b) That many nations would rise up against Tyre. These nations would come like waves of the sea, one after another (26:3- 4).

c) That Tyre will be made like a flat rock (26:4, 14).

d) That fisherman will dry their nets there (26:5, 14).

e) That the rubble of the city would be cast into the sea (26:12).

f) That Tyre would never be rebuilt (26:14).

2. The setting

Tyre was a great city. It was one of the largest and most powerful cities of Phoenicia, which is modern day Lebanon.

It was well fortified. A great wall protected the city from land attacks while their world-renowned fleet protected them from attack by sea.

Tyre was a flourishing city during the time when Joshua led Israel into the Promised Land. King Hiram, who began his reign during the rule of David, offered David cedars from Tyre to build his palace. He also loaned David his artisans to craft parts of the great palace (1 Chron. 14:1). Hiram also helped Solomon build the Temple by floating cedars down the shoreline to be picked up and hauled to Jerusalem (2 Chron. 2:16). So Tyre was a great city, and both David and Solomon looked to it for aid.

B. The Fulfillment

1. The prophetic call

a) To Nebuchadnezzar

Not long after the prophecy given by Ezekiel, Nebuchadnezzar did exactly what had been predicted–he laid siege against the city in 585 B.C. For thirteen years Nebuchadnezzar cut off the flow of supplies into the city. In 537 B.C. he finally succeeded in breaking the gates down, but found the city almost empty.

During the thirteen-year siege, the people of Tyre moved all their possessions by ship to an island one-half mile offshore. So Nebuchadnezzar gained no plunder (Ezek. 29:17- 20). Although he destroyed the mainland city (Ezek. 26:8), the new city offshore continued to flourish for 250 years. The prophecy of Ezekiel 26:12–“they shall lay thy stones and thy timber and thy dust in the midst of the water”–remained unfulfilled.

b) To Alexander the Great

At age twenty-two, Alexander the Great came east conquering the known world with an army of between thirty and forty thousand men. Having defeated the Persians under Darius III, Alexander was on the march toward Egypt.

(1) The dilemma

Alexander arrived in the Phoenician territory and demanded that the cities open their gates to him. The citizens of Tyre refused, feeling they were secure on their island with their superior fleet.

(2) The decision

Realizing he did not have a fleet that could match Tyre’s, Alexander decided to build a causeway to the island using the ruins from the mainland city. It was about two hundred feet wide. The prophet said that the city would be thrown into the water, and that’s exactly what happened.

(3) The details

Arrian, a Greek historian, wrote about the overthrow of Tyre and how it was accomplished (The Campaigns of Alexander [New York: Penquin, 1958], pp. 132-43). The fortification of Tyre resembled Alcatraz. The city sat offshore like a rock with walls that came down to the edge of the water. Alexander set out to build the only means to approach the city–a land peninsula. Soldiers started pitching rubble into the water, leveling it off as they went so they could march on it. The water got deeper as they approached the island, and to make their task even more difficult, the people of Tyre bombarded them with missiles.

Werner Keller in The Bible as History tells us that to safeguard the operation, Alexander built mobile shields called “tortoises” (New York: Bantam, 1956], p. 361). Knowing that when they reached the city they would have to scale the walls, Alexander built “Hele-poleis,” which were mobile siege towers 160 foot high. The idea was to roll these structures across the causeway and push them up against the walls. A drawbridge on the front of the towers enabled the soldiers to march across the top of the walls and into the city.

Alexander’s men were under constant attack from people within the city and from the Tyrian navy. Realizing that he needed ships to defend his flanks, Alexander returned to the cities he had conquered and demanded their assistance. That fulfilled the prophecy that God “will cause many nations to come up against thee, as the sea causeth its waves to come up” (Ezek. 26:3).

(4) The destruction

Alexander’s plan succeeded. Eight thousand people were slain and thirty thousand were sold into slavery. It took Alexander seven months to conquer Tyre. The causeway he built can be seen to this day.

2. The prophetic result

How did Ezekiel know all those things would happen? The only explanation is he expressed the mind of God. Historian Philip Myers said, “Alexander the Great reduced it [Tyre] to ruins (332 B.C.). She recovered in a measure from this blow, but never regained the place she had previously held in the world. The larger part of the site … is now as bare as the top of a rock–a place where the fishermen that still frequent the spot spread their nets to dry” (General History for Colleges and High Schools [Boston: Ginn and Co., 1889], p. 55). That fulfills the prophecies of Ezekiel 26:4-5, 14. The island city was repopulated, later to be destroyed by the Moslems in A.D. 1281. However, God said the mainland city would never be rebuilt–and it never has. Jerusalem has been rebuilt many times but Tyre will never be rebuilt because a prophet in Babylon said twenty-five centuries ago, “Thou shalt be built no more” (Ezek. 26:14).

___________________

ANY HISTORIAN CAN HAVE ACCESS TO ALL OF THESE RECORDS. WHY NOT TAKE A FEW MOMENTS AND CHECK OUT THESE FACTS YOURSELF? As a secularist you believe that it is sad indeed that millions of Christians are hoping for heaven but no heaven is waiting for them. Paul took a close look at this issue too:

I Corinthians 15 asserts:

12 But if it is preached that Christ has been raised from the dead, how can some of you say that there is no resurrection of the dead? 13 If there is no resurrection of the dead, then not even Christ has been raised. 14 And if Christ has not been raised, our preaching is useless and so is your faith. 15 More than that, we are then found to be false witnesses about God, for we have testified about God that he raised Christ from the dead. But he did not raise him if in fact the dead are not raised. 16 For if the dead are not raised, then Christ has not been raised either. 17 And if Christ has not been raised, your faith is futile; you are still in your sins. 18 Then those also who have fallen asleep in Christ are lost. 19 If only for this life we have hope in Christ, we are of all people most to be pitied.

I sent you a CD that starts off with the song DUST IN THE WIND by Kerry Livgren of the group KANSAS which was a hit song in 1978 when it rose to #6 on the charts because so many people connected with the message of the song. It included these words, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Kerry Livgren himself said that he wrote the song because he saw where man was without a personal God in the picture. Solomon pointed out in the Book of Ecclesiastes that those who believe that God doesn’t exist must accept three things. FIRST, death is the end and SECOND, chance and time are the only guiding forces in this life.  FINALLY, power reigns in this life and the scales are never balanced. The Christian can  face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.

Both Kerry Livgren and the bass player Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on You Tube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible ChurchDAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

You can hear DAVE HOPE and Kerry Livgren’s stories from this youtube link:

(part 1 ten minutes)

(part 2 ten minutes)

Kansas – Dust in the Wind (Official Video)

Uploaded on Nov 7, 2009

Pre-Order Miracles Out of Nowhere now at http://www.miraclesoutofnowhere.com

About the film:
In 1973, six guys in a local band from America’s heartland began a journey that surpassed even their own wildest expectations, by achieving worldwide superstardom… watch the story unfold as the incredible story of the band KANSAS is told for the first time in the DVD Miracles Out of Nowhere.

_____________________________

Adrian Rogers on Darwinism

 

The Bible and Archaeology – Is the Bible from God? (Kyle Butt 42 min)

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Why do A-list actors still work for Woody Allen? By Sara Stewart August 28, 2015

 

Why do A-list actors still work for Woody Allen?

The latest, as-yet-untitled Woody Allen movie is in production, with a cast featuring Kristen Stewart, Jesse Eisenberg, Parker Posey, Blake Lively, Corey Stoll and Judy Davis. Until this week, it also starred Bruce Willis, who recently departed, citing scheduling conflicts with his upcoming Broadway show (though rumors have said this excuse is really code for “got fired”).

Regardless, it’s always surprising to find yet another crop of decent actors have signed on to work with the 79-year-old director. His work in recent years (if not decades) has largely been creepy (“Magic in the Moonlight”), clunky (“Irrational Man”) or tone-deaf (“To Rome with Love”).

But for some reason, no one in Hollywood seems able to say no to a request to join his cast. Au contraire: When interviews come out in advance of his films, you’re always sure to hear the refrain about how “I don’t have to think too hard about working with Woody Allen.”

So why do they keep signing on — despite all the signs blaring “DUD AHEAD”? We’ve pinpointed a few key reasons.

MIDNIGHT IN PARIS official trailer in HD!

Every so often Woody will still hit it right — as in the charming 2011 romp “Midnight in Paris” and the slightly more mixed-bag “Blue Jasmine” two years later, which garnered an Oscar for star Cate Blanchett. You can’t blame actors for hoping they’ll get lucky and choose the next film to spawn a slew of effusive praise about how Woody Allen is back on top of his game.

They’re still in love with Old Hollywood

Face it: A lot of movies these days aren’t exactly intellectual. Sequels, comic-book fare and young-adult dystopian war pics are all the rage, leaving actors who are hungrier for something slightly more highbrow with few good options. Woody represents the heyday of intelligent cinematic auteurs — who wouldn’t want to work with the guy responsible for this?

Woody Allen meets Marshall McLuhan

He basically leaves you alone

If there’s one commonality among interviews with actors who’ve starred in Woody’s movies, it’s that the famously neurotic director keeps most of his talent at arm’s length and just expects them to do their thing. (Unless you’re his muse du jour, like Scarlett Johansson or, more recently, Emma Stone — watch out, Kristen Stewart!)

You always get to work with good people

It’s a self-fulfilling prophecy: Woody’s movies are full of big names because everyone expects that all the other A-listers will say yes to an invitation — and everyone does. And so the cycle continues, with Allen being the big, inexplicable winner.

It’s not a big time-suck

As a director devoted to putting out a movie a year — as he’s been doing for nearly four decades now — Woody can’t spend too much time on one film. When you sign on to work with him, you know you’ll be in and out in short order — and then have a Woody Allen film on your résumé, which will, seemingly, be good currency forever and ever, no matter how abysmal the final product really is.

So maybe it’s a no-brainer after all.

 

Top 10 Woody Allen Movies

PBS American Masters – Woody Allen A Documentary 01

PBS American Masters – Woody Allen A Documentary 02

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In my opinion Woody Allen’s best movie is CRIMES AND MISDEMEANORS!!!!

Crimes and Misdemeanors 1989 Woody Allen

Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God

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There Is A Difference Between Absolute and Objective Moral Values

Published on Dec 6, 2012

For more resources visit: http://www.reasonablefaith.org

The Bethinking National Apologetics Day Conference: “Countering the New Atheism” took place during the UK Reasonable Faith Tour in October 2011. Christian academics William Lane Craig, John Lennox, Peter J Williams and Gary Habermas lead 600 people in training on how to defend and proclaim the credibility of Christianity against the growing tide of secularism and New Atheist popular thought in western society.

In this session, William Lane Craig delivers his critique of Richard Dawkins’ objections to arguments for the existence of God, followed by questions and answers from the audience. In this clip, Dr Craig addresses a question about objective moral values and distinguishes them from absolute moral values.

Dr. Francis Schaeffer – The Biblical Flow of Truth & History (part 2)

Francis Schaeffer holding prolife sign

________________

_________________

Life without God in the picture is absurdity!!!. That was the view of King Solomon when he wrote the Book of Ecclesiastes 3000 years ago and it is the view of many of the modern philosophers today. Modern man has tried to come up with a lasting meaning for life without God in the picture (life under the sun), but it is not possible. Without the infinite-personal God of the Bible to reveal moral absolutes then man is left to embrace moral relativism. In a time plus chance universe man is reduced to a machine and can not find a place for values such as love. Both of Francis Schaeffer’s film series have tackled these subjects and he shows how this is reflected in the arts.

Here are some posts I have done on the series “HOW SHOULD WE THEN LIVE? : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” episode 9 “The Age of Personal Peace and Affluence”episode 8 “The Age of Fragmentation”episode 7 “The Age of Non-Reason” episode 6 “The Scientific Age”  episode 5 “The Revolutionary Age” episode 4 “The Reformation” episode 3 “The Renaissance”episode 2 “The Middle Ages,”, and  episode 1 “The Roman Age,” .

In the film series “WHATEVER HAPPENED TO THE HUMAN RACE?” the arguments are presented  against abortion (Episode 1),  infanticide (Episode 2),   euthenasia (Episode 3), and then there is a discussion of the Christian versus Humanist worldview concerning the issue of “the basis for human dignity” in Episode 4 and then in the last episode a close look at the truth claims of the Bible.

I have discussed many subjects with my liberal friends over at the Ark Times Blog in the past and I have taken them on now on the subject of the absurdity of life without God in the picture. Most of my responses included quotes from William Lane Craig’s book THE ABSURDITY OF LIFE WITHOUT GOD.  Here is the result of one of those encounters from June of 2013:

Doigotta wrote, “Oh heck, let’s keep the nonsense rolling. Why not?”

I will tell you why not and it is because if you are an atheist or a secularist then you are in a no win situation on the subject of finding lasting meaning for your life unless you let God into the picture. William Craig Lane related a conversation he had with a noted evolutionist that I thought you would be interested in:

While participating in a conference on Intelligent Design two years ago, I had the opportunity to have dinner with the agnostic philosopher of science MICHAEL RUSE one evening at an Atlanta steakhouse. During the course of the meal, Michael asked me, “Bill, are you satisfied with where you are in your career as a philosopher?’’ I was rather surprised by the question and said, “Well, yes, basically, I guess I am—how about you?” He then related to me that when he was just starting out as a philosopher of science, he was faced with the choice of vigorously pursuing his career or just taking it rather easy. He said that he then thought of the anguished words of the character played by Marlin Brando at the close of the film On the Waterfront: “I coulda been a contender!” Michael told me that he decided he didn’t want to reach the end of his life and look back in regret and say, “I coulda been a contender!” I was struck by those words. As a Christian I am commanded by the Lord “to contend for the faith that was once for all delivered to the saints” (Jude 3 ESV). BUT WHAT POINT IS THERE FOR AN ATHEIST OR AGNOSTIC TO BE A CONTENDER — A CONTENDER FOR WHAT? SINCE THERE IS NO OBJECTIVE PURPOSE IN LIFE, THE ONLY ANSWER CAN BE TO CONTEND FOR ONE’S OWN MADE-UP PURPOSES–ENCE, THE IRRESISTIBLE TENDENCY TO TREAT CAREER ADVANCEMENT AND fame as though they really were objectively important ends, when in fact they are nothing.

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Woody Allen: The Honest Atheist by MIKE DURAN

 

 

This post by Mike Duran on his blog was very insightful and it reminded me of Woody Allen’s best movie of all time which is  CRIMES AND MISDEMEANORS!!!!

Crimes and Misdemeanors 1989 Woody Allen

Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God

There’s probably no more dishonest atheists than there are dishonest Christians. Or dishonest dentists. Or dishonest cattle ranchers. Atheists don’thave a corner on the market of dishonesty.

However, pretending there is a good reason to live while denying the existence of anything eternal is just… unrealistic. Or blatantly dishonest.

Which is probably why I’ve always liked Woody Allen.

The Wall Street Journal’s recent interview with the director, Older, Mellower, But Still Woody, is a great example of Allen’s unflinching appraisal of his own atheistic assumptions. Here’s the portion of the interview where we get down and dirty:

WSJ: Some say your view is that life is pointless, and others say you’re a romantic realist who believes in being true to yourself. Which is it?

Allen: I think that’s the best you can do, but the true situation is a hopeless one because nothing does last. If we reduce it absurdly for a moment, you know the sun will burn out. You know the universe is falling apart at a fantastically accelerating rate and that at some point there won’t be anything at all. So whether you are Shakespeare or Beethoven or Michelangelo, your stuff’s not going to last. So, given that, even if you were immortal, that time is going to come. Of course, you have to deal with a much more critical problem, which is that you’re not going to last microscopically close to that. So, nothing does last. You do your things. One day some guy wakes up and gets the Times and says, “Hey, Woody Allen died. He keeled over in the shower singing. So, where do you want to have lunch today?”

WSJ: So, what do you do to distract yourself from these depressing thoughts? Knicks games? Or is that depressing, too?

Allen: The Knicks are one kind of distraction. For the two hours you’re at the Garden you’re only focused on that… I am a big sports fan, baseball and basketball, everything. People will say to me, “Does it really matter if the Knicks beat the Celtics?” And I think to myself, “Well, it’s just as important as human existence.”

WSJ: Really?

Allen: Really. It may not seem so, but if you step back and look they are equivalent. (emphasis mine)

In the atheist’s worldview, the Knicks beating the Celtics is equivalent to… “human existence.” Translation: Nothing is better or worse, more significant or less significant, than anything else. Mein Kampf and the Bible share the same fate.  The Holocaust, the Black Plague, and the Knicks 1969-70 World Championship (in which they beat the L.A. Lakers) are “equivalent.” Because “nothing does last” Allen rightly concludes “the true situation is a hopeless one.”

Thank you very much.

Which is probably why most attempts by atheists to frame their existence as something other than “a hopeless one” usually come up sounding… dishonest. At least silly. Likethis one from About.com’s Agnosticism / Atheism site. Site moderator Austin Cline, in answering the “myth” that “Atheism leads to hopelessness and despair,” writes:

What do I have to look forward to? Life — an enjoyable life doing the things I love and being with the people I love. Why do I live? Because of the people I love and the things I love — basically, because I enjoy life. Does it matter that, eventually, I am going to die and the life I enjoy will end? I admit that that will be unfortunate, but it doesn’t mean that doing what I enjoy now is therefore worthless. After all, every individual action I am doing will end — every good meal end, every trip to an amusement park ends, every good book ends.

Mr. Cline, let me introduce you to Woody Allen, the honest atheist: “…the true situation is a hopeless one because nothing does last.”

“[U]nfortunate” is an understatement.

Of course, atheists can lead “an enjoyable life.” Atheists can be good, kind, and exceedingly happy. The problem is… they have no reason to be. Like the band playing on the sinking Titanic, what does it matter if they’re in key and enjoying it? The icy waters of Oblivion await.

Which could be why there’s so few “honest atheists.”

The honest atheist is one who admits the hopelessness demanded by their worldview. There is no way around it. To allege to live “an enjoyable life” under the shadow of some smoldering cosmic Vesuvius is rather laughable. To pretend that your life — much less your films or art or music — is something more than just a diversion, is simply… dishonest.

Which is why I applaud Woody Allen.

______

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MUSIC MONDAY Paul McCartney – Silly Love Songs

______

Paul McCartney – Silly Love Songs

Silly Love Songs

From Wikipedia, the free encyclopedia
For the Glee episode, see Silly Love Songs (Glee).
“Silly Love Songs”

German single sleeve
Single by Wings
from the album Wings at the Speed of Sound
B-side Cook of the House
Released 1 April 1976 (US)
30 April 1976 (UK)
Format 7″ single
Recorded 16 January 1976
Genre Disco, funk
Length 5:53 (commercial 7″ version)
3:22 (DJ copy edit)
Label MPL Communications (UK)
MPL Communications/Capitol(US)
Writer(s) Paul & Linda McCartney
Producer(s) Paul McCartney
Certification BPI (UK) Silver 1 June 1976[1]
RIAA (US) Gold 11 June 1976[2]
Wings singles chronology
Venus and Mars/Rock Show
(1975)
Silly Love Songs
(1976)
Let ‘Em In
(1976)
Wings at the Speed of Sound track listing
Alternative covers

Dutch single sleeve

Silly Love Songs” is a song written by Paul McCartney and performed by Wings. The song appears on the 1976 album Wings at the Speed of Sound. It was also released as a single in 1976, backed with “Cook of the House”. The song, written in response to music critics accusing him of writing only “silly love songs”, also features disco overtones.

Background[edit]

“Silly Love Songs” was written as a rebuttal to music critics, as well as former Beatle and friend, John Lennon, accusing Paul McCartney of writing lightweight love songs.[3] Author Tim Riley suggests that in the song, McCartney is inviting “his audience to have a laugh on him,” as Elvis Presley had sometimes done.[4]

But over the years people have said, “Aw, he sings love songs, he writes love songs, he’s so soppy at times.” I thought, Well, I know what they mean, but, people have been doing love songs forever. I like ’em, other people like ’em, and there’s a lot of people I love — I’m lucky enough to have that in my life. So the idea was that “you” may call them silly, but what’s wrong with that?

The song was, in a way, to answer people who just accuse me of being soppy. The nice payoff now is that a lot of the people I meet who are at the age where they’ve just got a couple of kids and have grown up a bit, settling down, they’ll say to me, “I thought you were really soppy for years, but I get it now! I see what you were doing!”

By the way, “Silly Love Songs” also had a good bassline and worked well live.

—Paul McCartney, Billboard[5]

McCartney allowed the horn section to create their own parts for the song.[6]

Release[edit]

The US single was released on 1 April 1976[7] and spent five non-consecutive weeks at number 1 on the Billboard Hot 100.[8][9] “Silly Love Songs” was the number 1 pop song in Billboard’s Year-End Charts of 1976. It was also the group’s second of three number ones on the Easy Listening chart.[10] In 2013, Billboard Magazine determined the song is McCartney’s biggest US chart hit of his post-Beatles career, ranking at No. 36 on the “all-time” charts.[11] The UK single was released on 30 April 1976[7] and reached number 2 on the UK Singles Chart.[12][13] The single was certified Gold by theRecording Industry Association of America for sales of over one million copies.[14]

The song was McCartney’s 27th number one as a songwriter, the all-time record for most number one hits by a songwriter. (see List of Billboard Hot 100 chart achievements and milestones) With this song, McCartney became the first person to have a year-end No. 1 song as a member of two distinct acts. He previously hit No. 1 in the year-end Billboard chart with “I Want to Hold Your Hand” in 1964 and “Hey Jude” in 1968.[15][16] In 2008, the song was listed at No. 31 on Billboard’s Greatest Songs of All Time, commemorating the 50th anniversary of the Billboard Hot 100 chart.[3]

“Silly Love Songs” has since appeared on multiple of McCartney’s greatest hits compilations, including Wings Greatest and All the Best!. It also appeared on the “Hits” half of the compilation Wingspan: Hits and History.

Other recordings[edit]

In 1976, Wings recorded “Silly Love Songs” live for their triple live album Wings Over America. In 1984, three years after the dissolution of Wings, Paul McCartney re-recorded “Silly Love Songs” for thesoundtrack to the critically panned motion picture Give My Regards to Broad Street.

Critical reception[edit]

“Silly Love Songs” has generally received positive reviews from critics, despite the common criticism of the song lacking substance. AllMusics Stephen Thomas Erlewine described the song, as well as its follow-up single, “Let ‘Em In“, as “so lightweight that their lack of substance seems nearly defiant.”[17] Music critic Robert Christgau called the two tracks “charming if lightweight singles”, while Rolling Stone critic Stephen Holden said “Silly Love Songs” was “a clever retort whose point is well taken.”[18][19] John Bergstrom of PopMatters called the song “an exemplary piece of mid-‘70s pop production and a pure pleasure.”[20]

Charts[edit]

Chart (1976) Peak
position
Australia Kent Music Report 20
Canada RPM 100 Singles 1
Germany Media Control Chart 14
Ireland Singles Chart 1
Japan Oricon Chart 66
New Zealand RIANZ Charts 8
Netherlands MegaCharts 11
Norway VG-lista 9
UK Singles Chart 2
US Billboard Hot 100 1
US Billboard Hot Adult Contemporary 1

Year-end charts[edit]

Chart (1976) Position
Canada RPM 100 Singles 10
US Billboard Hot 100 1

All-time charts[edit]

Chart Position
US Billboard Hot 100[11] 36

Personnel[edit]

Wings[edit]

Other musicians[edit]

  • Tony Dorsey – horns
  • Thaddeus Richard – horns
  • Steve Howard – horns
  • Howie Casey – horns

Covers[edit]

Uses in popular culture[edit]

  • This song was used in the pilot episode of The Fresh Prince of Bel Air when Carlton Banks is heard singing the first verse while taking a shower.
  • In 2005, the song was sampled in Jenn Cuneta’s Come Rain, Come Shine.

See also[edit]

Notes[edit]

  1. Jump up^ “Certified Awards Search”. BPI. Retrieved 12 October2012.
  2. Jump up^ “RIAA Gold and Platinum”. RIAA. Retrieved 12 October2012.
  3. ^ Jump up to:a b Billboard 2009.
  4. Jump up^ Riley, T. (2002). Tell Me Why: The Beatles: Album By Album, Song By Song, The Sixties And After. Da Capo. p. 359. ISBN 9780306811203.
  5. Jump up^ “Paul McCartney On His Not-So-Silly Love Songs”.Billboard.
  6. Jump up^ Benitez, Vincent Perez. The Words and Music of Paul McCartney: The Solo Years.
  7. ^ Jump up to:a b McGee 2003, p. 210.
  8. Jump up^ McGee 2003, p. 232.
  9. Jump up^ “Paul McCartney Charts and Awards”. allmusic. Retrieved 13 October 2011.
  10. Jump up^ Whitburn, Joel (2002). Top Adult Contemporary: 1961-2001. Record Research. p. 163.
  11. ^ Jump up to:a b Bronson, Fred (2 August 2012). “Hot 100 55th Anniversary: The All-Time Top 100 Songs”. Billboard. Retrieved 9 August 2013.
  12. Jump up^ McGee 2003, p. 240.
  13. Jump up^ “Official Charts: Paul McCartney”. The Official UK Charts Company. Retrieved 13 October 2011.
  14. Jump up^ “Gold & Platinum Searchable Database – June 06, 2014”. RIAA. Retrieved 2014-06-06.
  15. Jump up^ Billboard Year-End Hot 100 singles of 1964
  16. Jump up^ Billboard Year-End Hot 100 singles of 1968
  17. Jump up^ Erlewine, Stephen Thomas. “Wings at the Speed of Sound”. AllMusic.
  18. Jump up^ Christgau, Robert. “Paul McCartney discography”.
  19. Jump up^ Holden, Stephen. “Wings at the Speed of Sound”.Rolling Stone.
  20. Jump up^ Bergstrom, John. “Paul McCartney and Wings: Wings at the Speed of Sound”. PopMatters.
  21. ^ Jump up to:a b “Original versions of Silly Love Songs by Shirley Bassey”. SecondHandSongs. 1976-03-25. Retrieved2014-06-06.
  22. Jump up^ [1]
  23. Jump up^ “Performs the Hits of Wings”. Allmusic. Retrieved28 December 2011.
  24. Jump up^ “Glee Season 2 Episode 12: Silly Love Songs | The Official Music for Glee Site”. Gleethemusic.com. Retrieved 2014-06-06.
  25. Jump up^ Erica Futterman (2011-02-09). “‘Glee’ Recap: ‘Silly Love Songs’ Hits the Right Note | Culture News”. Rolling Stone. Retrieved 2014-06-06.

References[edit]

Preceded by
Boogie Fever” by The Sylvers
Love Hangover” by Diana Ross
Billboard Hot 100 number one single
May 22, 1976
June 12, 1976 – July 3, 1976 (4 weeks)
Succeeded by
Love Hangover” by Diana Ross
Afternoon Delight” by Starland Vocal Band
Preceded by
Welcome Back” by John Sebastian
Billboard Adult Contemporary number one single
May 29, 1976
Succeeded by
Shop Around” by Captain & Tennille
Preceded by
Shannon” by Henry Gross
Canadian “RPM” Singles Chart number-one single
June 5, 1976 – June 12, 1976 (2 weeks)
Succeeded by
Get Up and Boogie” by Silver Convention

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