WOODY WEDNESDAY First Look at Woody Allen’s Next Movie ‘Wonder Wheel’ Posted on Tuesday, February 21st, 2017 by Jack Giroux

Woody Allen's next movie

Another period piece is coming our way from writer-director Woody Allen. We know little about his latest movie, titled Wonder Wheel, which is typical of Allen’s movies. Rarely are character and plot details shared early on. But we do know his latest film stars Justin Timberlake, Kate Winslet, and Juno Temple and it takes place in the 1950s.

Below, check out the first photo from Woody Allen’s next movie.

Wonder Wheel is the famous Ferris wheel found in Coney Island. Allen spent three weeks there shooting last summer, making it his first time shooting there since Annie Hall. The Wonder Wheel does appear in that film. Allen’s story follows characters working on and around the boardwalk.

Allen’s latest co-stars Jim Belushi (According to Jim), Max Casella (Blue Valentine), and Steve Schirripa (The Sopranos). According to The Coney Island blog, Winslet plays a character “targeted by” by Tony Sirico‘s (The Sopranos) character. She ends up falling for Timberlake’s lifeguard.

Here’s a photo from Wonder Wheel (via Woody Allen Pages):

Allen spent a good amount of time shooting the boardwalk and the city last summer. He joked with Page Six a little about recreating the period and locations:

This movie’s set in the ’50s, and we’re re-creating the Parachute Jump. Even sunny beaches. It’s no longer my job to have to run around and find that anymore. Today we live in the future. While I’m home, some nerd wearing glasses in an office with a computer turns dials and creates sunny beaches. Justin Timberlake, Jim Belushi, Juno Temple are in this. We’re filming in The Bronx and all over the city.

Allen’s 47th film is expected to come out this year. Over the past couple of years, his movies are often released during the summertime. Amazon released his last picture, the disappointing Cafe Society, last July. The distributor has a good relationship with Allen, after releasing his last Hollywood-set comedy and making his seriesCrisis in Six Scenes. According to THR, they spent $25 million to finance Wonder Wheel. Allen’s movies had a home at Sony Pictures Classics the last few years, but he apparently has struck up a fruitful partnership with Amazon.

While Allen’s movies have been more hit or miss the past decade or so, when he makes a hit, it’s usually quite special. When he misses, at least there’s still a few laughs. Let’s hope Wonder Wheel is another hit from the filmmaker.

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 120 Caroline Humphrey , Asian Anthropology, King’s College, “Though I am not very active now;  I think the culture of religion or what religious people have done in our history is so huge and enormous, I mean it is so much the background of being an European person that you can’t ignore it”

 

On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

 

Nick Gathergood, David-Birkett, Harry-Kroto

I have attempted to respond to all of Dr. Kroto’s friends arguments and I have posted my responses one per week for over a year now. Here are some of my earlier posts:

Arif Ahmed, Sir David AttenboroughMark Balaguer, Horace Barlow, Michael BatePatricia ChurchlandAaron CiechanoverNoam Chomsky,Alan DershowitzHubert Dreyfus, Bart Ehrman, Stephan FeuchtwangDavid Friend,  Riccardo GiacconiIvar Giaever , Roy GlauberRebecca GoldsteinDavid J. Gross,  Brian Greene, Susan GreenfieldStephen F Gudeman,  Alan Guth, Jonathan HaidtTheodor W. Hänsch, Brian Harrison,  Hermann HauserRoald Hoffmann,  Bruce HoodHerbert Huppert,  Gareth Stedman Jones, Steve JonesShelly KaganMichio Kaku,  Stuart Kauffman,  Lawrence KraussHarry Kroto, George LakoffElizabeth Loftus,  Alan MacfarlanePeter MillicanMarvin MinskyLeonard Mlodinow,  Yujin NagasawaAlva NoeDouglas Osheroff,  Jonathan Parry,  Saul PerlmutterHerman Philipse,  Carolyn PorcoRobert M. PriceLisa RandallLord Martin Rees,  Oliver Sacks, John SearleMarcus du SautoySimon SchafferJ. L. Schellenberg,   Lee Silver Peter Singer,  Walter Sinnott-ArmstrongRonald de Sousa, Victor StengerBarry Supple,   Leonard Susskind, Raymond TallisNeil deGrasse Tyson,  .Alexander Vilenkin, Sir John WalkerFrank WilczekSteven Weinberg, and  Lewis Wolpert,

Interview with Caroline Humphrey

Published on Sep 4, 2012

Caroline Humphrey interviewed by Alan Macfarlane 5th August 2010.

All revenues are donated to the World Oral Literature Project: http://www.oralliterature.org/

For a full, higher quality, downloadable version, please see http://www.alanmacfarlane.co

Wikipedia notes:

Caroline Humphrey

From Wikipedia, the free encyclopedia

Dame Caroline Humphrey, Lady Rees of Ludlow, DBE, FBA (née Waddington, born 1 September 1943) is a British anthropologist and academic.

Biography[edit]

Humphrey’s father was the biologist Conrad H. Waddington.[1]

Humphrey received her BA in Social Anthropology from Girton College, Cambridge. Her PhD, completed in 1973, was entitled Magical Drawings in the Religion of the Buryat. She received the Rivers Memorial Medal in 1999,[2] and, in 2003, an Honorary Doctorate from the National University of Mongolia.[3]

Personal life[edit]

In 1967, Caroline Waddington married Nicholas Humphrey; they had no children and divorced in 1977. In 1986, she married Martin Rees, and became Lady Rees after her husband was appointed a Knight Bachelor in 1992.[4]

Research and Positions[edit]

Humphrey has conducted extensive research in Siberia, Nepal, India, Mongolia, China (Inner Mongolia), Uzbekistan and Ukraine. In 1966, she was one of the first anthropologists from a western country to be allowed to do fieldwork in the USSR. Her PhD (1973) focussed on Buryat religious iconography, and ensuing research topics have included Soviet collective farms, the farming economy in India and Tibet, Jainist culture in India, and environmental and cultural conservation in Inner Asia.[5]

Between 1971 and 1978, she undertook research and official fellowships at Girton College, Cambridge and at the Scott Polar Research Institute. From 1978 to 1983 she lectured at the Department of Social Anthropology at the University of Cambridge, before becoming a Director of Studies in Archaeology and Anthropology in 1984-89, and 1992-96. Humphrey has held the posts of University Reader in Asian Anthropology, University of Cambridge, 1995-98; University Professor of Asian Anthropology, 1998–2006; Visiting Professor at the University of Michigan, 2000; and Rausing Professorship of Collaborative Anthropology, 2006–10.

She co-founded the Mongolia and Inner Asia Studies Unit (MIASU) in 1986 at Cambridge. She retired from her post as Sigrid Rausing Professor of Collaborative Anthropology at the University of Cambridge to become Voluntary Research Director of MIASU in October 2010.[6]

She has been a Fellow of King’s College, Cambridge since 1978. In 2010, she completed the manuscript of a monograph, jointly authored with Hurelbaatar Ujeed, entitled A Monastery in Time: the Making of Mongolian Buddhism. The book was the culmination of much fieldwork and visits, from 1995, to Mergen Monastery in the Urad region of Inner Mongolia (China), where a distinctive form of Mongolian-language Buddhism has been upheld since the 18th century.

In  the second video below in the 72nd clip in this series are her words and  my response is below them. 

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

 

Below is a letter I wrote to her responding to the quote:

March 17, 2015

Professor Caroline Humphrey, Asian Anthropology, King’s College,

Dear Dr. Humphrey,

I was very honored on the 13th day January of 2015 to get this email back from your husband:

Your letter and its attachments has arrived. Sincerest thanks for getting in touch. Yes, I have had the privilege of knowing Owen Gingerich for many years and have recently read his excellent new book. I share emotions of mystery and wonder with religious people, but don’t have any ‘beliefs’ — and indeed wouldn’t expect human brains to be capable of more than a very incomplete and metaphorical understanding of deep reality – even a single atom is hard for most people to understand! Regards and thanks Martin Rees

Your husband was very gracious to take the time to get back to me and he is a classy guy!!!! I actually sent him a  CD called IS THE BIBLE TRUE? that discusses the historical accuracy of the Bible and it is the same exact message  that I sent in cassette tape form to Antony Flew in 1994 and Dr. Flew said he enjoyed it and we corresponded several times in the 1990’s. It is truly ironic to me that the same Bellevue Baptist Church in Memphis, Tennessee where I bought that original cassette tape in 1994 is the same church in 2007 where I bought Antony Flew’s book THERE IS A GOD.

I just finished reading the online addition of the book Darwin, Francis ed. 1892. Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters [abridged edition]. London: John Murray. There are several points that Charles Darwin makes in this book that were very wise, honest, logical, shocking and some that were not so wise. The Christian Philosopher Francis Schaeffer once said of Darwin’s writings, “Darwin in his autobiography and in his letters showed that all through his life he never really came to a quietness concerning the possibility that chance really explained the situation of the biological world. You will find there is much material on this [from Darwin] extended over many many years that constantly he was wrestling with this problem.”

Recently I noticed these comments by you in that wonderful in-depth interview by Dr. Alan Macfarlane:

(FIRST PARAGRAPH) My grandmother was a Fabian and quite an  intellectual – Amber Pember Reeves; she read moral sciences at Newnham and she  was a big influence on my life: she had an affair with H.G. Wells when she was  a student which was a big scandal at the time; she became pregnant so my aunt  is her daughter by H.G. Wells; as he was not going to marry her, to her rescue  came a nice young lawyer, my grandfather, who made her respectable; his name  was Blanco-White…

(SECOND PARAGRAPH) …I do remember in my teens thinking  I ought to sneak out and actually go to churches to see what went on in them; I  did try to look inside some churches in Edinburgh, but it was a pretty frosty  city and the churches were not places you could drop into; I suppose I was  rather ignorant of all that and remain so to some extent; when, here in  Cambridge, people go to chapel, and I have to do so now for various reasons,  everybody lustily sings hymns that they all know, but I don’t know them; I  think perhaps this thwarted early interest was why I became interested in  shamanism and other religious faiths; I also did become interested in  Christianity, and for a period was quite religious; I did get Confirmed in the  Church of England in middle-age,so it is a dimension of life that I have some  feeling for, though I am not very active now;  I think the culture of religion or what religious people have done in our history is so huge and enormous, I mean it is so much the background of being an European person that you can’t ignore it, and to understand it you have to know what it is to be religious….

(THIRD PARAGRAPH) …I think science can disprove many of  the claims of people who are religious – the absurdity of particular dates of  creation, or miracles – but I don’t think science could do anything about what  people feel about essential mysteries which we don’t understand and may never  understand, yet we have intimations that there are things that maybe our brains  are not capable of appreciating; at any rate there does seem to be some order  behind things that we don’t have an explanation for; all of that kind of thing  is part of being human, and I don’t think that science is going to disprove it  or prove it;

___________

You will notice I actually took three different quotes from your lengthy interview from Alan Macfarlane because I wanted to comment on all three parts.

In the second paragraph you noted that you used to involved in the Christian faith but like Darwin you now consider yourself an agnostic. I wondered if you have struggled with the same issues that Darwin did while losing his faith? In the first  paragraph you noted your family’s connection to the historian H.G.Wells and in the third paragraph you asserted that some claims of the Bible can be disproved by science. I totally agree that could be the cause. Take a look at this quote below.

ADRIAN ROGERS FROM HIS MESSAGE ON “DARWINISM” (which I sent to you today):

H. G. Wells, the brilliant historian who wrote The Outlines of History, said this—and I quote: “If all animals and man evolved, then there were no first parents, and no Paradise, and no Fall. If there had been no Fall, then the entire historic fabric of Christianity, the story of the first sin, and the reason for the atonement, collapses like a house of cards.” H. G. Wells says—and, by the way, I don’t believe that he did believe in creation—but he said, “If there’s no creation, then you’ve ripped away the foundation of Christianity.”

Now, the Bible teaches that man was created by God and that he fell into sin. The evolutionist believes that he started in some primordial soup and has been coming up and up. And, these two ideas are diametrically opposed. What we call sin the evolutionist would just call a stumble up. And so, the evolutionist believes that all a man needs—he’s just going up and up, and better and better—he needs a boost from beneath. The Bible teaches he’s a sinner and needs a birth from above. And, these are both at heads, in collision.

__________

You should realize that if there was no Garden of Eden then all the historicity of the Bible crumbles with it. Therefore, I wanted to challenge you to google some of these historical events and see what you find:  1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

Now lets move on to two passions of your father and they are  art and science. Does the world fit the chance universe that your famous father C.H. Waddington envisioned? As you know John Cage and him tried to combine them!!!!!

Recently I read that John Cage was invited by C.H. Waddington to speak at a symposium back in the 1970’s entitled, “Biology and the History of the Future” sponsored by the International Union of Biological Sciences in an attempt to “promote reciprocity between the arts and sciences.” His contributions to the symposium were edited by Waddington and published by Edinburgh University Press in 1972.

I wanted to share a paragraph I read in the article “NOWHERE ELSE TO TURN:CHANCE VERSUS DESIGN:” 

In THE GOD WHO IS THERE, Francis Schaeffer refers to the American composer John Cage who believes that the universe is impersonal by nature and that it originated only through pure chance.  In an attempt to live consistently with this personal philosophy, Cage composes all of his music by various chance agencies.  He uses, among other things, the tossing of coins and the rolling of dice to make sure that no personal element enters into the final product.  The result is music that has no form, no structure and, for the most part, no appeal.  Though Cage’s professional life accurately reflects his belief in a universe that has no order, his personal life does not, for his favorite pastime is mycology, the collecting of mushrooms, and because of the potentially lethal results of picking a wrong mushroom, he cannot approach it on a purely by-chance basis.  Concerning that, he states: “I became aware that if I approached mushrooms in the spirit of my chance operations, I would die shortly.”  John Cage “believes” one thing, but practices another.  In doing so, he is an example of the person described in Romans 1:18 who “suppresses the truth of God,” for when faced with the certainty of order in the universe, he still clings to his theory of randomness.

This  from  John Cage made me think of you and your father  when I read the book Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters  because of what Darwin said on this same issue of intelligent design. IS THIS WORLD A RESULT OF TIME AND CHANCE OR WAS IS CREATED BY A DESIGNER? I am going to quote some of Charles Darwin’s own words and then include the comments of Francis Schaeffer on those words. I have also enclosed a CD with two messages from Adrian Rogers and Bill Elliff concerning Darwinism.

Darwin, C. R. to Doedes, N. D.2 Apr 1873

“It is impossible to answer your question briefly; and I am not sure that I could do so, even if I wrote at some length. But I may say that the impossibility of conceiving that this grand and wondrous universe, with our conscious selves, arose through chance, seems to me the chief argument for the existence of God; but whether this is an argument of real value, I have never been able to decide…Nor can I overlook the difficulty from the immense amount of suffering through the world. I am aware that if we admit a First Cause, the mind still craves to know whence it came, and how it arose.”

Francis Schaeffer noted:

What he is saying is if you say there is a first cause, then the mind says, “Where did this come from?” I think this is a bit old fashioned, with some of the modern thinkers, this would not have carry as much weight today as it did when Darwin expressed it. Jean Paul Sartre said it as well as anyone could possibly say it. The philosophic problem is that something is there and not nothing being there. No one has the luxury of beginning with nothing. Nobody I have ever read has put forth that everything came from nothing. I have never met such a person in all my reading,or all my discussion. If you are going to begin with nothing being there, it has to be nothing nothing, and it can’t be something nothing. When someone says they believe nothing is there, in reality they have already built in something there. The only question is do you begin with an impersonal something or a personal something. All human thought is shut up to these two possibilities. Either you begin with an impersonal and then have Darwin’s own dilemma which impersonal plus chance, now he didn’t bring in the amount of time that modern man would though. Modern man has brought in huge amounts of time into the equation as though that would make a difference because I have said many times that time can’t make a qualitative difference but only a quantitative difference. The dilemma is it is either God or chance. Now you find this intriguing thing in Darwin’s own situation, he can’t understand how chance could have produced these two great factors of the universe and its form and the mannishness of man.

From Charles Darwin, Autobiography (1876), in The Life and Letters of Charles Darwin, ed. Francis Darwin, vol. 1 (London: John Murray, 1888), pp. 307 to 313.

“Another source of conviction in the existence of God, connected with the reason and not with the feelings, impresses me as having much more weight. This follows from the extreme difficulty or rather impossibility of conceiving this immense and wonderful universe, including man with his capacity of looking far backwards and far into futurity, as the result of blind chance or necessity. When thus reflecting, I feel compelled to look to a First Cause having an intelligent mind in some degree analogous to that of man; and I deserve to be called a Theist. This conclusion was strong in my mind about the time, as far as I can remember, when I wrote the Origin of Species, and it is since that time that it has very gradually, with many fluctuations, become weaker. But then arises the doubt…”

Francis Schaeffer commented:

On the basis of his reason he has to say there must be an intelligent mind, someone analogous to man. You couldn’t describe the God of the Bible better. That is man is made in God’s image  and therefore, you know a great deal about God when you know something about man. What he is really saying here is that everything in my experience tells me it must be so, and my mind demands it is so. Not just these feelings he talked about earlier but his MIND demands it is so, but now how does he counter this? How does he escape this? Here is how he does it!!!

Charles Darwin went on to observe:  —can the mind of man, which has, as I fully believe, been developed from a mind as low as that possessed by the lowest animals, be trusted when it draws such grand conclusions?”

Francis Schaeffer asserted:

So he says my mind can only come to one conclusion, and that is there is a mind behind it all. However, the doubt comes because his mind has come from the lowest form of earthworm, so how can I trust my mind. But this is a joker isn’t it?  Then how can you trust his mind to support such a theory as this? He proved too much. The fact that Darwin found it necessary to take such an escape shows the tremendous weight of Romans 1, that the only escape he can make is to say how can I trust my mind when I come from the lowest animal the earthworm? Obviously think of the grandeur of his concept, I don’t think it is true, but the grandeur of his concept, so what you find is that Darwin is presenting something here that is wrong I feel, but it is not nothing. It is a tremendously grand concept that he has put forward. So he is accepting the dictates of his mind to put forth a grand concept which he later can’t accept in this basic area with his reason, but he rejects what he could accept with his reason on this escape. It really doesn’t make sense. This is a tremendous demonstration of the weakness of his own position.

Darwin also noted, “I cannot pretend to throw the least light on such abstruse problems. The mystery of the beginning of all things is insoluble by us, and I for one must be content to remain an Agnostic.”

Francis Schaeffer remarked:

What a stupid reply and I didn’t say wicked. It just seems to me that here is 2 plus 2 equals 36 at this particular place.

Darwin, C. R. to Graham, William 3 July 1881

Nevertheless you have expressed my inward conviction, though far more vividly and clearly than I could have done, that the Universe is not the result of chance.* But then with me the horrid doubt always arises whether the convictions of man’s mind, which has been developed from the mind of the lower animals, are of any value or at all trustworthy. Would any one trust in the convictions of a monkey’s mind, if there are any convictions in such a mind?

Francis Schaeffer observed:

Can you feel this man? He is in real agony. You can feel the whole of modern man in this tension with Darwin. My mind can’t accept that ultimate of chance, that the universe is a result of chance. He has said 3 or 4 times now that he can’t accept that it all happened by chance and then he will write someone else and say something different. How does he say this (about the mind of a monkey) and then put forth this grand theory? Wrong theory I feel but great just the same. Grand in the same way as when I look at many of the paintings today and I differ with their message but you must say the mark of the mannishness of man are one those paintings titanic-ally even though the message is wrong and this is the same with Darwin.  But how can he say you can’t think, you come from a monkey’s mind, and you can’t trust a monkey’s mind, and you can’t trust a monkey’s conviction, so how can you trust me? Trust me here, but not there is what Darwin is saying. In other words it is very selective. 

Now we are down to the last year of Darwin’s life.

* The Duke of Argyll (Good Words, April 1885, p. 244) has recorded a few words on this subject, spoken by my father in the last year of his life. “. . . in the course of that conversation I said to Mr. Darwin, with reference to some of his own remarkable works on the Fertilisation of Orchids, and upon The Earthworms,and various other observations he made of the wonderful contrivances for certain purposes in nature—I said it was impossible to look at these without seeing that they were the effect and the expression of mind. I shall never forget Mr. Darwin’s answer. He looked at me very hard and said, ‘Well, that often comes over me with overwhelming force; but at other times,’ and he shook his head vaguely, adding, ‘it seems to go away.'”

Francis Schaeffer summarized :

And this is the great Darwin, and it makes you cry inside. This is the great Darwin and he ends as a man in total tension.

Francis Schaeffer noted that in Darwin’s 1876 Autobiography that Darwin he is going to set forth two arguments for God in this and again you will find when he comes to the end of this that he is in tremendous tension. Darwin wrote, 

At the present day the most usual argument for the existence of an intelligent God is drawn from the deep inward conviction and feelings which are experienced by most persons.Formerly I was led by feelings such as those just referred to (although I do not think that the religious sentiment was ever strongly developed in me), to the firm conviction of the existence of God and of the immortality of the soul. In my Journal I wrote that whilst standing in the midst of the grandeur of a Brazilian forest, ‘it is not possible to give an adequate idea of the higher feelings of wonder, admiration, and devotion which fill and elevate the mind.’ I well remember my conviction that there is more in man than the mere breath of his body; but now the grandest scenes would not cause any such convictions and feelings to rise in my mind. It may be truly said that I am like a man who has become colour-blind.

Francis Schaeffer remarked:

Now Darwin says when I look back and when I look at nature I came to the conclusion that man can not be just a fly! But now Darwin has moved from being a younger man to an older man and he has allowed his presuppositions to enter in to block his logic. These things at the end of his life he had no intellectual answer for. To block them out in favor of his theory. Remember the letter of his that said he had lost all aesthetic senses when he had got older and he had become a clod himself. Now interesting he says just the same thing, but not in relation to the arts, namely music, pictures, etc, but to nature itself. Darwin said, “But now the grandest scenes would not cause any such convictions  and feelings to rise in my mind. It may be truly said that I am like a man who has become colour-blind…” So now you see that Darwin’s presuppositions have not only robbed him of the beauty of man’s creation in art, but now the universe. He can’t look at it now and see the beauty. The reason he can’t see the beauty is for a very, very , very simple reason: THE BEAUTY DRIVES HIM TO DISTRACTION. THIS IS WHERE MODERN MAN IS AND IT IS HELL. The art is hell because it reminds him of man and how great man is, and where does it fit in his system? It doesn’t. When he looks at nature and it’s beauty he is driven to the same distraction and so consequently you find what has built up inside him is a real death, not  only the beauty of the artistic but the beauty of nature. He has no answer in his logic and he is left in tension.  He dies and has become less than human because these two great things (such as any kind of art and the beauty of  nature) that would make him human  stand against his theory.

________________________

DO THESE WORDS OF DARWIN APPLY TO YOU TODAY? “I am like a man who has become colour-blind.”

_______________________________________

IF WE ARE LEFT WITH JUST THE MACHINE THEN WHAT IS THE FINAL CONCLUSION IF THERE WAS NO PERSONAL GOD THAT CREATED US? I sent you a CD that starts off with the song DUST IN THE WIND by Kerry Livgren of the group KANSAS which was a hit song in 1978 when it rose to #6 on the charts because so many people connected with the message of the song. It included these words, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

Kerry Livgren himself said that he wrote the song because he saw where man was without a personal God in the picture. Solomon pointed out in the Book of Ecclesiastes that those who believe that God doesn’t exist must accept three things. FIRST, death is the end and SECOND, chance and time are the only guiding forces in this life.  FINALLY, power reigns in this life and the scales are never balanced. The Christian can  face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.

Both Kerry Livgren and the bass player Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on You Tube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible ChurchDAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

PS: I understand that you studied under the famous professor Edmund Leach. Some have said that he was a poor lecturer but I understand you liked his lectures. 

You can hear DAVE HOPE and Kerry Livgren’s stories from this youtube link:

(part 1 ten minutes)

(part 2 ten minutes)

Kansas – Dust in the Wind (Official Video)

Uploaded on Nov 7, 2009

Pre-Order Miracles Out of Nowhere now at http://www.miraclesoutofnowhere.com

About the film:
In 1973, six guys in a local band from America’s heartland began a journey that surpassed even their own wildest expectations, by achieving worldwide superstardom… watch the story unfold as the incredible story of the band KANSAS is told for the first time in the DVD Miracles Out of Nowhere.

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Adrian Rogers on Darwinism

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American Masters John Cage- I Have Nothing to Say and I Am Saying It

John Cage – 4’33”

Uploaded on Oct 1, 2010

John Cage’s most famous musical composition is called 4’33”.

It consists of the pianist going to the piano, and not hitting any keys for four minutes and thirty-three seconds (he uses a stopwatch to time this). In other words, the entire piece consists of silences — silences of different lengths, they say…

(c) John Cage

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MUSIC MONDAY Rolling Stones 1965 December’s Children And Everybody’s full album

Rolling Stones 1965 December’s Children And Everybody’s full album

December’s Children (And Everybody’s)

From Wikipedia, the free encyclopedia
December’s Children (And Everybody’s)
DecChLP.jpg
Studio album by The Rolling Stones
Released 4 December 1965 (United States)
Recorded 5–6 September 1965, except “You Better Move On”: 8 August 1963, “Look What You’ve Done”: 11 June 1964, “Route 66” and “I’m Moving On”: 5–7 March 1965, “As Tears Go By”: 26 October 1965
Genre Rock and roll
Length 29:04
Language English
Label London
Producer Andrew Loog Oldham
The Rolling Stones American chronology
Out of Our Heads
(1965)
December’s Children (And Everybody’s)
(1965)
Aftermath
(1966)
Singles from December’s Children
(And Everybody’s)
  1. Get Off of My Cloud” / “I’m Free
    Released: 25 September 1965
  2. As Tears Go By” / “Gotta Get Away”
    Released: 18 December 1965
Professional ratings
Review scores
Source Rating
Allmusic 4.5/5 stars[1]

December’s Children (And Everybody’s) is the fifth American studio album by The Rolling Stones, released in late 1965. Drawn largely from two days of sessions recorded in September to finish the British edition of Out of Our Heads and to record their new single—”Get Off of My Cloud“—December’s Children (And Everybody’s) also included tracks recorded as early as 1963.

Half of the songs appearing on the album were written by Mick Jagger and Keith Richards; they penned album cuts such as “I’m Free” and “The Singer Not the Song” as well as such major hits as “As Tears Go By” and “Get off of My Cloud“.

December’s Children (And Everybody’s) reached No. 4 in the US and went gold.[2] Bassist Bill Wyman quotes Jagger in 1968 calling the record “[not] an album, it’s just a collection of songs.” Accordingly, it is only briefly detailed in Wyman’s otherwise exhaustive book Rolling with the Stones.

In August 2002 December’s Children (And Everybody’s) was reissued in a new remastered CD and SACD digipak by ABKCO Records with “Look What You’ve Done” again being the album’s only cut issued in true stereo.

The title of the album came from the band’s manager, Andrew Loog Oldham (who facetiously credits it to “Lou Folk-Rock Adler” in his liner notes on the back cover). According to Jagger, it was Oldham’s idea of hip, Beatpoetry.[3]

Track listing[edit]

All tracks written by Mick Jagger and Keith Richards, unless otherwise noted.

Side one
No. Title Writer(s) Length
1. “She Said Yeah” (from UK version of “Out of Our Heads“) Sonny Bono/Roddy Jackson 1:34
2. Talkin’ About You” (from UK version of “Out of Our Heads“) Chuck Berry 2:32
3. You Better Move On” (from UK release “The Rolling Stones EP“) Arthur Alexander 2:41
4. “Look What You’ve Done” McKinley Morganfield 2:16
5. “The Singer, Not the Song” (UK b-side of “Get Off of My Cloud“) 2:22
6. Route 66” (from UK release “Got Live If You Want It! EP” (Live)) Bobby Troup 2:39
Side two
No. Title Writer(s) Length
7. Get Off of My Cloud” (single) 2:54
8. I’m Free” (from UK version of “Out of Our Heads“) 2:23
9. As Tears Go By” (single) Jagger/Richards/Andrew Loog Oldham 2:45
10. “Gotta Get Away” (from UK version of “Out of Our Heads“) 2:06
11. Blue Turns to Grey 2:30
12. I’m Moving On” (from UK release “Got Live If You Want It! EP“) (Live) Hank Snow 2:13

Personnel[edit]

The Rolling Stones
Additional personnel

Chart positions[edit]

Album
Year Chart Position
1966 Billboard 200[4] 4
Singles
Year Single Chart Position
1965 “Get Off of My Cloud” Billboard Hot 100[4] 1
1966 “As Tears Go By” Billboard Hot 100[4] 6

Certifications[edit]

Country Provider Certification
(sales thresholds)
United States RIAA Gold

References[edit]

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First Look at Woody Allen’s Next Movie ‘Wonder Wheel’ Posted on Tuesday, February 21st, 2017 by Jack Giroux

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Woody Allen's next movie

Another period piece is coming our way from writer-director Woody Allen. We know little about his latest movie, titled Wonder Wheel, which is typical of Allen’s movies. Rarely are character and plot details shared early on. But we do know his latest film stars Justin Timberlake, Kate Winslet, and Juno Temple and it takes place in the 1950s.

Below, check out the first photo from Woody Allen’s next movie.

Wonder Wheel is the famous Ferris wheel found in Coney Island. Allen spent three weeks there shooting last summer, making it his first time shooting there since Annie Hall. The Wonder Wheel does appear in that film. Allen’s story follows characters working on and around the boardwalk.

Allen’s latest co-stars Jim Belushi (According to Jim), Max Casella (Blue Valentine), and Steve Schirripa (The Sopranos). According to The Coney Island blog, Winslet plays a character “targeted by” by Tony Sirico‘s (The Sopranos) character. She ends up falling for Timberlake’s lifeguard.

Here’s a photo from Wonder Wheel (via Woody Allen Pages):

Allen spent a good amount of time shooting the boardwalk and the city last summer. He joked with Page Six a little about recreating the period and locations:

This movie’s set in the ’50s, and we’re re-creating the Parachute Jump. Even sunny beaches. It’s no longer my job to have to run around and find that anymore. Today we live in the future. While I’m home, some nerd wearing glasses in an office with a computer turns dials and creates sunny beaches. Justin Timberlake, Jim Belushi, Juno Temple are in this. We’re filming in The Bronx and all over the city.

Allen’s 47th film is expected to come out this year. Over the past couple of years, his movies are often released during the summertime. Amazon released his last picture, the disappointing Cafe Society, last July. The distributor has a good relationship with Allen, after releasing his last Hollywood-set comedy and making his seriesCrisis in Six Scenes. According to THR, they spent $25 million to finance Wonder Wheel. Allen’s movies had a home at Sony Pictures Classics the last few years, but he apparently has struck up a fruitful partnership with Amazon.

While Allen’s movies have been more hit or miss the past decade or so, when he makes a hit, it’s usually quite special. When he misses, at least there’s still a few laughs. Let’s hope Wonder Wheel is another hit from the filmmaker.

 

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FRIEDMAN FRIDAY I attended a dinner and heard Stephen Moore of the Heritage Foundation speak about Trump and I got a chance to ask a question about Moore’s 2013 article on Milton Friedman’s view on Immigration

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Stephen Moore, an economist with the Heritage Foundation and a top economic advisor for Donald Trump, said Tuesday that Arkansas should get serious about reducing its income tax.

Moore spoke for about an hour Tuesday night on taxes and Trump at a dinner hosted by the Advance Arkansas Institute.

Moore said:

I keep coming back to this state because there are nine states without an income tax. My mission is to make Arkansas the 10th state without an income tax. By the way those nine states without and income tax, they’re dramatically outgrowing the states with high tax rates.

You aren’t going to get much economic benefit (from cutting the income tax rate on the low-end) it’s better than doing nothing, but you’ve got to bring all of the income tax rates down especially the highest tax rates. Most of the business owners and small business owners pay the individual income tax rate. Why would you want small businesses to pay a 6.9 percent rate? That’s an abomination. Let’s get the highest individual income tax rate lowered and eventually to zero.

Arkansas currently has the highest top individual income tax rate, as compared to its bordering states. Tennessee and Texas have no income tax.

Moore also detailed Republican presidential candidate Donald Trump’s economic agenda. Moore said:

We have an amazing economic program. We put together a great tax plan. It’s a supply-side tax rate reduction plan. It cuts the business tax for all businesses to 15 percent from as high as 40 percent. We think that’s just going to be a magnet for jobs. We are going to have a massive deregulation. I told Trump.. The first thing we’re going to do is put an executive order on your desk that repeals this so-called Clean Power Plan. That’s the bill that would put tens of thousands of coal miners throughout this country out of work.

He’s a businessman and he does know how regulation affects business. Most people in Washington (D.C.) don’t. We’re going to repeal the Clean Power Plan. We’re going to repeal most, if not all, of Obamacare.

Moore, who said Trump wasn’t his first choice to be the Presidential nominee, described Trump as someone who would be a “disruptor” of the status quo in Washington D.C. This is why some in the Republican Party and the conservative movement are still not actively supporting his candidacy, according to Moore. Moore said:

He is going to disrupt Washington D.C. and I believe that’s a very good thing. Some of the political consultants, lobbyists, pollsters and political insiders…they’re terrified of Trump. The reason there is such a ferocious anti-Trump movement inside of the conservative movement is because frankly…they don’t really care about middle class people. They just care about themselves. A lot of these people…they’d do better professionally if Hillary won instead of Trump. So a lot of this is… we don’t just need a shakeup in the Democratic Party. We need one in the Republican Party as well.

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE PART 153 John Hospers Part I, this post includes portion of 6-2-94 letter from Hospers to me blasting Christian Evangelicalism, (Featured artist is Mel Ramos)

 

I sent a cassette tape of Adrian Rogers on Evolution to John Hospers in May of 1994 which was the 10th anniversary of Francis Schaeffer’s passing and I promptly received a typed two page response from Dr. John Hospers. Dr. Hospers had both read my letter and all the inserts plus listened to the whole sermon and had some very angry responses. If you would like to hear the sermon from Adrian Rogers and read the transcript then refer to my earlier post at this link.  Over the last few weeks I have posted  portions of Dr. Hospers’ letter and portions of the cassette tape that he listened to back in 1994, but today I want  to look at some other comments made on that cassette tape that John Hospers listened to and I will also post a few comments that Dr. Hospers made in that 2 page letter.

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John Hospers on His Friendship with Ayn Rand

 

John Hospers, R.I.P.

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John Hospers, distinguished author and philosopher, first presidential candidate of the Libertarian Party, and a senior editor of Liberty, died in Los Angeles on June 12. He was 93 and had been in fragile health for over a year.

John was a modest and self-skeptical man, but his accomplishments were legion. Born in provincial Iowa of Dutch immigrant stock, he became an internationally recognized philosopher, editor of The Personalist and later of The Monist — two of the most important academic journals of philosophy — and chairman of the Department of Philosophy at the University of Southern California. An early organizer of the Libertarian Party, he was its standard bearer in the election of 1972, in which he and his running mate, Tonie Nathan, achieved a vote in the Electoral College, making Tonie the only woman who had ever done so.

John used to laugh about his encounter with one of his academic colleagues in the hallways of USC during the presidential campaign:

“Hello, John. What are you doing these days?”

“I’m running for president.”

“I didn’t know that. President of the APA!” (APA stands for the American Philosophical Association.)

“Oh no. President of the United States.”

John ran a vigorous campaign (and enjoyed it). Many years later, I got him to write the inside story of this episode, exclusive to Liberty. It’s in our June 2007 issue, and includes a good picture of the candidate.

Before the election, John had published a thoughtful book about the idea of liberty, Libertarianism (1971). As editor of The Personalist, he gave many young libertarians, such as Robert Nozick, their first chance to publish. John was an early and regular contributor to Reason, and starting in the early 1990s he contributed many important articles to Liberty. Usually it worked like this: John would make a comment about a topic that appealed to him. Bill Bradford or I would suggest that he write something about it. “Oh,” John would say, “do you really think people would be interested?” “Yes, John,” we’d reply, “they certainly would be.” Then we’d give him our reasons for saying so. “Well, I don’t know,” he’d say. He’d think it over for a while, and about half the time he would write the article.

Bill and I were right: our readers were always interested in what John had to say. It wasn’t just that he was John Hospers and had a historic importance for libertarians. It was that John had a way of combining the provocative with the calmly, steadily rational — a rare intellectual achievement.

From 1960 to 1962, John was an intimate friend of Ayn Rand, the novelist and philosopher who was one of the greatest influences on modern American libertarianism. John met her not as a disciple (at a time when she engaged with few people who were not disciples) but as a person of independent intellectual development and ideas. Indeed, with the exception of Isabel Paterson in the early 1940s, he was probably the only person who ever debated both amicably and determinedly with Rand. On many occasions, he and Rand stayed up all night, discussing everything in the world, without pretense or intimidation, like Athena and Odysseus sitting together on the shores of Ithaka, plotting the institution of a just society.

John told the story of their relationship, and of its eventual sundering, in an important two-part article in Liberty(July and Sept. 1990). He added another chapter in our August 2006 issue. I think you’ll enjoy those articles.

John’s relationship with Rand ended in one of those disasters that were inevitable with her. I used to wonder how anyone, even she, could quarrel with someone so intelligent, so gentle, so transparently sincere, so sweet as John — or with someone who loved her as much as he did. I’m sorry I never asked him that question, in just that way. Of Rand he told me, with tears in his eyes, “She had so few friends.”

John was a quiet, meditative person, who could sit listening for hours while other people talked, not feeling that the right note had yet been struck for his own intervention. But if you drew him aside, and made just a little effort to draw him out, he was a warm and delightful conversationalist. Personal warmth was important for him. He had it banked up inside him, in his private feelings: his memories of his family, especially of his immigrant great-grandmother, who lived to be a hundred years old, who was kind to him, and talkative about important things; his feelings of disappointment when the Libertarian Party no longer sought his advice, when it failed even to notice him anymore; his concerns about the future of the country, regarding which he was very pessimistic, fearing that the public demand for welfare had become so insistent and so chronic that a truly liberal social order could never be reachieved. He was particularly fearful about the political effects of open immigration, against which he argued with a logic that had been endorsed by every earlier libertarian leader, but that many current leaders of the movement had since repudiated.

I sometimes argued with John. I argued against his pessimism, and he always said, smiling, “Well, I hope you are right.” I argued against his religious agnosticism, and John, who had been brought up in very pious surroundings, always said, “What people don’t understand is that before we argue about God’s existence, we must first define what we mean by God.” My attempts to address the topic by using standard, operative definitions of God — “the creator of the world, who has sometimes intervened in its affairs” — got me precisely nowhere. For Hospers the analytical philosopher, that wasn’t nearly good enough. But I did get him to publish a riposte to my own theism in Liberty’s Jan.-Feb. 2008 issue.

I believe that was, very unfortunately, the last essay John ever wrote. His response to my frequent entreaties to publish something more about his many interests were unavailing. He would say, “I’m not sure I have anything to add. If I do, of course, I’ll send it.” When I suggested that if everyone took that approach, scholarly publication would cease, he enjoyed the joke, but his severe judgment of what it means to “add” to intellectual conversation prevailed. He was, indeed, a modest man.

John could occasionally be acerbic, when he felt that proper definitions, proper philosophic standards, were not in place — although he was never that way in conversing with me, or other people I know. Smiles, and carefully considered comments, and graceful encouragement to continue the conversation, whether he agreed with you or not — those were John’s hallmarks. In his later years, he was the center of a group of friends — including people of all ages, from his own down to the early twenties — who met for regular viewing and discussion of classic films. Enviable group! John had an encyclopedic knowledge of the movies, and his own taste was not only catholic but insightful and . . . here’s that word again: warm. Beneath the modest, judicious, (not unduly) professorial exterior was a heart full of feeling for any real human accomplishment, for anything that made life pleasant, graceful, witty, noble, or courageous. And John was all those things, himself.

Here is a portion of Hospers’ June 2, 1994 letter to me: 

The tape is horrible. The mealy-mouthed sanctimoniousness is repellent enough (under the guise of humility). But the arguments are just simply awful.

How can I know the Bible is the Word of God? by Adrian Rogers

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Also included on the cassette tape I sent to Dr. Hospers were these words below by Adrian Rogers (who is pictured below)

Image result for young adrian rogers

There are certain facts that cause me to believe the Bible is the word of God. I don’t believe the Bible is the Word of God by mere blind faith. As a matter of fact, I don’t like the term BLIND FAITH. When someone tells me to believe the first question that comes in my mind is WHY SHOULD I BELIEVE? A little boy was asked WHAT IS FAITH? and he said, “That is you believe what you know isn’t so.” No that is not [Biblical] faith. Faith is rooted in evidence. Faith is rooted in facts. I don’t have confidence in just quote  JUST BELIEVING.

I heard of the story of the boy who fell over a cliff and many hundreds of feet below were the jagged rocks and he grabbed a limb and was holding on swinging suspended in midair. It was too high to climb to the top and below was certain death. He began to yell at the top of his voice, “Help me is there anybody up there? Help me!”

A voice came and said, “I am here.” The boy said, “Help me!!” The voice said, “Very well. Let go of the limb.” The boy said, “Is anybody else up there?”

I am very much like this boy. WHY SHOULD WE JUST DO SOMETHING JUST BECAUSE SOMEONE SAYS SO? We need to have some evidence before we can have some faith. The Christian faith is rooted not in fable but in fact, and when you believe the Bible it is not a leap into the dark but it is a step into the light.

Let me give you some facts as to why I believe the Bible is the Word of God. Turn with me to the book of Luke 1:1-4. You are going to find that the Book of Luke is a historical document.

Luke 1 New King James Version (NKJV)

Inasmuch as many have taken in hand to set in order a narrative of those things which have been fulfilled[a] among us, just as those who from the beginning were eyewitnesses and ministers of the word delivered them to us, it seemed good to me also, having had perfect understanding of all things from the very first, (THAT MAY BE TRANSLATED “having understanding of things from above”) to write to you an orderly account, most excellent Theophilus, that you may know the certainty of those things in which you were instructed.

Now Luke said, Theophilus, you want to know about these things? He said, “Number one, I have interviewed eyewitnesses. Number two, I was careful and accurate in my historical research.” There was a man named Sir William Ramsay, who was the professor of humanities at Aberdeen University in Scotland. He was reputed to be the most eminent authority on the geography and history of ancient Asia Minor. At first he assumed that Luke’s writings were mainly a fabrication. But upon much more careful investigation, he came to an opposite conclusion. He wrote a book about Luke entitled, “The Beloved Physician”, in which he declared Luke to be one of the world’s greatest historians. And this is what he said after he took a more careful look, and I quote: “I take the view that Luke’s history is unsurpassed in regard to its trustworthiness. You may press the words of Luke in a degree beyond any other historian’s and they will stand the keenest scrutiny and the hardest treatment.”

(Sir William Ramsay pictured below,  March 1851 –  April 1939)

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Let me give you an example of what he’s talking about. In Luke 2:1-2, Luke states that the birth of Jesus was when Quirinius was the governor of Syria. And historians knew that Quirinius was governor A.D. 8 through 10. And yet, the Bible teaches that Jesus was born before the death of Herod. And Herod the Great died in 4 B.C. So, they say, “See there, the Bible is full of errors.” But as Sir William Ramsey continued to study, he found out that Quirinius was governor twice. The first time, when Jesus was born, and then he was governor again later. Isn’t that wonderful? But you see, those are the kind of things that somebody might read carelessly and say, “Well, the Bible is not the inspired Word of God.” But the more we do historical research, the more the Bible is confirmed.

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Do you remember the story about the handwriting on the wall that is found in the fifth chapter of Daniel? Belshazzar hosted a feast with a thousand of his lords and ladies. Suddenly, a gruesome hand appeared out of nowhere and began to write on a wall. The king was disturbed and asked for someone to interpret the writing. Daniel was found and gave the interpretation. After the interpretation, “Then commanded Belshazzar, and they clothed Daniel with scarlet, and put a chain of gold about his neck, and made a proclamation concerning him, that he should be the third ruler in the kingdom.” (Daniel 5:29). Basing their opinion on Babylonian records, the historians claim this never happened. According to the records, the last king of Babylon was not Belshazzar, but a man named Nabonidas. And so, they said, the Bible is in error. There wasn’t a record of a king named Belshazzar. Well, the spades of archeologists continued to do their work. In 1853, an inscription was found on a cornerstone of a temple built by Nabonidas, to the god Ur, which read: “May I, Nabonidas, king of Babylon, not sin against thee. And may reverence for thee dwell in the heart of Belshazzar, my first-born favorite son.” From other inscriptions, it was learned that Belshazzar and Nabonidas were co-regents. Nabonidas traveled while Belshazzar stayed home to run the kingdom. Now that we know that Belshazzar and Nabonidas were co-regents, it makes sense that Belshazzar would say that Daniel would be the third ruler. What a marvelous nugget of truth tucked away in the Word of God!

(‘Belshazzar’s Feast’ by Rembrandt, about 1635)

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Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

 The Bible and Archaeology – Is the Bible from God? (Kyle Butt)

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During the 1990′s I actually made it a practice to write famous atheists and scientists that were mentioned by Adrian Rogers and Francis Schaeffer and challenge them with the evidence for the Bible’s historicity and the claims of the gospel. Usually I would send them a cassette tape of Adrian Rogers’ messages “6 reasons I know the Bible is True,” “The Final Judgement,” “Who is Jesus?” and the message by Bill Elliff, “How to get a pure heart.”  I would also send them printed material from the works of Francis Schaeffer and a personal apologetic letter from me addressing some of the issues in their work. My second cassette tape that I sent to both Antony Flew and George Wald was Adrian Rogers’ sermon on evolution and here below you can watch that very sermon on You Tube.   Carl Sagan also took time to correspond with me about a year before he died. 

(Francis Schaeffer pictured below)

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Adrian Rogers pictured below

I have posted on Adrian Rogers’ messages on Evolution before but here is a complete message on it.

Evolution: Fact of Fiction? By Adrian Rogers

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Featured artist is Mel Ramos 

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Mel Ramos is a legend in Pop Art. In 1954, he begins to study at the Sacramento Junior College and at the Art Studio of California State University.

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Mel Ramos is a legend in Pop Art. In 1954, he begins to study at the Sacramento Junior College and at the Art Studio of California State University. By 1958 he had already taken a teaching position at Elk Grove High School and California State University. Firstly Ramos painted famous comic book figures, such as Batman and Superman, who embody a new genre in mass culture. These comic books served as an initial template for his work in the early sixties.

In 1963 Ramos took part in the exhibition “Pop Goes East” with his work of that time at the Contemporary Art Museum in Houston and in 1964 he opened his first solo exhibition in a New York gallery. Ramos became established as a leading representative in Pop Art, alongside well known artists such as Andy Warhol and Roy Lichtenstein.

In the mid sixties Ramos was occupied with the artistic representation of Pin Up girls and the depiction of adverts which used sensual femininity. What should be understood as a parody of the marketing strategy of the advertising industry that used feminine sexual attraction to influence consumer behaviour, later became a central theme of Ramos’ work. From then on cola bottles, cigarette packets and cheese pieces with sprawling Pin Up girls dominated his work.
The exhibition shows an extensive cross section of his graphic reproductions as well as some paintings and sculptures, including some of the most famous works of Pop Art.

The exhibition will be accompanied by a documentary by N-TV Art.

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The important Pop Artist Mel Ramos had dedicated his largest European retrospective to the World Cultural Heritage Site at the Völklingen Ironworks from 18th June to 8th January, 2012. It is arriving to the World Cultural Heritage Site at the Völklingen Ironworks directly from the Albertina in Vienna, before its return to the USA.

Alongside the 75th birthday of the Californian artist, the exhibition also marks the occasion of 50 years of the Pop Art movement. This representative cross-section of Ramos’s life’s work embraces paintings, conceptual sketches and sculptures.

Creative phases in the show are represented by major works: early paintings that take leave of Abstract Expressionism, the presentation of comic heroes and Wonder Women of the 1960s and of course his Commercial Pin-ups, for which, at the end of the 1960s, Ramos became garnered great renown. In the oil-painted satirical pastiches of brand advertising, pin-up girls nestle up to gigantic coke bottles, cigarette packets and cheese cubes.

The exhibition at the World Cultural Heritage Site at the Völklingen Ironworks is exhibiting the series A Salute to Art History, in which he imbued nude paintings by classical masters with the sex appeal of pop culture including views of the Californian landscape that no one but Ramos would refer to. In addition recent works such as the series Galatea and elements from his excursion into the world of sculpture feature in Mel Ramos’ retrospective at the World Cultural Heritage Site at the Völklingen Ironworks.

Mel Ramos is an American Pop artist best known for his female nudes painted alongside brand logos. Ramos’ pointed coupling of women with familiar products serves as a commentary on the ways in which modern culture has cast the female body as interchangeable with beauty and consumerism. Like Roy Lichtenstein and Andy Warhol, Ramos found imagery from comic books inspirational for his highly graphic style and grew up drawing the cartoons and characters from their pages. Born on July 24, 1935 in Sacramento, CA, Ramos studied art at Sacramento State College under the tutelage of his mentor and friend, Wayne Thiebaud, and where he earned both his BA and MA degrees. The painter and printmaker’s work is part of the collections at the Whitney Museum of American Art in New York, the San Francisco Museum of Modern Art, and the Museum of Contemporary Art in Los Angeles, among others. He currently lives and works in Oakland, CA and Spain.

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POSTCARD Mel Ramos Artist Man of Steel Pop Art 1962 Artwork Superman

Mel Ramos

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Wonder Woman by Mel Ramos

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Mel Ramos

From Wikipedia, the free encyclopedia
Mel Ramos
Mel Ramos 2007.JPG

Mel Ramos 2007
Born 24 July 1935 (age 79)
Sacramento, California
Nationality United States
Education Sacramento State College, M.A., 1958[1]
Known for Painting, Drawing, figurative painter
Movement Pop art
Awards National Endowment for the Arts – Visual Artist’s Fellowship Grant, 1986[1]

Mel Ramos (born July 24, 1935) is a U.S. figurative painter, specializing most often in paintings of female nudes, whose work incorporates elements of realist and abstract art. Born in Sacramento, California, to a first generation Portuguese-Azorean immigrant family, he gained his popularity as part of the Pop Art movement of the 1960s. Ramos is “best known for his paintings of superheroes and voluptuous female nudes emerging from cornstalks or Chiquita bananas, popping up from candy wrappers or lounging in martini glasses”.[2] He is also a retired university art professor.

Education[edit]

Ramos attended Sacramento Junior College and San Jose State College. One of his earliest art teachers was Wayne Thiebaud, who is considered his mentor, and who remains a friend. Ramos received his B.A. and his M.A. from Sacramento State College, finishing his education in 1958.[1]

Academic career[edit]

Ramos taught art at Elk Grove High School and Mira Loma High School in Sacramento from 1958 to 1966. After two brief college teaching assignments, he began a long career at California State University, East Bay in Hayward, California which lasted from 1966 to 1997, and where he is now Professor Emeritus. He has been Artist in Residence at Syracuse University and the University of Wisconsin.[1]

Marriage[edit]

Ramos married Leta Ramos in 1955, and she was the model for many of his early nude paintings.[1]

Art career[edit]

Mel Ramos – Exhibition in Crocker Art Museum, Sacramento, 2012

Ramos received his first important recognition in the early 1960s; since 1959 he has participated in more than 120 group shows. Along with Roy Lichtenstein and Andy Warhol, he was one of the first artists to do paintings of images from comic books, and works of the three were exhibited together at the Los Angeles County Museum of Art in 1963.[1] Along with Claes Oldenburg, James Rosenquist, Tom Wesselman and Wayne Thiebaud, Ramos produced art works that celebrated aspects of popular cultureas represented in mass media. His paintings have been shown in major exhibitions of Pop art in the U.S. and in Europe, and reproduced in books, catalogs, and periodicals throughout the world.

In 2009, Ramos was part of the first Portuguese American bilingual art book and exhibit in California “Ashes to Life a Portuguese American Story in Art” with fellow artists Nathan Oliveira, John Mattos and Joao de Brito.

Ramos has been represented by the Louis K. Meisel Gallery since 1971. He has also been represented for many years by San Francisco’s Modernism gallery and Galerie Ernst Hilger, Austria.

A major exhibition of his work was held at the Albertina in Vienna in 2011.[3][4]

A retrospective of over 50 years of his work opened at the Crocker Art Museum in his hometown of Sacramento on June 2, 2012.[1][2] This show is “the first major exhibition of his work in his hometown”, and his first American retrospective in 35 years.[5]

Image result for mel ramos art

References[edit]

  1. ^ Jump up to:a b c d e f g Shields, Scott A.; Johnathon Keats; Diana L. Daniels (2012). Mel Ramos: 50 Years of Superheroes, Nudes, and Other Pop Delights. San Francisco: Modernism, Inc. ISBN 978-09830673-2-0.
  2. ^ Jump up to:a b Dalkey, Victoria (June 3, 2012). “Mel Ramos retrospective at Sacramento’s Crocker Art Museum”. Sacramento Bee (Sacramento). Retrieved June 3, 2012.
  3. Jump up^ “MEL RAMOS: GIRLS, CANDIES & COMICS”. Albertina, Vienna. 2011. Retrieved June 3, 2012.
  4. Jump up^ Letze, Otto; Klaus Honnef; illustrated by Mel Ramos (2010). Mel Ramos: 50 Years of Pop Art. Berlin: Hatje Cantz. ISBN 9783775725316.
  5. Jump up^ “Crocker Art Museum presents first hometown survey for internationally acclaimed artist Mel Ramos”. ArtDaily. June 4, 2012. Retrieved June 3, 2012.

External links[edit]

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Woody Allen Bob Hope Tonight Show 1971

Woody Allen

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12/28/05 Match Point DW $23,151,529 512 $398,593 8 7
3/18/05 Melinda and Melinda FoxS $3,826,280 302 $74,238 1 37
9/19/03 Anything Else DW $3,212,310 1,033 $1,673,125 1,033 39
5/3/02 Hollywood Ending DW $4,850,753 772 $2,017,981 765 34
8/24/01 The Curse of the Jade Scorpion DW $7,517,191 909 $2,459,315 903 29
5/19/00 Small Time Crooks DW $17,266,359 886 $3,880,723 865 12
12/3/99 Sweet and Lowdown SPC $4,197,015 239 $94,686 3 35
11/20/98 Celebrity Mira. $5,078,660 493 $1,588,013 493 33
12/12/97 Deconstructing Harry FL $10,686,841 445 $356,476 10 19
12/6/96 Everyone Says I Love You Mira. $9,759,200 276 $131,678 3 27
10/27/95 Mighty Aphrodite Mira. $6,468,498 278 $326,494 19 31
10/21/94 Bullets Over Broadway Mira. $13,383,747 278 $86,072 2 15
8/18/93 Manhattan Murder Mystery TriS $11,330,911 337 $2,015,360 268 17
9/18/92 Husbands and Wives TriS $10,555,619 868 $3,520,550 865 22
3/20/92 Shadows and Fog Orion $2,735,731 288 $1,111,314 288 40
12/25/90 Alice Orion $7,331,647 325 $36,274 3 30
10/13/89 Crimes and Misdemeanors Orion $18,254,702 525 $911,385 66 10
3/3/89 New York Stories
(Oedipus Wrecks)
BV $10,763,469 514 $432,337 12
10/14/88 Another Woman Orion $1,562,749 24 $75,196 4 41
12/18/87 September Orion $486,434 15 $85,731 15 43
1/30/87 Radio Days Orion $14,792,779 488 $1,522,423 128 14
2/7/86 Hannah and Her Sisters Orion $40,084,041 761 $1,265,826 54 2
3/1/85 The Purple Rose of Cairo Orion $10,631,333 419 $114,095 3 20
1/27/84 Broadway Danny Rose Orion $10,600,497 613 $953,794 109 21
7/15/83 Zelig WB $11,798,616 245 $60,119 6 16
7/16/82 A Midsummer Night’s Sex Comedy WB $9,077,269 501 $2,514,478 501 28
9/26/80 Stardust Memories UA $10,389,003 $326,779 29 26
4/25/79 Manhattan MGM $39,946,780 $485,734 29 3
8/2/78 Interiors UA $10,432,366 n/a 25
4/20/77 Annie Hall UA $38,251,425 n/a 4
6/10/75 Love and Death UA $20,123,742 n/a 8
12/17/73 Sleeper UA $18,344,729 n/a 9
8/6/72 Everything You Always Wanted to Know About Sex, But Were Afraid to Ask UA $18,016,290 n/a 11
4/28/71 Bananas UA n/a n/a 45
8/18/69 Take the Money and Run CRC n/a n/a 44
11/2/66 What’s Up, Tiger Lily? AIP n/a n/a 46

Note: Titles in grey are cameo or bit parts and not counted in totals and averages.

Lifetime Gross Total (43): $589,996,726
Average: $13,720,854
Opening Gross Average (6): $2,884,545 (Wide Releases Only)

Adjusted for Ticket Price Inflation

Rank Title (click to view) Studio Adjusted Gross Unadjusted Gross Release
1 Annie Hall UA $145,972,900 $38,251,425 4/20/77
2 Manhattan MGM $135,437,100 $39,946,780 4/25/79
3 Hannah and Her Sisters Orion $91,394,300 $40,084,041 2/7/86
4 Everything You Always Wanted to Know About Sex, But Were Afraid to Ask UA $90,187,400 $18,016,290 8/6/72
5 Sleeper UA $88,199,800 $18,344,729 12/17/73
6 Love and Death UA $83,538,100 $20,123,742 6/10/75
7 Midnight in Paris SPC $60,442,900 $56,817,045 5/20/11
8 Crimes and Misdemeanors Orion $39,130,400 $18,254,702 10/13/89
9 Interiors UA $37,939,900 $10,432,366 8/2/78
10 Blue Jasmine SPC $36,057,700 $33,405,481 7/26/13
11 Stardust Memories UA $32,866,300 $10,389,003 9/26/80
12 Radio Days Orion $32,196,000 $14,792,779 1/30/87
13 Zelig WB $31,875,000 $11,798,616 7/15/83
14 Match Point DW $30,085,000 $23,151,529 12/28/05
15 Vicky Cristina Barcelona MGM/W $27,495,000 $23,216,709 8/15/08
16 Small Time Crooks DW $27,261,000 $17,266,359 5/19/00
17 Bullets Over Broadway Mira. $27,247,800 $13,383,747 10/21/94
18 Broadway Danny Rose Orion $26,848,300 $10,600,497 1/27/84
19 A Midsummer Night’s Sex Comedy WB $26,274,700 $9,077,269 7/16/82
20 The Purple Rose of Cairo Orion $25,485,200 $10,631,333 3/1/85
21 Manhattan Murder Mystery TriS $23,291,300 $11,330,911 8/18/93
New York Stories BV $23,072,300 $10,763,469 3/3/89
22 Husbands and Wives TriS $21,645,400 $10,555,619 9/18/92
23 Deconstructing Harry FL $19,391,300 $10,686,841 12/12/97
24 To Rome with Love SPC $18,222,000 $16,685,867 6/22/12
25 Everyone Says I Love You Mira. $18,093,900 $9,759,200 12/6/96
26 Alice Orion $14,819,100 $7,331,647 12/25/90
27 Scoop Focus $13,675,400 $10,525,717 7/28/06
28 Mighty Aphrodite Mira. $12,654,500 $6,468,498 10/27/95
29 The Curse of the Jade Scorpion DW $11,302,400 $7,517,191 8/24/01
30 Cafe Society LGF $11,103,200 $11,103,205 7/15/16
31 Magic in the Moonlight SPC $11,092,200 $10,539,326 7/25/14
32 Celebrity Mira. $9,215,200 $5,078,660 11/20/98
33 Hollywood Ending DW $7,105,000 $4,850,753 5/3/02
34 Sweet and Lowdown SPC $6,695,600 $4,197,015 12/3/99
35 Whatever Works SPC $6,053,000 $5,306,706 6/19/09
36 Shadows and Fog Orion $5,609,900 $2,735,731 3/20/92
37 Melinda and Melinda FoxS $5,079,800 $3,826,280 3/18/05
38 Anything Else DW $4,533,500 $3,212,310 9/19/03
39 Irrational Man SPC $4,152,000 $4,030,360 7/17/15
40 You Will Meet a Tall Dark Stranger SPC $3,462,800 $3,248,246 9/22/10
41 Another Woman Orion $3,341,400 $1,562,749 10/14/88
42 Cassandra’s Dream Wein. $1,153,200 $973,018 1/18/08
43 September Orion $1,058,700 $486,434 12/18/87

Note: Titles in grey are cameo or bit parts and not counted in totals and averages.

Adjusted Total: $1,328,685,700
Average: $30,899,700

Worldwide (Unadjusted)

Title (click to view) Studio Worldwide Domestic / % Overseas / % Year
Midnight in Paris SPC $151.1 $56.8 37.6% $94.3 62.4% 2011
Blue Jasmine SPC $97.5 $33.4 34.3% $64.1 65.7% 2013
Vicky Cristina Barcelona MGM/W $96.4 $23.2 24.1% $73.2 75.9% 2008
Match Point DW $85.3 $23.2 27.1% $62.2 72.9% 2005
To Rome with Love SPC $73.2 $16.7 22.8% $56.6 77.2% 2012
Magic in the Moonlight SPC $51.0 $10.5 20.7% $40.5 79.3% 2014
Cafe Society LGF $43.6 $11.1 25.4% $32.5 74.6% 2016
Scoop Focus $39.2 $10.5 26.8% $28.7 73.2% 2006
Whatever Works SPC $35.1 $5.3 15.1% $29.8 84.9% 2009
You Will Meet a Tall Dark Stranger SPC $34.3 $3.2 9.5% $31.0 90.5% 2010
Small Time Crooks DW $29.9 $17.3 57.7% $12.7 42.3% 2000
Irrational Man SPC $27.4 $4.0 14.7% $23.4 85.3% 2015
Cassandra’s Dream Wein. $22.7 $973k 4.3% $21.7 95.7% 2008
Melinda and Melinda FoxS $20.1 $3.8 19% $16.3 81% 2005
The Curse of the Jade Scorpion DW $18.9 $7.5 39.7% $11.4 60.3% 2001
Hollywood Ending DW $14.6 $4.9 33.3% $9.7 66.7% 2002
Anything Else DW $13.6 $3.2 23.6% $10.4 76.4% 2003
Sweet and Lowdown SPC $4.2 $4.2 100% n/a 0% 1999

Note: Titles in grey are cameo or bit parts and not counted in totals and averages.
Total: $858.2 million

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RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 119 Michael Tooley, Colorado Phil Dept, “If you are raised in India the probability you would have a vision of the Virgin Mary would not be very high where if you were raised in Spain it may be much higher. So what we know is that a person’s culture and the family in which he or she was raised has a real impact on the content of the experience”

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MUSIC MONDAY Rolling Stones album “Out of Our Heads”

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Out of Our Heads

From Wikipedia, the free encyclopedia
For the Sheryl Crow song, see Out of Our Heads (song).
Out of Our Heads
Out+of+Our+Heads+-UK-.jpg
Studio album by The Rolling Stones
Released 24 September 1965
Recorded 2 November 1964 – 6 September 1965
Genre
Length 29:36
Language English
Label Decca
Producer Andrew Loog Oldham
The Rolling Stones British chronology
The Rolling Stones No. 2
(1965)
Out of Our Heads
(1965)
Aftermath
(1966)
Professional ratings
Review scores
Source Rating
Allmusic 4.5/5 stars[1]
NME 7/10[2]

Out of Our Heads is the Rolling Stones‘ third British album and their fourth in the United States. It was released in 1965 through London Records in the US on 30 July 1965 (in both mono—catalogue number LL3429; and in stereo—PS429), and Decca Records in the UK on 24 September 1965 (mono—LK 4733; stereo—SKL 4733), with significant track listing differences between territories.

Music[edit]

Most of Out of Our Heads comprises rhythm and blues cover songs.[3] According to music critic Richie Unterberger, the album’s US release largely had soul covers and its “classic rock singles”, including “The Last Time”, “Play with Fire”, and “Satisfaction”, still drew on the band’s R&B and blues roots, but were updated to “a more guitar-based, thoroughly contemporary context.”[1] Kent H. Benjamin of The Austin Chronicle wrote that the album was “the culmination of the Stones’ early soul/R&B sound”[4] In his review of the album’s UK edition, Allmusic‘s Bruce Eder characterised it as rock and roll and R&B.[5]

Recording and releases[edit]

The British Out of Our Heads – with a different cover – added songs that would surface later in the US on December’s Children (And Everybody’s) and others that had not been released in the UK thus far (such as “Heart of Stone“) instead of the already-released live track and recent hit singles (as singles rarely featured on albums in the UK in those times). Issued later that September, Out of Our Heads reached No. 2 in the UK charts behind the BeatlesHelp!. It was The Rolling Stones’ last UK album to rely upon R&B covers; the forthcoming Aftermath was entirely composed by Mick Jagger and Keith Richards.

In August 2002 both the US and UK editions of Out of Our Heads were reissued in a new remastered CD and SACD digipak by ABKCO Records.[6]

Track listing[edit]

Side one
No. Title Writer(s) Length
1. She Said “Yeah” Sonny Bono, Roddy Jackson 1:34
2. Mercy, Mercy Don Covay, Ronnie Miller 2:45
3. Hitch Hike Marvin Gaye, Clarence Paul, William “Mickey” Stevenson 2:25
4. That’s How Strong My Love Is Roosevelt Jamison 2:25
5. Good Times Sam Cooke 1:58
6. “Gotta Get Away” Mick Jagger, Keith Richards 2:06
Side two
No. Title Writer(s) Length
7. Talkin’ ‘Bout You Chuck Berry 2:31
8. Cry to Me Bert Russell 3:09
9. “Oh, Baby (We Got a Good Thing Going)” (Originally released on The Rolling Stones, Now!) Barbara Lynn Ozen 2:08
10. Heart of Stone” (Originally released on The Rolling Stones, Now!) Mick Jagger, Keith Richards 2:50
11. “The Under Assistant West Coast Promotion Man” Nanker Phelge 3:07
12. I’m Free Mick Jagger, Keith Richards 2:24

American release[edit]

Out of Our Heads
RollingStonesOutofourHeadsalbumcover.jpg
Studio album by The Rolling Stones
Released 30 July 1965
Recorded 2 November 1964 – 12 May 1965
Genre Rock
Length 33:24
Language English
Label London
Producer Andrew Loog Oldham
The Rolling Stones American chronology
The Rolling Stones, Now!
(1965)
Out of Our Heads
(1965)
December’s Children (And Everybody’s)
(1965)
Singles from Out of Our Heads
  1. The Last Time” / “Play with Fire
    Released: 13 March 1965
  2. (I Can’t Get No) Satisfaction” / “The Spider and the Fly
    Released: 6 June 1965

Initially issued in July 1965 in the US Out of Our Heads (featuring a shot from the same photo session that graced the cover of 12 X 5 and The Rolling Stones No. 2) was a mixture of recordings made over a six-month period, including the Top 10 hit “The Last Time” and the worldwide number 1 “(I Can’t Get No) Satisfaction” with B-sides as well as a track from the UK-only live EP Got Live If You Want It!. Six songs would be included in the UK version of the album. “One More Try” is an original that was not released in the UK until 1971’s Stone Age. Riding the wave of “Satisfaction”‘s success, Out of Our Heads became The Rolling Stones’ first US No. 1 album, eventually going platinum.

In 2003 the US edition was listed as number 116 on the list of Rolling Stone’s 500 Greatest Albums of All Time.

Track listing[edit]

Nanker Phelge” was a pseudomyn used by the Stones for group compositions.

Side one
No. Title Writer(s) Length
1. Mercy, Mercy Don Covay, Ronnie Miller 2:45
2. Hitch Hike Marvin Gaye, Clarence Paul, William “Mickey” Stevenson 2:25
3. The Last Time Mick Jagger, Keith Richards 3:41
4. That’s How Strong My Love Is Roosevelt Jamison 2:25
5. Good Times Sam Cooke 1:58
6. “I’m All Right” (originally released on Got Live If You Want It! EP) Ellas McDaniel 2:25
Side two
No. Title Writer(s) Length
7. (I Can’t Get No) Satisfaction Jagger, Richards 3:42
8. Cry to Me Bert Russell 3:09
9. “The Under Assistant West Coast Promotion Man” Nanker Phelge 3:07
10. Play with Fire Phelge (Brian Jones, Jagger, Richards, Charlie Watts, Bill Wyman) 2:13
11. The Spider and the Fly Jagger, Richards 3:39
12. “One More Try” Jagger, Richards 1:58

Personnel[edit]

The Rolling Stones
Additional personnel

Chart positions[edit]

Album
Year Chart Position
1965 UK Top 20 Albums[7] 2
1965 Billboard 200[1] 1
1965 French SNEP Albums Charts[8] 7
Singles
Year Single Chart Position
1965 “The Last Time” UK Top 40 Singles[7] 1
1965 “(I Can’t Get No) Satisfaction” UK Top 40 Singles[7] 1
1965 “The Last Time” The Billboard Hot 100[9] 9
1965 “Play with Fire” The Billboard Hot 100[9] 96
1965 “(I Can’t Get No) Satisfaction” The Billboard Hot 100[9] 1
1965 “(I Can’t Get No) Satisfaction” Billboard R&B Singles[10] 19

Certifications[edit]

Country Provider Certification
(sales thresholds)
United States RIAA Platinum
Preceded by
Beatles VI by The Beatles
Billboard 200 number-one album
21 August – 10 September 1965
Succeeded by
Help! by The Beatles

References[edit]

  1. ^ Jump up to:a b c Allmusic review (US)
  2. Jump up^ “Review: Out of Our Heads”. NME. London: 46. 8 July 1995.
  3. Jump up^ Strickler, Yancey (2 April 2008). “The Rolling Stones, Out of Our Heads”. eMusic. Retrieved 5 July 2013.
  4. Jump up^ “Review: The Rolling Stones”. The Austin Chronicle. 13 December 2002. Retrieved 5 July 2013.
  5. Jump up^ Eder, Bruce. “Out of Our Heads [UK]”. Allmusic. Retrieved 5 July 2013.
  6. Jump up^ Walsh, Christopher (24 August 2002). “Super audio CDs: The Rolling Stones Remastered”. Billboard. Billboard. p. 27.
  7. ^ Jump up to:a b c http://www.everyhit.com/ Type in “rolling stones” under “Name of Artist”
  8. Jump up^ Tous les Albums classés par Artiste, Note : user must select The Rolling Stones in the list
  9. ^ Jump up to:a b c “The Rolling Stones – Chart History”. Billboard. Retrieved 26 March 2016.
  10. Jump up^ “Top Hip-Hop Songs / R&B Songs Chart”. Billboard. Retrieved 26 March 2016.

External links[edit]

 

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What Trump’s First 100 Days Might Mean for Education Policy

President-Elect Donald Trump has released his plans for his first 100 days in office. After outlining proposals for term limits, a trade war, and mass deportations, the plan includes the following paragraph on education policy:

School Choice And Education Opportunity Act. Redirects education dollars to give parents the right to send their kid to the public, private, charter, magnet, religious or home school of their choice. Ends common core, brings education supervision to local communities. It expands vocational and technical education, and make 2 and 4-year college more affordable.

The details are far from clear, but it appears that his education policy will focus on three areas:

1. School choice

Trump has the right instinct on school choice, but if he is planning to promote a national voucher program, then he’s going about it the wrong way. He has previously pledged to dedicate $20 billion in federal funds to school choice policies, and stated that he would “give states the option to allow these funds to follow the student to the public or private school they attend” as well as using federal carrots to get states to expand choice policies even further. Expanding educational opportunity is admirable, but using the federal government to do so is misguided. As David Boaz explained more than a decade ago in the Cato Handbook for Congress, the case against federal involvement in education:

is not based simply on a commitment to the original Constitution, as important as that is. It also reflects an understanding of why the Founders were right to reserve most subjects to state, local, or private endeavor. The Founders feared the concentration of power. They believed that the best way to protect individual freedom and civil society was to limit and divide power. Thus it was much better to have decisions made independently by 13–or 50–states, each able to innovate and to observe and copy successful innovations in other states, than to have one decision made for the entire country. As the country gets bigger and more complex, and especially as government amasses more power, the advantages of decentralization and divided power become even greater.

A federal voucher program would very likely lead to increased federal regulation of private schools over time, especially after a new administration takes over that is less friendly to the concept of school choice. As we’ve seen in some states, misguided regulations can severely undermine the effectiveness of school choice and induce a stifling conformity among schools. Moreover, as I’ve explained previously, those regulations are harder to block or repeal at the federal level than at the state level and their negative effects would be far more widespread:

When a state adopts regulations that undermine its school choice program, it’s lamentable but at least the ill effects are localized. Other states are free to chart a different course. However, if the federal government regulates a national school choice program, there is no escape. Moreover, state governments are more responsive to citizens than the distant federal bureaucracy. Citizens have a better shot at blocking or reversing harmful regulations at the state and local level rather than the federal level.

That said, the Trump administration can promote school choice in more productive and constitutionally sound ways. The federal government does have constitutional authority in Washington, D.C., where it currently operates the Opportunity Scholarship Program (OSP). The OSP should be expanded into a universal ESA that empowers all D.C. families to spend the funds on a wide variety of educational expenses in addition to private school tuition, including tutors, textbooks, online courses, curricular materials, and more, as well as save unused funds for later expenses, such as college. The Trump administration should explore similar options in areas where the federal government has jurisdiction, such as on Native American lands and military bases.

2. Common Core:

Yet again, Trump has the right instinct but the policy leaves much to be desired. Ending Common Core is a noble goal, but it is primarily a matter of state policy and at this point there is little the federal government can do about. As Neal McCluskey noted yesterday, “the main levers of [federal] coercion—the Race to the Top contest and waivers out of the No Child Left Behind Act—are gone.” The only way for the federal government to get rid of Common Core would be to engage in the same sort of unconstitutional federal coercion that critics of the Core opposed in the first place.

Nevertheless, the Trump administration could ease the path for states to ditch Common Core by merely refraining from using its authority under Every Student Succeeds Act (ESSA) to dictate state policy. As Neal explained:

What [Trump] can do—and I think, along with a GOP Congress, will do—is ensure that regulations to implement the ESSA do not coerce the use of the Core or any other specific standards or tests. This has been a real concern. While the spirit and rhetoric surrounding the ESSA is about breaking down federal strictures, the Obama education department has been drafting regulations that threaten federal control over funding formulas and accountability systems. And the statute includes language vague enough that it could allow federal control by education secretary veto. A Trump administration would likely avoid that.

3. College and Vocational Education

Here is where Trump’s plan is the murkiest. He wants to “expand” vocational education and make college “more affordable” but he does not explain how. His campaign website provideslittle more in terms of details:

  • Work with Congress on reforms to ensure universities are making a good faith effort to reduce the cost of college and student debt in exchange for the federal tax breaks and tax dollars.
  • Ensure that the opportunity to attend a two or four-year college, or to pursue a trade or a skill set through vocational and technical education, will be easier to access, pay for, and finish.

These vague bromides could just as easily have appeared on Hillary Clinton’s campaign website, which states:

  • Every student should have the option to graduate from a public college or university in their state without taking on any student debt. By 2021, families with income up to $125,000 will pay no tuition at in-state four-year public colleges and universities. And from the beginning, every student from a family making $85,000 a year or less will be able to go to an in-state four-year public college or university without paying tuition.
  • All community colleges will offer free tuition.
  • Everyone will do their part. States will have to step up and invest in higher education, and colleges and universities will be held accountable for the success of their students and for controlling tuition costs.

So how will Trump try to expand vocational education and make college more affordable? It’s not clear. Ideally, Trump should work to phase out the various federal loan programs and higher ed subsidies that a mountain of research has shown are fueling rapid tuition inflation. Unfortunately, Trump has previously proposed an income-based student loan repayment plan. Such a policy could assist borrowers in repaying loans, but it would still create perverse incentives that fuel tuition inflation and overconsumption of higher ed while leaving the taxpayer on the hook for whatever the borrower couldn’t repay. When a student takes out a $35,000 loan to pursue a degree in puppeteering and then surprisingly can’t find a decent-paying job, taxpayers would pick up the tab.

At this point, it’s not clear what Trump will do about education policy. His education proposals are vague and somewhat disconcerting, but there is also evidence that he wants to move in the right direction, particularly regarding school choice and a reduced federal role in K-12 education. What Trump needs now is a set of good advisers to help guide his commendable education policy instincts toward wise and effective policy.

 

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