RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! PART 160 Part R (It was my privilege to correspond with Charles Darwin’s grandson, the eminent professor Dr. Horace Barlow, Neuroscience, Cambridge, December 8, 1921-July 5, 2020) n the 18th letter I respond to the comment by Charles Darwin: “My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive….The loss of these tastes is a loss of happiness.”

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I found Dr. Barlow to be a true gentleman and he was very kind to take the time to answer the questions that I submitted to him. In the upcoming months I will take time once a week to pay tribute to his life and reveal our correspondence. In the first week I noted:

 Today I am posting my first letter to him in February of 2015 which discussed Charles Darwin lamenting his loss of aesthetic tastes which he blamed on Darwin’s own dedication to the study of evolution. In a later return letter, Dr. Barlow agreed that Darwin did in fact lose his aesthetic tastes at the end of his life.

In the second week I look at the views of Michael Polanyi and share the comments of Francis Schaeffer concerning Polanyi’s views.

In the third week, I look at the life of Brandon Burlsworth in the November 28, 2016 letter and the movie GREATER and the problem of evil which Charles Darwin definitely had a problem with once his daughter died.

On the 4th letter to Dr. Barlow looks at Darwin’s admission that he at times thinks that creation appears to look like the expression of a mind. Francis Schaeffer discusses Darwin’s own words in 1968 sermon at this link.

My Fifth Letter concerning Charles Darwin’s views on MORAL MOTIONS Which was mailed on March 1, 2017. Francis Schaeffer discusses Darwin’s own words concerning moral motions in Schaeffer’s 1968 sermon at this link.

6th letter on May 1, 2017 in which Charles Darwin’s hopes are that someone would find in Pompeii an old manuscript by a distinguished Roman that would show that Christ existed! Francis Schaeffer discusses Darwin’s own words concerning the possible manuscript finds in Schaeffer’s 1968 sermon at this link  

7th letter on Darwin discussing DETERMINISM  dated 7-1-17 . Francis Schaeffer discusses Darwin’s own words concerning determinism in Schaeffer’s 1968 sermon at this link.

8th letter responds to Dr. Barlow’s letter to me concerning  Francis Schaeffer discussing Darwin’s own words concerning chance in Schaeffer’s 1968 sermon at this link.

9th letter in response to 11-22-17 letter I received from Professor Horace Barlow was mailed on 1-2-18 and included Charles Darwin’s comments on William Paley. Francis Schaeffer discusses Darwin’s own words concerning William Paley in Schaeffer’s 1968 sermon at this link.

10th letter in response to 11-22-17 letter I received from Professor Horace Barlow was mailed on 2-2-18 and includes Darwin’s comments asking for archaeological evidence for the Bible! Francis Schaeffer discusses Darwin’s own words concerning His desire to see archaeological evidence supporting the Bible’s accuracy  in Schaeffer’s 1968 sermon at this link.

11th letter I mailed on 3-2-18  in response to 11-22-17 letter from Barlow that asserted: It is also sometimes asked whether chance, even together with selection, can define a “MORAL CODE,” which the religiously inclined say is defined by their God. I think the answer is “Yes, it certainly can…” Francis Schaeffer discusses Darwin’s own words concerning A MORAL CODE in Schaeffer’s 1968 sermon at this link.

12th letter on March 26, 2018 breaks down song DUST IN THE WIND “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

In 13th letter I respond to Barlow’s November 22, 2017 letter and assertion “He {Darwin} clearly did not lose his sense of the VALUE of TRUTH, and of the importance of FOREVER SEARCHING it out.”

In 14th letter to Dr. Barlow on 10-2-18, I assert: “Let me demonstrate how the Bible’s view of the origin of life fits better with the evidence we have from archaeology than that of gradual evolution.”

In 15th letter in November 2, 2018 to Dr. Barlow I quote his relative Randal Keynes Who in the Richard Dawkins special “The Genius of Darwin” makes this point concerning Darwin, “he was, at different times, enormously confident in it,
and at other times, he was utterly uncertain.”

In 16th Letter on 12-2-18 to Dr. Barlow I respond to his letter that stated, If I am pressed to say whether I think belief in God helps people to make wise and beneficial decisions I am bound to say (and I fear this will cause you pain) “No, it is often very disastrous, leading to violence, death and vile behaviour…Muslim terrorists…violence within the Christian church itself”
17th letter sent on January 2, 2019 shows the great advantage we have over Charles Darwin when examining the archaeological record concerning the accuracy of the Bible
In the 18th letter I respond to the comment by Charles Darwin: “My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive….The loss of these tastes is a loss of happiness.” Francis Schaeffer discusses Darwin’s own words on his loss of aesthetic tastes  in Schaeffer’s 1968 sermon at this link.

Horace Barlow pictured below:

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

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Summerfieldlab @summerfeildlab

Horace Barlow was extraordinary. I heard him speak in Durham in 2017, where he was invited to give the opening remarks. Instead, he gave a 1h lecture comprisingly mostly new ideas (at the sprightly age of 96). Our field is diminished by his loss.

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XXXX February 2, 2019 impressionism, art has moved more and more towards fragmentation. Schaeffer asserted, “In great art the technique fits the worldview being presented, and fragmentation or abstraction well fits the worldview of modern man.” Darwin himself lost taste for paintings and poetry and beautiful name and felt he was becoming a machine

February 2, 2019

Dr. Horace Barlow, Department of Physiology, Development and Neuroscience, University of Cambridge, Downing Street,Physiological Laboratory, Cambridge United Kingdom,

Dear Dr. Barlow,

Back in 1981, I had the opportunity to visit 20 countries in Europe on a student tour bus with 4 other men and 42 ladies. When I was in big cities like Rome, Paris, Athens and Berlin, there were 13 ladies who wanted me to walk with their group since many men in those towns would come up and ask them for a kiss, and they would respond, “I am with Everette!!!.” I think I was a legend in those towns because the men were under the false impression I had 13 girlfriends.

During that trip to Europe it was my practice to visit art museums. I had spent a lot of my time in the previous years reading up on artworks after I was introduced to the films and books of Francis Schaeffer. Francis Schaeffer noted that since impressionism, art has moved more and more towards fragmentation. Schaeffer asserted, “In great art the technique fits the worldview being presented, and fragmentation or abstraction well fits the worldview of modern man.” This is a modern worldview that is shaped by the world of time and chance that Charles Darwin introduced us to in 1858. Actually this new worldview affected Darwin personally.

Take a look at Darwin’s own words:

I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did. On the other hand, novels which are works of the imagination, though not of a very high order, have been for years a wonderful relief and pleasure to me, and I often bless all novelists. A surprising number have been read aloud to me, and I like all if moderately good, and if they do not end unhappily—against which a law ought to be passed. A novel, according to my taste, does not come into the first class unless it contains some person whom one can thoroughly love, and if a pretty woman all the better. This curious and lamentable loss of the higher æsthetic tastes is all the odder, as books on history, biographies, and travels (independently of any scientific facts which they may contain), and essays on all sorts of subjects interest me as much as ever they did. My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive….The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.

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Charles Darwin (1809-1882) pictured above

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Francis Darwin (1848-1925) pictured above

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Francis Schaeffer (1912-1984)

Francis Schaeffer commented:

This is the old man Darwin writing at the end of his life. What is saying here is the further he has gone on with his studies the more he has seen himself reduced to a machine as far as aesthetic things are concerned. We go through this we find that his struggles and my sincere conviction is that he never came to the logical conclusion of his own position, but he nevertheless in the death of the higher qualities as he calls them, art, music, poetry, and so on, what he had happen to him was his own theory was producing this in his own self just as his theories a hundred years later have produced this in our culture. I don’t think you can hold the evolutionary position as he held it without becoming a machine. What has happened to Darwin personally is merely a forerunner to what occurred to the whole culture as it has fallen in this world of pure material, pure chance and later determinism. Here he is in a situation where his mannishness has suffered in the midst of his own position.

Let me challenge you to go to You Tube and watch the 26 minute film HOW SHOULD WE THEN LIVE? AGE OF FRAGMENTATION.

Thank you for your time. I hope all is well with you.

Sincerely,

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, 13900 cottontail lane, Alexander, AR 72002 United States

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There are 3 videos in this series and they have statements by 150 academics and scientists and I hope to respond to all of them. Wikipedia notes Horace Basil Barlow FRS was a British visual neuroscientist.

Barlow was the son of the civil servant Sir Alan Barlow and his wife Lady Nora (née Darwin), and thus the great-grandson of Charles Darwin (see Darwin — Wedgwood family). He earned an M.D. at Harvard University in 1946.

In 1953 Barlow discovered that the frog brain has neurons which fire in response to specific visual stimuli. This was a precursor to the work of Hubel and Wiesel on visual receptive fields in the visual cortex. He has made a long study of visual inhibition, the process whereby a neuron firing in response to one group of retinal cells can inhibit the firing of another neuron; this allows perception of relative contrast.

In 1961 Barlow wrote a seminal article where he asked what the computational aims of the visual system are. He concluded that one of the main aims of visual processing is the reduction of redundancy. While the brightnesses of neighbouring points in images are usually very similar, the retina reduces this redundancy. His work thus was central to the field of statistics of natural scenes that relates the statistics of images of real world scenes to the properties of the nervous system.

Barlow and his co-workers also did substantial work in the field of factorial codes. The goal was to encode images with statistically redundant components or pixels such that the code components are statistically independent. Such codes are hard to find but highly useful for purposes of image classification etc.

Barlow was a fellow of Trinity College, University of Cambridge. He was elected a Fellow of the Royal Society in 1969 and was awarded their Royal Medal in 1993.[1] He received the 1993 Australia Prize for his research into the mechanisms of visual perception and the 2009 Swartz Prize for Theoretical and Computational Neuroscience from the Society for Neuroscience.

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His comments can be found on the 3rd video and the 128th clip in this series. Below the videos you will find his words.

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

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Interview of Horace Barlow – part 1

Published on Jun 18, 2014

Interviewed and filmed by Alan Macfarlane on 5 March 2012

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Interview of Horace Barlow – part 2

Horace Barlow’s quote taken from interview with Alan Macfarlane:

HAS RELIGION EVER BEEN IMPORTANT TO YOU? IS IT IMPORTANT TO YOU? No, it is not important to me. Saying you don’t believe in God is a very foolish thing to say as it doesn’t explain why so many people talk about it, there has got to be more to it than that; also I think one has to respect what some godly people say and some of the things they do; I wish one could make more sense of it but I don’t think the godly people have done a very good job; I was never baptized or confirmed so have never been a practitioner, and I don’t miss it; DO YOU THINK THAT SCIENCE HAS DIS-PROVEN RELIGION AS DAWKINS ARGUES? I think it [science] provides some hope of acting rationally to handle the social and political problems we have to deal with on a personal level and one a worldwide level. Religion is a way of perpetuating a way of thought that might have otherwise been lost, and I imagine that is fine.   

Dr. Barlow’s only three solid claims in this response to Alan Macfarlane is that science is #1 the best help today with our social problems,(which is in the original clip), #2 Saying you don’t believe in God (position of atheism) is foolish, and #3 we need an explanation for why so many people talk about [God.]

My response to #1 is to look at how the secular humanists have messed up so many things in the past and I include Barlow’s personal family friend Margaret Mead in that. My responses to #2 and #3 were both covered in my earlier response to Roald Hoffmann

(Roald Hoffmann is a Nobel Prize winner who I have had the honor of corresponding with in the past. Pictured below)

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(This July 1933 photo shows [left to right] anthropologist Gregory Bateson with Margaret Mead)

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Horace Barlow’s words  from interview conducted by Alan Macfarlane:

I don’t ever remember going to Bateson’s house in Granchester as a child; William Bateson’s wife was a friend of my mother’s; when Gregory Bateson was out in Bali he met Margaret Mead; Beatrice Bateson, his mother, felt she was too old to go out and inspect her so she sent my mother instead; she flew off in an Imperial Airlines plane and we saw her off from Hendon; that must have been 1937-8; my mother got on very well with Margaret Mead – she was not altogether convinced by her, but very impressed by her breadth of knowledge and energy; she came and stayed with us many times; I was even more sceptical than my mother and thought she was a very impressive person; Gregory was born 1904 and my mother, in 1886, so there was quite a big age difference between them; I never got on close intellectual terms with Gregory even though we were to some extent interested in the same sort of thing, both in cybernetics and psychology, and his ideas were always interesting; however, my model of a scientist was taken from my mother and not from Gregory; my mother was interested in genetics and the paper for which she was famous was on the reproductive system in plants like cowslips; my mother reasoned like a scientist whereas Gregory was a guru – he liked to think things out for himself; he obviously influenced many others too; I saw him once or twice when I went to Berkeley

Postscript:

I was sad to see that Jon Stewart is stepping down from the DAILY SHOW so I wanted to include one of the best clips I have ever seen on his show and it is a short debate between the brilliant scientists  Edward J. Larson (an evolutionist), William A. Dembski (an Intelligent Design Proponent), and then he threw in a nutball in for laughs,  Ellie Crystal (a metaphysical theorist). Dembski gives several great examples of design and it reminded me of many of the words of Darwin show above in my letter to Horace Barlow.

William Dembski on The Jon Stewart Show

Uploaded on Nov 15, 2010

Wednesday September 14, 2005 – Jon Stewart’s “Evolution, Schmevolution” segment with panelists Edward J. Larson (an evolutionist), William A. Dembski (an Intelligent Design Proponent), and Ellie Crystal (a metaphysical theorist).

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 41 Sarvepalli Radhakrishnan (Featured artist is Marina Abramović)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 40 Timothy Leary (Featured artist is Margaret Keane)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 39 Tom Wolfe (Featured artist is Richard Serra)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 38 Woody Allen and Albert Camus “There is but one truly serious philosophical problem, and that is suicide” (Feature on artist Hamish Fulton Photographer )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 37 Mahatma Gandhi and “Relieving the Tension in the East” (Feature on artist Luc Tuymans)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 36 Julian Huxley:”God does not in fact exist, but act as if He does!” (Feature on artist Barry McGee)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 35 Robert M. Pirsig (Feature on artist Kerry James Marshall)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 34 Aleksandr Solzhenitsyn (Feature on artist Shahzia Sikander)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 33 Aldous Huxley (Feature on artist Matthew Barney )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 32 Steven Weinberg and Woody Allen and “The Meaningless of All Things” (Feature on photographer Martin Karplus )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 31 David Hume and “How do we know we know?” (Feature on artist William Pope L. )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 30 Rene Descartes and “How do we know we know?” (Feature on artist Olafur Eliasson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 29 W.H. Thorpe and “The Search for an Adequate World-View: A Question of Method” (Feature on artist Jeff Koons)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 28 Woody Allen and “The Mannishness of Man” (Feature on artist Ryan Gander)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 27 Jurgen Habermas (Featured artist is Hiroshi Sugimoto)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 26 Bettina Aptheker (Featured artist is Krzysztof Wodiczko)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 25 BOB DYLAN (Part C) Francis Schaeffer comments on Bob Dylan’s song “Ballad of a Thin Man” and the disconnect between the young generation of the 60’s and their parents’ generation (Feature on artist Fred Wilson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 24 BOB DYLAN (Part B) Francis Schaeffer comments on Bob Dylan’s words from HIGHWAY 61 REVISITED!! (Feature on artist Susan Rothenberg)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 23 BOB DYLAN (Part A) (Feature on artist Josiah McElheny)Francis Schaeffer on the proper place of rebellion with comments by Bob Dylan and Samuel Rutherford

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 22 “The School of Athens by Raphael” (Feature on the artist Sally Mann)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 21 William B. Provine (Feature on artist Andrea Zittel)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 20 Woody Allen and Materialistic Humanism: The World-View of Our Era (Feature on artist Ida Applebroog)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 19 Movie Director Luis Bunuel (Feature on artist Oliver Herring)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 18 “Michelangelo’s DAVID is the statement of what humanistic man saw himself as being tomorrow” (Feature on artist Paul McCarthy)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 17 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part C (Feature on artist David Hockney plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 16 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part B (Feature on artist James Rosenquist plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 15 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part A (Feature on artist Robert Indiana plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 14 David Friedrich Strauss (Feature on artist Roni Horn )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 13 Jacob Bronowski and Materialistic Humanism: The World-View of Our Era (Feature on artist Ellen Gallagher )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 12 H.J.Blackham and Materialistic Humanism: The World-View of Our Era (Feature on artist Arturo Herrera)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 11 Thomas Aquinas and his Effect on Art and HOW SHOULD WE THEN LIVE? Episode 2: THE MIDDLES AGES (Feature on artist Tony Oursler )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 10 David Douglas Duncan (Feature on artist Georges Rouault )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 9 Jasper Johns (Feature on artist Cai Guo-Qiang )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 8 “The Last Year at Marienbad” by Alain Resnais (Feature on artist Richard Tuttle and his return to the faith of his youth)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 7 Jean Paul Sartre (Feature on artist David Hooker )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 6 The Adoration of the Lamb by Jan Van Eyck which was saved by MONUMENT MEN IN WW2 (Feature on artist Makoto Fujimura)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 5 John Cage (Feature on artist Gerhard Richter)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 4 ( Schaeffer and H.R. Rookmaaker worked together well!!! (Feature on artist Mike Kelley Part B )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 3 PAUL GAUGUIN’S 3 QUESTIONS: “Where do we come from? What art we? Where are we going? and his conclusion was a suicide attempt” (Feature on artist Mike Kelley Part A)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 2 “A look at how modern art was born by discussing Monet, Renoir, Pissaro, Sisley, Degas,Cezanne, Van Gogh, Gauguin, Seurat, and Picasso” (Feature on artist Peter Howson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 1 HOW SHOULD WE THEN LIVE? “The Roman Age” (Feature on artist Tracey Emin)

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