RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! PART 160 Part E (It was my privilege to correspond with Charles Darwin’s grandson, the eminent professor Dr. Horace Barlow, Neuroscience, Cambridge, December 8, 1921-July 5, 2020) My 5th letter concerning Charles Darwin’s on MORAL MOTIONS

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I found Dr. Barlow to be a true gentleman and he was very kind to take the time to answer the questions that I submitted to him. In the upcoming months I will take time once a week to pay tribute to his life and reveal our correspondence. In the first week I noted:

 Today I am posting my first letter to him in February of 2015 which discussed Charles Darwin lamenting his loss of aesthetic tastes which he blamed on Darwin’s own dedication to the study of evolution. In a later return letter, Dr. Barlow agreed that Darwin did in fact lose his aesthetic tastes at the end of his life.

In the second week I look at the views of Michael Polanyi and share the comments of Francis Schaeffer concerning Polanyi’s views.

In the third week, I look at the life of Brandon Burlsworth in the November 28, 2016 letter and the movie GREATER and the problem of evil which Charles Darwin definitely had a problem with once his daughter died.

On the 4th letter to Dr. Barlow looks at Darwin’s admission that he at times thinks that creation appears to look like the expression of a mind. Francis Schaeffer discusses Darwin’s own words in 1968 sermon at this link.

My Fifth Letter concerning Charles Darwin’s views on MORAL MOTIONS Which was mailed on March 1, 2017. Francis Schaeffer discusses Darwin’s own words concerning moral motions in Schaeffer’s 1968 sermon at this link.

——

Horace Barlow pictured below:

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

Image result for harry kroto

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Tribute for Horace Barlow:

Horace started thinking about signals, noise and perceptual judgements when as an undergraduate he presented a new paper to a discussion group. The landmark study of Hecht, Shlaer and Pirenne demonstrated that the absolute threshold of human vision is limited by noise: quantal fluctuations whose effects can be determined psychophysically
by testing the predictions of statistical models. Horace also discussed the problem of signal and noise in the
Ratio Club (it was one of their chosen topics), especially with his Cambridge colleague Tommy Gold (later Professor of Astronomy at Cornell University). After his experiments on frog retina, Horace revisited Hecht et al. with a penetrating statistical analysis of published data. He found that the number of quantal events required to reach threshold is elevated by the presence of background noise that he attributed to the thermal activation
of visual pigment molecules. This novel conclusion was confirmed a quarter of
a century later by recording from rods. His theoretical findings prompted Horace to consider that “thresholds are efficient statistical judgements of constant fallibility”, and he quickly confirmed
this more general principle with new psychophysical experiments.
Horace’s scientific approach, to try
to understand the principles guiding brain function, was uncommon among physiologists. His 1961 paper on ‘Possible principles underlying the transmission of sensory messages’ (in Sensory Communication, W.D. Keidel, U.O. Keidel, M.E. Wigand and W.A. Rosenblith, eds) opens with, “a wing would be a most mystifying structure
if one did not know that birds flew”. Horace argued that we need first to understand the goals of the system
to avoid being buried in a mass of irrelevant neurophysiological and neuroanatomical details while missing crucial observations. He reasoned
that, because neurons have limited representational capacity, they should economise on impulses by forming efficient representations. According to information theory, this can be achieved by eliminating redundancy using lateral inhibition and adaptation, and because both are observed in retina this must be a goal of early sensory processing. Two decades later, Barlow’s efficient coding hypothesis was validated. This prompted a new round of theory, measurements
The young Horace Barlow (bottom right) in May 1952, together with members and guests of the Ratio Club, outside Peterhouse College, Cambridge: Back row (partly obscured): H. Shipton, J. Bates, W.E. Hick, J. Pringle, D. Sholl, J. Westcott and D. Mackay. Middle row: G. Brindley, T. McLardy. W.R. Ashby, T. Gold and A. Uttley. Front row: A. Turing, G. Sutton, W. Rushton, G. Dawson and H. Barlow.
ll
and experiments, which explained the function of mechanisms in the earlier stages of vision, olfaction and audition. Efficiency and ‘the economy of impulses’ continue to guide our understanding of neural codes at all levels.
Horace’s approach was intrinsically interdisciplinary, a popular buzzword in modern grant writing but less usual in his day. He looked for guiding principles of brain function without undue concern whether his supporting data came from psychophysics or physiology, humans or animals, vertebrates or invertebrates. He was always trying — and usually succeeding — to merge detailed observations into the big picture of brain function, following the example of his famous great-grandfather. He was very much a ‘hands-on’ scientist, in
the Cambridge mould: he never led a large research group nor took on many graduate students. That was not his style. He led by example, and his example
was highly influential. There are very few sensory neuroscientists who would claim not to have been influenced by Horace’s work, one way or the other.
Horace never stopped trying to understand the brain. During his own Festschrift in 1987 he gave the most interesting and original talk of the workshop. Following his major theme
of how the brain maximises efficiency, he advanced a novel explanation for ‘adaptation’ (the fact that cells reduce firing rate after repeated excitation), suggesting that it is a complex phenomenon serving to ‘decorrelate’ sensory input, reducing inherent redundancy to take full advantage of the limited dynamic range of neurons. This changed the way many people thought about adaptation and again led to new lines of research.
The ideas of redundancy and correlated activity of sensory pathways also underlie his highly influential paper on ‘Unsupervised learning’ (Neural Comput. (1989) 1, 295–311). This paper was one of the first to draw attention to the importance of unsupervised learning as opposed to supervised or reinforced learning. Unsupervised learning is about how a nervous system (or indeed artificial intelligence) recognises ‘statistical regularities’, or patterns in its inputs,
and is of fundamental importance
for understanding the cortex. Horace connected old ideas, such as Tolman’s ‘cognitive maps’ and Craik’s ‘working models’, with modern concepts of entropy, concluding that redundancy
in sensory signals provides the knowledge incorporated in those maps. Such knowledge enables unexpected

.

1Professor of Physiological Psychology at the
2 University of Florence, Florence, Italy. Emeritus
Professor of Neurobiology at Cambridge University, Cambridge, UK.
E-mail: dcb492@gmail.com (D.B.); sl104@cam.ac.uk (S.L.

XXXXXXXXXXXXXx Fifth Letter

MORAL MOTIONS CSICOP 2 more letters after this letter, March 1, 2017

 

 

March 1, 2017

Dr. Horace Barlow, Department of Physiology, Development and Neuroscience, University of Cambridge, Downing Street,Physiological Laboratory, Cambridge  CB2 3EG, United Kingdom,

Dear Dr. Barlow,

When I read the book  Charles Darwin: his life told in an autobiographical chapter, and in a selected series of his published letters, I also read  a commentary on it by Francis Schaeffer and I wanted to both  quote some of Charles Darwin’s own words to you and then include the comments of Francis Schaeffer on those words. I have also enclosed a CD with two messages from Adrian Rogers and Bill Elliff concerning Darwinism.

Bill Elliff and Adrian Rogers pictured below:

Image result for bill elliff summit church

_

Image result for adrian rogers

The passages which here follow are extracts, somewhat abbreviated, from a part of the Autobiography, written in 1876, in which my father (Charles, this book was put together by Francis Darwin) gives the history of his religious views:—

CHARLES DARWIN’S WORDS:

But now the grandest scenes would not cause any such convictions  and feelings to rise in my mind. It may be truly said that I am like a man who has become colour-blind and the universal belief by men of the existence of redness makes my present loss of perception of not the least value as evidence. This argument would be a valid one if all men of all races had the same inward conviction of the existence of one God; but we know that this is very far from being the case. Therefore I cannot see that such inward convictions and feelings are of any weight as evidence of what really exists. The state of mind which grand scenes formerly excited in me, and which was intimately connected with a belief in God, did not essentially differ from that which is often called the sense of sublimity; and however difficult it may be to explain the genesis of this sense, it can hardly be advanced as an argument for the existence of God, any more than the powerful though vague and similar feelings excited by music.

Image result for francis schaeffer

Francis Schaeffer observed:

You notice that Darwin had already said he had lost his sense of music [appreciation]. However, he brings forth what I think is a false argument. I usually use it in the area of morality. I mention that materialistic anthropologists point out that different people have different moral [systems]  and this is perfectly true, but what the materialist anthropologist can never point out is why man has a sense of moral motion and that is the problem here. Therefore, it is perfectly true that men have different concepts of God and different concepts of moral motion, but Darwin himself is not satisfied in his own position and WHERE DO THEY [MORAL MOTIONS] COME FROM AT ALL? So you are wrestling with the same dilemma here in this reference as you do in the area of all things human. For these men it is not the distinction that raises the problem, but it is the overwhelming factor of the existence of the humanness of man, the mannishness of man. The simple fact is he saw that you are shut up to either God or chance, and he said basically “I don’t see how it could be chance” and at the same time he looks at a mountain or listens to a piece of music it is a testimony that really chance isn’t sufficient enough. So gradually with the sensitivity of his own inborn self conscience he kills it. He deliberately  kills the beauty so it doesn’t argue with his theory. Maybe I am being false to Darwin here. Who can say about Darwin’s subconscious thoughts? It seems to me though this is exactly the case. What you find is a man who can’t stand the argument of the external beauty and the mannishness of man so he just gives it up in this particular place.

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Let make 2 points here. First, the Bible teaches that everyone knows in their heart that God exists because of the beauty of God’s creation and the conscience that God has planted in everyone’s heart (Romans 1).

Second, all humans have moral motions.

 Francis Schaffer in his book THE GOD WHO IS THERE addresses these same issues:

“[in Christianity] there is a sufficient basis for morals. Nobody has ever discovered a way of having real “morals” without a moral absolute. If there is no moral absolute, we are left with hedonism (doing what I like) or some form of the social contract theory (what is best for society as a a hole is right). However, neither of these alternative corresponds to the moral motions that men have. Talk to people long enough and deeply enough, and you will find that they consider some things are really right and something are really wrong. Without absolutes, morals as morals cease to exist, and humanistic mean starting from himself is unable to find the absolute he needs. But because the God of the Bible is there, real morals exist. Within this framework I can say one action is right and another wrong, without talking nonsense.” 117

Now back to my first point, concerning ROMANS CHAPTER ONE. It has been found that when atheists are asked with a polygraph machine if they believe in God and  they so “NO” the polygraph indicates they are lying. Claude Brown actually tested this with over 15,000 job applicants over a long period of time in his trucking line during the 1970’s and most of the 1980’s.   

Romans 1:18-19 (Amplified Bible) ” For God’s wrath and indignation are revealed from heaven against all ungodliness and unrighteousness of men, who in their wickedness REPRESS and HINDER the truth and make it inoperative. For that which is KNOWN about God is EVIDENT to them and MADE PLAIN IN THEIR INNER CONSCIOUSNESS, because God  has SHOWN IT TO THEM,”(emphasis mine). At the 37 minute mark on the CD that I sent you today Adrian Rogers noted, “”There is no such thing anywhere on earth as a true atheist. If a man says he doesn’t believe in God, then he is lying. God has put his moral consciousness into every man’s heart, and a man has to try to kick his conscience to death to say he doesn’t believe in God.”

ROMANS CHAPTER ONE IS RIGHT WHEN IT SAYS THAT GOD PUT THAT CONSCIENCE IN EVERYONE’S HEART THAT BEARS WITNESS THAT HE CREATED THEM FOR A PURPOSE AND THAT IS WHY THE VAST MAJORITY OF PEOPLE IN THE WORLD ARE ATTEMPTING TO SEEK OUT GOD!!!!

I sent you a CD that starts off with the song DUST IN THE WIND by Kerry Livgren of the group KANSAS which was a hit song in 1978 when it rose to #6 on the charts because so many people connected with the message of the song. It included these words, “All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”

(Rock group KANSAS playing DUST IN THE WIND in YOUTUBE Video)

Image result for kansas dust in the wind

Kerry Livgren himself said that he wrote the song because he saw where man was without a personal God in the picture. Solomon pointed out in the Book of Ecclesiastes that those who believe that God doesn’t exist must accept three things. FIRST, death is the end and SECOND, chance and time are the only guiding forces in this life.  FINALLY, power reigns in this life and the scales are never balanced. The Christian can  face death and also confront the world knowing that it is not determined by chance and time alone and finally there is a judge who will balance the scales.

(The Visit of the Queen of Sheba to King Solomon’, oil on canvas painting by Edward Poynter, 1890)

Image result for King Solomon

Both Kerry Livgren and the bass player Dave Hope of Kansas became Christians eventually. Kerry Livgrenfirst tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same  interview can be seen on You Tube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible ChurchDAVE HOPE is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.

(Kerry Livgren and Dave Hope on 700 Club TV Show)

Image result for kerry livgren dave hope

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, 13900 cottontail lane, AR 72002 United States

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites

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There are 3 videos in this series and they have statements by 150 academics and scientists and I hope to respond to all of them. Wikipedia notes Horace Basil Barlow FRS was a British visual neuroscientist.

Barlow was the son of the civil servant Sir Alan Barlow and his wife Lady Nora (née Darwin), and thus the great-grandson of Charles Darwin (see Darwin — Wedgwood family). He earned an M.D. at Harvard University in 1946.

In 1953 Barlow discovered that the frog brain has neurons which fire in response to specific visual stimuli. This was a precursor to the work of Hubel and Wiesel on visual receptive fields in the visual cortex. He has made a long study of visual inhibition, the process whereby a neuron firing in response to one group of retinal cells can inhibit the firing of another neuron; this allows perception of relative contrast.

In 1961 Barlow wrote a seminal article where he asked what the computational aims of the visual system are. He concluded that one of the main aims of visual processing is the reduction of redundancy. While the brightnesses of neighbouring points in images are usually very similar, the retina reduces this redundancy. His work thus was central to the field of statistics of natural scenes that relates the statistics of images of real world scenes to the properties of the nervous system.

Barlow and his co-workers also did substantial work in the field of factorial codes. The goal was to encode images with statistically redundant components or pixels such that the code components are statistically independent. Such codes are hard to find but highly useful for purposes of image classification etc.

Barlow was a fellow of Trinity College, University of Cambridge. He was elected a Fellow of the Royal Society in 1969 and was awarded their Royal Medal in 1993.[1] He received the 1993 Australia Prize for his research into the mechanisms of visual perception and the 2009 Swartz Prize for Theoretical and Computational Neuroscience from the Society for Neuroscience.

________________

His comments can be found on the 3rd video and the 128th clip in this series. Below the videos you will find his words.

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

_______________

Interview of Horace Barlow – part 1

Published on Jun 18, 2014

Interviewed and filmed by Alan Macfarlane on 5 March 2012

______________________

Interview of Horace Barlow – part 2

Horace Barlow’s quote taken from interview with Alan Macfarlane:

HAS RELIGION EVER BEEN IMPORTANT TO YOU? IS IT IMPORTANT TO YOU? No, it is not important to me. Saying you don’t believe in God is a very foolish thing to say as it doesn’t explain why so many people talk about it, there has got to be more to it than that; also I think one has to respect what some godly people say and some of the things they do; I wish one could make more sense of it but I don’t think the godly people have done a very good job; I was never baptized or confirmed so have never been a practitioner, and I don’t miss it; DO YOU THINK THAT SCIENCE HAS DIS-PROVEN RELIGION AS DAWKINS ARGUES? I think it [science] provides some hope of acting rationally to handle the social and political problems we have to deal with on a personal level and one a worldwide level. Religion is a way of perpetuating a way of thought that might have otherwise been lost, and I imagine that is fine.   

Dr. Barlow’s only three solid claims in this response to Alan Macfarlane is that science is #1 the best help today with our social problems,(which is in the original clip), #2 Saying you don’t believe in God (position of atheism) is foolish, and #3 we need an explanation for why so many people talk about [God.]

My response to #1 is to look at how the secular humanists have messed up so many things in the past and I include Barlow’s personal family friend Margaret Mead in that. My responses to #2 and #3 were both covered in my earlier response to Roald Hoffmann

(Roald Hoffmann is a Nobel Prize winner who I have had the honor of corresponding with in the past. Pictured below)

Image result for Roald Hoffmann.

(This July 1933 photo shows [left to right] anthropologist Gregory Bateson with Margaret Mead)

Image result for margaret mead husband

Horace Barlow’s words  from interview conducted by Alan Macfarlane:

I don’t ever remember going to Bateson’s house in Granchester as a child; William Bateson’s wife was a friend of my mother’s; when Gregory Bateson was out in Bali he met Margaret Mead; Beatrice Bateson, his mother, felt she was too old to go out and inspect her so she sent my mother instead; she flew off in an Imperial Airlines plane and we saw her off from Hendon; that must have been 1937-8; my mother got on very well with Margaret Mead – she was not altogether convinced by her, but very impressed by her breadth of knowledge and energy; she came and stayed with us many times; I was even more sceptical than my mother and thought she was a very impressive person; Gregory was born 1904 and my mother, in 1886, so there was quite a big age difference between them; I never got on close intellectual terms with Gregory even though we were to some extent interested in the same sort of thing, both in cybernetics and psychology, and his ideas were always interesting; however, my model of a scientist was taken from my mother and not from Gregory; my mother was interested in genetics and the paper for which she was famous was on the reproductive system in plants like cowslips; my mother reasoned like a scientist whereas Gregory was a guru – he liked to think things out for himself; he obviously influenced many others too; I saw him once or twice when I went to Berkeley

Postscript:

I was sad to see that Jon Stewart is stepping down from the DAILY SHOW so I wanted to include one of the best clips I have ever seen on his show and it is a short debate between the brilliant scientists  Edward J. Larson (an evolutionist), William A. Dembski (an Intelligent Design Proponent), and then he threw in a nutball in for laughs,  Ellie Crystal (a metaphysical theorist). Dembski gives several great examples of design and it reminded me of many of the words of Darwin show above in my letter to Horace Barlow.

William Dembski on The Jon Stewart Show

Uploaded on Nov 15, 2010

Wednesday September 14, 2005 – Jon Stewart’s “Evolution, Schmevolution” segment with panelists Edward J. Larson (an evolutionist), William A. Dembski (an Intelligent Design Proponent), and Ellie Crystal (a metaphysical theorist).

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 41 Sarvepalli Radhakrishnan (Featured artist is Marina Abramović)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 40 Timothy Leary (Featured artist is Margaret Keane)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 39 Tom Wolfe (Featured artist is Richard Serra)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 38 Woody Allen and Albert Camus “There is but one truly serious philosophical problem, and that is suicide” (Feature on artist Hamish Fulton Photographer )

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 37 Mahatma Gandhi and “Relieving the Tension in the East” (Feature on artist Luc Tuymans)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 36 Julian Huxley:”God does not in fact exist, but act as if He does!” (Feature on artist Barry McGee)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 35 Robert M. Pirsig (Feature on artist Kerry James Marshall)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 34 Aleksandr Solzhenitsyn (Feature on artist Shahzia Sikander)

 
 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 33 Aldous Huxley (Feature on artist Matthew Barney )

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 32 Steven Weinberg and Woody Allen and “The Meaningless of All Things” (Feature on photographer Martin Karplus )

 
 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 31 David Hume and “How do we know we know?” (Feature on artist William Pope L. )

 
 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 30 Rene Descartes and “How do we know we know?” (Feature on artist Olafur Eliasson)

 
 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 29 W.H. Thorpe and “The Search for an Adequate World-View: A Question of Method” (Feature on artist Jeff Koons)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 28 Woody Allen and “The Mannishness of Man” (Feature on artist Ryan Gander)

 
 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 27 Jurgen Habermas (Featured artist is Hiroshi Sugimoto)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 26 Bettina Aptheker (Featured artist is Krzysztof Wodiczko)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 25 BOB DYLAN (Part C) Francis Schaeffer comments on Bob Dylan’s song “Ballad of a Thin Man” and the disconnect between the young generation of the 60’s and their parents’ generation (Feature on artist Fred Wilson)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 24 BOB DYLAN (Part B) Francis Schaeffer comments on Bob Dylan’s words from HIGHWAY 61 REVISITED!! (Feature on artist Susan Rothenberg)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 23 BOB DYLAN (Part A) (Feature on artist Josiah McElheny)Francis Schaeffer on the proper place of rebellion with comments by Bob Dylan and Samuel Rutherford

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 22 “The School of Athens by Raphael” (Feature on the artist Sally Mann)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 21 William B. Provine (Feature on artist Andrea Zittel)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 20 Woody Allen and Materialistic Humanism: The World-View of Our Era (Feature on artist Ida Applebroog)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 19 Movie Director Luis Bunuel (Feature on artist Oliver Herring)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 18 “Michelangelo’s DAVID is the statement of what humanistic man saw himself as being tomorrow” (Feature on artist Paul McCarthy)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 17 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part C (Feature on artist David Hockney plus many pictures of Warhol with famous friends)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 16 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part B (Feature on artist James Rosenquist plus many pictures of Warhol with famous friends)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 15 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part A (Feature on artist Robert Indiana plus many pictures of Warhol with famous friends)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 14 David Friedrich Strauss (Feature on artist Roni Horn )

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 13 Jacob Bronowski and Materialistic Humanism: The World-View of Our Era (Feature on artist Ellen Gallagher )

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 12 H.J.Blackham and Materialistic Humanism: The World-View of Our Era (Feature on artist Arturo Herrera)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 11 Thomas Aquinas and his Effect on Art and HOW SHOULD WE THEN LIVE? Episode 2: THE MIDDLES AGES (Feature on artist Tony Oursler )

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 10 David Douglas Duncan (Feature on artist Georges Rouault )

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 9 Jasper Johns (Feature on artist Cai Guo-Qiang )

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 8 “The Last Year at Marienbad” by Alain Resnais (Feature on artist Richard Tuttle and his return to the faith of his youth)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 7 Jean Paul Sartre (Feature on artist David Hooker )

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 6 The Adoration of the Lamb by Jan Van Eyck which was saved by MONUMENT MEN IN WW2 (Feature on artist Makoto Fujimura)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 5 John Cage (Feature on artist Gerhard Richter)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 4 ( Schaeffer and H.R. Rookmaaker worked together well!!! (Feature on artist Mike Kelley Part B )

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 3 PAUL GAUGUIN’S 3 QUESTIONS: “Where do we come from? What art we? Where are we going? and his conclusion was a suicide attempt” (Feature on artist Mike Kelley Part A)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 2 “A look at how modern art was born by discussing Monet, Renoir, Pissaro, Sisley, Degas,Cezanne, Van Gogh, Gauguin, Seurat, and Picasso” (Feature on artist Peter Howson)

 

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 1 HOW SHOULD WE THEN LIVE? “The Roman Age” (Feature on artist Tracey Emin)

 
 

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