Monthly Archives: July 2015

RESPONDING TO HARRY KROTO’S BRILLIANT RENOWNED ACADEMICS!! Part 36 ( Dr. Simon Schaffer, Professor of History and Philosophy of Science, Cambridge, IS MAINTAINING THE CULTURE THE SAME AS MAINTAINING THE FAITH?)

Jonathan Miller’s Rough History of Disbelief PART 3 of 3

(at the 5 min mark of the Jonathan Miller video is Simon Schaffer)

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Interview of Simon Schaffer – part one (of five)

Uploaded on Nov 20, 2008

A series of five parts of a four-hour interview filmed in late June and early July 2008 by Alan Macfarlane, of the historian of science, Professor Simon Schaffer of the University of Cambridge. For a higher quality, downloadable, version with a detailed summary, please see http://www.alanmacfarlane.com

All revenues donated to World Oral Literature Project

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On November 21, 2014 I received a letter from Nobel Laureate Harry Kroto and it said:

…Please click on this URL http://vimeo.com/26991975

and you will hear what far smarter people than I have to say on this matter. I agree with them.

Harry Kroto

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Dr. Harry Kroto is the 1996 Chemistry Nobel Prize Winner and he is seen the photo below:

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There are 3 videos in this series and they have statements by 150 academics and scientists and I hope to respond to all of them. Wikipedia notes Simon Schaffer (born 1 January 1955)[1] is a professor of the history and philosophy of science at the Department of History and Philosophy of Science at University of Cambridge and was until recently editor of The British Journal for the History of Science.

His comments can be found on the 2nd video and the 90th clip in this series. Below the videos you will find his words.

50 Renowned Academics Speaking About God (Part 1)

Another 50 Renowned Academics Speaking About God (Part 2)

A Further 50 Renowned Academics Speaking About God (Part 3)

Interview of Simon Schaffer – part 2A

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I grew up at Bellevue Baptist Church under the leadership of our pastor Adrian Rogers and I read many books by the Evangelical Philosopher Francis Schaeffer and have had the opportunity to contact many of the evolutionists or humanistic academics that they have mentioned in their works. Many of these scholars have taken the time to respond back to me in the last 20 years and some of the names  included are  Ernest Mayr (1904-2005), George Wald (1906-1997), Carl Sagan (1934-1996),  Robert Shapiro (1935-2011), Nicolaas Bloembergen (1920-),  Brian Charlesworth (1945-),  Francisco J. Ayala (1934-) Elliott Sober (1948-), Kevin Padian (1951-), Matt Cartmill (1943-) , Milton Fingerman (1928-), John J. Shea (1969-), , Michael A. Crawford (1938-), Paul Kurtz (1925-2012), Sol Gordon (1923-2008), Albert Ellis (1913-2007), Barbara Marie Tabler (1915-1996), Renate Vambery (1916-2005), Archie J. Bahm (1907-1996), Aron S “Gil” Martin ( 1910-1997), Matthew I. Spetter (1921-2012), H. J. Eysenck (1916-1997), Robert L. Erdmann (1929-2006), Mary Morain (1911-1999), Lloyd Morain (1917-2010),  Warren Allen Smith (1921-), Bette Chambers (1930-),  Gordon Stein (1941-1996) , Milton Friedman (1912-2006), John Hospers (1918-2011), Michael Martin (1932-).Harry Kroto (1939-), Marty E. Martin (1928-), Richard Rubenstein (1924-), James Terry McCollum (1936-), Edward O. WIlson (1929-), Lewis Wolpert (1929), Gerald Holton (1922-),  and  Ray T. Cragun (1976-).

17:04  Quote from interview with Alan Macfarlane of Dr. Simon Schaffer: 

Being Jewish, there is the sense of observing things from the side; of being absolutely assimilated without being a member; of thinking from a slightly different perspective and noticing a little more quickly what is being taken for granted; a culture that can be entirely observant in religious terms without having belief; family life absolutely absorbed by the Synagogue and rituals without it ever seeming to have any theological or spiritual aspect; maintaining the culture of Judaism is maintaining the faith; there was an expectation that I was to be the incompetent but clever member of the family; literary and scientific life is seen as indispensable to the culture and the family; strange mixture of pride and resigned tolerance; not a culture that heroizes the intellectual and learning; much humor dwells on the complete uselessness of such persons; but also an acceptance that it is potentially a way up and out of the ghetto; historically Jews were limited by what they could do; could not go into the army etc.; tensions around Zionism; parents were always ambivalent even when the support for Israel by Jewish intellectuals was unquestioned; I went to Israel, to the Hebrew University, in my gap year; eye-opening both in terms of becoming better informed about what was going on in the Middle East but also permanently disillusioned about the Zionist project; Zionists wanted to break a certain stereotype of the Jew and replace it with a more physical, athletic, militant, virile image; the idea of working on a Kibbutz never appealed to me, but not for ideological reasons; many non-Jews did work there in the early seventies, but now all that has gone.

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The obvious problem with Simon Schaffer’s quote is very apparent. Jews were told by Jehovah in the Old Testament that the Messiah would come and they were to follow him. Therefore, maintaining the faith meant actually following the evidence from the Old Testament where it leads to the Messiah and then following him. 

Fulfilled Prophecy as Evidence for the Bible’s Divine Origin

  • 2,000 prophecies including some 300 prophecies and implications about the life, death, and resurrection of Jesus.
  • There are no prophetic failures.
  • While there are both obvious and subtle prophecies, most are very detailed and specific.
  • No other religion has specific, repeated, and unfailing fulfillment of predictions many years in advance of contingent events over which the predictor had no control.
  • Studies of psychics show only around 8% of their predictions come true and virtually all of these can be attributed to chance and a general knowledge of circumstances.
  • Mathematicians have calculated the odds of Jesus fulfilling only 8 of the Messianic prophecies as 1 out of 1017 (a 1 followed by 17 zeros). This is equivalent to covering the entire state of Texas with silver dollars 2 feet deep, marking one of them, mixing them all up and having a blind-folded person select the marked one at random the first time. For more on this, see What Are The Odds?
  • Fulfilled prophecy is powerful evidence that the Bible is divine rather than human in origin.
  • Objection: Jesus manipulated events to fulfill prophecy. Answer: (a) Many prophecies were out of his control (ancestry, place of birth, time of death). (b) His miracles confirmed Jesus to be the Messiah. (c) There is no evidence that Jesus was a deceiver. (d) In order to manipulate all the people (including his enemies) and even his disciples to make it appear that he was the Messiah, Jesus would have needed supernatural powers. If he had such powers, he must have been the Messiah he claimed to be.

Examples of Non-Messianic Prophecies

  • The Succession of Great World Kingdoms (Daniel 2:37-42). Even negative critics agree that Daniel foretold the governments in order of Babylon, Medo-Persia, Greece, and Rome.
  • Cyrus King of Persia (Isaiah 44:28-45:1). Since Isaiah lived between about 740 and 690 BC and Cyrus did not make his proclamation for Israel to return from exile until about 536 (Ezra 1), there would have been no human way for him to know what Cyrus would be named or what Cyrus would do.
  • Israel to Be Returned to Its Land A Second Time (Isaiah 11:11-12). The first time God reclaimed a people was from Egypt through the Exodus; the second time is from the Babylonian Exile (Isaiah 51:9-11).
  • The Closing of the Golden Gate (Ezekiel 44:2-3). The Golden Gate is the eastern gate of Jerusalem, through which Christ made his triumphal entry on Palm Sunday before the crucifixion (Matthew 21). Ezekiel predicted its closing and in 1543 Sultan Suleiman the Magnificent closed the gate and walled it up, not knowing he was fulfilling prophecy. It remains sealed to this day exactly as the Bible predicted.
  • The Destruction of Tyre (Ezekiel 26:3-14). The prophecy was partly fulfilled when Nebuchadnezzar destroyed the city and left it in ruins. Alexander the Great later attacked the seemingly impregnable Island of Tyre by taking the stones, dust, and timber from the ruined mainland city to build a causeway to the Island. This prophecy is comparable to saying that Chicago will be destroyed and never rebuilt.
  • The Doom of Edom (Petra) (Jeremiah 49:15-17). Given the virtually impregnable nature of the ancient city carved out of rock and protected by a narrow passageway, this was an incredible prediction. Yet, in 636 AD it was conquered by Muslims and today stands deserted but for tourists.
  • Flourishing of the Desert in Palestine (Ezekiel 36:33-35). Since before the turn of the twentieth century, Israel has been renovated and Israel’s agriculture is flourishing.
  • Destruction of Jerusalem (Mark 13:1-2). Fulfilled literally when the Romans completely destroyed Jerusalem and the temple buildings. According to historian and eyewitness Josephus, some of the stones were 37 feet long, 12 feet high and 18 feet wide. Stones were even pried apart to collect the gold leaf that melted from the roof when the temple was set on fire.

Examples of Messianic Prophecies

Topic Old Testament New Testament
Messiah to be the seed of the Woman Genesis 3:15 Luke 2:5-7
Galatians 4:4
Messiah to be the seed of Abraham Genesis 12:2-3, 18:18 Matthew 1:1-2
Luke 3:34
Acts 3:25
Galatians 3:16
Messiah to be of the tribe of Judah Genesis 49:10 Matthew 1:1-2
Messiah to be of the seed of David 2 Samuel 7:16
Psalm 132:11
Jeremiah 23:5, 33:15
Matthew 1:6, 22:42-45
Luke 1:31-33
Acts 2:29-30
Romans 1:3
Messiah to be born of a virgin Isaiah 7:14 Matthew 1:18-25
Luke 1:26-38
Messiah to be born in Bethlehem Micah 5:2 Matthew 2:1-6
Luke 2:4-6
Tribute paid to Messiah by great kings Psalm 72:10-11 Matthew 2:1-11
Messiah to be heralded by a messenger Isaiah 40:3
Malachi 3:1
Matthew 3:1-3
Messiah to be the Son of God Psalm 2:2,7 Matthew 3:17
Luke 1:32-33
Messiah to be anointed by the Holy Spirit Isaiah 11:2 Matthew 3:16-17
Galilee to be the first area of Messiah’s ministry Isaiah 9:1-7 Matthew 4:12-16
Messiah to be meek and mild Isaiah 40:11, 42:2-3, 53:7 Matthew 12:18-20, 26:62-68
Messiah to minister to the Gentiles Isaiah 42:1, 49:6-8 Matthew 12:21
Luke 2:28-32
Messiah will perform miracles Isaiah 35:5-6 Matthew 9:35, 11:3-6
John 9:6-7
Messiah to be a prophet like Moses Deuteronomy 18:15-19 Matthew 21:11, 24:1-35
John 1:45, 6:14
Acts 3:20-23
Messiah to enter the temple with authority Malachi 3:1-2 Matthew 21:12
Messiah will enter Jerusalem on a donkey Zechariah 9:9-10 Matthew 21:1-11
Messiah to be betrayed by a friend Psalm 41:9 John 13:18-21
Messiah to be forsaken by his disciples Zechariah 13:7 Matthew 26:31, 56
Messiah will be smitten Isaiah 50:6 Matthew 26:67, 27:26,30
Messiah to experience crucifixion (long before crucifixion was invented) Psalm 22:15-17 Matthew 27:34-50
John 19:28-30
Messiah will be pierced Zechariah 12:10 John 19:34-37
Details of Messiah’s suffering and death and resulting salvation (hundreds of years before Christ!) Psalm 69:21
Isaiah 53:2-12,
Matthew 26-27
Mark 15-16
Luke 22-23
John 18-19
Messiah to die in 33 AD Daniel 9:24-26 33 AD is the widely accepted historical date of the crucifixion
Casting of lots for His garments Psalm 22:18 John 19:23-24
Messiah to be raised from the dead Psalm 16:10 Acts 2:25-31, 13:32-37, 17:2-3
Messiah’s resurrection Job 19:25
Psalm 16:10
Acts 2:30-31, 13:32-35, 17:2-3
1 Corinthians 15:20-22
Messiah to ascend to heaven Psalm 68:18 Luke 24:51
Acts 1:9
Ephesians 4:8-13
Messiah to be at the right hand of God Psalm 110:1 Matthew 26:64
Mark 14:62
Romans 8:34
Hebrews 1:3
Messiah, the stone which the builders rejected, to become the head cornerstone Psalm 118:22-23
Isaiah 8:14-15, 28:16
Matthew 21:42-43
Acts 4:11
Romans 9:32-33
Ephesians 2:20
1 Peter 2:6-8

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Interview of Simon Schaffer – part 2B

Interview of Simon Schaffer – part 3a

Interview of Simon Schaffer – part 3b

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Paul McCartney’s song “Picasso’s Last Words (Drink to Me)”

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 – Picasso’s Last Words (Drink To Me) – Lyrics

Picasso’s Last Words (Drink to Me)

From Wikipedia, the free encyclopedia
“Picasso’s Last Words (Drink to Me)”
Song by Paul McCartney & Wings from the album Band on the Run
Released 7 December 1973
Recorded September–October 1973
Lagos, Nigeria
Genre Rock
Length 5:50
Label Apple
Writer Paul and Linda McCartney
Producer Paul McCartney and Geoff Emerick
Band on the Run track listing

Picasso’s Last Words (Drink to Me)” is a song from Paul McCartney & Wings‘ album Band on the Run. It was not released as a single. Wings band member Denny Laine covered “Picasso’s Last Words (Drink to Me)” in 2007 on his album Performs the Hits of Wings.[1] An abbreviated performance of the song appears on the live album Wings over America.

Writing[edit]

In an interview on British TV channel ITV1 for the program Wings: Band on the Run, to promote the November 2010 2xCD/2xDVD rerelease of the original album, McCartney says he was on vacation inMontego Bay, Jamaica where he “snuck” onto the set of the film Papillon where he met “Dustin Hoffman and Steve McQueen“. After a dinner with Hoffman, with McCartney playing around on guitar, Hoffman did not believe that McCartney could write a song “about anything”, so Hoffman pulled out a magazine where they saw the story of the death of Pablo Picasso and his famous last words, “Drink to me, drink to my health. You know I can’t drink anymore.” McCartney created a demo of the song and lyrics on the spot, prompting Hoffman to exclaim to his wife: “…look, he’s doing it…he’s doing it!”[2]

Recording[edit]

While recording Band on the Run in Lagos, Nigeria, Wings were invited to former Cream drummer Ginger Baker‘s ARC Studios in the nearby suburb of Ikeja. While Baker insisted to McCartney that they should record the entire album there, he was reluctant and agreed he would spend one day there. “Picasso’s Last Words” was recorded during that time and Baker contributed by playing a tin can full of gravel.[3]

Personnel[edit]

References[edit]

  1. Jump up^ “Performs the Hits of Wings”. Allmusic. Retrieved 28 December 2011.
  2. Jump up^ Presenters: Dermot O’Leary (2010-10-31). “Wings: Band on the Run”. ITV. ITV1. Missing or empty |title= (help)
  3. Jump up^ Lewisohn, Mark “Band on the Run – 25th Anniversary Edition; The Recording of Band on the Run” Parlophone (4 99176 2).

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Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

The Bible and Archaeology – Is the Bible from God? (Kyle Butt 42 min)

Eastwooding Richard Dawkins’ Moral Argument Objections

Published on Oct 20, 2012

For more information and resources visit: http://www.reasonablefaith.org

On September 29th, 2012, William Lane Craig participated in the Contending with Christianity’s Critics Conference held at Watermark Community Church in Dallas, TX. In this short clip, Dr. Craig uses the technique of Eastwooding to deal with Richard Dawkins’ attempted refutations of the moral argument for God’s existence.

To view the entire video: http://youtu.be/_XZb8m7p8ng

The statements ascribed to Richard Dawkins in this presentation are statements actually made by Prof. Dawkins. The following is a list of the sources of such statements:

Dawkins, Richard. “Afterword.” In Lawrence Krauss, A Universe from Nothing. New York: Free Press, 2012.

_____. “Comment.” http://old.richarddawkins.net/comment….

_____. The God Delusion. New York: Houghton-Mifflin, 2006.

_____. River out of Eden: a Darwinian View of Life. New York: Basic Books, 1996.

_____. “The Ultraviolet Garden,” Lecture 4 of 7 Royal Institution Christmas Lectures (1992), http://physicshead.blogspot.com/2007/….

_____. “Why I Refuse to Debate William Lane Craig.” The Guardian 20 October 2011 http://old.richarddawkins.net/comment…

Citations of these statements with references may be found in:

“Richard Dawkins on Arguments for God.” In God Is Great, God Is Good, pp. 13-31. Ed. Wm. L Craig and Chad Meister. Downers Grove, Ill.: Inter-Varsity, 2009.

Citations in lecture format may be found at:

http://youtu.be/9HLmow850iE

We welcome your comments in the Reasonable Faith forums:
http://www.reasonablefaith.org/forums/

Be sure to also visit Reasonable Faith’s other channel: http://www.youtube.com/drcraigvideos

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Francis Schaeffer and  Gospel of Christ in the pages of the Bible

(The Bible is the key in understanding the universe in its form)

Francis and Edith Schaeffer pictured below:

_________________

Life without God in the picture is absurdity!!!. That was the view of King Solomon when he wrote the Book of Ecclesiastes 3000 years ago and it is the view of many of the modern philosophers today. Modern man has tried to come up with a lasting meaning for life without God in the picture (life under the sun), but it is not possible. Without the infinite-personal God of the Bible to reveal moral absolutes then man is left to embrace moral relativism. In a time plus chance universe man is reduced to a machine and can not find a place for values such as love. Both of Francis Schaeffer’s film series have tackled these subjects and he shows how this is reflected in the arts.

Here are some posts I have done on the series “HOW SHOULD WE THEN LIVE? : Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” episode 9 “The Age of Personal Peace and Affluence”episode 8 “The Age of Fragmentation”episode 7 “The Age of Non-Reason” episode 6 “The Scientific Age”  episode 5 “The Revolutionary Age” episode 4 “The Reformation” episode 3 “The Renaissance”episode 2 “The Middle Ages,”, and  episode 1 “The Roman Age,” .

In the film series “WHATEVER HAPPENED TO THE HUMAN RACE?” the arguments are presented  against abortion (Episode 1),  infanticide (Episode 2),   euthenasia (Episode 3), and then there is a discussion of the Christian versus Humanist worldview concerning the issue of “the basis for human dignity” in Episode 4 and then in the last episode a close look at the truth claims of the Bible.

I have discussed many subjects with my liberal friends over at the Ark Times Blog in the past and I have taken them on now on the subject of the absurdity of life without God in the picture. Most of my responses included quotes from William Lane Craig’s book THE ABSURDITY OF LIFE WITHOUT GOD.  Here is the result of one of those encounters from June of 2013:

Hackett wrote, “I’m quite content with the reality of life as it is and have no need of faith and belief in any invisible being. This despair you feel must also require faith & belief.”

_______________
I DO NOT FEEL ANY DESPAIR ABOUT MY FUTURE BECAUSE I KNOW WHERE I AM GOING. ATHEISM FAILS IN THIS REGARD THOUGH.

William Lane Craig wrote:

According to the Christian worldview, God does exist, and man’s life does not end at the grave. In the resurrection body man may enjoy eternal life and fellowship with God. Biblical Christianity therefore provides the two conditions necessary for a meaningful, valuable, and purposeful life for man: God and immortality. Because of this, we can live consistently and happily. Thus, biblical Christianity succeeds precisely where atheism breaks down.

Now I want to make it clear that I have not yet shown biblical Christianity to be true. But what I have done is clearly spell out the alternatives. If God does not exist, then life is futile. If the God of the Bible does exist, then life is meaningful. Only the second of these two alternatives enables us to live happily and consistently. Therefore, it seems to me that even if the evidence for these two options were absolutely equal, a rational person ought to choose biblical Christianity. It seems to me positively irrational to prefer death, futility, and destruction to life, meaningfulness, and happiness. As Pascal said, we have nothing to lose and infinity to gain.

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By Everette Hatcher III | Posted in Current Events | Edit | Comments (0)

CHEAP TRICK

Cheap Trick – The Flame

Cheap Trick – If You Want My Love

I Want You To Want Me – Cheap Trick – Houston 1989

Cheap Trick

From Wikipedia, the free encyclopedia
Cheap Trick
Cheap-trick.jpg

L–R: Rick Nielsen, Bun E. Carlos and Robin Zander (2009)
Background information
Origin Rockford, Illinois, United States
Genres Rock, hard rock, power pop
Years active 1974–present
Labels Epic, Warner Bros., Red Ant, Big3
Associated acts Fuse, Tinted Windows
Website www.cheaptrick.com
Members Rick Nielsen
Tom Petersson
Robin Zander
Bun E. Carlos
Daxx Nielsen
Past members Randy Hogan
Pete Comita
Jon Brant

Cheap Trick is an American rock band from Rockford, Illinois, formed in 1973. As of 2010, the band currently consists of Robin Zander (vocals, rhythm guitar), Rick Nielsen (lead guitar), Tom Petersson (bass guitar) and Daxx Nielsen (drums). Their biggest hits include “Surrender“, “I Want You to Want Me“, “Dream Police” and “The Flame“.

They have often been referred to in the Japanese press as the “American Beatles“.[1] In October 2007, the Illinois Senate passed a resolution designating April 1 as Cheap Trick Day in the state.[2]The band was also ranked No. 25 in VH1‘s list of the 100 Greatest Artists of Hard Rock.[3]

History[edit]

Early years (1961–74)[edit]

In 1961, Nielsen began playing locally in Rockford, Illinois using an ever-increasing collection of rare and valuable guitars. He formed several local bands with names like The Boyz and The Grim Reapers. Brad Carlson, later known as Bun E. Carlos, played in a rival Rockford band, the Pagans. Finally, Nielsen formed Fuse in 1967 with Tom Peterson, later known as Tom Petersson, who had played in yet another local band called The Bo Weevils.[4]

Fuse released a self-titled album for Epic Records in 1970, which was generally ignored. Frustrated by their lack of success, Fuse recruited the two remaining members of Nazz in 1970 and ended up playing around the Midwest for 6–7 months under two monikers, Fuse or Nazz, depending on where they were gigging. With Bun E. Carlos joining on drums, Fuse moved to Philadelphia in 1971. They began calling themselves “Sick Man of Europe” in 1972–1973.[4] After a European tour in 1973, Nielsen and Petersson returned to Rockford and reunited with Carlos.[5][6]

Randy “Xeno” Hogan was the original lead singer for Cheap Trick. He left the band shortly after its formation and was replaced by Robin Zander.[4] The name was inspired by the band’s attendance of a Slade concert, where Petersson commented that the band used “every cheap trick in the book” as part of their act.[7] The band recorded (with Hogan), an official demo, “Hot Tomato”, around mid 1974, parts of which would form “I’ll Be with You Tonight“, which was first called “Tonight, Tonight” (and a slightly different structure), and “Takin’ Me Back“.

Classic years (1975–78)[edit]

Nielsen and Petersson performing in 1977

With Robin Zander now on vocals, the band recorded their first official demo in 1975 and played in warehouses, bowling alleys, and various other venues around the midwestern United States. The band was signed to Epic Records in early 1976[8] by A&R man Tom Werman, at the insistence of producer Jack Douglas who had seen the band perform in Wisconsin. The songs they had written and performed would be released later on; such as “I Want You To Want Me” which was first performed on April 17, 1975, in Milwaukee. The later-hit song was played that summer, and frequently throughout the spring and summer of 1976 throughout the aforementioned Midwest locations.

The band released their first album, Cheap Trick, in early 1977, produced by Jack Douglas. While favored by critics, the album was not successful in terms of sales.[4] The album’s lone single “Oh Candy” failed to chart. However, the band began to develop a fan base in Japan and “ELO Kiddies” was a hit single in Europe. Their second album In Color was released later that year and was produced by Tom Werman, who brought out their lighter and more pop-oriented side, producing an album much more polished than their first. However, the band bemoaned In Color’s production and would re-record it many years later. Moreover the album was largely unsuccessful. The singles “Southern Girls”, “I Want You To Want Me”, and “So Good To See You”, failed to chart. However, “I Want You To Want Me” and “Clock Strikes Ten” were hit singles in Japan, with the latter going to No. 1 on the charts. In Color ultimately was ranked No. 443 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

The band’s third album, Heaven Tonight, released in May 1978 and again produced by Tom Werman, combined elements of the first two albums. Regarded by many fans and critics as their best album, the lead-off track “Surrender” was Cheap Trick’s first single to chart in the United States, peaking at No. 62. It has gone on to become one of the band’s signature songs. Heaven Tonight is also noteworthy as the first album recorded with a 12-string electric bass.[9] Perhaps most importantly, this album made the band megastars in Japan.

Budokan brings success (1978–81)[edit]

None of Cheap Trick’s first three albums made it into the Top 40 in the United States.[4] In Japan, however, all three albums became gold records. When Cheap Trick went to Japan to tour the country for the first time in April 1978, they were received with a frenzy reminiscent of Beatlemania.[10] During this tour, Cheap Trick recorded two concerts attended by their loyal Japanese fans at the Nippon Budokan. Ten tracks taken from both shows were compiled and released as a live album titled Cheap Trick at Budokan, which was intended to be exclusive to Japan.[11] Demand for the import album became so great that Epic Records finally released the album in the United States in February 1979.

Cheap Trick performing in 1978 inCharlotte, North Carolina, at the Park Center

Cheap Trick at Budokan launched the band into international stardom, and the album went triple platinum in the United States.[10][12] The smash track was the live version of “I Want You to Want Me”, which had originally been released on In Color. It reached No. 7 on the Billboard Hot 100, and became Cheap Trick’s biggest-selling single. The second single, “Ain’t That A Shame“, peaked at No. 35. “Need Your Love” had already been recorded for the forthcoming Dream Police album that had already been finished, but after the unprecedented success of At Budokan, Epic postponed the album’s release. Dream Police was released later in 1979 and was their third album in a row produced by Tom Werman. The title track of the album was a hit single, as was “Voices“. Dream Police also found the band taking its style in a more experimental direction by incorporating strings and dabbling in heavy metal on tracks like “Gonna Raise Hell”.

A four track EP entitled Found All The Parts was released in mid 1980 and consisted of previously unreleased material. One side of the record contained live recordings and the other side had studio recordings. The live tracks were a faux live cover of The Beatles‘ “Day Tripper“, and “Can’t Hold On”, a bluesy track performed at Budokan concerts in 1978. The studio tracks were “Such A Good Girl” and “Take Me I’m Yours”, which the record claims were recorded in 1976 and 1977, respectively. However, while they were older songs, they were recorded with Jack Douglas in early 1980. A total of nine tracks were recorded with Douglas, and remain obscure as they have only been issued on compilations, promotional samplers, and contest giveaways. For years, there was a false rumor that this was an album that had been rejected by Epic Records.

By 1980, when All Shook Up was released, Cheap Trick was headlining arenas. All Shook Up, produced by former Beatles producer George Martin, reached No. 24 on the charts and was certified gold, but the album’s high-class background did not save it from descriptions like “Led Zeppelin gone psycho”.[13] Many fans of the band’s earlier albums saw All Shook Up as too weird and experimental. One song from the sessions, “Everything Works if You Let It“, appeared on the soundtrack of Roadie. This, and “Stop This Game” both missed the top 40, peaking at #44 & #48, respectively. A later reissue of All Shook Up included “Everything Works” as a bonus track.

Nielsen and Carlos participated in sessions for John Lennon and Yoko Ono‘s album Double Fantasy, recording a bass-heavy and experimental version of Lennon’s “I’m Losing You“, but were never used on the subsequent release, with Lennon favoring a ‘lighter’ sound. (The Cheap Trick version can only be found on the John Lennon Anthology and on various bootlegs.) Nielsen and Carlos were also involved in recording a heavier and slower version of Yoko Ono’s “I’m Moving On”, but that has never seen any official release (only on bootlegs).

Departure of Petersson (1981–87)[edit]

On August 26, 1980, before the release of All Shook Up, Petersson left the group to record a solo album with his wife Dagmar. The five-song mini-LP titled Tom Peterson and Another Language was released in 1984. Pete Comita replaced Petersson for the All Shook Up tour, and the band recorded five songs with Comita to contribute to two movie soundtracks. “I’m the Man”, “Born to Raise Hell”, and “Ohm Sweet Ohm”, which were produced by Jack Douglas, went to the film Rock & Rule. An accompanying soundtrack album for the film was never released and the songs weren’t released until 1996 (on the Sex, America, Cheap Trick box set). “Reach Out” and “I Must Be Dreamin'” went to the film Heavy Metal and were produced by Roy Thomas Baker. “Reach Out” was written by Comita and Bob James. Comita left the band after completing the 1980–81 World Tour that promoted the All Shook Up album as well as the demo sessions for the band’s forthcoming album. He would later claim that he co-wrote songs that appeared on the band’s next two albums and was not credited. Jon Brant became Petersson’s steady replacement. In July 1981, CBS Inc. sued Cheap Trick and their manager Ken Adamany for $10 million, alleging they were attempting to coerce CBS into re-negotiating their contract and had refused to record any new material for the label since October 1980. The lawsuit was settled in early 1982 and work commenced on the next album—One on One, produced by Roy Thomas Baker. The band changed direction again, this time opting for an album full of brash, shout-along hard rock songs. The album spawned two minor hits with the power ballad “If You Want My Love” and the innuendo-laced rocker “She’s Tight“. The music videos for both songs received heavy rotation on MTV.

The following year, Cheap Trick released Next Position Please with Todd Rundgren as producer. Rundgren downplayed the band’s brash side and returned them to a more clean, pop-oriented sound similar to that of In Color. The album never found much of an audience and Cheap Trick’s commercial fortunes were in decline. The first single was a cover of The Motors‘ “Dancing the Night Away“. Epic Records, desperate for a hit from the band, forced the group to record the track, which had been a hit single in Europe. Rundgren refused to produce the song, and it was instead produced by One On One engineer Ian Taylor. It failed to chart, as did the second single and fan favorite “I Can’t Take It“. The Ian-Taylor-produced “Spring Break”, which was a contribution to the soundtrack of the 1983 comedy film of the same name, was also issued as a single, which also failed to chart. In 1984, the band recorded the title track “Up the Creek” to the Tim Matheson comedyUp The Creek, which Nielsen later called “one of the worst” songs he’d ever written.[14] The track reached No. 36 on Billboard’s Top Tracks but was off the chart after two weeks.

In 1985 they were reunited with Jack Douglas, who had produced their debut album, to record Standing on the Edge. The band originally intended to return to their rough-sounding roots on the album, but Douglas backed out of the mixing process due to the legal issues he was having with Yoko Ono at the time.[citation needed] It was instead mixed by Tony Platt, who added more elements of typical 1980s production. This album was called their “best collection of bubblegum bazooka rock in years”.[15] The album also featured Mark Radice on keyboards, and he was also enlisted to assist in the songwriting process. The album’s first single, “Tonight It’s You“, reached No. 8 on the Billboard’s Top Rock Tracks chart and the video received heavy rotation on MTV. The following singles “Little Sister” and “How About You” were released as promotional singles only. During this time, Steve Walsh, between gigs as keyboardist/lead singer of the bands Streets and Kansas, toured with the band as a keyboard player and background vocalist.

Cheap Trick also participated in a USO project organized by Kansas drummer Phil Ehart, touring as part of the First Airborne Rock n Roll Division, the band joined other rock bands at land and water military installations to entertain those serving in the United States Armed Forces.

In 1986, the band recorded “Mighty Wings“, the end-title cut for the film Top Gun, released June 1986. They then released The Doctor in the fall, produced by Tony Platt. Some of the songs contained elements of funk, and the band utilized female back-up vocalists for the first time. However, synthesizers and computer-programmed sound effects drowned out most of the prominent instruments, most noticeably the guitar. The album’s lone single, “It’s Only Love” failed to chart, but many blame the album’s poor success on the record label’s lack of promotion. The music video for “It’s Only Love” made history as the first music video to prominently use American Sign Language.[16] The Doctor turned out to be the final album with Jon Brant as bassist. Brant parted on good terms with the band, and has performed with the band a number of times since as a special guest or filling in for Petersson.

Lap of Luxury (1987–97)[edit]

Petersson rejoined the group in 1987 and helped record 1988’s Lap of Luxury, produced by Richie Zito. Due to the band’s commercial decline, Epic Records forced the band to collaborate with professional songwriters. “The Flame“, a typical ’80s “factory ballad”, was issued as the first single and became the band’s first-ever No. 1 single. The second single, a cover of Elvis Presley‘s “Don’t Be Cruel” also reached the top 5. Three other singles from the album were “Ghost Town“, “Never Had a Lot to Lose“, and “Let Go“. Each one charted successfully, and Lap of Luxury went platinum and became recognized as the band’s comeback album.

Busted was released in 1990 and was also produced by Richie Zito, as the band attempted to capitalize on the success of Lap of Luxury. This time, however, the band was allowed more creative control and professional songwriters were only used on a handful of songs. The first single “Can’t Stop Falling Into Love” reached No. 12 on the charts but failed to reach as high as the label expected. The second single, the Diane Warren penned “Wherever Would I Be“, suffered a worse fate reaching only No. 50. The following singles, “If You Need Me” and “Back N’ Blue” were not successful, although the later single reached No. 32 on the US Mainstream Rock charts.

In 1991, Cheap Trick’s Greatest Hits was released. It included twelve (twenty-eight on Japan pressing) of the band’s most successful or popular singles and one new track, a cover of The Beatles‘ song “Magical Mystery Tour“, which was an outtake from the Lap Of Luxury sessions.

In 1993, Budokan II was released. It featured the tracks that had been omitted from the original live album, plus three more tracks from their follow-up tour in 1979. The release was not authorized by the band, and it is now out of print. That same year, Robin Zander released his eponymous debut solo record on Interscope, produced by Jimmy Iovine. Guitarist Mike Campbell, best known for his work with Tom Petty and the Heartbreakers, collaborated with Zander on most of the album’s tracks. The album was largely unsuccessful but the single “I’ve Always Got You” reached No. 13 on the US Mainstream Rock chart and No. 64 in Canada.

The group left Epic after the disappointing sales of Busted to sign with Warner Bros. Records. In 1994 the band released Woke Up With A Monster, which was produced by producer Ted Templeman, best known for his work with Van Halen. The album’s title track was issued as the first single and reached No. 16 on the US Mainstream Rock charts. The album’s sales were poor, and it peaked at only No. 123. By the time the album came out, there had been a variety of significant changes in the band, both music-wise and appearance-wise. The style of music is more on the “hard rock” side, their “heaviest” album since One On One. Ted Templeman’s heavy-handed production was also the subject of much criticism. Rick Nielsen grew a goatee, and Robin Zander’s voice grew noticeably deeper. The band also contributed a cover of John Lennon’s song “Cold Turkey” on the Working Class Hero: A Tribute to John Lennon album.

The band quickly parted ways with Warner Bros. and decided it was time to go back to basics. They concentrated on the strength of their live shows, which were near-legendary, and they decided to release new recordings to independent labels instead of major companies. Over the next few years, Cheap Trick toured with several bands they had influenced, such as Stone Temple Pilots and Pearl Jam. At the end of 1995, the band independently released Gift, a two track Christmas CD that benefited Chicago-area charities. They spent the next year recording demos with Tom Werman and Steve Albini. They then released the 7 inch vinyl single Baby Talk/Brontosaurus on Seattle-based indie label Sub Pop Records, which was produced by Albini. Now back on speaking terms with their former label, the band released Sex, America, Cheap Trick, a four disc box set that included dozens of rare and unreleased studio and live recordings along with some of the band’s singles and favorites, on Epic Records. The collection, however, was criticized for lacking several of the band’s most well-known and much-loved songs.

In 1997, Cheap Trick signed with indie label Red Ant Records and released Cheap Trick, produced by Ian Taylor, who the band had previously worked with in 1982 and 1983. The band attempted to re-introduce themselves to a new generation, as the album was self-titled and the artwork was similar to their first album which had been released twenty years before. Tom Werman would later claim that he had produced a track on the album and was not credited.[17] The album was critically acclaimed and hailed as a return to form. Eleven weeks after the release, Red Ant’s parent company Alliance Entertainment Corporation declared Chapter 11 bankruptcy. The single “Say Goodbye” only reached No. 119 on the charts, and the band again found themselves without a record label. Two other singles were released from the album, “Baby No More” and “Carnival Game“.

Cheap Trick Unlimited (1998–2005)[edit]

Cheap Trick began to rebuild in 1998 by trying to restore normal relations with Sony/Epic and the music retail community. They established their own record company, Cheap Trick Unlimited. They toured behind the release of At Budokan: The Complete Concert, and the remastered reissues of their first three albums. One of the multi-night stands from this tour resulted in Music for Hangovers, a vibrant live effort that featured members of The Smashing Pumpkins on two tracks.

Vocalist Robin Zander performing atGulfstream Park in 2006.

Cheap Trick Unlimited sold the CD exclusively on Amazon.com for 8 weeks prior to releasing it in stores. To support the record they toured with Guided By Voices, and also played a concert with Pearl Jam. That same year, the band spent time in the studio recording with Steve Albini, who had produced the Baby Talk/Brontosaurus single. The band began re-recording their second album, In Color, as well as a handful of other miscellaneous tracks. The recordings were not finished and have yet to be officially released, but they were leaked onto the Internet.[18] The band also revealed in an interview that a rarities album was in the works and initially planned for release in early 2000. However, it was never released.[19]

In 1999, the band recorded a reworked cover of Big Star‘s “In the Street” for use as the theme song for the television show That ’70s Show. It was released on the show’s soundtrack, That ’70s Album (Rockin’). The group also re-recorded “Surrender”, which was available exclusively at Getsigned.com.

In early 2000, Cheap Trick entered into a license with the now-defunct Musicmaker.com to directly download and create custom CDs for over 50 songs. After spending a good part of 2001 writing songs and about six weeks of pre-production, Cheap Trick went into Bearsville Studios in Woodstock, New York in March 2002, where the band put together their first studio album in six years, Special One in May 2003. At the same time, the band brought their record label to Big3 Entertainment. While the lead-off single “Scent of a Woman” was typical Cheap Trick fare, most of the album’s tracks were acoustic-based. Two following singles “My Obsession” and “Too Much” were released. The album was met with mixed reviews, with one of the larger subjects of criticism being that the last two tracks on the album were basically the same song. The band also contributed the 1999 re-recorded version of “Surrender” to the comedy film Daddy Day Care and made a cameo in the film. They toured with Cake on the Unlimited Sunshine Tour that same year. In Japan, the band’s entire catalog released between 1980 and 1990 was re-issued in remastered form.

In late 2003, Bun E. Carlos starred in a Target commercial with Torry Castellano, drummer of The Donnas.

In April 2005, Cheap Trick released the five-track Sessions@AOL EP for digital download.

Independence (2006–present)[edit]

In 2006, Cheap Trick released Rockford on Cheap Trick Unlimited/Big3 Records. The first single from the album was “Perfect Stranger” (produced by Linda Perry and co-written by Cheap Trick and Perry). The following singles “Come On, Come On, Come On” and “If It Takes a Lifetime” were released shortly after. The band promoted the album through appearances on the Sirius and XM satellite radio networks and a North American tour. That same year, “Surrender” was featured as a playable track in the hit video game Guitar Hero II, and the albums Dream Police and All Shook Up were re-issued in remastered form with bonus tracks. One On One and Next Position Please (The Authorized Version) were released as digital downloads. The band also appeared in a McDonald’s advertising campaign called “This Is Your Wake-Up Call” featuring the band.[20]

Guitarist Rick Nielsen performing atGulfstream Park in 2006.

In 2007, officials of Rockford, Illinois honored Cheap Trick by reproducing the Rockford album cover art on that year’s “city sticker” (vehicle registration). On June 19, 2007, the Illinois Senate passed Senate Resolution 255, which designated April 1 of every year as Cheap Trick Day in the State of Illinois.[21] In August of that year, Cheap Trick honored the 40th anniversary of Sgt. Pepper’s Lonely Hearts Club Band by playing the album in its entirety with the Hollywood Bowl Orchestra, conducted by Edwin Outwater, along with guest vocalists including Joan Osborne and Aimee Mann.[22] Geoff Emerick, who engineered all the sound effects on Sgt. Pepper, engineered the same sounds for the two live concerts. The Chicago chapter of the National Academy of Recording Arts & Sciences honored Cheap Trick at the 2007 Recording Academy Honors event in Chicago on October 11, 2007. Nielsen and Carlos were on hand to receive the award, which was presented to them by Steve Albini.

In 2008, Cheap Trick were selected to be featured in the John Varvatos Spring/Summer 2008 clothing ad campaign. The black and white commercial put the group on a boardwalk with bicycles, the filming backdrop was a beach for a very modern look for the band. “California Man“, a song written by Roy Wood and covered by the band on Heaven Tonight was used in the advertising promotion. On April 24, Cheap Trick played live at the Budokan for the 30th anniversary of the 1978 album Live at Budokan.[23] On July 5, at their concert in Milwaukee, Rick Nielsen announced to the crowd that the show was being recorded for a future CD and/or DVD release. On November 11, the band released At Budokan: 30th Anniversary Collectors Edition, a box set that featured 3 CDs of the band’s two concerts at Budokan recorded on April 28 and 30, 1978. A bonus DVD contained concert footage that originally aired on Japanese television, plus bonus features including footage from their return to Budokan for the original album’s 30th anniversary.

Also in 2008, the song “Dream Police” was featured as a playable track in the hit video game Guitar Hero: Aerosmith. Rock Band 2 also featured the unreleased 1998 re-recorded version of “Hello There” as a playable track and it was also used for the game’s opening sequence.

In an October 2008 interview, Rick Nielsen revealed that several Cheap Trick releases were in store for the future, including a new album produced by Julian Raymond and Howard Willing, and the re-recorded version of In Color.[24]

In 2009, the band released The Latest. It was also available in both vinyl and 8-track tape versions on the band’s website.[25] The group also performed the theme song for the film Transformers: Revenge of the Fallen. The group released Sgt. Pepper Live, their interpretation of the classic Sgt. Pepper’s Lonely Hearts Club Band on August 25, 2009. This was released as both a compact disc and a DVD. 2009 also saw Bun E. Carlos launch a separate project including members ofSmashing Pumpkins, Fountains of Wayne, and Hanson: Tinted Windows, a power pop quartet whose debut album quickly earned critical praise and repeat airplay on leading syndicated FM radio programs. The band headlined a homecoming show at the Allstate Arena in Rosemont, IL on Thursday, December 10, 2009 as the main act at the 104.3 WJMK-FM holiday show, Jack’s Cheap Christmas.

In 2010, Cheap Trick’s “Dream Police”, re-recorded as “Green Police”, appeared as the music bed in an Audi commercial that first aired during the Super Bowl. The Audi commercial depicts a man enjoying his Audi TDI, which is apparently painlessly compliant with environmental regulations.

On March 19, 2010 it was announced that Bun E. Carlos was not currently the touring drummer for the band but remains a band member. [26] He was replaced by Nielsen’s son Daxx.[27]

On April 6, 2010 Sony Music began to reissue Cheap Trick’s albums that have been out of print via reissue specialist labels Friday Music and Wounded Bird Records. One On One and Next Position Please were released first and have been combined to fit on to one CD. Standing On The Edge and The Doctor were released separately and Busted was combined with the Found All The Parts EP.

In November 2010, the band played a set of shows in the UK, each with an individual setlist and their album The Latest was given away as a free disc with the UK magazine, Classic Rock. On July 17, 2011 at The Bluesfest in Ottawa, 20 minutes into Cheap Trick’s set, a thunderstorm blew through the festival area. The band and crew were on the stage when without warning the 40-ton roof fell. It fell away from the audience and landed on the band’s truck which was parked alongside the back of the stage, breaking the fall and allowing everyone about 30 seconds to escape.[28]

In 2012, Cheap Trick opened for Aerosmith on the Global Warming Tour. The tour began in Minneapolis, Minnesota on June 16 and ended in Nashville, Tennessee on December 13, 2012.

In 2013, Carlos filed a lawsuit against his former bandmates, claiming that even though they claim that he is still a band member, he is not being allowed to participate in band-related activities, including recording a new album. The remaining three members of Cheap Trick filed a countersuit, seeking an official affirmation of their removal of Carlos. Their lawsuit was thrown out by a Delaware judge in late 2013.[29]

In 2014, Cheap Trick went on tour as special guests with rock group Boston behind Boston’s new album, Life, Love & Hope.

As of 2015, the band is touring with Peter Frampton in the United States.

On February 26, 2015, Robin Zander announced that the lawsuit was over. “We’ve settled our differences,” Zander continued. “Bun E.’s a member of the band, but he’s not touring and he’s not recording. … We’ve had our differences, but we’re all settled up now and hopefully we can forget about that era. These decisions that Cheap Trick makes, Bun E. is part of.”

Legacy[edit]

Live performances[edit]

Cheap Trick is known for their four decades of almost continuous touring. They have performed more than 5,000 times.[30]

Instruments[edit]

Cheap Trick is known for its use—and large collection—of unusual and vintage guitars and basses.

Robin Zander has played a 1950s Rickenbacker Combo 450 Mapleglo since the late 1970s, as well as a Hamer 12-string guitar, a Schecter Guitar Research Corsair Bigsby, a Gibson Firebird, and various Fender Telecaster-styled guitars.

Rick Nielsen is an avid collector who has over 400 guitars in his possession. He has collaborated with Hamer on trademark ‘themed’ guitars, some based on Cheap Trick albums such as Rockford and The Doctor, and even songs such as “Gonna Raise Hell”. Hamer has also made unique five-necked guitars and electric mandocellos for Nielsen.

Rick Nielsen and Joel Danzig of Hamer created the idea for a twelve-string bass. Tom Peterson previously had used an Alembic[31][32] and Hagstrom 8-string basses, and asked Jol Dantzig of Hamer Guitars to make a 12-string bass. The company initially made him a 10-string bass. Following the successful trial use of that bass, the prototype 12-string bass, The Hamer ‘Quad’, was produced. Petersson later used 12-string basses made by Kids (a Japanese guitar maker),Chandler, and signature models from Waterstone. His primary choice of 4-string bass is a Gibson Thunderbird, though he also owns a very impressive array of 4, 5 and 8 stringed basses from other guitar makers. He is also an endorsee ofHofner basses.

Bun E. Carlos has played with many different commercial drum accessories, including Ludwig and Slingerland Radio King drums, Zildjian cymbals, rare Billy Gladstone snare drums, and Capella drum sticks. He is also an avid collector of vintage drums.

Influence[edit]

Cheap Trick is highly respected by its peers and an influence on its descendants. The band was one of Joey Ramone’s all-time favorites and has received acknowledgment from such peers as Gene Simmons (Rick Nielsen appeared on Simmons’ 1978 solo album), Joe Perry[citation needed], and Angus Young[citation needed]. In 1979, Robin Zander was informally approached to join British glam rockers Sweet after the departure of singer Brian Connolly. In the 1980s, Cheap Trick garnered support from the hard rock community when bands like Mötley Crüe, Ratt and Guns N’ Roses cited their influence. An interesting shift happened during the early to mid-90s that helped fortify the band’s credibility – the band was now being seen as influential within the blossoming alternative rock scene. Kurt Cobain mentioned the band as an influence, while Smashing Pumpkins showed their admiration by having Cheap Trick open shows for them. Even earlier, industrial post-punk bandBig Black released a version of Cheap Trick’s “He’s A Whore” as a single in 1986.

According to Poison guitarist C.C. Deville the main riff to “Talk Dirty to Me”, is taken from Cheap Trick’s “She’s Tight”, while his solo for the song is taken from “California Man”.

Smashing Pumpkins leader Billy Corgan has made a number of onstage guest appearances with Cheap Trick over the years. The thrash metal band Anthrax has covered two Cheap Trick songs, “Big Eyes” and “Auf Wiedersehen”. Other bands that have mentioned Cheap Trick as an inspiration and influence include Gin Blossoms, Urge Overkill, Pearl Jam, Weezer, Stone Temple Pilots, The Squids, Webb Wilder, Jason & the Scorchers, Everclear, Extreme, Enuff Z’nuff, Green Day,American Hi-Fi, Foo Fighters, Soundgarden, Fountains of Wayne, Red Hot Chili Peppers, the Rival Mob, OK Go, Terrorvision, Sugar High, Kings of Leon, Hüsker Dü, Slipknot, Jet, Tinted Windows, Surf Punks and The Wildhearts. Alice Cooper, on his “Nights with Alice Cooper” radio show once called Cheap Trick “America’s House Band”, citing their following among a wide range of musical genres. Even R&B/Soul artist Reggie Sears has mentioned Cheap Trick to be a big influence.

In the movie This is Spinal Tap, the fictional, down on its luck band Spinal Tap finds renewed success in a sold-out tour of Japan, an homage to Cheap Trick’s rise to international success after its tour of that country.[citation needed]

Singer-songwriter and guitarist Buzz Osborne of the Melvins, a seminal alternative music group, stated in 2011 that he’s been a Cheap Trick fan and influenced by their work.[33]

The lyric “Got my Kiss records out” in the Cheap Trick song “Surrender”, is rewritten as a tribute to Cheap Trick in The Squids song “Weeeee!! A KISS Concert!!” (2008) as “Got my Cheap Trick records out”.

Members[edit]

Current members
Former members
  • Randy Hogan – lead vocals (1974)
  • Pete Comita – bass, backing vocals (1980–1981)
  • Jon Brant – bass, backing vocals (1981–1987, 2004–2005, 2007; one-off 1999)
Touring musicians
  • Magic Cristian – keyboards, backing vocals (1982–1986, 2008–2011, 2013; one-off 2002, 2012, 2014)
  • Steve Walsh – keyboards, backing vocals (1985)
  • Tod Howarth – keyboards, backing vocals (1986–1987, 1990–1996, 2000, 2008; guest 1999)
  • Daxx Nielsen – drums, backing vocals (2001, 2010–present)

Timeline[edit]

Discography[edit]

Studio albums[edit]

References[edit]

  1. Jump up^ Journey, Cheap Trick thrill nostalgic crowd. By Maria Verso. The Arizona Republic. Published Oct. 4, 2008. Retrieved Dec. 26, 2008.
  2. Jump up^ Cheap Trick wants you to want them. By Mark Jordan.The Commercial Appeal. Published November 9, 2007.
  3. Jump up^ Artists of Hard Rock (40–21). VH1. Retrieved December 26, 2008.
  4. ^ Jump up to:a b c d e Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. pp. 170–1.ISBN 1-84195-017-3.
  5. Jump up^ “Nazz biography”. Technicolor Web of Sound.
  6. Jump up^ “Cheap Trick line-up history”. Classic Webs.
  7. Jump up^ “Music Review: Cheap Trick – The Latest – Blogcritics Music”. Blogcritics.org. Retrieved 2011-10-09.
  8. Jump up^ “Gigs 1974–79”. Ctnewseurope.co.uk. Retrieved2013-08-06.
  9. Jump up^ “Tom Werman Interview”. 12stringbass.net/. Retrieved2008-10-10.
  10. ^ Jump up to:a b “Cheap Trick biography”. Rolling Stone. Retrieved2007-11-10.
  11. Jump up^ Marsh, Dave (1979-11-29). “Cheap Trick: Dream Police”. Rolling Stone No. 305. Retrieved 2007-11-10.
  12. Jump up^ “Cheap Trick – At Budokan (album)”. SwissCharts.com. Retrieved 2007-11-10.
  13. Jump up^ Fricke, David (1981-03-19). “Cheap Trick: All Shook Up”. Rolling Stone No. 339. Retrieved 2007-11-10.
  14. Jump up^ Krewson, John. “Cheap Trick”. The A.V. Club. Retrieved 2011-07-20.
  15. Jump up^ Fricke, David (1985-10-10). “Cheap Trick: Standing on the Edge”. Rolling Stone No. 458. Retrieved 2007-11-10.
  16. Jump up^ Billboard – Google Books. Books.google.co.uk. 1986-12-06. Retrieved 2012-05-07.
  17. Jump up^ “Tom Werman blog”. Popdose.com. Retrieved2010-03-05.
  18. Jump up^ “In Color (Re-recorded version)”. Xtrmntr.com. Retrieved 2008-10-10.
  19. Jump up^ “Yahoo! Interview”. music.yahoo.com. Retrieved2008-10-11.
  20. Jump up^ “Podshow Radio”. Podshow Radio. Retrieved2014-04-17.
  21. Jump up^ “Senate Journal : State of Illinois : Ninety-Fifth General Assembly: 2007” (PDF). Ilga.gov. Retrieved 2012-09-24.
  22. Jump up^ “Performance Details|Hollywood Bowl Presented by LA Phil”. Hollywoodbowl.com. Retrieved 2011-07-20.
  23. Jump up^ Brasor, Philip. “How Cheap Trick put the Budokan on the map | The Japan Times”. Search.japantimes.co.jp. Retrieved 2014-04-17.
  24. Jump up^ “Rick Nielsen Billboard Interview”. billboard.com. Retrieved 2008-11-21.
  25. Jump up^ “CheapTrick.com”. CheapTrick.com. Retrieved2011-07-20.
  26. Jump up^ “Statement – March 19, 2010”. cheaptrick.com. Retrieved 2010-03-30.
  27. Jump up^ Braun, Georgette (September 4, 2013). “3 Cheap Trick members countersue original drummer”. Rockford Register Star. Retrieved 2014-01-18.
  28. Jump up^ Critic, Music (October 3, 2011). “Cheap Trick lobbies Congress to regulate temporary stages”. Chicago Tribune.
  29. Jump up^ “Cheap Trick Countersue Bun E. Carlos”. Rttnews.com. Retrieved 2014-04-17.
  30. Jump up^ http://www.cheaptrick.com/about-the-band
  31. Jump up^ “Cheap Trick 8-String”. Alembic Club. Retrieved2008-10-12.
  32. Jump up^ “Cheap Trick – Voices”. YouTube. Retrieved2008-10-12.
  33. Jump up^ “THE MELVINS: HE’S A BIG MOTHER”. L.A. Record. Retrieved June 9, 2014.

External links[edit]

__________________________

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Paul McCartney’s song “Uncle Albert/Admiral Halsey”

________

Paul McCartney Uncle Albert Rare Studio Demo

Paul McCartney; Uncle AlbertAdmiral Halsey. (RAM 1971)

Uncle Albert/Admiral Halsey

From Wikipedia, the free encyclopedia
“Uncle Albert/Admiral Halsey”
Single by Paul and Linda McCartney
from the album Ram
B-side Too Many People
Released 2 August 1971 (US only)
Format 7″
Recorded 6 November 1970
Genre
Length 4:49
Label Apple
Writer(s) Paul and Linda McCartney
Producer(s) Paul and Linda McCartney
Paul and Linda McCartney singles chronology
Another Day
(1971)
Uncle Albert/Admiral Halsey
(1971)
The Back Seat of My Car
(1971)
Ram track listing

Uncle Albert/Admiral Halsey” is a song by Paul and Linda McCartney from the album Ram. Released in the United States as a single on 2 August 1971,[1] but premiering on WLS the previous week (as a “Hit Parade Bound” (HPB)),[2] it reached number one on the Billboard Hot 100 on 4 September 1971,[3][4] making it the first of a string of post-Beatles, McCartney-penned singles to top the US pop chart during the 1970s and 1980s. Billboard ranked it number 22 on its Top Pop Singles of 1971 year-end chart.[5]

Elements and interpretation[edit]

“Uncle Albert/Admiral Halsey” is composed of several unfinished song fragments that McCartney stitched together similar to the medleys from the Beatles‘ album Abbey Road.[6] The song is noted for its sound effects, including the sounds of a thunderstorm, with rain, heard between the first and second stanza, the sound of a telephone ringing, and a message machine, heard after the second stanza, and a sound of chirping sea birds and wind by the seashore. Linda’s voice is heard in the harmonies as well as the bridge section of the “Admiral Halsey” portion of the song.

McCartney said “Uncle Albert” was based on his uncle. “He’s someone I recall fondly, and when the song was coming it was like a nostalgia thing.”[7] McCartney also said, “As for Admiral Halsey, he’s one of yours, an American admiral”, referring to Fleet Admiral William “Bull” Halsey (1882–1959).[7] McCartney has described the “Uncle Albert” section of the song as an apology from his generation to the older generation, and Admiral Halsey as an authoritarian figure who ought to be ignored.[8]

Despite the disparate elements that make up the song, author Andrew Grant Jackson discerns a coherent narrative to the lyrics, related to McCartney’s emotions in the aftermath of the Beatles’ breakup.[9] In this interpretation, the song begins with McCartney apologizing to his uncle for getting nothing done, and being easily distracted and perhaps depressed in the lethargic “Uncle Albert” section.[9] Then, after some sound effects reminiscent of “Yellow Submarine,” Admiral Halsey appears to him calling him to action, although McCartney remains more interested in “tea and butter pie.” McCartney stated that he put the butter in the pie so that it would not melt at all.[9] Jackson sees a possible sinister allusion in the use of Admiral Halsey as a character in the song, since Halsey was famous for fighting the Japanese in World War II and claiming that “after the war, the Japanese language will be spoken only in hell,” and McCartney’s ex-Beatle partner John Lennon had recently married a Japanese woman, Yoko Ono.[9] The “hands across the water” section which follows could be taken as evocative of the command “All hands on deck!”, rousing McCartney to action, perhaps to compete with Lennon.[9] The song then ends with the “gypsy” section, in which McCartney resolves to get back on the road and perform his music, now that he was on his own without his former bandmates who no longer wanted to tour.[9]

Reception[edit]

Paul McCartney won the Grammy Award for Best Arrangement Accompanying Vocalists in 1971 for the song.[10][11] The single was certified Gold by the Recording Industry Association of America for sales of over one million copies.[12]

According to Allmusic critic Stewart Mason, fans of Paul McCartney’s music are divided in their opinions of this song.[13] Although some fans praise it as “one of his most playful and inventive songs” others criticize it for being “exactly the kind of cute self-indulgence that they find so annoying about his post-Beatles career.”[13] Mason himself considers it “churlish” to be annoyed by the song, given that song isn’t intended to be completely serious, and praises the “Hands across the water” section as being “lovably giddy.”[13]

On the US charts, the song set a songwriting milestone as the all-time songwriting record (at the time) for the most consecutive calendar years to write a #1 song. This gave McCartney eight consecutive years (starting with “I Want to Hold Your Hand“), leaving behind Lennon with only seven years.

Later release[edit]

“Uncle Albert/Admiral Halsey” also appears on Wings Greatest from 1978, even though Ram was not a Wings album, and again on the US version of McCartney’s 1987 compilation, All the Best!, as well as the 2001 compilation Wingspan: Hits and History.

Personnel[edit]

Song uses[edit]

Charts[edit]

Peak positions[edit]

Chart (1971) Position
Australian Kent Music Report[14] 5
Canadian RPM Top 100 Singles[15] 1
Mexican Singles Chart[16] 3
U.S. Billboard Hot 100[4] 1
West German Media Control Singles Chart[17] 30

Year-end charts[edit]

Chart (1971) Position
Canadian RPM Singles Chart[18] 14
U.S. Billboard Top Pop Singles[16] 22

Certifications[edit]

Region Certification
United States (RIAA)[19] Gold

Notes[edit]

  1. Jump up^ McGee 2003, p. 195.
  2. Jump up^ “89WLS Hit Parade”. 1971-08-02. Retrieved 2013-12-21.
  3. Jump up^ Billboard.
  4. ^ Jump up to:a b “Allmusic: Paul McCartney: Charts & Awards”. allmusic.com. Retrieved 2 May 2013.
  5. Jump up^ “Top Pop 100 Singles” Billboard December 25, 1971: TA-36
  6. Jump up^ Blaney, J. (2007). Lennon and McCartney: together alone: a critical discography of their solo work. Jawbone Press. pp. 46, 50. ISBN 978-1-906002-02-2.
  7. ^ Jump up to:a b McGee 2003, p. 196.
  8. Jump up^ Benitez, V.P. (2010). The Words and Music of Paul McCartney: The Solo Years. Praeger. pp. 30–31. ISBN 978-0-313-34969-0.
  9. ^ Jump up to:a b c d e f Jackson, A.G. (2012). Still the Greatest: The Essential Songs of The Beatles’ Solo Careers. Scarecrow Press. ISBN 978-0810882225.
  10. Jump up^ “Past Winners Search”. National Academy of Recording Arts and Sciences. Retrieved 2 May 2014.
  11. Jump up^ “1971 Grammy Awards”.
  12. Jump up^ riaa.com
  13. ^ Jump up to:a b c Mason, S. “Uncle Albert/Admiral Halsey”. Allmusic. Retrieved 2013-12-25.
  14. Jump up^ Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN 0-646-11917-6.
  15. Jump up^ “Top Singles – Volume 16, No. 5”. RPM. 18 September 1971. Retrieved 5 May 2013.
  16. ^ Jump up to:a b Nielsen Business Media, Inc (25 December 1971). Billboard – Talent in Action 1971. Retrieved 1 May 2014.
  17. Jump up^ “Single Search: Paul and Linda McCartney – “Uncle Albert/Admiral Halsey”” (in German). Media Control. Retrieved 20 February 2013.
  18. Jump up^ “RPM 100 Top Singles of 1971”. RPM. 8 January 1972. Retrieved 11 March 2014.
  19. Jump up^ “American single certifications – Paul Mc Cartney – Uncle Albert”. Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Single, then click SEARCH

References[edit]

Preceded by
How Can You Mend a Broken Heart” by Bee Gees
Billboard Hot 100 number-one single
4 September 1971 (one week)
Succeeded by
Go Away Little Girl” by Donny Osmond
Preceded by
Sweet Hitch-Hiker” by Creedence Clearwater Revival
Canadian “RPM” Singles Chart number-one single
18 September 1971 – 2 October 1971 (three weeks)
Succeeded by
Maggie May” by Rod Stewart

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Quote from Friedman from the book CAPITALISM AND FREEDOM

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I Agree with Milton Friedman!

By James Kwak

In Capitalism and Freedom, Milton Friedman asks what types of inequality are ethically justifiable. In particular (pp. 164–66):

“Inequality resulting from differences in personal capacities, or from differences in wealth accumulated by the individual in question, are considered appropriate, or at least not so clearly inappropriate as differences resulting from inherited wealth.

“This distinction is untenable. Is there any greater ethical justification for the high returns to the individual who inherits from his parents a peculiar voice for which there is a great demand than for the high returns to the individual who inherits property? …

“Most differences of status or position or wealth can be regarded as the product of chance at a far enough remove. The man who is hard working and thrifty is to be regarded as ‘deserving’; yet these qualities owe much to the genes he was fortunate (or fortunate?) enough to inherit.”

I think Friedman is correct here. This is basically the same point that I made in my earlier post: the money that you make because you are smart and hard working is the product of good fortune just as much as the money that you inherit directly from your parents.

Read more at Medium.

“Friedman Friday” (“Free to Choose” episode 1 – Power of the Market. part 7 of 7)

  Michael Harrington:  If you don’t have the expertise, the knowledge technology today, you’re out of the debate. And I think that we have to democratize information and government as well as the economy and society. FRIEDMAN: I am sorry to say Michael Harrington’s solution is not a solution to it. He wants minority rule, I […]

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PETERSON: Well, let me ask you how you would cope with this problem, Dr. Friedman. The people decided that they wanted cool air, and there was tremendous need, and so we built a huge industry, the air conditioning industry, hundreds of thousands of jobs, tremendous earnings opportunities and nearly all of us now have air […]

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MUSIC MONDAY The most recognized LED ZEPPELIN song of all time!!!

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Led Zeppelin – Stairway to Heaven Live (HD)

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Inductees: John “Bonzo” Bonham (drums; born May 31, 1948, died September 25, 1980), John Paul Jones (bass, keyboards; born January 3, 1946), Jimmy Page (guitar; born January 9, 1944), Robert Plant (vocals; born August 20, 1948)

Combining the visceral power and intensity of hard rock with the finesse and delicacy of British folk music, Led Zeppelin redefined rock in the Seventies and for all time. They were as influential in that decade as the Beatles were in the prior one. Their impact extends to classic and alternative rockers alike. Then and now, Led Zeppelin looms larger than life on the rock landscape as a band for the ages with an almost mystical power to evoke primal passions. The combination of Jimmy Page’s powerful, layered guitar work, Robert Plant’s keening, upper-timbre vocals, John Paul Jones’ melodic bass playing and keyboard work, and John Bonham’s thunderous drumming made for a band whose alchemy proved enchanting and irresistible. “The motto of the group is definitely, ‘Ever onward,’” Page said in 1977, perfectly summing up Led Zeppelin’s forward-thinking philosophy.

The group formed in 1968 from the ashes of the Yardbirds, for which guitarist Jimmy Page had served as lead guitarist after Eric Clapton and Jeff Beck. Page’s stint in the Yardbirds (1966-1968) followed a period of years as one of Britain’s most in-demand session guitarists. As a generally anonymous hired gun, Page performed on mid-Sixties British Invasion records by the likes of Donovan (“Hurdy Gurdy Man”), Them (“Gloria”), the Who (“I Can’t Explain”) and hundreds of others. Page assembled a “New Yardbirds” in order to fulfill contractual obligations that, once served, allowed him to move on to his blues-based dream band, Led Zeppelin.

Bassist John Paul Jones also boasted a lofty session musician’s pedigree. His resume included work for the Rolling Stones, Donovan, Jeff Beck and Dusty Springfield. Singer Robert Plant and drummer John “Bonzo” Bonham came from Birmingham, England, where they’d previously played in the Band of Joy. Page described Led Zeppelin in a press release for their first album with these words: “I can’t put a tag to our music. Every one of us has been influenced by the blues, but it’s one’s interpretation of it and how you utilize it. I wish someone would invent an expression, but the closest I can get is contemporary blues.” Integrating Delta blues and U.K. folk influences with a modern rock approach, Led Zeppelin’s symbiosis gave rise to hard rock, which flourished in the Seventies under their expert tutelage. Such classics as “Whole Lotta Love” were built around Page’s heavyweight guitar riffs, Plant’s raw, half-screamed vocals, and the rhythm section’s deep, walloping assaults – all hallmarks of a new approach to rock that combined heaviness and delicacy.

In Jimmy Page’s words, the band aimed for “a kind of construction in light and shade.” The members of Led Zeppelin were musical sponges, often traveling the world –literally traipsing about foreign lands and figuratively exploring the cultural landscape via their record collections – in search of fresh input to trigger their muse. “The very thing Zeppelin was about was that there were absolutely no limits,” explained bassist Jones. “We all had ideas, and we’d use everything we came across, whether it was folk, country music, blues, Indian, Arabic.”

The group’s use of familiar blues-rock forms spiced with exotic flavors found favor among the rock audience that emerged in the Seventies. Led Zeppelin aimed itself at the album market, eschewing the AM-radio singles orientation of the previous decade. Their self-titled first album found them elongating blues forms with extended solos and psychedelic effects, most notably on the agonized “Dazed and Confused,” and launching pithy hard-rock rave-ups like “Good Times Bad Times” and “Communication Breakdown.” Led Zeppelin II found them further tightening up and modernizing their blues-rock approach on such tracks as “Whole Lotta Love,” “Heartbreaker” and “Ramble On.” Led Zeppelin III took a more acoustic, folk-oriented approach on such numbers as Leadbelly’s “Gallows Pole” and their own “Tangerine,” yet they also rocked furiously on “Immigrant Song” and offered a lengthy electric blues, “Since I’ve Been Loving You.”

The group’s untitled fourth album (a.k.a., Led Zeppelin IV, “The Runes Album” and ZOSO), which appeared in 1971, remains an enduring rock milestone and their defining work. The album was a fully realized hybrid of the folk and hard-rock directions they’d been pursuing, particularly on “When the Levee Breaks” and “The Battle of Evermore.” “Black Dog” was a piledriving hard-rock number cut from the same cloth as “Whole Lotta Love.” Most significant of the album’s eight tracks was the fable-like “Stairway to Heaven,” an eight-minute epic that, while never released as a single, remains radio’s all-time most-requested rock song. Houses of the Holy, Led Zeppelin’s fifth album, was another larger-than-life offering, from its startling artwork to the adventuresome music within. Even more taut, dynamic and groove-oriented, it included such Zeppelin staples as “Dancing Days,” “The Song Remains the Same” and “D’yer Mak’er.” They followed this with the Physical Graffiti, a double-album assertion of group strength that included the “Trampled Underfoot,” “Sick Again,” “Ten Years Gone” and the lengthy, Eastern-flavored “Kashmir.”

Led Zeppelin’s sold-out concert tours became rituals of high-energy rock and roll theater. The Song Remains the Same, a film documentary and double-album soundtrack from 1976, attests to the group’s powerful and somewhat saturnalian appeal at the height of their popularity. The darker side of Led Zeppelin – their reputation as one of the most hedonistic and indulgent of all rock bands– is an undeniable facet of the band’s history.

In the mid-to-late Seventies, a series of tragedies befell and ultimately broke up Led Zeppelin. A 1975 car crash on a Greek island nearly cost Plant his leg and sidelined him (and the band) for two years. In 1977, Plant’s six-year-old son Karac died of a viral infection. The group inevitably lost momentum, as three years passed between the release of the underrated Presence (1976) and In Through the Out Door, their final studio album (1979). On September 25, 1980, while in the midst of rehearsals for an upcoming American tour, Led Zeppelin suffered another debilitating blow. Drummer John Bonham was found dead due to asphyxiation following excessive alcohol consumption. Feeling that he was irreplaceable, Led Zeppelin disbanded.

Robert Plant launched a solo career, Jimmy Page formed The Firm with former Bad Company singer Paul Rodgers, and John Paul Jones returned to producing, arranging and scoring music. There were brief reunions at Live Aid and for Atlantic Records’ 40th anniversary celebration. Something of the old power was rekindled in 1994-1995, when Page and Plant reunited to record an album (No Quarter) and tour with a large and diverse ensemble of musicians.

On December 10, 2007, the surviving members of Led Zeppelin reunited for a tribute concert in memory of the late founder of Atlantic Records, Ahmet Ertegun. With Jason Bonham, the son of John Bonham, on drums, the group performed at the O2 Arena in London. They played 16 songs, opening with “Good Times, Bad Times” and closing their set with “Kashmir.” The show was filmed and was finally released to theaters in October 2012. A commercial DVD and CD were released in November 2012. Even though the band members talked about possibly playing more shows, the London concert was the band’s final appearance.

Meanwhile, the Led Zeppelin legend endures and grows long after their demise, much like that of the Doors and Elvis Presley. The lingering appeal of Led Zeppelin is perhaps best summed up by guitarist Page: “Passion is the word….It was a very passionate band, and that’s really what comes through.” At the dawn of the new millennium, Led Zeppelin placed second only to the Beatles in terms of record sales, having sold 84 million units. Led Zeppelin IV is the fourth best-selling album in history, having sold more than 22 million copies, and four other albums by the band – Physical Graffiti, Led Zeppelin II, Houses of the Holy and Led Zeppelin – also rank among the all-time top 100 best-sellers. Fittingly, Led Zeppelin is tied with the Beatles (five apiece) for the most albums on that esteemed list – a mark of both bands’ impact. In their ceaseless determination to move music forward, Led Zeppelin carved out an indelible place in rock history.

– See more at: http://rockhall.com/inductees/led-zeppelin/bio/#sthash.IyslytVh.dpuf

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“Schaeffer Sunday” Liberals at Ark Times can not stand up to Scott Klusendorf’s pro-life arguments (Part 2) Prochoice bloggers are basically saying “If you are not a woman then shut up about abortion”

Anti Abortion Pro-Life Training Video by Scott Klusendorf Part 2 of 4

How Should We then Live Episode 7 small (Age of Nonreason)

#02 How Should We Then Live? (Promo Clip) Dr. Francis Schaeffer

The clip above is from episode 9 THE AGE OF PERSONAL PEACE AND AFFLUENCE

10 Worldview and Truth

In above clip Schaeffer quotes Paul’s speech in Greece from Romans 1 (from Episode FINAL CHOICES)

Two Minute Warning: How Then Should We Live?: Francis Schaeffer at 100

A Christian Manifesto Francis Schaeffer

Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR

Dr. Francis Schaeffer: Whatever Happened to the Human Race Episode 1 ABORTION

This crucial series is narrated by the late Dr. Francis Schaeffer and former Surgeon General Dr. C. Everett Koop. Today, choices are being made that undermine human rights at their most basic level. Practices once considered unthinkable are now acceptable – abortion, infanticide and euthanasia. The destruction of human life, young and old, is being sanctioned on an ever-increasing scale by the medical profession, by the courts, by parents and by silent Christians. The five episodes in this series examine the sanctity of life as a social, moral and spiritual issue which the Christian must not ignore. The conclusion presents the Christian alternative as the only real solution to man’s problems.

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I have gone back and forth with Ark Times liberal bloggers on the issue of abortion, but I am going to try something new. I am going to respond with logical and rational reasons the pro-life view is true. All of this material is from a paper by Scott Klusendorf called FIVE BAD WAYS TO ARGUE ABOUT ABORTION .

The people using the usernames DeathByInches, Venessa and Jennifer Coates Johnson all basically said on 2-8-13 “If you are not a woman then shut up about abortion.” Here is the exact quote from “DeathByInches”: “Saline! You’re points are always about 20 degrees off center. Do you really think it’s a smart idea to print out the ramblings of a MAN’S thoughts and opinion on abortion….which happens 100% of the time to WOMEN, not MEN?”

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Here is my response:
 Scott Klusendorf responded to this kind of thinking by stating:

Men are told, “You can’t get pregnant, so leave the abortion issue to women.” Besides its obvious sexism, the statement is seriously flawed for several reasons. First, arguments do not have genders, people do.30 Since many pro-life women use the same arguments offered by pro-life men, it behooves the abortion advocate to answer these arguments without fallaciously attacking a person’s gender.

Second, to be consistent with their own reasoning, abortion advocates would have to concede that Roe v. Wade, the Supreme Court case legalizing abortion, was bad law. After all, nine men decided it. They must also call for the dismissal of all male lawyers working for Planned Parenthood and the ACLU on abortion related issues. Since abortion advocates are unwilling to do this, we can restate their argument as follows: “No man can speak on abortion—unless he agrees with us.” Once again, this is a classic case of intolerance.

Third, lesbians and post-menopausal women cannot naturally get pregnant; must they be silent on the issue? Think of the bizarre rules we could derive from this argument: “Since only generals understand battle, only they should discuss the morality of war.” Or, “Because female sportscasters have never experienced a groin injury, they have no right to broadcast football games on national television.”

Again, abortion advocates must offer arguments to support their position. Attacking people personally, even if those attacks are true, will not make their case or refute ours.

___________________

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FRANCIS SCHAEFFER AND ADRIAN ROGERS ARE MY TWO SPIRITUAL HEROES BECAUSE THEY DEFENDED THE ACCURACY OF THE BIBLE!

Francis Schaeffer

I remember like yesterday hearing my pastor Adrian Rogers in 1979 going through the amazing fulfilled prophecy of Ezekiel 26-28 and the story of the city of Tyre. In 1980 in my senior year (taught by Mark Brink) at Evangelical Christian High School, I watched the film series by Francis Schaeffer called WHATEVER HAPPENED TO THE HUMAN RACE? Later that same year I read the book by the same name and I was amazed at the historical accuracy of the Bible and the many examples from archaeology that Schaeffer gave and recently I have shared several of these in my current series on Schaeffer and the Beatles. The reason I did that was because many people in the 1960’s had taken non-rational leaps into such areas as communism, the occult, drugs, and eastern mysticism,  but sitting right there in front of them was the historical accurate Bible which contained sufficient evidence to warrant trust.

(Adrian Rogers met with Presidents Jimmy Carter and Ronald Reagan.)

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(This was the average sanctuary crowd when I was growing up at Bellevue Baptist in Memphis)

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Anyone who has read my blog for any length of time knows that politically Milton Friedman and Ronald Reagan were my heroes. Spiritually my heroes have been both Francis Schaeffer and Adrian Rogers. An interesting fact about both of these two men and that is they both believed the Bible is the inspired and inerrant word of God. Both men defended the historical accuracy of the Bible even though both of the religious denominations they belonged to started to shift to the liberal view that the Bible contains errors in it.

H. L. Mencken
H l mencken.jpg

J. Gresham Machen

J. Gresham Machen

Francis Schaeffer’s battle on this issue came in the 1930’s when he got to know Dr. J. Gresham Machen was involved in a battle with  the Presbyterian Church USA over their leftward shift in theology. Francis Schaeffer observed:

H.L. Mencken died when I was a young man and I read some of the stuff he wrote and he came at just the point of the total collapse of the American consensus back in the 1930’s or a little before. H.L.Mencken was very destructive to the American consensus and he was way out. It is he who said the famous thing about Dr. J. Gresham Machen. Dr. Machen was the man who was fighting the battle for historic Christianity against the liberals in the big denominations and expressly the Presbyterian denomination and the liberals were trying to laugh Machen out of court. But H.L. Mencken said a remarkable thing, “Well, if you really want to be a Christian there is only one kind of Christian to be and that is the Machen kind.” This is wonderful. This is exactly where the battlefield is. When you take Christianity and chip away at it like the liberals wanted to do then you don’t have anything left. This is no halfway war. If you are going to be a Christian you have to be a biblical Christian. Machen and Mencken understood this and this is my position too.  

Adrian Rogers also was that type of Christian too. Recently a relative told me that his Bible Study Teacher at the church he started attended recently started a series on Genesis and he said on the front end that evolution is true. I encouraged my relative to ask the simple question: DO YOU BELIEVE IN A LITERAL “ADAM AND EVE?” I sent him the sermon on Evolution by Adrian Rogers and here is a portion of it below:

H.G. Wells

H. G. Wells, the brilliant historian who wrote The Outlines of History, said this—and I quote: “If all animals and man evolved, then there were no first parents, and no Paradise, and no Fall. If there had been no Fall, then the entire historic fabric of Christianity, the story of the first sin, and the reason for the atonement, collapses like a house of cards.” H. G. Wells says—and, by the way, I don’t believe that he did believe in creation—but he said, “If there’s no creation, then you’ve ripped away the foundation of Christianity.”

Now, the Bible teaches that man was created by God and that he fell into sin. The evolutionist believes that he started in some primordial soup and has been coming up and up. And, these two ideas are diametrically opposed. What we call sin the evolutionist would just call a stumble up. And so, the evolutionist believes that all a man needs—he’s just going up and up, and better and better—he needs a boost from beneath. The Bible teaches he’s a sinner and needs a birth from above. And, these are both at heads, in collision.

What is evolution? Evolution is man’s way of hiding from God, because, if there’s no creation, there is no Creator. And, if you remove God from the equation, then sinful man has his biggest problem removed—and that is responsibility to a holy God. And, once you remove God from the equation, then man can think what he wants to think, do what he wants to do, be what he wants to be, and no holds barred, and he has no fear of future judgment.

Francis Schaeffer & the SBC

Actually Francis Schaeffer’s good friend Paige Patterson talked Adrian Rogers into running for President of the Southern Baptist Convention in 1979 and the liberal shift was halted. In the article “Francis Schaeffer ‘indispensable’ to SBC,” (Thursday, October 30, 2014,)  David Roach wrote:

The late Francis Schaeffer was known to pick up the phone during the early years of the Southern Baptist Convention’s conservative resurgence. Paige Patterson knew to expect a call from Schaeffer around Christmas with the question, “You’re not growing weary in well-doing are you?”

Patterson, a leader in the movement to return the SBC to a high view of Scripture, would reply, “No, Dr. Schaeffer. I’m under fire, but I’m doing fine. And I’m trusting the Lord and proceeding on.”

To some it may seem strange that an international Presbyterian apologist and analyst of pop culture would take such interest in a Baptist controversy over biblical inerrancy.

But to Schaeffer it made perfect sense.

He believed churches were acquiescing to the world, abandoning their belief that the Bible is without error in everything it said. A watered-down theology left the SBC with decreased power to battle cultural evils. To Schaeffer the convention was the last major American denomination with hope for reversing this “great evangelical disaster,” as he put it.

Thirty years after Schaeffer’s death, Baptist leaders still remember how he took time from his speaking, writing and filmmaking schedule to quietly encourage Patterson; Paul Pressler, a judge from Texas with whom Patterson worked closely during the conservative resurgence; Adrian Rogers, a Memphis pastor who served three terms SBC president; and others.

By the early 1990s, conservatives had elected an unbroken string of convention presidents and moved in position to shift the balance of power on all convention boards and committees from the theologically moderate establishment. But at the time of Schaeffer’s annual calls, the outcome of the controversy was still in doubt.

(Paige Patterson)

“I strongly suspect that he was afraid I would not hold strong,” Patterson, now president of Southwestern Baptist Theological Seminary in Texas, told Baptist Press. “He had seen so many people fold up under pressure that he assumed we probably would too. So he would call and ask for a report.”

Schaeffer’s interest in engaging culture made him particularly appealing to Southern Baptist conservatives. He helped provide them with a “battle plan” to fight cultural evils and what they perceived as theological drift in their denomination, Richard Land, president of Southern Evangelical Seminary, told BP.

Along with theologian Carl F.H. Henry, Schaeffer was the key intellectual influence on leaders of the conservative resurgence, Land said. When conservatives started to be elected as the executives of Baptist institutions, Henry spoke at Land’s inauguration at the Christian Life Commission (the ERLC’s precursor), R. Albert Mohler Jr.’s at Southern Baptist Theological Seminary in Kentucky and Timothy George’s at Beeson Divinity School in Alabama.

“If Schaeffer had still been alive, we would have had him come,” Land said. He noted that Schaeffer was “close” to Rogers and “admired” by Bailey Smith, two conservative SBC presidents. Edith Schaeffer and Patterson’s wife Dorothy were close friends and traveled together in the early 1980s speaking on the importance of the home.

Clark Pinnock, a former New Orleans Baptist Theological Seminary professor who mentored conservative resurgence leaders before taking a leftward theological turn in his own thinking, served on Schaeffer’s staff at L’Abri.

BP Photo
Paige Patterson and Adrian Rogers share a time of prayer in the early moments of the Conservative Resurgence movement within the Southern Baptist Convention.

Image result for ADRIAN ROGERS richard land

Ron Dunn with Adrian Rogers above

Dr. Francis Schaeffer: The Biblical Flow of History & Truth

Whatever Happened To The Human Race? | Episode 5 | Truth and History (20…

Mount Sinai is one of the most important sites of the entire Bible. It was here that the Hebrew people came shortly after their flight from Egypt. Here God spoke to them through Moses, giving them directions for their life as newly formed nation and making a covenant with them.

The thing to notice about this epochal moment for Israel is the emphasis on history which the Bible itself makes. Time and time again Moses reminds the people of what has happened on Mount Sinai:

Deuteronomy 4:11-12New International Version (NIV)

11 You came near and stood at the foot of the mountain while it blazed with fireto the very heavens, with black clouds and deep darkness. 12 Then the Lordspoke to you out of the fire. You heard the sound of words but saw no form;there was only a voice.

Moses emphasized that those alive at the time had actually heard God’s voice. They had received God’s direct communication  in words. They were eyewitnesses of what had occurred–they saw the cloud and the mountain burning with fire. They saw and they heard. Moses says, on the basis of what they themselves have seen and heard in their own lifetime, they are not to be afraid of their present or future enemies.

On the same basis too, Moses urges them to obey God: “Only be careful, and watch yourselves closely so that you do not forget the things your eyes have seen…” (Deuteronomy 4:9)

Thus the people’s confidence and trust in God and their obedience to Him are alike rooted in truth that is historical and open to observation…The relationship between God and His people was not based on an upward experience inside their own heads, but upon a reality which was seen and heard. They were called to obey God not because of a leap of faith, but because of God’s real acts in history. For God is the LIVING GOD….”Religious Truth” according to the Bible involves the same sort of truth which people operate on in their everyday lives. If something is true, then its opposite cannot also be true.

From the Bible’s viewpoint, all truth finally rests upon the fact that the infinite-personal God exists in contrast to His not existing. This means that God exists objectively. He exists whether or not people say He does. The Bible also teaches that God is personal.
Much of the Bible is in the sphere of normal existence and is observable. God communicated himself in language. This is not surprising for He  was the creator of people who use language in communicating with other people.
In the Hebrew (and biblical) view, truth is grounded ultimately in the existence and character of God and what has been given us by God in creation and revelation. Because people are finite, reality cannot be exhausted by human reason.
It is within this Judeo-Christian view of truth that, by its own insistence, we must understand the Bible. Moses could appeal to real historical events as the basis for Israel’s confidence and obedience into the future. He could even pass down to subsequent generations physical reminders of what God had done, so that the people could see them and remember.

________________

The Story of Francis and Edith Schaeffer

John 21:1-14New International Version (NIV)

Jesus and the Miraculous Catch of Fish

21 Afterward Jesus appeared again to his disciples, by the Sea of Galilee.[a] It happened this way: Simon Peter, Thomas (also known as Didymus[b]), Nathanael from Cana in Galilee, the sons of Zebedee, and two other disciples were together. “I’m going out to fish,” Simon Peter told them, and they said, “We’ll go with you.” So they went out and got into the boat, but that night they caught nothing.

Early in the morning, Jesus stood on the shore, but the disciples did not realize that it was Jesus.

He called out to them, “Friends, haven’t you any fish?”

“No,” they answered.

He said, “Throw your net on the right side of the boat and you will find some.”When they did, they were unable to haul the net in because of the large number of fish.

Then the disciple whom Jesus loved said to Peter, “It is the Lord!” As soon as Simon Peter heard him say, “It is the Lord,” he wrapped his outer garment around him (for he had taken it off) and jumped into the water. The other disciples followed in the boat, towing the net full of fish, for they were not far from shore, about a hundred yards.[c] When they landed, they saw a fire of burning coals there with fish on it, and some bread.

10 Jesus said to them, “Bring some of the fish you have just caught.” 11 So Simon Peter climbed back into the boat and dragged the net ashore. It was full of large fish, 153, but even with so many the net was not torn. 12 Jesus said to them, “Come and have breakfast.” None of the disciples dared ask him, “Who are you?” They knew it was the Lord. 13 Jesus came, took the bread and gave it to them, and did the same with the fish. 14 This was now the third time Jesus appeared to his disciples after he was raised from the dead.

__________

The resurrected Christ stood there on the beach of the Sea of Galilee. Before the disciples reached the shore, He had already prepared a fire with fish cooking on it for them to eat. It was a fire that could be seen and felt; the fire cooked the fish, and the fish and bread could be eaten for breakfast.

When the fire died down, it left ashes on the beach; the disciples were well fed with bread and fish and Christ’s footprints would have been visible on the beach…

Thomas, Christ tells us,  should have believed the ample evidence given to him of the physical evidence of the resurrection by the other apostles. Christ rebuked him for not accepting this evidence.He at that time and we today have the same sufficient witness of those who have seen and heard and were able to touch the resurrected Christ and were able to observe what He had done.

Because Thomas insisted on seeing and touching we have a more sure witness than we otherwise would have  had. In the testimony of those who saw and heard we have a sure witness and this includes Thomas’ doubt and his personal verification which removed that doubt. WE SHOULD BOW BEFORE THE TOTAL WITNESS OF THE RECORD WHICH WE HAVE  IN THE BIBLE, OF THE TESTIMONY OF THE EXISTENCE OF THE UNIVERSE AND IT’S FORM AND THE UNIQUENESS OF MAN. IT IS ENOUGH! BELIEVE HE HAS RISEN.

John 20:24-29New International Version (NIV)

Jesus Appears to Thomas

24 Now Thomas (also known as Didymus[a]), one of the Twelve, was not with the disciples when Jesus came. 25 So the other disciples told him, “We have seen the Lord!”

But he said to them, “Unless I see the nail marks in his hands and put my finger where the nails were, and put my hand into his side, I will not believe.”

26 A week later his disciples were in the house again, and Thomas was with them. Though the doors were locked, Jesus came and stood among them and said, “Peace be with you!” 27 Then he said to Thomas, “Put your finger here; see my hands. Reach out your hand and put it into my side. Stop doubting and believe.”

28 Thomas said to him, “My Lord and my God!”

29 Then Jesus told him, “Because you have seen me, you have believed;blessed are those who have not seen and yet have believed.”

_______________

Is Propositional Revelation Nonsense?

Tim Brister —  July 26, 2006 — 6 Comments

In the appendix of his book, He Is There and He Is Not Silent, Francis Schaeffer wrote a little piece called “Is Propositional Revelation Nonsense?” Schaeffer explains that, “To modern man, and much modern theology, the concept of propositional revelation and the historic Christian view of infallibility is not so much mistaken as meaningless” (345). The 20th century came with many challenges to theological formulation, not the least of which was the assault on propositional truth and revelation. Such camps as existentialists and logical positivists attempted to remove religious truth from the reason and revelation while others sought to justify meaning, reality, and truth with other criterion of verification such as experience and perception. However, center to the Christian faith is the belief that God has spoken and revealed himself in the written Word of God. In this revelation, God used language as the medium to carry and convey biblical truths and realities. This is not to say that God has revealed himself exhaustively, but it does mean that he has revealed himself truly and definitively. Schaeffer makes two points which I would like to mention here:

  1. Even communication between one created person and another is not exhaustive; but that does not mean that for that reason it is not true.
  1. If the uncreated Personal really cared for the created personal, it could not be thought unthinkable for him to tell the created personal things of a propositional nature; otherwise, as a finite being, the created personal would have numerous things he could not know if he just began with himself as a limited, finite reference point.

Schaffer makes some salient points here that deserve to be brought up in the 21stcentury. While we do not disagree that revelation is also personal, we cannot flinch on the assault on propositional revelation. God has revealed himself to us, his nature and his acts, through propositional revelation (i.e. the Bible), and the implications of this truth is that we do not have the rights to reinvent or rename the God Who Is There. If we do not begin with God and his revelation, Schaeffer is correct to conclude that there are many things we could not know about God based on such a limited, finite reference point as ourselves. It is no coincidence that, at the time of Schaeffer’s publishing of this book (1972), John Hick was advancing his pluralistic hypothesis which argued for the ineffability of the “Real” which argued that one cannot know anything about God as he is (ding an sich).Adapting the Kantian model of the noumenal and phenomenal worlds, Hick argues that God (“Real”) has not and cannot reveal himself truly and definitely; furthermore, it is impossible to know anything at all about the Real (except that it is ineffable and that it exists which is something he claims to know). The result when God is not the beginning, the reference point, the apriori grounds of knowledge and revelation, then knowing and defining God is a free-for-all to anyone who wants to postulate their phenomenological interpretations as religious truth. Schaeffer concludes his little article with this important paragraph in which he said:

“The importance of all this is that most people today (including some who still call themselves evangelical) who have given up the historical and biblical concept of revelation and infallibility have not done so because of the consideration of detailed problems objectively approached, but because they have accepted, either in analyzed fashion or blindly, the other set of presuppositions. Often this has taken place by means of cultural injection, without their realizing what has happened to them” (349, emphasis added).

In the days ahead, I hope to share how propositional truth is foundational to personal truth and give a few examples of the redefinition of revelation in contemporary contexts.

Long ago, at many times and in many ways, God spoke to our fathers by the prophets, but in these last days he has spoken to us by his Son, whom he appointed the heir of all things, through whom also he created the world.
Hebrews 1:1-2

_____________

The Bible and Archaeology – Is the Bible from God? (Kyle Butt 42 min)

You want some evidence that indicates that the Bible is true? Here is a good place to start and that is taking a closer look at the archaeology of the Old Testament times. Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject: 1. The Babylonian Chronicleof Nebuchadnezzars Siege of Jerusalem2. Hezekiah’s Siloam Tunnel Inscription. 3. Taylor Prism (Sennacherib Hexagonal Prism)4. Biblical Cities Attested Archaeologically. 5. The Discovery of the Hittites6.Shishak Smiting His Captives7. Moabite Stone8Black Obelisk of Shalmaneser III9A Verification of places in Gospel of John and Book of Acts., 9B Discovery of Ebla Tablets10. Cyrus Cylinder11. Puru “The lot of Yahali” 9th Century B.C.E.12. The Uzziah Tablet Inscription13. The Pilate Inscription14. Caiaphas Ossuary14 B Pontius Pilate Part 214c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

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Paul McCartney’s song COMING UP

Paul McCartney – Coming Up-HQ

Making of the Coming Up Music Video (Paul McCartney)

Coming Up (song)

From Wikipedia, the free encyclopedia
“Coming Up”
Single by Paul McCartney
from the album McCartney II
B-side “Coming Up” (Live at Glasgow)
“Lunch Box/Odd Sox”
Released 11 April 1980
Format 7″
Recorded July–August 1979
Genre Rock
Length 3:49
Label Parlophone (UK)
Columbia (US)
Writer(s) Paul McCartney
Producer(s) Paul McCartney
Certification RIAA (US) Gold 21 July 1980)[1]
Paul McCartney singles chronology
Wonderful Christmastime
(1979)
Coming Up
(1980)
Waterfalls
(1980)
Wings singles chronology
Rockestra Theme
(1979)
Coming Up
(1980)
My Carnival
(1985)
Back cover

Reverse side of the picture sleeve
McCartney II track listing

Coming Up” is a song written and performed by Paul McCartney. It is the opening track on his second solo album McCartney II, which was released in 1980. Like the rest of the album, the song has a minimalist synthesised feel to it. It featured vocals sped up by using a vari-speed tape machine. McCartney played all the instruments and shared harmonies with wife Linda McCartney.

“Coming Up” was a major chart hit in Britain, peaking at number 2 on the charts. In America and Canada, the live version of the song performed by Paul McCartney and Wings (released as the B-side to the single) saw much greater success.

Background[edit]

In a Rolling Stone interview, McCartney explained how the song came about:[2]

I originally cut it on my farm in Scotland. I went into the studio each day and just started with a drum track. Then I built it up bit by bit without any idea of how the song was going to turn out. After laying down the drum track, I added guitars and bass, building up the backing track. I did a little version with just me as the nutty professor, doing everything and getting into my own world like a laboratory. The absent-minded professor is what I go like when I’m doing those; you get so into yourself it’s weird, crazy. But I liked it.

Then I thought, ‘Well, OK, what am I going to do for the voice?’ I was working with a vari-speed machine with which you can speed up your voice, or take it down a little bit. That’s how the voice sound came about. It’s been speeded up slightly and put through an echo machine I was playing around with. I got into all sorts of tricks, and I can’t remember how I did half of them, because I was just throwing them all in and anything that sounded good, I kept. And anything I didn’t like I just wiped.

—Paul McCartney[2]

Former band-mate John Lennon liked the song and credited it for driving him out of retirement to resume recording.

Somebody asked me what I thought of Paul’s last album and I made some remark like I thought he was depressed and sad. But then I realized I hadn’t listened to the whole damn thing. I heard one track – the hit, ‘Coming Up,’ which I thought was a good piece of work. Then I heard something else that sounded like he was depressed.

—John Lennon, All We Are Saying, 1980[3]

I heard a story from a guy who recorded with John in New York, and he said that John would sometimes get lazy. But then he’d hear a song of mine where he thought, ‘Oh, shit, Paul’s putting it in, Paul’s working!’ Apparently ‘Coming Up’ was the one song that got John recording again. I think John just thought, ‘Uh oh, I had better get working, too.’ I thought that was a nice story.

—Paul McCartney

Live version[edit]

A live version of the song was recorded in Glasgow, Scotland, on 17 December 1979 by Wings during their tour of the UK. This version had a much fuller sound and was included as one of the two songs on the B-side of the single; the other B-side was also a Wings song, “Lunchbox/Odd Sox”, that dated back to the Venus and Mars sessions. Both B-sides were credited to Paul McCartney & Wings.

Columbia Records wanted to put the live version on McCartney II but McCartney resisted the change, wanting to keep it a solo album. Instead, a one-sided 7″ white-label promotional copy of the Wings version was included with the album in North America.

“Coming Up (Live at Glasgow)” has since appeared on the US versions of All the Best! and Wingspan, while the solo studio version is included on the UK releases.

A different live Wings recording of “Coming Up” appears on the album Concerts for the People of Kampuchea, with an additional verse that was edited out of the Glasgow version.

Chart performance[edit]

In the UK, the single was an immediate hit, reaching number two in its third week on the chart.[4]

In the US, Columbia Records promoted the live version which subsequently received more airplay than the studio version. McCartney was unaware of Columbia’s move, otherwise he might have pushed for the A-side, which he thought was the stronger version. An executive from Columbia Records explained the switch by stating “Americans like the sound of Paul McCartney’s real voice.”[2] This single became Wings’ sixth and final number one single.

I always thought the single was going to be the solo version. We did the song on tour because we wanted to do something the audience hadn’t heard before. The live version on the B-side of the single was recorded on the last night of the tour in Glasgow. In America, a lot of the disc jockeys on the top 40 stations picked up on this side and so it became the A-side in the States. It’s the B-side in the rest of the world.

—Paul McCartney

In the US, “Coming Up” reached number one on the Billboard Hot 100 and was certified Gold by the Recording Industry Association of America for sales of over one million copies.[5] Although the live version received more airplay, Billboard listed the A-side on the Hot 100 for the first 12 weeks on the chart, including three weeks at number one, before switching to the more popular B-side for the remaining nine weeks on the chart.[6]

Music video[edit]

“Coming Up” is also well known for its music video, with Paul McCartney playing ten roles and Linda McCartney playing two. The “band” (identified as “The Plastic Macs” on the drum kit—an homage to Lennon’s conceptual Plastic Ono Band)[7]features Paul and Linda’s imitations of various rock musician stereotypes, as well as a few identifiable musicians. In his audio commentary on the 2007 video collection The McCartney Years, McCartney identified characters that were impersonations of specific artists: Hank Marvin (guitarist from the Shadows), Ron Mael of Sparks (keyboards), and a ‘Beatlemania-era’ version of himself. While others such as author Fred Bronson have suggested that there are other identifiable impersonations in the video, such as Andy MacKay, Frank Zappa, Mick Fleetwood and Neil Young,[8] McCartney said the other roles were simply comic relief.[9]

The video premiered in the US on Saturday Night Live on 17 May 1980,[10] although it had already been shown on British television, on the BBC music programme Top of the Pops on 24 April 1980.[11]

Chart performance[edit]

Weekly singles charts[edit]

Chart (1980) Peak
position
UK Singles Chart 2
US Billboard Hot 100 1
Canada RPM 100 Singles 1

Year-end charts[edit]

Chart (1980) Position
Canada RPM 100 Singles 11
UK Singles Chart [12] 48
US Billboard Hot 100 7

Track listing[edit]

7″ single (R 6035)
  1. “Coming Up” – 3:49
  2. “Coming Up” (Live at Glasgow) – 3:51
    • Performed by Paul McCartney & Wings
  3. “Lunch Box/Odd Sox” – 3:54
    • Performed by Paul McCartney & Wings

Personnel[edit]

References[edit]

  1. Jump up^ “RIAA Gold and Platinum”. RIAA. Retrieved 12 October 2012.
  2. ^ Jump up to:a b c Gambaccini, Paul (26 June 1980). “Paul McCartney’s one man band”. Rolling Stone. pp. 11, 20.
  3. Jump up^ Sheff, David. All We Are Saying.
  4. Jump up^ “Official Charts: Paul McCartney”. The Official UK Charts Company. Retrieved 13 October 2011.
  5. Jump up^ “Gold & Platinum Searchable Database”. Recording Industry Association of America. Retrieved 15 August 2011.
  6. Jump up^ Billboard Hot 100 Billboard 12 July 1980: 60
  7. Jump up^ The McCartney Years DVD, Warner Music, Rhino Entertainment, 2007, MPL
  8. Jump up^ Bronson, Fred. The Billboard Book of Number 1 Hits, Billboard Books, 2003, p. 526.
  9. Jump up^ Saturday Night Live transcript, 17 May 1980 interview by “Father Guido Sarducci” with Paul & Linda McCartney. Retrieved 9 April 2008.
  10. Jump up^ “Saturday Night Live: Steve Martin/Paul and Linda McCartney Episode Summary”. TV.com. Retrieved 13 August 2011.
  11. Jump up^ “Top of the Pops 24/04/1980”. BBC. Retrieved 2015-05-08.
  12. Jump up^ http://www.uk-charts.top-source.info/top-100-1980.shtml

External links[edit]

Preceded by
Funkytown” by Lipps Inc
Billboard Hot 100 number one single
28 June 1980 – 12 July 1980
Succeeded by
It’s Still Rock and Roll to Me” by Billy Joel
Preceded by
Cars” by Gary Numan
Canadian RPM Singles Chart number-one single
5 July 1980
Succeeded by
Funkytown” by Lipps Inc

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Dennis Jernigan – You Are My All In All Uploaded on Oct 18, 2009 Dennis Jernigan – You Are My All In All __________________________________________ Christian Singer’s Controversial Journey Revealed in New Documentary: ‘I Placed Homosexuality on Jesus’ Shoulders’ Oct. 2, 2014 2:23pm Billy Hallowell Singer-songwriter Dennis Jernigan has been making Christian music for decades, recording […]

MUSIC MONDAY Cole Porter’s songs “De-Lovely” and “Let’s misbehave”

Cole Porter’s songs “De-Lovely” and “Let’s misbehave”   ‘At Long Last Love’: Let’s Misbehave/De-Lovely Uploaded on Apr 1, 2009 Burt Reynolds and Cybil Shepherd give an extraordinarily charming performance of Cole Porter’s songs in Peter Bogdanovich’s absolutely wonderful tribute to the golden age of film musicals, ‘At Long Last Love’. _____________________ De-Lovely   From Wikipedia, […]

MUSIC MONDAY Cole Porter’s song’s “My Heart Belongs to Daddy”

________ _______ Cole Porter’s song’s “My Heart Belongs to Daddy” My Heart Belongs To Daddy Uploaded on Jun 20, 2010 Mary Martin became popular on Broadway and received attention in the national media singing “My Heart Belongs to Daddy”. “Mary stopped the show with “My Heart Belongs to Daddy”. With that one song in the […]

MUSIC MONDAY Cole Porter’s song “Love for Sale”

______________ Love For Sale (De-Lovely) Love for Sale (song) From Wikipedia, the free encyclopedia Jump to: navigation, search This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2008) “Love for Sale“ Written by Cole Porter Published 1930 Form […]

MUSIC MONDAY Cole Porter’s song “Ev’ry Time We Say Goodbye”

Cole Porter’s song “Ev’ry Time We Say Goodbye” _________________ Natalie Cole – Ev’ry Time We Say Goodbye Ev’ry Time We Say Goodbye   From Wikipedia, the free encyclopedia   Jump to: navigation, search   This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be […]

MUSIC MONDAY Cole Porter’s song “So in Love”

Cole Porter’s song “So in Love” __________________ So in love – De-lovely So in Love From Wikipedia, the free encyclopedia Jump to: navigation, search For the song by Orchestral Manoeuvres in the Dark, see So in Love (OMD song). For the song by Jill Scott, see So in Love (Jill Scott song). Not to be […]

MUSIC MONDAY Cole Porter’s song “Night and Day”

____________________ Cole Porter’s song “Night and Day” Cole Porter´s Day and Night by Fred Astaire & Ginger Rogers Night and Day (song) From Wikipedia, the free encyclopedia Jump to: navigation, search This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article […]

MUSIC MONDAY John Lennon and Bob Dylan Conversation mention Johnny Cash and his song “Big River”

Johnny Cash – Big River Uploaded on Jan 16, 2008 Grand Ole Opry, 1962 _______________________________ John Lennon and Bob Dylan Conversation mention Johnny Cash and his song “Big River” _______________________ Big River (Johnny Cash song) From Wikipedia, the free encyclopedia Jump to: navigation, search This article may require cleanup to meet Wikipedia’s quality standards. No […]