Category Archives: Current Events

Visiting with Coptic Christians at Orlando First Baptist on 2-21-15!!!!

_________

On February 21, 2015 I walked into the First Baptist Church Orlando Saturday evening service and wanted to get a seat up close. I saw that the third row was practically empty but once I got up front I realized that most of that row had been taped off and reserved but there was a few seats open at the end of the row. I sat down and then I noticed a few moments after the service started there were some people being escorted into the service and they sat next to me on this row. Little did I know that these were Coptic Christians who had recently moved from Egypt to Orlando. I got to visit with some of them after the service and told them I would praying for them and for their relatives back in Egypt.

David Uth delivered a wonderful message on I John 4 and he spent on extra time at the close of the service on verse 18, “There is no fear in love. But perfect love drives out fear, because fear has to do with punishment. The one who fears is not made perfect in love.” Then he put on this picture below:

A video released Sunday showed the beheading of 21 Egyptian Coptic Christians in Libya by ISIS militants.

Then Dr. Uth quoted from this passage below:

Acts 7:50-60English Standard Version (ESV)

50 Did not my hand make all these things?’

51 “You stiff-necked people, uncircumcised in heart and ears, you always resist the Holy Spirit. As your fathers did, so do you. 52 Which of the prophets did your fathers not persecute? And they killed those who announced beforehand the coming of the Righteous One, whom you have now betrayed and murdered,53 you who received the law as delivered by angels and did not keep it.”

The Stoning of Stephen

54 Now when they heard these things they were enraged, and they ground their teeth at him. 55 But he, full of the Holy Spirit, gazed into heaven and saw the glory of God, and Jesus standing at the right hand of God. 56 And he said, “Behold, I see the heavens opened, and the Son of Man standing at the right hand of God.” 57 But they cried out with a loud voice and stopped their ears and rushed together[a] at him. 58 Then they cast him out of the city and stoned him. And the witnesses laid down their garments at the feet of a young man named Saul. 59 And as they were stoning Stephen, he called out, “Lord Jesus, receive my spirit.” 60 And falling to his knees he cried out with a loud voice, “Lord, do not hold this sin against them.” And when he had said this, he fell asleep.

___________

Dr. Uth pointed out that Jesus stood up at the right hand of God to greet Stephen to heaven and Dr. Uth imagined that Jesus stood up to greet these 21 Coptic Christians home and then we all sang the song ALWAYS which is below and there was not a dry eye in the place!!!!

One Sonic Society – Always – Lyrics

My foes are many, they rise against me
But I will hold my ground
I will not fear the war, I will not fear the storm
My help is on the way, my help is on the way

Oh, my God, He will not delay
My refuge and strength always
I will not fear, His promise is true
My God will come through always, always

Trouble surrounds me, chaos abounding
My soul will rest in You
I will not fear the war, I will not fear the storm
My help is on the way, my help is on the way

Oh, my God, He will not delay
My refuge and strength always
I will not fear, His promise is true
My God will come through always, always

I lift my eyes up, my help comes from the Lord
I lift my eyes up, my help comes from the Lord
I lift my eyes up, my help comes from the Lord
I lift my eyes up, my help comes from the Lord
From You Lord, from You Lord

Oh, my God, He will not delay
My refuge and strength always
I will not fear, His promise is true
My God will come through always, always

Oh, my God, He will not delay
My refuge and strength always, always

1 John 4:1-21New International Version (NIV)

On Denying the Incarnation

Dear friends, do not believe every spirit, but test the spirits to see whether they are from God, because many false prophets have gone out into the world.This is how you can recognize the Spirit of God: Every spirit that acknowledges that Jesus Christ has come in the flesh is from God, but every spirit that does not acknowledge Jesus is not from God. This is the spirit of the antichrist, which you have heard is coming and even now is already in the world.

You, dear children, are from God and have overcome them, because the one who is in you is greater than the one who is in the world. They are from the world and therefore speak from the viewpoint of the world, and the world listens to them. We are from God, and whoever knows God listens to us; but whoever is not from God does not listen to us. This is how we recognize the Spirit[a] of truth and the spirit of falsehood.

God’s Love and Ours

Dear friends, let us love one another, for love comes from God. Everyone who loves has been born of God and knows God. Whoever does not love does not know God, because God is love. This is how God showed his love among us: He sent his one and only Son into the world that we might live through him.10 This is love: not that we loved God, but that he loved us and sent his Son as an atoning sacrifice for our sins. 11 Dear friends, since God so loved us, we also ought to love one another. 12 No one has ever seen God; but if we love one another, God lives in us and his love is made complete in us.

13 This is how we know that we live in him and he in us: He has given us of his Spirit. 14 And we have seen and testify that the Father has sent his Son to be the Savior of the world. 15 If anyone acknowledges that Jesus is the Son of God,God lives in them and they in God. 16 And so we know and rely on the love God has for us.

God is love. Whoever lives in love lives in God, and God in them. 17 This is how love is made complete among us so that we will have confidence on the day of judgment: In this world we are like Jesus. 18 There is no fear in love. But perfect love drives out fear, because fear has to do with punishment. The one who fears is not made perfect in love.

19 We love because he first loved us. 20 Whoever claims to love God yet hates a brother or sister is a liar. For whoever does not love their brother and sister, whom they have seen, cannot love God, whom they have not seen. 21 And he has given us this command: Anyone who loves God must also love their brother and sister.

Footnotes:

  1. 1 John 4:6 Or spirit

Whom Shall I Fear /Oceans – First Baptist Church Orlando 04-27-1014

Published on Apr 27, 2014

This video is about Uina Project

2/18/2014 – Dr. David Uth, Senior Pastor; First Baptist Church, Orlando, Florida

Dr. David Uth pictured below:

Arise My Love, First Baptist Orlando, 24-7

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MUSIC MONDAY: The Mysterious History of the song “Kumbaya”

Tribute To The Seekers ~ Kumbaya

Uploaded on Dec 2, 2007

Tribute To The Seekers

The Seekers were a group of Australian folk-influenced popular musicians which was formed in Melbourne, Victoria, Australia, in 1962. They were the first Australian popular music group to achieve significant chart and sales success in the United Kingdom and the United States.

Their most famous configuration was:

Judith Durham: lead vocals
Athol Guy: double bass, vocals
Keith Potger: twelve string guitar, banjo, vocals
Bruce Woodley: guitar, mandolin, banjo, vocals

They had nine hits in Britain and Australia in the 1960s: “I’ll Never Find Another You”, “A World of Our Own”, “The Carnival Is Over” (which The Seekers have sung at various closing ceremonies in Australia, including Expo ’88 and the Paralympics), “Someday One Day”, “Walk With Me”, “Morningtown Ride”, “Georgy Girl” (the title song of the film of the same name), “When Will the Good Apples Fall” and “Emerald City”.

Bruce Woodley and Dobe Newton’s “I Am Australian”, which has been recorded by The Seekers, and by singer Judith Durham with Russell Hitchcock and Mandawuy Yunupingu, has become an unofficial Australian anthem.

Kumbaya Pete Seeger 10 24 1963

Published on May 18, 2014

Pete Seeger live Australia

_____________________________

The song “Kumbaya”  started back in the 1920’s and has a mysterious beginning. It has been sung by Peter, Paul, and Mary, and The Seekers, and Pete Seeger and Joan Baez and Ballad singer Tommy Leonetti . Here is the history of the song.

Kumbaya

From Wikipedia, the free encyclopedia
This article is about the song. For the town in Ecuador, see Cumbayá.

“Kumbaya” or “Kumbayah” or “Cumbaya” (Gullah, “Come By Here” — “Kum ba yah“) — is a spiritual song first recorded in the 1920s. It became a standard campfire song in Scouting and summer camps, and enjoyed broader popularity during the folk revival of the 1950s and 1960s.

The song is originally a simple appeal to God to come and help those in need, but more recently it is also cited or alluded to in satirical or cynical ways which suggest false moralizing, hypocrisy, or naively optimistic views of the world and human nature.[1]

 

 

History

Origins

Come By Here / Kum Ba Ya / Kumbaya transcribed by the United States Library of Congress from a 1926 recording.

According to Library of Congress editor Stephen Winick, the two earliest versions whose year of origin is known for certain were both collected in 1926, and both reside in the Library’s American Folklife Center. No precise month or day was recorded for either version, so either may be the earliest known version of the song. One was submitted as a high school collecting project by a student named Minnie Lee to her teacher, Julian P. Boyd, later a celebrated historian. This version, collected in Alliance, North Carolina, is a manuscript featuring lyrics but no music. The other 1926 version was recorded on wax cylinder by Robert Winslow Gordon, founder of what became the American Folklife Center at the Library of Congress. The singer’s name was H. Wylie, and the song was recorded within a few hours’ drive of Darien, Georgia, although Gordon did not note the exact location. Between 1926 and 1928, Gordon recorded three more versions of traditional spirituals with the refrain “Come by Here” or “Come by Heah.” One of these is a different song concerning the story of Daniel and the Lion’s Den. Of the other two, one has been lost, and one cylinder was broken, so it cannot be determined if they are versions of “Kumbaya.”[1]

According to an article in Kodaly Envoy by Lum Chee-Hoo, some time between 1922 and 1931, members of an organization called the Society for the Preservation of Spirituals collected a version from the South Carolina coast.[2] “Come By Yuh”, as they called it, was sung in Gullah, the creole language spoken by the former slaves living on the Sea Islands of South Carolina and Georgia.[3] It is possible this is the earliest version, if it was collected before 1926. However, because the individual songs in this society’s publications are not dated, it cannot be dated with certainty to before 1931.[1]

In May 1936, John Lomax, Gordon’s successor as head of the Library of Congress’s folk archive, discovered a woman named Ethel Best singing “Come by Here” with a group in Raiford, Florida.[4]

These facts contradict the longstanding copyright and authorship claim of Reverend Marvin V. Frey.[2] Rev. Frey (1918–1992) claimed to have written the song circa 1936 under the title “Come By Here,” inspired, he claimed, by a prayer he heard delivered by “Mother Duffin,” a storefront evangelist in Portland, Oregon. It first appeared in this version in Revival Choruses of Marvin V. Frey, a lyric sheet printed in Portland, Oregon in 1939. In an interview at the Library of Congress quoted by Winick[1] Frey claimed the change of the title to “Kum Ba Yah” came about in 1946, when a missionary family named Cunningham returned from Africa where they had sung Frey’s version. According to Frey, they brought back a partly translated version, and “Kum Ba Yah” was an African phrase from Angola (specifically in Luvale). Frey claimed the Cunninghams then toured America singing the song with the text “Kum Ba Yah.”[1]

The story of an African origin for the phrase circulated in several versions, spread also by the revival group the Folksmiths, whose liner notes for the song stated that “Kum Ba Yah” was brought to America from Angola.[1] However, as Winick points out, no such word or phrase exists in Luvale or any related language.

Although it is often claimed that the song originated in Gullah, Winick further points out that the Boyd manuscript, which may be the earliest version of the song, was probably not collected from a Gullah speaker. Winick concludes that the song almost certainly originated among African Americans in the Southeastern United States, and had a Gullah version early in its history even if it did not originate in that dialect.[1]

Folk music revival

Joe Hickerson, one of the Folksmiths, recorded the song in 1957, as did Pete Seeger in 1958. Hickerson credits Tony Saletan, then a songleader at the Shaker Village Work Camp, for introducing him to “Kumbaya” (Saletan had learned it from Lynn Rohrbough, co-proprietor with his wife Katherine of the camp songbook publisher Cooperative Recreation Service, predecessor to World Around Songs).[2][4][5][6] Joe Hickerson later succeeded Gordon at the American Folklife Center.[7] The song enjoyed newfound popularity during the American folk music revival of the early to mid-1960s, largely due to Joan Baez‘s 1962 recording of the song, and became associated with the Civil Rights Movement of that decade.

Recently “Kumbaya” has been used to refer to artificially covering up deep seated disagreements. We “join hands and sing ‘Kumbaya'” or “it’s all ‘Kumbaya'” means we pretend to agree, for the sake of appearances or social expediency.[2]

Lyrics

Version No. 1 Version No. 2
Kum bay ya, my Love, kum bay ya;
Kum bay ya, my Lord, kum bay ya;
Kum bay ya, my Lord, kum bay ya,
O Lord, kum bay ya.
Kum bay ya, my Lord, kum bay ya;
Kum bay ya, my Lord, kum bay ya;
Kum bay ya, my Lord, kum bay ya,
O Lord, kum bay ya.
Someone’s laughing, my Lord, kum bay ya;
Someone’s laughing, my Lord, kum bay ya;
Someone’s laughing, my Lord, kum bay ya,
O Lord, kum bay ya.
Hear me crying, my Lord, kum bay ya;
Hear me crying, my Lord, kum bay ya;
Hear me crying, my Lord, kum bay ya,
O Lord, kum bay ya.
Someone’s crying, my Lord, kum bay ya;
Someone’s crying, my Lord, kum bay ya;
Someone’s crying, my Lord, kum bay ya,
O Lord, kum bay ya.
Hear me singing, my Lord, kum bay ya;
Hear me singing, my Lord, kum bay ya;
Hear me singing, my Lord, kum bay ya,
O Lord, kum bay ya.
Someone’s praying, Lord, kum bay ya;
Someone’s praying, Lord, kum bay ya;
Someone’s praying, Lord, kum bay ya,
O Lord, kum bay ya.
Hear me praying, Lord, kum bay ya;
Hear me praying, Lord, kum bay ya;
Hear me praying, Lord, kum bay ya,
O Lord, kum bay ya.
Someone’s singing, my Lord, kum bay ya;
Someone’s singing, my Lord, kum bay ya;
Someone’s singing, my Lord, kum bay ya,
O Lord, kum bay ya.
Oh, I need you, my Lord, kum bay ya;
Oh, I need you, my Lord, kum bay ya;
Oh, I need you, my Lord, kum bay ya,
O Lord, kum bay ya.

Recordings

“Kum Bah Yah”
Song by The Folksmiths including Joe Hickerson from the album We’ve Got Some Singing To Do
Recorded August 1957
Length 2:09
Label Folkways Records F-2407
We’ve Got Some Singing To Do track listing
Hold On (Keep Your Hand On the Plow)
(11)
Kum Bah Yah
(12)
Wade in the Water
(13)

The Folksmiths including Joe Hickerson recorded the first LP version of the song in August 1957. As this group traveled from summer camp to summer camp teaching folk songs, they may be the origin of Kumbaya around the campfire.

It was recorded by Pete Seeger in 1958, and The Weavers released it on Traveling on With the Weavers in 1959.

The Journeymen had a minor hit in Vancouver in February, 1962[8]

Joan Baez‘s 1962 In Concert, Volume 1 included her version of the song. Rabbi Shlomo Carlebach also sang “Kum Bah Yah” in a 1962 concert, a recording of which was subsequently released in 1963 on the album Shlomo Carlebach Sings.

The Seekers recorded it in 1963 for their first album, “Introducing the Seekers”. They later re-recorded for their third album, “Hide & Seekers” (also known as “The Four & Only Seekers”); it was re-released on their 1989 album “The Very Best of the Seekers”.

Ballad singer Tommy Leonetti gave the song chart status in 1969. His single reached #54 pop, #4 easy listening, released on Decca 32421. The song charted three years later for the Hillside Singers, reaching #117 in the Record World charts.

It was included on The Sandpipers‘ 1969 album The Wonder of You.

Raffi recorded it for his Baby Beluga album.

In 1984, the proto-punk band, Guadalcanal Diary, recorded a version on their album Watusi Rodeo.

In 1986, the Kidsongs Kids recorded it on their Kidsongs Video ” I’d Like to Teach the World to Sing”.

Peter, Paul & Mary recorded Kumbaya on their 1998 Around the Campfire album.

Stacie Orrico used it in a short interlude on her 2000 album Genuine.

German band Guano Apes and German comedian Michael Mittermeier recorded a rap metal cover of “Kum Bah Yah” called “Kumba Yo!” and made a music video (“Kumba yo!” on YouTube). The “Kumba yo!” single was released in 2001.

In 2013, Christian folk-rock band Rend Collective Experiment recorded a version as the opening track on their third album.

Melody borrowing

The melody of kumbaya has at times been borrowed for alternate versions that remove the spiritual emphasis.

  • In Peppa Pig, a British children’s animated television series, ‘International day’ episode 8 of series 4, the lyrics “Peace and Harmony in all the world; Peace and Harmony in all the world; Peace and Harmony in all the world; Peace and harmony” are used.

References in politics

  • After a private farewell dinner on December 5, 2006 at the White House for outgoing United Nations Secretary-General Kofi Annan (Secretary-General 1996 to 2006), soon-to-resign U.S. Ambassador John R. Bolton joked that “nobody sang ‘Kumbaya.'” When told of Bolton’s comment, Annan laughed and asked: “Does he know how to sing it?”[9]
  • In November 2007, Sol Trujillo, the Chief Executive of the Australian telecommunications company Telstra, mocked the proposed $4.7 billion taxpayer-funded, public-private partnership for a new national broadband network. He labeled it as some sort of “kumbaya, holding hands” theory.[10]
  • Woodstock music festival in Water Mill, New York Banker-turned-singer, peace activist, and television celebrity, “Sir-Ivan” performed his new hit dance single “Kumbaya”[11] in front of 800 guests and friends who attended Castlestock 2009 to raise money for The Peaceman Foundation. Sir-Ivan founded The Peaceman Foundation[12] to combat hate crimes and to assist sufferers of post-traumatic stress disorder PTSD,
  • In September 2010, Christopher Pyne, the opposition’s manager of business in the Australian House of Representatives said “This will not be a Parliament where all of its history is turned on its head and we all sit around smoking a peace pipe singing Kumbayah.”[13]

References in movies

In the movie Addams Family ValuesWednesday Addams horrifies when on a summer camp, in order to “encourage” her to participate to the camp activities, the group starts singing “Kumbayah, my Lord, Kumbayah!”. The camp-owners are later revealed to discriminate the children based on classrace and physical appearance.

References

  1. Winick, Stephen (Summer–Fall 2010). “The World’s First “Kumbaya” Moment: New Evidence about an Old Song”. Folklife Center News, Library of Congress. Retrieved March 1, 2014.
  2. Jeffery, Weiss (November 12, 2006). “‘Kumbaya’: How did a sweet simple song become a mocking metaphor?”The Dallas Morning News. Archived from the original on September 14, 2008. Retrieved July 17, 2008.
  3. “Mama Lisa’a World-Kumbaya”. Retrieved November 1, 2008.
  4. Stern, Gary (June 27, 2009). “”Kumbaya, My Lord:” Why we sing it; why we hate it.”. The Journal News. Retrieved February 1, 2010.
  5. Amy, Ernest F. (1957). Cooperative Recreation Service: A unique project. Midwest Folklore 7 (4, Winter): 202–6. ISSN 0737-7037. OCLC 51288821.
  6. World Around Songs: Our History
  7. Zorn, Eric (August 31, 2006). “Someone’s dissin’, Lord, kumbaya”Chicago Tribune. Retrieved January 11, 2008.
  8. Feb 10, 1962 CKWX RADIO Official Survey
  9. Goldenberg, Suzanne (December 12, 2006). “Annan bows out of UN with attack on Bush”December 12, 2006 : The Guardian (London). Retrieved December 12, 2006.
  10. “Telstra rejects Labor net plan”. Australian IT. December 6, 2007.
  11. http://www.youtube.com/watch?v=RpdOiq-2DFU
  12. http://www.sirivanmusic.com
  13. “Insults start to fly from furious Coalition”. SMH. September 8, 2010.

External links

Joan Baez – Kumbaya (with lyrics) – HD

Uploaded on Dec 7, 2011

Lyrics: http://easylyrics.org/?artist=Joan+Ba…

Thanks for checking out our videos and site!

_________________________________________________

The Seekers – Kumbaya

Uploaded on Jul 2, 2009

The Seekers 25th Anniversary Reunion Concert Melbourne 1993

_____________________________

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Avril Lavigne, ‘Avril Lavigne’: Track-By-Track Review

By , New York | November 04, 2013 4:33 PM EST

“A first taste like honey, you were so yum/Can’t wait for a second, cause it’s so fun,” is a line from the song “You Ain’t Seen Nothin’ Yet,” off Avril Lavigne’s self-titled fifth studio album. It’s a line that’s cutesy and cloying, but look, if you can, beyond it, and soak in the beautifully crafted pop song that houses it. From “Sk8er Boi” to “Girlfriend” to the underrated “What The Hell,” Lavigne has always released pop music that defies dissection, ruffling the feathers of scholars with cries of “Hey, hey! You, you! I don’t like your girlfriend,” and disregarding high art for a meaty chorus. The thing is, Lavigne has always been highly skilled at this practice — ever since she began spitting the polysyllabic pile-up of the “Complicated” chorus, Lavigne has stayed in her lane, cranked out an album’s worth of enjoyable pop-rock every three years or so, and kept her image and integrity intact. For someone who often focuses on the irresponsibilities of youth, Lavigne has proven herself as one of mainstream music’s most reliable personalities; her commitment to bestowing us with impudent anthems is almost workmanlike.

There are new faces on “Avril Lavigne” — notably her husband, Nickelback’s Chad Kroeger, who co-wrote most of the album and sings with Lavigne on “Let Me Go.” There is a new label, Epic Records, which reunites Lavigne with Antonio “L.A.” Reid, who helped bring her music to the masses. But for the most part, Lavigne’s fifth full-length encapsulates everything worth loving about the 29-year-old’s long-running artistry. There are zero attempts at growing up, but instead there is “Here’s To Never Growing Up,” the album’s marvelous lead single, as well as a kick in the groin called “Bad Girl,” featuring Marilyn Manson; “Bitchin’ Summer,” about how awesome the summer is going to be; and “Falling Fast,” a love song that could soundtrack a flurry of proms come springtime. In spite of the subject matter, the songwriting has never been sharper, and unlike 2011’s “Goodbye Lullaby,” which featured moments in which Lavigne sounded unsure of herself, the singer is fully in control here. When she concludes that line from “You Ain’t Seen Nothin’ Yet” with “Third base, I’m headed for a home run/Don’t stop baby, don’t stop baby now,” she tries to sell her words with the most charming of poses. Needless to say, she succeeds.

Which songs on “Avril Lavigne” are worth adding to your hottest playlist? Check out our track-by-track breakdown of Avril Lavigne’s new album.

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7. Bad Girl feat. Marilyn Manson – The high-profile collaboration with Marilyn Manson is salacious, sloppy, muddied rock music  — as it damn well should be. As Lavigne writhes in the spotlight, Manson shrieks his encouragement, and the rubber-necking audience is treated to a spitballing session that turned into glorious chaos.

8. Hello Kitty – As compelling of a car-crash “Bad Girl” was, “Hello Kitty” has the opposite effect: it’s a bold stab at a genre outside of Lavigne’s oeuvre (here, dark-edged techno-pop), but it never comes together. By the 20th time “Hello Kitty, you’re so pretty” is declared, the listener’s attention is already on the next track.

9. You Ain’t Seen Nothin’ Yet – Lavigne travels back to her well-worn pop-rock path and spins a tale of quickly forged romance that could have easily fit in on “The Best Damn Thing.” “You Ain’t Seen Nothin’ Yet” is not quite as solid as “Avril Lavigne’s” uptempo singles, but it’s almost there, and the unabashedly joyful bridge is worth a listen on its own.

10. Sippin’ on Sunshine – The first song on the album to shove the bass to the forefront, “Sippin’ on Sunshine” is a light, surprisingly funky hoedown that translates the echoing chorus of “Here’s To Never Growing Up” to a lyrics sheet that could play well on adult contemporary radio.

11. Hello Heartache – “I was champagne/You were Jameson,” Lavigne laments on this straightforward breakup track. The ghouls crowing “la-la-la” in the background amplify Lavigne’s pain, and although the sentiment at the heart of “Hello Heartache” is a simple one, it’s no less impactful.

12. Falling Fast – There are moments on “Avril Lavigne” that the singer seems primed for a country-pop makeover, and “Falling Fast” is the clearest, and best, example of Lavigne’s subtle shift toward Nashville’s biggest genre. The song’s breathy delivery, hushed rock elements and crystallized melody would all be at home on a Taylor Swift album.

13. Hush Hush – The great thing about the songwriting on “Avril Lavigne” is that it always conveys a deeper meaning without overreaching or busting out the thesaurus. The piano-driven “Hush Hush” emits a rush of feelings — regret, anger, desperation, nakedness, and finally, faint hopefulness — and unpacks them tidily while presenting Lavigne as a pop artist one can still trust to handle the job.

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MUSIC MONDAY Little Rock native David Hodges co-wrote the Avril Lavigne song “Give you what you like”

Little Rock native David Hodges co-wrote the Avril Lavigne song “Give you what you like”

Give You What You Like – Avril Lavigne (Sub. English-Español)

Here are the lyrics:

If you give me what I want
Then Ill give you what you like

When you turn off the lights
I get stars in my eyes
Is this love?
Maybe someday
So dont turn on the lights
Ill give you what you like

Emotions arent that hard to borrow
When was the word you never learned
And in a room of empty bottles
If you dont give me what I want
Then youll get what you deserve

When you turn off the lights
I get stars in my eyes
Is this love?
Maybe someday
Ive got this scene in my head
Im not sure how it ends
Is it love?
Maybe one day
So dont turn on the lights
Ill give you what you like

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Christo and Jeanne-Claude’s ‘The Gates’ and the song “FROM THE MORNING” by Nick Drake

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AT&T Blanket Commercial — What’s the Song?

Nick DrakeContinuing with AT&T’s “Rethink Possible” campaign, this commercial metaphorically supports their slogan that “AT&T covers 97 percent of all Americans,” by blanketing Hollywood, the Hoover Dam, New York, Las Vegas and St. Louis’ Gateway Arch, among others with orange vinyl, while playing the soothing folk tune ‘From the Morning’ by Nick Drake.

‘From the Morning’ was featured on Drake’s third and final album ‘Pink Moon’ before his death in 1974. The recording sessions took only two nights, with just Drake and sound engineer and producer John Wood in the studio. The bare yet serene recordings of the 11-track album lasted only 28 minutes, and featured only Drake on vocals and acoustic guitar (with sparse piano in the title track).

AT&T’s visuals were clearly inspired by the work of Christo and Jeanne-Claude’s ‘The Gates.’ The duo’s installation artwork could be seen all over the world, but ‘The Gates’ exhibit featured 23 miles of orange vinyl gates that were installed in Central Park; the exhibit ran in February of 2005.

Check out the commercial below, and tune into AOL Radio’s Songwriters station to hear this song and other Nick Drake classics.

AT&T Blanket Commercial: Rethink Possible Series

The artists behind The Gates Christo and Jeanne-Claude

Uploaded on Jul 26, 2007

At their studio in New York City, LX.TV host Shira Lazar talks with renowned environmental artists Christo and Jeanne-Claude about the Gates Project, their artistic endeavors, and the challenges of living and working together in New York.

The Gates

From Wikipedia, the free encyclopedia
For other uses, see Gates.

Facing northeast

The Gates were a group of gates comprising a site-specific work of art by Bulgarian artist Christo Yavacheff and French artist Jeanne-Claude, known jointly as Christo and Jeanne-Claude. The artists installed 7,503 vinyl “gates” along 23 miles (37 km) of pathways in Central Park in New York City. From each gate hung a panel of deep saffron-colored nylon fabric. The exhibit ran from February 12, 2005 through February 27, 2005.

The books and other memorabilia distributed by Christo and Jeanne-Claude refer to the project as The Gates, Central Park, New York, 1979–2005 in reference to the time that passed from the artists’ initial proposal until they were able to go ahead with it.

The Gates were greeted with mixed reactions. Some people loved them for brightening the bleak winter landscape and encouraging late-night pedestrian traffic in Central Park; others hated them, accusing them of defacing the landscape. It was seen as an obstruction to bicycclists, who felt that the gates could cause accidents, although cycling was not legal on those paths. They received a great deal of their nationwide fame as a frequent object of ridicule by David Letterman, as well as by Keith Olbermann, whose apartment was nearby.

Fabrication[edit]

Construction and cost[edit]

The total materials used according to the artists were 5,390 tons of steel, 315,491 feet (96 km) of vinyl tubing, 99,155 square metres of fabric, and 15,000 sets of brackets and hardware. The gates were assembled in a 25,000 square foot (2,300 m²) Long Island facility, then trucked to Central Park. The textile was produced and sewn in Germany.

As one of the conditions for use of the park space, the steel bases rested upon, but remained unattached to, the walkways, so that no holes were drilled and no permanent changes were made to the park.

The artists sold pieces of their own artwork, including preparatory drawings for The Gates, to finance the project.

They offered a cost of $21 million and the details are published in the Harvard Business School. Greg Allen and The New York Times attempted to itemize the costs and could account for about $5–10 million, given reasonable estimates for parts, labor, and costs related to the staffing of the installation.[1][2]

Installation[edit]

During construction: one of the many metal base parts (Feb. 6)

On January 3, 2005, work began on the installation of the project. During the week of January 17, the park filled with workers using forklift vehicles to move the rectangular steel plates into position all over Central Park. There were small signs placed on every walkway in the park with alphanumeric codes which the workers used to place the metal plates onto the designated spots.

By January 27, most of the rectangular metal plates were positioned. All had small orange plastic markers sticking up two feet (around half a meter) from each end, possibly intended to help people find the base plates if they were covered with snow. A major snow storm on January 22 and extreme cold hampered progress.

Hardware used to ensure that the vertical pieces were parallel, even when the base plates themselves were not level, due to uneven or sloped ground.

By February 7, many teams of workers, wearing grey uniforms, moved the vertical parts of the gates, and attached them to the base plates. The documentation describes the color as saffron but many local observers described it as orange. The attached vertical fabric pieces were 16 feet (5 m) high, with a crossbar at the top from which the flag pieces were unfurled. The most common width seems to have been 11 feet (3 m) although the width varied, depending on the width of the path, from 5 feet 6 inches to 18 feet.

Display[edit]

Opening[edit]

Before unfurling

The project was officially launched on February 12, 2005, when then-New York Mayor Michael R. Bloomberg dropped the first piece of fabric at 8:30 a.m., with Christo and Jeanne-Claude in attendance. The rest of The Gates were opened subsequently throughout the park and were completed within the next few hours with large crowds of people watching. Generally, the crews of workers who erected the gates were assigned to open them. They walked underneath, and used a hook at the end of a long stick to pull a loop hanging from the crossbar of each gate. That opened the cloth bag containing the fabric panel part of the gate. The bag fell to the ground, along with a cardboard tube around which the fabric was rolled. The fabric part then hung from the horizontal crossbar. By the afternoon of February 12, all of the panels were unfurled.

The project staff remained deployed in the park, patrolling, and replacing damaged gates. On many days, staff members distributed free 2.75″ square souvenir swatches of the orange fabric to passers by, in part intended to discourage vandalism. Nevertheless, one of the gates, near the Shakespeare Garden in front of the Delacorte Theatre, was vandalized and replaced frequently. The swatches remain highly collectible and trade on eBay for about $10 each.

Closure and legacy[edit]

The installation was set to close February 27, 2005.[3] Christo and Jeanne-Claude also visited the installation on the last day, entering Central Park at its less congested northern end. Although the Park’s roadways were closed to vehicles, they traveled with a police escort in their Maybach sedan. Christo then left the car and walked to several vantage points, capturing last minute photographs with a professional assistant. After the exhibition closed on February 27, the gates and bases were removed. The materials were industrially recycled, partially as scrap metal.[4]

A 2007 documentary film’s synopsis noted this artwork “brought over 4 million visitors from around the world to Central Park.”[5]

The HBO movie The Gates, about the installation,[6] aired February 26, 2008, won a Peabody Award that same year.[7]

Inspirations[edit]

The Gates alludes to the tradition of Japanese torii gates, traditionally constructed at the entrance to Shinto shrines. Thousands of vermilion-colored torii line the paths of the Fushimi Inari shrine in Kyoto, Japan. Successful Japanese businessmen traditionally purchased a gate in gratitude to Inari, the god of worldly prosperity.

Gallery[edit]

Views of The Gates
From the roof of theMetropolitan Museum of Art. (Image date: February 18, 2005)
Near the north end of theGreat Lawn, facing west toward Spector Playground. (Image date: February 23, 2005)
Facing southwest
At the Seneca Village site
Facing east

(See also: Media related to The Gates (Christo and Jeanne-Claude work of art) at Wikimedia Commons)

References[edit]

Notes

  1. Jump up^ ‘The Gates’ Bill. Greg Allen, greg.org, February 13, 2005.
  2. Jump up^ “Enough About ‘Gates’ as Art; Let’s Talk About That Price Tag.” The New York Times, March 5, 2005, investigates the $21 million claim.
  3. Jump up^ Central Park’s ‘Gates’ to close, a February 25, 2005 CNN story
  4. Jump up^ Beeson, Ed (April 28, 2013). “Behold the Mega Shredder: Jersey City recycling plant turns cars to confetti in seconds”. The Jersey Journal. Retrieved 2013-04-26.
  5. Jump up^ The Gates documentary film, produced by Kino Lorber, Directors Albert Maysles, Antonio Ferrera, David Maysles, Matthew Prinzing, cf. watch on hulu.com: http://www.hulu.com/watch/380749
  6. Jump up^ http://www.hbo.com/docs/programs/thegates/index.html?ntrack_para1=insidehbo7_text
  7. Jump up^ 68th Annual Peabody Awards, May 2009.

Other sources

External links[edit]

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Christo and Jeanne-Claude

Other artists that I have profiled are Marina AbramovicIda Applebroog,  Matthew Barney,  Allora & Calzadilla,   Olafur EliassonTracey EminJan Fabre, Makoto Fujimura, Hamish Fulton, Ellen GallaugherRyan Gander, John Giorno,  Cai Guo-QiangArturo HerreraOliver HerringDavid Hockney, David HookerRoni HornPeter HowsonRobert Indiana, Jasper Johns, Martin KarplusMargaret KeaneMike KelleyJeff KoonsSally MannKerry James MarshallTrey McCarley,   Paul McCarthyJosiah McElhenyBarry McGeeTony OurslerWilliam Pope L.Gerhard RichterJames RosenquistSusan RothenbergGeorges Rouault, Richard SerraShahzia SikanderHiroshi SugimotoRichard TuttleLuc TuymansBanks ViolettFred WilsonKrzysztof Wodiczko, and Andrea Zittel,

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FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 28 Woody Allen and “The Mannishness of Man” (Feature on artist Ryan Gander)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 27 Jurgen Habermas (Featured artist is Hiroshi Sugimoto)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 26 Bettina Aptheker (Featured artist is Krzysztof Wodiczko)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 25 BOB DYLAN (Part C) Francis Schaeffer comments on Bob Dylan’s song “Ballad of a Thin Man” and the disconnect between the young generation of the 60’s and their parents’ generation (Feature on artist Fred Wilson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 24 BOB DYLAN (Part B) Francis Schaeffer comments on Bob Dylan’s words from HIGHWAY 61 REVISITED!! (Feature on artist Susan Rothenberg)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 23 BOB DYLAN (Part A) (Feature on artist Josiah McElheny)Francis Schaeffer on the proper place of rebellion with comments by Bob Dylan and Samuel Rutherford

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 22 “The School of Athens by Raphael” (Feature on the artist Sally Mann)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 21 William B. Provine (Feature on artist Andrea Zittel)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 20 Woody Allen and Materialistic Humanism: The World-View of Our Era (Feature on artist Ida Applebroog)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 19 Movie Director Luis Bunuel (Feature on artist Oliver Herring)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 18 “Michelangelo’s DAVID is the statement of what humanistic man saw himself as being tomorrow” (Feature on artist Paul McCarthy)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 17 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part C (Feature on artist David Hockney plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 16 Francis Schaeffer discusses quotes of Andy Warhol from “The Observer June 12, 1966″ Part B (Feature on artist James Rosenquist plus many pictures of Warhol with famous friends)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 14 David Friedrich Strauss (Feature on artist Roni Horn )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 13 Jacob Bronowski and Materialistic Humanism: The World-View of Our Era (Feature on artist Ellen Gallagher )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 12 H.J.Blackham and Materialistic Humanism: The World-View of Our Era (Feature on artist Arturo Herrera)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 11 Thomas Aquinas and his Effect on Art and HOW SHOULD WE THEN LIVE? Episode 2: THE MIDDLES AGES (Feature on artist Tony Oursler )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 10 David Douglas Duncan (Feature on artist Georges Rouault )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 9 Jasper Johns (Feature on artist Cai Guo-Qiang )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 8 “The Last Year at Marienbad” by Alain Resnais (Feature on artist Richard Tuttle and his return to the faith of his youth)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 7 Jean Paul Sartre (Feature on artist David Hooker )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 6 The Adoration of the Lamb by Jan Van Eyck which was saved by MONUMENT MEN IN WW2 (Feature on artist Makoto Fujimura)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 5 John Cage (Feature on artist Gerhard Richter)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 4 ( Schaeffer and H.R. Rookmaaker worked together well!!! (Feature on artist Mike Kelley Part B )

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 3 PAUL GAUGUIN’S 3 QUESTIONS: “Where do we come from? What art we? Where are we going? and his conclusion was a suicide attempt” (Feature on artist Mike Kelley Part A)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 2 “A look at how modern art was born by discussing Monet, Renoir, Pissaro, Sisley, Degas,Cezanne, Van Gogh, Gauguin, Seurat, and Picasso” (Feature on artist Peter Howson)

FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 1 HOW SHOULD WE THEN LIVE? “The Roman Age” (Feature on artist Tracey Emin)

SEC dominates recruiting again in 2015 (Top recruiting rankings)

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Sports Illustrated puts 6 SEC teams in the top ten in recruiting with Bama 2nd, Vols 5th, Auburn 6th, Georgia 7th, LSU 8th and A&M 10th.  Tennessee jumped up and had an unbelievable recruiting class which makes two in a row for Butch Jones. Alabama had the best class 5 years in a row now so it’s not even worth noting that since I just take that granted. Tennessee signed 3 very good quarterbacks and several offensive linemen and defensive linemen that were very highly rated. Miss St got 6 Four Star players and 20 Three Star players while Arkansas got 7 Four Star players and 15 Three star players but yet Miss St got ranked way ahead of Arkansas. I can’t figure that out. Sporting Life Arkansas gives a full rundown of all of the Hogs’ signers. 

SEC collects another impressive talent haul, led by Alabama

Associated Press

View gallery

  • .

The Southeastern Conference is off to a good start in trying to get back to winning national titles.

The league’s talent haul on Wednesday included top defensive linemen Trenton Thompson (Georgia), Byron Cowart (Auburn) and Kahlil MacKenzie (Tennessee) and blue-chip prospects at every other position as well, notably including a restocking of talent at quarterback.

Half of the top 12 recruiting class were SEC teams, according to the 247Sports composite of the major recruiting services.

Alabama led the way again with a class that was ranked either No. 1 or 2 by those services with a group led by wide receiver Calvin Ridley. It was the fifth consecutive year the Crimson Tide has brought in a No. 1 class.

Not that Alabama coach Nick Saban would admit to being concerned with all that.

“We’re certainly pleased with our guys but predicting how a young person is going to do academically and athletically in college by giving them some rating when he’s in high school is not very scientific,” Saban said.

“We try to use science to create things that are very subjective in terms of what someone’s performance is going to be, and I don’t think that’s really possible. There’s no scientific way to know what the achievement of any person is going to be in anything they try to do. It’s impossible.”

Scientific or not, the other SEC powers weren’t too far behind in a league that hasn’t won a national title in two seasons after capturing seven straight. Butch Jones’ haul at Tennessee ranked fourth in the composite rankings, one spot ahead of LSU. That’s followed by No. 9 Auburn, No. 10 Georgia and No. 12 Texas A&M. Only Kentucky and Vanderbilt failed to crack the Top 25.

Auburn, Georgia and Tennessee all landed a defensive lineman rated the nation’s top prospect by a recruiting service.

The Volunteers’ class was headlined by McKenzie, son of Oakland Raiders general manager and former Tennessee linebacker Reggie McKenzie.

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Here are some things to know about the SEC’s 2015 recruiting hauls:

Best Class: Alabama. The Tide got top honors in the ESPN and 247Sports rankings with six consensus five-star players, including Ridley, running back Damien Harris and cornerbacks Minkah Fitzpatrick and Kendall Sheffield.

Impact Player: Cowart. The 6-foot-4, 250-pounder fills a position of desperate need for the Tigers: a pass-rushing defensive end. It took nearly seven hours for his national letter of intent to arrive in Auburn after his announcement.

Top Passers: The league was short on star quarterbacks last season and brought in a number of candidates to try to rectify that in the next couple of years. Texas A&M landed Kyler Murray, rated the nation’s top dual-threat quarterback by 247Sports, and Alabama got fellow five-star passer Blake Barnett from California. Tennessee landed three consensus four-star quarterbacks — Quinten Dormady, Jauan Jennings and Sheriron Jones.

Florida’s Finish: New Gators coach Jim McElwain finished strong on Wednesday by landing consensus five-star players in offensive tackle Martez Ivey and defensive end CeCe Jefferson, despite losing key targets like Cowart.

Late Addition: Georgia beat out Auburn for five-star wide receiver prospect Terry Godwin, who didn’t announce until Wednesday night.

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AP Sports Writers Steve Megargee and Teresa Walker contributed to this report.

SEC dominates recruiting again in 2015 (Top recruiting rankings)

RIVALS.COM TOP 25 RECRUITING CLASS RANKINGS
  • 1
    TOTAL COMMITS: 26
    FIVE STARS: 4
    FOUR STARS: 17
    THREE STARS: 3
    The Trojans made some big moves in the days leading up to Signing Day, and finished by claiming the top spot in the Rivals team rankings. It started with bumps from Rivals100 linebacker Osa Masina and five-star linebacker Porter Gustin. Then came the SoCal boom as five-star standouts Rasheem Green, John Houston, and Iman Marshall all chose to sign with USC on Signing Day. The additions allowed USC to overtake Alabama at the finish line.

2.

ALABAMA
TOTAL COMMITS: 24
FIVE STARS: 4
FOUR STARS: 15
THREE STARS: 5
The Crimson Tide came up just shy of claiming another recruiting national championship, but the class is still one of the best in the country and one of only two classes to total more than 3,000 points in the Rivals rankings. The Crimson Tide grabbed commitments from a staggering 18 Rivals250 members in their 2015 class, 10 of which are in the Rivals100.
3
FLORIDA STATE
TOTAL COMMITS: 20
FIVE STARS: 5
FOUR STARS: 10
THREE STARS: 5
The Seminoles may not have the No. 1 class, but they do lead the nation in five-star recruits. The Seminoles brought in five five-star players and Rivals100 defensive back Marcus Lewis on Signing Day. The Seminoles added some nice pieces all over the field but the secondary, the quarterback class and the wide receiver group are particularly strong.
4
CLEMSON
TOTAL COMMITS: 23
FIVE STARS: 3
FOUR STARS: 9
THREE STARS: 10
Dabo Swinney and Clemson have had one of the top recruiting classes in the country from the start. Five-star standouts Christian Wilkins, Deon Cain and Ray-Ray McCloud lead the way while offensive linemen Mitch Hyatt and Jake Fruhmorgen add strength to the offensive line. On the other side of the ball, Albert Huggins, Clelin Ferrell and Austin Bryant add more punch to the defensive line. It’s a very strong class on the whole.
5
TENNESSEE
TOTAL COMMITS: 29
FIVE STARS: 4
FOUR STARS: 13
THREE STARS: 11
The Tennessee Volunteers had a special class entering Signing Day, but the flipping of five-star offensive tackle Drew Richmond from Ole Miss made it elite. The Volunteers addressed needs on both sides of the trenches and at quarterback, and took care of their own backyard with the top three prospects in Tennessee choosing to play their college football in Knoxville.
6
AUBURN
TOTAL COMMITS: 27
FIVE STARS: 2
FOUR STARS: 15
THREE STARS: 9
Auburn was one of the big movers on the day by landing nation’s No. 1 prospect Byron Cowart. The Tigers also grabbed Rivals100 Ryan Davis, Rivals250 Carlton Davis, and four-star Jeffery Holland on Signing Day.
7
GEORGIA
TOTAL COMMITS: 28
FIVE STARS: 2
FOUR STARS: 10
THREE STARS: 14
The Bulldogs’ class has a heavy dose of defense. Mark Richt and his staff brought in seven defensive backs in the class with Rico McGraw, Juwuan Briscoe and Rashad Roundtree leading the way. The defensive line class is also one of the best in the country with six prospects ranked four-star or higher. Throw in playmaker Terry Godwin for good measure and Richt has reason to smile.
8
LSU
TOTAL COMMITS: 25
FIVE STARS: 4
FOUR STARS: 8
THREE STARS: 8
LSU is known to close well at the end of the recruiting process, and Les Miles and his staff did just that in 2015. The Tigers were able to secure the top three talents from Louisiana and addressed several needs. LSU also grabbed five-star prospects from Texas and Florida in addition to Louisiana, and added more talent to an already strong group of running backs in Baton Rouge. Signing Day additions Toby Weathersby and Derrick Dillon were also key signatures.
9
OHIO STATE
TOTAL COMMITS: 27
FIVE STARS: 0
FOUR STARS: 14
THREE STARS: 12
The Ohio State Buckeyes added four-star standouts Isaiah Prince and K.J. Hill to the Big Ten’s top class. Urban Meyer and his staff hit Ohio hard with 12 signees coming from the state, but they also experience success in 10 other states. Baker, Justin Hilliard and Nick Conner are among the nation’s best linebackers, and the offensive line group is one also a position of strength in the class.
10
TEXAS A&M
TOTAL COMMITS: 25
FIVE STARS: 1
FOUR STARS: 11
THREE STARS: 10
Texas A&M saw quarterback Kyler Murray shore up his commitment in the final week of the recruiting process and welcomed Daylon Mack back into the fold on Signing Day. Kevin Sumlin was able to win his share of the in-state recruiting battle and fended off Texas at the end for two prize recruits. The Aggies were able to strengthen the defense and grabbed one of the top offensive playmakers in the 2015 class in five-star wide receiver Christian Kirk.

11
NOTRE DAME
TOTAL COMMITS: 24
FIVE STARS: 0
FOUR STARS: 13
THREE STARS: 11
Notre Dame was able to add running back Dexter Williams and wide receiver Equanimeous St. Brown on Signing Day. The Fighting Irish succeeded all over the map, starting with top quarterback prospect Brandon Winbush out of New Jersey. Notre Dame added some strength to the defense with deep defensive line, linebacker and defensive back classes, and the wide receiver group also packs a nice punch.
12
TEXAS
TOTAL COMMITS: 29
FIVE STARS: 1
FOUR STARS: 14
THREE STARS: 12
Charlie Strong and his staff took some heat early on in the recruiting process, but closed strong by Wednesday’s end. The Longhorns added Rivals250 running back Chris Warren on Signing Day, and were able to grab standout talents Kai Locksley, Kris Boyd and Holton Hill during the final week. The Longhorns beefed up the offensive line, added some depth to each position on defense, and took home the Big 12’s top recruiting class.
13
UCLA
TOTAL COMMITS: 19
FIVE STARS: 3
FOUR STARS: 9
THREE STARS: 7
The Bruins were one of the hottest teams in the country on National Signing Day. Jim Mora and company added five-star running back Soso Jamabo, Rivals100 tight end Chris Clark, Rivals250 offensive lineman Josh Wariboko, and four-star wide receiver Cordell Broadus on Signing Day. The Bruins are also closely watching Roquan Smith, who committed to UCLA but never faxed his letter.
14
OKLAHOMA
TOTAL COMMITS: 24
FIVE STARS: 0
FOUR STARS: 14
THREE STARS: 10
The Oklahoma Sooners missed out on Josh Wariboko, but the Sooners have plenty to like about the 2015 recruiting class. Oklahoma adds another top Texas running back and grabbed a couple of big linebackers. The Sooners succeeded in Texas and added four-star safety Prentice McKinney to a defensive back group also featuring Kahlil Haughton, P.J. Mbanasor and Antoine Stephens.
15
PENN STATE
TOTAL COMMITS: 25
FIVE STARS: 0
FOUR STARS: 11
THREE STARS: 14
James Franklin and his staff put together a strong class. The Nittany Lions went heavy in the secondary and along the defensive front and were able to avoid the drama of Signing Day. Garrett Taylor and John Reid should add some strength to the defensive backfield and Saquon Barkley is an every-down back with big play potential. Penn State stuck to the northeast and was able to secure a very strong class.
16
MISSISSIPPI STATE
TOTAL COMMITS: 28
FIVE STARS: 0
FOUR STARS: 6
THREE STARS: 20
Mississippi State had a big year on the field and just as big a year on the recruiting front. The Bulldogs were able to secure four of the state’s top five talents in Leo Lewis, Jamal Peters, Fletcher Adams and Malik ​Dear. The signing of Keith Joseph Jr. gives the Bulldogs five of the top six. Lewis was the biggest win of the day when he chose Mississippi State over LSU at the end.
17
OREGON
TOTAL COMMITS: 22
FIVE STARS: 0
FOUR STARS: 8
THREE STARS: 14
The Oregon Ducks have a reputation for speed, quickness and a diverse uniform selection. Signees Malik Lovette, Kirk Merritt and Taj Griffin should make the Ducks even more difficult to stop while Travis Waller is a dual-threat quarterback who could really develop into something special in Eugene.
18
STANFORD
TOTAL COMMITS: 22
FIVE STARS: 1
FOUR STARS: 5
THREE STARS: 13
The Stanford Cardinal stayed home for Irwin and four-star defensive back Frank Buncom IV, but ventured out of the region for several big additions. In fact running back Bryce Love of North Carolina, offensive lineman Nick Wilson of Georgia and defensive back Ben Edwards of Florida are heading to Stanford from the east coast.
19
SOUTH CAROLINA
TOTAL COMMITS: 30
FIVE STARS: 0
FOUR STARS: 11
THREE STARS: 17
South Carolina signed a big class in 2015 and it loaded up in the trenches. The Gamecocks signed seven defensive linemen and four offensive linemen. They also went heavy at tight end and linebacker. The class is headlined by JUCO defensive end Marquavius Lewis and they were able to grab a few other difference makers from the JUCO and prep school ranks.
20
ARIZONA STATE
TOTAL COMMITS: 22
FIVE STARS: 0
FOUR STARS: 7
THREE STARS: 14
The Sun Devils secured the talents of Rivals100 defensive tackle Joseph Wicker on Signing Day and bolstered several areas of the squad. The quarterback position appears to be solidified with the additions of Brady White and Bryce Perkins and the offensive line also received some added strength. Overall it is a strong group with prospects from across the map.

21
OLE MISS
TOTAL COMMITS: 22
FIVE STARS: 0
FOUR STARS: 6
THREE STARS: 14
Ole Miss saw Leo Lewis and Drew Richmond slip away late in the process, but the Rebels still signed an impressive class. The biggest Signing Day win was Rivals100 wide receiver DaMarkus Lodge, who chose the Rebels over Texas and Texas A&M. Ole Miss also addressed several needs. The defensive backfield added some depth and so did the defensive front.
22
MICHIGAN STATE
TOTAL COMMITS: 20
FIVE STARS: 0
FOUR STARS: 7
THREE STARS: 13
The defensive backfield is loaded, and coach Mark Dantonio pulled recruits from Texas, Ohio, California and Michigan to make it. The Spartans also added bulk in the trenches with talent coming in on both the offensive and defensive lines. Michigan State made several nice additions, but signed only two of its home state’s top 10 recruits.
23
FLORIDA
TOTAL COMMITS: 21
FIVE STARS: 2
FOUR STARS: 5
THREE STARS: 11
Florida had plenty of eyeballs on it on Signing Day, and there were some ups and some downs. Among the ups were five-star recruits Martez Ivey and Cece Jefferson. The two additions have a chance to come in and play early in Gainesville and gave the Gators a needed boost on Signing Day.
24
VIRGINIA TECH
TOTAL COMMITS: 24
FIVE STARS: 0
FOUR STARS: 8
THREE STARS: 14
Virginia Tech went strong on the defensive line and came through with several big additions. Tim Settle leads a group that also includes four-star standouts Darius Fullwood and Houshun Gaines. The Hokies also added some strength in the secondary and beefed up the offensive line. Four-star Dwayne Lawson also gives the Hokies a playmaker at the quarterback position.
25
ARKANSAS
TOTAL COMMITS: 23
FIVE STARS: 0
FOUR STARS: 7
THREE STARS: 15
The Razorbacks were not expecting many fireworks on Signing Day and it was business as usual. Arkansas was able to grab the great majority of the FBS talent in Arkansas and enjoyed some success in Florida and Texas. The Razorbacks also added a big time quarterback in Ty Storey, who has already enrolled in school.

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MUSIC MONDAY My favorite M TV videos from 1980’s

My favorite M TV videos from 1980’s

All Those Years Ago – John Lennon & George Harrison

Michael Jackson – Beat It (Digitally Restored Version)

Uploaded on Apr 11, 2011

Music video by Michael Jackson performing Beat It. © 1982 MJJ Productions Inc.

Abba – Super Trouper

Naked Eyes – Always Something There

Modern English – I Melt With You

A Flock Of Seagulls – I Ran

Published on Apr 11, 2013

Music video by A Flock Of Seagulls performing I Ran. (c) 1982 Zomba Productions Limited

The beach boys – Kokomo

The Moody Blues – Your Wildest Dreams

Men At Work – Down Under

Published on Feb 7, 2013

Music video by Men At Work performing Down Under. (C) 1981 Sony Music Entertainment Inc.

The Rolling Stones – Waiting On A Friend – OFFICIAL PROMO

Published on Sep 11, 2012

WAITING ON A FRIEND
(M. Jagger/K. Richards)

Watching girls go passing by
It ain’t the latest thing
I’m just standing in a doorway
I’m just trying to make some sense
Out of these girls go passing by
The tales they tell of men
I’m not waiting on a lady
I’m just waiting on a friend

A smile relieves a heart that grieves
Remember what I said
I’m not waiting on a lady
I’m just waiting on a friend
I’m just waiting on a friend

Don’t need a whore
I don’t need no booze
Don’t need a virgin priest
But I need someone I can cry to
I need someone to protect
Making love and breaking hearts
It is a game for youth
But I’m not waiting on a lady
I’m just waiting on a friend

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Come Dancing – The Kinks

Uploaded on Oct 10, 2008

Groovy!

Come Dancing is a 1982 song performed by British Rock group The Kinks, released as a single in that year in the UK and 1983 in the US and included on their album State of Confusion.

The song is a nostalgic look back at childhood memories of writer Ray Davies, remembering his older sister going on dates to the local Palais dance hall where big bands would play. The lyrics tell how the Palais has been demolished and his sister now has her own daughters who are going on dates.

The song was something of a comeback for The Kinks, being their first UK top 20 hit in over ten years (reaching number 11) and its number 6 peak on the US chart was their highest there since “Tired of Waiting for You” made the same position in 1965. It also made the top 10 in Canada (#6) and the top 20 in Sweden and Belgium. Such success was most likely spurred on in the US by the accompanying MTV Music Video, which was continually pushed and broadcast (in the style of early MTV). The song has, over the years, become one of the most popular songs on Classic Rock Radio, and remains so today.

Elton John – I’m Still Standing

Uploaded on Sep 1, 2010

Music video by Elton John performing I’m Still Standing. (C) 1983 Mercury Records Limited

The Police – Every Breath You Take

Uploaded on Feb 23, 2010

Music video by The Police performing Every Breath You Take (Black and White Version). (C) 1983 A&M Records Ltd.

Flashdance What A Feeling – Irene Cara Official Video

Uploaded on Feb 3, 2010

DOWNLOAD SONG
http://bit.ly/9os7DL
Flashdance What a Feeling Irene Cara
© 1983 Unidisc Music Group

Go-Go’s – Our Lips Are Sealed (Extended 12″ Version) (Music Video)

Blondie – Heart Of Glass

Rock Me Amadeus by Falco

Golden earring – Twilight zone

Uploaded on Jan 4, 2007

It’s 2 am
The fear is gone
I’m sitting here waiting
The gun’s still warm
Maybe my connection
Is tired of taking chances

Yeah, there’s a storm on the loose
Sirens in my head
Wrapped up in silence
All circuits are dead
Cannot decode
My whole life spins into a frenzy

Help, I’m steppin’ into the Twilight Zone
Place is a madhouse
Feels like being cloned
My beacons been moved
Under moon and star
Where am I to go Now that I’ve gone too far

Soon you will come to know
When the bullet hits the bone

Soon you will come to know
When the bullet hits the bone

I’m fallin’ down a spiral
Destination unknown
Double-crossed messenger
All alone
Can’t get no connection
Can’t get through; where are you?

Well the night weighs heavy
On his guilty mind
This far from the border line
When the hit man comes
He knows damn well he has been cheated

Help I’m steppin’ into the Twilight Zone
Place is a madhouse
Feels like being cloned
My beacons been moved
Under moon and star
Where am I to go Now that I’ve gone too far

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Men At Work – Who Can It Be Now?

Published on Feb 5, 2013

Music video by Men At Work performing Who Can It Be Now?. (C) 1981 Sony Music Entertainment (Australia) Pty Ltd

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Scandal;Patty Smyth – Goodbye To You

Uploaded on Oct 25, 2009

Music video by Scandal;Patty Smyth performing Goodbye To You. (C) 1982 SONY BMG MUSIC ENTERTAINMENT

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Abba – The Winner Takes It All

Uploaded on Oct 7, 2009

Music video by Abba performing The Winner Takes It All. (C) 1980 Polar Music International AB

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John Lennon – Watching The Wheels

Daryl Hall & John Oates – You’ve Lost That Loving Feeling

The Rolling Stones – Start Me Up – Official Promo

Published on Oct 2, 2012

The official promo video for the Rolling Stones’ ‘Start Me Up’, directed by Michael Lindsay-Hogg.

Released in 1981, the song was a number one hit and the lead single from Tattoo You.

The song was written by Jagger/ Richards, produced by the Glimmer Twins and features Mick Jagger on lead vocals, Keith Richards and Ronnie Wood on guitars, Charlie Watts on drums and Bill Wyman on bass.

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Blondie – The Tide Is High

Uploaded on Dec 15, 2007

The tide is high (1980) from the album autoamerican

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Vacation – The Go-go’s

Uploaded on Mar 4, 2011

Vacation – The Go-go’s, all female post-punk, new wave, pop rock band of the 80’s. This song is from their 1982album “Vacation”.

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The Bangles – Manic Monday HD

Steve Winwood – While You See A Chance

Men At Work – Overkill

Published on May 23, 2013

Music video by Men At Work performing Overkill. (C) 1982

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MUSIC MONDAY: Keith Green Story (Part 2)

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MUSIC MONDAY:Foreigner’s connection to Amy Winehouse (Great song by Lou)

The Lou Gramm Band – You Saved Me (great song) Uploaded by SacredWarrior1991 on May 2, 2011 This song is taken from The Lou Gramm Band (LGB – 2009). ______________________________________ The Lou Gramm Band – I Wanna Testify (great song) Uploaded by SacredWarrior1991 on May 2, 2011 This song is taken from The Lou Gramm […]

MUSIC MONDAY: Lou Graham knows what love is

Double Vision – Foreigner Foreigner- Urgent Foreigner – Cold As Ice _____________________________ The Lou Gramm Band – Redeemer (great song) Uploaded by SacredWarrior1991 on May 2, 2011 This song is taken from The Lou Gramm Band (LGB – 2009). ____________________________________ Lou Gramm Knows What Love Is – CBN.com Uploaded by CBNonline on Nov 4, 2009 […]

“Music Monday” Katy Perry

    Katy Perry Dedicates Song to Tim Tebow at Super Bowl Party Sun, Feb. 05, 2012 Posted: 07:01 PM EDT Flamboyant pop star Katy Perry dedicated suggestive song “Peacock” to evangelical quarterback Tim Tebow at a pre-Super Bowl party Saturday night. Perry, the daughter of Christian ministers, said “This one goes out to Tim […]

“Music Monday” Blondie

Wikipedia reported: Blondie Chris Stein and Deborah Harry in 2008 Background information Origin New York City, US Genres New Wave punk rock[1][2] dance-rock[3] pop punk[3][4] post-punk power pop Years active 1974–1982 1997–present Labels Chrysalis/EMI Beyond/BMG Epic Sanctuary Private Stock Website http://www.blondie.net Members Debbie Harry Chris Stein Clem Burke Leigh Foxx Matt Katz-Bohen Tommy Kessler Jimmy […]

MUSIC MONDAY:Chynna Phillips is open about her Christian faith

Chynna Phillips is open about her Christian faith jh31 “Dancing with the Stars” (DWTS) is a  very popular show.  I have only watched it a little, but I am a big fan of Chynna Phillips. I love a lot of her music. Dancing With the Stars: Chynna Phillips Speaks Openly About Her Christian Faith Actress […]

“Music Monday” Avril Lavigne’s best songs

“Keep holding on” is my favorite Avril Lavigne song. Enjoy this clip of it followed by a 2007 interview of Lavigne.

“Music Monday” All-American Rejects Part 4 (Leadsingers Tyson Ritter and Gene Simmons have something in common)

In-Studio Interviews – Tyson Ritter ‘The All American Rejects’ Interview: Kids In The Street I enjoyed the concert in Little Rock on 12-13-12, and lead singer Tyson Ritter wrote a song on his latest cd that we should all pay attention to because it covers an issue that both him and many other lead singers […]

MUSIC MONDAY Larry’s Norman’s song SONG FOR A SMALL CIRCLE OF FRIENDS (with links to the people he is referring to)

Larry’s Norman’s song SONG FOR A SMALL CIRCLE OF FRIENDS (with links to the people he is referring to)

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I posted a lot in the past about my favorite Christian musicians such as Keith Green (I enjoyed reading Green’s monthly publications too), and 2nd Chapter of Acts and others. Today I wanted to talk about one of Larry Norman’s songs. David Rogers introduced me to Larry Norman’s music in the 1970’s and his album IN ANOTHER LAND came out in 1976 and sold an enormous amount of copies for a Christian record back then.

Larry Norman: “Song For A Small Circle Of Friends” Music Video*

Uploaded on Jul 6, 2009

Larry David Norman (April 8, 1947 February 24, 2008) was an American Christian musician, singer, songwriter, record producer, and humorist. Norman’s recordings are noted for their Christian and social subject matter, and he is often described as the “father of Christian rock music”. Norman has been described as having had a significant influence on many artists, secular and religious.

Norman had long been associated with the Jesus people of the late 1960s and early 1970s, although it has been reported that “he did not particularly identify himself with the youth-oriented ‘Jesus movement’ of the time”.

Norman began recording in 1966 and recorded numerous albums. Norman’s first album, I Love You, recorded when he was the lead singer for the group People!, was released in 1968. The band’s cover version of The Zombies song of the same name reached number 14 on Billboard magazine’s top twenty list in June of that year as a single. Norman left People! prior to 1969 and subsequently performed as a solo artist, appearing both on mainstream and independent labels.

In 2001 Norman was inducted into the Gospel Music Association’s Hall of Fame as a solo artist. In 2007 Norman was inducted into the San Jose Rocks Hall of Fame (San Jose, California), both as a member of People!, and as a solo artist. At that time Norman reunited for a concert with People!

In recent years, however, many CCM artists have credited Norman as an influence on their music, particularly in the sub-genre of Christian rock. He is often cited as influencing both Keith Green and Randy Stonehill in their conversions to Christianity. In turn both eventually became Christian music artists. He has granted interviews to magazines covering Contemporary Christian music and accepted industry awards. When asked about the relationship between CCM and his own music, Norman has replied “I’m happy if I’ve been an encouragement to other artists.”

Larry Norman died of heart disease and complications at his home in Salem, Oregon with family and friends present.

Information on Larry Norman can be accessed online via the Internet at http://www.larrynorman.com/.

*PLEASE VISIT CHANNEL (www.youtube.com/tamim0007) FOR SPECIAL MUSIC VIDEO COPYRIGHT DISCLAIMER.

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Here are the lyrics:

Well my life is filled with songs
But I just could not get along without my friends
And I’m happy now, but when this good life ends
I know a better life begins.

And love to you sir Stonehill,
Armed with your axe full gallop on your amp.
Ah, you’re so crazy but you know it,
And I love you as we both crawl toward the Lamp.

With Clapton on guitar, and Charlie on the drums.
McCartney on the Hofner bass with blisters on his thumbs.

Dear Bobby watch your fears all hide
And disappear while love inside starts growing,
You’re older but less colder
Than the jokes and folks you spent your childhood snowing.

And Someone died for all your friends
But even better yet, He lives again.
And if this song does not make sense to you,
I hope His Spirit slips on through,
He loves you

He loves you
He loves you
And if these words do not appeal to
I hope His Spirit slips on through,
He loves you

He loves you
He loves you
And if this song does not make sense to you,
I hope His Spirit slips on through,
You know, He loves you

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Keith Green – Easter Song (live) Uploaded by monum on May 25, 2008 Keith Green performing “Easter Song” live from The Daisy Club — LA (1982) ____________________________ Keith Green was a great song writer and performer.  Here is his story below: The Lord had taken Keith from concerts of 20 or less — to stadiums […]

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Keith Green – So You Wanna Go Back To Egypt (live) Uploaded by monum on May 25, 2008 Keith Green performing “So You Wanna Go Back To Egypt” live at West Coast 1980 ____________ This song really shows Keith’s humor, but it really has great message. Keith also had a great newsletter that went out […]

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Keith Green – So You Wanna Go Back To Egypt (live) Uploaded by monum on May 25, 2008 Keith Green performing “So You Wanna Go Back To Egypt” live at West Coast 1980 ____________ This song really shows Keith’s humor, but it really has great message. Keith also had a great newsletter that went out […]

MUSIC MONDAY:Keith Green Story (Part 7)

Keith Green – Your Love Broke Through Here is something I got off the internet and this website has lots of Keith’s great songs: Keith Green: His Music, Ministry, and Legacy My mom hung up the phone and broke into tears. She had just heard the news of Keith Green’s death. I was only ten […]

Keith Green’s article “Grumbling and Complaining–So You Wanna Go Back to Egypt?” (Part 2)

Keith Green – So You Wanna Go Back To Egypt (live) Uploaded by monum on May 25, 2008 Keith Green performing “So You Wanna Go Back To Egypt” live at West Coast 1980 ____________ This song really shows Keith’s humor, but it really has great message. Keith also had a great newsletter that went out […]

How Culture Shapes Scientists’ Thinking About God’s Planet Former Harvard astronomer Owen Gingerich challenges the notion that religion and science inhabit separate spheres. Interview by Tim Stafford/ OCTOBER 21, 2014

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Interview with Owen Gingerich, part 1

Uploaded on Dec 15, 2008

Interview with Owen Gingerich, part 1

Uploaded on Dec 15, 2008

An interview with Owen Gingerich, historian of science and astronomer, filmed by Alan Macfarlane on 31 August 2008.

I have read his articles with much interest over the years and have found it interesting that he has kept his faith while serving so long at Harvard. In fact, I mentioned him in my letter to Professor Ernst Mayr back in the 1990’s.

Owen Gingerich grew up in a Mennonite home on the plains of Kansas, and he retains much of the plainspoken and humble demeanor of his upbringing. He has spent nearly his entire academic career at Harvard University, first as a student and then as professor of astronomy and the history of science. Now retired, he recently published God’s Planet, which examines the scientific discoveries of Nicolaus Copernicus, Charles Darwin, and astronomer Fred Hoyle. The book uses these lives to consider areas of overlap between science, philosophy, and religion that are often overlooked in scientific accounts of the world. CT senior writer Tim Stafford spoke with Gingerich about his view on the relationship of religion and science.

God’s Planet uses storytelling to focus on personalities. Why did you take this approach in a science book?

God’s Planet came out of a series of lectures I gave at Gordon College. I don’t know how the inspiration struck, that I could center it around three quite different people who had transformative ideas that took people a long time to wrap their heads around. My first chapter asks the question, “Was Copernicus right?” that the earth goes around the sun, rather than the sun going around the earth. Today, everybody would say, of course he was right. Yet it took 150 years for a majority of educated people to accept that the earth moves through space. Why? There is a question there about how scientific ideas work with a whole structure of other ideas.

I have been doing a lot of work on Darwin for another book, The Divine Handiwork. Even today you have in America only a fair majority of people who accept his theory of evolution. How is that?

And finally, to bring in a more contemporary example, Fred Hoyle got famous at the beginning of his career by giving an extraordinary talk on BBC radio which staked out his atheistic position. Later on he made remarks suggesting that he did not find that position so convincing. I have been fascinated by Hoyle’s changing position, and I realized as I began to research it that Hoyle had written quite a few things that indicated an openness to the idea of a creator of the universe.

There’s an underlying theme that emerges from the stories of these three figures: When we consider scientific questions, a lot of other ideas besides science help us decide what we think. These ideas get mixed up with science, sometimes without our realizing it.

Stephen Jay Gould thought of science and religion as “non-overlapping magisteria”—science on the one hand, religion and philosophy on the other—that can be friendly as long as they keep to their own turf.

The more I thought about that position, the more I realized that science and religion areoverlapping. We need to understand that and use it to help interpret what people are saying. People sometimes make claims that sound like scientific statements, when in reality they may well be associated with a magisterium—be it religion or some secular authority structure—that is quite independent of their scientific beliefs. I address two examples of that at the end of the book—life in other worlds, and so-called multiverses.

Why did it take 150 years for Copernicus’s idea that the planets revolve around the sun to be accepted?

Copernicus was going up against a framework of understanding. The people of his time believed not only in a relatively young earth, but in a God-centered universe, with God not that far away from earth, dwelling in an abode someplace in the heavens. Throw the earth into motion, and this is disconcerting to people who have lived with an understanding that seems to be entirely self-evident, namely that the earth is very solid except for the occasional earthquake. It’s not that having the earth at the center was so essential; it just seemed to people that was how things were.

The way the story is commonly told, the religious people were trying to throttle science. Do you read the story that way?

It’s interesting that Copernicus’s book was not seen as a threat. It was not placed on the index of prohibited books until the time of Kepler and Galileo. The reason was that it was only accepted as a hypothesis, a means of explaining the motions in the heavens, but not a physically real description of the universe. You could use his numbers to calculate the positions of the planets without believing that the earth was actually in motion.

This remained the case until the time of Kepler and Galileo, who began to argue that no, this really is physical reality. We don’t feel it, but we are on a moving platform, and it makes a great deal of sense in understanding the motions of the planets to take the earth as a moving platform. All of a sudden this was very disconcerting to a Christian picture of an earth-centered universe. It seemed to cast doubt on the story as told in the Bible. And beyond that, if the earth was spinning around its axis every 24 hours, why weren’t people spun off into space? It wasn’t that people were locked into a biblical picture; they were locked into what seemed a common-sense picture.

Popular mythology has it that Galileo proved that the earth was moving. That is not true. It wasn’t as simple as popular mythology suggests, scientifically speaking. The magisterium of emerging science was in competition with another kind of common-sense magisterium, a way that people had understood the world for a long time. It made enough sense that people weren’t about to give it up quickly.

What about Darwin? It almost seems that advocates and disbelievers of his theory of evolution popped up immediately, and haven’t changed positions since.

I like to tell the story of Darwin on the HMS Beagle, setting sail for the Galapagos Islands. There, you see a wide-eyed young man who is not doctrinaire in any sense, who is going out making all these natural history observations and trying to come up with an explanation. People can have a lot of sympathy for the young Darwin as he goes off on this long sea voyage. If they can see some of what he was seeing, they might think that he was telling a story of evolution because it made a lot of sense. It especially makes sense the more we understand that the earth has been around for a very long time, much longer than was believed in earlier historical eras. None of that evolution stuff makes any sense unless you have a long time to play it out. It’s easier to understand Darwin’s arguments if people can begin to understand that if the universe is indeed ancient, then a lot of Darwin’s evidence hangs together.

In discussing the friendship between Darwin and Harvard’s Asa Gray, you suggest that if Gray, a Christian, had used words like purposeful or intentional, Darwin might have made room in his theory for a creator God. Instead Gray used the word design, which Darwin refused. Can you talk about “design” and the difficulties it raises?

I once got into an argument with Mortimer Adler, the philosopher, which I mention in God’s Planet. He objected to my use of the word “design” because he believed it went against human free will. I could see his point. In my earlier book God’s Universe, I asked, “Dare a scientist believe in design?” I should have asked whether a scientist can believe in purpose. Adler took “design” to mean a pre-ordained pattern that is going to fall in place no matter what. This would go against the idea of freedom in the universe, or human freedom.

I wrote in God’s Universe that I believe in intelligent design, lower-case I and lower-case D, but I am against the movement calling itself Intelligent Design. It seems to me to be an attempt to scientifically prove the existence of God, which is not something science is equipped to do.

Why do you think Darwin might have accepted language like purposeful or intentional?

Because Darwin was always on a knife’s edge on these issues. He would write, “I’m all muddled about this.” He wavered. I would say that Darwin was very thoughtful. With a different word in play he might have thought differently about God and evolution.

And what about Fred Hoyle?

Hoyle’s story brings us into the subject of “fine-tuning” in the universe. This is the idea, which came about in the 20th century, that many physical constants of nature seem singularly tuned to allow the existence of intelligent life on earth. Hoyle changed his mind about the possibility of atheism after discovering how the heavier elements could be built in the cores of evolving stars. Carbon, in particular, which is necessary to all life as far as we know, could only occur in abundance if the carbon atom had what is called a resonance level at exactly the right place. Hoyle predicted it, and it was found experimentally to be exactly as he had predicted. That was one example of fine-tuning, and made him rethink his prior commitment to atheism.

The theory of multiverses (that there are infinite possible universes governed by different physical laws) is an attempt to escape the logic of fine-tuning. But this seems so far beyond physics that I call the whole idea metaphysics. Multiverses are a wild and wonderful speculation, very comforting to those who like to think that this finely-tuned world is merely random chance. It is an example of where science is colored by personal beliefs, including our religious orirreligious sentiments.

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A look back at the music of Andrae Crouch who passed away 1-8-15 at 72 years old

A look back at the music of Andrae Crouch who passed away 1-8-15 at 72 years old

I got to hear Andrae Crouch at the Billy Graham crusade in Memphis in 1978 and also a full concert at Memphis State University in 1981. The concert in 1981 was in front of a crowd of around 800 in a small room and I was on the 3rd row. The Billy Graham crusade was in front of over 35,000 people at the Liberty Bowl Stadium.

Andrae Crouch & The Disciples “Jesus Is The Answer” 1975

Uploaded on Feb 2, 2012

Good old classic by Andrae Crouch & The Disciples

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Documentary Andrae Crouch, Pastor Marvin Winans The Journey Behind the scene

Uploaded on Jan 30, 2012

In studio…Andrae Crouch, Pastor Marvin Winans, Rance Allen, Kim Burrel, Shelia E, Chaka Khan, Mark Kibble…featured on The Journey album Behind the scenes The making of Let The Church Say Amen….

andrae crouch “Satisfied”rare footage.mov

Uploaded on Jan 18, 2012

This is rare footage from 1971 of Andrae Crouch & the Disciples in Ft. Worth, Texas. I filmed them singing, “Satisfied” at the sound check before their concert at a local church. It was for a story on the evening news. Just found an old reel of 16mm film that had this one take on it. Don’t know what happend to the story or the rest of the footage but thought this version was worth posting even though the sound is a little funky in the begining and you don’t see Bili. You do hear his bass and singing.

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Andrae Crouch Medley on PTL Club

Uploaded on Dec 16, 2007

This is Andrae and group in the mid 80s on PTL Club. A truly great moment!

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Uploaded on Jul 24, 2007

Multi Gospel Grammy winner Andrae Crouch singing *My Tribute* (To God Be The Glory) at one of the “Great American Gospel Sound” concert Starring Tennessee Ernie Ford.
All Rights Reserved to the “Great American Gospel Sound”, Tennessee Ernie Ford, and Andrae Crouch.

*My Tribute*
How can I say thanks
For the things you’ve done for me
Things so undeserved
Yet You gave to prove your love to me
And the voices of a million angels
Could not express my gratitude
All that I am and ever hope to be
I owe it all to Thee

To God be the glory, to God be the glory
To God be the glory,
For the things He has done
With His blood He has saved me
And with His power He reached down and raised me
Oh To God be the glory,
For the things He has done

Just let me live my life
And let it be pleasing Lord to Thee
And should I gain any praise
Let it go to Calvary

With His blood He has saved me
And with His power He reached down and raised me
To God be the glory
For the things He has done

This great song is written by Andraè Crouch!
Hope you enjoy it in the name of our Savior Jesus Christ.

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