Category Archives: Current Events

Super Bowl, Black Eyed Peas, and the Meaning of Life and Ecclesiastes

Ecclesiastes 8-10 | Still Searching After All These Years

Published on Oct 9, 2012

Calvary Chapel Spring Valley | Sunday Evening | October 7, 2012 | Pastor Derek Neider

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Ecclesiastes 11-12 | Solomon Finds His Way

Published on Oct 30, 2012

Calvary Chapel Spring Valley | Sunday Evening | October 28, 2012 | Pastor Derek Neider

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I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope to show how secular humanist man can not hope to find a lasting meaning to his life in a closed system without bringing God back into the picture. This is the same exact case with Solomon in the Book of Ecclesiastes. Three thousand years ago, Solomon took a look at life “under the sun” in his book of Ecclesiastes. Christian scholar Ravi Zacharias has noted, “The key to understanding the Book of Ecclesiastes is the term ‘under the sun.’ What that literally means is you lock God out of a closed system, and you are left with only this world of time plus chance plus matter.”

Let me show you some inescapable conclusions if you choose to live without God in the picture. Solomon came to these same conclusions when he looked at life “under the sun.”

  1. Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)
  2. Chance and time have determined the past, and they will determine the future.  (Ecclesiastes 9:11-13)
  3. Power reigns in this life, and the scales are not balanced(Eccl 4:1)
  4. Nothing in life gives true satisfaction without God including knowledge (1:16-18), ladies and liquor (2:1-3, 8, 10, 11), and great building projects (2:4-6, 18-20).

You can only find a lasting meaning to your life by looking above the sun and bring God back into the picture.

Since I was unable to watch the Super Bowl this year I was reading reports dealing with the various events that took place during this year’s snow-laden weekend of entertainment.  The viewing audience itself made news because of the sheer volume of viewers (Super Bowl XLV Poised to Break Viewing Records, Ties 1987 With Highest Overnight Ratings Ever).  Another article I found interesting dealt with the half-time show (Black Eyed Peas a glittering bore at Super Bowl – Soundcheck – The Orange County Register), something that a discerning person has had to either skip or watch with one eye closed ever since Janet Jackson played peek-a-booh back in 2004.  Each of these articles caused me to stop and reflect upon the meaning of life and an Eagle’s concert that I attended a few months ago.  I’ll attempt to make the connection shortly.

These reports reveal some things about the state of our current culture.  First, the number of viewers tells me that many people like pro football, but that’s not the important thing.  (Let me preface my remarks with this, not everyone who watched the Super Bowl fits the universal statements to follow)  The most important thing that the numbers reveal is that there are a lot of people who want diversion from their everyday lives.  They live vicariously through the massive men on the field.  They find little or no satisfaction in who they are or what they do, and live for things like the Super Bowl to take their minds off of the state of misery that they live in.  I wonder how many people will be suffering from depression in the next few days once the excitement of the event is gone.

The second report (the half-time entertainment assessment) had one line that really caught my eye, and I believe that it also reveals a great deal about our culture.  The writer focused on the lackluster performance of the Black Eyed Peas.  The single line that I mentioned focused on Fergie, the female member of the group.  The writer lamented that she had “wailed with more ferocity in the past,” and that “she’s sung it (“Sweet Child o’ Mine”) much better before, with less Axl Rose affectation.”  In other words, to that writer she seems to have lost some of the passion in her presentation.

How does this relate to an Eagle’s concert and the meaning of life?  Allow me to deal with the Eagle’s concert first.  My wife and I were given tickets to the concert for pastor appreciation month (make your own judgment, but I wasn’t about to pass them up).  As a musician myself I found the musicianship of the band to be amazing.  I was astounded that men of their age (forgive me guys) were still able to hit those high notes and with clarity.  Wow!  They are truly great at making popular music.  However, two things grabbed my attention.  First was the behavior of some in the audience.  I, at age 43, and my wife (she’ll slap me if I tell her age) were young compared to many in the audience.  Most of the audience members were calm and simply enjoyed the music.  But there were many who were obviously stuck in their teen years, or at least trying to go back to their teenage “glory days” (oops!  That’s Springsteen).  Watching them both fascinated and embarrassed me.  I had to wonder how empty they must be.  The second observation of that evening I found in the faces of the Eagles’ members themselves.  They are no longer the youthful guys who laid down the smooth grooves of the 70′s and 80′s.  They are now the massively successful, and I would guess, wealthy, mega-rock-n-roll Hall of Fame superstars.  But when you look in their individual faces they are the empty-life-is-vain-even-though-I-have-gained-the-whole-world-but-it-has-no-eternal-value lost men identified in Ecclesiastes and elsewhere in Scripture.  From the previous report it seems to me that Fergie is finding this out even at her relatively young age.  This is where everything converges into something with some meaning, hopefully.

Solomon identifies the futility of life apart from God.  In Ecclesiastes 1:2, Solomon states, “Vanity (meaninglessness) of vanities,…Vanity of vanities!  All is vanity.”  This declaration identifies the emptiness of life apart from the proper relationship with our Creator God through His only begotten Son, Messiah Jesus.  Solomon goes on to reveal his scientific findings – what he discovered through a scientific investigation of the various activities that man uses to find peace, purpose, and fulfillment in life.  And each avenue that the “under the sun” (1:3, et. al.) man utilizes to find what he is looking for has the same conclusion – vanity, emptiness, meaninglessness.  That does not mean that man cannot find some measure of fulfillment, peace, and purpose because he does.  But what Solomon is identifying is that because of how God created man – “He has…set eternity in their heart, yet so that man will not find out the work which God has done from the beginning even to the end” (3:11) – we have intrinsic knowledge that there is something, someone, some meaning beyond the here and now, beyond ourselves.  There is an eternity.  There is eternal purpose.  There is eternal meaning.  But left alone and to our own devices the best we can do is attend the Super Bowl, wait breathlessly for the half-time entertainment, groove to the music of our youth, or any number of instruments or activities in order to numb ourselves to the emptiness of life apart from a right relationship to our Creator God.  And ultimately in the end only find emptiness and meaninglessness.

What is the answer (and its not blowing in the wind)?  It is to “Believe (have faith) in the Lord Jesus, and you will be saved” (Acts 16:31).  It is then that sin is forgiven and a real relationship with the God Who created us is established.  Then and only then can we find eternal meaning, purpose, and satisfaction in this life, and are enabled to look with hope and confidence towards eternal life.

I pray that this helps.

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The Daylights (Music Group) Part 1

The Daylights (Music Group) Part 1

Both Ricky and Ran Jackson went to school at Ouachita Baptist in Arkansas and here is a fine story on them at this link.

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The Daylights – Guess I Missed You.wmv

The Daylights “Terra Firma” Music Video

Uploaded on Nov 7, 2007

Music Video for The Daylights and their song, “Terra Firma”. Directed by Ben Grayson.

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The Daylights – Rogue Machine (Don’t Say That You Want Me) Official Video

Uploaded on Feb 19, 2010

Official Music Video For Rogue Machine By The Daylights.
Directed By Walter May
DP Ryan Myer

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The Daylights, ‘Weapons’ Music Video

Uploaded on Sep 12, 2007

Directed by Walter May, Director of Photography Samuel Brownfield

The Daylights “Quick Fix” Music Video directed by Walter May

The Daylights: Happy Live

if they are excited to be back in Dallas, an

I ask them if they are excited to be back in Dallas, and sans hesitation, I receive a collective “yeah” coupled with the nodding of heads. “Are y’all from Dallas?” asks bassist and vocalist Ricky Jackson, his organic southern drawl showing. A state-shifter between Texas and California for my entire life, talking about where I’m from is one of the hardest conversations to have. Currently experiencing a problem similar to mine, as LA transplants on tour in their hometown of Dallas, The Daylights are the only band that can help me confront this location-based conundrum.

“I don’t think that we would claim to be from LA. We’re pretty proud Texans. Annoyingly so, I’d say. So we definitely say we’re from Dallas. As a band we’re from LA, because we met in LA, we live in LA, we formed there, we write there, we do everything there, and have a studio there, but we’re definitely Texans, and he’s definitely a Dane,” Ricky says, gesturing to Svend. “If we’re asked, ‘where are you from?’ Texas rolls right off the lips. If you say, ‘where are you guys based out of?’ it’s LA.” This doesn’t help shorten my answer any, but it does provide ample context for a pretty in-depth response.

“The thing is, we are hardcore Rangers, Mavs, and Cowboys fans.” Good thing, as it’s the perfect time to harness those particular affiliations (except for maybe the Cowboys). “[Texas has] also changed a lot since we left, it seems like the Mavericks are actually a good basketball team now, which is weird. And the Rangers are actually good.” Heck yes, ALCS champs, and heading in that direction again this season, (not to jinx them) thankyouverymuch. “I don’t know what any of those things are, so, sure,” says the Dane. “It’s pretty tough being with two Texans. They’re proud.”

Does he have to fight for his voice to be heard? “Sometimes,” says Svend. “I mean, we’re very similar and very different at the same time. I think it creates a very interesting dynamic.” I ask him what kind of sports fan he is; if you’re going to put up with two Texans, you better have some kind of affiliation. “If it’s either bat ball or tackle ball, I don’t know,” he laughs. “I just like to tease them because football to me is nothing with a ball and foot.” Point taken, but don’t tell that to Jerry. So what does Svend think of this state? “Oh I love it – I like Texas a lot.” Smart answer. “We could still actually secede,” Ran quips. “But anyway, we’re very proud to be from Texas, to answer your question!” he laughs, after a massively round about way to say where we’re all from.

The Daylights possess the sort of sound that belongs onstage at American Airlines Center, rivaling acts such as Kings of Leon and Rihanna. When thinking of a band to compare them to, U2 continues to surface.

For now, venues such as The Prophet Bar support their sound and provide fans with a close-up concert experience. “We dig playing on a smaller stage in smaller rooms, so you can have that intimate atmosphere,” Ricky says. “It’s good to connect with our fans and be able to hang out after,” adds Ran.

The Jackson brothers stem from a musical family tree; their mother had a career as a professional drummer. “We didn’t get fed unless we sang in five-part harmony,” Ricky jokes of their childhood. With a larger-than-life sound, and the potential to ignite radios into flames, the wonderful thing about The Daylights is that on each song of their 15-track self-titled debut album – regardless of how much mainstream play they will inevitably receive from MTV – there are noticeable moments of truthfulness to themselves as a band. The instrumental tracks, “Richmond Park,” Pts I and II, leave one wondering what the hell must’ve happened there.

Their current single, “Rogue Machine,” is doing very well on the charts, but after listening to their self-titled debut album, I have to know if there are plans to release “Outsider” as the next single. “It’s funny you say that” Ran starts, “because for the longest time, everyone thought that was going to be our single, and then we wrote “Rogue Machine” and that was the favorite. I’m rooting for “Outsider” to be our new single – what do you think?” If that were to occur, it would do for them what “Breakeven” did for The Script. You know, put them on the map. Pinpoint their exact coordinates in terms of musical popularity. “Can you guarantee that?” Ricky questions, teasingly. Put me down for a high five and a ‘thank you to’ on the next album’s digital booklet, if I’m accurate.

“I think our band’s favorite song, correct me if I’m wrong, is ‘Weapons,’” says Ran, and the guys go on about how radio isn’t into the ‘deeper sort of songs’, but those are the songs they love to write. “I think “Weapons,” would be a blast; I think “Digital_Kiss” would be great for alternative radio,” Ran says of deciding which song to release next. What to do? Overseas fans are already demanding The Daylights jump ship and sail across the Atlantic for a show. “I think that would help decide our next single,” they determine.

The Daylights are genuinely nice guys with the raw talent to elevate them to the next level. “We’re writing a ton, we’re touring nonstop, we’ve been recording in the studio nonstop; so for us, it’s just about continuing to create, and have a blast. I think that’s the most important ingredient,” Ran says of the band’s future. Hey, music scene – take heed – you won’t want to leave The Daylights in the dark.

The Daylights will be back in Dallas Tuesday, June 7, at The Prophet Bar

Photography by Luke Boney. Visit here for concert review and here for concert photos

Laura Stillo is the Arts & Entertainment Writer and Creative Social Media Producer for YouPlusDallas. Follow her on Twitter at @laurastillo.

– See more at: http://www.youplusdallas.com/cityblog/arts-entertainment/2011/05/the-semi-local-location-jumping-hailing-from-two-continents-but-really-is-from-dallas-band-that-is-taking-over-our-radar-screen-the-daylights/#more-4592

The Semi-Local Location-Jumping Hailing from Two Continents but Really is From Dallas Band That is Taking Over Our Radar Screen: The Daylights

Posted by    |    May 6th, 2011 at 5:07 pm

Currently on their first headlining tour, prodigal band The Daylights sat down with YouPlusDallas to tell us about their music, origin, and fan affiliation.

“What a couch!” guitarist and vocalist Ran Jackson exclaims before shaking my hand and introducing himself. We’re in the green room of The Prophet Bar, where a worn, mustard yellow sofa sits against the wall, beckoning the band to have a seat for their on-camera interview. “I think we’re going to need to take a bath after we get off this couch,” he jokes. The band is relaxed and down to earth, cracking jokes with each other a few hours before they go onstage. “So what history does this room have?” Ran questions. Drummer Svend Lerche, with his dark hair and unexpectedly bright blue eyes, guesses the rainbow of colors the room may have seen before living up to its namesake. “It’s very green,” he offers, but Ran disagrees.“[It’s] more of like a green tea – matcha green tea.” I can relax a little now – it’s refreshing to know that the up-and-coming rock stars have an authentic sense of humor.

The Daylights have toured with big names such as OneRepublic and Needtobreathe. “They’re good guys,” says Svend, “good to hang. That was almost the best thing about the tour, was to hang with them.” Recently, the talented musicians earned their first headlining tour. “It kind of exceeded our expectations, actually,” Ran says of the tour that kicked off on the west coast, “everywhere we went, we were like, ‘well, we’ve never headlined that city before.’”

I ask them if they are excited to be back in Dallas, and sans hesitation, I receive a collective “yeah” coupled with the nodding of heads. “Are y’all from Dallas?” asks bassist and vocalist Ricky Jackson, his organic southern drawl showing. A state-shifter between Texas and California for my entire life, talking about where I’m from is one of the hardest conversations to have. Currently experiencing a problem similar to mine, as LA transplants on tour in their hometown of Dallas, The Daylights are the only band that can help me confront this location-based conundrum.

“I don’t think that we would claim to be from LA. We’re pretty proud Texans. Annoyingly so, I’d say. So we definitely say we’re from Dallas. As a band we’re from LA, because we met in LA, we live in LA, we formed there, we write there, we do everything there, and have a studio there, but we’re definitely Texans, and he’s definitely a Dane,” Ricky says, gesturing to Svend. “If we’re asked, ‘where are you from?’ Texas rolls right off the lips. If you say, ‘where are you guys based out of?’ it’s LA.” This doesn’t help shorten my answer any, but it does provide ample context for a pretty in-depth response.

“The thing is, we are hardcore Rangers, Mavs, and Cowboys fans.” Good thing, as it’s the perfect time to harness those particular affiliations (except for maybe the Cowboys). “[Texas has] also changed a lot since we left, it seems like the Mavericks are actually a good basketball team now, which is weird. And the Rangers are actually good.” Heck yes, ALCS champs, and heading in that direction again this season, (not to jinx them) thankyouverymuch. “I don’t know what any of those things are, so, sure,” says the Dane. “It’s pretty tough being with two Texans. They’re proud.”

Does he have to fight for his voice to be heard? “Sometimes,” says Svend. “I mean, we’re very similar and very different at the same time. I think it creates a very interesting dynamic.” I ask him what kind of sports fan he is; if you’re going to put up with two Texans, you better have some kind of affiliation. “If it’s either bat ball or tackle ball, I don’t know,” he laughs. “I just like to tease them because football to me is nothing with a ball and foot.” Point taken, but don’t tell that to Jerry. So what does Svend think of this state? “Oh I love it – I like Texas a lot.” Smart answer. “We could still actually secede,” Ran quips. “But anyway, we’re very proud to be from Texas, to answer your question!” he laughs, after a massively round about way to say where we’re all from.

The Daylights possess the sort of sound that belongs onstage at American Airlines Center, rivaling acts such as Kings of Leon and Rihanna. When thinking of a band to compare them to, U2 continues to surface.

For now, venues such as The Prophet Bar support their sound and provide fans with a close-up concert experience. “We dig playing on a smaller stage in smaller rooms, so you can have that intimate atmosphere,” Ricky says. “It’s good to connect with our fans and be able to hang out after,” adds Ran.

The Jackson brothers stem from a musical family tree; their mother had a career as a professional drummer. “We didn’t get fed unless we sang in five-part harmony,” Ricky jokes of their childhood. With a larger-than-life sound, and the potential to ignite radios into flames, the wonderful thing about The Daylights is that on each song of their 15-track self-titled debut album – regardless of how much mainstream play they will inevitably receive from MTV – there are noticeable moments of truthfulness to themselves as a band. The instrumental tracks, “Richmond Park,” Pts I and II, leave one wondering what the hell must’ve happened there.

Their current single, “Rogue Machine,” is doing very well on the charts, but after listening to their self-titled debut album, I have to know if there are plans to release “Outsider” as the next single. “It’s funny you say that” Ran starts, “because for the longest time, everyone thought that was going to be our single, and then we wrote “Rogue Machine” and that was the favorite. I’m rooting for “Outsider” to be our new single – what do you think?” If that were to occur, it would do for them what “Breakeven” did for The Script. You know, put them on the map. Pinpoint their exact coordinates in terms of musical popularity. “Can you guarantee that?” Ricky questions, teasingly. Put me down for a high five and a ‘thank you to’ on the next album’s digital booklet, if I’m accurate.

“I think our band’s favorite song, correct me if I’m wrong, is ‘Weapons,’” says Ran, and the guys go on about how radio isn’t into the ‘deeper sort of songs’, but those are the songs they love to write. “I think “Weapons,” would be a blast; I think “Digital_Kiss” would be great for alternative radio,” Ran says of deciding which song to release next. What to do? Overseas fans are already demanding The Daylights jump ship and sail across the Atlantic for a show. “I think that would help decide our next single,” they determine.

The Daylights are genuinely nice guys with the raw talent to elevate them to the next level. “We’re writing a ton, we’re touring nonstop, we’ve been recording in the studio nonstop; so for us, it’s just about continuing to create, and have a blast. I think that’s the most important ingredient,” Ran says of the band’s future. Hey, music scene – take heed – you won’t want to leave The Daylights in the dark.

The Daylights will be back in Dallas Tuesday, June 7, at The Prophet Bar

Photography by Luke Boney. Visit here for concert review and here for concert photos

Laura Stillo is the Arts & Entertainment Writer and Creative Social Media Producer for YouPlusDallas. Follow her on Twitter at @laurastillo.

– See more at: http://www.youplusdallas.com/cityblog/arts-entertainment/2011/05/the-semi-local-location-jumping-hailing-from-two-continents-but-really-is-from-dallas-band-that-is-taking-over-our-radar-screen-the-daylights/#more-4592

The Semi-Local Location-Jumping Hailing from Two Continents but Really is From Dallas Band That is Taking Over Our Radar Screen: The Daylights

Posted by    |    May 6th, 2011 at 5:07 pm

Currently on their first headlining tour, prodigal band The Daylights sat down with YouPlusDallas to tell us about their music, origin, and fan affiliation.

“What a couch!” guitarist and vocalist Ran Jackson exclaims before shaking my hand and introducing himself. We’re in the green room of The Prophet Bar, where a worn, mustard yellow sofa sits against the wall, beckoning the band to have a seat for their on-camera interview. “I think we’re going to need to take a bath after we get off this couch,” he jokes. The band is relaxed and down to earth, cracking jokes with each other a few hours before they go onstage. “So what history does this room have?” Ran questions. Drummer Svend Lerche, with his dark hair and unexpectedly bright blue eyes, guesses the rainbow of colors the room may have seen before living up to its namesake. “It’s very green,” he offers, but Ran disagrees.“[It’s] more of like a green tea – matcha green tea.” I can relax a little now – it’s refreshing to know that the up-and-coming rock stars have an authentic sense of humor.

The Daylights have toured with big names such as OneRepublic and Needtobreathe. “They’re good guys,” says Svend, “good to hang. That was almost the best thing about the tour, was to hang with them.” Recently, the talented musicians earned their first headlining tour. “It kind of exceeded our expectations, actually,” Ran says of the tour that kicked off on the west coast, “everywhere we went, we were like, ‘well, we’ve never headlined that city before.’”

I ask them if they are excited to be back in Dallas, and sans hesitation, I receive a collective “yeah” coupled with the nodding of heads. “Are y’all from Dallas?” asks bassist and vocalist Ricky Jackson, his organic southern drawl showing. A state-shifter between Texas and California for my entire life, talking about where I’m from is one of the hardest conversations to have. Currently experiencing a problem similar to mine, as LA transplants on tour in their hometown of Dallas, The Daylights are the only band that can help me confront this location-based conundrum.

“I don’t think that we would claim to be from LA. We’re pretty proud Texans. Annoyingly so, I’d say. So we definitely say we’re from Dallas. As a band we’re from LA, because we met in LA, we live in LA, we formed there, we write there, we do everything there, and have a studio there, but we’re definitely Texans, and he’s definitely a Dane,” Ricky says, gesturing to Svend. “If we’re asked, ‘where are you from?’ Texas rolls right off the lips. If you say, ‘where are you guys based out of?’ it’s LA.” This doesn’t help shorten my answer any, but it does provide ample context for a pretty in-depth response.

“The thing is, we are hardcore Rangers, Mavs, and Cowboys fans.” Good thing, as it’s the perfect time to harness those particular affiliations (except for maybe the Cowboys). “[Texas has] also changed a lot since we left, it seems like the Mavericks are actually a good basketball team now, which is weird. And the Rangers are actually good.” Heck yes, ALCS champs, and heading in that direction again this season, (not to jinx them) thankyouverymuch. “I don’t know what any of those things are, so, sure,” says the Dane. “It’s pretty tough being with two Texans. They’re proud.”

Does he have to fight for his voice to be heard? “Sometimes,” says Svend. “I mean, we’re very similar and very different at the same time. I think it creates a very interesting dynamic.” I ask him what kind of sports fan he is; if you’re going to put up with two Texans, you better have some kind of affiliation. “If it’s either bat ball or tackle ball, I don’t know,” he laughs. “I just like to tease them because football to me is nothing with a ball and foot.” Point taken, but don’t tell that to Jerry. So what does Svend think of this state? “Oh I love it – I like Texas a lot.” Smart answer. “We could still actually secede,” Ran quips. “But anyway, we’re very proud to be from Texas, to answer your question!” he laughs, after a massively round about way to say where we’re all from.

The Daylights possess the sort of sound that belongs onstage at American Airlines Center, rivaling acts such as Kings of Leon and Rihanna. When thinking of a band to compare them to, U2 continues to surface.

For now, venues such as The Prophet Bar support their sound and provide fans with a close-up concert experience. “We dig playing on a smaller stage in smaller rooms, so you can have that intimate atmosphere,” Ricky says. “It’s good to connect with our fans and be able to hang out after,” adds Ran.

The Jackson brothers stem from a musical family tree; their mother had a career as a professional drummer. “We didn’t get fed unless we sang in five-part harmony,” Ricky jokes of their childhood. With a larger-than-life sound, and the potential to ignite radios into flames, the wonderful thing about The Daylights is that on each song of their 15-track self-titled debut album – regardless of how much mainstream play they will inevitably receive from MTV – there are noticeable moments of truthfulness to themselves as a band. The instrumental tracks, “Richmond Park,” Pts I and II, leave one wondering what the hell must’ve happened there.

Their current single, “Rogue Machine,” is doing very well on the charts, but after listening to their self-titled debut album, I have to know if there are plans to release “Outsider” as the next single. “It’s funny you say that” Ran starts, “because for the longest time, everyone thought that was going to be our single, and then we wrote “Rogue Machine” and that was the favorite. I’m rooting for “Outsider” to be our new single – what do you think?” If that were to occur, it would do for them what “Breakeven” did for The Script. You know, put them on the map. Pinpoint their exact coordinates in terms of musical popularity. “Can you guarantee that?” Ricky questions, teasingly. Put me down for a high five and a ‘thank you to’ on the next album’s digital booklet, if I’m accurate.

“I think our band’s favorite song, correct me if I’m wrong, is ‘Weapons,’” says Ran, and the guys go on about how radio isn’t into the ‘deeper sort of songs’, but those are the songs they love to write. “I think “Weapons,” would be a blast; I think “Digital_Kiss” would be great for alternative radio,” Ran says of deciding which song to release next. What to do? Overseas fans are already demanding The Daylights jump ship and sail across the Atlantic for a show. “I think that would help decide our next single,” they determine.

The Daylights are genuinely nice guys with the raw talent to elevate them to the next level. “We’re writing a ton, we’re touring nonstop, we’ve been recording in the studio nonstop; so for us, it’s just about continuing to create, and have a blast. I think that’s the most important ingredient,” Ran says of the band’s future. Hey, music scene – take heed – you won’t want to leave The Daylights in the dark.

The Daylights will be back in Dallas Tuesday, June 7, at The Prophet Bar

Photography by Luke Boney. Visit here for concert review and here for concert photos

Laura Stillo is the Arts & Entertainment Writer and Creative Social Media Producer for YouPlusDallas. Follow her on Twitter at @laurastillo.

– See more at: http://www.youplusdallas.com/cityblog/arts-entertainment/2011/05/the-semi-local-location-jumping-hailing-from-two-continents-but-really-is-from-dallas-band-that-is-taking-over-our-radar-screen-the-daylights/#more-4592

Boy On The Moon by The Daylights

The Daylights Outsider Lyrics


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Brian LePort on Ecclesiastes

Ecclesiastes 6-8 | Solomon Turns Over a New Leaf

Published on Oct 2, 2012

Calvary Chapel Spring Valley | Sunday Evening | September 30, 2012 | Pastor Derek Neider

_____________________

I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope to show how secular humanist man can not hope to find a lasting meaning to his life in a closed system without bringing God back into the picture. This is the same exact case with Solomon in the Book of Ecclesiastes. Three thousand years ago, Solomon took a look at life “under the sun” in his book of Ecclesiastes. Christian scholar Ravi Zacharias has noted, “The key to understanding the Book of Ecclesiastes is the term ‘under the sun.’ What that literally means is you lock God out of a closed system, and you are left with only this world of time plus chance plus matter.”

Let me show you some inescapable conclusions if you choose to live without God in the picture. Solomon came to these same conclusions when he looked at life “under the sun.”

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You can only find a lasting meaning to your life by looking above the sun and bring God back into the picture.

 Book of Ecclesiastes

May 5, 2013
12 Comments

The panting sun

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Peter Enns, Ecclesiastes (Two Horizons Old Testament Commentary)

This week I’ve been reading one of my favorite books (if not my favorite) in the Hebrew Bible: Ecclesiastes. If you’ve never taken the time to read through the prologue (1:1-11) slowly you’re missing a real literary treat. Qohelet says, “Absolutely absurd! Everything is absurd!” (See Peter Enns, Ecclesiastes, 4, 31-32 for the logic behind this translation) Then the narrator goes on to use proofs/examples from creation: the sun rises, descends, and then goes “panting”(שׁואף)  back to its place to do it again (v. 5); the winds blow to the north and to the south without end (v. 6); the rivers bring water to the sea, but the sea is never satisfied (v. 7); our eyes can never see enough nor can our ears hear enough (v. 8). Qohelet tells us this to remind us that everything is circular. One generation appears on the scene as another leaves the stage (i.e., dies), and this is all there is to it, always (v. 3).

The narrator summarizes Qohelet’s message before Qohelet is introduced: it is all absurd. There is nothing new (vv. 9-10). One day you will die, you will be forgotten, and your children and grandchildren will go about doing the same cyclical things you did until it is their turn to die, be forgotten, and give way for the next generation (v. 11).

Yes, this is a bit pessimistic. Yes, it presents a worldview void of the resurrection of Jesus. Yet I think it is one of the most real, gritty, earthy, existential sections of Scripture. Much like the psalms of lament, so Qohelet (and his narrator) give us permission to have those days when we wonder if there is any meaning in it all. It seems like we wake up Monday, run until Friday, relax for a weekend (for those of us lucky enough to have a M-F job), then repeat, until we die. Sometimes it seems meaningless. Where is it all going? What is the point?!

running_with_sun_protection

The weary sun (click for source)

The image of the sun “panting” as it runs to move back into position to do it all over again makes me smile. It reminds me that we are part of this creation. We move in rhythm with nature and we share its plight. The earth was spinning around the sun before I was born and it will do the same when I decompose in my grave. In some sense this is freeing. Our insignificance should free us from having “messiah syndrome,” while allowing us to find surprising worth in the words of the psalmist (8:4) who wrote, “What is man (and woman!) that you are mindful of him (and her!)? and the son (and daughter!) of man (and woman!) that you care for him (and her!)? We are born, we live, we die, and this seems quite depressing….well, unless there is a resurrection from the dead, but that’s another topic for another time.

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The Keith Green Story pt 5/7

Keith Green had a major impact on me back in 1978 when I first heard him. Here is his story below:

Tribute Recordings

In 1992, several artists joined together to re-record many of Green’s best-known songs for a tribute album called No Compromise: Remembering the Music of Keith Green under the Sparrow Records label. Artists contributing to the recording include Petra, Charlie Peacock, Susan Ashton, Margaret Becker, Michael Card, GLAD, Rich Mullins, Steven Curtis Chapman, Steve Green, and Russ Taff.

In 2001, BEC Records released a second, more modern, tribute record Start Right Here: Remembering the Life of Keith Green. Produced by Derri Daugherty, the album included performances by new contemporary Christian artists MxPx, Joy Electric, Starflyer 59, among others.

At the twentieth anniversary of Keith’s death, Sparrow Records released yet another tribute album, Your Love Broke Through: The Worship Songs of Keith Green. The 2002 album contains re-recordings by Rebecca St. James, Michelle Tumes, Chris Tomlin, Twila Paris, Darlene Zschech, Jason Upton, Martin Smith, Charlie Hall, Joanne Hogg, Matt Redman, Paul Oakley, and Sarah Sadler. The album contains contemporary Christian and mainstream artist Michael W. Smith’s version of the song There Is One, an unfinished work by Keith Green. Composition of the song was completed by Smith, along with British songwriter and Christian music artist Martin Smith.
Last Days Ministries
Green Hall dormitory, originally part of LDM property, was named after Keith Green when Teen Mania purchased the property in 1996

The LDM property was sold in 1996 and is now occupied by Teen Mania Ministries. Teen Mania has dedicated one of its dormitories, Green Hall, in memory of Keith. Melody Green continues to operate Last Days Ministries from Oceanside, California, and is a well-known speaker and author. With David Hazard, she authored a biography of Keith, No Compromise: The Life Story of Keith Green (Harvest House Publishers, 1989; revised and expanded in 2000; revised and expanded again and released by Thomas Nelson in 2008; also on the Compact Disc version of The Ministry Years, Volume Two album).
Honors

On November 27, 2001, Keith Green was inducted into the Gospel Music Hall of Fame.

On April 3, 2006, Green was honored with the ASCAP Crescendo Award at the 28th annual ASCAP Christian Music Awards presentation dinner. His widow, Melody Green, was present to receive the award for her late husband.

Quotes

“It’s time to quit playing church and start being the Church (Matt. 18:20)” ? Keith Green, as quoted by Melody Green in the introduction to A Cry in the Wilderness, Sparrow Press, 1993.

“I repent of ever having recorded one single song, and ever having performed one concert, if my music, and more importantly, my life has not provoked you into Godly jealousy or to sell out more completely to Jesus!” ? Keith Green

“You shouldn’t go to college unless God has definitely called you to go.” ? Keith Green, ‘Why YOU should go to the mission field’, 1982

“No Compromise is what the whole Gospel of Jesus is all about… ‘For I tell you…no man can serve two masters…’ (Matt. 6:24). In a day when believers seem to be trying to please both the world and the Lord (which is an impossible thing), when people are far more concerned about offending their friends than offending God, there is only one answer…Deny yourself, take up your cross and follow Him!” ? Keith Green, No Compromise album, 1978.

“He, being dead, yet speaketh.” ? Leonard Ravenhill, Keith’s mentor, borrowing from Hebrews 11:4 (KJV) in his 1990 2-page Memories of Keith tribute from a computer file, part of the Enhanced CD version of No Compromise by Melody Green with David Hazard.

J.W. Wartick on Ecclesiastes

Ecclesiastes 4-6 | Solomon’s Dissatisfaction

Published on Sep 24, 2012

Calvary Chapel Spring Valley | Sunday Evening | September 23, 2012 | Pastor Derek Neider

___________________

I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope to show how secular humanist man can not hope to find a lasting meaning to his life in a closed system without bringing God back into the picture. This is the same exact case with Solomon in the Book of Ecclesiastes. Three thousand years ago, Solomon took a look at life “under the sun” in his book of Ecclesiastes. Christian scholar Ravi Zacharias has noted, “The key to understanding the Book of Ecclesiastes is the term ‘under the sun.’ What that literally means is you lock God out of a closed system, and you are left with only this world of time plus chance plus matter.”

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  1. Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)
  2. Chance and time have determined the past, and they will determine the future.  (Ecclesiastes 9:11-13)
  3. Power reigns in this life, and the scales are not balanced(Eccl 4:1)
  4. Nothing in life gives true satisfaction without God including knowledge (1:16-18), ladies and liquor (2:1-3, 8, 10, 11), and great building projects (2:4-6, 18-20).

You can only find a lasting meaning to your life by looking above the sun and bring God back into the picture. (J.W. has written a recent review on Star Wars too.)

Devotion for an Apologist/Philosopher: Ecclesiastes

There are so many verses, chapters, and books in the Bible which resonate with me as a Christian philosopher/apologist. Ecclesiastes ranks near the top, however, due to its wonderfully philosophical message and style. The underlying theme of Ecclesiastes is that without God, everything is meaningless.

“‘Meaningless! Meaningless!’
says the Teacher.
‘Utterly meaningless!
Everything is meaningless.’… What has been is what will be, and what has been done is what will be done, and there is nothing new under the sun.” (1:2, 9).

The book starts with the idea that there is “nothing new under the sun.” The theme of “under the sun” is important to note. Consistently, “under the sun” is used to refer to “on earth.” It is in stark contrast to the “permanence of heaven” (TLSB). The theme contrasting life here on earth with heaven does not become apparent until very late in the book, so we too shall leave it until the end.

Solomon continues to explore the idea that that which we do “under the sun” is utterly meaningless. “For in much wisdom is much vexation, and he who increases knowledge increases sorrow” (1:18). The more we know, the more we sorrow. We can see themes like this in atheists like Albert Camus or Sartre, whose exploration of a world without God lead them to question whether suicide may be the only valid option.

“For what happens to the children of man and what happens to the beasts is the same; as one dies, so dies the other. They all have the same breath, and man has no advantage over the beasts, for all is vanity [also translated “meaningless”]. All go to one place. All are from the dust, and to dust all return” (3:19-20). The Teacher/Preacher goes on to contemplate our end: “Who knows whether the spirit of man goes upward and the spirit of the beast goes down into the earth? …Who can bring [man] to see what will be after him?” (3:21, 22b). It is death itself which makes life meaningless. Who knows what happens after death? Everything “appears utterly futile” (Waltke).

However, the Preacher/Teacher does not want us to collapse into despair. Without God, under the sun, all is meaningless. But with God, there is hope, joy, and meaning. This theme is sown in chapter 5 (verses 2-3; 7; and 19-20). Yet before fully developing this theme, Solomon returns to a life (and death) under the sun.

The existential life under the sun is absurd. “For the living know that they will die, but the dead know nothing, and they have no more reward, for the memory of them is forgotten. Their love and their hate and their envy have already perished, and forever they have no more share in all that is done under the sun” (9:5-6). Again the theme is “under the sun”. Without God, the life under the sun is meaning. We die, we pass away forever, we know not what comes after death, and even our actions pass away from under the sun. We no longer have a “share” in what is done under the sun.

The theme repeats throughout the book. “Under the sun”, all is meaningless, there is nothing new, and life itself passes away. Even a constant search for pleasure can only be meaningless.

Yet the conclusion to Ecclesiastes radically re-imagines the book. Solomon’s point so far has been that “you cannot make sense of life” (Waltke). Life under the sun is meaningless, futile, and vain. Existentially, the more we know, the more despair we can find. The more we explore life “under the sun,” the more we realize that it will be extinguished, and our actions will no longer impact that life.

The story does not end there, however. “The end of the matter; all has been heard. Fear God and keep his commandments, for this is the whole duty of man. For God will bring every deed into judgment, with every secret thing, whether good or evil” (12:13-14). The final verses of the book turn the meaning of the entire work about. The Preacher/Teacher comes to the conclusion: without God, all is meaningless; with God, there is good and evil, there is judgment, and there is duty. Rather than striving for nothing, we should strive for God. Rather than despair and futility; there is duty and good. Without God, life is meaningless; with God, there is meaning.

Sources:

Bruce Waltke, “Understanding the Old Testament.” Institute of Theological Studies. 2009.

The Lutheran Study Bible. (St. Louis, MO: Concordia Publishing House, 2009).

The picture is from The Lutheran Study Bibl

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_______________

I have debated with Ark Times Bloggers many times in the past on many different subjects. Here are some of the subjects: communism, morality, origin of evil, and the Tea Party. I have always loved to post about evolution and I have had a chance in the past to correspond with scientists such as Carl Sagan and George Wald and also had the opportunity to write reviews of science related books that were published.

Recently I got into the subject of evolution on the Ark Times Blogand the subject came up on the Ark Times Blog. I go by the username “Saline Republican”:

The person using the username “Olddoc” asserted on March 18, 2013:

Saline,

Do you really think ALL the fossiles have been discovered? Heck I’m amazed they have found what they have. Man has walked on this Earth for either 10,000 years (or a whole lot more) I’m thinking a lot of that was on rainy days. If fossiles were that danged common our museums would need 20 floors just to store the hominid fossible!

What would you accept as an intermediate form? Neaderthal, Cro-Magnon, Australopithicus? Are they intermediate between some earlier form of human and you?

Perhaps you and Dr. R attended LSU, “where men go in dumb, come out dumb too” As you apply the Second law, a tree couldn’t grow, ice couldn’t form, a fertilized egg couldn’t become a human. All are examples of order from disorder. All require constant input of energy. Learn where the Law applies before you apply it.

As for A. Flew, apparently he never read Heinlein or he would have never tried to teach the pig to sing.

I replied on March 18, 2103:

Are you kidding olddoc about using Australopithicus as good evidence for evolution?

Dr. John Morris wrote:

It’s hard to keep them straight. First there was the discovery in Africa by Raymond Dart in 1925. of an infant skull. Entitled Australopithicus, this creature was recognized to be fully ape-like, but with a few characteristics hinting of human, thus an ape on the line to humans.

Over the years similar bones and bone fragments have been found (never has a complete skeleton been found) each individual slightly different but lumped into the genus Australopithicus, leading to the species names africanus, afarensis (including the famous “Lucy”), ramidus, and most recently ananemsis. A look at the actual data which led to the recent designation reveals the lengths to which men will go to justify their belief in our evolution from the animals.

Ananemsis has been dated as around 4 million years old by evolutionists. Leaving aside the validity of this date, we note that this age places ananemsis as older than the well-known “Lucy,” a creature essentially identical to modern chimps, being totally chimp from the neck up. On her 3′ 6″ frame, only the controversial knee and hip bones give any clue of more erect posture than modem chimps. This species, as is now recognized, had long curved fingers and toes and an opposing big toe. With such a grasping foot, it was obviously tree-dwelling, only occasionally walking on the ground, possibly with a semi-erect posture).

The new ananemsis discovery consists of 2 groupings of bone fragments, together totaling 21. The more recent discovery of 12 tooth and jaw fragments near Lake Turkana in Africa have been lumped with 9 other fragments of teeth and limb bones found in 1965 and later some 100 miles away, near Kanapoi.

The Kanapoi fragments include one end of an arm bone, and the two end pieces of a shin bone, with the rest being tooth and jaw fragments. The arm bone was deemed remarkably “human-like” when discovered 30 years ago, strikingly close” to human in appearance, indistinguishable from modern homo sapiens.”

But herein lies the problem. How could fully human limb bones be found in 4 million year-old strata? All evolutionists “know” that anatomically-modern humans didn’t evolve-until the last one million years or so. How could they be before “Lucy,” their ancestor? Thus the human-like arm bone was shelved. Only the recent discovery of the very human-like shin bone brought the arm to light once again, and forced evolutionists to deal with them both.

In contrast, the recently found Kanapoi jaw and tooth fragments are grossly apelike. Discoverer Dr. Meave Leakey (wife of Richard Leakey) exults that while the chin and teeth are more ape-like than “Lucy”, yet they hint at progressing toward humans, thus earlier on the human family tree. (Doesn’t anyone remember anymore that Lucy is scarcely different, from a chimp?). So, if this creature is more ape-like than Lucy, there is no justification for putting it in the human lineage at all).

The real clincher for evolution lies in the lumping of the recently found and quite ape-like 12 tooth and dental fragments from Lake Turkana in with the human-like Kanapoi limb bones, even though separated by 100 miles. Even at Kanapoi, the tooth and jaw fragments are found in a layer 55′ lower stratisgraphically than the crucial limb bones. Already evolutionists are beginning to call the single-species interpretation into question. I predict that this claim will be discarded, even by evolutionists.

Meanwhile, Leakey’s claims have received extensive coverage in the press. That may be what this is all about.

__________

Olddoc, Neanderthals have been upgraded to fully human status even by evolutionists. Darwin liked talking about them as not being fully human but that was disproven long ago.
_____________
You think there were many 6’0″ Neanderthals?
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Overview of the Book of Ecclesiastes

Overview of the Book of Ecclesiastes

Overview of the Book of EcclesiastesAuthor: Solomon or an unknown sage in the royal courtPurpose: To demonstrate that life viewed merely from a realistic human perspective must result in pessimism, and to offer hope through humble obedience and faithfulness to God until the final judgment.Date: 930-586 B.C.

Ecclesiastes 2-3

Published on Sep 19, 2012

Calvary Chapel Spring Valley | Sunday Evening | September 16, 2012 | Derek Neider

_____________________________

I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope to show how secular humanist man can not hope to find a lasting meaning to his life in a closed system without bringing God back into the picture. This is the same exact case with Solomon in the Book of Ecclesiastes. Three thousand years ago, Solomon took a look at life “under the sun” in his book of Ecclesiastes. Christian scholar Ravi Zacharias has noted, “The key to understanding the Book of Ecclesiastes is the term ‘under the sun.’ What that literally means is you lock God out of a closed system, and you are left with only this world of time plus chance plus matter.”

Let me show you some inescapable conclusions if you choose to live without God in the picture. Solomon came to these same conclusions when he looked at life “under the sun.”

  1. Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)
  2. Chance and time have determined the past, and they will determine the future.  (Ecclesiastes 9:11-13)
  3. Power reigns in this life, and the scales are not balanced(Eccl 4:1)
  4. Nothing in life gives true satisfaction without God including knowledge (1:16-18), ladies and liquor (2:1-3, 8, 10, 11), and great building projects (2:4-6, 18-20).

You can only find a lasting meaning to your life by looking above the sun and bring God back into the picture.

Key Truths:

  • When we are left to mere human outlooks and efforts, life seems hopeless and meaningless.
  • Human beings cannot begin to fathom the divine wisdom that undergirds and controls all things.
  • Once human limitations are recognized, the faithful will gain a godly vision of life by renewing their reverence for God and loyalty to his commands.
  • In the final judgment God will eliminate the perplexing anomalies of life by judging everything good or evil.

Author:

It has traditionally been argued that this book was the work of Solomon. The Teacher, who is identified in Ecclesiastes 1:1 as the one who reflects on his experiences in the book, is strongly associated with Solomon because of his lineage (Eccl. 1:1), Jerusalem kingship (Eccl. 1:12), unsurpassed wisdom (Eccl. 1:16) and unrivaled wealth (Eccl. 2:4-9). This identification has led some to place the book during the period of Solomon’s apostasy, when he may have had dwelt on the kinds of thoughts expressed in this book (see 1 Kings 11), or sometime afterward, when he may have reflected on those earlier bad times.Although it seems clear that Solomon’s wise sayings deeply influenced this book, it is not indisputable that Solomon actually wrote this book. Unlike the book of Proverbs, which freely attributes much of its material to Solomon, Ecclesiastes nowhere explicitly identifies Solomon by name. Even the expression “son of David” (Eccl. 1:1) may be translated “descendant of David,” or possibly “an official in David’s court.” In fact, the writer appears intentionally to distance himself from Solomon. It would have been odd for Solomon to say that he “was king” (Eccl. 1:12), using the past tense, for there was never a time when he ceased being king prior to his death. The statement that others had ruled in Jerusalem before him (Eccl. 1:16) also appears an unlikely – although not impossible (see note on Eccl. 1:16) – statement for Solomon to make. The book reflects on hardship (Eccl. 1:2-8), death (Eccl. 3:1-15), injustice (Eccl. 4:1-3), pagan tyranny (Eccl. 5:7, 9-19) and suffering at the hands of rulers (Eccl. 8:9). None of these descriptions fit well with Solomon. It is possible therefore that sometime after Solomon’s reign an unknown sage compiled, edited, shaped and framed reflections that may have come in part from Solomon and added introductory and summary perspectives (Eccl. 1:1; 12:9-14). However, it should be remembered that, like all wise men in Jerusalem’s royal court, this writer drew heavily upon Solomon’s wisdom in all that he wrote (cf. Hezekiah’s wise men in Prov. 25:1).

Time and Place of Writing:

The association of Ecclesiastes with the Davidic court makes Jerusalem the likely place of composition, but the date of Ecclesiastes is uncertain. If Solomon was the author of the book, it must be dated to the tenth century. The reference to the “son of David” (Eccl. 1:1) strongly suggests that the book was written after the end of monarchy in Jerusalem (586 B.C.). Thus the range of possible dates extends from 930 to 586 B.C.

Purpose and Distinctives:

The title “Ecclesiastes” derives from the Vulgate (the Latin translation of the Bible) and the Septuagint (the Greek translation of the OT) translations of the Hebrew qoheleth, which is translated in the NIV as “Teacher,” possibly meaning “leader of the assembly”(see NIV text note on Eccl. 1:1).Ecclesiastes focuses on how God’s people should live on earth in the face of life’s difficulties and enigmas. Ecclesiastes is thus not an apologetic to those who are ignorant of God or rebellious against him; it is wise counsel to those cognizant of, but perplexed by, God’s ways. In this respect, Ecclesiastes is like the book of Job. While Job’s dialogues and monologues search for understanding of God’s wisdom within the circumstance of an innocent man’s suffering, Ecclesiastes is more philosophical in its approach and speaks of the condition of all humans. Ecclesiastes also probes the limits of conventional proverbial wisdom (see Eccl. 12:9) by balancing expectations of justice and prosperity often raised by proverbial wisdom with the harsh realities of living in a fallen world controlled by the inscrutable wisdom of God. It also encourages fidelity to God in the perplexing difficulties that so many people face.

In the end, however, the conclusion of Ecclesiastes is very similar to that of Job. Despite our inability to understand fully the good wisdom of God, our appropriate and wise human response is to “fear God and keep his commandments” (Eccl. 12:13; see note on Job 28:28). That is, we are to submit to God and demonstrate our awareness of his supreme wisdom by obeying his law, trusting that he is full of wisdom and goodness in spite of the enigmas life presents even to those who know him.

The Teacher’s words are arranged in three cycles (Eccl. 1:3-3:8; 3:9-6:7; 6:8-12:7), each of which begins with a similar phrase: “What does man gain?” (Eccl. 1:3), “What does the worker gain?” (Eccl. 3:9) and “What advantage has a wise man?” (Eccl. 6:8). Each cycle contains an introduction (Eccl. 1:3-11; 3:9-21; 6:8-12), followed by variously arranged sections. Words are positioned to build textual units and are used in multiple senses to provoke meditation on the book’s ideas. While repetition of topics and words builds concentric structural units, there is progression of thought in Ecclesiastes. The writer pairs the themes of work and wisdom. His first cycle contains three pairs of sections (Eccl. 1:12-15 and Eccl. 1:16-18; 2:1-11 and Eccl. 2:12-17; 2:18-26 and Eccl. 3:1-8) presenting the conclusion that although the employment of human labor and understanding provides the satisfaction of accomplishment, the profit achieved for a human being is canceled by death.

The paired themes of work and wisdom are subsequently elaborated in the book’s second and third cycles, respectively. The second cycle (Eccl. 3:9-6:7) develops the theme of human labor, contrasting it with God’s perfect, enduring works and counseling enjoyment of the simple blessings God provides in this life, even in the face of human oppression. The third cycle (Eccl. 6:8-12:7) elaborates the theme of human wisdom, contrasting it with the inscrutability of God’s ways. This cycle advises the audience to enjoy life and work diligently, even though effort and righteousness may not be appropriately rewarded in this life.

The author’s conclusion that death renders all labor and efforts to acquire superhuman wisdom vain (Eccl. 1:14, 17; 2:11, 17) does not imply, as some ancients thought, that people should abandon society and cultural efforts. On the contrary, the writer instructed God’s people to enjoy life-despite its apparent futility, harsh realities and uncertainties-and to work with full vigor (Eccl. 9:7-10). This realistic approach views life as a gift from God (Eccl. 3:13; 5:19) for those who fear him and keep his commands (Eccl. 5:1-7; 12:13-14).

Ecclesiastes grapples with the question of how people should live in fidelity to God (Eccl. 6:12) in a world in which the good Creator (Eccl. 3:11, 14) and just Judge (Eccl. 3:17) sovereignly ordains that “bad” things happen to the righteous (Eccl. 7:13-14) as well as to the wicked, rather than that each individual will receive his or her deserved recompense in this life (Eccl. 8:14; 9:1). Faith in God’s wisdom despite human inability fully to discern it is to be exercised not only in the face of human oppression (Eccl. 3:22-4:3), but also in the face of the constant futility that death brings (Eccl. 9:7-10).

Christ in Ecclesiastes:

This book relates to Christ and the New Testament in a number of ways. First, in his first coming, Christ, who is the wisdom of God (1 Cor. 1:24, 30), revealed wisdom to those who followed him (Col. 1:9; 2:23; 3:16). Through faith in Christ we have access to God’s wisdom (Jam. 1:5) beyond the understanding of Old Testament believers. As Ecclesiastes calls for fear and obedience (Eccl. 12:13), the New Testament echoes these themes (Acts 6:7; 9:31; 2 Cor. 5:11; 9:13; 10:5; 2 Thess. 1:8; 1 Pet. 1:2; 2:17; Rev. 14:7; 15:4; 19:5) in its call to embrace the gospel of Christ as the very wisdom of God (1 Cor. 1:21-24; Col. 1:9-12,28; Jam. 3:13-17). Second, even though Christ has come, Ecclesiastes reminds us that God’s elect still live as aliens in this world (1 Pet. 1:1). Although we have been forgiven of our sins and made alive in Christ, we still live amid profound frustrations and tensions until Christ brings an end to this present evil age. Until then, the enigmas of life are often so great that we do not even know how to pray, but we can gain confidence in our struggles knowing that the Spirit of Christ who knows the mind of God prays for us (Rom. 8:18-23). Third, the New Testament assures us that the final judgment mentioned in this book (Eccl. 12:14) will come when Christ returns in glory (Rev. 19). At that time the good wisdom of God, so often hidden from human sight now, will be clearly revealed.

For more notes please see:

Outline of the Book of Ecclesiastes

If you have questions about the IIIM Seminary Study Bible notes, please email our theological editor Joseph R. Nally, M.Div. at jnally@thirdmill.org.

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“Woody Wednesday” Trivia about Woody Allen Part 11

Sleeper (1973) – Trailer

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopelessmeaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of his own secular view. I salute him for doing that. That is why I have returned to his work over and over and presented my own Christian worldview as an alternative.

My interest in Woody Allen is so great that I have a “Woody Wednesday” on my blog www.thedailyhatch.org every week. Also I have done over 30 posts on the historical characters mentioned in his film “Midnight in Paris.” (Salvador Dali, Ernest Hemingway,T.S.Elliot,  Cole Porter,Paul Gauguin,  Luis Bunuel, and Pablo Picasso were just a few of the characters.) Check out these trivia facts below.

Here is some trivia about Woody Allen:

To me, there’s no real difference between a fortune teller or a fortune cookie and any of the organized religions. They’re all equally valid or invalid, really. And equally helpful.

Well, I’m against [the aging process]. I think it has nothing to recommend it. You don’t gain any wisdom as the years go by. You fall apart, is what happens. People try and put a nice varnish on it, and say, well, you mellow. You come to understand life and accept things. But you’d trade all of that for being 35 again. I’ve experienced that thing where you wake up in the middle of the night and you start to think about your own mortality and envision it, and it gives you a little shiver. That’s what happens to Anthony Hopkins at the beginning of [You Will Meet a Tall Dark Stranger (2010)], and from then on in, he did not want to hear from his more realistic wife, “Oh, you can’t keep doing that – you’re not young anymore.” Yes, she’s right, but nobody wants to hear that.

If my films don’t show a profit, I know I’m doing something right.

[on the controversy surrounding his marriage to Soon-Yi] What was the scandal? I fell in love with this girl, married her. We have been married for almost 15 years now. There was no scandal, but people refer to it all the time as a scandal. I kind of like that in a way because when I go I would like to say I had one juicy scandal in my life.

My films have developed over the years. They’ve gone from films that started out as strips of jokes and funny gags to more character-oriented things – slightly deeper stories where I’ve sacrificed some laughs. And sometimes I’ve tried to make serious pictures without any laughs at all. You Will Meet a Tall Dark Stranger (2010) is probably a film I wouldn’t have been able to make 20 years ago, because I feel I wouldn’t have had the depth to make it. I’m forever pessimistic about everything in life, except my work. I feel that my best work is still to come, and I keep working and trying. It may be foolish and misplaced optimism, but nevertheless I’m optimistic. I feel I’ve always progressed. I’ve always made the film I wanted to make that year, and the films I made later were better than the ones I made earlier. Manhattan (1979) and Annie Hall (1977) were quite popular, but they were not as good as, say, Match Point (2005), which was a better film than both of those films. Midnight in Paris (2011) I think will be seen as a better film. Vicky Cristina Barcelona (2008) is a better film than those I made years ago. But it’s capricious. I get an idea for a film and I do it, and if I’m right in my judgment, and in execution, then the film turns out to be a good film, a step forward. If I guessed wrong and I thought the idea was wonderful and it’s really not, or I execute badly, then the film is not such a good film. But it doesn’t have anything to do with the chronology. [2011]

I think universal harmony is a pipedream and it may be more productive to focus on more modest goals, like a ban on yodeling.

Not only does my play have no redeeming social value, it has no entertainment value. I wrote this sprightly little one-acter only to test out my new paper shredder. If there is any positive message at all in the narrative, it is that life is a tragedy filled with suffering and despair and yet some people do manage to avoid jury duty.

I’ve always felt close to a European sensibility. It’s a happy accident: when I was a young man and most impressionable, all these great European films were flooding New York City. I was very influenced by those films. I comes out in my work without trying to. It’s like if you grow up hearing Mozart your whole life at home and you start to write music, probably what comes out – until you develop your own style – is an imitation of Mozart, to some degree. And that’s what happened with me and films. I’ve very often relied on European cinema as a crutch or as a guide. The films I grew up with – Bergman and Fellini and Kurosawa and De Sica and Antonioni – just left an indelible mark on me. It’s the same with certain American films that impressed me as a young boy, like The Treasure of the Sierra Madre (1948) and Citizen Kane (1941) and Double Indemnity (1944). There have been very few American films since that have equalled the impact those films had on me, because I do think the time you see them figures into it. Consequently my films have been well appreciated in Europe, more than the United States, where it’s been so-so.

[on Stardust Memories (1980)] I wanted to make a stylish film. Gordon Willis and I liked to work in black and white and I wanted to make a picture about an artist who theoretically should be happy. He has everything in the world – health, success, wealth, notoriety – but in fact he doesn’t have anything, he’s very unhappy. The point of the story is that he can’t get used to the fact that he’s mortal and that all his wealth and fame and adulation are not going to preserve him in any meaningful way – he, too, will age and die. At the beginning of the movie you see him wanting to make a serious statement even though he is really a comic filmmaker. Of course, this part is naturally identified with me even though the tale is total fabrication. I never had the feelings of the protagonist in real life. When I made Stardust Memories I didn’t feel I was a much adored filmmaker whose life was miserable and all around me things were terrible. I thought I was a respectable moviemaker and the perks of success – as I said in my film Celebrity (1998) – actually outweighed the downside. I was never blocked, conflicted much, or steeped in gloom – though I often played that character. I did it again later in Deconstructing Harry (1997). That character is also a writer but nothing like me. I wanted to make Stardust Memoies stylish. It’s a dream film; the attempt is poetic. I’m not saying it comes off but the intent is poetic, so you’re not locked in to a realistic story. You could certainly tell a realistic story about a guy who has everything and is unhappy but I was trying to do it on a more fantastic level. I feel if you give the film a chance, there are some rewards in it. It’s dense. I haven’t seen it in many years, but when I finished it I was very satisfied with it and it was my favorite film to that time.

[on Shadows and Fog (1991)] I think I did a good job directing it and Santo Loquasto‘s sets are beautiful. But the picture is in the writing and people weren’t interested in the story. You know when you’re doing a black-and-white picture that takes place in a European city at night in the twenties, you’re not going to make big bucks. Nobody liked the picture. Carlo Di Palma won an award for it in Italy. It just looked great. There was pleasure in the way it was photographed, and in making it. I make these films to amuse myself, or should I say to distract myself. I wanted to see what it would be like making a film all on a set, outdoors being indoors. And setting it during one night and having all these characters and this old European quality to it. The hope is that others will enjoy it when I’m finished. It fulfilled that desire that keeps me working, that keeps me in the film business. I do all my films for my own personal reasons, and I hope that people will like them and I’m always gratified when I hear they do. But if they don’t, there’s nothing I can do about that because I don’t set out to make them for approval – I like approval, but I don’t make them for approval.

[on Anything Else (2003)] The cast is wonderful and I thought it was an interesting story and full of good jokes and good ideas. Somebody said it summed up everything that I always say in movies – they were saying this positively – and maybe it did and that was a negative for me. I don’t know. I had screening of it and people seemed to love it. Again, it was one of those pictures that nobody came to. You know, a lot of it is the luck of the draw with someone like me. I’m review-dependent. You hit a guy who likes the film and writes a good review of it, it might possibly do business. The exact same film, if that reviewer’s sick that day and the other critic on the paper doesn’t like it, then it doesn’t do business. There are many, many people making films who are not review-dependent and it doesn’t matter what anybody says about them, they have an audience. I only have to mention Spider-Man (2002). With me, it depends who’s writing the review. But I did think Anything Else was a funny movie. I thought it was a good movie. I was crazy about Christina [Ricci], and Jason [Biggs] was adorable and Stockard Channing is always a really strong actress.

My sets are boring. Nothing exciting ever happens, and I barely talk to the actors.

[Directing’]s a great loafer’s job. Much less stressful than if I were running around delivering chicken sandwiches in a deli somewhere.

[To Stu Hample on developing the comic strip “Inside Woody Allen”] Need more character engagement – instead of jokes being free-floating, they must be jokes on the way to character development. Jokes are like the decorations on the Christmas tree – but it’s a beautiful tree you need to start with. Only then can you hang baubles on it. (Sorry for the disgusting metaphor.)

Life is full of misery, loneliness and suffering – and it’s all over much too soon.

I finished writing the script [for To Rome with Love (2012)] and saw that there was a part that I could play. I never force it. I never write something for myself. I’m trying to be faithful to the idea. If I had made To Rome with Love in the United States, I could have played Roberto Benigni‘s part. If I was fifty years younger, I would have played Jesse Eisenberg‘s part. Right now, I’m reduced to fathers of fiancees.

[on playing his screen persona] It’s effortless. It’s the only thing I can do. I’m not an actor. I can’t play Chekhov, I can’t play Shakespeare or Strindberg. I can do that thing that I do. There’s a few different kinds of things I can act credibly. I can play an intellectual or a low-life.

Related posts:

I love the movie “Midnight in Paris” by Woody Allen and I have done over 30 posts on the historical characters mentioned in the film. Take a look below:

“Midnight in Paris” one of Woody Allen’s biggest movie hits in recent years, July 18, 2011 – 6:00 am

(Part 32, Jean-Paul Sartre)July 10, 2011 – 5:53 am

 (Part 29, Pablo Picasso) July 7, 2011 – 4:33 am

(Part 28,Van Gogh) July 6, 2011 – 4:03 am

(Part 27, Man Ray) July 5, 2011 – 4:49 am

(Part 26,James Joyce) July 4, 2011 – 5:55 am

(Part 25, T.S.Elliot) July 3, 2011 – 4:46 am

(Part 24, Djuna Barnes) July 2, 2011 – 7:28 am

(Part 23,Adriana, fictional mistress of Picasso) July 1, 2011 – 12:28 am

(Part 22, Silvia Beach and the Shakespeare and Company Bookstore) June 30, 2011 – 12:58 am

(Part 21,Versailles and the French Revolution) June 29, 2011 – 5:34 am

(Part 16, Josephine Baker) June 24, 2011 – 5:18 am

(Part 15, Luis Bunuel) June 23, 2011 – 5:37 am

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Doy Moyer on the Book of Ecclesiastes and Apologetics

Ecclesiastes 1

Published on Sep 4, 2012

Calvary Chapel Spring Valley | Sunday Evening | September 2, 2012 | Pastor Derek Neider

_____________________

I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope to show how secular humanist man can not hope to find a lasting meaning to his life in a closed system without bringing God back into the picture. This is the same exact case with Solomon in the Book of Ecclesiastes. Three thousand years ago, Solomon took a look at life “under the sun” in his book of Ecclesiastes. Christian scholar Ravi Zacharias has noted, “The key to understanding the Book of Ecclesiastes is the term ‘under the sun.’ What that literally means is you lock God out of a closed system, and you are left with only this world of time plus chance plus matter.”

Let me show you some inescapable conclusions if you choose to live without God in the picture. Solomon came to these same conclusions when he looked at life “under the sun.”

  1. Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)
  2. Chance and time have determined the past, and they will determine the future.  (Ecclesiastes 9:11-13)
  3. Power reigns in this life, and the scales are not balanced(Eccl 4:1)
  4. Nothing in life gives true satisfaction without God including knowledge (1:16-18), ladies and liquor (2:1-3, 8, 10, 11), and great building projects (2:4-6, 18-20).

You can only find a lasting meaning to your life by looking above the sun and bring God back into the picture.

Apologetics and Ecclesiastes

“Vanity of vanities,” says the preacher. All is vanity.

How can life seem any less meaningful? “What advantage does man have in all his work which he does under the sun?” Everything just keeps happening over and over. One generation comes, another goes, and the cycle of life starts over. “All things are wearisome…”

But Koheleth was determined to find meaning in life. He sought out many avenues through which he thought he might find happiness. He tried wisdom, only to discover that “in much wisdom there is much grief, and increasing knowledge results in increasing pain.”

He tried pleasure. He withheld nothing that he desired from himself. Yet, at the end of the day, he realized that it was “vanity and striving after wind.” There was “no profit under the sun.”

He looked at the world and saw oppression, ugliness, grief, and death. Riches did not live up to its deceitful promises: “The sleep of the working man is pleasant, whether he eats little or much; but the full stomach of the rich man does not allow him to sleep.” Power is not what it is cracked up to be. In the end, whether a person is rich, poor, good, bad, or anything else, we all end up going back to the dust. As is the fool, so is the wise man.

Looking at life from such an earthly perspective can lead to terrible despair. Koheleth looked at it all; he tried it all. He found nothing ultimately satisfying or meaningful – until he turned back to God.

Once this life is over, there is no coming back: “they no longer have a share in all that is done under the sun.” From the outside, it appears that man and beast are the same; they both die just the same and it seems as though there is nothing else. As far as an earthly existence, this is true. However, it is there where the likeness ends. What we cannot see with our eyes is that we have souls that do continue beyond the body. And it is this understanding that affects our grasp of the meaning of life.

“The conclusion, when all has been heard is: fear God and keep His commandments, because this applies to every person. For God will bring every act to judgment, everything which is hidden, whether it is good or evil.”

Knowing that God gives us life both physically and spiritually helps us to better appreciate our existence on this earth. Through God, we can learn to enjoy the simple things of life: the eating and fruit of our labors. We can engage in our activities with a cheerful heart, putting away the grief and anger that characterizes those who have no sense of purpose. It is crucial to remember our Creator if we are going to appreciate and enjoy life here and now.

The apologetic value of the book of Ecclesiastes is as relevant today as it was when it was first written. People are still searching for meaning. They try all the avenues available to them: knowledge, riches, power, pleasure, and anything else they can think of. But they still come up empty-handed. It is when they turn to God that they finally realize that life is not just about the “here and now.” It is about that which cannot be seen. It is about God. It is about our souls.

One day we will go to our eternal home. We will face the judgment of God. Will your life on earth have meant something then? Or will it have been a hopeless chase after meaning and value only to find that nothing makes sense apart from God?

Doy Moyer – doy@dmoyer.com

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Uploaded by on Aug 30, 2010

I have debated with Ark Times Bloggers many times in the past on many different subjects. Here are some of the subjects: communism, morality, origin of evil, and the Tea Party. I have always loved to post about evolution and I have had a chance in the past to correspond with scientists such as Carl Sagan and George Wald and also had the opportunity to write reviews of science related books that were published.

Recently I got into the subject of evolution on the Ark Times Blogand the subject came up on the Ark Times Blog. I go by the username “Saline Republican”:

On March 18, 2013 the  person using the username Olddoc asserted:

Saline, Who cares? “Steven Jay Gould not being a creationist but what he did was undercut traditional Darwinism. Take a look at this big battle that he started. ”

What kind of idiot would think that Darwin was able to make a quantum leap, describing an entirely new concept and didn’t leave major points to be studied, refined and modified……that’s what a theory is. Thanks to Gould for improving the theory.

Think about when Darwin wrote. Perhaps closer to the age of spontaneous generation (rats from rags, maggots from porridge, etc) than the neat world of genomics.

How incredible that a man who had NO CLUE how traits might be passed from one animal to its offspring got so much correct!

I replied on March 18, 2013:

Olddoc, you have to explain the fossil record if you are Darwin because he believed there were missing links out there and he was wrong!!! That is where Gould comes in and shows the Emperor has no clothes on.

Ozarkrazo what I said was this, “Do you ever get on a plane without meeting and questioning the ability of the pilot? You have faith in that airline because of evidence you have from the past concerning their reliability.” In other words you have to do things on faith and you should base your faith on evidence that leads you to believe that Southwest Airlines is dependable and then you book a flight with them. If you say that you firmly believe that the world evolved by chance through time then where is your evidence in the fossil record that supports Darwinism? How does evolution explain the origin of life from nonlife? Doesn’t the second law of thermodynamics contradict evolution? You are an educated person and you can read facts for yourself. You don’t have to just take evolutionists word for it. Did you know that many agnostics have rejected evolution. Ayn Rand thought it was stupid.

Adrian Rogers observed: 1. The fossil record. Not only is the so-called missing link still missing, all of the transitional life forms so crucial to evolutionary theory are missing from the fossil record. There are thousands of missing links, not one! 2. The second law of thermodynamics. This law states that energy is winding down and that matter left to itself tends toward chaos and randomness, not greater organization and complexity. Evolution demands exactly the opposite process, which is observed nowhere in nature. 3. The origin of life. Evolution offers no answers to the origin of life. It simply pushes the question farther back in time, back to some primordial event in space or an act of spontaneous generation in which life simply sprang from nothing.

Dr. George Wald (Nobel Prize winner) of Harvard : “When it comes to the origin of life, we have only two possibilities as to how life arose. One is spontaneous generation arising to evolution; the other is a supernatural creative act of God. There is no third possibility…Spontaneous generation was scientifically disproved one hundred years ago by Louis Pasteur, Spellanzani, Reddy and others. That leads us scientifically to only one possible conclusion — that life arose as a supernatural creative act of God…I will not accept that philosophically because I do not want to believe in God. Therefore, I choose to believe in that which I know is scientifically impossible, spontaneous generation arising to evolution.” – Scientific American, August, 1954.

________________________________

I actually had the chance to correspond with George Wald twice before his death. He wrote me two letters and in the first one he suggested that he was just using hyperbole when he made the assertion that is quoted by Dr. Rogers. He also suggested the religion of Buddhism although he said he was not a Buddhist himself, but he thought that would be closest to the truth which he thought was atheism.

During the 1990′s I actually made it a practice to write famous atheists and scientists that were mentioned by Adrian Rogers and Francis Schaeffer and challenge them with the evidence for the Bible’s historicity and the claims of the gospel. Usually I would send them a cassette tape of Adrian Rogers’ messages “6 reasons I know the Bible is True,” “The Final Judgement,” “Who is Jesus?” and the message by Bill Elliff, “How to get a pure heart.” I would also send them printed material from the works of Francis Schaeffer and a personal apologetic letter from me addressing some of the issues in their work.

The famous atheist Antony Flew was actually took the time to listen to several of these messages and he wrote me back in the mid 1990′s several times.

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