“Woody Wednesday” ECCLESIASTES AND WOODY ALLEN’S FILMS: SOLOMON “WOULD GOT ALONG WELL WITH WOODY!” (Part 23 MIDNIGHT IN PARIS Part V Ernest Hemingway 11th part Gil Pender,”Mark Twain is my favorite author” Mark Twain on the subject of suicide )

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Mark Twain said people should either commit suicide or stay drunk if they are “demonstrably wise” and want to “keep their reasoning faculties.” We actually see this play out in the film MIDNIGHT IN PARIS with the character Zelda Fitzgerald.

HEMINGWAY:You like Mark Twain?

SCOTT FITZGERALD: I’m going to find Zelda.I don’t like the thoughtof her with that Spaniard.

GIL PENDER:May I?

HEMINGWAY:Yeah,

GIL PENDER:I’m actually a huge Mark Twain fan.I think you can even make the case that all modern American literature comes from Huckleberry Finn.-

This picture above of Mark Twain was reportedly taken in 1898 and that same year he wrote in his notebook, “Of the demonstrably wise there are but two: those who commit suicide, & those who keep their reasoning faculties atrophied with drink.” Now observe that in the film MIDNIGHT IN PARIS Zelda Fitzgerald also explores staying drunk and then later in the film attempts suicide.

ZELDA FITZGERALD: I know I can be one of the great writers of musical lyrics- not that I can write melodies, and I try,and then I hear the songs he writes, and then I realize: I’ll never write a great lyric,- and MY TALENT REALLY LIES IN DRINKING.-

SCOTT FITZGERALD: Sure does.

Later in MIDNIGHT IN PARIS we find Zelda attempting to jump in the Seine river and end her life.
 GIL PENDER:God, is that who I think it is?
ADRIANA: What is she doing here,staring into the water?Oh my God! Zelda, what are you doing?!- Please?
ZELDA: I don’t want to live!-
ADRIANA: Stop!- What is it?-
ZELDA: Scott and that beautiful countess.They were– It was so obvious they were whispering about me,and the more they drank, the more he fell in love with her!
GIL PENDER: He…Scott loves only you.- I can tell you that with absolute certainty.-
ZELDA: No.- He’s tired of me!-
GIL PENDER: You’re wrong. You’re wrong. I know.-
ZELDA: How?-
GIL PENDER: Trust me. I know.- Sometimes you get a feel for people, and I get…-
ZELDA: My skin hurts!-
ADRIANA: What do you mean?-
ZELDA: I don’t wanna…I hate the way I look!
ADRIANA:Don’t do that!-
GIL PENDER: Here. Take this.-
ZELDA:What is this?
GIL PENDER: It’s a Valium. It’llmake you feel better.-
ADRIANA:You carry medicine?-
GIL PENDER: No, not normally.It’s just since I’ve been engaged to Inez,I’ve been having panic attacks, but I’msure they’ll subside after the wedding.
ADRIANA: I’ve never heard of Valium. What is this?
GIL PENDER:It’s the…pill of the future.
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Mark Twain on Suicide

In the Ken Burns film on Mark Twain at 35 min mark of part 1 are these words:

For two months my sole occupation was avoiding acquaintances; for during that time I did not earn a penny, or buy an article of any kind, or pay my board. I became a very adept at “slinking.” I slunk from back street to back street, I slunk away from approaching faces that looked familiar, I slunk to my meals, ate them humbly and with a mute apology for every mouthful I robbed my generous landlady of, and at midnight, after wanderings that were but slinkings away from cheerfulness and light, I slunk to my bed. I felt meaner, and lowlier and more despicable than the worms. During all this time I had but one piece of money—a silver ten cent piece—and I held to it and would not spend it on any account, lest the consciousness coming strong upon me that I was entirely penniless, might suggest suicide. I had pawned every thing but the clothes I had on; so I clung to my dime desperately, till it was smooth with handling. (Roughing It, chapter 59)

Nothing seemed to work out for him. One day he put a revolver to his head and almost pulled the trigger. Many times I have been sorry I did not succeed he later said, but I was never ashamed of having tried.

IMAX: Mark Twain’s America

SUICIDE

You see, the lightning refuses to strike me — that is where the defect is. We have to do our own striking, as Barney Bernato did. But nobody ever gets the courage till he goes crazy.
– Letter to Henry Rogers, 16 June 1897 Suicide is the only sane thing the young or old ever do in this life.
– quoted in Mark Twain: God’ s Fool, Hamlin HillUnfortunately none of us can see far ahead; prophecy is not for us. Hence the paucity of suicides.
– “Which Was the Dream?”
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But we are all insane, anyway…The suicides seem to be the only sane people.
– Mark Twain’s Notebook, #40, (Jan. 1897-July 1900)

Of the demonstrably wise there are but two: those who commit suicide, & those who keep their reasoning faculties atrophied with drink.
– Notebook, 1898

I do see that there is an argument against suicide: the grief of the worshipers left behind, the awful famine in their hearts, these are too costly terms for the release.
– Letter to William Dean Howells, 13 July 1889

Olivia, Sam and Clara

I would not be a party to that last and meanest unkindness, treachery to a would-be suicide. My sympathies have been with the suicides for many, many years. I am always glad when the suicide succeeds in his undertaking. I always feel a genuine pain in my heart, a genuine grief, a genuine pity, when some scoundrel stays the suicide’s hand and compels him to continue his life.
Autobiography of Mark Twain, Vol. 2 (2013), p. 45-46. Dictated 11 April 1906.

Mark Twain Adventures of Tom Sawyer and Huckleberry Finn Biography Documentary Film

Mark Twain Documentary (1963)

Biography of Mark Twain (1835 1910)

Woody Allen on Life and Death (A Scene From Hannah And Her Sisters)

Scene from HANNAH AND HER SISTERS:

Mickey: One day about a month ago, I really hit bottom. Ya know I just felt that in a Godless universe I didn’t wanna go on living. Now I happen to own this rifle, which I loaded believe it or not, and pressed it to my forehead. And I remember thinking, I’m gonna kill myself. Then I thought, what if I’m wrong, what if there is a God. I mean, after all nobody really knows that. Then I thought no, ya know maybe is not good enough, I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot.

[gun fires]

Mickey: All of a sudden the gun went off. I had been so tense my finger squeezed the trigger inadvertantly. But I was perspiring so much the gun had slid off my forehead and missed me. Suddenly neighbors were pounding on the door, and I dunno the whole scene was just pandemonium. I ran to the door, I didn’t know what to say. I was embarrassed and confused and my mind was racing a mile a minute. And I just knew one thing I had to get out of that house, I had to just get out in the fresh air and clear my head. I remember very clearly I walked the streets, I walked and I walked I didn’t know what was going through my mind, it all seemed so violent and unreal to me. I wandered for a long time on the upper west side, it must have been hours. My feet hurt, my head was pounding, and I had to sit down I went into a movie house. I didn’t know what was playing or anything I just needed a moment to gather my thoughts and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and the movie was a film that I’d seen many times in my life since I was a kid, and I always loved it. I’m watching these people up on the screen and I started getting hooked on the film. I started to feel, how can you even think of killing yourself, I mean isn’t it so stupid. Look at all the people up there on the screen, they’re real funny, and what if the worst is true. What if there is no God and you only go around once and that’s it. Well, ya know, don’t you wanna be part of the experience? You know, what the hell it’s not all a drag. And I’m thinking to myself, Jeez, I should stop ruining my life searching for answers I’m never gonna get, and just enjoy it while it lasts. And after who knows, I mean maybe there is something, nobody really knows. I know maybe is a very slim reed to hang your whole life on, but that’s the best we have. And then I started to sit back, and I actually began to enjoy myself.

Francis Schaeffer “BASIS FOR HUMAN DIGNITY” Whatever…HTTHR

Francis Schaeffer pictured below:

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How Should We then Live Episode 7 small (Age of Nonreason)

The Atheist can only come to the conclusion of despair according to Ecclesiastes,but humans always try to go to the area of non-reason for meaning in their lives instead of turning to God!

In the following post Dustin Shramek notes:

Francis Schaeffer illustrates this problem well. He says that we live in a two story universe. On the first story the world is finite without God. This is what Sartre, Russell, and Nietzsche describe. Life here is absurd, with no meaning or purpose. On the second story life has meaning, value, and purpose. This is the story with God. Modern man resides on the first floor because he believes there is no God. But as we have shown, he cannot live there happily, so he makes a leap of faith to the second story where there is meaning and purpose. The problem is that this leap is unjustified because of his disbelief in God. Man cannot live consistently and happily knowing life is meaningless.

Atheism and Death: Why the atheist must face death with despair


By Dustin Shramek


The title of this paper may catch some off guard. You or someone you know might be an atheist and you feel as though you have no despair when contemplating your death. I don’t doubt that there are many atheist that, in fact, have no despair over death. But, for the atheist to live without despair, they must do so inconsistently. In my paper, I will show why it is logically inconsistent for an atheist to live and face death with happiness.

To do this I want to present two major arguments. The first is from the theist point of view that life is meaningless without God and thus death is hopeless. This is derived from two of the world’s top philosophers, William Lane Craig and Ravi Zacharias (both are theists). It should be noted that this argument will be supplemented with the thoughts of several respected atheistic philosophers so one does not think they are being biased.

(Thomas Nagel above)

The second part of the paper will show why death is a necessary evil within the atheistic world view. To demonstrate this I will be drawing from the works of a major contemporary, atheist philosopher, Thomas Nagel. Both arguments are convincing by themselves, but I hope to show that with the two of them together, it is even more compelling to believe that the atheist must face death with despair. I don’t doubt that many atheist have been able to boldly face death without fear, but I do believe that they were being inconsistent in their world view.

Albert Camus said that death is philosophy’s only problem. That is quite the statement. Not only is death a problem, but a it is a large one. Why is death such a problem for someone like Camus? He was an atheist and I will attempt to show that death is a problem for all atheists.

Atheism cannot offer any comfort in the face of death. You see, everything we do includes some kind of hope. However, what kind of hope can the atheist give in the face of death? One may say that death is the final freeing of all desires and thus is good. Or that one can have hope in death if they are suffering. These really are just false hopes that I hopefully will clearly show.

After the death of his friend, Arthur Hallam, Alfred, Lord Tennyson composed his poem, “In Memorium”. This poem show the struggle he had as he wrestled with grief and the question of what ultimate power manages the fate of man. It shows the struggle he had between his realization of the consequences of his choice between atheism and God. I will quote a lengthy excerpt to feel the full impact.

Thine are these orbs of light and shade
Thou madest Life in man and brute;
Thou madest death; and Lo, thy foot
Is on the skull which thou hast made.

Are God and Nature then at strife
That Nature lends such evil dreams?
So careful of the type she seems
So careless of the single life,…

“So careful of the type?” but no.
From scarped cliff and quarried stone
She cries a thousand types are gone;
I care for nothing, all shall go.

“Thou makest thine appeal to me
I bring to life, I bring to death;
The spirit does but mean the breath:
I know no more.” And he, shall he,

Man her last work who seem’d so fair
Such splendid purpose in his eyes,
Who rolI’d the psalm to wintry skies,
Who built him fanes of fruitless prayers,

Who trusted God was love indeed
And love creation’s final law–
Tho’ Nature, red in tooth and claw
With ravine, shrieked against his creed-

Who loved, who suffer’d countless ills
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal’d within the iron hills?

No more? A monster then, a dream.
A discord. Dragons of the prime
That tear each other in their slime,
Were mellow music match’d with him.

O life as futile, then, as frail!
O for thy voice to soothe and bless
What hope of answer, or redress?
Behind the veil, behind the veil.[1]

Atheism has parented this offspring, and it is her legitimate child–with no mind to look back to for his origin, no law to turn to for guidance, no meaning to cling to for life, and no hope for the future. This is the shattered visage of atheism. It has the stare of death, looking into the barren desert of emptiness and hopelessness. Thus, the Nietzschean dogma, which dawned with the lantern being smashed to the ground, now ends in the darkness of the grave.[2]

Is this true? Is there no hope in atheism? Is there no meaning in a world without God? William Lane Craig offers a resounding yes.

Craig argues that if God doesn’t exist, then man and the universe are doomed to die. There is no hope of immortality. Our lives are but an infinitesimally small point that appears and then vanishes forever.

Jean-Paul Sartre affirmed that death is not-threatening provided we view it in the third person. It isn’t until we face the first person, “I am going to die,my death,” that death becomes threatening. Most, though, never assume first person attitudes during their life. So the question arises, “Why is my death so threatening?”

This is because within an atheistic world view there can be no meaning or purpose. I’m sure that many will be quick to disagree with me because they are an atheist or know an atheist who does ascribe meaning and purpose to their lives. But is this consistent within the atheistic world view? I don’t think so.

If everything is doomed to go out of existence, can there be any ultimate significance? If we are inevitably faced with nonexistence can our lives have any ultimate significance?

Influencing others or influencing history doesn’t give your life ultimate significance. It only gives it relative significance. Your life is important relative to certain events, but there is no ultimate significance to those events if all will die. Ultimately, your life makes no difference.

Even the universe is doomed to die (due to the Second Law of Thermodynamics). So what ultimate difference would it make if the universe never came to exist at all if it is doomed to become dead?

Mankind is thus no more significant than a swarm of mosquitos or a barnyard of pigs, for their end is all the same. The same blind cosmic process that coughed them up in the first place will eventually swallow them all again.[3]

If one’s destiny is the grave, what ultimate purpose is their for life? The same is true of the universe. If it is doomed to become a forever expanding pile of useless debris, what purpose is there for the universe? To what end is the world or man in existence? There can be no hope, no purpose.

What is true of mankind is true of individuals as well. So there can be no purpose in any individual’s life. My life wouldn’t be qualitatively different than the life of a dog. This thought is expressed by the writer of Ecclesiastes, “The fate of the sons of men and the fate of beasts is the same. As one dies so dies the other; indeed, they all have the same breath and there is no advantage for man over beast, for all is vanity. All go to the same place. All come from the dust and all return to the dust” (Ecc 3:19-20).

(King Solomon wrote Ecclesiastes at the end of his life)

The universe and man are cosmic accidents. There is no reason for our existence. Man is a cosmic orphan.

Without God the universe is the result of a cosmic accident, a chance explosion. There is no reason for which it exist. As for man, he is a freak of nature–a blind product of matter plus time plus chance. Man is just a lump of slime that evolved into rationality. There is no more purpose in life for the human race than for a species of insect; for both are the result of the blind interaction of chance and necessity.[4]

If we are only cosmic accidents, how can there be any meaning in our lives? If this is true, which it is in an atheistic world view, our lives are for nothing. It would not matter in the slightest bit if I ever existed. This is why the atheist, if honest and consistent, must face death with despair. Their life is for nothing. Once they are gone, they are gone forever.

Friedrich Nietzsche admitted that with the end of Christianity comes nihilism, which is the “denial of the existence of any basis for knowledge or truth; the general rejection of customary beliefs in morality, religion, etc.; the belief that there is no meaning or purpose in existence.” In “The Will to Power”, Nietzsche says this,

What I relate is the history of the next two centuries. I describe what is coming, what can no longer come differently: the advent of nihilism.. ..Our whole European culture is moving for some time now, with a tortured tension that is growing form decade to decade, as toward a catastrophe: restlessly, violently, headlong, like a river that wants to reach the end, that no longer reflects, that is afraid to reflect.[5]

Bertrand Russell, a famous atheistic philosopher, even admits that life is purposeless. I quote him at length,

That Man is the product of causes which had no prevision of the end they were achieving; that his origin, his growth, his hopes and fears, his loves and his beliefs, are but the outcome of accidental collocations of atoms; that no fire, no heroism, no intensity of thought and feeling, can preserve an individual life beyond the grave; that all the labours of the ages, all the devotion, all the inspiration, all the noonday brightness of human genius, are destined to extinction in the vast death of the solar system, and that the whole temple of Man’s achievement must inevitably be buried beneath the debris of a universe in ruins–all these things, if not quite beyound dispute, are yet so nearly certain, that no philosophy which rejects them can hope to stand. Only within the scaffolding of these truths, only on the firm foundation of unyielding despair, can the soul’s habitation henceforth be safely built.[6]

“Only on the firm foundation of unyielding despair,”? What can be placed on such a foundation?

Even Jean-Paul Sartre affirms the absurdity of life when he says, “Being is without reason, without cause, and without necessity. The very definition of being release its original contingency to us.”[7]

Three of the most important atheistic philosophers, Nietzsche, Russell, and Sartre, all admitted that apart from God life is meaningless and absurd. So how do people live happily with this world view? They live inconsistently. For if one lives consistently, he is unable to live happily.

Francis Schaeffer illustrates this problem well. He says that we live in a two story universe. On the first story the world is finite without God. This is what Sartre, Russell, and Nietzsche describe. Life here is absurd, with no meaning or purpose. On the second story life has meaning, value, and purpose. This is the story with God. Modern man resides on the first floor because he believes there is no God. But as we have shown, he cannot live there happily, so he makes a leap of faith to the second story where there is meaning and purpose. The problem is that this leap is unjustified because of his disbelief in God. Man cannot live consistently and happily knowing life is meaningless.

Of course, atheists don’t want to live in this kind of a predicament so they attempt to ascribe meaning to life and value to death. Walter Kaufmann does this in his book, Existentialism. Religion. and Death. The last chapter is entitled, “Death Without Dread”. He quotes several poems from a span of 150 years by poets from many different countries. He shows that death is commonly viewed without fear and he hypothesizes that death is only feared as a result of the impact of Christianity on culture. One of the poems quoted is by Matthias Claudius (1740-1815), it is entitled “Death and the Maiden,” and was eventually set to music by Franz Schubert.

(Matthias Claudius pictured below)

Death and the Maiden

The maiden:
Oh, go away, please go,
Wild monster, made of bone!
I am still young; Oh, no!
Oh, please leave me alone!

Death:
Give me your hand, my fair and lovely child!
A friend I am and bring no harm.
Be of good cheer, I am not wild,
You shalt sleep gently in my arm.[8]

He goes on to quote Nietzsche from Twilight of the Idols, “To die proudly when it is no longer possible to live proudly. Death freely chosen, death at the right time, brightly and cheerfully accomplished amid children and witnesses.”[9]

Nietzsche saw death as the ultimate liberation. He even emphasises the desire he has to freely choose when he dies. Kaufmann affirms this when he says, “We should also give up the unseemly Christian teachings about suicide and accept it as a dignified and decent way of ending our lives.”[10]

When Sartre, who agreed with Nietzsche, was asked why he didn’t commit suicide, he replied by saying that he didn’t want to use his freedom to take away his freedom. This is an absurd solution though, because they say that freedom is the problem with its aimlessness, pain, and despair.

Kaufmann argues that if we live life richly and not expect to live long lives then when we die we can combat the hopelessness of death because we won’t feel cheated or won’t feel as though we need more time. The problem lies in the fact thay kaufmann makes the jump to the second story. He wants to ascribe meaning to a richly lived life, which I’ve shown can’t be done in a God-less universe. When he says that one won’t feel as though they’ve been deprived of time when they die is wishful thinking. One of his contemporaries, Thomas Nagel (an atheist) shows the falsity in this thinking.

Nagel begins his discussion of death with this statement, “If death is the unequivocal and permanent end of our existence, the question arises whether it is a bad thing to die.”[11]

He argues that if life is all we have, then its loss is the greatest loss we can encounter. Nagel’s goal is to see whether death is in itself an evil, how great of an evil it is, and what kind of evil it is.

If death is an evil, it is because of the loss of life and not the state of being dead, or nonexistant. Some say that dying is the the real evil. But Nagel points out that he wouldn’t really object to dying if it wasn’t followed by death. He says,

If we are to make sense of the view that to die is bad, it must be on the ground that life is a good and death is the corresponding deprivation or loss, bad not because of any positive features but because of the desirability of what it removes.[12]

There are three objections that many have raised about the proposition that death is an evil. 1) One may doubt that there are any evils which solely consist in the deprivation or absence of possible good, particularly when one doesn’t mind the deprivation (because they don’t exist). What you don’t know, can’t hurt you. 2) How is the supposed misfortune assigned to the subject? So long as one exists, he isn’t dead, and once he dies he no longer exist. So there can be no time when death, if it is a misfortune, can be ascribed to the subject. 3) Finally, the asymmetry of our attitudes towards our posthumous and prenatel nonexistence. Why can we view the eternity after our death as bad, but not the eternity before our birth?

He illustrates the errors of the first two objections with a simple illustration that is analogous to death. Imagine an intelligent man being reduced to the mental condition of a content infant. Even though he is content, we pity him. Yet, he doesn’t realize this tragedy, for he is a content infant. Does the phrase, “What we don’t know doesn’t hurt us,” apply to him? If so why do we pity him? Second, it isn’t the content infant who is unfortunate, rather, it is the intelligent adult who has been reduced to this condition.

We shouldn’t and don’t focus on the content infant, instead we consider the person he was and the person he could be now. So his reduction to this state and the premature ending of his adult development is a catastrophe. Just as death is a catastrophe.

What about the problem of our asymmetrical attitudes towards our posthumous and prenatel nonexisetence?

Lucretius was the one who first pointed this out. He recognized that no one finds it disturbing to contemplate the eternity before their birth, which really is the same as the eternity after their death. Thus, it is irrational to fear death.

Nagel disagrees, he argues that the time after death is the time in which nonexistence deprives a person. “Any death entails the loss of some life.”[14] So the eternity after death isn’t the same as the eternity before birth, because one is deprived of life. Some may argue then, that one is deprived of life before birth as well because they could have been born earlier. But Nagel shows the fallacy of this thinking by pointing out that if one is born any earlier (except a few weeks premature), they would not be the same person. So it doesn’t entail the loss of any life. Lucretius, and any one who agrees with him, is wrong in thinking that it is irrational to fear death on the basis that we aren’t bothered by our prenatel eternity.

Life makes known to us the goods of which death deprives us. Death, no matter when it happens deprives us of some continuation of life. While it is tragic for a 17 year old to die, it is just as tragic for a 90 year old to die because both are deprived of life and the good that comes with it.

Viewed in this way, death, no matter how inevitable, is an abrupt cancellation of indefinitely extensive possible goods. Normality seems to have nothing to do with it, for the fact that we will all inevitably die in a few score years cannot by itself imply that it would not be good to live longer. Suppose that we were all inevitably going to die in agony — physical agony lasting six months. Would inevitability make that prospect any less unpleasant? And why should it be different for a deprivation?[14]

Not many atheists are as consistent as Thomas Nagal when they speak on death. Kaufmann says he can face death without hopelessness because he lives richly and that gives meaning to his life. But what kind of meaning is it? If Kaufmann never existed, what ultimate difference would it make? None. If the atheists faces this honestly, how can he view death with anything but despair?

As shown in these two extended arguments, death apart from God cannot be faced with anything but fear and despair if one is to live consistently within their atheistic world view. The only way an atheist can face death without despair is by ascribing ultimate meaning to their life, which is a jump to the second story and is completely inconsistent with atheism.

Certainly it doesn’t follow, then, that theism is true simply because the atheist must face death with despair. If the atheist is right we must follow the instructions of Bertrand Russell and build our lives on the “firm foundation of unyielding despair.” We must look for the truth and then logically structure our lives accordingly. Obtaining hope from religion for the sake of hope, when that religion is not true, is simply obtaining false hope. False hope is no hope at all.

That is why it is crucial to examine our world views to see if they are logically consistent and correspond to reality. It does one no good to put faith and hope into a god who doesn’t exist. However, if a god does exist, we must put our faith and hope into the right one.

We’ve seen that within the atheistic world view there can be no meaning or purpose and this leads to hopelessness. The atheist must choose whether he wants to live consistently or happily. For as long as he is an atheist, he can’t do both.

Notes1. Alfred, Lord Tennyson, In Memorium, (The Macmillan Company: New York, NY, 1906), pp.83-85, 55: 4-5; 56: 1-7.
2. Ravi Zacharias, A Shattered Visage: The Real Face of Atheism. (Baker Books: Grand Rapids, Ml, 1990), p. 105.
3. William Lane Craig, Reasonable Faith: Christian Truth and Apologetics, (Crossway Books: Wheaton, IL, 1984), p. 59.
4. Craig, p.63.
5. Friedrich Nietzsche, “The Will to Power,” trans. W. kaufmann, in <i?existentialism from=”” dostoyevsky=”” to=”” sartre<=”” i=””>, (The World Publishing Company: Cleveland, OH, 1956), pp. 109-110.
6. Bertrand Russell, Mysticism and Logic. (W.W. Norton and Company, Inc.: New York, NY, 1929), pp. 47-49.
7. Jean-Paul Sartre, Being and Nothingness, (Philosophical Library: New York, NY, 1956), p.537.
8. Matthias Claudius, Death and the Maiden. Quoted in Walter kaufmann, Existentialism, Religion and Death (New American Library: New York, NY, 1976), p.228.
9. Friedrich Nietzsche, Twilight of the Idols. Quoted in Walter Kaufmann, Existentialism, Religion, and Death. (New American Library: New York, NY, 1976), p.237.
10. Walter kaufmann, Existentialism, Religion, and Death. (New American Library: New York, NY, 1976), p. 248.
11. Thomas Nagel, Mortal Questions. (Cambridge University Press: Cambridge, 1979), p.1.
12. Nagel, p.4.
13. Nagel, p.7.
14. Nagel, p.10.

Conversations at Noon – A Conversation with “Mark Twain”

(photo credit)

King Solomon in Ecclesiastes painted a dismal situation for modern man in life UNDER THE SUN  and many modern artists, poets, and philosophers have agreed.  Kerry Livgren of the rock group KANSAS wrote the  hit song DUST IN THE WIND in 1978 and  put his faith in Christ.

(Kerry Livgren)

In 2006 in the publication CROSSWALK Livgren noted:

Dust In the Wind” was certainly the most well-known song, and the message was out of Ecclesiastes. I never ceased to be amazed at how the message resonates with people, from the time it came out through now. The message is true and we have to deal with it, plus the melody is memorable and very powerful. It disturbs me that there’s only part of the [Christian] story told in that song. It’s about someone yearning for some solution, but if you look at the entire body of my work, there’s a solution to the dilemma.

This series deals with the Book of Ecclesiastes and Woody Allen films.  The first post  dealt with MAGIC IN THE MOONLIGHT and it dealt with the fact that in the Book of Ecclesiastes Solomon does contend like Hobbes  and Stanley that life is “nasty, brutish and short” and as a result has no meaning UNDER THE SUN.

The movie MIDNIGHT IN PARIS offers many of the same themes we see in Ecclesiastes. The second post looked at the question: WAS THERE EVER AGOLDEN AGE AND DID THE MOST TALENTED UNIVERSAL MEN OF THAT TIME FIND TRUE SATISFACTION DURING IT?

In the third post in this series we discover in Ecclesiastes that man UNDER THE SUN finds himself caught in the never ending cycle of birth and death. The SURREALISTS make a leap into the area of nonreason in order to get out of this cycle and that is why the scene in MIDNIGHT IN PARIS with Salvador Dali, Man Ray, and Luis Bunuel works so well!!!! These surrealists look to the area of their dreams to find a meaning for their lives and their break with reality is  only because they know that they can’t find a rational meaning in life without God in the picture.

The fourth post looks at the solution of WINE, WOMEN AND SONG and the fifth and sixth posts look at the solution T.S.Eliot found in the Christian Faith and how he left his fragmented message of pessimism behind. In the seventh post the SURREALISTS say that time and chance is all we have but how can that explain love or art and the hunger for God? The eighth  post looks at the subject of DEATH both in Ecclesiastes and MIDNIGHT IN PARIS. In the ninth post we look at the nihilistic worldview of Woody Allen and why he keeps putting suicides into his films.

In the tenth post I show how Woody Allen pokes fun at the brilliant thinkers of this world and how King Solomon did the same thing 3000 years ago. In the eleventh post I point out how many of Woody Allen’s liberal political views come a lack of understanding of the sinful nature of man and where it originated. In the twelfth post I look at the mannishness of man and vacuum in his heart that can only be satisfied by a relationship with God.

In the thirteenth post we look at the life of Ernest Hemingway as pictured in MIDNIGHT AND PARIS and relate it to the change of outlook he had on life as the years passed. In the fourteenth post we look at Hemingway’s idea of Paris being a movable  feast. The fifteenth and sixteenth posts both compare Hemingway’s statement, “Happiness in intelligent people is the rarest thing I know…”  with Ecclesiastes 2:18 “For in much wisdom is much vexation, and he who increases knowledge increases sorrow.” The seventeenth post looks at these words Woody Allen put into Hemingway’s mouth,  “We fear death because we feel that we haven’t loved well enough or loved at all.”

In MIDNIGHT IN PARIS Hemingway and Gil Pender talk about their literary idol Mark Twain and the eighteenth post is summed up nicely by Kris Hemphill‘swords, “Both Twain and [King Solomon in the Book of Ecclesiastes] voice questions our souls long to have answered: Where does one find enduring meaning, life purpose, and sustainable joy, and why do so few seem to find it? The nineteenth post looks at the tension felt both in the life of Gil Pender (written by Woody Allen) in the movie MIDNIGHT IN PARIS and in Mark Twain’s life and that is when an atheist says he wants to scoff at the idea THAT WE WERE PUT HERE FOR A PURPOSE but he must stay face the reality of  Ecclesiastes 3:11 that says “God has planted eternity in the heart of men…” and  THAT CHANGES EVERYTHING! Therefore, the secular view that there is no such thing as love or purpose looks implausible. The twentieth post examines how Mark Twain discovered just like King Solomon in the Book of Ecclesiastes that there is no explanation  for the suffering and injustice that occurs in life UNDER THE SUN. Solomon actually brought God back into the picture in the last chapter and he looked  ABOVE THE SUN for the books to be balanced and for the tears to be wiped away.

The twenty-first post looks at the words of King Solomon, Woody Allen and Mark Twain that without God in the picture our lives UNDER THE SUN will accomplish nothing that lasts. The twenty-second post looks at King Solomon’s experiment 3000 years that proved that luxuries can’t bring satisfaction to one’s life but we have seen this proven over and over through the ages. Mark Twain lampooned the rich in his book “The Gilded Age” and he discussed  get rich quick fever, but Sam Clemens loved money and the comfort and luxuries it could buy. Likewise Scott Fitzgerald  was very successful in the 1920’s after his publication of THE GREAT GATSBY and lived a lavish lifestyle until his death in 1940 as a result of alcoholism. In the twenty-third post we look at Mark Twain’s statement that people should either commit suicide or stay drunk if they are “demonstrably wise” and want to “keep their reasoning faculties.” We actually see this play out in the film MIDNIGHT IN PARIS with the character Zelda Fitzgerald.

How Should We then Live Episode 7 small (Age of Nonreason)

#02 How Should We Then Live? (Promo Clip) Dr. Francis Schaeffer

The clip above is from episode 9 THE AGE OF PERSONAL PEACE AND AFFLUENCE

10 Worldview and Truth

In above clip Schaeffer quotes Paul’s speech in Greece from Romans 1 (from Episode FINAL CHOICES)

Two Minute Warning: How Then Should We Live?: Francis Schaeffer at 100

A Christian Manifesto Francis Schaeffer

__________________________

The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 15, Luis Bunuel)
The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 9, Georges Braque)
The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 5 Juan Belmonte)
The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 23,Adriana, fictional mistress of Picasso)
The characters referenced in Woody Allen’s “Midnight in Paris” (Part 11, Rodin)The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 29, Pablo Picasso)The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 13, Amedeo Modigliani)

The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 14, Henri Matisse)
Characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 35, Recap of historical figures, Notre Dame Cathedral and Cult of Reason)

The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 3 Scott and Zelda Fitzgerald)
The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 10 Salvador Dali)

The characters referenced in Woody Allen’s “Midnight in Paris” (Part 12, Gabrielle “Coco” Chanel)

Related posts:

I love the movie “Midnight in Paris” by Woody Allen and I have done over 30 posts on the historical characters mentioned in the film. Take a look below:

“Midnight in Paris” one of Woody Allen’s biggest movie hits in recent years, July 18, 2011 – 6:00 am

(Part 32, Jean-Paul Sartre)July 10, 2011 – 5:53 am

 (Part 29, Pablo Picasso) July 7, 2011 – 4:33 am

(Part 28,Van Gogh) July 6, 2011 – 4:03 am

(Part 27, Man Ray) July 5, 2011 – 4:49 am

(Part 26,James Joyce) July 4, 2011 – 5:55 am

(Part 25, T.S.Elliot) July 3, 2011 – 4:46 am

(Part 24, Djuna Barnes) July 2, 2011 – 7:28 am

(Part 23,Adriana, fictional mistress of Picasso) July 1, 2011 – 12:28 am

(Part 22, Silvia Beach and the Shakespeare and Company Bookstore) June 30, 2011 – 12:58 am

(Part 21,Versailles and the French Revolution) June 29, 2011 – 5:34 am

(Part 16, Josephine Baker) June 24, 2011 – 5:18 am

(Part 15, Luis Bunuel) June 23, 2011 – 5:37 am

Related posts:

A list of the most viewed posts on the historical characters mentioned in the movie “Midnight in Paris”

Characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 38,Alcoholism and great writers and artists)

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 36, Alice B. Toklas, Woody Allen on the meaning of life)

Characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 35, Recap of historical figures, Notre Dame Cathedral and Cult of Reason)

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 34, Simone de Beauvoir)

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 33,Cezanne)

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 32, Jean-Paul Sartre)

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 31, Jean Cocteau)

The characters referenced in Woody Allen’s movie “Midnight in Paris” (Part 30, Albert Camus)

The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 29, Pablo Picasso)

The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 8, Henri Toulouse Lautrec)

The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 7 Paul Gauguin)

The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 6 Gertrude Stein)

The Characters referenced in Woody Allen’s “Midnight in Paris” (Part 5 Juan Belmonte)

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