“Truth Tuesday” Debating Kermit Gosnell Trial, Abortion and infanticide with Ark Times Bloggers Part 1

C. Everett Koop, 1980s.jpg
Surgeon General of the United States
In office
January 21, 1982 – October 1, 1989
President Ronald Reagan
George H. W. Bush
Francis Schaeffer
Francis Schaeffer.jpg

Founder of the L’Abri community
Born Francis August Schaeffer
January 30, 1912

Died May 15, 1984 (aged 72)

I truly believe that many of the problems we have today in the USA are due to the advancement of humanism in the last few decades in our society. Ronald Reagan appointed the evangelical Dr. C. Everett Koop to the position of Surgeon General in his administration. He partnered with Dr. Francis Schaeffer in making the video below. It is very valuable information for Christians to have.  Actually I have included a video below that includes comments from him on this subject.

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 1) ABORTION OF THE HUMAN RACE

Published on Oct 6, 2012 by 

I have gone back and forth and back and forth with many liberals on the Arkansas Times Blog on many issues such as abortionhuman rightswelfarepovertygun control  and issues dealing with popular culture . This time around I have discussed morality with the Ark Times Bloggers and particularly the trial of the abortionist Dr. Kermit Gosnell and through that we discuss infanticide, abortion and even partial birth abortion. Here are some of my favorite past posts on the subject of Gosnell: ,Abby Johnson comments on Dr. Gosnell’s guilty verdict, Does President Obama care about Kermit Gosnell verdict?Dr. Gosnell Trial mostly ignored by mediaKermit Gosnell is guilty of same crimes of abortion clinics are says Jennifer MasonDenny Burk: Is Dr. Gosnell the usual case or not?, Pro-life Groups thrilled with Kermit Gosnell guilty verdict,  Reactions to Dr. Gosnell guilty verdict from pro-life leaders,  Kermit Gosnell and Planned Parenthood supporting infanticide?, Owen Strachan on Dr. Gosnell Trial, Al Mohler on Kermit Gosnell’s abortion practice, Finally we get justice for Dr. Kermit Gosnell .

In July of 2013 I went back and forth with several bloggers from the Ark Times Blog concerning Dr. Kermit Gosnell’s abortion practice and his trial which had finished up in the middle of May:

The Pro-abortionists on this blog have said over and over again that if we outlaw abortion then ladies will turn the coat hanger and we should offer safer abortions. YET IT IS THESE SAME PRO-ABORTION FORCES THAT ARGUE THAT REGULATIONS OF ABORTION CLINICS ARE INFRINGING ON THE RIGHTS OF LADIES TO HAVE ABORTIONS. THE NATURAL RESULT OF THAT IS DR. KERMIT GOSNELL BUT THESE SAME PRO-ABORTION FORCES DENOUNCE HIM. WHAT IRONY!!!!

Having our cake and eating too?

The main issue is the life of the unborn babies because they do seem to lose their lives more often than the mothers during the abortion procedure. Probably 55 million babies lost in comparison to just hundreds of mothers in the last 40 years. I wonder if one of those babies would have grown up and cured AIDS or CANCER? I guess we will never no until we get to heaven.

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Life News reported in January of 2013:

Forty years after Roe, we look back on what was hailed as a woman’s fundamental “right,” and we are saddened to see the negative impact it has had on our society, knowing that nearly 55,000,000 Americans are no longer with us after losing their lives to abortion. This championed “freedom of choice” has not only left millions upon millions dead, but it has also left countless women wounded from the abuses of the abortion industry. As a nation, we mourn the deaths of not only the unborn children, but also women like Tonya Reeves who died last July after complications from an abortion procedure at a Chicago Planned Parenthood.

More Than 400 Women Have Died From Legal Abortions Since 1973 according to Life News. That is a ratio of 137,500 unborn baby deaths per one mother death.

Olphart wrote, “Saline, somehow it surprises you that pro-choice people could denounce Dr. Gosnell. That’s what we call critical thinking. One thing in common, i.e. being pro-choice, does not mean that our minds are closed to other aspects of his behavior. The fact that he was criticized by pro-choice people is not ironic at all.”

The problem with the pro-abortion crowd is they have tried to focus on the reproductive rights of women and they have even defended partial birth abortion (which is infanticide). Therefore, when a doctor like Gosnell who is committed to women’s reproductive rights commits infanticide outright without any twinge of conscience the media tried their best to avoid his trial until the last minute when it was unavoidable. This is because the media loves to talk about abortion clinics as under siege from religious nuts but the Gosnell case did not fit their usual storyline.

Earlier I also pointed to a story by a Methodist minister that showed how the United Methodist Church is involved in ongoing debates on infanticide. Here is the link again.

http://www.mattoreilly.net/2013/05/gbcsumc…

THAT IS WHY I THOUGHT IT WAS IRONIC FOR THE CRITICISM TO COME FROM THE SAME GROUPS THAT DEFEND PARTIAL BIRTH ABORTION (WHICH IS INFANTICIDE) AND ARE CRITICAL OF REGULATIONS ON ABORTION CLINICS!!!!

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Movie review of GREATER which is a movie about Brandon Burlsworth by Dove Foundation

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Greater: Official Trailer – Old #2

 

Greater

Theatrical Release: August 26, 2016
Greater
Dove “Faith-Friendly”
For Ages 12 and Over
Severity of Content SexLanguageViolenceDrugs & AlcoholNudityOther
SexLanguageViolenceDrugsNudityOther

Synopsis

Limited Theatrical Release – Brandon Burlsworth is perhaps the greatest walk-on in the history of college football. Brandon had always dreamed of playing for the Arkansas Razorbacks but was considered too short and too fat to play Division I. Undeterred, Brandon took a big risk and walked on in 1994. Written off by fellow teammates and coaches, Brandon displayed dogged determination in the face of staggering odds. An extremely devoted Christian, Brandon never cursed or drank. He was genuinely humble and low-key. He worked harder than anybody, on and off the field, becoming the first Razorback to earn both a bachelor’s and master’s degree while still playing. The overly fat kid, who was once an embarrassment to his teammates and an annoyance to his coaches, ended up becoming the most respected player in the history of the program, changing the lives of everyone he touched. Eleven days after being drafted into the NFL, Brandon was tragically killed in a car accident, crushing everyone who knew him. Brandon was “too good to be true.” How could something like that happen to this guy? The age-old question slammed down upon everyone with terrible force: “Why do bad things happen to good people?” Brandon’s story is more than mere football. It is the ultimate expression of the question, “Why?” “Greater” will provide hope and inspiration as it strives to wrestle with this challenge and find reasons to trust. It is “Rudy” meets “It’s a Wonderful Life.”

Dove Review

“Greater” is a tremendous and inspiring film. It deals with the true-life story of Brandon Burlsworth (Chris Severio). Brandon wound up playing for the Arkansas Razorbacks, even though he was a walk-on at camp. Even as a young boy, although he sometimes over-ate, he knew he wanted to play for the Razorbacks one day. Brandon keeps the faith when others don’t, and he works very hard to put on muscle and slim down. His older brother by 17 years, Marty (Neal McDonough) doesn’t have the faith Brandon does at first, but Brandon wins him over. A running joke in the film is that several people think Marty is Brandon’s father, instead of his brother. Their mother (Leslie Easterbrook) is a strong Christian who influences their lives. Brandon himself influences several people while at college and wins over some rough and gruff football players who used to mock his Christian faith. Soon, they are attending Bible study with him and praying.

This movie features themes of persistent hard work, trust, and standing firm in one’s faith. Brandon wins several coveted awards and is eventually drafted by the Indianapolis Colts. His family endures a tragedy, and an epitaph says at the conclusion of the film: “Our loss is great, but God is greater.” Brandon’s uniform number, 77, has been retired, and a foundation has been set up in his honor. We are extremely pleased to award this wonderful movie our “Faith-Friendly” Seal for ages 12-plus, and five Doves, our greatest compliment.

Content Description

Sex: A comment about “fast women.”
Language: G/OMG-2; Butt-2; Geez-1;”They’re stupid”; Fat A**-2; A-1; Da*n-1; S-1; Fatty-1; Shamu-1; a comment, “You two would drive St. Francis to drink”; Turd-3; Cry Baby-1; Sucks/Sucked-3.
Violence: A brother shoves another brother; football violence (including hard tackles).
Drugs: A couple of scenes of cigarette smoking; a man looks at liquor bottle at night, and the next morning, it is empty, and he is drunk; a man plays a prank on a player who doesn’t drink and puts alcohol put in his drink; when the man discovers the alcohol, after a few drinks, he runs in the rain to make sure he is sober.
Nudity: Shirtless men in a few scenes; man in boxers; a couple of men in towels.
Other: One cynical character makes several comments that people should get angry with God and that He is not a loving God; tension between characters; several people mock a young man because of his weight and his Christian faith; death and grief.

Brandon Burlsworth

Uploaded on Aug 31, 2011

Brandon was a walk on turned All American at the University of Arkansas. He was drafted by the Indianapolis Colts and 11 days later was tragically killed in a car accident. The Brandon Burlsworth Foundation was founded in his name and has several programs: The Burls Kids program takes underprivileged children to all Arkansas Razorback and Indianapolis Colts home games. The BBF in partnership with Walmart provides eye care to 14,000 pre-K thru 12th grade students whose working families are trying, but still cannot afford extras like eye care and do not qualify for state funded programs. We hold football camps each year in Harrison and Little Rock and we have several football scholarship and awards including the Burlsworth Trophy, a national award given out to the most outstanding Division One college football player who began his career as a walk-on.

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THV 11 Movie Reviews: Greater Jonathan Nettles, KTHV 3:23 PM. EDT August 26, 2016

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Greater: Official Trailer – Old #2

 

THV 11 Movie Reviews: Greater

Greater is the story of Brandon Burlsworth. Burlsworth was an Offensive Lineman for the Arkansas Razorback from 1995-1998. He started his career as a walk-on and through hard work and dedication, he not only earned a scholarship and a starting position but he was named a First Team All-American and eventually drafted in 1999 by the Indianapolis Colts. Tragically, he died in a car accident 11 days after being drafted.

His life story continues to serves as inspiration for the underdog. The Brandon Burlsworth Foundation provides free eye care to children in poverty and also provides tickets to each Arkansas Razorback home game to impoverished youth. The Brandon Burlsworth Trophy is given to the most outstanding Division 1 Football player who began his career as a walk-on.

Greater is told from Brandon’s funeral as his older brother Marty reflects on his life. It starts with Brandon as a probably 13 year-old kid (Marty is 17 years older) and builds the foundation for their relationship as a family. Brandon has dreams of playing for the Arkansas Razorbacks and as he goes to playing on the high school football team, he still has that dream. He walks-on at Arkansas at a staggering 335 pounds but it’s not muscle and he struggles to keep up in practice. Relegated to the practice squad and facing an enormous uphill climb he drops his weight to a fit 275 pounds and then builds back up to a muscled 300 pound lineman. By the end of the season, he’s earned the respect of his teammates, a scholarship, and a spot on the team.

Greater is a really, well-made film. It has some really good actors. Neal McDonough (TV’sLegends of Tomorrow) is a great character actor who is normally in supporting roles but shines and commands the screen as Marty Burlsworth. Michael Parks (Red State, Tusk) is another solid character actor who does well as Brandon’s deadbeat Dad. Brandon’s Mom was played by Leslie Easterbrook (Police Academy) and she does well but her character seems a little too happy at her son’s funeral and she doesn’t look like she was old enough to have two sons that were born 17 years apart. Christopher Severio is pretty good as Brandon Burlsworth but he’s the weakest of the main cast. That’s not a knock against him. Everyone in this movie was pretty good.

The characters in this movie all feel very noble. Even Brandon’s father who is a terrible person, comes across as a noble soul. When he starts his career, his teammates are mean and bully Brandon but their nobility comes though when he becomes a good football player. Coaches are noble. Rowdy fans become noble. Everyone felt a little too noble. There’s a scene in the film in which Brandon apologizes to another player for a mistake that cost the team a victory. I won’t mention the player’s name but I asked him about it and he said that Brandon didn’t apologize but he owned his mistake. In fairness, the player in question hasn’t seen the movie yet so he can’t really comment on what was truth and what was exaggerated. Sometimes movies tweak the story to fit the narrative, not that it matters in this case because most will agree that Brandon was a pretty good person and that scene helped the audience understand the kind of player he was and the effect he had on those around him.

I am still curious to know how close the portrayal of Brandon and his relationship to his teammates is to what really happened.

There is an undertone of Faith and Religion that may be off-putting to some. Some will say thatGreater sends a message of “if you pray and trust God, good things will happen” but I took it as a “if you work hard and dedicate yourself, good things will happen”. There are scenes where Brandon expresses his faith and shares in bible study with a coach and his teammates but the message of that isn’t thrown in your face. Of course, good things happened to Brandon Burlsworth but he also died so young and that should make you ask “why”. This is a struggle that Marty faces through the film, “If God is so good then why do bad things happen to good people while evil men thrive”. It’s a question that the film doesn’t answer except to say that Brandon was able to achieve so much because he had faith in God and also in himself and even though he is gone, his legacy continues.

If you love the Hogs and you love Underdogs, then you will love Greater. You will laugh, you will cry, and you will cheer but most importantly you will be inspired.

Brandon Burlsworth

Uploaded on Aug 31, 2011

Brandon was a walk on turned All American at the University of Arkansas. He was drafted by the Indianapolis Colts and 11 days later was tragically killed in a car accident. The Brandon Burlsworth Foundation was founded in his name and has several programs: The Burls Kids program takes underprivileged children to all Arkansas Razorback and Indianapolis Colts home games. The BBF in partnership with Walmart provides eye care to 14,000 pre-K thru 12th grade students whose working families are trying, but still cannot afford extras like eye care and do not qualify for state funded programs. We hold football camps each year in Harrison and Little Rock and we have several football scholarship and awards including the Burlsworth Trophy, a national award given out to the most outstanding Division One college football player who began his career as a walk-on.

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SDG Reviews ‘Greater’ (4699) Catholic actor Neal McDonough costars in a Rudy-like faith-based inspirational sports biopic that dares to explore doubt as well as belief. by STEVEN D. GREYDANUS 08/26/2016

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ESPN NFL Analyst Bill Polian on The Brandon Burlsworth Story – 8/26/16

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SDG Reviews ‘Greater’ (4699)

Catholic actor Neal McDonough costars in a Rudy-like faith-based inspirational sports biopic that dares to explore doubt as well as belief.

08/26/2016 Comments (5)

Greater is playing in limited release (find theaters).

Greater has three surprises, which is three more than most faith-based films, particularly of the inspirational sports-movie variety.

First, while the film’s hero is the celebrated Arkansas Razorbacks offensive guard Brandon Burlsworth (Christopher Severio) — possibly the greatest walk-on player in college football history — the protagonist is not Brandon, but his brother Marty, played by Neal McDonough of Arrow.

Second, while Brandon’s own faith never wavers, the film cross-examines Christian pieties and even faith itself to a greater degree than any other faith-based film I can think of. In a movie like God’s Not Dead, disbelief is a straw-man villain that exists solely to be vanquished and humiliated by the righteous hero. Here it’s a nagging voice in a grieving believer’s heart asking a question that admits no simple, final answer: Why do bad things happen to good people?

Third, it’s beautifully and atmospherically shot by director David Hunt and cinematographer Gabe Mayan. Dramatic backlighting and silhouettes create a sense of foreboding and uncertainty, resonating with the themes of tragedy and doubt. Creative camerawork is another asset; consider a moment of rapprochement lit by car headlights and filmed through swishing windshield-wiper blades on a night of pouring rain. (Now we see through a glass darkly …)

The story unfolds in two strands. One, told in flashback, is a familiar, uplifting Rudy-like arc of an unpromising underdog who makes good despite enormous obstacles. Greater may not be in Rudy’s league cinematically, but Burlsworth was a far more gifted player than Daniel “Rudy” Ruettiger. Named an All-American in 1998, he was drafted in 1999 by the Indianapolis Colts in the third round — 11 days before being killed in a vehicular accident.

Brandon doesn’t start out with all that promise. We first meet him as an overweight young couch potato (Ethan Waller) with apparent delusions of grandeur: He’s convinced he’s going to attend the University of Arkansas and play for the Razorbacks.

His brother Marty, 17 years his senior, berates him — “Cheesecake,” he calls him — for his indolence as well as their mother Barbara (Leslie Easterbrook) for her indulgence.

It’s clear, though, that Marty’s harshness is meant as the tough love of an older brother obliged to assume a father-figure role in the absence of their alcoholic bum of a father (Michael Parks of the Kill Bill movies in a small but affecting role). The brothers’ age difference is the basis for one of the movie’s running gags, Marty’s discomfort at being mistaken for Brandon’s father.

Obese, unathletic and clumsy, Brandon confronts his shortcomings as sports-underdog movie heroes have ever done: through determination, hard work and a limitless capacity to absorb punishment, both physical and social.

Lacking the football scholarship he absurdly hoped for, Brandon turns down full rides elsewhere to attend Arkansas. When Marty asks Barbara how she justifies going deep into debt for Brandon’s quixotic dream, she says simply, “My son knows I have faith.” This could mean faith in God, but I took it to mean that money was no object if it meant Brandon knew his mother believed in him.

It goes without saying that Brandon, making the team as a walk-on (a player who is not recruited or offered an athletic scholarship), is harassed and abused by his teammates. Even when the coach is impressed with Brandon’s dedication, he isn’t exactly nurturing: I can’t think of another movie in which someone compares the hero to horse manure and it’s meant to be encouraging.

Brandon isn’t a very interesting character, but he’s a likable one. Unassuming, devout and a little dense, he never drinks, never swears and never takes anything personally. He’s always taking a knee, and he crosses himself (a curious gesture, since from his funeral his family is clearly not Catholic).

He shows up at the stadium for practice long before anyone else is there — and when one of the coaches finds him, he’s idly picking up litter in the parking lot. Asked what he’s doing, Brandon says, “Nothing,” because he really hadn’t given it a second thought.

All this plays out in flashback, with all the usual sports-movie clichés, training sequences, montages, comic relief and so forth. This has all been done, and sometimes done better, but the formula is sturdy, and Severio, in his first role, delivers well enough.

The present-day strand follows preparations for Brandon’s funeral and Marty’s internal struggle with doubt and nihilism, a struggle movingly realized by McDonough. (The devoutly Catholic McDonough, who also executive produced, has called Marty Burlsworth his favorite role.)

Marty’s struggle is not entirely internal. Nick Searcy plays an unnamed character who chats with Marty about the apparent absurdity of existence, and their discussion is a bold and unusual move, even a genre-bending move. As they chat, Searcy whittles a face on a block of wood, a symbolic quirk with a meaning made nearly explicit in a startling line.  

I’m sure Josh Wheaton, the young apologist in God’s Not Dead, would know all the right things to say to Searcy’s character, but then Searcy wouldn’t be permitted to make his case so eloquently in a movie like God’s Not Dead, if he were allowed to appear at all.

Greater uses Marty to critique misguided or deficient forms of faith prior to Brandon’s death. Not as devout as his brother, Marty turns desperately to faith in a moment of crisis when he wants a miracle.

Surely, he reasons, God will be merciful; Marty would be, and he can’t be more merciful than God. Surely God will hear Brandon’s prayer, if not his own; the prayer of a righteous man avails much, and if anyone is righteous, it’s Brandon. This one painful scene is wiser than all the movies the Fireproof / Courageous people have made (including their football movie, Facing the Giants).

Why does God allow bad things to happen to good people? The movie’s response to this question comes in the form of a metaphor. At one point on the gridiron, Brandon argues with a teammate that their perspective on the field is limited; the coach has information from a higher perspective, from a skybox where the whole field can be seen, and they need to trust him.

During Marty’s conversation with Searcy this metaphor is further developed; a pattern emerges that Marty can’t appreciate without a higher perspective. Greater’s response to the problem of evil, to disbelief and nihilism, is not an argument, but an action: a choice to trust. It’s a simple but effective response, nicely underscored by the gospel anthem I’ll Fly Away running through the film.

A coda sums up the impact of Brandon’s life: the programs, scholarships and so forth established in his name. Even in earthly terms it can be argued that Brandon’s life and achievements were not a waste. Greater, though, looks to something more than this: something greater than any loss or tragedy.

Steven D. Greydanus is the Register’s film critic and creator of Decent Films.
He is a permanent deacon in the Archdiocese of Newark, New Jersey.

Follow him on Twitter.

Caveat Spectator: Football roughness; some language; some thematic elements including alcoholism and religious questioning. Teens and up.

Greater: Official Trailer – Old #2

Brandon Burlsworth

Uploaded on Aug 31, 2011

Brandon was a walk on turned All American at the University of Arkansas. He was drafted by the Indianapolis Colts and 11 days later was tragically killed in a car accident. The Brandon Burlsworth Foundation was founded in his name and has several programs: The Burls Kids program takes underprivileged children to all Arkansas Razorback and Indianapolis Colts home games. The BBF in partnership with Walmart provides eye care to 14,000 pre-K thru 12th grade students whose working families are trying, but still cannot afford extras like eye care and do not qualify for state funded programs. We hold football camps each year in Harrison and Little Rock and we have several football scholarship and awards including the Burlsworth Trophy, a national award given out to the most outstanding Division One college football player who began his career as a walk-on.

Related posts:

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Brian Bosworth did a great job at our LITTLE ROCK TOUCHDOWN CLUB!!!

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The Little Rock Touchdown Club Presents Special Guest Brian Bosworth

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Bosworth: ’87 Orange Bowl act ‘selfish’

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By Jeremy Muck

This article was published September 27, 2016 at 2:08 a.m.

Almost 30 years later, Brian Bosworth regrets his actions after his NCAA suspension from the 1987 Orange Bowl.

Bosworth, a two-time All-American linebacker and Butkus Award winner at Oklahoma, was ruled ineligible for the Orange Bowl in Miami against Arkansas after testing positive for steroids.

At the game, in which Oklahoma routed Arkansas 42-8, Bosworth wore a T-shirt that mocked the NCAA, referring to the organization as “National Communists Against Athletes” and had a phrase “Welcome to Russia” on it as well.

Bosworth, now 51, spoke to the Little Rock Touchdown Club on Monday at the Embassy Suites and told the crowd the suspension was all about him, referring to his “Boz” persona in the 1980s.

“It took away immediately everything good that had happened building my relationship with Oklahoma — the school, the coaches, my teammates, the fans — because of a selfish decision,” an emotional Bosworth said. “Sometimes you don’t understand the impact of your decision. You think it’s funny at the time. It’s not that big of a deal, but it was. That one came out across the United States.

“It breaks my heart that I burned that bridge at that time so unnecessarily. It didn’t matter. That game would have come and gone and we would have moved on. It would have been forgotten. But I had to make a big deal out of it because it was about me.”

Bosworth was then dismissed from Oklahoma and declared himself eligible for the NFL supplemental draft and was selected by the Seattle Seahawks in 1987.

One of Bosworth’s career highlights was the Sooners beating Texas in 1985 en route to winning the national championship. It came one year after Oklahoma had tied Texas 15-15, so beating the Longhorns was a big deal for Bosworth, who recalled an interview he had after the 1984 game.

“We got robbed. I was mad,” Bosworth said. “I was dumb in those days. I didn’t know I had to be politically correct. So the guy asked me if I was a Texas boy. I said, ‘No, I’m an Oklahoma boy.’ I don’t like Texas. That burnt orange makes me want to puke. I can’t stand it.”

Bosworth became a born-again Christian in 2013 and said when the Boz became bigger than himself, he had to make a change in his life.

“Everybody’s journey is different, but it’s very unique in the fact that it all ends the same,” Bosworth said. “It all ends with us asking for Jesus Christ to come into our hearts and save us and guide us, to give us the instructions that we need for us to stop fighting ourselves and be better people.”

Bosworth’s NFL career was cut short in 1989 after two seasons because of a shoulder injury. He’s known for one of the most talked-about plays in NFL history when he was run over by Los Angeles Raiders running back Bo Jackson for a touchdown during a Monday night game at Seattle in 1987.

Both Jackson and Bosworth were recently featured in a Kia commercial together depicting the play. Bosworth has come to terms with the play and calls Jackson a friend today.

“He’s a great guy,” Bosworth said. “That’s the thing about the brotherhood of being football players. We can agree to disagree for 60 minutes and hate each other for 60 minutes. Then we can come back afterwards and be great friends because we know the sacrifices that we’re making. We’re pounding our bodies against each other. We’re doing it because of the pride, the loyalty we have to our schools, the colors we’re wearing and the number we have on our chest.”

Sports on 09/27/2016

Print Headline: Bosworth: ’87 Orange Bowl act ‘selfish’

ESPN 30 For 30 Brian and the Boz

 

Brian Bosworth Finds Redemption While Losing ‘The Boz’

Brian Bosworth is arguably college football’s greatest middle linebacker and one of its most talked about players. He thrived as both a hero and a villain while playing at Oklahoma. Brian says, “It was the internal fight between choosing the selfish road instead of the selfless road. I don’t ever want to go back. There was nothing about that place that was good.”

A place that energized an icon, when 20-year old Brian emerged as The Boz – a brash, flamboyant personality with a disposition and defiance that charged his on-field success.

Brian explains, “To me, “The Boz” is the monster on the field. That’s how I identify with him. He is the alter ego of Brian. “The Boz” was my outlet where I could scream as loud as I wanted to, and needed to.”

What fueled the on-field intensity? Brian remembers, “I was out of control inside. I was a cyclone. I took all of my aggressiveness and my loneliness out on that field because I just had it all pent up and I just wanted to let it explode on anybody that was around me.”

Physicality became his trademark. By his junior year, Brian was the face of Sooner Football and winner of the first two Butkus Awards as the nation’s top college linebacker. He remains the only player ever to have won the accolade more than once. Brian recalls,  “Coach Switzer came and screamed in my ear, ‘Brian Bosworth is the best college linebacker in the country.’ Thee defining moment for me! My coaching idol, to respect me on that level was something that I had worked for and dreamed about from the time I was 6 years old.”

Brian grew up spending childhood summers with his grandparents on an Oklahoma farm, in the town of Meeker, Oklahoma — an ironic name – given “The Boz’s” brazen persona.  Brian says, “In Meeker, Oklahoma, are some of the most cherished moments to me, calmness, stability and supportive love. My grandfather was very vital in my work ethic and the character that you must have.”

It gave Brian confidence to confront challenge and instilled a necessary reminder that his refugee was never far away saying, “The world was so big, the farm was so big, the cows were so big, the chores were so enormous. But yet, at the end of the day, they were done. That base was already solid inside me. I just had to rediscover it.”

He’d need to! When summers ended, Brian returned to his parent’s house in Texas, a sharp contrast from what he left behind! Brian describes the difference saying, “I wasn’t getting the same signals. I got chaos. I had, [emotional pause] my father just didn’t have the tools. His toolbox was empty. I didn’t get what a son needs so he knows how to grow up. Instead of a conversation, I get beating, you know, and punishment. But no love, no ‘I’m sorry’. I never got that from him.”

Turmoil followed to the field. When the Sooners won the 1985 national championship, Brian the player and Boz the caricature blurred into an inseparable pair. As the hype grew, Brian was banned by the N-C-Double-A for the 1987 Orange Bowl after failing a steroids test. He carried his feud to the sideline, wearing a T-Shirt with a derogatory phrase on national TV. Brian was dismissed from the team. His college career was finished. Brian acknowledges, “It was the biggest regret. It ruined everything that I had built — all the pride that I brought to Coach Switzer. And I stole their moment so that I could scream at somebody or an institution for what I felt was an injustice. And it was just the wrong place to do it. It was the wrong format. It was the wrong message to send. What I thought was the most important window of my life, which was college football, in Oklahoma — and I ruined my own party.”

Brian earned his degree and was selected by the Seattle Seahawks in the supplemental draft, signing the largest rookie contract at the time. He started in all 24 games he played before a shoulder injury forced him into early retirement.  Brian says, “I wanted to run and die. I went some place and hid and spent the entire decade of the 90’s in just severe pain and I was depressed. I didn’t have any way of looking forward to tomorrow. So I just felt like I have nothing left and there’s no reason to live.”

Desperate, Brian had time to ponder, searching for the source of his rage. There were issues underneath the Boz that fans and spectators saw on the field. How deep did that anger go? Brian explains, “When I’d go on that field I’d just want praise. But at the end of the game I’d never get that – ‘what a great game’, ‘ I’m so proud of you’, you know, this moment is a precious moment. And that’s the thing that really drove me as I got further into my career, its like I’m never going to have a precious moment with my father. I think that’s what I craved and that’s why I lashed out and I think that’s why I rebelled.”

The death of his father was a catalyst in his search for purpose that had roots in a family member’s belief. Brian says, “I had my grandmother who was very faithful to the relationship with Jesus Christ. You know, when you’re a little kid you don’t understand the impact of how that’s going to resonate for the rest of your life. All of my choices were keeping me from human love and from my father’s love. And the only way I’m going to fix that is if I decide to break the chains and get on my knees and finally say ‘I can’t do this by myself and I can’t do it with out you.”

Brian emerged from seclusion as an actor, appearing in several films. He took a role in the faith-based film ‘Revelation Road’ and later in ‘Do You Believe?’, after solidifying his own faith. What does grace and redemption mean to Brian Bosworth?” He says, “Feeling like a failure as a son, as a football player and a failure to the fans. That wasn’t something that I had any ownership of anymore because I gave that to Jesus and He took all that away. This newfound freedom of peace is the gift of being forgiven.”

The linebacker great has uncovered a past to better navigate what’s ahead in this rare odyssey – that’s His! Brian believes, “Once you put yourself in the moral compass of your heart, you create chaos. Jesus Christ is the moral compass of my heart. So every decision I make – give me the instructions that You want me to follow. God, what do you got for me today? What do we get to do today, you know, because it leads me to the One light I want to go home to.”

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The Social Responsibility of Business is to Increase its Profits by Milton Friedman

Free to Choose: Part 1 of 10 The Power of the Market (Featuring Milton Friedman)

Free to Choose Part 2: The Tyranny of Control (Featuring Milton Friedman

Free to Choose Part 4: From Cradle to Grave Featuring Milton Friedman

The Social Responsibility of Business is to Increase its Profits

by Milton FriedmanThe New York Times Magazine, September 13, 1970. Copyright @ 1970 by The New York Times Company.

When I hear businessmen speak eloquently about the “social responsibilities of business in a free-enterprise system,” I am reminded of the wonderful line about the Frenchman who discovered at the age of 70 that he had been speaking prose all his life. The businessmen believe that they are defending free en­terprise when they declaim that business is not concerned “merely” with profit but also with promoting desirable “social” ends; that business has a “social conscience” and takes seriously its responsibilities for providing em­ployment, eliminating discrimination, avoid­ing pollution and whatever else may be the catchwords of the contemporary crop of re­formers. In fact they are–or would be if they or anyone else took them seriously–preach­ing pure and unadulterated socialism. Busi­nessmen who talk this way are unwitting pup­pets of the intellectual forces that have been undermining the basis of a free society these past decades.

The discussions of the “social responsibili­ties of business” are notable for their analytical looseness and lack of rigor. What does it mean to say that “business” has responsibilities? Only people can have responsibilities. A corporation is an artificial person and in this sense may have artificial responsibilities, but “business” as a whole cannot be said to have responsibilities, even in this vague sense. The first step toward clarity in examining the doctrine of the social responsibility of business is to ask precisely what it implies for whom.

Presumably, the individuals who are to be responsible are businessmen, which means in­dividual proprietors or corporate executives. Most of the discussion of social responsibility is directed at corporations, so in what follows I shall mostly neglect the individual proprietors and speak of corporate executives.

In a free-enterprise, private-property sys­tem, a corporate executive is an employee of the owners of the business. He has direct re­sponsibility to his employers. That responsi­bility is to conduct the business in accordance with their desires, which generally will be to make as much money as possible while con­forming to the basic rules of the society, both those embodied in law and those embodied in ethical custom. Of course, in some cases his employers may have a different objective. A group of persons might establish a corporation for an eleemosynary purpose–for exam­ple, a hospital or a school. The manager of such a corporation will not have money profit as his objective but the rendering of certain services.

In either case, the key point is that, in his capacity as a corporate executive, the manager is the agent of the individuals who own the corporation or establish the eleemosynary institution, and his primary responsibility is to them.

Needless to say, this does not mean that it is easy to judge how well he is performing his task. But at least the criterion of performance is straightforward, and the persons among whom a voluntary contractual arrangement exists are clearly defined.

Of course, the corporate executive is also a person in his own right. As a person, he may have many other responsibilities that he rec­ognizes or assumes voluntarily–to his family, his conscience, his feelings of charity, his church, his clubs, his city, his country. He ma}. feel impelled by these responsibilities to de­vote part of his income to causes he regards as worthy, to refuse to work for particular corpo­rations, even to leave his job, for example, to join his country’s armed forces. Ifwe wish, we may refer to some of these responsibilities as “social responsibilities.” But in these respects he is acting as a principal, not an agent; he is spending his own money or time or energy, not the money of his employers or the time or energy he has contracted to devote to their purposes. If these are “social responsibili­ties,” they are the social responsibilities of in­dividuals, not of business.

What does it mean to say that the corpo­rate executive has a “social responsibility” in his capacity as businessman? If this statement is not pure rhetoric, it must mean that he is to act in some way that is not in the interest of his employers. For example, that he is to refrain from increasing the price of the product in order to contribute to the social objective of preventing inflation, even though a price in crease would be in the best interests of the corporation. Or that he is to make expendi­tures on reducing pollution beyond the amount that is in the best interests of the cor­poration or that is required by law in order to contribute to the social objective of improving the environment. Or that, at the expense of corporate profits, he is to hire “hardcore” un­employed instead of better qualified available workmen to contribute to the social objective of reducing poverty.

In each of these cases, the corporate exec­utive would be spending someone else’s money for a general social interest. Insofar as his actions in accord with his “social responsi­bility” reduce returns to stockholders, he is spending their money. Insofar as his actions raise the price to customers, he is spending the customers’ money. Insofar as his actions lower the wages of some employees, he is spending their money.

The stockholders or the customers or the employees could separately spend their own money on the particular action if they wished to do so. The executive is exercising a distinct “social responsibility,” rather than serving as an agent of the stockholders or the customers or the employees, only if he spends the money in a different way than they would have spent it.

But if he does this, he is in effect imposing taxes, on the one hand, and deciding how the tax proceeds shall be spent, on the other.

This process raises political questions on two levels: principle and consequences. On the level of political principle, the imposition of taxes and the expenditure of tax proceeds are gov­ernmental functions. We have established elab­orate constitutional, parliamentary and judicial provisions to control these functions, to assure that taxes are imposed so far as possible in ac­cordance with the preferences and desires of the public–after all, “taxation without repre­sentation” was one of the battle cries of the American Revolution. We have a system of checks and balances to separate the legisla­tive function of imposing taxes and enacting expenditures from the executive function of collecting taxes and administering expendi­ture programs and from the judicial function of mediating disputes and interpreting the law.

Here the businessman–self-selected or appointed directly or indirectly by stockhold­ers–is to be simultaneously legislator, execu­tive and, jurist. He is to decide whom to tax by how much and for what purpose, and he is to spend the proceeds–all this guided only by general exhortations from on high to restrain inflation, improve the environment, fight poverty and so on and on.

The whole justification for permitting the corporate executive to be selected by the stockholders is that the executive is an agent serving the interests of his principal. This jus­tification disappears when the corporate ex­ecutive imposes taxes and spends the pro­ceeds for “social” purposes. He becomes in effect a public employee, a civil servant, even though he remains in name an employee of a private enterprise. On grounds of political principle, it is intolerable that such civil ser­vants–insofar as their actions in the name of social responsibility are real and not just win­dow-dressing–should be selected as they are now. If they are to be civil servants, then they must be elected through a political process. If they are to impose taxes and make expendi­tures to foster “social” objectives, then politi­cal machinery must be set up to make the as­sessment of taxes and to determine through a political process the objectives to be served.

This is the basic reason why the doctrine of “social responsibility” involves the acceptance of the socialist view that political mechanisms, not market mechanisms, are the appropriate way to determine the allocation of scarce re­sources to alternative uses.

On the grounds of consequences, can the corporate executive in fact discharge his al­leged “social responsibilities?” On the other hand, suppose he could get away with spending the stockholders’ or customers’ or employees’ money. How is he to know how to spend it? He is told that he must contribute to fighting inflation. How is he to know what ac­tion of his will contribute to that end? He is presumably an expert in running his company–in producing a product or selling it or financing it. But nothing about his selection makes him an expert on inflation. Will his hold­ ing down the price of his product reduce infla­tionary pressure? Or, by leaving more spending power in the hands of his customers, simply divert it elsewhere? Or, by forcing him to produce less because of the lower price, will it simply contribute to shortages? Even if he could an­swer these questions, how much cost is he justi­fied in imposing on his stockholders, customers and employees for this social purpose? What is his appropriate share and what is the appropri­ate share of others?

And, whether he wants to or not, can he get away with spending his stockholders’, cus­tomers’ or employees’ money? Will not the stockholders fire him? (Either the present ones or those who take over when his actions in the name of social responsibility have re­duced the corporation’s profits and the price of its stock.) His customers and his employees can desert him for other producers and em­ployers less scrupulous in exercising their so­cial responsibilities.

This facet of “social responsibility” doc­ trine is brought into sharp relief when the doctrine is used to justify wage restraint by trade unions. The conflict of interest is naked and clear when union officials are asked to subordinate the interest of their members to some more general purpose. If the union offi­cials try to enforce wage restraint, the consequence is likely to be wildcat strikes, rank­-and-file revolts and the emergence of strong competitors for their jobs. We thus have the ironic phenomenon that union leaders–at least in the U.S.–have objected to Govern­ment interference with the market far more consistently and courageously than have business leaders.

The difficulty of exercising “social responsibility” illustrates, of course, the great virtue of private competitive enterprise–it forces people to be responsible for their own actions and makes it difficult for them to “exploit” other people for either selfish or unselfish purposes. They can do good–but only at their own expense.

Many a reader who has followed the argu­ment this far may be tempted to remonstrate that it is all well and good to speak of Government’s having the responsibility to im­pose taxes and determine expenditures for such “social” purposes as controlling pollu­tion or training the hard-core unemployed, but that the problems are too urgent to wait on the slow course of political processes, that the exercise of social responsibility by busi­nessmen is a quicker and surer way to solve pressing current problems.

Aside from the question of fact–I share Adam Smith’s skepticism about the benefits that can be expected from “those who affected to trade for the public good”–this argument must be rejected on grounds of principle. What it amounts to is an assertion that those who favor the taxes and expenditures in question have failed to persuade a majority of their fellow citizens to be of like mind and that they are seeking to attain by undemocratic procedures what they cannot attain by democratic proce­dures. In a free society, it is hard for “evil” people to do “evil,” especially since one man’s good is another’s evil.

I have, for simplicity, concentrated on the special case of the corporate executive, ex­cept only for the brief digression on trade unions. But precisely the same argument ap­plies to the newer phenomenon of calling upon stockholders to require corporations to exercise social responsibility (the recent G.M crusade for example). In most of these cases, what is in effect involved is some stockholders trying to get other stockholders (or customers or employees) to contribute against their will to “social” causes favored by the activists. In­sofar as they succeed, they are again imposing taxes and spending the proceeds.

The situation of the individual proprietor is somewhat different. If he acts to reduce the returns of his enterprise in order to exercise his “social responsibility,” he is spending his own money, not someone else’s. If he wishes to spend his money on such purposes, that is his right, and I cannot see that there is any ob­jection to his doing so. In the process, he, too, may impose costs on employees and cus­tomers. However, because he is far less likely than a large corporation or union to have mo­nopolistic power, any such side effects will tend to be minor.

Of course, in practice the doctrine of social responsibility is frequently a cloak for actions that are justified on other grounds rather than a reason for those actions.

To illustrate, it may well be in the long run interest of a corporation that is a major employer in a small community to devote resources to providing amenities to that community or to improving its government. That may make it easier to attract desirable employees, it may reduce the wage bill or lessen losses from pilferage and sabotage or have other worthwhile effects. Or it may be that, given the laws about the deductibility of corporate charitable contributions, the stockholders can contribute more to chari­ties they favor by having the corporation make the gift than by doing it themselves, since they can in that way contribute an amount that would otherwise have been paid as corporate taxes.

In each of these–and many similar–cases, there is a strong temptation to rationalize these actions as an exercise of “social responsibility.” In the present climate of opinion, with its wide spread aversion to “capitalism,” “profits,” the “soulless corporation” and so on, this is one way for a corporation to generate goodwill as a by-product of expenditures that are entirely justified in its own self-interest.

It would be inconsistent of me to call on corporate executives to refrain from this hyp­ocritical window-dressing because it harms the foundations of a free society. That would be to call on them to exercise a “social re­sponsibility”! If our institutions, and the atti­tudes of the public make it in their self-inter­est to cloak their actions in this way, I cannot summon much indignation to denounce them. At the same time, I can express admiration for those individual proprietors or owners of closely held corporations or stockholders of more broadly held corporations who disdain such tactics as approaching fraud.

Whether blameworthy or not, the use of the cloak of social responsibility, and the nonsense spoken in its name by influential and presti­gious businessmen, does clearly harm the foun­dations of a free society. I have been impressed time and again by the schizophrenic character of many businessmen. They are capable of being extremely farsighted and clearheaded in matters that are internal to their businesses. They are incredibly shortsighted and muddle­headed in matters that are outside their businesses but affect the possible survival of busi­ness in general. This shortsightedness is strikingly exemplified in the calls from many businessmen for wage and price guidelines or controls or income policies. There is nothing that could do more in a brief period to destroy a market system and replace it by a centrally con­trolled system than effective governmental con­trol of prices and wages.

The shortsightedness is also exemplified in speeches by businessmen on social respon­sibility. This may gain them kudos in the short run. But it helps to strengthen the already too prevalent view that the pursuit of profits is wicked and immoral and must be curbed and controlled by external forces. Once this view is adopted, the external forces that curb the market will not be the social consciences, however highly developed, of the pontificating executives; it will be the iron fist of Government bureaucrats. Here, as with price and wage controls, businessmen seem to me to reveal a suicidal impulse.

The political principle that underlies the market mechanism is unanimity. In an ideal free market resting on private property, no individual can coerce any other, all coopera­tion is voluntary, all parties to such coopera­tion benefit or they need not participate. There are no values, no “social” responsibilities in any sense other than the shared values and responsibilities of individuals. Society is a collection of individuals and of the various groups they voluntarily form.

The political principle that underlies the political mechanism is conformity. The indi­vidual must serve a more general social inter­est–whether that be determined by a church or a dictator or a majority. The individual may have a vote and say in what is to be done, but if he is overruled, he must conform. It is appropriate for some to require others to contribute to a general social purpose whether they wish to or not.

Unfortunately, unanimity is not always feasi­ble. There are some respects in which conformity appears unavoidable, so I do not see how one can avoid the use of the political mecha­nism altogether.

But the doctrine of “social responsibility” taken seriously would extend the scope of the political mechanism to every human activity. It does not differ in philosophy from the most explicitly collectivist doctrine. It differs only by professing to believe that collectivist ends can be attained without collectivist means. That is why, in my book Capitalism and Freedom, I have called it a “fundamentally subversive doctrine” in a free society, and have said that in such a society, “there is one and only one social responsibility of business–to use it resources and engage in activities designed to increase its profits so long as it stays within the rules of the game, which is to say, engages in open and free competition without deception or fraud.”

Free to Choose Part 5: Created Equal Featuring Milton Friedman

Free to Choose Part 6: What’s Wrong With Our Schools Featuring Milton Friedman

Free to Choose Part 7: Who Protects the Consumer Featuring Milton Friedman

Free to Choose Part 8: Who Protects the Worker Featuring Milton Friedman

Free to Choose Part 10: How to Stay Free Featuring Milton Friedman

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Movie review of movie GREATER about the life of Brandon Burlsworth

______________

Greater

MPAA Rating: PG for thematic elements, some language and smoking.
not reviewed
Add to your list?
View your list
Moviemaking Quality:
Primary Audience:
Adults Teens Family
Genre:
Christian Sports Biography Family
Length:
2 hr. 10 min.
Year of Release:
2016
USA Release:
August 26, 2016 (wide)
Featuring: Christopher Severio … Brandon Burlsworth
Neal McDonough … Marty Burlsworth
Leslie Easterbrook … Barbara
Michael Parks … Leo
Nick Searcy … The Farmer
Quinton Aaron … Coach Aaron
Connor Antico … Clint Stoerner
Eric Arnold … Razorbacks fan
Tammy Barr … Ashley
Texas Battle … Anthony Lucas
more »
Director: David Hunt
Producer: Greater Productions
Brian Reindl
David Eric Chapman
Neal McDonough
Tim Duff
Distributor: Hammond Entertainment

“The incredible true story of the greatest walk-on in the history of college football”

Copyrighted, Hammond Entertainment

Here’s what the distributor says about their film: “Brandon Burlsworth is perhaps the greatest walk-on in the history of college football. Brandon dreamed of playing for the Arkansas Razorbacks, but was told he wasn’t good enough to play Division I ball. Undeterred, Brandon took a risk and walked on in 1994. Written off by fellow teammates and coaches, Brandon displayed dogged determination in the face of staggering odds. The awkward kid who once was an embarrassment to his teammates and an annoyance to his coaches, ended up becoming the most respected player in the history of the program, changing the lives of all he touched.

Brandon Burlsworth never cursed, drank or smoked, and he returned home every weekend of his college career to see his mother and attend church with his family. This was a guy who did everything ‘right.’

On April 28, 1999, on a lonely Arkansas highway, a wreck claimed the life of a young man who was bound for glory in the NFL. Brandon Burlsworth, widely considered the greatest walk-on in the history of college football, was a man of hard work, integrity, and commitment, who took no short cuts in life. He was a shining example of a fleeting life lived well. Burlsworth’s astonishing physical, mental, and spiritual gifts made him the kind of player that opponents are afraid to line up against. An almost unreal blend of power and speed, Brandon wanted to be the best.

He was.

Brandon was not born with the athletic gifts that are normally required to reach the elite levels of football. Though he desperately wanted to fulfill his dream of playing Division 1 ball, nobody would give him a chance and he failed to receive any D-1 scholarship offers. Risking everything to walk-on at the University of Arkansas, Burlsworth worked harder than anybody else, on or off the field. He would eventually become the first Razorback to earn a master’s degree while playing football, achieved first-team All-American honors, and in 1999 was drafted by the Indianapolis Colts and expected to be a first-year starter and anchor the Colts’ line for the next dozen years.

Brandon’s trademark black glasses has inspired children for over 15 years to live by Brandon’s motto, ‘Do things the right way.’ Since his passing, the University of Arkansas has honored the Burls’ Kids, a non profit charity, at an Arkansas Razorback home football game.”

Related book: Through the Eyes of a Champion – The Brandon Burlsworth Story by Jeff Kinley (New Leaf Press: 1 September 2001)

 

Brandon Burlsworth

 

Uploaded on Aug 31, 2011

Brandon was a walk on turned All American at the University of Arkansas. He was drafted by the Indianapolis Colts and 11 days later was tragically killed in a car accident. The Brandon Burlsworth Foundation was founded in his name and has several programs: The Burls Kids program takes underprivileged children to all Arkansas Razorback and Indianapolis Colts home games. The BBF in partnership with Walmart provides eye care to 14,000 pre-K thru 12th grade students whose working families are trying, but still cannot afford extras like eye care and do not qualify for state funded programs. We hold football camps each year in Harrison and Little Rock and we have several football scholarship and awards including the Burlsworth Trophy, a national award given out to the most outstanding Division One college football player who began his career as a walk-on.

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___________

FRIEDMAN FRIDAY Milton Friedman and Dan Mitchell look at the economics of medical care!!

Milton Friedman on Medical Care (Full Lecture)

Way back in 2009, some folks on the left shared a chart showing that national expenditures on healthcare compared to life expectancy.

This comparison was not favorable to the United States, which easily spent the most money but didn’t have concomitantly impressive life expectancy.

At the very least, people looking at the chart were supposed to conclude that other nations had better healthcare systems.

And since the chart circulated while Obamacare was being debated, supporters of that initiative clearly wanted people to believe that the U.S. somehow could get better results at lower cost if the government played a bigger role in the healthcare sector.

There were all sorts of reasons to think that chart was misleading (higher average incomes in the United States, more obesity in the United States, different demographics in the United States, etc), but my main gripe was that the chart was being used to advance the cause of bigger government when it actually showed – at least in part – the consequences of government intervention.

The real problem, I argued, was third-party payer. Thanks to programs such asMedicare and Medicaid, government already was paying for nearly 50 percent of all heath spending in the United States (indeed, the U.S. has more government spending for health programs than some nations with single-payer systems!).

But that’s just party of the story. Thanks to a loophole in the tax code for fringe benefits (a.k.a., the healthcare exclusion), there’s a huge incentive for both employers and employees to provide compensation in the form of very generous health insurance policies. And this means a big chunk of health spending is paid by insurance companies.

The combination of these direct and indirect government policies is that consumers pay very little for their healthcare. Or, to be more precise, they may pay a lot in terms of taxes and foregone cash compensation, but their direct out-of-pocket expenditures are relatively modest.

And this is why I said the national health spending vs life expectancy chart was far less important than a chart I put together showing the relentless expansion of third-party payer. And the reason this chart is so important is that it helps to explain why healthcare costs are so high and why there’s so much inefficiency in the health sector.

Simply stated, doctors, hospitals, and other providers have very little market-based incentive to control costs and be efficient because they know that the overwhelming majority of consumers won’t care because they are buying care with other people’s money.

To get this point across, I sometimes ask audiences how their behavior would change if I told them I would pay 89 percent of their dinner bill on Friday night. Would they be more likely to eat at McDonald’s or a fancy steakhouse? The answer is obvious (or should be obvious) since they are in box 2 of Milton Friedman’s matrix.

So why, then, would anybody think that Obamacare – a program that was designed to expand third-party payer – was going to control costs?

Though I guess it doesn’t matter what anybody thought at the time. The sad reality is that Obamacare was enacted. The President famously promised healthcare would be more affordable under his new system, both for consumers and for taxpayers.

So what happened?

Well, the law’s clearly been bad news for taxpayers.

But let’s focus today on households, which haveborne the brunt of the President’s bad policies. The Wall Street Journal had a report a few days ago about what’s been happening to the spending patterns of middle-class households.

The numbers are rather grim, at least for those who thought Obamacare would control health costs.

A June Brookings Institution study found middle-income households now devote the largest share of their spending to health care, 8.9%… By 2014, middle-income households’ health-care spending was 25% higher than what they were spending before the recession that began in 2007, even as spending fell for other “basic needs” such as food, housing, clothing and transportation, according to an analysis for The Wall Street Journal by Brookings senior fellow Diane Schanzenbach. …Workers aren’t the only ones feeling the pain of rising health-care costs. Employers still typically pay roughly 80% of individual health-insurance premiums… In 2015, 8% of Americans’ household spending went toward health care, up from 5.8% in 2007, according to the Labor Department.

Here’s a chart from the story. It looks at data from 2007-2014, so it surely wouldn’t be fair to say Obamacare caused all the increase. But it would be fair to say that the law hasn’t delivered on the empty promise of lower costs.

Let’s close with a few important observations.

First, there’s a very strong case to repeal Obamacare, but nobody should be under the illusion that this will solve the myriad problems in the health sector. It would be a good start, but never forget that the third-party payer problem existed before Obamacare.

Second, undoing third-party payer will be like putting toothpaste back in a tube. Even though there are some powerful examples of how healthcare costs are constrained when genuine market forces are allowed to operate, consumers will be very worried about shifting to a system where they pay directly for a greater share of their healthcare costs.

Third, there’s one part of Obamacare that shouldn’t be repealed. The so-called Cadillac Tax may not be the right way to deal with the distorting impact of the healthcare exclusion, but it’s better than nothing.

Actually, we could add one final observation since the Obama era will soon be ending. When historians write about his presidency, will his main legacy be the Obamacare failure? Or will they focus more on the failed stimulus? Or maybe the economic stagnation that was caused by his policies?

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Review of CAFE SOCIETY by A.O. Scott has best line in film: “I accept death, but under protest,” Dad says. “Protest to who?” Mom responds!

I have posted so many reviews on Woody Allen’s latest movie CAFE SOCIETY and I even posted an open letter I wrote to Woody Allen about the film. A serious theme of the afterlife is brought up in this film too. Some reviewers liked the film and the lavish surroundings in it and some did not. Below is another review. The review of CAFE SOCIETY by A.O. Scott has best line in film: “I accept death, but under protest,” Dad says. “Protest to who?” Mom responds!

Woody Allen got this idea from one of favorite Ingmar Bergman’s movies THE SEVENTH SEAL.

Woody Allen once said:

I’ve made perfectly decent films, but not (1963), not The Seventh Seal (1957) (“The Seventh Seal”), The 400 Blows (1959) (“The 400 Blows”) or L’avventura (1960) – ones that to me really proclaim cinema as art, on the highest level. If I was the teacher, I’d give myself a B.

Andrew Welch commented on some of Woody Allen’s influences in his article Looking at the (sometimes skewed) morality of Woody Allen’s best films:

In the late ’60s, Woody Allen left the world of stand-up comedy behind for the movies. Since then, he’s become one of American cinema’s most celebrated filmmakers. Sure, he’s had his stinkers and his private life hasn’t been without controversy. But he’s also crafted some of Hollywood’s most thought-provoking comedies. Philosophical, self-deprecating and always more than a tad pessimistic, Allen adds another title to his oeuvre this Friday with Midnight in Paris. Whether it will be remembered as one of his greatest or another flop is too early to say, but its release gives us a chance to look back at some of his most indispensable works.

Love and Death (1975)

Allen’s Love and Death owes a lot to Tolstoy’s War and Peace and the films of Swedish director Ingmar Bergman. Death himself even makes an appearance, recalling the existential dread of Bergman’s The Seventh Seal. But despite the movie’s many highbrow allusions, Allen is more concerned with simply having a good time. Gags and one-liners abound, making it, if not a comic masterpiece, a pretty good way to spend an hour and a half.

Woody Allen on Ingmar Bergman (1/2)

Monday, July 30, 2007

Ingmar Bergman Slips Into the Darkness…

I will never forget the chess match with death in Ingmar Bergman’s movie The Seventh Seal. I watched it many years ago, and then again just a year ago. It’s bleak, nihilistic atmosphere proved a foil for my theistic worldview. I remember thinking, if there is no God, then life looks like a Bergman movie, and religious people are “heroic” quixotic individuals sparring with windmills. (Watch the chess match here.)
Ingmar Bergman died today at the age of 89.
One report today writes: “When the news broke that Ingmar Bergman had died on the lonely and windswept island of Faro, off the coast of Sweden, it seemed like an appropriately tragic spot. Bergman spent a lifetime creating lonely and windswept movies: a cinema of inner life in which man was tormented by his relationship with women and with God.”
In his autobiography Bergman wrote, re. God: “I have struggled all my life with a tormented and joyless relationship with God. Faith and lack of faith, punishment, grace and rejection, all were real to me, all were imperative. My prayers stank of anguish, entreaty, trust, loathing and despair. God spoke, God said nothing. Do not turn from Thy face. The lost hours of that operation provided me with a calming message. You were born without purpose, you live without meaning, living is its own meaning. When you die, you are extinguished. From being you will be transformed to non-being. A god does not necessarily dwell among our capricious atoms. This insight has brought with it a certain security that has resolutely eliminated anguish and tumult, though on the other hand I have never denied my second (or first) life, that of the spirit.”
Bergman was married five times and had many sexual liaisons with the leading actresses in his films. He is considered to be one of the greatest, if not even the greatest, film-maker of all time. When I read of his death today I experienced a sense of loss, like the loss of an old friend. I found, in his films, an authentic representation of his experience of the non-response of God to his searching and prayers. I don’t personally affirm his conclusions, but I do find his work valuable, especially when I hear “atheists” joyfully declare God’s non-existence.

Woody Allen on Ingmar Bergman (2/2)

The Seventh Seal (1/3) (Det sjunde inseglet) – Breaking Down Bergman – Episode #17

Published on Apr 24, 2012

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Ingmar Bergman’s most recognized (and likely most parodied) film is broken down into three parts for this discussion. In part one, hosts David Friend and Sonia Strimban look at the origins of the film, setting the scene for the debates that follow in the two subsequent videos, which are linked.

All related clips and images are copyrighted and property of their respective owners.

Friend and Strimban are watching the career of the Swedish director from his first film to his last, in order, and discussing their observations. Visit the main channel for more details.

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The Seventh Seal (2/3) (Det sjunde inseglet) – Breaking Down Bergman – Episode #17 Part 2

Published on Apr 30, 2012

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The Seventh Seal (3/3) (Det sjunde inseglet) – Breaking Down Bergman – Episode #17 Part 3

Published on May 8, 2012

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Woody Allen on Ingmar Bergman and the death.

Published on Sep 1, 2012

From Ingmar Bergmans Video.Broadcasted on SVT (Swedish Television) aug 2012.

Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD

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Review: ‘Café Society’ Isn’t Woody Allen’s Worst Movie

CAFÉ SOCIETY

  • Directed by Woody Allen
  • Comedy, Drama, Romance
  • PG-13
  • 1h 36m
Photo

Kristen Stewart and Jesse Eisenberg in Woody Allen’s “Café Society.” CreditSabrina Lantos/Gravier Productions

“Café Society,” Woody Allen’s new movie, comes wrapped in a double layer of nostalgia. Set in the 1930s, partly in Los Angeles, its script compulsively mentions Hollywood stars of the era. Joan Blondell! Robert Taylor! Barbara Stanwyck! Cagney and Crawford! Astaire and Rogers! Their names ring out like answers to trivia questions nobody had thought to ask.

At a recent New York critics’ screening, one fellow a few rows behind me chuckled at every name. I don’t think because the allusions were especially funny — the sentence “Adolphe Menjou is threatening to walk off the set” is not exactly a gut-buster, even in context — but because they signified a cultural awareness that the laugher in the dark wanted the rest of us to know he shared. And also perhaps because the dropped names stood in for jokes that the modern audience is too ignorant to get and that Mr. Allen has grown too lazy to make. He can gaze back fondly at the fast-receding golden age of Depression-era popular culture, and the rest of us can wistfully recall a time when he was able to spin those memories into better films than this one.

There’s no point in growing misty-eyed. “Café Society” is not “Radio Days”or “Bullets Over Broadway.” We can live with that. I’m happy to report that it’s not “The Curse of the Jade Scorpion” or “Magic in the Moonlight,”either. Which is to say that it’s neither another example of bad, late Woody Allen nor much in the way of a return to form. It is, overall, an amusing little picture, with some inspired moments and some sour notes, a handful of interesting performances and the hint, now and then, of an idea.

 

Video

Trailer: ‘Café Society’

By AMAZON STUDIOS on Publish DateJuly 13, 2016. Photo by Amazon Studios. Watch in Times Video »

Like most of Mr. Allen’s recent work, this movie takes place within the hermetically enclosed universe of its maker’s long-established preoccupations. Rather than find fresh themes or problems, he likes to rearrange the old ones into a newish pattern, emphasizing some elements and letting others drift into the background. Here the dominant conceit is Mr. Allen’s well-documented ambivalence about California and the industry that has often seemed ambivalent about him. He loves movies, but Hollywood, with its shallowness and gossip, has always repelled him.

But with the help of his gifted collaborators, the production designer Santo Loquasto and the cinematographer Vittorio Storaro, he bathes “the film colony” in golden light and swathes its denizens in lovely period clothes. He sends an ambitious Bronx boy, Bobby Dorfman (Jesse Eisenberg), out West to seek his fortune. At first cold-shouldered by his Uncle Phil (Steve Carell), a powerful agent, Bobby is eventually taken under Phil’s wing and plunged into a swirl of parties and power lunches. He’s suitably intoxicated by his new surroundings.

Photo

Corey Stoll in “Café Society.”CreditSabrina Lantos/Gravier Productions

“I’ve never mixed Champagne with bagels and lox,” he says.

“Welcome to Hollywood,” someone replies.

That’s not a bad line, and there are some other pretty good ones sprinkled throughout the sprawling script. Bobby’s bickering parents, played by Jeannie Berlin and Ken Stott, supply a few Yiddish-inflected laughs, as well as the requisite touch of metaphysical fatalism. (“I accept death, but under protest,” Dad says. “Protest to who?” Mom responds. Also not a bad line.) The ensemble is larger and the story looser than in Mr. Allen’s last few movies, making room for Corey Stoll’s relaxed turn as Bobby’s charismatic gangster brother and Parker Posey and Paul Schneider’s intriguing double act as a cynical and apparently happily married pair of bicoastal sophisticates.

Photo

Blake Lively in “Café Society.”CreditSabrina Lantos/Gravier Productions

The axis on which everything turns is an old-fashioned love triangle that includes, of course, the passion of an older man for a younger woman. It turns out that Bobby and Phil are both in love with a transplanted Nebraskan called Vonnie (short for Veronica), who is Phil’s secretary.Kristen Stewart’s performance in the role, which blends gravity and lightness, glamour and its opposite, is certainly the best part of “Café Society,” but it also exposes just how thin and tired the rest of the movie is.

Mr. Allen’s literal voice, which supplies narration, sounds unusually sluggish and weary. The same is true of his voice as a writer and director. For every snappy scene or exchange there are three or four that feel baggy and half-written. We are treated to one survey of the clientele at the swanky Manhattan nightclub that is Bobby’s post-Hollywood professional perch and then, a while later, to another. We wander into jazz clubs and dining rooms and seem unsure of why we’ve come. Blake Lively, wandering into the movie’s second half as a second Veronica, seems to feel the same way. The movie seems much longer than its 96 minutes.

Photo

Steve Carell in “Café Society.”CreditSabrina Lantos/Gravier Productions

Every once in a while we hear or see something that makes us cringe a little: a harsh, unfunny encounter between Bobby and a prostitute shortly after his arrival in Los Angeles; an anecdote about Errol Flynn’s sexual interest in underage girls. It’s hard to say if Mr. Allen is testing the audience’s tolerance or trolling our sensitivities, or for that matter if he’s just blithely carrying on as he always has, oblivious to changing mores or the vicissitudes of his own reputation.

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It doesn’t really matter because “Café Society” ultimately poses no interesting questions about its maker or its characters. The movie most closely resembles the kind of Hollywood product for which its deepest nostalgia is reserved. It’s a pop-culture throwaway, a charming bit of trivia, the punch line to a half-forgotten joke.

“Café Society” is rated PG-13 (Parents strongly cautioned). Surprisingly bloody murders and surprisingly bloodless romance. Running time: 1 hour 36 minutes.

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