Category Archives: Current Events

Adrian Rogers and John MacArthur on wisdom from Proverbs on alcohol

(My pastor growing up was Adrian Rogers and he died 7 years ago today. He would have been 82 if he was still living. )

I love the Book of Proverbs and every day I read one chapter of Proverbs. Since there are 31 chapters, I start the 1st of ever month and read chapter 1 and then the next day I read chapter 2 and so on the rest of the month.

John McArthur said:

“First of all, number one issue in gaining wisdom is to fear God…is to fear God. How do you know that? Back in chapter 1 verse 7, we read this, “The fear of the Lord is the beginning of knowledge. Fools despise wisdom and instruction.” The fear of the Lord is the beginning of knowledge. Proverbs 9:10, “The fear of the Lord is the beginning of wisdom and the knowledge of the holy one is true understanding.”

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One of the issues I have learned about in Proverbs is concerning the issue of alcohol.

ryan dunn Jackass dead in crash

Ryan Dunn and his friends moments before they died.

Flickr user Eric Lewis posted the image below with a caption that says the photo shows what’s left of Dunn’s car.

Ryan Dunn tweeted a picture of himself drinking from a bar. At 2 am he left the bar and a few minutes later he was killed after running off the road in his car.There are three reasons that I do not drink and here they are.First,alcohol has brought a social plague on our country not matched by anything we have ever seen in the past.  I will never forget the day I heard this statistic in 1975:  “Drunk drivers are responsible for 50% of highway fatalities.”My pastor Adrian Rogers shared that statistic from the pulpit. I was only 14 years old at the time, but I was looking forward to driving. It caused me to realize that I had to abstain from alcohol and try to convince my friends and family to do likewise.Second, the Bible does condemn alcoholic wine. There were three kinds of wine mentioned in the Bible (grapes, grape juice and strong drink). Wine in the cluster which is equal to our grapes. Isaiah 65:8 ” “As the new wine is found in the cluster…”  The point I am making here is very clear. The Bible does refer to nonalcoholic wine which is equal to our grape juice. Don’t take for granted everytime you read the word “wine” in the Bible that it is referring to the kind of wine we are used to today.Next we have the term “strong drink” which is equal to our wine today. Strong drink is condemned. .Proverbs 20:1 states, “Wine is a mocker, strong drink is raging: and whosoever is deceived thereby is not wise. ”

  • WHAT WAS “STRONG DRINK” IN BIBLE TIMES?

Distillation was not discovered until about 1500 A.D. Strong drink and unmixed wine in Bible times was from 3% to 11% alcohol. Dr. John MacArthur says “…since anybody in biblical times who drank unmixed wine (9-11% alcohol) was definitely considered a barbarian, then we dont even need to discuss whether a Christian should drink hard liquor–that is apparent!”

Since wine has 9 to 11% alcohol and one brand 20% alcohol, you should not drink that. Brandy contains 15 to 20% alcohol, so thats out! Hard liquor has 40 to 50% alcohol (80 to 100 proof), and that is obviously excluded!

For documentation on this subject Google “alcohol” with the name of Adrian Rogers or John MacArthur. These theologians  have covered this subject fully with biblical references.

Third, Romans 14:21 states, “It is better not to eat meat (that had been offered to idols) or drink wine or to do anything else that will cause your brother to fall.” If a person rejects all the linguistic arguments, there is still Romans 14:21 concerning not causing a weaker brother to stumble..

It is consistent with the ethic of love for believers and unbelievers alike. Because I am an example to others, I will make certain no one ever walks the road of sorrow called alcoholism because they saw me take a drink and assumed, “if it is alright for Everette Hatcher, it is alright for me.” No, I will choose to set an uncompromising example of abstinence because I love them. The fact is that 1 of every 6 drinkers in the USA are problem drinkers. Maybe if my family of 6 drank, that could be me or one of my children?

Billy Sunday told a story that illustrates this principle and I heard this story while Adrian Rogers was my pastor at Bellevue Baptist:

I feel like an old fellow in Tennessee who made his living by catching rattlesnakes. He caught one with fourteen rattles and put it in a box with a glass top. One day when he was sawing wood his little five-year old boy,Jim, took the lid off and the rattler wriggled out and struck him in the cheek. He ran to his father and said, “The rattler has bit me.” The father ran and chopped the rattler to pieces, and with his jackknife he cut a chunk from the boy’s cheek and then sucked and sucked at the wound to draw out the poison. -He looked at little Jim, watched the pupils of his eyes dilate and watched him swell to three times his normal size, watched his lips become parched and cracked, and eyes roll, and little Jim gasped and died.

The father took him in his arms, carried him over by the side of the rattler, got on his knees and said, “God, I would not give little Jim for all the rattlers that ever crawled over the Blue Ridge mountains.”

That is the question that must be answered by everyone no matter what their religious beliefs. Is the pleasure of drinking alcohol worth the life of one of your children?

Here is a scripture that describes what will happen to a person addicted to alcohol:

Proverbs 23:29-35
(29) Who hath woe? who hath sorrow? who hath contentions? who hath babbling? who hath wounds without cause? who hath redness of eyes?
(30) They that tarry long at the wine; they that go to seek mixed wine.
(31) Look not thou upon the wine when it is red, when it giveth his color in the cup, when it moveth itself aright.
(32) At the last it biteth like a serpent, and stingeth like an adder.
(33) Thine eyes shall behold strange women, and thine heart shall utter perverse things.
(34) Yea, thou shalt be as he that lieth down in the midst of the sea, or as he that lieth upon the top of a mast.
(35) They have stricken me, shalt thou say, and I was not sick; they have beaten me, and I felt it not: when shall I awake? I will seek it yet again.

More alcohol statistics:

  • More than one-half of American adults have a close family member who has or has had alcoholism.
  • Alcohol is a factor in nearly half of America’s murders, suicides and accidental deaths.
  • The highest rates of current and past year heavy alcohol use are reported by workers in the following occupations: construction, food preparation and waiters/waitresses, along with auto mechanics, vehicle repairers, light truck drivers and laborers. 95% of alcoholics die from their disease and die approximately 26 years earlier than their normal life expectancy.
  • Up to 40% of industrial fatalities and 47% of injuries in the workplace are linked to alcohol consumption and alcoholism.
  • Absenteeism among alcoholics or problem drinkers is 3.8 to 8.3 times greater than normal.
  • More than three fourths of female victims of nonfatal, domestic violence reported that their assailant had been drinking or using drugs.
  • More than one third of pedestrians killed by automobiles were legally drunk.
  • About half of state prison inmates and 40% of federal prisoners incarcerated for committing violent crimes report they were under the influence of alcohol or drugs at the time of their offense.
  • Long-term, heavy alcohol use is the leading cause of illness and death from liver disease in the U.S.
  • Alcoholics spend four times the amount of time in a hospital as non-drinkers, mostly from drinking-related injuries.

Probably the most telling is the last statistic: 95% of alcoholics die from their disease and die approximately 26 years earlier than their normal life expectancy.

History of Memphis music (part 1, Sam Phillips and Sun Records)

This is from a website I found recently.

Sam Phillips      

Sam PhillipsBorn:  1923Died:  2003

Sam Phillips, born Samuel Cornelius Phillips (January 5, 1923 – July 30, 2003), was a record producer and the man responsible for the emergence of rock and roll as the major form of popular music in the 1950s. A native of Florence, Alabama, and a graduate of Coffee High School, Phillips is, perhaps, most notably attributed with the discovery of music legend Elvis Presley.

On January 3, 1950, Sam Phillips opened the doors at 706 Union Avenue in Memphis, Tennessee, to what would become one of the more famous recording studios in the world, the Sun Records label studio. Originally known as “Memphis Recording Service” throughout the 1950s when the building also housed the Sun Records label, the studio was later redubbed “Sun Studio” when the building reopened to the public in 1987. The studio had previously moved to a larger facility on Madison Avenue in 1960, and the Sun Records label had been sold in 1969 to Shelby Singleton’s Sun International group.

According to some, notably, music historian Peter Guralnick, the first rock and roll record was “Rocket 88,” recorded by Jackie Brenston and his Delta Cats, a band led by 19-year-old Ike Turner. Turner also wrote the song, which was recorded by Sam Phillips and released on the Chess/Checker record label in Chicago, in 1951. From 1950 to 1954 Phillips recorded the music of black rhythm and blues artists such as James Cotton, Rufus Thomas, Rosco Gordon, Little Milton, Bobby Blue Bland and others. Blues legends like B.B. King and Howlin’ Wolf made their first recordings at his studio.

Throughout this same period, Sam Phillips was looking for a white singer with a special “sound.” Phillips soon changed the face of popular music when he brought together the diverse elements that created rock and roll. When Elvis Presley played his version of “That’s All Right Mama” at his studio, a whole new era in music began.

Presley’s success would be a drawing card for Sun Records as singing hopefuls soon arrived from all over the Southern USA. White singers such as Sonny Burgess (“My Bucket’s Got A Hole In It”), Charlie Rich and Billy Lee Riley recorded for Sun with reasonable success while others such as Jerry Lee Lewis, Johnny Cash, Roy Orbison, and Carl Perkins would become superstars.

In late 1955, Sam Phillips studio was in need of money and he had little choice but to accept an offer for Presley’s contract. Atlantic Records tendered $25,000, but the powerful RCA Records secured Presley’s services with an offer of $35,000.

On December 4, 1956, Jerry Lee Lewis was playing piano for a Carl Perkins recording session at Sun Records studio. While Johnny Cash stood by watching, Elvis walked in, and the impromptu jam session was soon nicknamed the “Million Dollar Quartet”.

In 1986 Sam Phillips was part of the first group inducted into the Rock and Roll Hall of Fame. In 1987, he was inducted into the Alabama Music Hall of Fame. He received a Grammy Trustees Award for his lifetime achievements in 1991. In 1998, he was inducted into the Blues Hall of Fame, and in October 2001 he was inducted into the Country Music Hall of Fame.

Phillips died of respiratory failure at Francis Hospital in Memphis, Tennessee on July 30, 2003.

Source: The Wikipedia   This content is protected under the copyleft policy.

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Christopher Hitchens’ debate with Douglas Wilson (Part 9)

Christopher Hitchens vs. Douglas Wilson Debate at Westminster Theological Seminary, Part 9 of 12

PART 4

5/18/2007 03:30 PM

Christopher Hitchens

Here is the reason why I lay so much stress in my book on the importance of William of Ockham and his justly celebrated razor. Why on earth—if you excuse the impression—do the faithful spend so much time creating a mystery where none exists? And why do they insist on inserting unwarrantable assumptions?

I take the plain meaning of the passage in Luke (in a section that is clotted with stories about the casting out of devils and other embarrassing sorceries) to be the duty to others in distress. Surely it loses much of its force if the lesson is about discrepant ethnicities of which we cannot in any case be certain? Nothing can “invert” the message to emulate the Samaritan and to go “and do thou likewise.”

You dilute the purity of this—which is morally intelligible to any atheist or humanist—by saying that there is a millennium and a half delay between the “revelation” of this simple act of charity and its anecdotal fulfillment. You also appear to find no distinction between the intelligible injunction to “love thy neighbor” and the impossible order to love another “as thyself.” We are not so made as to love others as ourselves: This may admittedly be a fault in our “design,” but in such a case the irony would be at your expense. The Golden Rule is to be found in the Analects of Confucius and in the motto of the Babylonian Rabbi Hillel, who long predate the Christian era and who sanely state that one should not do to others anything that would be repulsive if done to oneself. (Even this strikes me as either contradictory or tautologous, since surely we agree that sociopaths and psychopaths actually deserve to be treated in ways that would be objectionable to a morally normal person.) When you say that men have never known nor yet understood the essential principle, however, you speak absurdly. Ordinary morality is innate in my view. But if, in yours, it is still not known, then centuries of divine admonition have also gone to waste. You are trapped in a net of your own making. Take a look at the list of actual or potential crimes that you mention. Genocide is not condemned by the Old Testament and neither (as you well know and have  lsewhere conceded) is slavery. Rather, these two horrors are often positively recommended by holy writ.

Abortion is denounced in the Oath of Hippocrates, which long predates Christianity. As for capital punishment and unjust war, the secular and the religious are alike at odds on the very definitions that underpin any condemnation. (When you include “stem-cell research,” by the way, I assume that you unintentionally omitted the word “embryonic.”)

To your needlessly convoluted subsequent question: Atheists are by no means “coy” on the question of evil or on the possibility of non-supernatural derivation of ethics. We are simply reluctant to say that, if religious faith falls—as we believe it must and to some extent already has—then the undergirding of decency falls also. And we do not fail to notice that a corollary is in play: The manner in which religion makes people behave worse than they might  therwise have done. Take a look at today’s paper if you do not believe me: See what the parties of God are doing in Iraq. Or notice the sordid yet pious tradesmanship of Ralph Reed, Jack Abramoff, and the late Jerry Falwell. The latter’s bedside is the one at which you should be asking your question—do you dare to say that a follower of Albert Einstein or Bertrand Russell would be gloating in the same way at their last hour? In either case—an atheist boaster and braggart or a hypocritical religious one—I trust that both of us would know enough to be quite “judgmental.” I would differ from you only in not requiring any supernatural sanction or in claiming to be smug enough to possess such a power.

I am sorry to see that you sarcastically refer to Thomas Jefferson as “my” beloved. Do you not respect him also? And why can you not summon enough charity to believe that a non-believer can give blood, say, for no return, out of the sheer satisfaction of doing a service that involves only a benefit and no loss? According to you, my doing this is pointless unless I accept the incredible idea that, after hundreds of thousands of years of human life and suffering, God chose a moment a few thousand years ago to finally mount an intervention. You will have to accept sooner or later that a good person can be born who cannot force his mind to believe such a fantastic thing. At that point, you will see that your strenuous conditions are surplus to requirements.

In closing, I reply to your clumsy observation about my motor vehicle by citing Heine, who said: In dark ages people are best guided by religion, as in a pitch-black night a blind man is the best guide; he knows the roads and paths better than a man who can see. When daylight comes, however, it is foolish to use blind old men as guides.

The argument that you have been making was over long before either of us was born. There is no need for revelation to enforce morality, and the idea that good conduct needs a heavenly reward, or that bad conduct merits a hellish punishment, is a degradation of our right and duty to choose for ourselves.

* * *

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Adrian Rogers on evolution

 

Picture of Adrian Rogers above from 1970’s while pastor of Bellevue Baptist of Memphis, and president of Southern Baptist Convention. (Little known fact, Rogers was the starting quarterback his senior year of the Palm Beach High School football team that won the state title and a hero to a 7th grader at the same school named Burt Reynolds.)

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The Long War against God-Henry Morris, part 1 of 6

Uploaded by  on Aug 30, 2010

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Do you think the theory of evolution is true? Check out this short article by Adrian Rogers:

“O Timothy, keep that which is committed to thy trust, avoiding profane and vain babblings, and oppositions of science falsely so called: which some professing have erred concerning the faith. Grace be with thee. Amen” (1 Tim. 6:20-21).

One of the most important questions to face our generation is this: “Are human beings simply the product of millions of years of mindless, evolutionary mutations and adaptations, or are we the creation of an infinitely wise, powerful, and loving God?”

The answer to that question is critical. Why? Because it determines your attitude toward God in heaven and mankind on earth. The debate over human origin is one of the most critical issues of our times.

THE DAMAGE OF EVOLTION

It’s hard to measure the enormous damage inflicted by Darwinian evolution, the teaching that life arose from a spontaneous spark in a pond of primordial ooze. The amazing thing is that influential scientists themselves are now denying Darwin’s theory as impossible. Yet its destructive effects remain.

For instance, if man is an accident of nature, then there is no fixed standard of right and wrong. So what the Bible calls sexual perversion is now a “lifestyle.” And a human life can be readily destroyed, whether in the womb or partially delivered.

Worst of all, evolution has helped destroy belief in God for millions. Denying biblical creation, evolutionists have “changed the truth of God into a lie” (Romans 1:25).

Should we be surprised that euthanasia is gaining widespread acceptance in our society or that the tide of abortion cannot be turned? Is it any wonder that sexual perversion is received as a valid alternative lifestyle? We have taught our children that they are just another species of animal – and they are finally beginning to act like animals! And our children and grandchildren are still being fed this lie today.

THE DECEIT OF EVOLUTION

What is behind this whole idea of evolution? Why is it such an emotional issue? Why can’t the world simply agree that there is no creation without a Creator, and out of nothing, nothing comes?

Humanist Aldous Huxley expressed the answer to those questions in his book, Ends and Means. Huxley said he and his contemporaries did not want government or morality. So they chose evolution in order to shut the mouths of those who believe in special creation.

For more than 100 years, the evolutionists have succeeded in convincing people that evolution is the only logical, scientific, and intelligent theory of human origin.

But this campaign has been carried out amid deceit and slight of hand on the part of many evolutionists. We’ve all seen the creative drawings of supposed ancestors of mankind, built on a few teeth or a piece of a skull. And the fossil hoaxes perpetrated over the last century are well known.

No wonder in his book Darwinism: The Refutation of a Myth, the Swedish embryologist, Soren Lovtrup, suggests that he believes that some day Darwinism “will be ranked the greatest deceit in the history of science.”

THE DEFEAT OF EVOLUTION

Despite its lack of credible evidence, evolution holds sway in our schools, the courts, and the public mind. What can we do?

We can preach, teach and defend the truth! We can set our children free from the devil’s lies by giving them the Truth of God’s Word (John 8:32) And we can point lost, confused and dying souls to Him who is the Way, the Truth and the Life!

With the steadfast support of friends like you, Love Worth Finding will continue to hold high the banner of Jesus Christ.

THREE TELLING ARGUMENTS AGAINST EVOLUTION

1. The fossil record. Not only is the so-called missing link still missing, all of the transitional life forms so crucial to evolutionary theory are missing from the fossil record. There are thousands of missing links, not one!
2. The second law of thermodynamics. This law states that energy is winding down and that matter left to itself tends toward chaos and randomness, not greater organization and complexity. Evolution demands exactly the opposite process, which is observed nowhere in nature.
3. The origin of life. Evolution offers no answers to the origin of life. It simply pushes the question farther back in time, back to some primordial event in space or an act of spontaneous generation in which life simply sprang from nothing.

We got to prevent tax hikes and the Balanced Budget Amendment does a good job on that front

Thomas Sowell – Growth Of Government

Uploaded by on Sep 23, 2011

Professor Sowell comments on how the Founder’s vision of limited government transmogrified into its present state.

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We got to prevent tax hikes and the Balanced Budget Amendment does a good job on that front.

Top 10 Reasons to Support the Lee-Walsh Balanced Budget Amendment

1. It Would Require the Federal Government to Balance Its Budget Every Year.

The federal budget deficit is a record high $1.6 trillion—more than 10 percent of the nation’s entire ouput, or Gross Domestic Product (GDP). We face such an enormous deficit because we spend too much, not because we tax too little. The Lee-Walsh Balanced Budget Amendment (BBA) would force Washington to live within its means.  

2. It Would Prevent Tax Hikes.

The Lee-Walsh BBA would require a two-thirds majority vote in both chambers to raise taxes, which would help prevent the prosperity-killing tax hikes that years of trillion dollar deficits, as proposed by President Obama’s budget, would surely bring. The Lee-Walsh BBA would achieve a balanced budget by cutting spending instead of raising taxes.

3. It Would Make it More Difficult to Raise the Debt Ceiling.

The Lee-Walsh BBA would require a three-fifths majority vote in both chambers to raise the debt ceiling. The debt ceiling has been raised ten times in just the past decade. It’s clear that we need to make it more difficult to raise the debt ceiling. The Lee-Walsh BBA does this to ensure that Congress cannot raise the debt ceiling so carelessly.

4. It Would Limit Spending to 18 Percent of GDP.

Congressional spending currently consumes approximately 25 percent of GDP. Federal revenue from taxes over the past 40 years has averaged about 18 percent of GDP, making 18 percent a reasonable limit for spending if Congress is in fact interested in balancing the budget for the long haul.

5. It Would Reduce the Size and Scope of Government.

If we want economic growth to return and be a permanent part of American life, it is imperative that we dramatically reduce the size and scope of government. The Lee-Walsh BBA would put real restraints on the amount of money Washington can spend.

6. It Has a Good Chance of Passing.

The Lee-Walsh BBA has a very good chance of passing the Republican-controlled House. In the Senate, the BBA has unanimous support from all 47 Republicans. It’s likely to gain bipartisan support in both chambers.

7. The Lee-Walsh BBA Has Teeth.

Some proposed BBAs have numerous loopholes that make it easy for Congress to override the amendment. The Lee-Walsh BBA has real teeth that would require Washington to balance its budget each year.

8. Americans Overwhelmingly Support Balanced Budget Amendments.

Balanced Budget Amendments have always been popular with the American people. By 72-20 percent, most voters favor a balanced budget amendment to the U.S. Constitution, according to a Fox News poll.

9. It Would Prohibit Congress from Perpetual Deficit Spending.

Deficit spending is simply a hidden tax on future earnings. It is irresponsible for Washington to continue to borrow now and tax us more down the road. The Lee-Walsh BBA would help end our deficit spending and our debt culture.

10. It is a Good Start to Restoring Fiscal Sanity to Washington.

A Balanced Budget Amendment may not be a cure all. But it’s a step in the right direction to rein in excessive spending. Enactment of this amendment will go a long way in ensuring Washington never gets so carried away with reckless spending again.

Johnny Cash (Part 6)

I got to see Cash perform in 1978 in Memphis.

Johnny Cash remembered for his faith-based music

Johnny Cash was remembered for how his music “sang the faith” in an article published on Sunday in the Italian Bishops’ Conference’s newspaper Avvenire. Without his faith, the article said, “the voice of Cash would not have been the same,” reports Catholic News Agency.

The bishops’ newspaper remembered the man who, though he “knew” prison and nearly died of a drug overdose, “still … at a certain point in his life, took from it a possible Meaning, with a capital letter.” Cash dedicated the last of his songs, the paper noted, “to sorrowful, moving hymns to man, inserted within his own faith in a God that gives horizons and hopes to man.”

Avvenire also looked at Cash’s work by reviewing the album “Ain’t No Grave,” which it called an “ulterior and touching witness of art imbued with faith and humanity.”

Looking at the recently released book “The Man in Black—Commentated Texts”, Avvenire saw Cash as a ” young country singer that was educated to respect the earth and believe that there is Someone that governs it.”

Later, the paper recalled, he became a “spokesperson of the rejects” in playing concerts for and representing those in jail, “interpreting their repentances and hardships.”

Distancing himself from the American dream, the newspaper wrote, he highlights the injustices and tragedies, shedding light on his true personality as a man “for the poor” and “for those who’ve never read or listened to the words that Jesus said.”

Citing the authors of the book, Valter and Francesco Binaghi, who note that Cash’s inheritance for the 21st century man is a “voice, guitar and faith,” Avvenire asserted that “without faith, the voice of Cash would not have been the same and we would have an example less of how much, (when) wanting to do so, even a guitar can help (us) to live.”

Cash, known as the “Man in Black,” died of diabetes-associated complications after a prolific singing and songwriting career in Sept. 2003. In his lifetime, he also released an series called “The Johnny Cash Spoken Word New Testament,” released on cassette in 1989 and later on CD in 2003.

About the spoken word recordings, he wrote that he approached each session “with fear, respect, awe and reverence for the subject matter. I also did it with a great deal of joy, because I love the Word.”

Christopher Hitchens’ debate with Douglas Wilson (Part 8)

Christopher Hitchens vs. Douglas Wilson Debate at Westminster Theological Seminary, Part 8 of 12

Douglas Wilson

There are a few slight confusions that I would like deal with briefly within the scope of my first few paragraphs. Weather permitting, I would then like to take just a short space to address the central point which you have (again) missed. The remainder of my time will be spent on your claim concerning the origin of ethical imperatives. I would like to do all this in order to set the stage for our unfolding discussion of the central reason why Christianity is good for the world— it is good for the world because Jesus died for the life of the world.

First, the confusions. The point of citing Psalm 14:1 was not to infer that I thought you were “dumb.” In the wisdom literature of the Old Testament, folly is a moral question, not a matter of intelligence. I am quite prepared to cheerfully grant (and not for the sake of the argument) that you are my intellectual superior. But our discussion is not about who has more  horsepower under his intellectual hood—the point of discussion is whether your superior car is on the right road. A fast car can be a real detriment on a dark night when the bridge is out. And you insist on continuing to wear the sunglasses of atheism.

Now the second confusion concerns your citation of the parable of the Good Samaritan. The popular name for the parable should have been a giveaway—you acknowledge that the protagonist of the story was “from Samaria,” but you miss that this was an ethnic and racial issue and not a question of where he happened to live. The man beat up by the side of the road was a Jew, the priest and Levite who passed by on the other side were Jews, and the man who stopped was a despised half-breed, a Samaritan. But you say that it was probable that the Samaritan was a Jew, which inverts the whole story and indicates to me that you have not really been reading the text very closely (Luke 10:27-37). But to answer your point in even bringing the story up, the Samaritan did not need the teaching of Jesus to do what God desired here. Jesus cited the story as an exposition of the second greatest commandment, which is to love your neighbor as yourself. A certain lawyer had asked Jesus to “define neighbor” in order to justify himself, and Jesus then told this story to illustrate the point of an ancient law. So the duty to love our neighbor was revealed to Old Testament writers about a millennium and a half before the Samaritan fulfilled it in his charitable act.

You say, incidentally, that this kind of law was bringing coals to Newcastle—Moses came down from the mount and told people that murder, theft, and perjury were wrong, and all the assembled rolled their collective eyes. “We already knew that!” But the problem is that ancient man didn’t know that, and modern man still doesn’t know it. To state some of the issues that are subsumed under just one of the three categories you mention is to point to controversies that continue down to this day. Consider some of the issues clustered under the easiest of these three to condemn—murder. We have abortion, infanticide, partial-birth abortion, euthanasia, genocide, stem-cell research, capital punishment, and unjust war. Murder is the big E on the eye chart, and we still can’t see it that clearly.

Man, both ancient and modern, certainly knows the entire law of God if it is his own ox being gored, but the purpose of a law code is to have one standard in place for all parties when individuals want to set aside the standards of civilized life to suit themselves. And we need as much help with that as ancient man ever did.

Now we really need to address the point you continue to miss. I am not talking about whether atheists must do evil, or if they can do evil. I have denied the former, and you have now granted the latter. But that is not the point. We are not talking about whether your atheism compels you to run downtown this evening to shoot out the street lights. I grant that it does not. And we are not talking about whether atheists can do vile things. You grant that they can. We are talking about (or, more accurately, I am trying to talk about) whether or not atheism provides any rational basis for rational condemnation when others decide to misbehave this way. You keep saying, “I have come to my ethical position.” I keep asking, “Yes, quite. But why did you do so?”

So the point is not whether we could rustle up some nice places governed by atheists or some hellholes governed by Christians. If given a choice between living in a Virginia governed by Jefferson and living in a Russia under the czars, I would opt to live under your beloved Jefferson.

Fine. But this is not a concession, because it is not the point.

Take the vilest atheist you ever heard of. Imagine yourself sitting at his bedside shortly before he passes away. He says, following Sinatra, “I did it my way.” And then he adds, chuckling, “Got away with it too.” In our thought experiment, the one rule is that you must say something to him, and whatever you say, it must flow directly from your shared atheism—and it must challenge the morality of his choices. What can you possibly say? He did get away with it. There is a great deal of injustice behind him, which he perpetrated, and no justice in front of him. You have no basis for saying anything to him other than to point to your own set of personal prejudices and preferences. You mention this to him, and he shrugs. “Tomayto, tomahto.”

I am certainly willing to take the same thought experiment. I can imagine some pretty vile Christians, and if I couldn’t, I am sure you could help me. The difference between us is that I have a basis for condemning evil in its Christian guise. You have no basis for confronting evil in its atheist guise, or in its Christian guise, either. When you say that a certain practice is evil, you have to be prepared to tell us why it is evil. And this brings us to the last point—you make the first glimmer of an attempt to provide a basis for ethics.

You say in passing that ethical imperatives are “derived from innate human solidarity.” A host of difficult questions immediately arise, which is perhaps why atheists are generally so coy about trying to answer this question. Derived by whom? Is this derivation authoritative? Do the rest of us ever get to vote on which derivations represent true, innate human solidarity? Do we ever get to vote on the authorized derivers? On what basis is innate human solidarity authoritative? If someone rejects innate human solidarity, are they being evil, or are they just a mutation in the inevitable changes that the evolutionary process requires? What is the precise nature of human solidarity? What is easier to read, the book of Romans or innate human solidarity? Are there different denominations that read the book of innate human solidarity differently? Which one is right? Who says?

And last, does innate human solidarity believe in God?

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“Woody Wednesday” Sam Tanenhaus on Woody Allen’s Black Magic

To Rome with Love Trailer Official 2012 [HD] – Alec Baldwin, Jesse Eisenberg

To Rome with Love hits theaters on June 22nd, 2012.

Cast: Woody Allen, Alec Baldwin, Penelope Cruz, Jesse Eisenberg, Greta Gerwig, Ellen Page, Judy Davis, Alison Pill, Roberto Benigni, Isabella Ferrari, Sergio Rubini, Antonio Albanese, Fabio Armiliata, Alessandra Mastronardi, Ornella Muti, Flavio Parenti

“To Rome with Love” is a story about a number of people in Italy – some American, some Italian, some residents, some visitors – and the romances and adventures and predicaments they get into. The film stars Allen, Alec Baldwin, Roberto Benigni, Penelope Cruz, Judy Davis, Jesse Eisenberg, Greta Gerwig and Ellen Page.

To Rome with Love trailer courtesy Sony Pictures Classics.

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A review of Woody Allen’s “To Rome with Love:”

Sam Tanenhaus on Woody Allen’s Black Magic

Jun 18, 2012 1:00 AM EDT

 

The legendary filmmaker returns to his old obsessions-sexual avarice and megalomaniacal control.

It’s the first Monday in June, 10 days before Woody Allen’s new movie, To Rome With Love, will open the Los Angeles Film Festival, and Allen, dressed as usual in brown, is perched on a chair in the screening room in his functional office on the ground floor of an anonymous Park Avenue building.

It used to be he strictly limited publicity for his films, even banning glowing quotes from newspaper ads, which instead were as stark as his signature black-and-white title cards (“Written and Directed by Woody Allen”). But times have changed for Woody, and for moviegoers, and he now acknowledges the need to hustle his product. He flew to Rome for the world premiere in April and now patiently holds still under the umbrella strobe, genially bantering with the photographer, Platon, who confesses he is uncommonly nervous. “I’ve learned so much about life from you,” he says. Allen deadpans his reply: “I’ve learned not to believe anyone who says that.”

Everyone chuckles, though it is not at all clear he’s joking. Allen’s fabled career has had exhilarating ups, but also abysmal downs, and praise has often been followed by attack. At one low point, in 2002, when he was locked in a bitter lawsuit with his onetime producer, Jean Doumanian, The New York Times, which in better days had consistently proclaimed Allen’s genius, counted a “grand total of eight people” in the seats of the Times Square discount house that was the sole local venue of his latest flop (Hollywood Ending) and speculated that “his long moment as cultural icon may be over.”

Since then Woody has stormed back, perhaps not bigger or better, but more popular than ever, with a sequence of solid hits filmed abroad. Midnight in Paris, released last year, won Allen his third Oscar for best original screenplay, along with a nomination (his seventh) for best director. More remarkably, it is Allen’s top all-time box-office success, earning well over $110 million worldwide.

The shoot finished, we move next door to Allen’s editing room and sit on facing chairs amid unopened cartons and cluttered surfaces, the space resembling the garage of an unhandy suburbanite rather than the atelier of a celebrated filmmaker. “This has always been such a little rathole,” he says. “I’ve been here 30 years or so, and it suffices. We edit in here. We take it in there. We look at it. We hate it.”

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Woody Allen (Platon for Newsweek)

At 76, he has aged with unholy grace: the mussed carrot-top, now the cloud tint of jiffy-bag innards, has scarcely thinned; the oblong face remains a mobile mask of amused perplexity; the wiry physique, thanks to daily exercise, still exudes the vigor of the athlete he once was—a skilled-enough boxer, in his teens, to have trained for the Golden Gloves competition. His one obvious debility, no joke for a master of spoken idioms, is defective hearing; his phone, keyed to ear-splitting volume, trilled six times before he asked, in puzzlement, “What’s that?” Unperturbed, he continues calmly, not bothering to raise his voice.

Allen in person is nothing like the nebbishy mess of phobias and insecurities he has been impersonating, on stage and screen, for half a century, dating back to his days doing stand-up in Greenwich Village clubs like The Bitter End. He has the reputation, in fact, for almost terrifying self-assurance and will brusquely dismiss established stars (casualties include Michael Keaton, Sam Shepard, and Christopher Walken) if they fail to meet his exacting standards on the set. But monomania has made him his era’s greatest comic presence, the one true heir of Charlie Chaplin and Buster Keaton. Allen, however, measures himself against stiffer competition. “I think I’ve now made almost 45 films,” he says. “Some nice ones. No masterpieces. I don’t kid myself. It’s not false modesty. If you look at Rashomon, The Bicycle Thief, The Grand Illusion, as masterpieces, [then] no: I don’t have a film I could show in a festival with those films.”

It is unlikely To Rome With Love will be shown beside them either, though its deft intermixing of four separate story lines, each a gentle farce about innocents beguiled into wrong or risky choices, is superbly executed by its all-star ensemble, which includes Roberto Benigni, Alec Baldwin, and Penélope Cruz. All worked for minimum fees, lest they bust Allen’s roughly $17 million budget, tiny by current standards. Italian critics noted diverting moments—for instance, the scene in which a late-blooming opera singer (the great tenor Fabio Armiliato) is wheeled onto the stage in a portable shower, where he scrubs himself while singing an aria from Pagliacci. But many were disappointed. They had come to the screening expecting a major statement—about Rome, about cinema, about life—from the “most European of American directors.” And they didn’t find one.

That a Brooklyn-born comic whose résumé includes boxing a kangaroo and singing to a dog, should be solemnly lionized in the culture capitals of the continent (since 2001 he has filmed in London and Barcelona along with Paris and Rome), might seem ludicrous, the premise of an Allen “mockumentary” à la Take the Money and Run or Zelig. But for Woody it is a simple fact of life—or rather, of cinema, and its awkward mingling of art and commerce. “For the last 25 years, maybe 30 years, I’ve been doing better in Europe and around the world than in the United States,” he says. “It’s hard for me to raise money here whereas in the European countries and in fact all over the world—China, Russia, Israel—they call me and say, ‘Please come here and we’ll finance.’”

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‘Annie Hall’ (1977) marked his evolution from funny man to major artist. (Brian Hamill / United Artists-Photofest)

It is also, to a great extent, a chosen exile, a matter not only of money but of control. Allen insists on total autonomy—over scripts, casting, editing. Even the stars he recruits see only the pages in the script that contain their own parts. This imperiousness dates back to the brief golden period in American film, lasting from the late-’60s to the mid-’80s, when audiences greeted each new movie as an installment of its director’s commanding vision.

Woody began with slapstick romps (Bananas, Sleeper) that won a cult following on college campuses. Then came Annie Hall, a vehicle for his former girlfriend, Diane Keaton. Released in the spring of 1977, it was a sensation, with its up-to-the-minute news of prosperous, cultured people who sorted through their lives against a backdrop of well-upholstered uptown apartments. Fine as the movie was, the timing was even better. New York in the mid-’70s was in crisis. There was a threatened bankruptcy in 1975, a citywide blackout in 1977 that resulted in arson, lootings, riots, and mass arrests. A serial killer, “Son of Sam,” was stalking quiet neighborhoods in Brooklyn and Queens. The cinematic touchstone was Taxi Driver ( 1976 ), Martin Scorsese’s inferno of murder and vice, set in Times Square.

Annie Hall offered a countervision, hopeful and aspirational. So did Manhattan ( 1979 ), with its exquisite black-and-white panoramas of the island’s visual splendors, and Hannah and Her Sisters ( 1986 ), much of it shot in the sprawling, cozy Upper West Side apartment of Mia Farrow, Allen’s leading lady and off-screen companion. Together these films, each a “canto in [Allen’s] ongoing poem to love and New York City,” as the critic Pauline Kael wrote at the time, helped New Yorkers recover their high sense of self. Manhattan once again was Oz, and Woody its wizard, conjuring up its long-forgotten mystery and allure. For many, inside the city and beyond, he was New York. Almost overnight, the funnyman and gag writer was being mentioned in the same breath as Stanley Kubrick and Francis Ford Coppola.

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The director with Penelope Cruz and Alessandro Tiberi on the set of ‘To Rome With Love’. (Massimo Percossi / EPA-Landov)

It helped that Woody was steeped in sophisticated homegrown influences: the biting subversive wit of Lenny Bruce and Mort Sahl, the pacing of Broadway technicians like George S. Kaufman and Garson Kanin, the bookish smarts of Philip Roth. All of this placed Woody not so much ahead of the competition as apart from it, playing a different game, in defiance of cheap movie-land thrills. Hollywood might love Woody, but he refused to love it back. The same fans who lined up at Manhattan cinemas when the latest Allen gem opened (after reading the predictable rave from Vincent Canby in the Times) exulted when Woody, nominated year after year for Oscars, declined to attend the ceremony or even to watch it on TV, instead keeping his Sunday-night gig at Michael’s Pub, where he played the clarinet with a Dixieland combo.

Then came the abrupt descent. In 1992 he and Farrow bitterly split over Allen’s affair with Farrow’s 21-year-old adopted daughter, Soon-Yi Previn (who is now his wife). The ensuing custody battle was a tabloid festival (“Mia Has Nude Pix,” “Tell It to the Judge”). The king of the one-liner was reduced to a punchline and worse, a kind of civic embarrassment. Sparkling Allen jests—“Don’t you see the rest of the country looks upon New York like we’re left-wing, communist, Jewish, homosexual pornographers? I think of us that way sometimes, and I live here.”—sounded tinny and smug. Many recalled Joan Didion’s scathing observation in 1979 that Allen and his audience dwelled together in a privileged “subworld,” adding, “the peculiar and hermetic self-regard in Annie Hall and Interiors and Manhattan would seem nothing with which large numbers of people would want to identify.”

Most shocked of all were Allen’s legions of female fans. Many had swooned for this most unlikely of leading men—undersized, sensitive, vulnerable, “in touch with his feelings.” Now they heard him insist, in a line that might have been lifted from one of his scripts, that “the heart wants what it wants”—in this instance a woman 35 years his junior. Seduced by Woody, his admirers had missed the deeper messages in his art, its tricky blurrings of fact and illusion. Growing up in Brooklyn, dreaming of a life in showbiz, he had learned magic, particularly sleight of hand, adept enough at age 14 to audition for television programs. This early history shaped his later art. Allen himself has labeled his technique “misdirection,” and once told the critic and film historian Richard Schickel, “I lead the audience to believe something, but the movie is really going to be about something else.”

He applies the formula most ingeniously in his subtle mixing of autobiography and invention, filtered through the roles played either by himself or various stand-ins. The schlumpy, childlike “Woody” character is in fact sexed-up and calculating, just like Chaplin’s randy “little fellow.” And like Chaplin, Allen favors young actresses. “People get the impression that these films are autobiographical in an acute way,” he told an interviewer in 1986. “In Manhattan they were completely convinced I wanted to marry a 17-year-old girl”—his costar, Mariel Hemingway. In that case he seems to have fooled himself.

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An affair with Soon-Yi Previn (left), adopted daughter of Mia Farrow (center), shocked Allen’s fans. (Ann Clifford / DMI-Time Life Pictures-Getty Images)

In other cases the message is more ambiguous. Annie Hall and Manhattan, though disguised as soulful, romantic “breakup” pictures, are in reality dark, Pygmalion-like tales of sexual avarice and narcissistic control. There is similar “misdirection” in Crimes and Misdemeanors—perhaps the last of Allen’s great New York films. The character most like him isn’t the glum, moralizing documentary filmmaker played by Woody. It’s the vulgar, preening, power-mad TV mogul played by Alan Alda, who barks “ideas” into the portable tape recorder he pulls out of his pocket, much as the young Woody Allen, his motor always running, would interrupt a conversation to scribble one-liners.

So too in To Rome With Love. Beneath the sunny surface, and the pretty-postcard images of the Piazza di Spagna, lurk hints of Allen’s black magic. In the best told of the four tales, a flirtatious, self-dramatizing actress (Ellen Page) comes to visit a happy young American couple (Jesse Eisenberg and Greta Gerwig) who are living in Rome. From the beginning it’s clear where the story is headed, but as the seduction unfolds, the lines gradually blur. Who is really at the center of this story, the earnest student abroad or the casual tourist, glibly quoting snippets from Ezra Pound and W.B. Yeats? And who is the actual stand-in for Woody?

Allen himself obliquely supplies an answer, when he remarks on his public persona. “People always have the mistaken impression that I was an intellectual when in fact I’m not,” he says. “I first started to read because the women that I liked when I was a teenager were always culture vultures and bluestockings. And I tried my best, and they had no time for me. I read so I could hold my own in conversation with them and not get written off.” Those women, he adds, were of a particular type: “The look that Jules Feiffer used to draw, the black-leather bag, hair down, that Greenwich Village look. No makeup.” If the description sounds familiar, that’s because it’s nearly identical to the fantasy woman in “The Whore of Mensa,” Allen’s classic New Yorker parody from 1974, with its rapier insight that for the culturally avid middle class, the great books had become a kind of aphrodisiac.

It is not surprising that Allen is still plumbing his earliest obsessions. Major artists have always done this, particularly as they age and begin to weigh facts of life expectancy against the drive to keep creating, to find new ways to answer old, haunting questions. In Allen’s case, the numbers look uncommonly good: his father lived to 100, his mother to 95.

And Woody, for his part, is already thinking about his next film. The script is completed, and he’s assembling the cast. He’ll be “shooting four or five weeks in San Francisco, and two weeks in New York.” Two weeks isn’t much of a homecoming, but it’s a start. “I try to sneak in an American picture when I can,” he says. Good to hear. His exile has lasted long enough.

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To Rome with Love Trailer Official 2012 [HD] – Alec Baldwin, Jesse Eisenberg To Rome with Love hits theaters on June 22nd, 2012. Cast: Woody Allen, Alec Baldwin, Penelope Cruz, Jesse Eisenberg, Greta Gerwig, Ellen Page, Judy Davis, Alison Pill, Roberto Benigni, Isabella Ferrari, Sergio Rubini, Antonio Albanese, Fabio Armiliata, Alessandra Mastronardi, Ornella Muti, Flavio […]

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Terri Blackstock’s husband led to Christ while listening to Adrian Rogers on AFR

Picture of Adrian Rogers above from 1970’s while pastor of Bellevue Baptist of Memphis, and president of Southern Baptist Convention. (Little known fact, Rogers was the starting quarterback his senior year of the Palm Beach High School football team that won the state title and a hero to a 7th grader at the same school named Burt Reynolds.)

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Uploaded by on Sep 29, 2009

This bestselling author writes from the heart when her latest novel details a drug-addicted daughter and a mother who never lets go…

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A couple of months ago I was listening to American Family Radio and I heard Terri Blackstock give her testimony. She said her decision to write Christian Suspense Novels was made after her husband listened to Adrian Rogers on American Family Radio and put his faith in Christ. That affected her and caused her to grow spiritually. Here  is her story below:

Testimony

In many ways, I could be described as a Prodigal Daughter, even though I never openly rebelled against God.

I was raised in the church and saved at 14. I walked closely with Christ through my teen years. However, as I reached college age, I grew lukewarm in my faith. Though I attended church, I stopped praying and reading the Bible, and I focused more on things of the world than on spiritual things.

When I began writing romance novels in 1982, I struggled briefly over whether to write books that dealt openly with sex. I managed to rationalize it, however, and when my work became popular, I told myself that God was making it all happen.

When my 13-year marriage ended in 1990, it was a terrible tragedy for me, but I now believe God used it to help me turn back to Him. I moved back to my hometown, where I found a church that offered a divorce recovery ministry and an active singles program. Through that ministry, I began getting my life back on track. I met my husband Ken through the church and we married in 1992.

But I still wasn’t able to give up my romance writing. I told myself I was reaching more people that way than I could writing Christian fiction. I disregarded the fact that what I was writing was helping no one — in fact, my work was full of lies that pointed people away from God instead of to Him.

In 1994, Ken realized he had never had more than an intellectual knowledge of Jesus. He came to know Christ as his Lord and Savior, and became the spiritual leader that I had yearned for all my life.

Ken’s example rekindled my own fire for Christ. I finally saw that my work was an obstacle between Christ and me, and a stumbling block for others. It didn’t matter how many people read my work; if I couldn’t tell them what I knew — what would solve their problems and change their lives — it was of no good.

Since I’ve made my commitment to write books that glorify God, He has opened door after door for me. I am excited about using my gift to challenge other Christians and point unbelievers to Him.

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Uploaded by on May 5, 2009

A short video about the life of perhaps the greatest preacher of our modern era.

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Dr. Adrian Rogers’ Salvation Story

Uploaded by on Mar 16, 2010

A touching story about when Adrian Rogers accepted Jesus Christ as his Savior.

Adrian Rogers – How to Know God Personally

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New movie about Abraham Lincoln (Part 4)

Still of Daniel Day-Lewis in Lincoln

13 September 2012
Photo by David James, SMPSP – © 2012 – DreamWorks II Distribution Co., LLC. All Rights Reserved.

I have written a lot about Abraham Lincoln in the past as you can tell from the “related posts” noted below. Most of my posts were concerning the movie “The Conspirator” which is one of my favorite movies.  I enjoyed reading about all the historical people involved with Lincoln. Boston Corbett is the man who shot Booth. Louis Weichmann was originally a suspect but he later became one of the chief witnesses for the prosecution.  John Wilkes Booth was the first man to kill an American President. Louis Powell attempted to kill Secretary of State Seward.  Mary Surratt was in the center of the conspiracy we are told, but is that true? (I believe the evidence shows that it was true that she was guilty of that.)

Julia Shaw

November 9, 2012 at 2:01 pm

Daniel Day-Lewis stars in the new movie “Lincoln” directed by Steven Spielberg. Photo: DreamWorks II Distribution Co., LLC.

Steven Spielberg’s Lincoln debuts in Washington, D.C., this week.

It features a stellar cast: Tommy Lee Jones, David Strathairn, Sally Field, and Daniel Day-Lewis as our nation’s 16th President.

Day-Lewis is known for method acting. But which Lincoln will he portray? Will he play into the liberal myth of Lincoln as “the father of big government”? Will he reflect an equally pernicious stereotype: a tyrant who supposedly deprived Southern sympathizers of civil rights? Or will Hollywood manage to show us the real Lincoln, a man who stood up for limited, constitutional government?

The script is based on Doris Kearns Goodwin’s book Team of Rivals: The Political Genius of Abraham Lincoln. But screenwriter Tony Kushner (of Angels in America and Munich fame) persuaded Spielberg to focus on the Thirteenth Amendment. Ah, so Day-Lewis will be the “Great Emancipator.”

“I have always hated slavery,” Lincoln repeatedly said. “If slavery is not wrong, nothing is wrong.”

Slavery was also contrary to “the leading principle—the sheet anchor of American republicanism.” Lincoln described the Declaration of Independence in his typical, colorful terms. It was, he said, an apple of gold, while the

Union, and the Constitution, are the picture of silver, subsequently framed around [the apple]. The picture was made, not to conceal, or destroy the apple; but to adorn, and preserve it. The picture was made for the apple—not the apple for the picture. So let us act, that neither picture, or apple, shall ever be blurred, or bruised, or broken.

That is, the core of America is the principle of human equality articulated in the Declaration of Independence. The Constitution exists to preserve and facilitate the equality principle by protecting it in the rule of law.

Thus, Lincoln recognized that the Constitution set forth a framework of limited government. He could not do everything he desired—such as abolishing slavery. Many took him to task for that. Abolitionists, Lincoln noted, “seemed to think that the moment I was president, I had the power to abolish slavery, forgetting that before I could have any power whatsoever I had to take the oath to support the Constitution of the United States and execute the laws as I found them.”

Lincoln’s nearly impossible task was to guide the nation through a bloody civil war that would eradicate the evil of slavery and mold the North and South into “a more perfect Union.” Should he have allowed the Union to fall apart and potentially condemn the continent to the petty wars of confederacies? Should Lincoln have maintained the Union but surrendered the constitutional republic?

“When the time came for Lincoln as Chief Executive to preserve and protect the Constitution,” explained historian Herman Belz, “his great and essential contribution was to make moral and philosophic distinctions concerning the meaning of liberty, equality, and republican government that restored the authority of the Founding.”

Here’s what Lincoln did: On January 1, 1863, acting on his authority as commander in chief, Lincoln issued the Emancipation Proclamation, which freed the slaves in rebel states. This proclamation did not abolish slavery everywhere, nor did it “repeal state constitutions and laws establishing slavery.” But it was a tremendous act of statesmanship that paved the way for the Thirteenth, Fourteenth, and Fifteenth Amendments.

The Thirteenth Amendment eradicated the vicious institution of slavery and vindicated the equality principle at the heart of the Declaration. The Fourteenth Amendment performed many feats: affirming the citizenship of the newly freed men and women, guaranteeing them the protection of the rule of law, clarifying the status of political leaders from rebel nations, and repudiating the Confederate war debt. The Fifteenth Amendment ensured that the right to vote would not be abridged on account of race. Congress received the power to enforce these amendments (a power it refused to exercise for some time, but that’s another story).

Day-Lewis may capture the gawky walk, looming height, and knitted brow of the man who knew the future of the republic rested on his actions, but let’s be clear: The true legacy of Lincoln is not simply that he ended slavery. It’s that he ended slavery while preserving the Constitution and the Union. He completed the Founding by vindicating the apple of gold without smashing the frame of silver in the process.

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