Category Archives: Current Events

SEC Network Analyst Dari Nowkah said at the Little Rock Touchdown Club that those outside the SEC say the conference is overrated but that obviously is not true!

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SEC Network Analyst Dari Nowkah said at the Little Rock Touchdown Club that those outside the SEC say the conference is overrated but that obviously is not true!!!! With SEC teams winning seven consecutive national championships in 2006-2012 and having at least one team in each of the past eight BCS Championship Games, Nowkah said he understands anti-SEC sentiment from fans of other conferences. He compared it to the hatred many fans have for the Dallas Cowboys and the New York Yankees.

I really enjoyed the meeting and thought he did a great job.

Little Rock Touchdown Club – October 20, 2014

Nowkah: Arkansas set to rise

By Jeff Halpern

This article was published today at 3:03 a.m.

arkansas-democrat-gazettejeff-halpern-sec-network-analyst-dari-nowkah-at-the-little-rock-touchdown-club-monday-october-20th-in-little-rock-arkansas

Arkansas Democrat-Gazette/Jeff Halpern SEC Network Analyst Dari Nowkah at the Little Rock Touchdown Club Monday, October 20th, in Little Rock, Arkansas.

SEC Network commentator Dari Nowkah did his best to console Arkansas Razorbacks fans Monday when he spoke to members of the Little Rock Touchdown Club at the Embassy Suites Hotel.

Nowkah, 38, host of the SEC Network’s nightly news show, SEC Now, as well as Saturday night’s SEC Scoreboard, has had a front-row seat to the ups and downs of an Arkansas team that has been competitive despite seeing its SEC losing streak reach 16 games with Saturday’s 45-32 loss to Georgia at War Memorial Stadium.

“I can’t imagine the passion you guys have when I see the roller coaster you’ve been on,” N0wkah said. “I can understand what you’re feeling because I went on the air Saturday morning and said Arkansas would win by two touchdowns. I understand you didn’t expect to win the West, but the thing about it is, you get up and go back at it again.”

Nowkah said it’s understandable for Razorbacks fans to wonder when the next SEC victory will occur, especially with games remaining at No. 1-ranked Mississippi State (6-0) on Nov. 1; and home games vs. No. 24 LSU (6-2) on Nov. 8 and No. 3 Ole Miss (7-0) on Nov. 22. The Hogs also close the regular season at Missouri (5-2) on Nov. 28.

“My biggest thing to the fans is look where you were a year ago and look at the strides you’re making,” Nowkah said. “I don’t think anyone at the start of the season would have thought Arkansas would have [Texas] A&M down by two touchdowns and have Alabama on the ropes. Keep things in perspective.”

Arkansas (3-4, 0-3) is still struggling to improve off last year’s 3-9 record, but Nowkah said it’s important to remember last year when Arkansas was blown out 30-10 at Florida, 52-7 at home to South Carolina and 52-0 at Alabama on consecutive weeks.

A year ago, Arkansas was easily in the bottom third of all NCAA Division I FBS teams, Nowkah said.

Nowkah said Arkansas Coach Bret Bielema is not the problem.

“I have no question Bret Bielema knows what he’s doing,” Nowkah said. “Did you see how competitive you guys were Saturday when you outscored Georgia 26-7 in the second half? I have to believe you’re going to get somebody and change the race in the SEC West.”

When talking about the rest of the SEC. Nowkah said the biggest surprises are Mississippi State and Florida.

On the Bulldogs, who started the season unranked and are now No. 1 for the second consecutive week, Nowkah said at the beginning of the season he thought Mississippi State was a darkhorse, but didn’t expect the Bulldogs to be competing for the championship.

On the Gators, who fell to 4-8 a year ago after finishing 11-2 in 2012 with a trip to the Sugar Bowl, Nowkah said he didn’t expect the Gators (3-3, 2-3) to win 10 games, but he didn’t expect them to be in a position where they would struggle to win five games after losing to Missouri 42-13 at home Saturday.

When asked if he thought Gators Coach Will Muschamp would be fired, Nowkah said, “I hate to speculate on those things, but he’s tied so much of his hope to quarterback Jeff Driskell and he’s refused to move off of that. It’s a matter of when and not if Muschamp gets fired.”

Nowkah also discussed the status of Georgia running back Todd Gurley, who has been suspended while the school investigates whether he was paid $400 to sign 80 pieces of memorabilia on campus last spring. Nowkah said he favors student athletes receiving payment for helping their athletic programs be successful and if they help other businesses make money. However, he also said a line needs to be drawn, otherwise boosters will contact recruits and set them up with jobs while directing them to their schools.

With SEC teams winning seven consecutive national championships in 2006-2012 and having at least one team in each of the past eight BCS Championship Games, Nowkah said he understands anti-SEC sentiment from fans of other conferences. He compared it to the hatred many fans have for the Dallas Cowboys and the New York Yankees.

“If you don’t like them, you root for their demise,” he said. “You think they are are arrogant, selfish and overrated, but you still watch them.”

Sports on 10/21/2014

Print Headline: Nowkah: Arkansas set to rise

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Photo by Michael Patrick, copyright © 2012 Tennessee’s A.J. Johnson (45) takes down Arkron’s Jawon Chisholm (7) during during first half action against Akron Saturday, Sep. 22, 2012. (MICHAEL PATRICK/NEWS SENTINEL) Photo by Michael Patrick, copyright © 2012 Akron head coach Terry Bowden during second half of their 47-26 loss to Tennessee Saturday, Sep. 22, […]

SEC football as strong as ever

Arkansas defensive tackle Jared Green (57) and linebackers Alonzo Highsmith (45), and Tenarius Wright (43) attempt to tackle Alabama running back Eddie Lacy (42) as offensive lineman Barrett Jones (75) looks on during second quarter action of an NCAA college football game in Fayetteville, Ark., Saturday, Sept. 15, 2012. (AP Photo/David Quinn) ___________ When you […]

Is there any doubt that the SEC is the best football conference in the country? (With 4 of the top 5 teams ranked are from SEC West on 10-20-14)

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Four SEC West Teams In AP Top Five

Published on Oct 19, 2014

For the first time ever, four teams from the same conference are ranked in the top five of the AP Top 25 — and all four are from the same division. ESPN college football reporter Adam Rittenberg provides his rankings reaction.

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Is there any doubt that the SEC is the best football conference in the country?(With 4 of the top 5 teams ranked are from SEC West on 10-20-14)

Updated: October 19, 2014, 6:05 PM ET

ESPN.com news services

The Southeastern Conference has reached a new milestone in The Associated Press college football poll, becoming the first league to place four teams in the top five — all from the western division.

Mississippi State stayed No. 1 after a weekend off. The Atlantic Coast Conference’s Florida State held its ground at No. 2 after beating then-No. 5 Notre Dame 31-27.

Ole Miss remains No. 3. Alabama jumped three spots to No. 4 after a 59-0 victory against Texas A&M. Auburn moved up a spot to No. 5 during a bye week, taking advantage of losses by previously unbeaten Notre Dame and Baylor.

The Irish dropped two spots to seventh. Baylor fell to No. 12 after losing 41-27 at West Virginia.

Thirty times since 2001 a conference has placed three teams in the top five of the AP Top 25. The SEC had done it 16 times since 2009.

The Seminoles (7-0, 4-0 ACC) control their own destiny, however, as no currently ranked teams remain on the schedule.

They are one of only three top-five teams that are still undefeated, and both No. 1 Mississippi State and No. 3 Ole Miss have at least two more games against ranked teams.

The Bulldogs and Rebels face each other in the regular-season finale in the Egg Bowl, so one is guaranteed to end the season with a loss.

“You can say whatever you want: This team is dominant,” FSU coach Jimbo Fisher said after beating Notre Dame. “This team understands how to win. … This team has tremendous what I call ‘adversity tolerance.’ It doesn’t flinch. It can deal with anything.”

The Associated Press contributed to this report.

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Arkansas defensive tackle Jared Green (57) and linebackers Alonzo Highsmith (45), and Tenarius Wright (43) attempt to tackle Alabama running back Eddie Lacy (42) as offensive lineman Barrett Jones (75) looks on during second quarter action of an NCAA college football game in Fayetteville, Ark., Saturday, Sept. 15, 2012. (AP Photo/David Quinn) ___________ When you […]

MUSIC MONDAY Cole Porter’s song “True Love” in the movie HIGH SOCIETY sung by Bing Crosby

Cole Porter’s song “True Love” in the movie HIGH SOCIETY sung by Bing Crosby

True Love .. Grace and Bing .. Full scene.

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True Love (song)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
“True Love”
Single by Richard Chamberlain
from the album Richard Chamberlain Sings
B-side I Will Love You
Released 1963
Format 7″ single
Length 2:17
Label MGM
Writer(s) Cole Porter
Richard Chamberlain singles chronology
All I Have to Do Is Dream / Hi-Lili, Hi-Lo
(1963)
I Will Love You / True Love
(1963)
Blue Guitar
(1963)
“True Love”
Single by George Harrison
from the album Thirty Three & 1/3
B-side “Pure Smokey”
Released 18 February 1977
Format 7″ single
Length 2:45
Label Dark Horse
George Harrison singles chronology
Crackerbox Palace
(1977)
True Love
(1977)
It’s What You Value
(1977)
Thirty Three & 1/3 track listing

True Love” is a popular song written by Cole Porter and was published in 1956. The song was introduced by Bing Crosby and Grace Kelly in the musical film High Society.[1] The Crosby–Kelly version, accompanied by Johnny Green‘s MGM studio orchestra using a romantic arrangement by Conrad Salinger, was also a popular recorded version of the song, peaking at number 4.[2]

Kelly’s contribution on the record is relatively minor, duetting with Bing on only the final chorus. Nonetheless, the single is co-credited to her and became her only gold record and 21st gold record for Bing Crosby.

True Love is the name of C.K. Dexter Haven’s yacht, on which he and Tracy Lord honeymooned off the coast of Maine. They are fictional characters in the play The Philadelphia Story, on which the musical is based. Bing Crosby later owned a 55-foot Constellation yacht which he named the True Love.

Other recordings

A version of the song by Jane Powell out at the same time as the Crosby–Kelly version was also popular. Elvis Presley cut a version of it that was featured on his successful album Loving You from 1957.[3] Ricky Nelson included a version of the song on his 1957 debut album Ricky.[4] Shelley Fabares cut a version of the song on her album Shelley! released in 1962.[5] Al Hirt released a version on his 1962 album, Trumpet and Strings.[6] The Everly Brothers recorded a version for their 1962 album Instant Party without any commercial success though.[7] In 1961, Patsy Cline covered the song on her second studio album, Patsy Cline Showcase.[8] Other versions to achieve success include Jack Jones, 1965, as the closing tune for There’s Love and There’s Love and There’s Love, an album of romance classics arranged by Nelson Riddle;[9] Richard Chamberlain‘s 1963 single which peaked at number 30,[10] a 1976 version by George Harrison from his album Thirty Three & 1/3[11] released as a single in 1977,[12] a 1988 version by Shakin’ Stevens, a 1993 duet by Elton John and Kiki Dee and the song has also featured on a number of albums cut by Connie Francis. The group Oasis recorded a version for their self-titled album in 1984.[13] Anne Murray recorded a cover of the song for her album Croonin’ (1993).[14] Neil Diamond covered the song for his 1998 album, The Movie Album: As Time Goes By.[15]

References

  1. ^ High Society (1956) – Soundtracks from the Internet Movie Database
  2. ^ “BING CROSBY | Artist”. Official Charts. Retrieved 21 April 2013.
  3. ^ Eder, Bruce. “Loving You – Elvis Presley : Songs, Reviews, Credits, Awards”. AllMusic. Retrieved 21 April 2013.
  4. ^ Ruhlmann, William. “Ricky – Rick Nelson : Songs, Reviews, Credits, Awards”. AllMusic. Retrieved 21 April 2013.
  5. ^ Adams, Greg. “Shelley!/The Things We Did Last Summer – Shelley Fabares : Songs, Reviews, Credits, Awards”. AllMusic. Retrieved 21 April 2013.
  6. ^ Al Hirt, Trumpet and Strings Retrieved April 8, 2013.
  7. ^ Liner notes for The Everly Brothers “Instant Party”
  8. ^ Patsy Cline’s Recording Sessions – The Decca Years
  9. ^ Ankeny, Jason. “She Loves Me/There’s Love & There’s Love & There’s Love – Jack Jones : Songs, Reviews, Credits, Awards”. AllMusic. Retrieved 21 April 2013.
  10. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 99. ISBN 1-904994-10-5.
  11. ^ Ruhlmann, William. “Thirty Three & 1/3 – George Harrison : Songs, Reviews, Credits, Awards”. AllMusic. Retrieved 21 April 2013.
  12. ^ Calkin, Graham. “George Harrison – True Love”. Jpgr.co.uk. Retrieved 21 April 2013.
  13. ^ “Oasis – Oasis : Songs, Reviews, Credits, Awards”. AllMusic. Retrieved 21 April 2013.
  14. ^ Cooper, Dan. “Croonin’ – Anne Murray : Songs, Reviews, Credits, Awards”. AllMusic. Retrieved 21 April 2013.
  15. ^ Gallucci, Michael. “The Movie Album: As Time Goes By – Neil Diamond : Songs, Reviews, Credits, Awards”. AllMusic. Retrieved 21 April 2013.

 

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Fundraiser at Larry’s Pizza on Bowman Road 5pm to 7pm for “Everette Hatcher for JP”

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Larry's Pizza of Arkansas


 

State Senator David Sanders, State Representative Andy Davis, State Representative Ann Clemmer, State Representative Elect Lanny Fite , former State Representative Jim Magnus, Republican Candidate for State Representative Jim Sorvillo, and Justice of the Peace Josh Mesker invite you to a Fundraiser for Justice of the Peace Candidate

 

Everette Hatcher

 

Monday October 20th

5:00 PM until 7:00 PM Drop In

Tickets are $15 per person and pays for buffet and drink at

Larry’s Pizza

801 S. Bowman Road

 Little Rock, AR (near Sam’s Club)

Please  purchase tickets by making check out to “Everette Hatcher for JP,” 13900 Cottontail Lane, Alexander, AR 72002. or email me at everettehatcher@gmail.com or call or text me at 501-920-5733

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Picture below of Everette and his grandson Luke holding a football that Coach Bielema signed after Luke won the football at the Saline County Razorback ClubFish Fry in March of 2013.

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Lee Roy Jordan does a great job at Little Rock Touchdown Club!!!

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Little Rock Touchdown Club – October 6 2014

This is what the Arkansas Democrat-Gazette had to say about Lee Roy:

After last season, Alabama lost a three-year starter at quarterback, AJ McCarron, who led the Crimson Tide to national championships after the 2011 and 2012 seasons, and was a fifth-round draft pick of the Cincinnati Bengals.

Blake Sims is McCarron’s successor, beating out Florida State transfer Jake Coker, and has completed 90 of 128 passes for 1,319 yards with 8 touchdowns and 3 interceptions this season.

Alabama has won the past seven meetings against Arkansas, but Jordan said he thinks the 3-2 Razorbacks are improved despite their SEC losses to Auburn (45-21 in the season opener after being tied 21-21 at halftime) and Texas A&M (35-28 in overtime, after leading 28-14 in the fourth quarter).

Jordan said he is eager to see how things turn out over the long haul, especially with four SEC West teams ranked in the top seven by The Associated Press.

“That was a tough loss Saturday and it was a tough-fought game, but I expect to see the very best from Arkansas,” Jordan said. “I know we have Mississippi State, Auburn and there are going to be some bruises as the season goes along. It’s going to be an interesting five, six weeks.”

Jordan also addressed another team he is closely tied to, the Dallas Cowboys, who are 4-1 after beating the Houston Texans 20-17 in overtime Sunday.

“I’m surprised they’ve been doing as well as they’ve done this year,” Jordan said. “When the season started, I thought we would be mediocre like the past 17-18 years.”

Jordan praised the way first-year defensive coordinator Rod Marinelli has his team hustling and creating turnovers. He also likes the way the Cowboys are operating on offense.

“I think the big thing is they finally realize you need an offensive line in order to win and you need that in order to run the football,” Jordan said.

Running back DeMarco Murray leads the NFL with 670 rushing yards and five touchdowns behind Dallas’ big, young and talented line.

Jordan’s praise of the Cowboys ended when the subject turned to Jerry Jones, who is the owner and general manager of a franchise that has posted one playoff victory in the previous 17 seasons and has missed the playoffs the past four years after winning Super Bowls after the 1992, 1993 and 1995 seasons.

“Sometimes, I think Jerry thinks 8-8 is OK,” Jordan said. “If you’re making $5 million a year, I guess that’s not bad. His record is what it is. He’s picked a lot of players who’ve not panned out, but it looks like he’s got things going. I hope he can get them back to the playoffs.”

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According to his Face Book page John Mark McMillan is coming to Little Rock and performing with Sean Michel on Nov 22, 2014 at Vinos!!!!!

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“How He Loves” – Live Performance Video

Published on Jan 22, 2013

John Mark McMillan – How He Loves
(Live performance video from Threshing Floor Studios in Lincolnton, NC)

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(This performance above by Sean Michel of the Johnny Cash song “God’s gonna cut you down” on American Idol was mentioned briefly on my post several years ago on a closer look at that song and it has become one of my top most popular posts of all time.)

According to his Face Book page John Mark McMillan is coming to Little Rock and performing with Sean Michel on Nov 22, 2014 at Vinos!!!!!

The tour is heading west! Kicking off the next leg in Denver on Saturday and then on to the West Coast! Who’s going to come raise a ruckus with us this Fall?
Photo: The tour is heading west!  Kicking off the next leg in Denver on Saturday and then on to the West Coast! Who's going to come raise a ruckus with us this Fall?
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The Heart of John Mark McMillan

The singer-songwriter talks about "How He Loves," needing to have tragedy in worship music and authenticity.

During the last several years, John Mark McMillan has learned to stop worrying about whether or not his lyrics are perfect, or if what he sings about is what people want to hear. After all, a lack of approval is a common side effect of honesty.

“I want to inspire people to say what they feel and not what they feel like they’re supposed to say,” he says of his songs. “Because if they feel like they’re supposed to do something, they don’t give themselves the opportunity to be genuine. They’ll just say the same words, which are great words, but after a while they stop meaning anything. We need new words to say the same thing because after a while the words lose their potency.”

McMillan is perhaps best known for his song “How He Loves,” which, despite being released independently five years ago, has found its way to the ears of some of the industry’s biggest names—and into churches across the country.

Originally appearing on his debut album, The Song Inside the Sounds of Breaking Down, “How He Loves” has been covered by David Crowder Band, Kim Walker and the Glorious Unseen in the studio, and Flyleaf, Hillsong and Todd Agnew in concert.

“I’m super happy for a whole new generation to take the song as their own and use it for their personal conversation with God,” McMillan says. “We’d actually stopped playing the song for a while, but it feels like it has a new energy now as new people discover it and that’s exciting to me.”

For McMillan, the song’s raw emotion is personal. It was written after a friend, Stephen Coffey, died in a car accident—the night after Coffey told God he would give his life if it would draw more youth to Christ.

“He was my best friend,” McMillan says. “I’d known him since we were children. We were baptized together. Really, what it came down to is I was angry with God. I didn’t quite know what to do with those feelings, but through that anger and resentment, I was able to see the heart of God in it all. God was able to take something terrible and show me something through it.”

Shortly after the tragedy, McMillan sat down to put his feelings into song and the lyrics quickly began flowing onto the paper.

He describes the writing process as a conversation with God: “I sat down to have a dialogue with God and, really, He ended up having a dialogue with me. It’s like He was speaking to me through the song.”

McMillan adds that the Church should incorporate more songs dealing with tragedy, loss and despair into its worship. He points to one of his favorites—Bruce Springsteen—as an example of someone who sings about hope to those who don’t have it.

“That’s what I love about Springsteen—he’s telling the average person’s story,” he says. “That’s what a worship leader should do.

“On this side of eternity, we’re going to have tragedy,” McMillan continues. “A lot of times in church we don’t want to talk about those kinds of things because it’s uncomfortable, but there are so many people in church who need to have that dialogue with God that I had. I think that’s why that song has become so powerful.”

Finding a language

In addition to reclaiming “How He Loves,” McMillan says resurrection was the theme that kept coming to the surface as he wrote The Medicine.

“It takes it from the resurrection of Jesus to the idea of living in the Resurrection, which we’re called to do on a daily basis,” he says. “Having a relationship with Jesus creates life in your daily life.”

And Medicine is regularly marked with refrains pointing to that sense of new life. “Death in His Grave” explores the conquering power of the Resurrection. “Reckoning Day” anticipates a time when we are no longer ruled by death. The album’s soaring lead single, “Skeleton Bones,” draws on Ezekiel 37’s vision of The Valley of Dry Bones, where God creates a vast army from the remains of the dead.

“I kind of see that as the Church,” says McMillan—and as someone who has been around church his whole life—he learned guitar from worship musicians at his father’s storefront church—he should know.

“The Bible talks about the Church being a body and humanity as kind of the dead bones,” he continues. “That’s basically the idea behind the song—that we come together and we become something more than ourselves. It’s a resurrection song.”

In the end, McMillan says, having the right words isn’t the point—it’s being able to be vulnerable and open yourself to God.

“I think people get so concerned with being correct that they end up editing themselves down, but that’s not the way King David did it,” he says. “That’s not the way they do it in the Bible. You bring God what you have and let Him deal with you. I really feel like God is not interested with how correct our words are. He doesn’t want us to get into weird situations, but I think He’d really prefer something that’s incorrect and genuine instead of something that’s correct but comes from a robot.”

When it comes to leading worship, McMillan says the goal must be to help people communicate on a personal level.

“The purpose of a worship leader or a songwriter is to give people language,” he says. “If you give people language, you give them permission. If you’re Bob Dylan in the ‘60s, you give people permission to think differently than their parents did. … If you’re a worship leader, you give people permission to talk to the Lord, have a dialogue and express their heart.”

McMillan also believes in seeking social justice as an act of worship. He contributed the joyous “I Dreamed There Was a Fountain” to a benefit album of the same name to support Zao, an organization providing safe drinking water and education to developing countries.

“Literally, they’re preventing wars by digging wells for people,” he says. “I thought, ‘Man, that’s the real kingdom of God.’ Doing stuff that in reality is saving people’s lives. It’s literally changing the whole world for some people. One well gives life to a thousand people.”

Filthy rags vs. nasty hearts

In a February 2010 entry on his blog, The Promenade, McMillan wrote: “It’s time to write dangerous music. It’s time to take risks. It’s time to wear your heart on your sleeve, and sing about the things that actually matter to you. It’s time to bury the shackles of religious expectation and stop trying to put new clothes on the dead.”

The sentiment is what ran through McMillan’s heart as he made The Medicine, and it’s his general philosophy as a worship songwriter.

“Jesus was not safe, at all,” McMillan says. “I’ve been in church my whole life and I’ve been a Christian a long time and I’ve always had a difficult time connecting with the expression of the Church. That’s really why I started writing music, I think, because I needed to be able to say those kinds of things.”

After all, he says, the Book of Isaiah reminds us that all of our righteousness is like filthy rags. What God wants is a person’s whole heart—“the whole nasty thing,” McMillan says.

“How silly would it be to say, ‘OK, Jesus died so we could sing Him songs,’” McMillan says. “I think He died for us because He wanted a relationship with people, and the music is a part of that relationship. If you get the music away from that, it’s just music.”

Read more at http://www.relevantmagazine.com/culture/music/features/22158-the-heart-of-john-mark-mcmillan#z8bC8g8QIBZ1xXP4.99

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MUSIC MONDAY Cole Porter “Let’s Do it, Let’s Fall in Love” in the movie MIDNIGHT IN PARIS

Cole Porter “Let’s Do it, Let’s Fall in Love” in the movie MIDNIGHT IN PARIS

Midnight in Paris – Let’s Do It

Let’s do it : Cole Porter.( Midnight in Paris )

Let’s Do It, Let’s Fall in Love

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Cole Porter, composer of Let’s Do It, Let’s Fall in Love

Let’s Do It, Let’s Fall in Love” (also known as “Let’s Do It (Let’s Fall in Love)” or simply “Let’s Do It“) is a popular song written in 1928 by Cole Porter. It was introduced in Porter’s first Broadway success, the musical Paris (1928) by French chanteuse Irène Bordoni for whom Porter had written the musical as a starring vehicle.[1]

Bordoni’s husband and Paris producer Ray Goetz convinced Porter to give Broadway another try with this show.[2] The song was later used in the English production of Wake Up and Dream (1929)[3] and was used as the title theme music in the 1933 Hollywood movie, Grand Slam starring Loretta Young and Paul Lukas. In 1960 it was also included in the film version of Cole Porter’s Can-Can.[4]

History

The first of Porter’s famous “list songs“, it features a string of suggestive and droll comparisons and examples, preposterous pairings and double-entendres, dropping famous names and events, drawing unexpectedly from highbrow and popular culture. Porter was a strong admirer of the Savoy Operas of Gilbert & Sullivan, many of whose stage works featured similar comic list songs.[5]

The first refrain covers human ethnic groups, the second refrain birds, the third refrain marine life, the fourth refrain insects (plus centipedes) and the fifth refrain non-human mammals.

One commentator saw the phrase Let’s do “it” as a euphemistic reference to a proposition for a sexual intercourse.[1] According to this argument, Let’s do it was a pioneer pop song to declare openly “sex is fun”. According to it, several suggestive lines include a couplet from verse 4: “Moths in your rugs do it, What’s the use of moth-balls?” and “Folks in Siam do it, Think of Siamese twins” (verse 1) and “Why ask if shad do it? Waiter, bring me shad roe” (verse 3) and “Sweet guinea-pigs do it, Buy a couple and wait” (verse 5).[6] There’s also a report that Porter’s original version included the even more risqué line, “Roosters with a doodle and a cock do it”[citation needed]. If true, this was probably replaced by one of the lines in the verse 2 couplet “Penguins in flocks, on the rocks, do it, Even little cuckoos, in their clocks, do it.”

The nature of the song, “Let’s Fall in Love,” is such that it has lent itself over the years to the regular addition of contemporary or topical stanzas. For example, in 1955 the line “Even Liberace, we assume, does it” was added by Noël Coward in his cabaret performance of the song[7] although Coward’s lyrics were entirely and completely rewritten as a topical piece, with none of Porter’s lyrics remaining.[8]

Legacy

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2011 performance of “Let’s Do It” by Linda November and Artie Schroeck in Nevada

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The song has been revived many times since 1928, although usually with only a limited portion of the original lyrics.[9] A punk rock version performed by Joan Jett and Paul Westerberg was used as the theme song in the 1995 movie Tank Girl, and later in a more classical version in a musical revue number within the film. In the revue, the song is at first performed by stage actress Ann Magnuson, but is taken over by star Lori Petty after she places duct tape over Magnuson’s mouth. It was originally recorded with Joan Jett and Greg Graffin, but Atlantic Records did not want them using Graffin so they deleted his voice and recorded Westerberg’s. Joan Jett and Greg Graffin’s version of “Let’s Do It” was eventually released in 2000 on the compilation CD Laguna Tunes (Blackheart Records).

The White Stripes‘ song, “Forever For Her (Is Over For Me)” from their 2005 album Get Behind Me Satan borrows lyrics and themes from this song:

“So let’s do it, just get on a plane and just do it // Like the birds and the bees and get to it”

Brazilian singers Chico Buarque and Elza Soares recorded a Portuguese adaptation by Carlos Rennó, “Façamos – Vamos Amar” on Buarque’s 2002 album “Duetos”. It adds even more nations, animals and groups.

The song is featured prominently in Woody Allen‘s 2011 film Midnight in Paris. Actor Yves Heck played Cole Porter in the movie.

Racial lyrics controversy

In Porter’s publication from 1928, the opening line for the chorus carried two non-derogatory racial references: Chinks and Japs.

The original was:[9]

Chinks do it, Japs do it,
up in Lapland little Laps do it…

The original line can be heard in several early recordings of the song, such as a recording made by Dorsey Brothers & their Orchestra (featuring a vocal by a young Bing Crosby),[10] Rudy Vallée, both in 1928, and a version of the song by the singer and well-known Broadway star Mary Martin (with Ray Sinatra‘s orchestra), recorded in 1944. Another example is Billie Holiday, in 1941.[11] Peggy Lee with the Benny Goodman orchestra recorded a version in 1941 with these lyrics (see the CD “The Essential Benny Goodman” published by Columbia/Bluebird/Legacy (88697 09491 2)).

Porter changed the opening to the now famous refrain: “Birds do it, Bees do it” when he realized that the line was offensive.[12]

Notable recordings

______________

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By Everette Hatcher III | Posted in Current Events | Edit | Comments (0)

Christians should obey the Lord in the area of sexuality too!!!

______

Christians should obey the Lord in the area of sexuality too!!!

Earlier I wrote about Rebecca St. James and his “True Love Waits” movement and how God will bless those who seek to wait for marriage to be sexually active with their spouse. Today I am going to highlight one of my favorite songs of all time by Keith Green then feature a story on how the church is doing today with the issue of obedience in the area of sexual purity.

Keith Green – To Obey Is Better Than Sacrifice (live)

Uploaded on May 25, 2008

Keith Green performing “To Obey Is Better Than Sacrifice” live from Estes Park ’78

You can find more info on http://www.keithgreen.com

If you want to buy this DVD go to the online shop on his website.

And if you want to know more about this man and why he followed Jesus look at my profile for the video about his life.

_______________________________

(Sean Roberts)

The guy sitting across from me is a professing and practicing Christian. He drops by my office unannounced today to talk to me about his new online-dating life. Specifically, he wants to talk about the overwillingness of Christian women he has encountered on several of his dates who want to jump right from a very public conversation and vanilla latte at Starbucks to very private whispers and physical exchanges between the sheets back at his place.

Usually this gender scenario is reversed, but the sex, love and dating landscape continues to move in a progressively liberal direction among Christians without any solid indicators that it will change anytime soon. Both genders today, across all ages and Christian demographics, are prone to compartmentalize their faith away from their sexual life.

While Christian singles report that praying and church attendance are highly desirable qualities in the dating matrix, a troubling and confusing dichotomy arises when the issue of sex before marriage presents itself. Specifically, single Christians enter a sexual fog. That fog clouds and hides the reality that an identity rooted in Christ should manifest itself in intelligent and hope-filled sexual restraint based on God’s promises and instead replaces it with fear and pride-filled choices based on some other promise they believe more.

A Church Full of Sexual Atheists?

In a recent study conducted by ChristianMingle.com, Christian singles between the ages of 18 to 59 were asked, “Would you have sex before marriage?” The response? Sixty-three percent of the single Christian respondents indicated yes.

In my 30 years of youth and adult ministry experience, this is as unfiltered, direct and honest as a question and answer can be.

It is equally honest to say that nearly nine out of 10 self-proclaimed single Christians are, in practice, sexual atheists. In other words, God has nothing to say to them on that subject of any consequence or, at least, anything meaningful enough to dissuade them from following their own course of conduct. It is the ultimate oxymoron. A person who at once believes in a wise, sovereign and loving God who created them and all things, can also believe simultaneously He should not, cannot or will not inform their thinking or living sexually. It reminds me of those famous red letters in Luke’s Gospel where Jesus says, “Why do you call me ‘Lord, Lord’ and do not do what I say?” (Luke 6:46, NIV). There is a disconnect between identity and activity.

If you let the paint mentally dry on the statistic above and the perception about God it reflects for a moment, perhaps my contention of sexual atheism won’t seem so far-fetched. No amount of hand-wringing at the many-headed hydra of the entertainment world or raucous deploring of immoral political philosophies invading our nation can explain this one.

No, our life in God and for our God reflects our real view of God. These are our adults who populate our weekend services, attend our Bible studies, download our podcast messages, pray often and who have Jesus Culture, TobyMac and Maroon 5 in their playlists. Having tracked this trend among youth for decades, it is no surprise to me that the broad spectrum of single adults—yesterday’s youth—both feel and act this way. We should really make an effort to not be too shocked or surprised.

Jesus Himself said it would trend this way. The apostle Paul forewarned the very single, very godly Timothy that there would be times in his ministry when clear and sound doctrine in Scripture would be defeated by broken culture teaming up with the ever-present and self-serving nature within every Christian. He accurately forecasted a self-styled Christianity that reflected culture over the character of Christ in personal moral spaces and practice.

And nothing, from any frame of reference, is more personal and more moral than our choices regarding sexual expression. It’s where the spiritual rubber really hits the road. But interestingly, Paul’s counsel to Timothy for that time when he saw these trends manifesting on a grand scale was this: “Be serious about everything, endure hardship, do the work of an evangelist, fulfill your ministry” (2 Tim. 4:5, HCSB). Solid, timely and reliable advice like this was needed then and is really needed now.

As God’s men and women, as fathers and mothers, as pastors and lay ministers, and as loving brothers and sisters, we too must keep our heads clear. We must do our work in the midst of this attack on the body of Christ and fulfill our ministries in the midst of this spiritual battle. We must faithfully and directly speak into the relevant spiritual and practical themes that are at the root of the issue instead of wasting our time bemoaning the symptoms these statistics represent. We must graciously but prophetically call out the shortsightedness of Christians who are borrowing trouble sexually and sinning against God and others in the process through our messaging and ministries.

We must confront ourselves and our brothers and sisters with the veracity, authority and loving transparency of Scripture, which reflects God’s love and wisdom in life-saving and marriage-saving ways. That is, we must point out the truth that if I am undisciplined sexually before marriage and willing to compromise my convictions before marriage, a wedding ring will not make me disciplined after marriage. But most importantly and practically, we must avail ourselves of the ministries, tools and resources speaking into this clearly massive hole of spiritual life and practice among our single brothers and sisters.

The Love, Sex and Dating Forecast

The love, sex and dating forecast among adult single believers for the foreseeable future is this: cloudy with a chance of fear and pride.

Instead of believing that God knows better, Christian adults will believe they know how to meet their needs better or, on the more arrogant end, that they know better when it comes to sex and dating, period.

To say that professing or self-described Christians are becoming more liberal means that their reference point for assessing and practicing sexuality is more cultural and personal rather than biblical or spiritual. It means that they possess a low view of God and Scripture and a high view of self and culture as the key drivers of their moral and sexual behavior.

Practical sexual atheism among Christians says God can speak into some things but not sex. This ultimate expression of self-deception and loss of mind goes all the way back to the garden, when a certain character asked Adam and Eve: “Did God really say that?”

They took the bait and, apparently, so are the majority of single Christians in the garden of love, sex and dating. They are listening to the voice that says, “Eat and have your eyes opened.” Like the first couple, God’s single men and women are letting fear win over faith and curiosity win over Christ with inevitable and untold prices to pay.

But it is not a time to act high and mighty. It is time to act graciously but truthfully with our single brothers and sisters. For they, along with us, will have that moment in front of the living Christ, and we want that moment to be the best it can possibly be.

To realize such an epic and eternal moment, we not only have to pray for them, but we also have to equip them practically with the best possible teachings and tools that serve to restore a vision of God that transforms them in their context.

Indeed, we have to engage the culture, not run.


Kenny Luck, founder of Every Man Ministries, men’s pastor at Saddleback Church, and ChristianMingle.com advisory board member, provides biblically oriented teaching and leadership for men and pastors seeking relevant, timely material that battle cultural, worldly concepts threatening men and God’s men. Go to everymanministries.com for more information.


Why do we repeatedly put ourselves in places of temptation? Watch Lifechurch.tv‘s Craig Groeschel answer this at sexualatheism.charismamag.com.

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Rebecca St. James Waited Until Age 33

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Rebecca St. James Waited Until Age 33

Lion – Rebecca St. James

Rebecca St James 1995 TBN – Everything I Do

Wait for Me-Rebecca St. James

Rebecca St. James Waited Until Age 33

January 1st, 2012 by

I want to hold out for a great love. I want to go to my wedding night knowing that he’s the only man that I’ve every been with.

Rebecca St. James is one of the most powerful and beloved figures in Christian music, and is well known for her  decision to wait until marriage for sex. She’s written books about waiting, hit songs about waiting, and even a book about married life after waiting.

With a career that started when she was only 13 years old, she’s been belting out mega-hit songs and inspiring young people for over twenty years. Few people are this consistently talented and admirable over such a long period; she’s a star by any measure.

Mini Biography



Born:
July 26, 1977 to father David (a concert promoter) and mother Helen. Her birth name is Rebecca Jean Smallbone.

Age 8: While attending a children’s church group meeting in Australia, she makes a conscious decision to give her heart to God, a moment that she will remember clearly for the rest of her life as “the best decision I ever made.”

Age 9-11: Attends Pacific Hills Christian School in Australia.

Age 12: Writes her first song while still in the eighth grade. Her father, well equipped as a concert promoter to showcase her talent, gets her a gig as the opening act for contemporary Christian music artist Carmen.

Age 13: Releases independent album Refresh My Heart in Australia under the stage name “Rebecca Jean.” Soon after, her father receives a job offer in the US and moves her family to the United States.

Age 15: Signs a contract with with ForeFront Records, who wants her to adopt a stage name. The suggest “Rebecca St. John” but she doesn’t like it (because she has a relative named John). She likes the idea of “St. James,” since James was the name of her grandfather who recently passed away. She calls her grandmother and asks for advice on stage names. Her grandmother immediately suggests “James,” confirming Rebecca’s impulse.

Age 16: Releases her first major label album, the self-titled Rebecca St. James.

Age 17: Releases a secondary EP titled Extended Play Remixes

Age 18: Releases second major album (God). Unlike her previous albums, this one focuses more on rock. Critics like it, and it peaks at #168 on the Billboard 200 and #6 on Billboard’s Contemporary Christian chart.

Age 19: Nominated for Grammy for Best Rock Gospel Album. To promote her new album, she releases a devotional book called 40 Days with God: A Devotional Journey. Her album God will go on to sell 500,000 copies.

Age 20: Releases a holiday album called Christmas which hits #14 on Billboard’s Contemporary Christian chart.

Age 21: Releases third studio album, Pray. Album hits #168 on teh Billboard 200 and #5 on the Contemporary Christian Chart.

Age 22: Pray wins the Grammy for Best Rock/Gospel Album (the album will eventually sell over 500k copies). Releases song titled “Yes, I believe in God” in memory of the Columbine shooting.

Age 23: Releases fourth album Transform, which hits #14 on the Contemporary Christian Chart. Includes the hits Wait for Me and Reborn. Makes a cameo in Left Behind: the Movie. Re-releases her original devotional book with new layout and five new devotions.

Age 24: Releases new album Worship God to rave reviews. It hits #94 on the overall Billboard 200 (her highest rank yet). Also records a DVD full of interviews that she includes with the album.

Age 25: Writes a book called Wait for Me: Rediscovering the Joy of Purity in Romance, which promotes waiting until marriage for sex, cementing her as a key spokesperson for abstinence. Her book goes on to sell 100,000 copies and spawn a journal and study guide. Releases her first compilation project titled Wait For Me: the Best From Rebecca St. James. includes two new songs including “I Thank You” which peaks at #2 on Billboard’s Hot Christian Songs chart, but fails to make the overall Billboard 200.

Age 27: Releases her first live album, Live Worship: Blessed Be Your Name which features 7 new songs and 2 studio recorded songs. Writes and releases new book, SHE: Safe, Healthy, Empowered: The Woman You’re Made to Be. Stars in the stage musical Hero! as a modern-day Mary Magdalene. Also participates in the pop/prock VeggieTales album (by covering the VeggiTales Theme Song).

Age 28: After a break from recording music, returns to studio to record new album If I Had One Chance to Tell You Something. New single “Alive” hits #3 on the Christian Billboard Chart. Goes on Tour with fellow Christian superstars BarlowGirl.  Also records the official theme song for the National Day of Prayer. Her longtime label ForeFront Records releases album titled The Early Years that covered ten songs from her early releases. Makes her major film role debut as Colleen in Unidentified.

Age 29: Takes a musical hiatus, while her record company releases lots of successful remixes and compilations.

Age 31: Releases a new devotional book, Pure: A 90-Day Devotional for the Mind, Body, & Spirit.

Age 32: Stars in the film Sarah’s Choice, which was praised by Christian movie critics. Releases a new song titled You’re Alive and a new book, Loved: Stories of Forgiveness. Also wraps up filming on a new movie titled Rising Stars.

Age 33: Boyfriend Jacob Fink proposes on Christmas Day 2010 at her family farm. Parts ways with ForeFront records and releases a ninth album I Will Praise You. She and Jacob Fink are married at the Juniperro Serra museum in San Diego, California just 3 months before her 34th birthday. While he personal life is soaring to new heights, she also stars in two movies: The Frontier Boys and Suing the Devil.

Age 34: Writes and releases new book, “What Is He Thinking?” that is declared a “must-read for every girl who is wondering where all the good guys have gone” by radio host Sean Hannity.

Video: Rebecca St. James explains why she waits

Note: She’s about 31 years old in this video, a year or so before she meets, falls in love with, and marries Jacob Fink.

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MUSIC MONDAY Cole Porter’s song “Anything goes” was also used in the Francis Schaeffer film WHATEVER HAPPENED TO THE HUMAN RACE?

Cole Porter’s song “Anything goes” was also used in the Francis Schaeffer film WHATEVER HAPPENED TO THE HUMAN RACE?

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It’s De-Lovely – Anything Goes.mpg

Anything Goes (song)

From Wikipedia, the free encyclopedia
Jump to: navigation, search

Anything Goes” is a popular song written by Cole Porter for his musical Anything Goes (1934). Many of the lyrics feature humorous (but dated)[1] references to various figures of scandal and gossip in Depression-era high society. For example, one couplet refers to Sam Goldwyn’s notorious box-office failure Nana, which featured a star, Anna Sten, whose English was incomprehensible except to Goldwyn, who came from the same part of Europe.[2] Other 1930s society references include film producer Max Gordon, socialite Evalyn Walsh McLean and her highly promoted trip to the Soviet Union, interior design pioneer Lady Mendl‘s scandalous predilection for performing hand stands and cartwheels in public at the age of 70, and the financial woes common to “old money” families during the Depression, such as the Vanderbilts, Rockefellers and Whitneys. Most modern versions omit these lyrics, replacing them instead with generic examples of social upheaval.[3]

Notable recordings

In popular culture

References

  1. ^ website with original lyrics
  2. ^ G.D. Black, Hollywood Censored, p. 204
  3. ^ see e.g.1987 Broadway revival version, sung by Patti LuPone
  4. ^ Whitburn, Joel (2002). Top Adult Contemporary: 1961-2001. Record Research. p. 111.

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Dr. Francis Schaeffer also influenced me through his books and film series. Schaeffer is  seen in this film “With God on our side.”Francis Schaeffer’s voice can be heard while his film WHATEVER HAPPENED TO THE RACE? is playing in Part 2 at the 7:54 mark and it is a take off on the song “Anything goes.”

With God on Our Side! Part 4

 

In the film series “WHATEVER HAPPENED TO THE HUMAN RACE?” the arguments are presented  against abortion (Episode 1),  infanticide (Episode 2),   euthanasia (Episode 3), and then there is a discussion of the Christian versus Humanist worldview concerning the issue of “the basis for human dignity” in Episode 4 and then in the last episode a close look at the truth claims of the Bible.

Francis Schaeffer

__________________________

I truly believe that many of the problems we have today in the USA are due to the advancement of humanism in the last few decades in our society. Ronald Reagan appointed the evangelical Dr. C. Everett Koop to the position of Surgeon General in his administration. He partnered with Dr. Francis Schaeffer in making the video below. It is very valuable information for Christians to have.  Actually I have included a video below that includes comments from him on this subject.

Francis Schaeffer

Francis Schaeffer: “Whatever Happened to the Human Race” (Episode 4) THE BASIS FOR HUMAN DIGNITY

Francis Schaeffer “Whatever happened to the human race?” BASIS FOR HUMAN DIGNITY

Published on Oct 14, 2012

more of the insightful Drs. Schaeffer & C. Everett Koop

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The flow of Materialism by Francis Schaeffer

There is a difference between believing the Bible is true and the Bible contains truth. (The 3:31 mark from this episode is actually the clip used above in the film “With God on our side.”)

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