Cole Porter “Let’s Do it, Let’s Fall in Love” in the movie MIDNIGHT IN PARIS

Midnight in Paris – Let’s Do It

Let’s do it : Cole Porter.( Midnight in Paris )

Let’s Do It, Let’s Fall in Love

“Let’s Do It, Let’s Fall in Love” (also known as “Let’s Do It (Let’s Fall in Love)” or simply “Let’s Do It“) is a popular song written in 1928 by Cole Porter. It was introduced in Porter’s first Broadway success, the musical Paris (1928) by French chanteuse Irène Bordoni for whom Porter had written the musical as a starring vehicle.^[1]

Bordoni’s husband and Paris producer Ray Goetz convinced Porter to give Broadway another try with this show.^[2] The song was later used in the English production of Wake Up and Dream (1929)^[3] and was used as the title theme music in the 1933 Hollywood movie, Grand Slam starring Loretta Young and Paul Lukas. In 1960 it was also included in the film version of Cole Porter’s Can-Can.^[4]

History

The first of Porter’s famous “list songs“, it features a string of suggestive and droll comparisons and examples, preposterous pairings and double-entendres, dropping famous names and events, drawing unexpectedly from highbrow and popular culture. Porter was a strong admirer of the Savoy Operas of Gilbert & Sullivan, many of whose stage works featured similar comic list songs.^[5]

The first refrain covers human ethnic groups, the second refrain birds, the third refrain marine life, the fourth refrain insects (plus centipedes) and the fifth refrain non-human mammals.

One commentator saw the phrase Let’s do “it” as a euphemistic reference to a proposition for a sexual intercourse.^[1] According to this argument, Let’s do it was a pioneer pop song to declare openly “sex is fun”. According to it, several suggestive lines include a couplet from verse 4: “Moths in your rugs do it, What’s the use of moth-balls?” and “Folks in Siam do it, Think of Siamese twins” (verse 1) and “Why ask if shad do it? Waiter, bring me shad roe” (verse 3) and “Sweet guinea-pigs do it, Buy a couple and wait” (verse 5).^[6] There’s also a report that Porter’s original version included the even more risqué line, “Roosters with a doodle and a cock do it”^{[citation needed]}. If true, this was probably replaced by one of the lines in the verse 2 couplet “Penguins in flocks, on the rocks, do it, Even little cuckoos, in their clocks, do it.”

The nature of the song, “Let’s Fall in Love,” is such that it has lent itself over the years to the regular addition of contemporary or topical stanzas. For example, in 1955 the line “Even Liberace, we assume, does it” was added by Noël Coward in his cabaret performance of the song^[7] although Coward’s lyrics were entirely and completely rewritten as a topical piece, with none of Porter’s lyrics remaining.^[8]

Legacy

	“Let’s Do It” Menu 0:00 2011 performance of “Let’s Do It” by Linda November and Artie Schroeck in Nevada
Problems playing this file? See media help.

The song has been revived many times since 1928, although usually with only a limited portion of the original lyrics.^[9] A punk rock version performed by Joan Jett and Paul Westerberg was used as the theme song in the 1995 movie Tank Girl, and later in a more classical version in a musical revue number within the film. In the revue, the song is at first performed by stage actress Ann Magnuson, but is taken over by star Lori Petty after she places duct tape over Magnuson’s mouth. It was originally recorded with Joan Jett and Greg Graffin, but Atlantic Records did not want them using Graffin so they deleted his voice and recorded Westerberg’s. Joan Jett and Greg Graffin’s version of “Let’s Do It” was eventually released in 2000 on the compilation CD Laguna Tunes (Blackheart Records).

The White Stripes‘ song, “Forever For Her (Is Over For Me)” from their 2005 album Get Behind Me Satan borrows lyrics and themes from this song:

“So let’s do it, just get on a plane and just do it // Like the birds and the bees and get to it”

Brazilian singers Chico Buarque and Elza Soares recorded a Portuguese adaptation by Carlos Rennó, “Façamos – Vamos Amar” on Buarque’s 2002 album “Duetos”. It adds even more nations, animals and groups.

The song is featured prominently in Woody Allen‘s 2011 film Midnight in Paris. Actor Yves Heck played Cole Porter in the movie.

Racial lyrics controversy

In Porter’s publication from 1928, the opening line for the chorus carried two non-derogatory racial references: Chinks and Japs.

The original was:^[9]

Chinks do it, Japs do it,
up in Lapland little Laps do it…

The original line can be heard in several early recordings of the song, such as a recording made by Dorsey Brothers & their Orchestra (featuring a vocal by a young Bing Crosby),^[10] Rudy Vallée, both in 1928, and a version of the song by the singer and well-known Broadway star Mary Martin (with Ray Sinatra‘s orchestra), recorded in 1944. Another example is Billie Holiday, in 1941.^[11] Peggy Lee with the Benny Goodman orchestra recorded a version in 1941 with these lyrics (see the CD “The Essential Benny Goodman” published by Columbia/Bluebird/Legacy (88697 09491 2)).

Porter changed the opening to the now famous refrain: “Birds do it, Bees do it” when he realized that the line was offensive.^[12]

Notable recordings

• Dorsey Brothers & their Orchestra (vocal, Bing Crosby) (1928)
• Rudy Vallée and His Connecticut Yankees (1928)
• Mary Martin – Mexican Hayride (1944)
• Eartha Kitt with Henri René and his orchestra. Recorded in New York City on October 5, 1951. It was released by RCA Victor Records as catalog number 20-5737 (in USA)^[13] and by EMI on the His Master’s Voice label as catalog number B 10778. The song was also released on the LP That Bad Eartha (1953)
• Dinah Washington – “In the Land of Hi-Fi” (1956)
• Louis Armstrong – Ella and Louis Again (1957), Louis Armstrong Meets Oscar Peterson (1957)
• Al Hirt – The Greatest Horn in the World (1961)^[14]
• Hildegard Knef – Träume heißen Du (“Sei mal verliebt” — German version, 1968)
• Ella Fitzgerald – Ella Fitzgerald Sings the Cole Porter Songbook (1956), The Stockholm Concert, 1966 (1966), Montreux ’75 (1975)
• John Inman – I’m Free (1977)
• Kim Basinger – The Marrying Man (1991)
• Joan Jett and Paul Westerberg of The Replacements recorded a punk version for the soundtrack of Tank Girl
• Susannah McCorkle – Easy to Love—The Songs of Cole Porter (1996)
• Lee Wiley – Hot House Rose (1996), Sings Porter and Gershwin (2004)
• Dee Dee Bridgewater – Dear Ella (1997)
• Frank Sinatra – Frank Sinatra in Hollywood 1940-1964 (2001)

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