Corey Stoll in Midnight in Paris alongside the real Papa Hemingway.  Interestingly enough, Stoll is set to play the villain, Yellowjacket, in the next Marvel movie – Ant-Man.

Ernest Hemingway

Hemingway, who is originally from Oak Park, Illinois (near the Brookfield Zoo – and you can still visit two of the houses he lived in there), plays a key role in the movie, and is probably the most famous member of this “lost generation” of artists.

During his lifetime, Hemingway wrote seven novels, six collections of short stories, and two nonfiction books.  Several more pieces (like A Moveable Feast) were published after his death.  He won the Nobel Prize in Literature in 1954 and is considered one of the greatest American writers ever.

He was born and raised right here in Illinois, and soon after graduating high school, he enlisted in the military to help in WWI.  Working as an ambulance driver near the front lines, Hemingway was seriously injured.  These experiences became his novel, A Farewell to Arms.

Shortly after the war, he married and moved to Paris.  He worked as a journalist, but also found himself amongst other American, British, and Irish authors and artist known as the “lost generation.”  During this time, he wrote and published The Sun Also Rises.  Later, living up to the concept of being “lost” he found himself reporting (and on some levels) participating in the Spanish Civil War.  He turned that experience into For Whom the Bell Tolls (Mr. Curtis’ favorite Hemingway book).  He made his way to London, then back to France.  Acting as a reporter, he was there for both the D-Day landings at Normandy and later, the liberation of Paris.

Later he became a big game hunter in Africa, lived in Cuba and in Key West, Florida, eventually retiring to Idaho, where he committed suicide in 1961, just weeks before his 62nd birthday.  Throughout his life, four marriages, and countless adventures, he always appeared to be “lost.”

If you’re anything like me, and I imagine a lot of you are, you’ll want to check out some of Hemingway’s (and the other members of the Lost Generation’s) favorite spots while we’re in Paris. Many of them still exist.

Of course, this isn’t required viewing, but you might want to know a bit more about Hemingway.  This biography should get you ready for your trips, and have you wishing, just like Gil (from the movie) you could travel back to Paris of the 1920s too.

Yves Heck from the film and Cole Porter.

Cole Porter

Cole Porter appears in Midnight in Paris for only a few moments, but his music is heard throughout and plays an important role.

Despite the wishes of his wealthy family in Indiana, Cole Porter was an American musician, composer, and songwriter.  He began writing for Broadway in the 1920s, and by the 1930s he was one of the most successful composers around.

Before that, in 1917, when the United States entered WWI, Porter moved to Paris to work with the relief organizations.  He joined the French Foreign Legion and served in the war in North Africa.  During his military service, he had a portable piano that he could carry on his back so that he could entertain the troops.

After the war, Porter lived in a luxurious apartment in Paris, where he held extravagant and scandalous parties.  Porter’s “lost”-ness was part the artistic lifestyle his family did not want him to pursue, part the aftereffects of the war, and part the fact that he was homosexual in an era where his lifestyle was not widely accepted here at home.

Porter eventually married Linda Lee Thomas, a rich American divorcee.  She was well aware of his homosexuality, but his success and status in society gave her better social position, and she enabled him to hide his true self publically, where his lifestyle was not accepted.

He was very successful in the 1930s and 40s, but a horseback riding accident in the late 30s left him severely crippled.  After the deaths of his wife and mother in the early 50s, Porter’s injury became too much for him.  His leg was amputated in 1958, and he never wrote music again.  He died six years later, having been isolated from all but his few closest friends for those final years.

For a little bit more about Porter, check out the video below – his life in Paris begins at about the 10:30 mark, and it continues into the first few minutes of part two of the video (which will have a link at the end of this video).  Be sure to watch long enough into part two to hear some of Porter’s timeless show tunes like Anything Goes, I Get a Kick out of You, and Let’s Fall in Love.

Allison Pill & Tom Hiddleston and Zelda & Scott Fitzgerald.  Does Hiddleston look familiar to you?  He’s Loki in several of the Marvel movies – one of two actors that play famous authors in this film and villains in a Marvel movie.

F. Scott Fitzgerald

Scott Fitzgerald was an American author, from Minnesota, who wrote both novels and short stories.   He is considered by many to be one of the greatest American authors of all time. He and Hemingway formed a close friendship during their years in Paris.

Fitzgerald, along with his wife, Zelda, spent a great deal of time in Paris in the 1920s.  He befriended Hemingway and several other members of the American expatriate (means citizens of one country living in another) community.  During his time in Paris, Fitzgerald wrote countless short stories for American magazines and also worked on his novels The Great Gatsby (which Hemingway read an early draft of) and Tender is the Night (which is partially about his time in Paris with Zelda).

Although he is now considered one of the greatest authors of the 20th century, Fitzgerald’s his first novel was the only one that sold well enough to support the extravagant lifestyle that he and Zelda lived. The Great Gatsby, now considered his masterpiece, did not become popular until after Fitzgerald died.

Because he lived beyond his means, and due to the medical care that Zelda later needed, Fitzgerald was constantly in money trouble.  He often took loans from his agent and friends.  The financial mess, his wife’s mental illnesses, his own alcoholism, and the fact that his work was poorly received by critics of the time and did not sell well, all took it’s toll on Fitzgerald.

Zelda Fitzgerald

Scott Fitzgerald’s wife, Zelda, was also an author.  Zelda was brought up in the American south in a wealthy family who felt Scott was not successful enough for her.  This motivated him to move forward from selling short stories to magazines to writing his first novel.  However, Scott’s friend, Ernest Hemingway, felt that while the couple lived in France, Zelda intentionally sabotaged Scott’s writing by luring him away from work with parties and alcohol.

Their marriage suffered greatly under the weight of financial troubles, his alcoholism, and her mental illness.  For much of the 1920s, the two lived unhappily, Scott focused on his writing, but not progressing as much as he’d like with Zelda distracting him – and Zelda bored.  They both mined their relationship for writing material and Zelda’s 1932 novel Save Me the Waltz was a semi-autobiographical look at their declining relationship.  The book itself didn’t help matters, as it touched on many of the themes and incidents Scott was drawing from for Tender is the Night, which he worked on for years and finally published in 1934.

Scott Fitzgerald died of a heart attack in 1940.  He hadn’t seen Zelda, who was in and out of mental health facilities for several years.  She died in a fire in a mental hospital in 1948.

Academy Award winner Kathy Bates and Gertrude Stein.

Gertrude Stein

Gertrude Stein was an American author, poet, and playwright. She served as sort of the matriarch for the lost generation of American expatriate artists living in Paris in the 1920s.  She hosted salons (small parties for artists and writers to discuss art, music, literature, and culture) at her home and Paris every Saturday.  Many of the younger writers and artists living in Paris at the time saw Stein as a mentor of sorts, so the regular Saturday salons were an effort to make sure she had the rest of the week to work on her own writing instead of being constantly interrupted.  Regular attendees of the salons (which are shown in the movie) included Picasso, Hemingway, Fitzgerald, Sinclair Lewis, Ezra Pound, Thornton Wilder, and Henri Matisse – among many others.

Stein’s most famous work is The Autobiography of Alice B. Toklas, which isn’t really an autobiography at all.  Alice B. Toklas was Stein’s long time romantic partner.  The two lived together in Paris for almost forty years.  During Stein’s salons, Toklas would act as hostess and entertain the wives and girlfriends of the authors and artists Stein would work with.  The book is a look at the years the couple spent in Paris told through Alice’s eyes.

Stein is arguably the most important person in all of this.  Here’s a mini-biography of her.

Sonia Rolland and Josephine Baker.

Josephine Baker

Josephine Baker was an American-born actress, singer, and dancer.  She was sometimes known as the Black Pearl or the Bronze Venus.  Baker, who was African-American, refused to perform for segregated audiences in America, so she moved to France, became a French citizen, and became incredibly famous and successful in Paris.  She was considered to be the most successful American entertainer working in Paris.  Not only were the French more tolerant of homosexuals (like Cole Porter, Gertrude Stein, and Oscar Wilde) in the 1920s than Americans were, but there wasn’t the racial segregation that we had here in the States.

Baker’s act, which was unique and quite risque, became the talk of Paris.  She began starring in movies, as well as dancing on stage, and she became a muse of sorts to other artists like Picasso, Hemingway, Fitzgerald, Langston Hughes, and Christian Dior.  In the movie, Gil sees her for just a few moments dancing at Chez Bricktop’s, a nightclub.

Marcial Di Fonzo Bo and the real Pablo Picasso.

Pablo Picasso

One of Spain’s most successful painters and sculptors, Pablo Picasso spent most of his adult life living in France.  He is considered one of the best and most influential artists of the 20th century.  Known for helping found the cubist style, the collage, and many other artistic movements, Picasso achieved international fame.

During the 1920s, Picasso was living in Paris with his wife, who introduced him to the high society and social life of wealthy Paris.  This wasn’t Picasso’s style, he preferred to live a more isolated life, so a wedge was driven between the two.  Eventually, Picasso started an affair with a younger woman and his marriage fell apart.  This was just the first in a series of affairs, as Picasso had four children with three different women.  He never divorced his wife, though, as it would have been too expensive for him to do so.  Their marriage ended when she died in the 1950s.   He eventually remarried and continued to work until his death in 1973.  Gil meets Picasson at Gertrude Stein’s house while he is showing Stein a new piece of art, and his mistress, the fictional Adrianna looks on.

Here’s a video about Picasso, his time in France, and some of the works you can see while we’re in Paris.  The modern art museums aren’t in the itinerary, though, so you’ll have to plan to see it during free time if it’s something you want to see.   That’s definitely something you can do, you just have to plan ahead.

Tom Cordier as Man Ray with Oscar Winner Adrian Brody as Salvador Dali alongside the two friends in real life.

Salvador Dali

Another Spanish artist living in Paris at the time was Salvador Dali.  Dali had achieved a small amount of success in Spain, but in the late 20s he traveled to Paris where he was introduced to Picasso, whom he idolized.  Picasso had heard of Dali through mutual friends and took the younger artist under his wing.

Dali is best known for his surrealistic work, like The Persistence of Memory (which you probably know as the painting with the melting clocks), but he was also a sculptor, a filmmaker, and a photographer.  The movie portrays his collaboration with filmmaker Luis Bunuel, and it was during the making of that film that Dali met his future wife, Gala.  The two of them lived in Paris, as the surrealist movement grew and Dali became more and more famous, until WWII broke out, then the two moved to the United States.

The Dali scene in Midnight in Paris is one of my favorite’s in the movie.  It perfectly shows you that Dali was a weird dude.  There’s a museum of his work in the Monmartre neighborhood of Paris, and that’s another option for your free time.  The video below gives you a sneak preview of that museum.

Man Ray

Emmanuel Radnitzky, known better as Man Ray, was an American artist who lived much of his life in France.  He was an important contributor to the surrealist movements (like Dali), and considered himself a painter and photographer.  He moved to Paris in 1921, eventually meeting (and photographing) James Joyce, Gertrude Stein, and other important figures.  He befriended Picasso and soon became a regular figure at Stein’s Saturday salons.

T.S. Eliot

An American poet, considered one of the most influential poets of the 20th century, T.S. Eliot spent most of his adult life living in Europe.  He spent a year in Paris in the early 1900s, near the end of his college years, and returned often.  His time in Paris influenced his writing a great deal, even his most famous poem, which is often considered the best poem of the 20th century,The Waste Lands.  

During one trip in 1920, Eliot met another writer, the Irishman James Joyce (another writer who lived in Paris).  It’s said that Eliot didn’t like Joyce at first, and that Joyce didn’t think much of Eliot’s poetry – however, the two eventually became very close friends, and Eliot visited Joyce everytime he went to Paris.  Joyce, for whatever reason, is not included in the movie.

Gil meets him one night while getting into the magical limo, and Gil gushes about one of Eliot’s most famous works, The Love Song of J. Alfred Prufrock.

James Joyce

Okay, I just said James Joyce isn’t in the movie, Midnight in Paris, but he is mentioned by Gil (Owen Wilson) in a key scene. Joyce was an Irish novelist and poet, considered to be one of the most influential writers of the 20th century.  He is best known for his novels , Ulysses, A Portrait of an Artist as a Young Man, and Finnegans Wake.

Joyce finished writing Ulysses while living in Paris.  He was just starting to gain a bit of fame, so he was able to stay in Paris and socialize with the other literary figures living in the city – he spent a great deal of time at the bookshop, Shakespeare and Company (more on the bookshop below) to meet other writers.  Many people consider Ulysses among the greatest novels ever written, but it was banned in England, Ireland, and America and no company would publish it.  Instead, Sylvia Beach, owner of Shakespeare and Company published the first edition of the classic.

Joyce left Paris in the early 40s when the Nazi occupation of France began.  Beach also closed the shop during the occupation (don’t worry, it’s back).

Henri Matisse

French artist, Henri Matisse, was known primarily as a painter, but also worked as draughtsman, a printmaker, and a sculptor.  Along with Picasso, he is thought to be one of the one of the most influential artists of his time.

Gertrude Stein, along with her brothers and sister-in-law, was a great supporter of Matisse and bought a lot of his work to display in her home. In some ways, it was Matisse who was responsible for starting the regular salons.  Matisse was so proud of his work being displayed at Stein’s home that he would bring people to see it regularly.  It became somewhat of a nuisance, and Stein was unable to get any of her own work done, so she started the Saturday salons to give everyone a chance to socialize and share on her schedule.

In the early 1900s, Matisse met Picasso at one of the Saturday salons (he also meets Gil at Stein’s house).  The two artists quickly became great friends and rivals.  Matisse’s style was much more realistic and detailed than Picasso’s but the two men, along with other artists they socialized with at Stein’s salons, were a great influence to one another.

Some of Matisse’s work is on display at the Pompidou Centre in Paris, another free time option.  Here’s a brief video someone took of some of his work.

Djuna Barnes

Djuna Barnes was an American poet, playwright, journalist, artist, and short-story writer.  Today, she is best known for her novelNightwood, but in the time period Midnight in Paris takes place in, she was more known as a journalist. In the early 20s, an assignment from an American magazine took her to Paris, where she lived for the next decade.  During this time she interviewed numerous artists and authors living in Paris, which led to a close friendship with James Joyce. During this time she also published a novel, a collection of poetry, and numerous short stories.  Gil dances with her briefly in one scene in the movie.

Luis Buñuel

Luis Buñuel was a Spanish filmmaker who worked in Spain, Mexico and France. He is thought to be a huge influence on the art of filmmaking, especially short film.  Critic Roger Ebert called Buñuel’s first film “the most famous short film ever made.”  It was a piece that he co-wrote and co-directed with Salvador Dali.  In the movie, when Gil meets Buñuel, he makes some suggestions about a future film about a dinner party that the director should make – eventually the filmmaker did make that movie.

The video below is the movie, Un Chien Andalou, that Bunuel and Dali made together.  It is probably the weirdest movie I’ve ever watched, and I understood almost none of it.  Enjoy.

More Famous Names

If you pay close attention, you’ll hear a few more famous names tossed out during the movie.  Jean Cocteau was a French writer and filmmaker, Archibald MacLeish was an American poet, Juan Belmonte was a Spanish bullfighter, Jack Turner was an abstract painter, H.M. Brock was a British painter, Amedeo Modigliani was an Italian painter, Coco Chanel was a French fashion designer, and William Faulkner was an American novelist.

Shakespeare and Co.

Shakespeare and Company is the name of an independent bookstores on Paris’ Left Bank, near the Notre Dame Cathedral.  It was owned by Sylvia Beach, an American living in Paris, and opened in 1919.  During the 1920s, it was a hangout for writers and artists like Ezra Pound, Hemingway, Joyce, Ford Madox Ford, Fitzgerald, Stein, and Man Ray.

Customers could buy or borrow books, and often young authors could live/sleep in the store in exchange for stocking the shelves and working on their own writing.  Beach supported writers, and she offered many books that were banned in the US and UK.  In fact, Joyce’s biggest book, Ulysses, was originally published by Beach, because it was banned everywhere else.  The store plays a big part in Hemingway’s A Moveable Feast.

The store closed in 1940, during the German occupation, and (at least this version of it) never re-opened.

In 1951 a former American soldier named George Whitman opened another English-language bookstore on Paris’s Left Bank.  The store was named Le Mistral.  Much like Shakespeare and Company, the store became a hangout for American and British poets and writers living in Paris, writers like Allen Ginsberg and William S. Burroughs.  When he opened, Whitman had intentionally modeled his shop after Beach’s and, in 1964, after Beach’s death, Whitman renamed his store “Shakespeare and Company” in tribute to the original (it’s okay, he had Beach’s blessing – they had become close friends).

Now run by Whitman’s daughter, Sylvia Beach Whitman (yes, she was named after the original owner), the bookstore is still there today. Sylvia Whitman runs the store the same way as her father – it still has sleeping facilities, with thirteen beds for young writers, and there are regular poetry readings, writer’s meetings, and other activities.  The bookstore does play a small roll in Midnight in Paris, and it is one of Mr. Curtis’ favorite spots in the city.

More Famous Places

One of the first places Gil visits in the 1920s (where he saw Josephine Baker dancing), was Chez Bricktop’s, owned by an America woman named Ada “Bricktop” Smith from 1924-1961.  Bricktop’s was an iconic club and one of the most important cultural hotspots of the 20th century.  Sadly, Chez Bricktop is long gone.

The scene where Gil first meets Hemingway was set at  Crémerie-Restaurant Polidor, a historic restaurant in the Latin Quarter of Paris.  The restaurant’s interior looks almost the same as it did 100 years ago, and the menu has been virtually unchanged for longer than that.  Back in the ’20s, Hemingway really did hang out there, as did Joyce, and later Henry Miller and Jack Kerouac.  Polidor is still there, and perhaps you could have lunch or coffee where Hemingway and Fitzgerald debated and argued about their work and about Zelda.

The Church of St Etienne du Mont is a real Parisian church where Gil was picked up each night at midnight by the magical limo.  The church can be visited during our free time, and maybe Mr. Curtis will take a select group of literature enthusiasts to be there for the chime of midnight just in case something magical happens.

Gil, Inez, and their friends tour the Musee Rodin early in the movie.  Interestingly enough, the tour guide in those scenes was played by Carla Bruni, an Italian/French actress who just happened to be the French First Lady at the time of the filming.  She married French president Nicolas Sarkozy in 2008.  The museum, however, was originally the Hotel Biron, where Rodin lived and worked.  When he died, he left his work to the French people, on the condition that it be displayed at the Hotel Biron.  You can visit the Rodin Museum during free time, but there is an admission charge.  The gardens Gil walked through are accessible also – admission to Rodin’s gardens is just €1.

Gertrude Stein’s scenes take place at the writer’s real home, 27 rue de Fleurus. It’s here that Gil also meetsPicasso and Adriana.  Unfortunately, the house isn’t open to tours, but there is a plaque above the door that commemorates the Stein’s time in Paris.

Free time can be spent at the Musee de l’Orangerie, where Gil sees several of Monet’s water lily paintings. The museum is also home to works by Paul Cézanne, Henri Matisse, Renoir, and Picasso.

____

Late in the movie, Gil is able to travel further back in time to a time known as La Belle Epoque (The Beautiful Era). There, he meets three more artists from Paris’ past – this time the 1890s.  

Henri de Toulouse-Lautrec

Henri de Toulouse-Lautrec was a French painter who was drawn to the colorful life of Parisian theatre and music, including places like the famous Moulin Rouge.  He painted exciting and provocative pictures of the life of that time period.  He is among the most famous of the post-impressionist painters (along with Cezanne, Van Gogh, and Gauguin).

Paul Gauguin

Gauguin was a French artist who was not well recognized until after his death. Today we appreciate his experimental use of color and  style that were very unique to the time period.  His work heavily influenced later artists like Picasso and Matisse.

Edgar Degas

Degas was a French artist famous for his paintings, sculptures, and drawings. Many of his most famous works deal the subject of dance.  He is also thought to be one of the founders of the impressionist style, but he preferred the term realist.  His portraits of people are most famous for the realistic looks on their faces, indicating a psychological complexity.

_______________

I hope you all enjoy Midnight in Paris as much as I did the first time I saw it.  I hope it makes you dream about strolling down the quiet streets of Paris.  I hope it makes you want to travel back in time.  I hope it gets you excited about visiting Paris in just over a year.  It’s a fun movie that gives a unique insight into a different time in Paris, and, if you’re anything like me, you’ll be quietly hoping that somehow our plane takes us to 1920s Paris by mistake.

Each of the movies we select are chosen for that very reason, to give you different perspectives on the people, history, and culture of the places we’re visiting.  This movie is definitely well worth a few hours of your time before we fly to Europe.

---

So, sit back, relax, grab some macarons and a croque monsieur, and watch our Movie of the Month,Midnight in Paris, along with the other videos we’ve posted today.  You can find Midnight in Paris free at some online streaming sites, or check the local libraries or video stores if you prefer.  If it costs money to rent, we suggest you team up and watch it with a few other students in the group.

We ask that all of our France/Benelux travelers take the time to watch our Movies of the Month, then come back here to discuss the movie, the history, and the impact this story had on the people and places we’ll visit.  In your response, we’d like you to tell us first what you thought of the movie and why.  Second, tell us three specific things you learned from watching this movie (and reading this post) that you think will make your experience in Paris even better than it would have been.  The longer and more in depth our discussion gets, the better it is for all of us.  

Keep in mind, also, that several books written by the Lost Generation authors are on your Around the World in 80 Books assignment, including Hemingway’s The Sun Also Rises and A Moveable Feast and Fitzgerald’s Tender is the Night.  If there are different books, poems, plays, or short story collections you heard about while reading this post or watching the videos that you’d like to read, please go for it.  Those will count towards your Around the World in 80 books assignment too. 

Related posts:

______

Woody Wednesday

All 47 Woody Allen movies – ranked from worst to best

Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies

4. Another Woman (1988)

Allen’s most underrated, under-seen work is also one of his shortest, at 84 minutes. It has a remarkably elegant hold on tone, and the lead performance of Gena Rowlands must be one of the three or four greatest in Allen’s oeuvre, along with Keaton in Annie Hall, Landau in Crimes, and Blanchett in Blue Jasmine. Rowlands plays Marion, a philosophy professor whose accidental eavesdropping on Mia Farrow’s therapy sessions prompts a sudden set of reflections on her own life.

Gene Hackman, Ian Holm and Martha Plimpton feature in the flashbacks and present-day scenes she’s weighing up against each other, trying to work out where her life slid into a rut of barely noticed unfulfilment, and how to escape it. In the film’s most unnerving scene, she bumps into a high-school friend (Sandy Dennis) who dumps a shocking checklist of grievances in her lap, revealing Marion’s long-held view of herself as a kind of mirage.

3. Annie Hall (1977)

Every scene, every gag in Annie Hall is so familiar that it’s easy to forget how abrasively strange it is: the subtitled romantic double-speak, the outpoured soliloquies to camera, the temporal freeness, even Allen’s character, Alvy Singer, wandering through his own childhood flashback. It’s a romantic comedy the like of which cinema had never seen before and hasn’t since. Allen and Diane Keaton are jousting here on such a perfectly even footing, and with such supremely matched warmth and wit, that you half feel she should be credited as co-director.

It’s established in Allen lore that the picture was originally a two-and-a-half-hour solipsistic ramble, with Alvy and Annie’s fling relegated to a subplot. But in the edit, their relationship was what brought the film to life, and the dead wood was mercilessly cut back. Allen’s preferred name for the film he’d originally planned was Anhedonia: a Greek term for the inability to feel pleasure. There couldn’t have been a less appropriate title for the finished film.

2. Crimes and Misdemeanors (1989)

“People carry awful deeds around with them. This is reality. In reality we rationalise, we deny, or we couldn’t go on living.” With these words, ophthalmologist Judah Rosenthal (the magnificent Martin Landau) tries to justify an appalling crime – his last recourse, after he orders the murder of the mistress (Anjelica Huston) who is threatening him with blackmail, in holding on to the cushy existence he’s built.

He’s speaking to the film’s other main character, Allen’s documentary filmmaker Clifford Stern, in the one scene they share, sitting apart from a wedding celebration at the film’s very end. Not here the fortune-cookie insights that some of Allen’s lesser pictures call philosophy. Here he’s thinking deeply about moral choice, the question of whether guilt in your own eyes or the eyes of the world matters more. This bubblingly wise film, rich with beautifully dovetailing metaphors about blindness and conscience and the perils of self-knowledge, has only grown in stature since its release. It is Allen on soaring form, gliding so elegantly through its maze of ideas it’s as if the spirit of Fred Astaire gave it lift-off.

1. Hannah and Her Sisters (1986)

Here it is: not just Allen’s creative pinnacle, but perhaps the most perfectly assured braiding of comedy and drama in mainstream American film. It feels like the miraculous sweet spot between all of its filmmaker’s many modes and tones – biting without being cruel, profound without seeming sanctimonious, warmly humane without collapsing into goo.

The diverging romantic fortunes of Hannah (Mia Farrow), Lee (Barbara Hershey) and Holly (Dianne Wiest, who won an Oscar, as did Michael Caine) provide an ideal, Chekhovian structure for Allen to check in on a midway state of adulthood, when there’s already a sense of disappointment about squandered promise and happiness unsustained, but still a great deal to play for. And this is what makes his bittersweet symphony so affirming, and generous-minded to all involved, and the viewer most of all. Without cheating its way out of everyone’s massed misfortunes, it says, in so many words: don’t give up.

Related posts:

WOODY WEDNESDAY Review: ‘Café Society’ Isn’t Woody Allen’s Worst Movie CAFÉ SOCIETY Directed by Woody Allen Comedy, Drama, Romance PG-13 1h 36m Reviewed by A. O. SCOTT JULY 14, 2016

October 12, 2016 – 12:18 am

I have posted so many reviews on Woody Allen’s latest movie CAFE SOCIETY and I even posted an open letter I wrote to Woody Allen about the film. A serious theme of the afterlife is brought up in this film too. Some reviewers liked the film and the lavish surroundings in it and some did […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Café Society review – Woody Allen on nostalgic form 3/5stars Wendy Ide Sunday 4 September 2016 03.00 EDT

September 28, 2016 – 12:55 am

I have posted so many reviews on Woody Allen’s latest movie CAFE SOCIETY and I even posted an open letter I wrote to Woody Allen about the film. A serious theme of the afterlife is brought up in this film too. Some reviewers liked the film and the lavish surroundings in it and some did […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

Café Society review – Woody Allen on nostalgic form 3/5stars Wendy Ide Sunday 4 September 2016 03.00 EDT

September 26, 2016 – 12:53 am

I have posted so many reviews on Woody Allen’s latest movie CAFE SOCIETY and I even posted an open letter I wrote to Woody Allen about the film. A serious theme of the afterlife is brought up in this film too. Some reviewers liked the film and the lavish surroundings in it and some did […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

“Woody Wednesday” OPEN LETTER TO WOODY ALLEN about the movie “Café Society”

September 21, 2016 – 2:54 am

Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD LETTER DATED 8-28-16 The last time I wrote you about the film IRRATIONAL MAN and today I want to give my thoughts on the film CAFE SOCIETY. I was able to catch it in Chicago in July and again I caught […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Cafe Society Woody Allen returns with a 1930s-set tale of Hollywood glamour and New York nightlife By Peter Travers July 13, 2016

September 14, 2016 – 12:34 am

Café Society – Official Movie Review Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD Cafe Society Woody Allen returns with a 1930s-set tale of Hollywood glamour and New York nightlife Jesse Eisenberg and Kristen Stewart in ‘Café Society.’ Credit: Sabrina Lantos In a summer of VFX crowdpleasers, it’s a […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY The Reel Thing The Reel Thing: Woody Allen Formula Fails With ‘Cafe Society’ By RAY COX

September 7, 2016 – 1:32 am

Café Society – Official Movie Review Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD The Reel Thing The Reel Thing: Woody Allen Formula Fails With ‘Cafe Society’ By RAY COX 23 hrs ago   Woody Allen has been making films for more than 50 years but “Cafe Society” is […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Cafe Society Woody Allen’s latest is an unfocused, wistful glance at both old glamour and the afterlife. Alissa Wilkinson/ July 14, 2016

August 31, 2016 – 12:18 am

Café Society – Official Movie Review Cafe Society Woody Allen’s latest is an unfocused, wistful glance at both old glamour and the afterlife. Alissa Wilkinson/ July 14, 2016 Cafe Society Amazon Studios 1 of 2 Jesse Eisenberg and Kristen Stewart in ‘Cafe Society’ Woody Allen has come under concentrated fire in the time since his […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

OPEN LETTER TO WOODY ALLEN on the movie “Café Society”

August 27, 2016 – 9:52 pm

Café Society – Official Movie Review Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD __   ___ ______________ __ Kat Edmonson lives the NYC dream ___ __ __ OPEN LETTER TO WOODY ALLEN DATED 8-28-16 seen below: The last time I wrote you about the film IRRATIONAL MAN and […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Cafe Society review: In Jesse Eisenberg, Woody Allen has found his acting surrogate Christiopher Hooton

August 17, 2016 – 9:42 pm

_ Cafe Society review: In Jesse Eisenberg, Woody Allen has found his acting surrogate Christiopher Hooton 11 hours  ago But in this movie about making movies, it’s too tangible that a movie is being made I always get excited to watch a new Woody Allen film, not in spite of his prolificness but because of […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Review: ‘Café Society’ is minor, enjoyable Woody Allen Bill Goodykoontz, Gannett4:24 p.m. EDT July 28, 2016

August 10, 2016 – 12:44 am

_ Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD Review: ‘Café Society’ is minor, enjoyable Woody Allen Bill Goodykoontz, Gannett4:24 p.m. EDT July 28, 2016 (Photo: Amazon Studios) “Café Society” is probably what you’d call a placeholder Woody Allen movie, a small offering between more cerebral offerings, if he’s […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

Woody Wednesday

All 47 Woody Allen movies – ranked from worst to best

Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies

13. Blue Jasmine (2013)

Of Allen’s many mooted returns to form, here’s the film that actually was one: a lacerating comedy of financial and romantic recessions, and his best work since his extraordinary mid-career hot streak came crunching to a halt in the early 1990s. Cate Blanchett won an Oscar for her heart-tightening performance in the title role – a kind of Blanche DuBois of Park Avenue brought low by her husband’s economic chicanery. Jasmine’s dogged denial of her desperate circumstances is the fire under the film’s feet, and watching her crumble is agonising, thrilling – and, most damning of all, great fun.

12. Manhattan Murder Mystery (1993)

After the breakdown of his relationship with Mia Farrow, Woody called up some old pals – Alan Alda, Anjelica Huston, co-writer Marshall Brickman, and even long-absent muse Diane Keaton – for this decompression exercise, which is a lovely, elegant diversion: a sprightly comic spin on the kind of material he’d attacked before for trenchant irony. Woody and Diane enter Nick-and-Nora detective mode when their elderly neighbour (Lynn Cohen) abruptly drops dead. The dimestore plot – not always Woody’s main point of interest – is satisfyingly wrought, perhaps thanks to Brickman’s input, and the quartet of leads fall back into a mutually sceptical sparring mode that’s flat-out irresistible.

11. Interiors (1978)

The most hair-shirt-ish of all Allen’s projects, and his most self-consciously “serious” enterprise, Interiors walks a tightrope between ballsy, committed artistry and self-parodic doffing of the cap to Ingmar Bergman. Choose your side. The Swedish auteur could hardly have his fingerprints on this more if he’d been credited as the decorator – we spend most of it inside a gloomily beige Long Island beach house pontificating on everyone’s misery, and Geraldine Page’s witchy obsession with expensive vases gets quickly hard to take. That said, the emotional effort being expended is cumulatively hard to shrug off, and Maureen Stapleton’s touching late intrusion as a klutzy, vulgarian stepmom does have absolutely the liberating effect intended.

10. Stardust Memories (1980)

If Allen’s first truly great film arrived in 1977 (see no 3), it was three years later that his greatness began to rankle – with both his audience and himself. Stardust Memories is about the moment that artistic success feels like failure: it was Allen’s own, chortlingly prosaic version of the high-toned creative ennui of Fellini’s 8½. Allen plays himself – or, rather, the filmmaker Sandy Bates, who’s buffeted by fans and torn between lovers to the point that chaos starts to take on the shape of art itself. Slammed at the time, it’s a retrospective knock-out, thanks to its ambitious structure, vinegary gags and the searing monochrome photography, courtesy of Gordon Willis.

9. Broadway Danny Rose (1984)

Sometimes Allen has a knack for casting himself ideally, sometimes he doesn’t. Despite his terrible wardrobe, beleaguered variety agent Danny Rose is one of Woody’s most snugly tailored roles: instantly funny, a little sad, and right up at the most endearing end of the characters he’s played. It helps that Mia Farrow, as a girl-next-door with a criminal ex, is such a sweet moll, too: sharp-tongued but vulnerable beneath it. The film is deceptively throwaway, but has a neat nugget of philosophy to cleave to, about loyalty to anyone who has offered you theirs. The warmth of the payoff spreads through you like a ray of sunshine.

Related posts:

WOODY WEDNESDAY Review: ‘Café Society’ Isn’t Woody Allen’s Worst Movie CAFÉ SOCIETY Directed by Woody Allen Comedy, Drama, Romance PG-13 1h 36m Reviewed by A. O. SCOTT JULY 14, 2016

October 12, 2016 – 12:18 am

I have posted so many reviews on Woody Allen’s latest movie CAFE SOCIETY and I even posted an open letter I wrote to Woody Allen about the film. A serious theme of the afterlife is brought up in this film too. Some reviewers liked the film and the lavish surroundings in it and some did […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Café Society review – Woody Allen on nostalgic form 3/5stars Wendy Ide Sunday 4 September 2016 03.00 EDT

September 28, 2016 – 12:55 am

I have posted so many reviews on Woody Allen’s latest movie CAFE SOCIETY and I even posted an open letter I wrote to Woody Allen about the film. A serious theme of the afterlife is brought up in this film too. Some reviewers liked the film and the lavish surroundings in it and some did […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

Café Society review – Woody Allen on nostalgic form 3/5stars Wendy Ide Sunday 4 September 2016 03.00 EDT

September 26, 2016 – 12:53 am

I have posted so many reviews on Woody Allen’s latest movie CAFE SOCIETY and I even posted an open letter I wrote to Woody Allen about the film. A serious theme of the afterlife is brought up in this film too. Some reviewers liked the film and the lavish surroundings in it and some did […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

“Woody Wednesday” OPEN LETTER TO WOODY ALLEN about the movie “Café Society”

September 21, 2016 – 2:54 am

Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD LETTER DATED 8-28-16 The last time I wrote you about the film IRRATIONAL MAN and today I want to give my thoughts on the film CAFE SOCIETY. I was able to catch it in Chicago in July and again I caught […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Cafe Society Woody Allen returns with a 1930s-set tale of Hollywood glamour and New York nightlife By Peter Travers July 13, 2016

September 14, 2016 – 12:34 am

Café Society – Official Movie Review Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD Cafe Society Woody Allen returns with a 1930s-set tale of Hollywood glamour and New York nightlife Jesse Eisenberg and Kristen Stewart in ‘Café Society.’ Credit: Sabrina Lantos In a summer of VFX crowdpleasers, it’s a […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY The Reel Thing The Reel Thing: Woody Allen Formula Fails With ‘Cafe Society’ By RAY COX

September 7, 2016 – 1:32 am

Café Society – Official Movie Review Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD The Reel Thing The Reel Thing: Woody Allen Formula Fails With ‘Cafe Society’ By RAY COX 23 hrs ago   Woody Allen has been making films for more than 50 years but “Cafe Society” is […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Cafe Society Woody Allen’s latest is an unfocused, wistful glance at both old glamour and the afterlife. Alissa Wilkinson/ July 14, 2016

August 31, 2016 – 12:18 am

Café Society – Official Movie Review Cafe Society Woody Allen’s latest is an unfocused, wistful glance at both old glamour and the afterlife. Alissa Wilkinson/ July 14, 2016 Cafe Society Amazon Studios 1 of 2 Jesse Eisenberg and Kristen Stewart in ‘Cafe Society’ Woody Allen has come under concentrated fire in the time since his […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

OPEN LETTER TO WOODY ALLEN on the movie “Café Society”

August 27, 2016 – 9:52 pm

Café Society – Official Movie Review Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD __   ___ ______________ __ Kat Edmonson lives the NYC dream ___ __ __ OPEN LETTER TO WOODY ALLEN DATED 8-28-16 seen below: The last time I wrote you about the film IRRATIONAL MAN and […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Cafe Society review: In Jesse Eisenberg, Woody Allen has found his acting surrogate Christiopher Hooton

August 17, 2016 – 9:42 pm

_ Cafe Society review: In Jesse Eisenberg, Woody Allen has found his acting surrogate Christiopher Hooton 11 hours  ago But in this movie about making movies, it’s too tangible that a movie is being made I always get excited to watch a new Woody Allen film, not in spite of his prolificness but because of […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Review: ‘Café Society’ is minor, enjoyable Woody Allen Bill Goodykoontz, Gannett4:24 p.m. EDT July 28, 2016

August 10, 2016 – 12:44 am

_ Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD Review: ‘Café Society’ is minor, enjoyable Woody Allen Bill Goodykoontz, Gannett4:24 p.m. EDT July 28, 2016 (Photo: Amazon Studios) “Café Society” is probably what you’d call a placeholder Woody Allen movie, a small offering between more cerebral offerings, if he’s […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

Woody Wednesday

All 47 Woody Allen movies – ranked from worst to best

Annie Hall or Bananas? Blue Jasmine or Sleeper? Our critics Robbie Collin and Tim Robey rank all 47 Woody Allen movies

25. Sleeper (1973)

The first film in which Allen directed Diane Keaton was also, perhaps not coincidentally, the first film to suggest he had more in him than than madcap, gag-driven comedies. (They appeared in a film together before his directing days). That’s not to say Sleeper isn’t as madcap and gag-driven as his earliest work: a film about a health food shop owner who falls into a vat of liquid nitrogen and wakes up 200 years later kind of has to be. But Allen’s painting with new colours here: romance, melancholy, and even – gasp! – coherent plotting, while the uproarious robot butler sequence showcased his talent for silent-era physical clowning.

24. Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) (1972)

This anthology of seven sketches on a raunchy theme, loosely based on a best-selling bedroom manual of the day, has grown grubbier with age. But watched with a generous and forgiving eye, its legendary popularity (in the US, it was one of the 10 most successful films of its year) still makes sense. And three sequences still burst with visual ingenuity and laughs: an Italian cinema spoof, the famous science-fiction-like scene in which Allen plays a sperm on date night, and Gene Wilder’s tender love affair with a sheep.

23. Midnight in Paris (2011)

Depending on your point of view, this huge hit and Oscar Best Picture nominee – Woody’s first in a quarter-century – is either glass-half-full or half-empty Allen: an enjoyable, shiny bauble in which time-travel back to the Jazz Age reveals the grass to be always greener; or a shallow, rather pseudy coffee-table conceit whose present-day characters are cut-out irritants. Adherents to both viewpoints were surprisingly passionate, but there’s not all that much separating them, in truth. Owen Wilson’s jaunty flâneur takes the whole thing in his stride: hard not to, when Allen’s throwing so many easy conquests in his direction.

22. Bananas (1971)

Perhaps of all Allen’s early comedies, this is the one that could be remade today with the fewest concessions to modern taste. That might be because on its release, it already felt like a film out of time: it’s effectively the Marx brothers’ Duck Soup with a Cuban spin (Allen’s wilting New York nebbish accidentally becomes a dictator) and survives on its never-ending supply of lunatic gags, thundering past like an express train. It looks cheap, which is funny in itself, and satire and spoofery are crammed in until it bulges at the seams.

21. Deconstructing Harry (1997)

Allen’s sourest comedy is one of his more arresting, certainly of the increasingly wayward 1990s: it touches a few raw nerves. The structure is roughly lifted from Bergman’s reflections on a life in Wild Strawberries, as Allen’s flailing writer, Harry Block, is invited back to his alma mater to receive an honorary degree. This trip involves reckoning with the fallout from Harry’s failed relationships, not to mention some wacky swerves into sketch comedy – Robin Williams develops the medical condition of being out-of-focus, and Tobey Maguire plays a sex-obsessed alter ego. It’s an uneven grab bag, a flawed film à clef with biting and honest moments.

20. Cafe Society (2016)

It’s the Thirties, and young Bobby Dorfman (Jesse Eisenberg) has abandoned the sepia-tinted hubbub of the Bronx for the Technicolor vistas of Hollywood. After arriving in town, Bobby seeks out employment from his uncle Phil (Steve Carell), a bulldoggy agent who doesn’t so much drop names as scatter them in his wake like confetti. Work is hard to come by, but in the meantime Phil puts Bobby in touch with his secretary Vonnie (Kristen Stewart), who offers to show him the sights.

After a run of russet-hued collaborations with cinematographer Darius Khondji, Allen is working here for the first time with the venerable Vittorio Storaro, and the change has done him the good. A couple of scenes with Bobby and Vonnie together are the most visually beautiful sequences in an Allen film in goodness knows how long. And then there’s Stewart, who’s the best thing here from the moment she steps on screen. (Read the full review)

19. Love and Death (1975)

The smartest of Allen’s early run of scattershot comedies is a surprisingly accessible send-up of the Russian literature he was devouring at the time, and which would go on to shape his later, weightier work. Allen is Boris Grushenko, a “militant coward” who’s sent off to fight the French, and ends up involved in a plot to assassinate Napoleon with the help of his pretty cousin (Boris: “twice removed!”), played by Diane Keaton, who’s well on the way to the height of her comic powers. Parodies of Tolstoy, Eisenstein and Bergman rub shoulders with some vintage surreal and bawdy Allen riffs.

Related posts:

WOODY WEDNESDAY Review: ‘Café Society’ Isn’t Woody Allen’s Worst Movie CAFÉ SOCIETY Directed by Woody Allen Comedy, Drama, Romance PG-13 1h 36m Reviewed by A. O. SCOTT JULY 14, 2016

October 12, 2016 – 12:18 am

I have posted so many reviews on Woody Allen’s latest movie CAFE SOCIETY and I even posted an open letter I wrote to Woody Allen about the film. A serious theme of the afterlife is brought up in this film too. Some reviewers liked the film and the lavish surroundings in it and some did […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Café Society review – Woody Allen on nostalgic form 3/5stars Wendy Ide Sunday 4 September 2016 03.00 EDT

September 28, 2016 – 12:55 am

I have posted so many reviews on Woody Allen’s latest movie CAFE SOCIETY and I even posted an open letter I wrote to Woody Allen about the film. A serious theme of the afterlife is brought up in this film too. Some reviewers liked the film and the lavish surroundings in it and some did […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

Café Society review – Woody Allen on nostalgic form 3/5stars Wendy Ide Sunday 4 September 2016 03.00 EDT

September 26, 2016 – 12:53 am

I have posted so many reviews on Woody Allen’s latest movie CAFE SOCIETY and I even posted an open letter I wrote to Woody Allen about the film. A serious theme of the afterlife is brought up in this film too. Some reviewers liked the film and the lavish surroundings in it and some did […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

“Woody Wednesday” OPEN LETTER TO WOODY ALLEN about the movie “Café Society”

September 21, 2016 – 2:54 am

Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD LETTER DATED 8-28-16 The last time I wrote you about the film IRRATIONAL MAN and today I want to give my thoughts on the film CAFE SOCIETY. I was able to catch it in Chicago in July and again I caught […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Cafe Society Woody Allen returns with a 1930s-set tale of Hollywood glamour and New York nightlife By Peter Travers July 13, 2016

September 14, 2016 – 12:34 am

Café Society – Official Movie Review Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD Cafe Society Woody Allen returns with a 1930s-set tale of Hollywood glamour and New York nightlife Jesse Eisenberg and Kristen Stewart in ‘Café Society.’ Credit: Sabrina Lantos In a summer of VFX crowdpleasers, it’s a […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY The Reel Thing The Reel Thing: Woody Allen Formula Fails With ‘Cafe Society’ By RAY COX

September 7, 2016 – 1:32 am

Café Society – Official Movie Review Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD The Reel Thing The Reel Thing: Woody Allen Formula Fails With ‘Cafe Society’ By RAY COX 23 hrs ago   Woody Allen has been making films for more than 50 years but “Cafe Society” is […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Cafe Society Woody Allen’s latest is an unfocused, wistful glance at both old glamour and the afterlife. Alissa Wilkinson/ July 14, 2016

August 31, 2016 – 12:18 am

Café Society – Official Movie Review Cafe Society Woody Allen’s latest is an unfocused, wistful glance at both old glamour and the afterlife. Alissa Wilkinson/ July 14, 2016 Cafe Society Amazon Studios 1 of 2 Jesse Eisenberg and Kristen Stewart in ‘Cafe Society’ Woody Allen has come under concentrated fire in the time since his […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

OPEN LETTER TO WOODY ALLEN on the movie “Café Society”

August 27, 2016 – 9:52 pm

Café Society – Official Movie Review Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD __   ___ ______________ __ Kat Edmonson lives the NYC dream ___ __ __ OPEN LETTER TO WOODY ALLEN DATED 8-28-16 seen below: The last time I wrote you about the film IRRATIONAL MAN and […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Cafe Society review: In Jesse Eisenberg, Woody Allen has found his acting surrogate Christiopher Hooton

August 17, 2016 – 9:42 pm

_ Cafe Society review: In Jesse Eisenberg, Woody Allen has found his acting surrogate Christiopher Hooton 11 hours  ago But in this movie about making movies, it’s too tangible that a movie is being made I always get excited to watch a new Woody Allen film, not in spite of his prolificness but because of […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)

WOODY WEDNESDAY Review: ‘Café Society’ is minor, enjoyable Woody Allen Bill Goodykoontz, Gannett4:24 p.m. EDT July 28, 2016

August 10, 2016 – 12:44 am

_ Café Society Official International Trailer #1 (2016) – Jesse Eisenberg, Kristen Stewart Movie HD Review: ‘Café Society’ is minor, enjoyable Woody Allen Bill Goodykoontz, Gannett4:24 p.m. EDT July 28, 2016 (Photo: Amazon Studios) “Café Society” is probably what you’d call a placeholder Woody Allen movie, a small offering between more cerebral offerings, if he’s […]

By Everette Hatcher III | Posted in Woody Allen | Edit | Comments (0)