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The salvation Kurt Cobain was so desperate to experience is found only in Christ

The Salvation Kurt Cobain was so desperate to experience is found only in Christ.

FIRST-PERSON: 10 years after Kurt Cobain’s death

FIRST-PERSON: 10 years after Kurt Cobain’s death

Posted on Apr 8, 2004 | by Kelly BoggsMcMINNVILLE, Ore. (BP)–Ten years ago one of the poster boys of postmodernism died. Kurt Cobain, front man for the grunge band Nirvana, killed himself with a shotgun blast to the head. He was found dead at his Seattle home on April 8, 1994. He was only 27 years old.

I find it ironic that Cobain took his life so near Easter, which fell on April 3 ten years ago. In fact, the time of his actual death may have been only a couple of days removed from Christianity’s most significant celebration.

The resurrection of Christ and the hope it engenders stands in stark contrast with the pessimism postmodern philosophy produces. And make no mistake — Cobain embodied the worst of postmodern thought.

Born in 1967, Cobain was reared in the small logging town of Aberdeen, Wash. At age seven his parents divorced. It was an event that proved to be the turning point in young Kurt’s life. By his own account he never felt loved or secure again. In his suicide note Cobain wrote, “I have it good, very good, and I’m grateful, but since the age of seven, I’ve become hateful towards all humans in general.”

After his parents split, Cobain became increasingly anti-social and withdrawn. His behavior became so difficult to handle that he was shuttled between family members and even was homeless for a short period.

Around age eleven, Cobain was introduced to the punk rock sound of Britain’s Sex Pistols. Perhaps due to the trauma of childhood, he was drawn to the chaos and nihilism that saturated punk rock. As Cobain soaked up chaotic sounds and angry lyrics, the seeds for what would later be known as grunge music were planted.

In 1986 Cobain formed Nirvana with two friends. The music they forged was characterized by strong guitar riffs and heavy drumming. It was a conscious rejection of the slick heavy metal of the time. Nirvana’s style flew in the face of convention. The band eschewed spandex and sexuality for flannel and postmodern musings.

Nirvana’s second album, released in 1991 and titled “Nevermind,” proved to be a monster hit and propelled the band to stardom. Though it has been a decade since Cobain’s death, Nirvana continues to be popular, selling 1.4 million albums in 2002 and 754,000 in 2003.

To listen to Nirvana is to have a crash course in postmodern thought. The music is erratic and the lyrics –- screamed — seem almost nonsensical. The overriding themes in Cobain’s writing were a sense of self-loathing, frustration and hopelessness. However, because the songs are void of a specific message, each listener is free to discover his or her own meaning.

Postmodern philosophy holds that absolute truth does not exist. Morality is relative and self-styled. Meaning is self-constructed. Individual experience becomes the ultimate in self-actualization.

In the postmodern worldview the individual dominates and chaos is accepted. Taken to its logical conclusion, this philosophy is unstable, irrational, pessimistic, and results in hopelessness. Tragically, it is becoming the dominant worldview of our day.

Excerpts from Cobain’s suicide note are telling. He wrote: “I haven’t felt the excitement of listening to as well as creating music along with reading and writing for too many years now … It simply isn’t fair to you or me. The worst crime I can think of would be to rip people off by faking it and pretending as if I’m having 100% fun … Sometimes I feel as if I should have a punch-in time clock before I walk out on stage. I’ve tried everything within my power to appreciate it (and I do, God, believe me I do, but it’s not enough).”

Mired in postmodern thought, Cobain was well acquainted with his own flaws and those of society. However, the salvation he sought through musical self-expression could not free him from the pessimism and hopelessness that are inherent in radical relativism.

It is ironic that Kurt Cobain chose to take his life during a time that is so pregnant with hope. Jesus Christ died and rose again to set people free from selfish self-expression and the hopelessness it produces. The salvation Cobain was so desperate to experience is found only in Christ.

Christianity stands in antithesis to postmodern philosophy. The absolute truth that is revealed in the Bible provides humanity with meaning and purpose. Easter’s empty tomb provides absolute hope. Postmodernism’s radical relativism provides absolute emptiness. Just ask Kurt Cobain.
–30–
Kelly Boggs’ column appears each Friday in Baptist Press. He is pastor of the Portland-area Valley Baptist Church in McMinnville, Ore.

Kurt Cobain’s Suicide Note

Posted by admin on April 8th, 1994 filed in News

Kurt Cobain's Handwritten Suicide Note

To Boddah

Speaking from the tongue of an experienced simpleton who obviously would rather be an emasculated, infantile complain-ee. This note should be pretty easy to understand.

All the warnings from the punk rock 101 courses over the years, since my first introduction to the, shall we say, ethics involved with independence and the embracement of your community has proven to be very true. I haven’t felt the excitement of listening to as well as creating music along with reading and writing for too many years now. I feel guity beyond words about these things.

For example when we’re back stage and the lights go out and the manic roar of the crowds begins., it doesn’t affect me the way in which it did for Freddie Mercury, who seemed to love, relish in the the love and adoration from the crowd which is something I totally admire and envy. The fact is, I can’t fool you, any one of you. It simply isn’t fair to you or me. The worst crime I can think of would be to rip people off by faking it and pretending as if I’m having 100% fun. Sometimes I feel as if I should have a punch-in time clock before I walk out on stage. I’ve tried everything within my power to appreciate it (and I do,God, believe me I do, but it’s not enough). I appreciate the fact that I and we have affected and entertained a lot of people. It must be one of those narcissists who only appreciate things when they’re gone. I’m too sensitive. I need to be slightly numb in order to regain the enthusiasms I once had as a child.

On our last 3 tours, I’ve had a much better appreciation for all the people I’ve known personally, and as fans of our music, but I still can’t get over the frustration, the guilt and empathy I have for everyone. There’s good in all of us and I think I simply love people too much, so much that it makes me feel too fucking sad. The sad little, sensitive, unappreciative, Pisces, Jesus man. Why don’t you just enjoy it? I don’t know!

I have a goddess of a wife who sweats ambition and empathy and a daughter who reminds me too much of what i used to be, full of love and joy, kissing every person she meets because everyone is good and will do her no harm. And that terrifies me to the point to where I can barely function. I can’t stand the thought of Frances becoming the miserable, self-destructive, death rocker that I’ve become.

I have it good, very good, and I’m grateful, but since the age of seven, I’ve become hateful towards all humans in general. Only because it seems so easy for people to get along that have empathy. Only because I love and feel sorry for people too much I guess.

Thank you all from the pit of my burning, nauseous stomach for your letters and concern during the past years. I’m too much of an erratic, moody baby! I don’t have the passion anymore, and so remember, it’s better to burn out than to fade away.

Peace, love, empathy.
Kurt Cobain

Frances and Courtney, I’ll be at your alter.
Please keep going Courtney, for Frances.
For her life, which will be so much happier without me.

I LOVE YOU, I LOVE YOU!

_________________________

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Blink 182 Adam’s song about suicide is filled with hope

Adam’s song is filled with hope in the last paragraph of lyrics. So many young people stop short of committing suicide and they think more of the hope the future can offer. Take a look at the story below of someone who gave life another chance after he had actually shot himself in a failed suicide attempt.

Last paragraph of lyrics from “Adam’s song:
I never conquered, rarely came
Tomorrow holds such better days
Days when I can still feel alive
When I can’t wait to get outside
The world is wide, the time goes by
The tour is over, I’d survived
I can’t wait till I get home
To pass the time in my room alone

Spend It Any Way You Like

by Greg Hartman

Jim Centifanto parked his motorcycle and walked into the Florida woods. He loaded the 12-gauge shotgun he had borrowed and took a deep breath. Holding the shotgun’s barrel in his left hand, he pressed its muzzle into his stomach. Leaning forward, he pulled the trigger with his right hand.

The blast threw him off his feet and left a gaping, fist-sized hole on the left side of his abdomen. Dropping the gun, Jim staggered back to his motorcycle, rode to his mother’s house four miles away, and passed out on her front steps.

Four days later, as he was waking up from a coma, he heard a voice speak to him. “I saved you for a reason,” the voice said. Centifanto looked around, startled. The room was empty.

Centifanto’s father had taught him and his brothers and sisters to respond to problems with violence. Lawrence Centifanto, a career Marine, married his wife, Ysolina, while he was serving in Panama. Soon after Jim was born, his father went to Korea for three years, then to Vietnam for another three years. Centifanto was 6 before he knew his father.

Lawrence Centifanto sent all his money home for the six long years he was at war. He asked his wife to save it up for him, and expected to return home to a sizable nest egg. Instead, she moved her family from New York to Florida and put herself through medical school.

“I’m not sure if he loved my mother,” Jim said, “but I know she didn’t love him. She only married him to get her American citizenship and an education.”

Centifanto’s excitement at meeting his father quickly turned into horror when his father discovered what had happened to his money. He made his children sit on the sofa and watch as he beat and choked their mother.

Living with his father, Centifanto said, was like living with an unpredictable volcano. Lawrence Centifanto viciously beat his wife and children at the slightest provocation or for no reason at all. One time, he tore an earring out of his daughter’s ear. Another time, after being out of town for a month, he pulled up in his driveway and saw Jim pull aside the curtains to look out the front window, excited to see his father. Lawrence responded to his son’s enthusiastic greeting with a savage beating. “He told me I could have gotten dirt on the curtains,” Centifanto said.

Finally, when Centifanto was 9, his mother divorced her husband. Ysolina Centifanto’s solution to her ex-husband’s brutal discipline was to avoid disciplining her children at all. “We went from one end of the scale to the other. She said, ‘This will never happen to us again,’ and she let my brothers and I run totally wild. We did anything we wanted.”

Within a year, Centifanto was expelled from the Catholic school he had been attending and joined a gang with his brother. He began using and dealing drugs.

One day the vice president of Centifanto’s gang, Bobby Hicks, showed up at the gang’s hangout with a short haircut and wearing a suit and tie. “We thought he was going to court,” Centifanto said. “You know, when you have to see a judge you dress up nice and hope maybe he’ll be more lenient. That’s what we thought Bobby was doing.”

Instead, Hicks threw his fellow gang members a curve. “I just got born again!” he announced.

“He could have said, ‘I just went to the moon,’ for as much as we understood him,” Centifanto said. “We just laughed and said, ‘You did what?'”

But when Hicks started preaching at his friends, the gang’s leader stopped laughing and provoked Centifanto to fight Hicks.

“Bobby was 20 — six years older than me,” Centifanto said, “and he weighed about 250 pounds. I’d seen what he did to other guys. I whipped him with a bullwhip and chased him down the street; I totally humiliated him in front of everyone. The day before, he would have killed me. But this time, he wouldn’t fight. I didn’t know what made him act so weird.”

Centifanto soon forgot his former friend’s odd behavior as he sank deeper into his world of drinking and drugs. “I stayed stoned all the time, 24 hours a day,” he said. “I’d take enough drugs at night to keep me stoned until I woke up, then start over again.”

In 1970, when Centifanto was 15, his girlfriend broke up with him. “She was the closest thing to love I had in my life,” he said. “I hated life, just hated it. No one loved me and when she rejected me, too, I couldn’t take it.” He borrowed a shotgun and shot himself in the stomach. Incredibly, he lived.

“I was in a coma for four days,” Centifanto said. “No one expected me to live; they couldn’t believe I’d even managed to ride my bike to my mother’s house.”

Soon after Centifanto awoke from his coma, his mother announced she had had it with him and sent him to live with his father in Chicago. Within a year, his stepmother kicked him out, too. He was 17.

Centifanto got a job at a steel mill and lived with Terry, a co-worker, and his parents. Terry and his father worked at the steel mill with Centifanto. After work, the three of them got drunk almost every night. Then Terry’s mother surprised them all one day: She announced that she had become a Christian.

“She used to try to talk with me about Christ for hours,” Centifanto said, “even though I was usually drunk. I accidentally walked in on her one night and she was praying, just weeping and asking God to have mercy on me. Everyone else had rejected me, and she didn’t have any benefit from trying to reach me. But here she was praying for me. I just couldn’t understand it.”

About two months later, Centifanto joined the Marines, and found he made a good soldier. “I went in there full of bitterness and violence, and they said, ‘Here’s a gun. We like it if you want to hate and kill.'” But peace of mind still eluded him. His drinking continued unabated, landing him in the hospital twice and almost destroying his kidneys.

Two years later, Centifanto was stationed in Hawaii. One night while his platoon was on maneuvers, a soldier from another unit struck up a conversation with him.

“He told me about what Jesus had done for him,” Centifanto said, “and I just started weeping uncontrollably. I could see he’d been where I was and I wanted what he had.” Centifanto asked the man if he could go to church with him, and the man agreed to pick Centifanto up at his barracks the next Sunday morning.

But Centifanto had neglected to get his name, and when he didn’t show up, Centifanto was desperate. Finally, about two months later, Centifanto ran into him again. “I shook him and yelled at him: ‘You said you’d take me to church! You better show up this time!'” Centifanto said with a chuckle. He got the man’s name — Donald Taylor — and eagerly awaited the next Sunday.

Taylor showed up as promised this time, and took Centifanto to church. “I was mad at Don because I thought he told Eugene Stober, the pastor, about me,” Centifanto said. “Every single word that came out of his mouth was about me and my sin.

“When I was 14 and Bobby Hicks got saved, I didn’t understand what he was talking about. I heard God speak to me after I shot myself, but I didn’t listen to that, either. And Terry’s mom explained the gospel to me, but it still didn’t stop me from sinning.

“We have to come to the end of ourselves before we realize how desperately we are in need. I was at the end of myself this time. I was so ripe for the gospel. This time it was different; this time the ring of truth was going through my heart.”

Centifanto began attending church with Taylor. A month later, while supervising the armory guard, he read a magazine article about the end of the world and panicked. “I was convinced Jesus was coming back — tomorrow!” he said. He left his post — a court-martial offense — and hurried to the church. Finding Pastor Stober, he begged him to tell him how to get saved.

Eugene Stober led Centifanto in prayer. That night, Aug. 17, 1974, in Oahu, Hawaii, when he was 19 years old, Jim Centifanto asked Jesus Christ to forgive his sin and be his Lord and Savior.

When they were finished praying, Pastor Stober handed Centifanto a quarter. Confused, he took it. “That’s what salvation is like: a free gift,” Stober said. “And that quarter is just like your life, too: You’re free to spend it any way you like, but you can only spend it once.”

“That’s when what had just happened really hit me,” Centifanto said. “It was like scales fell from my eyes. All the hate and bitterness, the way I hated myself and everyone else and hated life so much — it left me; it was all gone, just like that.”

Centifanto returned to the base, expecting to face a court-martial. To his surprise, his commander said, “Well, don’t let it happen again,” and dismissed him. When he awoke the next morning, he received another surprise: His desire for drugs and alcohol was gone, never to return.

Today Jim Centifanto and his wife and four children are missionaries in Guatemala. “The minute I got saved I started witnessing to everything that moved,” he said. “I could never see any way to live after that but in service to God. When Pastor Stober handed me that quarter, God changed my life forever. He really did change my heart and make me a new creation.”

Copyright © 2006 Greg Hartman. Used with permission.
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Phoenix Part 2

Phoenix – Trying To Be Cool (Live on SNL)

Bankrupt! (2013)[edit]

On April 5, 2011, the band posted a blog update on their website entitled “Songwriting…” that revealed CCTV stills of a studio in which the band was working.[19] The band has stated in interviews that the album is going to be a departure from the pop sounds of Wolfgang Amadeus Phoenix, and they are trying to create something more experimental.

On January 16, 2012, the band revealed that they had completed four songs for the fifth album and it is scheduled for a late summer 2012 release, with a fall (autumn) tour. Daniel Glass, the founder of Glassnote Records, stated in relation to the new material, “It’s very hard to beat Wolfgang Amadeus Phoenix, but this could be revolutionary,”[20]

The band then updated its webpage to display the cryptic words. Pluviôse, (until the end of March 2012), Thermidor (since April 2012) and Vendémiaire (since September 2012)—the words replaced the CCTV still that was published in October 2011. PluviôseThermidor and Vendémiaire are three of the months of the French Republican Calendar (also known as the Revolutionary Calendar[21]).

On January 16, 2013, exactly one year after the announcement that the band had completed four songs for the album, Bankrupt! was revealed as the title of the fifth album and a teaser was released on the Phoenix website.[22]

On February 12, 2013, a redesigned Phoenix website further promoted the “Bankrupt!” album, with an official release date of April 22, 2013, published on the website’s opening page that features an animated writing sequence.—a message from the band is written by an invisible hand, while music plays and states, mostly in English, with some French: “Dear all, our new album, Bankrupt!, will be released the week of April 22nd. Here [the word “Here” is a link to the website page that reveals both the album cover art and the tracklisting] is the tracklisting as well as the album cover. Much love et à bientôt [“and see you soon”]. Thomas Branco Mazzalai Deck.”[23] The cover depicts a color drawing of a peach next to a peach slice, with a pink flower and two green leaves; the tracklisting includes song titles such as the title track, “SOS in Bel Air”, “Bourgeois”, and “Oblique City”.[24]

Consistent updates in relation to the fifth album have appeared on the band’s Facebook fan page and, as of February 12, 2013, the new fan page reflected the new aesthetic of Bankrupt!. On January 21, 2013, the fan page’s cover photo was changed to a straightforward pink and black image in which the words “Phoenix Bankrupt!” were written in large, bold and black capital letters against a plain pink background[25]—this cover photo was then replaced on February 12, 2013 with an image of the word “Phoenix” written in large, bold and white capital letters against a light grey background.[26]

A schedule of the major music festivals that Phoenix will perform at in support of the new album was announced and headline positions were confirmed for Germany’s Rock am Ring and Rock im Park Festivals,[27] Coachella Valley Music and Arts Festival,[28] Primavera Sound,[29] andLollapalooza.[30] The band also appeared at the Beale Street Music Festival in MemphisTennessee, U.S.,[31] and will appear alongside acts such as Beyonce and Nine Inch Nails at the “Made in America” festival during Labor Day weekend in Philadelphia, U.S.[32]

On February 18, 2013, the band released “Entertainment”, the first song from the band’s new album.[33] On March 7, 2013, a music video for the song, directed by Patrick Daughters, was released[34] On March 28, 2013, Phoenix started their 2013 tour in Vancouver, Canada at the Queen Elizabeth Theatre, and performed their first concert in two years—the show’s setlist included “Sunskrupt!”, a song that combines “Bankrupt!” and “Love Like A Sunset”.[35][36] Phoenix performed on American television during the next month—on April 6, Phoenix was the musical guest onSaturday Night Live[37] and performed “Entertainment” and “Trying to Be Cool/Drakkar Noir”;[38] on April 18, 2013, the band repeated the two-song setlist on Jimmy Kimmel Live.

On April 22, Phoenix played a rare London show at Shepherd’s Bush Empire on the day that Bankrupt! was released. Mars entered the crowd and sang while immersed in the audience for a large portion of the show; he then climbed up cables to the first-level balcony and “crowd-surfed” his way back to the stage. In a review of the performance, music writer Josh Holliday declared: “And along with peace, love and understanding, what the world needs now is a band we can all believe in as one. That band is Phoenix.”[28]

On May 6, 2013, Phoenix were taped for the thirty-ninth season of live music television series Austin City Limits (ACL) at Moody Theatre in Austin, Texas, U.S.[39] Mars again sang from the audience and, at the end, walked onto the mezzanine while singing and thanked the audience along the way.[citation needed] Terry Likona, executive producer of the show, announced that Phoenix would co-headline the two-weekend Austin City Limits Music Festival in October 2013, alongside other acts such as Kings of LeonWilco, and Depeche Mode.[40][41]

In media articles on Bankrupt! since the album’s release, Mars has provided insight into the circumstances that influenced the creation of the band’s fifth album: “At that time, we started talking about success and not music. I guess it was time to protect ourselves and focus on music again.” The frontman refers to the period of intensive public attention that occurred in the wake of the Grammy Award-winning Wolfgang Amadeus Phoenix, an album that was Phoenix’s first record to achieve gold certification. Mars also reflected on the benefits of the band’s belated success: “We’re lucky that we didn’t have a hit single for a while, so when we play live, people are not expecting just one song and we don’t tour as a greatest hits band, which can be sad I’m sure.” In a more general sense, Mars also emphasized the importance of the live setting for Phoenix and its relationship to studio work: “I guess we’re perfectionists in the way that when we make an album, we know it’s going to last. It’s important that it’s exactly how we want it to be. But when the record is done, it’s all about imperfection. It’s all about playing live.”[15]

Bankrupt! debuted in the #4 position on the American Billboard 200 album chart and a Phoenix world tour will be completed over a large part of 2013—the final show will be performed in Düsseldorf, Germany on November 22, 2013.[15]

Phoenix – Entertainment (Official Video)

Members[edit]

  • Laurent Brancowitz – guitar, keyboards
  • Thomas Mars – vocals
  • Deck d’Arcy – bass, keyboards
  • Christian Mazzalai – guitar

Tour support[edit]

  • Thomas Hedlund – drums
  • Robin Coudert – keyboards, percussion

Phoenix – If I Ever Feel Better

Discography[edit]

Studio albums[edit]

Year Details Peak chart positions Certifications
(sales thresholds)
FRA
[42]
AUS
[43]
AUT
[44]
CAN CHE
[45]
BEL (FLA)
[46]
BEL (WAL)
[46]
GER
[47]
IRE
[48]
NOR
[49]
SWE
[50]
UK
[51]
US
[52]
2000 United

90 37
2004 Alphabetical

  • Released: 29 March 2004
  • Label: EMI, Source, Astralwerks
41 46 41 68 4 11
2006 It’s Never Been Like That

  • Released: 15 May 2006
  • Label: EMI, Source, Astralwerks
34 81 74 66 86 89 41 14 18 108
2009 Wolfgang Amadeus Phoenix

14 13 66 19 23 27 22 18 64 39 34 54 37
2013 Bankrupt!

  • Released: 22 April 2013[56]
  • Label: Glassnote, Loyauté
3 5 31 4 22 21 22 18 10 57 14 4

|- | 2013 |Bankrupt!

  • Released: 22 April 2013[57]
  • Label: Glassnote, Loyauté

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Phoenix – Long Distance Call

Live albums[edit]

Year Details
2004 Live! Thirty Days Ago

  • Released: 8 November 2004
  • Label: EMI, Source, Astralwerks
2010 iTunes Live from Soho[58]

Singles[edit]

Year Title Peak chart positions Album Certifications
(sales thresholds)
FRA
[60]
CAN
Alt

[61]
CHE
[62]
ITA
[63]
NED
[64]
UK
[51]
US
[65]
US
Rock

[66]
US
Alt.

[66]
BEL (WAL)
[67]
1999 “Party Time” United
“Heatwave” Non-album single
2000 Too Young 97 148 United
2001 “If I Ever Feel Better” 12 23 4 67 65 8
2004 Everything Is Everything 91 74 Alphabetical
Run Run Run 66
2006 Long Distance Call It’s Never Been Like That
Consolation Prizes
2009 1901 84 3 1 Wolfgang Amadeus Phoenix US: Platinum[68]
Lisztomania 111 5 4 56 US: Gold [68]
2010 “Lasso” 31
2013 Entertainment 43 22 177 22 11 29 Bankrupt!
“Trying to Be Cool” 19

Music videos[edit]

  • “Too Young” directed by Steven Hanftdong
  • “Everything is Everything” directed by Roman Coppola
  • “If I Ever Feel Better” directed by Alex & Martin
  • “Rally” directed by Daniel Askill and Lorin Askill
  • “Funky Squaredance” directed by Roman Coppola
  • “Run Run Run” directed by Mathieu Tonetti
  • “(You Can’t Blame It On) Anybody”
  • “Long Distance Call” directed by Roman Coppola
  • “Consolation Prizes” directed by Daniel Askill
  • “Lisztomania” directed by Antoine Wagner
  • “1901” directed by Dylan Byrne, Ben Strebel, Bogstandard
  • “Entertainment” directed by Patrick Daughters

References[edit]

  1. ^ Staff (1 February 2010). “Phoenix win Grammy for Alternative Music Album”NME. Retrieved 8 June 2012.
  2. ^ Ambrose, Anthony. “inTuneMusic Online: Phoenix / Passion Pit / Jack’s Mannequin / Manchester Orchestra @ NYC 12/2”. Retrieved 2009-12-05.
  3. ^ RFI Musique (July 2010). “Phoenix”rfi Music. RFI. Retrieved 24 September 2012.
  4. ^ “Daft Punk’s Electroma (2006)”The New York Times. 2010. Retrieved 24 September 2012.
  5. ^ Aol Music. (2012). “Phoenix”Aol Music. AOL Inc. Retrieved 30 July 2012.
  6. ^ Cooper, Tim (2009-05-24). “Homemade Lisztomania YouTube video brings Phoenix fans”The Times (London). Retrieved 2010-05-22.
  7. ^ “Phoenix Rises With New Album, Label”idiomag. 2009-02-27. Retrieved 2009-03-04.
  8. ^ Phoenix Live performing Saturday Night in New York video
  9. ^ JP (25). “Phoenix on Jimmy Fallon” (Blog). JP’s Blog. Google. Retrieved 8 June 2012.
  10. ^ kocia43 (4). “Phoenix – Girlfriend (The Late Late Show with Craig Ferguson)” (Video file). YouTube. Google. Retrieved 8 June 2012.
  11. ^ BadGones3169 (22). “Phoenix – 1901 (Live on Letterman) 18 Juin 2009”YouTube. Google. Retrieved 8 June 2012.
  12. ^ MrRendezvous101 (10). “Phoenix 1901 Jimmy Kimmel (TV VERSION) HD”YouTube. Google. Retrieved 8 June 2012.
  13. ^ ANDREW BONI (16). “Phoenix Performs “1901” on The Tonight Show with Conan O’Brien”Jetcomx. Jetcomx. Retrieved 8 June 2012.
  14. ^ Gary Trust (10). “Chart Beat Wednesday: Phoenix, Black Eyed Peas, Kutless”Billboard. Billboard. Retrieved 30 July 2012.
  15. a b c John Carucci (21). “Phoenix gets back on track with ‘Bankrupt!’”Journal Gazette. Associated Press. Retrieved 21 May 2013.
  16. ^ Wolfgang Amadeus Phoenix – Phoenix | AllMusic
  17. ^ David Greenwald (10). “Phoenix Readies ‘A Mess to the Masses’ Documentary: Watch”Billboard. Billboard. Retrieved 21 May 2013.
  18. ^ “Phoenix Documentary ‘From a Mess to the Masses’”TwentyFourBit. TwentyFourBit. 9. Retrieved 21 May 2013.
  19. ^ admin (5). “Songwriting…”Phoenix Diary. Phoenix Diary. Retrieved 30 July 2012.
  20. ^ Billboard.com (16). “Phoenix: 2012 Album Preview”Billboard.com. Rovi Corporation. Retrieved 30 July 2012.
  21. ^ “The Revolutionary Calendar”Research Subjects: Government & Politics (The Republican Series) (in English and French). The Napoleon Series. 1995–2002. Retrieved 12 February 2013.
  22. ^ Amy Phillips (16). “Phoenix Announce New Album Title”Pitchfork. Pitchfork Media Inc. Retrieved 12 February 2013.
  23. ^ “Phoenix Bankrupt!”We Are Phoenix. Phoenix. 12. Retrieved 12 February 2013.
  24. ^ “Phoenix Bankrupt: Album”We Are Phoenix. Phoenix. 12. Retrieved 12 February 2013.
  25. ^ “Phoenix cover photos”Phoenix on Facebook. Facebook. 21. Retrieved 13 February 2013.
  26. ^ “Phoenix”Phoenix on Facebook. Facebook. 12. Retrieved 13 February 2013.
  27. ^ “Rock am Ring & Rock im Park 2013”Festival Outlook. Consequence of Sound. 2013. Retrieved 28 May 2013.
  28. a b Josh Holliday (2011). “From the Flames. Phoenix, O2 Shepherd’s Bush Empire.”Dots and Dashes. Dots and Dashes. Retrieved 21 May 2013.
  29. ^ Theo Bark (23). “Primavera Sound 2013 Lineup: Headliners Include Nick Cave, My Bloody Valentine, Blur, Phoenix & More”Spinner. AOL Inc. Retrieved 21 May 2013.
  30. ^ Greg Kot (28 March 2013). “Lollapalooza lineup to include Cure, Nine Inch Nails”The Chicago Tribune. Retrieved 21 May 2013.
  31. ^ Matt Miller (8). “2013 Beale Street Music Festival Review”Blank News. Rusty Odom. Retrieved 21 May 2013.
  32. ^ “Made in America fest initial 2013 line-up: Beyonce, Nine Inch Nails, Phoenix, Kendrick Lamar, Gaslight Anthem + more”Brooklyn Vegan. Brooklyn Vegan. 10. Retrieved 21 May 2013.
  33. ^ Minsker, Evan (2013-02-18). “Listen to the New Phoenix Song “Entertainment””. pithforkmedia.com. Retrieved 2013-02-18.
  34. ^ Minsker, Evan; Pelly, Jenn (7 March 2013). “Watch Phoenix’s Bloody “Entertainment” Video”PitchforkMedia. Retrieved 7 March 2013.
  35. ^ “Phoenix Setlist at Queen Elizabeth Theatre, Vancouver, BC, Canada”Setlist.fm. Setlist.fm. 28 March 2013. Retrieved 12 June 2013.
  36. ^ Francois Marchand (5 February 2013). “Awesome Sound – Concert announcements: Phoenix, Pickwick, Ghost and more coming to Vancouver”The Vancouver Sun. Retrieved 12 June 2013.
  37. ^ “NBC Schedule”. NBC, Inc. Retrieved 7 April 2013.
  38. ^ “The official Tumblr for Saturday Night Live”. NBC, Inc. Retrieved 8 April 2013.
  39. ^ “Austin City Limits TV Taping – Phoenix”KVUE.com. KVUE Television, Inc. 6. Retrieved 21 May 2013.
  40. ^ “ACL’S NEW TAPING SEASON BEGINS MARCH 17”ACL TV. KLRU-TV, Austin PBS. January 2013. Retrieved 21 May 2013.
  41. ^ Dave Lewis (7). “Muse, Kings of Leon, Depeche Mode headlining Austin City Limits festival”HitFix Music. HitFix.com. Retrieved 21 May 2013.
  42. ^ “French album positions”. lescharts.com. Retrieved 2009-07-15.
  43. ^ “Australian album positions”. australian-charts.com. Retrieved 2009-07-15.
  44. ^ “Austrian album positions”. austriancharts.com. Retrieved 2009-07-15.
  45. ^ “Swiss album positions”. hitparade.ch. Retrieved 2009-07-15.
  46. a b Mahalo (2007–2012). “Wolfgang Amadeus Phoenix”Mahalo. Mahalo.com Incorporated. Retrieved 30 July 2012.
  47. ^ “German album positions”. musicline.de. Retrieved 2009-07-15.
  48. ^ “Irish Wolfgang Amadeus Phoenix position”. chart-track.com. Retrieved 2009-07-15.
  49. ^ “Norwegian album positions”. norwegiancharts.com. Retrieved 2009-07-15.
  50. ^ “Swedish album positions”. swedishcharts.com. Retrieved 2009-07-15.
  51. a b “UK Chartlog: Rodney P. – The Pussycat Dolls”. zobbel.de. Retrieved 2009-07-15.
  52. ^ Billboard.com (2012). “Wolfgang Amadeus Phoenix [Deluxe Version] – Phoenix”Billboard.com. Rovi Corporation. Retrieved 30 July 2012.
  53. ^ http://www.aria.com.au/pages/httpwww.aria.com.aupagesARIACharts-Accreditations-2010Albums.htm
  54. ^ “CRIA Certifications (July 2010)”Canadian Recording Industry Association. July 2010. Retrieved 2010-08-13.
  55. ^ RIAA – Gold & Platinum – November 16, 2010
  56. ^ Pelly, Jenn (12 February 2013). “Phoenix Detail New Album, Bankrupt!Pitchfork Media. Retrieved 12 February 2013.
  57. ^ Pelly, Jenn (12 February 2013). “Phoenix Detail New Album, Bankrupt!Pitchfork Media. Retrieved 12 February 2013.
  58. ^ iTunes Live from SoHo – EP by Phoenix – Download iTunes Live from SoHo – EP on iTunes
  59. ^ Independent Albums | Billboard.com
  60. ^ “French single positions”. lescharts.com. Retrieved 2009-07-15.
  61. ^ “Canadian Active Rock & Alt Rock Chart Archive: Alternative Rock – February 26, 2013”America’s Music Charts. Retrieved February 26, 2013.
  62. ^ “Swiss single positions”. hitparade.ch. Retrieved 2009-07-15.
  63. ^ “Italian single positions”. italiancharts.com. Retrieved 2009-07-15.
  64. ^ “Dutch single positions”. dutchcharts.nl. Retrieved 2009-07-15.
  65. ^ “Billboard Chart positions”. Billboard Magazine. Retrieved 2009-12-17.
  66. a b “Billboard Chart positions”. Billboard Magazine. Retrieved 2009-07-16.
  67. ^ “Wallonian single positions”. ultratop.be. Retrieved 2009-07-15.
  68. a b “RIAA – Gold & Platinum Database”. Retrieved 2010-05-13.

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Here Today, Gone Tomorrow (Ecclesiastes 1:1-11)

Ecclesiastes 1

Published on Sep 4, 2012

Calvary Chapel Spring Valley | Sunday Evening | September 2, 2012 | Pastor Derek Neider

_____________________

I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope to show how secular humanist man can not hope to find a lasting meaning to his life in a closed system without bringing God back into the picture. This is the same exact case with Solomon in the Book of Ecclesiastes. Three thousand years ago, Solomon took a look at life “under the sun” in his book of Ecclesiastes. Christian scholar Ravi Zacharias has noted, “The key to understanding the Book of Ecclesiastes is the term ‘under the sun.’ What that literally means is you lock God out of a closed system, and you are left with only this world of time plus chance plus matter.”

Let me show you some inescapable conclusions if you choose to live without God in the picture. Solomon came to these same conclusions when he looked at life “under the sun.”

  1. Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)
  2. Chance and time have determined the past, and they will determine the future.  (Ecclesiastes 9:11-13)
  3. Power reigns in this life, and the scales are not balanced(Eccl 4:1)
  4. Nothing in life gives true satisfaction without God including knowledge (1:16-18), ladies and liquor (2:1-3, 8, 10, 11), and great building projects (2:4-6, 18-20).

You can only find a lasting meaning to your life by looking above the sun and bring God back into the picture.

Here Today, Gone Tomorrow (Ecclesiastes 1:1-11)

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Have you made any New Year’s resolutions to lose weight and get into shape? Many Americans have great intentions at the start of a new year. Perhaps you have already purchased a gym membership or a piece of exercise equipment. If so, good for you! It’s important to get in shape and be healthy. I own a recumbent bike…and I love it. I work out on it nearly every day. I cycle miles on this bike and burn calories and increase my heart rate. The cool thing is: I don’t even have to leave my house…and in the rainy Pacific Northwest, this is a blessing. But if I am honest, it is a terribly boring and tedious way to exercise. When I look down at the odometer and it says I’ve cycled five miles, I’ve actually gone nowhere. I work up a sweat and ride until I am weary, yet I know that I am going to have to hop back on the bike all over again tomorrow. It is rather depressing!

Life is like riding on a recumbent bike. It is a boring, tedious, and repetitive ride. A thoughtful person will ask, “What is the purpose in life?” Have you ever asked this question? Most people have. For some of us, this question has plagued us over the course of our lives…even our Christian lives. A few years ago, scientists at John Hopkins University surveyed nearly 8,000 college students at forty-eight universities and asked what they considered “very important” to them. What do you think these college students said? Make a lot of money? Get married? Get a job? Buy a home? I can tell you this: only 16 percent answered “making a lot of money.” But a whopping 75 percent said that their first goal was “finding a purpose and meaning to my life.”3 This is a staggering piece of research, isn’t it?

In this New Year, maybe you are seeking to discover a purpose and meaning to your life. If so, the book of Ecclesiastes will guide you in this endeavor…but not in the way you might think.4 Ecclesiastes has been dubbed, “the strangest book in the cannon [Bible].”5 It is an enigma for many Christians, for the bulk of this book is the memoirs of a man that is sharing his observations about what is wrong with life. In Eccl 1:1-11, we learn that life is fleeting and disappointing.

1. Life is fleeting (1:1-7).

In this first section, we will come to grips with the temporary nature of life. In the first three verses, the author introduces himself and his theme. Verse 1 begins: “The words6 of the Preacher,7 the son of David, king in Jerusalem.”8 Although our author chooses not to identify himself, his titles or pen names give him away as Solomon.9 Solomon’s story is recorded for us in the first eleven chapters of 1 Kings. Although King David had many sons, it was his son Solomon who was chosen to be heir to the throne. God so favored Solomon that He appeared to him in a dream offering Solomon whatever blessing he desired. Solomon astutely asked God for wisdom to lead the nation well. He asked for wisdom instead of riches and fame. God honored Solomon’s request, granting him not just unparalleled wisdom, but wealth and recognition as well.

Solomon wrote three books of the Bible: Proverbs, Song of Solomon, and Ecclesiastes. He is considered the wisest and perhaps richest man that has ever lived. He had a fleet of ships that would bring gold to him every day from far off lands. Tragically, Solomon married a foreign woman, which was forbidden by God because of the temptation to be led astray spiritually. Ironically, it was this unwise decision to gain favor from different nations by taking foreign wives that diverted Solomon’s eyes from the one true God. Scripture records that he had 700 wives and 300 concubines. Truly, this diverted Solomon’s devotion, so that it is often said of him that he had a divided heart.

If we were to depict Solomon as someone more modern, he might be considered a mix between Albert Einstein, Bill Gates, Hugh Heffner, and Brad Pitt. In Ecclesiastes, what philosophical conclusions does this rich powerful genius come to after living a life with everything at his fingertips? We would expect Solomon’s sermon to be entitled “Seven Habits of Highly Successful Kings.”10 In 1:2, Solomon gives the theme of his book.

“‘Vanity of vanities,’ says the Preacher, ‘Vanity of vanities! All is vanity.’”

This preacher fails to start his sermon with a compelling introduction. There is no attention-grabbing illustration. There is no appeal to felt needs. There is no whetting of the spiritual appetite so his audience will want to hear more. The one called “the Preacher” violates a basic preaching principle. He tells his readers up front that he has nothing to say because “all is vanity.” (Aren’t you glad you are reading this?) I regret to say that the translation “vanity” is not the best rendering of the Hebrew word hebel, for in our contemporary speech we typically connect vanity with arrogance. Unfortunately, many contemporary English versions continue to follow the Old English of the KJV. Nevertheless, there is great debate on what the term hebel means. Does it mean temporary11 or meaningless?12 It would seem that the word carries both ideas and even a few others. Hebel is an inexhaustible term.13 It can mean “vapor, deceitful, futile,14 and fleeting.”15 It points to what is without real substance, value, permanence, or significance.16 In other words, no person or pursuit in and of itself will bring lasting satisfaction. Everything is temporal. It may be that the modern Christian reader can do no better than to import hebel into his or her vocabulary, much as has been done with agape and to a lesser extent koinonia. Everything is hebel and therefore of no lasting value.

In this one verse, Solomon uses the word hebel five times. Hebel appears thirty-eight times in Ecclesiastes and only thirty-five other times elsewhere in the Old Testament. The term is used in every chapter of Ecclesiastes with the exception of chapter ten. It also brackets the book (see 12:8). Furthermore, Solomon uses a literary device to bring out a supreme emphasis: “vapor of vapors—the thinnest of vapors.” The Old Testament authors spoke of the “holy of holies,” “heaven of heavens,” and “servant of servants.”17 Solomon says that everything in life falls under this definition. Whatever hebel is, the world is full of it! The word “all” in the context of what he proceeds to describe refers to all human endeavors (cf. 1:3).18 This verse is blunt; it is intended to shock the reader out of complacency. It is designed to rock the boat, shake the tree, and pull the chain.19

If the above explanation is a bit much for you, let me explain hebel another way. [Take a balloon out of my pocket.] This blue balloon represents your life at birth. I will now provide a visual of your lifespan. [Blow up the balloon.] At the end of your life, this is what happens. [Release the inflated balloon and let it sputter into the crowd.]

Life is not totally meaningless or without any ultimate purpose. The point that Solomon is making is that you live for seventy or eighty years and then you’re gone. Materially speaking, life is short and then you die. You will lose everything you own to the next generation. Your children will rent out your house, purge your possessions, and spend your inheritance. Ultimately, you will be a distant memory at a Thanksgiving meal.20

Solomon follows up his theme with a rhetorical question that demands a negative answer. In 1:3 he asks, “What advantage does man have in all his work which he does under the sun?” The answer is there is no advantage. Work seems pointless because it is quickly passing. Furthermore, it is monotonous. The key phrase in Ecclesiastes, “under the sun,” is used twenty-nine times.21 This phrase is the key to understanding the book of Ecclesiastes. Solomon is writing from his viewpoint—ground level, horizontal, limited, and human. In these words we have a description of what life is like if the heavens are shut off from man. If a bowl were placed over the earth, masking the heavens (i.e., the spiritual world from which God speaks and acts), what would life be like? Given this perspective, what would be the view from earth? This is the experiment which is in focus in the book of Ecclesiastes.22

Moms understand the truth of this verse. Whether it is washing dishes, cleaning sinks, scouring toilets, or washing floors, there is always more to be done. Not to mention, chasing toddlers, mediating fights between siblings, grocery shopping, and playing taxi in your minivan. My wife informs me that preparing creative, well-balanced meals that everyone is ready to devour without complaining is her most challenging responsibility, on top of everything else she is responsible for.

Men can relate to this verse as well. After working and commuting fifty hours a week, you then come home to more work: mowing the lawn, cleaning the garage, changing the oil in the car, doing the taxes, and playing with the kids. All of these responsibilities come at you day-in and day-out. There is no rest for the righteous (or for you either).

This past Christmas, Lori and I purchased three hamsters for our children. From my perspective as a human being, these hamsters don’t do a whole lot. They sleep during the day and play at night, while we sleep. They eat, drink, and make messes. Then it dawned on me: If a hamster viewed most of our lives, he or she would see a vicious cycle as well. We get up, go to work, come home, eat dinner, watch TV, go to bed, and repeat the cycle all over again, until retirement. Our lives are short and boring. It makes one want to say, “Stop the insanity!”

To clarify his meaning and to support his contention in 1:3, Solomon cites four examples from nature. In 1:4-7, Solomon answers his own question: There is no advantage for one to work from earth’s perspective because everyone is caught in the unending and unalterable cycles of life.23

  • The Earth (1:4). The transitory nature of human generations contrasts with the permanence and apparent immutability of the physical world. Solomon writes, “A generation goes and a generation comes, but the earth remains forever.” You are born into the world, you live your life, and then you die, but the earth keeps right on going. Birth announcements are on one page and obituaries are on the next. Generations passing parade. It’s like you’re walking across the desert, leaving footprints in the sand that the wind erases as though you were never there.24
  • The Sun (1:5). Solomon writes, “Also, the sun rises and the sun sets; and hastening to its place it rises there again.” The sun is on a monotonous cycle of rising, setting, and then racing back to the place from which it rises. The verb translated “hastening” means “to pant.” The sun is like a runner endlessly making his way around a racetrack. As each generation comes and goes, so also each day comes and goes with a regular and monotonous passing. It has been said, “The problem with daily living is that it is so DAILY.”
  • The Wind (1:6).25 “Blowing toward the south, then turning toward the north, the wind continues swirling along; and on its circular courses the wind returns.” As the movement of the sun implies an east-west course, now the wind is described as moving north and south. The repetition in “going round and round” heightens the sense of monotony and purposelessness.
  • The Rivers (1:7). “All the rivers flow into the sea, yet the sea is not full. To the place where the rivers flow, there they flow again.” The sense of accomplishing nothing is reinforced here. The rivers continually empty into the sea but cannot fill it. The last phrase does not refer to the cycle of evaporation and rainfall as implied in the NIV translation. The implication here is not cyclic motion but futile activity.

These verses profoundly impress certain sensations on the reader. First, there is a sense of the indifference of the universe to our presence. It was here before we came, and it will be here, unchanged, after we have gone. Second, however, the universe, like us, is trapped in a cycle of monotonous and meaningless motion. It is forever moving, but it accomplishes nothing. Finally, a sense of loneliness and abandonment pervades the text. No one has described this better than the apostle Paul. The creation is “subjected to frustration,” in “bondage to decay,” and awaiting “freedom” (Rom 8:19-21).26

[Solomon has argued that life is fleeting. In 1:8-11, he shares a second problem with life.]

2. Life is Disappointing (1:8-11).

In these next four verses, Solomon demonstrates that everything and everyone in life will ultimately disappoint us. There are three basic reasons for this: There is no satisfaction under the sun, there is nothing new under the sun, and no one is remembered under the sun.

  • No satisfaction under the sun (1:8). Solomon states that nothing is truly fulfilling. He writes, “All things are wearisome; man is not able to tell it. The eye is not satisfied with seeing, nor is the ear filled with hearing.”27 The Rolling Stones made famous the song, “I Can’t Get No Satisfaction.” Sadly, this song could have been written by Solomon himself. Just like Mick Jagger and the rest of the Stones, Solomon had it all…and then some, yet everything was wearisome to him since one can never say, see, or hear enough. Man just can’t get NO satisfaction! Have you seen a good movie? Read a good book? Listened to a great song? Enjoyed a restful vacation? Delighted in a special experience? It is never enough. It never satisfies, for ultimately you want MORE.

Nothing new under the sun (1:9-10). Solomon writes, “That which has been is that which will be, and that which has been done is that which will be done. So there is nothing new under the sun. Is there anything of which one might say, ‘See this, it is new’? Already it has existed for ages which were before us.” The French have a proverb that goes: “The more things change, the more they turn out to be the same.” While there are new inventions, and God does do new things, Solomon is talking about how man can never be satisfied “under the sun.” Solomon is saying that there is no advantage for one to work from earth’s perspective because one’s work will never result in anything new, but only that which has been. If it appears that something new happens from time to time, it is only because our memories are short.28 Seriously, most of us don’t know history, so we keep thinking we’re coming up with new ideas!29 We often mistake movement with progress. We think we are making progress but in reality we are driving around a cul-de-sac and wondering why the neighborhoods all look the same.

Some people track their year, not on the basis of the months or seasons but on sports: baseball in the summer, football in the fall, basketball and hockey in the winter, and NASCAR in the spring. Where do you go when you conclude that there is nothing truly meaningful in life? Back to the stadium, where at least there are games with consistent rules, rewards, and penalties.30

  • Not remembered (1:11). Solomon writes, “There is no remembrance of earlier things; and also of the later things which will occur, there will be for them no remembrance among those who will come later still.” We need not look any further than the sports page to have this verified. One injury is all it takes to become forgotten. Household names can be discarded quickly. Yet the simple truth is: No one will remember anyone in the future. One hundred years from now everything and everyone will have been forgotten, regardless of what occurs today.

There is good news and bad news in 1:11. The good news is for those people who worry about what others think about them. In the end, no one will think about you at all. The bad news is for those who seek some type of temporal immortality. In the end, no one will think about you at all.31

When you die, there will be a funeral. You may have twenty-five or 2,000 people attend. But do you know what they’ll do after the funeral? They will catch lunch and have a great old time together. Then they will hurry back to work because somebody was covering for them. That night they’ll go home to their families, watch a sitcom rerun, and forget all about your memorial by morning. Are you ready for that?32 Mark Twain was right, “The world will lament you for an hour and forget you forever.”33

Perhaps this makes you feel empty. That’s exactly what Solomon is seeking to accomplish. He wants you to feel an overwhelming sense of emptiness, for emptiness is designed to draw us to God. We must learn to value emptiness. As we acknowledge our sense of meaninglessness, we are motivated to search for more. We must learn to value emptiness for its positive potential. As an empty cup invites water or a vacant room invites entrance, so an empty heart can lead us to search for God-given ways to fill it.34

By putting on biblical binoculars, we can see how Solomon concludes his book. In 12:13-14 he writes,

“The conclusion, when all has been heard, is: fear God and keep His commandments, because this applies to every person. For God will bring every act to judgment, everything which is hidden, whether it is good or evil.” These two verses and the message of the Bible tell us that the best way to live under the sun is to live in the Son. The good news is that God has not left us “under the sun.” If you have believed in Jesus Christ as your Savior, life is not “under the sun” but rather in the SON. He brings purpose, peace, and significance. He gives you the opportunity to live an abundant life (John 10:10). However, the Bible is clear that apart from the Lord Jesus life under the sun is terribly disappointing. It is cursed! It is disjointed! It is upside down! It is in bondage to decay! It is meaningless! It needs to be liberated!35 This will happen when we leave this life and go and be with Jesus.

In the meantime, the best way to live under the sun is to live in the Son. This means we must “fear God and obey His commandments…for God will bring every act into judgment.” The question of 1:3 is the most important question of the book: “What advantage36 does man have in all his work which he does under the sun?” Solomon’s concern is what do humans have “left over” after life is over. What difference do the activities of this life have in the next life? Does anything last beyond the grave? Can we make certain (beyond the shadow of a doubt…beyond the shadow of death) that what we do in this life has some lasting value? This should be the key question of our lives (and of the lives of all other people). What can we do to guarantee a return on our life-investment?37 The answer that Solomon gives is to fear God and obey His commandments. When we do this, our fleeting lives begin to count for eternity. The disappointments that we experience in this life are bearable. When everything around us seems meaningless and monotonous, Christ—the Meaning in life, gives us meaning. When we are weary from the wearisome nature of life, Christ says, “Come to Me all you who are weary and heavy-laden and I will give you rest” (Matt 11:28). When we can’t get no satisfaction under the sun, we can find satisfaction in the Son. When we can’t find anything new, we remember that Christ has created a new covenant, given the new birth, and new life. When we feel like no one will ever remember us, we can take confidence in the truth that God remembers us, and one day we can overcome this world and receive a new name that Christ Himself will give to us. In the meantime, the best way to live under the sun is to live in the Son.

Scripture References

Ecclesiastes 1:1-11

Genesis 3:17-19

Psalm 19:1-6

Psalm 90:1-17

Job 1:21; 20:20-22

James 4:13-17

Ecclesiastes 12:13-14

Study Questions

1. In what ways would I agree with Solomon that life “under the sun” is empty (1:2-3)? What is an area in my life that has recently seemed meaningless or futile? In what ways do I sense that people around me live with a sense of despair and hopelessness? How can I minister to them and provide hope?

2. What “advantage” does my work have (1:3)? How does my work seem to be an exercise in futility? Why then do I allow work to consume me? How can I cultivate a healthy work mindset?

3. How does the fleeting nature of life humble me (1:4)? Read Psalm 39:4-6; 90:9-12; and James 4:13-17. Why does the Bible emphasize the brevity of life? What will it take for me to maximize my life and the allotted days that God has given me? What would I like God to accomplish in and through me in 2008?

4. What does the monotony of the universe teach me about my life (1:5-7)? Why does God frequently bring up the world He has created to illustrate His Word? What can I learn from the way God has created the universe?

5. Solomon says life does not satisfy because nothing is new and no one is remembered (1:8-11). When have I found this to be true in my own life? How has this made me feel? Since I know what the Bible teaches about the temporary nature of satisfaction and recognition, how should I then live?


2 Copyright © 2008 Keith R. Krell. All rights reserved. All Scripture quotations, unless indicated, are taken from the New American Standard Bible, © 1960, 1962, 1963, 1968, 1971, 1972, 1975, 1977, and 1995 by The Lockman Foundation, and are used by permission.

Permissions: Feel free to reproduce and distribute any articles written by Keith Krell, in part or in whole, in any format, provided that you do not alter the wording in any way or charge a fee beyond the cost of reproduction. It is our desire to spread this information, not protect or restrict it. Please include the following statement on any distributed copy: by Keith Krell, Timeless Word Ministries, 2508 State Ave NE Olympia, WA 98506, 360-352-9044, www.timelessword.com

3 David Jeremiah, Searching for Heaven on Earth (Nashville: Thomas Nelson, 2004), xv.

4 I strongly recommend the following journal articles: Greg W. Parsons, “Guidelines for Understanding and Proclaiming the Book of Ecclesiastes,” Bibliotheca Sacra 160:638 (April-June 2003): 159-73; 160:639 (July-September 2003): 283-304.

5 William P. Brown, Ecclesiastes: A Bible Commentary for Teaching and Preaching (Interpretation; Louisville: Westminster John Knox, 2000), vii, 10.

6 As is the case with other OT wisdom literature, the author of Ecclesiastes identified the book as his own. Solomon’s use of “words” (see also Prov 1:6; 22:17; 24:23) means something like an “official collection of teachings.” Sages like Agur and Lemuel (Prov 30:1; 31:1) and prophets like Amos (1:1) and Jeremiah (1:1) had sets of their proverbs and oracles so labeled by those who collected and preserved them for posterity sake. How the author and other wise teachers went about their work is described with some detail in the conclusion (12:9-10).

7 Solomon also begins Proverbs by quickly stating his theme in 1:7: The fear of the LORD is the beginning of knowledge; fools despise wisdom and instruction.”

8 The title of this book in the Hebrew text is all of 1:1. The Septuagint translation (a third century B.C. Greek translation of the Hebrew text) gave it the name “Ekklesiastes” from which the English title is a transliteration. This word is the Greek translation of the Hebrew word qohelet that the NASB translated “Preacher” in 1:1. The Hebrew word designates a leader who speaks before an assembly of people.

9 Even those that disagree with Solomonic authorship must acknowledge that his life is being examined.

10 Charlie Bing: “Wisdom for the Real World” (Ecclesiastes 1:1-2): unpublished sermon notes.

11 Roland Murphy, Ecclesiastes (WBC Vol. 23a; Nashville: Thomas Nelson, 1992), 3-4.

12 Tremper Longman III, The Book of Ecclesiastes (NICOT; Grand Rapids: Eerdmans, 1997), 60-63.

13 See Walter C. Kaiser, Jr., Ecclesiastes: Total Life (Chicago: Moody, 1979), 47-48; Duane A. Garrett, Proverbs, Ecclesiastes, Song of Songs (NAC; Nashville: Broadman, 1993); Gordon D. Fee and Douglas Stuart, How to Read the Bible Book by Book (Grad Rapids: Zondervan, 2002), 156-157.

14 See NET and HSB.

15 See Michael A. Eaton, Ecclesiastes: An Introduction and Commentary (Tyndale Old Testament; Leicester, Eng., and Downers Grove, IL: InterVarsity, 1983), 56. See NIV and NLT. Longman, The Book of Ecclesiastes, 61-63. The word can have the meaning “breath” or “vapor” (Job 7:16; Prov 21:6; Isa 57:13), but in most cases, the word means “meaningless.”

16 For an excellent study on the Hebrew term hebel see M. James Sawyer, “The Theology of Ecclesiastes”: http://www.bible.org/node/1632.

17 Similarly, the NT authors called Jesus “King of Kings” or “Lord of Lords.”

18 The phrase “is vanity” is the most popular one in Ecclesiastes (1:14; 2:1, 11, 15, 17, 19, 21, 23, 26; 3:19; 4:4, 7, 8, 16; 5:7, 10; 6:2, 4, 9, 11, 12; 7:6, 15; 8:10, 14; 9:9; 11:8, 10; 12:8.17). It forms an inclusio with 12:8 surrounding the evidence that Solomon offered to prove that all is vanity.

19 Daniel Hill, “Ecclesiastes”: http://www.gracenotes.info/.

20 Tommy Nelson, The Problem of Life with God (Nashville: Broadman & Holman, 2002), 11.

21 “Under the sun,” used 29 times in Ecclesiastes and nowhere else in the OT, simply means “on the earth,” that is, in terms of human existence (1:9, 14; 2:11, 17, 18, 19, 20, 22; 3:16; 4:1, 3, 7, 15; 5:13, 18; 6:1, 5, 12; 8:9, 15, 17; 9:3, 6, 9, 11, 13; 10:5; cf. 1:13; 2:3; 3:1). The phrase shows that the writer’s perspective was universal, not limited to his own people and land. Longman points out that this phrase is similar to “under heaven” (Exod 17:14; Deut 7:24; 19:14; Eccl 2:3; 3:1) and “on earth” (Eccl 5:2; 7:20; 8:14, 16; 11:2). Longman, The Book of Ecclesiastes, 65.

22 Steve Zeisler, “Is Life a Treadmill” (Ecclesiastes 1:1-12): http://www.pbc.org/files/messages/7067/4083.html.

23 Albert Einstein has been quoted as saying: “The most incomprehensible thing about the universe is that it is comprehensible.” See www.infoplease.com/cig/theories-universe/scientific-origins-universe.html.

24 Nelson, The Problem of Life with God, 13.

25 Solomon is particularly interested in the wind. He refers to it once in the Song of Solomon, six times in Proverbs, and fourteen times in Ecclesiastes. Jesus also spoke of the wind when he was sharing the gospel with Nicodemus (John 3:8).

26 Garrett, Proverbs, Ecclesiastes, Song of Songs,

27 This last phrase is a loose quotation of Prov 27:20: “As Death and Destruction are never satisfied, so the eyes of a person are never satisfied” (NET).

28 Ronald B. Allen, “Ecclesiastes,” in Nelsons New Illustrated Bible Commentary (Nashville: Thomas Nelson, 1999), 781.

29 David Fairchild, “Futility Under The Sun” (Ecclesiastes 1:1-11):

30 Jeremiah, Searching for Heaven on Earth, 12.

31 Ray Pritchard, Something New Under the Sun: Ancient Wisdom for Contemporary Living (Chicago: Moody, 1998), 29.

32 Nelson, The Problem of Life with God, 12.

33 Nelson, The Problem of Life with God, 5.

34 Wayne Schmidt, Soul Management (Grand Rapids: Zondervan, 1996), 15. Schmidt quotes David Augsburger who states, “Emptiness is at the center of our humanness. To flee it is to miss the creative openness toward creation and Creator. To stuff it full of things is to block our ability to receive others in listening love. To anesthetize it with addictive experiences is to deaden the creative springs of the true self. Emptiness is to be embraced as a gift.” See David Augsburger, When Enough Is Enough (Ventura, CA: Regal, 1984), 52.

35 Ardel B. Caneday, “Qoheleth: Enigmatic Pessimist or Godly Sage?” Grace Theological Journal 7.1 (1986): 55.

36 The noun yithron (“advantage, profit, excess”) appears only in the book of Ecclesiastes in the following passages: Eccl 1:3; 2:11, 13 [twice]; 3:9; 5:8, 15; 7:12; 10:10, 11. Profit is always on our minds (e.g., profit margins profit shares). God has wired us this way; however, He wants us to look toward eternal profit.

37 Barry C. Davis, The Book of Ecclesiastes, Multnomah Biblical Seminary unpublished class notes.

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“Woody Wednesday” Trivia about Woody Allen

Woody Allen vs William Buckley – FUNNY

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopelessmeaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of his own secular view. I salute him for doing that. That is why I have returned to his work over and over and presented my own Christian worldview as an alternative.

My interest in Woody Allen is so great that I have a “Woody Wednesday” on my blog www.thedailyhatch.org every week. Also I have done over 30 posts on the historical characters mentioned in his film “Midnight in Paris.” (Salvador Dali, Ernest Hemingway,T.S.Elliot,  Cole Porter,Paul Gauguin,  Luis Bunuel, and Pablo Picasso were just a few of the characters.) Check out these trivia facts below.

Here is some trivia about Woody Allen:

The two biggest myths about me are that I’m an intellectual, because I wear these glasses, and that I’m an artist because my films lose money. Those two myths have been prevalent for many years.

Join the army, see the world, meet interesting people – and kill ’em.

Not only is there no God, but try getting a plumber on weekends.

If it turns out that there is a God, I don’t think that he’s evil. But the worst that you can say about him is that basically he’s an underachiever.

To you, I’m an atheist; to God, I’m the Loyal Opposition.

If only God would give me some clear sign! Like making a large deposit in my name at a Swiss bank.

Time is nature’s way of keeping everything from happening at once.

My one regret in life is that I am not someone else.

[on why he never watches his own movies] I think I would hate them.

[About the audience] I never write down to them. I always assume that they’re all as smart as I am . . . if not smarter.

[on the Academy Awards circa 1978] I have no regard for that kind of ceremony. I just don’t think they know what they’re doing. When you see who wins those things — or who doesn’t win them — you can see how meaningless this Oscar thing is.

[on being nominated for an Oscar for Crimes and Misdemeanors (1989)] You have to be sure to keep it very much in perspective. You think it’s nice at the time because it means more money for your film, but as soon as you let yourself start thinking that way, something happens to the quality of the work.

There was no ripple professionally for me at all when I was in the papers with my custody stuff. I made my films, I worked in the streets of New York, I played jazz every Monday night, I put a play on. Everything professionally went just the same. There were no repercussions. There was white-hot interest for a while, like with all things like that, and then it became uninteresting to people.

The directors that have personal, emotional feelings for me are Ingmar Bergman and Federico Fellini, and I’m sure there has been some influence but never a direct one. I never set out to try and do anything like them. But, you know, when you listen to a jazz musician like Charlie Parker for years and you love it, then you start to play an instrument, you automatically play like that at first, then you branch off with your own things. The influence is there, it’s in your blood.

Hollywood for the most part aimed at the lowest common denominator. It’s conceived in venality, it’s motivated by pandering to the public, by making a lot of money. People like Ingmar Bergman thought about life, and they had feelings, and they wanted to dramatize them and engage one in a dialogue. I felt I couldn’t easily be engaged by the nonsense that came out of Hollywood.

I had a line in one of my movies – ‘Everyone knows the same truth.’ Our lives consist of how we choose to distort it. One person will distort it with a kind of wishful thinking like religion, someone else will distort it by thinking political solutions are going to do something, someone else will think a life of sensuality is going to do it, someone else will think art transcends. Art for me has always been the Catholicism of the intellectuals. There is no afterlife for the Catholics really, and there’s no afterlife for the arts. ‘Your painting lived on after you’ – well, that doesn’t really do it. That’s not what you want. Even if your painting does have some longevity, eventually that’s going to go. There won’t be any works of William Shakespeare or Ludwig van Beethoven, or any theatre to see them in, or air or light. I’ve always felt you’ve got to live your life within the context of this worst-case scenario. Which is true; the worst-case scenario is here.

When I was a kid, movies from Hollywood seemed very glamorous, but when you look back at them as a young man, you can see out of the thousands of films that came out of Hollywood there were really very few good ones statistically, and those few that were good were made in spite of the studios. I saw European films as a young man and they were very much better. There’s no comparison.

I was just a poor student. I had no interest in it. When I make a film the tacit contract with the audience is that I will give them some entertainment and not bore them. I have to do that. I just lay a message on them. Great filmmakers, like Ingmar Bergman or Akira Kurosawa or Federico Fellini, they’re very entertaining, their films are fun. Well, in college they never made it entertaining for me, they just bored me stiff.

The biggest flaw in being self-taught is there are gaps. You self-teach yourself something and you think you know something fairly well, but then there are gaps a university teacher would have taught you as part of a mandatory program. I would probably have been better off if I’d got a better general education, but I was just so bored.

I can bring stars, I’ve worked with terrific cameramen, but people still have a better chance of making their $150m films because they’re not interested in the kind of profits I can bring if I’m profitable.

The sensibility of the film-maker infuses the project so people see a picture like Annie Hall (1977) and everyone thinks it’s so autobiographical. But I was not from Coney Island, I was not born under a Ferris wheel, my father never worked at a place that had bumper cars, that’s not how I met Diane Keaton, and that’s not how we broke up. Of course, there’s that character who’s always beleaguered and harassed. Certain things are autobiographical, certain feelings, even occasionally an incident, but overwhelmingly they’re totally made up, completely fabricated.

Of course, I would love everybody to see my films. But I don’t care enough ever to do anything about it. I would never change a word or make a movie that I thought they would like. I really don’t care if they come or not. If they don’t want to come, then they don’t; if they do come, then great. Do I want to do what I do uncompromisingly, and would I love it if a big audience came? Yes, that would be very nice. I’ve never done anything to attract an audience, though I always get accused of it over the years.

[on the Academy Awards circa 1978] They’re political and bought and negotiated for – although many worthy people have deservedly won – and the whole concept of awards is silly. I cannot abide by the judgment of other people, because if you accept it when they say you deserve an award, then you have to accept it when they say you don’t.

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“Midnight in Paris” one of Woody Allen’s biggest movie hits in recent years, July 18, 2011 – 6:00 am

(Part 32, Jean-Paul Sartre)July 10, 2011 – 5:53 am

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(Part 23,Adriana, fictional mistress of Picasso) July 1, 2011 – 12:28 am

(Part 22, Silvia Beach and the Shakespeare and Company Bookstore) June 30, 2011 – 12:58 am

(Part 21,Versailles and the French Revolution) June 29, 2011 – 5:34 am

(Part 16, Josephine Baker) June 24, 2011 – 5:18 am

(Part 15, Luis Bunuel) June 23, 2011 – 5:37 am

“Woody Wednesday” A 2010 review of Woody Allen’s Annie Hall

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]

“Woody Wednesday” In 2009 interview Woody Allen talks about the lack of meaning of life and the allure of younger women

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]

Woody Allen video interview in France talk about making movies in Paris vs NY and other subjects like God, etc

Woody Allen video interview in France Related posts: “Woody Wednesdays” Woody Allen on God and Death June 6, 2012 – 6:00 am Good website on Woody Allen How can I believe in God when just last week I got my tongue caught in the roller of an electric typewriter? If Jesus Christ came back today and […]

“Woody Wednesday” Woody Allen on the Emptiness of Life by Toby Simmons

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]

Woody Allen interviews Billy Graham (Woody Wednesday)

A surprisingly civil discussion between evangelical Billy Graham and agnostic comedian Woody Allen. Skip to 2:00 in the video to hear Graham discuss premarital sex, to 4:30 to hear him respond to Allen’s question about the worst sin and to 7:55 for the comparison between accepting Christ and taking LSD. ___________________ The Christian Post > […]

“Woody Allen Wednesdays” can be seen on the www.thedailyhatch.org

Crimes and Misdemeanors: A Discussion: Part 1 If you like Woody Allen films as much as I do then join me every Wednesday for another look the man and his movies. Below are some of the posts from the past: “Woody Wednesday” How Allen’s film “Crimes and Misdemeanors makes the point that hell is necessary […]

“Woody Wednesday” Great Documentary on Woody Allen

I really enjoyed this documentary on Woody Allen from PBS. Woody Allen: A Documentary, Part 1 Published on Mar 26, 2012 by NewVideoDigital Beginning with Allen’s childhood and his first professional gigs as a teen – furnishing jokes for comics and publicists – WOODY ALLEN: A DOCUMENTARY chronicles the trajectory and longevity of Allen’s career: […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 6)

Crimes and Misdemeanors: A Discussion: Part 3 Uploaded by camdiscussion on Sep 23, 2007 Part 3 of 3: ‘Is Woody Allen A Romantic Or A Realist?’ A discussion of Woody Allen’s 1989 movie, Crimes and Misdemeanors, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca ______________ One of my favorite Woody Allen movies and I reviewed […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 5)

Crimes and Misdemeanors: A Discussion: Part 2 Uploaded by camdiscussion on Sep 23, 2007 Part 2 of 3: ‘What Does The Movie Tell Us About Ourselves?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca _________________- One of my favorite Woody Allen movies and I reviewed it earlier but […]

In 2009 interview Woody Allen talks about the lack of meaning of life and the allure of younger women

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]

“Woody Allen Wednesdays” can be seen on the www.thedailyhatch.org

Crimes and Misdemeanors: A Discussion: Part 1 If you like Woody Allen films as much as I do then join me every Wednesday for another look the man and his movies. Below are some of the posts from the past: “Woody Wednesday” How Allen’s film “Crimes and Misdemeanors makes the point that hell is necessary […]

Woody Allen on the Emptiness of Life by Toby Simmons

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopeless, meaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 4)

Crimes and Misdemeanors: A Discussion: Part 1 Uploaded by camdiscussion on Sep 23, 2007 Part 1 of 3: ‘What Does Judah Believe?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca _____________ One of my favorite films is this gem by Woody Allen “Crimes and Misdemeanors”: Film Review By […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 3)

Crimes and Misdemeanors: A Discussion: Part 3 Uploaded by camdiscussion on Sep 23, 2007 Part 3 of 3: ‘Is Woody Allen A Romantic Or A Realist?’ A discussion of Woody Allen’s 1989 movie, Crimes and Misdemeanors, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca ______________ One of my favorite Woody Allen movies and I reviewed […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 2)

Crimes and Misdemeanors: A Discussion: Part 2 Uploaded by camdiscussion on Sep 23, 2007 Part 2 of 3: ‘What Does The Movie Tell Us About Ourselves?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca _________________- One of my favorite Woody Allen movies and I reviewed it earlier but […]

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 1)

Crimes and Misdemeanors: A Discussion: Part 1 Uploaded by camdiscussion on Sep 23, 2007 Part 1 of 3: ‘What Does Judah Believe?’ A discussion of Woody Allen’s 1989 movie, perhaps his finest. By Anton Scamvougeras. http://camdiscussion.blogspot.com/ antons@mail.ubc.ca _____________ Today I am starting a discusssion of the movie “Crimes and Misdemeanors” by Woody Allen. This 1989 […]

Another look at Woody Allen’s movie Crimes and Misdemeanors

I have spent alot of time talking about Woody Allen films on this blog and looking at his worldview. He has a hopelessmeaningless, nihilistic worldview that believes we are going to turn to dust and there is no afterlife. Even though he has this view he has taken the opportunity to look at the weaknesses of his own secular view. I salute him for doing that. That is why I have returned to his work over and over and presented my own Christian worldview as an alternative. Take a moment and read again a good article on Woody Allen below. There are some links below to some other posts about him.

________

CRIMES AND MISDEMEANORS (1989)

PHILOSOPHICAL ISSUES: Ethical objectism/relativism

CHARACTERS: Judah Rosenthal (ophthalmologist, adulterer), Jack Rosenthal (Judah’s mobster brother), Miriam Rosenthal (Judah’s wife), Dolores (Anjelica Huston, Judah’s mistress), Lester (Alan Alda, TV personality), Cliff Stern (Woody Allen, unsuccessful film director), Ben (Sam Waterston, Rabbi), Halley Reed (Mia Farrow, TV producer)

OTHER FILMS BY DIRECTOR WOODY ALLEN: Sleeper (1973), Annie Hall (1977), Hannah and her Sisters (1986), Bullets over Broadway (1994), Deconstructing Harry (1997), Sweet and Lowdown (1999)

SYNOPSIS: Woody Allen’s “Crimes and Misdemeanors” intertwines two stories. The first involves Judah, a wealthy ophthalmologist and family man, who has had a several-year affair with Dolores. Dolores threatens to go public regarding the affair and Judah’s shady financial dealings unless Judah leaves his wife. Judah calls on his mobster brother to kill Dolores, which he does. The second storyline involves Cliff, a nerdy and unsuccessful documentary filmmaker, who is in an unhappy marriage. While working on a documentary about a TV personality named Lester, Cliff falls in love with Halley, a network producer. Halley rebuffs Cliff because he is married. When Cliff finally gets divorced, Halley has become engaged to Lester. Throughout both storylines discussions arise about God’s role in establishing ethical values, and whether the world would be valueless if God didn’t exist. Judah and Cliff meet up at the end of the film, and Judah presents an anonymous version of the murder – as though it might be a plot for a movie. It becomes clear that Judah got away with the murder, and suffered no long-term guilt. The film was nominated for several Academy Awards, including best screenplay and best director.

DISCUSSION QUESTIONS:

1. According to the DVD commentary, Allen views his film as “revisiting the themes he examined 15 years earlier in the farce Love and Death, [and] ideas such as God, faith, and justice. ‘Existential subjects to me,’ says the filmmaker, ‘are still the only subjects worth dealing with.’” What are some examples of existential positions throughout the film?

2. Speaking to Judah, Rabbi Ben states the two key moral positions of the movie: “It’s a fundamental difference in the way we view the world. You see it as harsh and empty of values and pitiless. And I couldn’t go on living if I didn’t feel it with all my heart a moral structure, with real meaning, and forgiveness, and a higher power, otherwise there’s no basis to live.” Is there an in between position?

3. According to the DVD commentary, Allen used eyes as a pervasive metaphor in the film. Judah is an eye doctor, the rabbi eventually goes blind, etc. “Crimes and Misdemeanors is about people who don’t see. They don’t see themselves as others see them. They don’t see the right and wrong of situations.” Allen notes that the rabbi is not only physically blind, but metaphorically blind “to other things, to the realities of life.” He believes, though, that the rabbi’s blindness is also a gift. “He’s blessed and lucky because he has… the best gift anyone could have. He has genuine religious faith.” Must one be blind to the world’s problems to have genuine religious faith?

4. Although Allen claims that the rabbi is detached from the reality of the world, clearly Judah is as detached as the rabbi if not more. During an imaginary conversation with rabbi Ben, Judah describes three levels of aloofness that are characterized in the movie by himself, Ben, and Jack. “God is a luxury I can’t afford,” Judah states. Ben replies, “Now you’re talking like your brother Jack.” “Jack lives in the real world,” Judah continues. “You live in the kingdom of heaven. I manage to keep free of that real world, but suddenly it’s found me.” In both cases, aloofness is caused by a particular worldview. In the case of the rabbi, the view is that the world originates from a wholly good God. In the case of Judah, it is the view that he himself is a moral person, which view causes him to ignore his own “questionable moves.” Is the only way to be honest with oneself to have a twisted or lacking sense of morals, like Jack the mobster?

5. Rabbi Ben tells Judah that “without the law it’s all darkness.” Judah retorts, “What good is the law if it prevents me from receiving justice? Is what she’s doing to me just? Is this what I deserve?” Judah’s situations is caused directly or indirectly by choices he’s made, even though he may not have understood at the time he made them their full implications for the future. Can Judah, therefore, be held morally responsible for creating his own situation?

6. In Cliff’s documentary footage on Louis Levy, Levy states “Now the unique thing that happened to the early Israelites was that they conceived a God that cares. He cares, but at the same time he also demands that you behave morally. But here comes the paradox. What’s one of the first things that that God asks: that God asks Abraham to sacrifice his only son, his beloved son to him. In other words, in spite of millennia of efforts we have not succeeded to create a really and entirely loving image of God. This was beyond our capacity to imagine.” Is Levy right about the limitations of the human notion of God, and, if so, what is behind this limitation?

7. In the documentary footage, Levy comments on the nature of love. “You will notice that what we are aiming at when we fall in love is a very strange paradox. The paradox consists of the fact that when we fall in love we are seeking to re-find all or some of the people to whom we were attached as children. On the other hand we ask of our beloved to correct all of the wrongs that these early parents or siblings inflicted on us. So that love contains in it a contradiction, the attempt to return to the past and the attempt to undo the past.” Is this an accurate notion of the nature of love?

8. Visiting his childhood house, Judah imagines his family celebrating the Passover dinner. He asks what happens if a man kills. The image of his father answers, “then one way or another he’ll be punished.” “If he’s caught, Saul,” interjects an uncle. The father continues, “If he’s not caught that which originates from a black deed will blossom in a foul manner.” His aunt “And I say if he can do it and get away with it, and he chooses not to be bothered by the ethics, then he’s home free. Remember, history is written by the winners. And if the Nazis had won, future generations would understand the story of World War II quite differently.” Is there a middle ground between these two positions?

9. Continuing the imaginary Passover dialog, the uncle asks Judah’s father, “And if all your faith is wrong, Saul, I mean just what if?” The father answers, “Then I’ll still have a better life than all those that doubt.” The aunt asks, “Do you mean that you prefer God to the truth?” The father responds, “If necessary I will always choose God over truth.” Why would someone knowingly choose religious faith over truth?

10. After Levy committed suicide, Cliff reviewed a clip from the documentary footage in which Levy states: “But we must always remember that when we are born we need a great deal of love to persuade us to stay in life. Once we get that love, it usually lasts us. But the universe is a pretty cold place. It’s we who invest it with our feelings. And under certain conditions, we feel that the thing isn’t worth it anymore.” Is this an accurate picture of why people give up on life?

11. Hearing the news of Levy’s death, Halley says, “No matter how elaborate a philosophical system you work out, in the end it’s got to be incomplete.” Halley is probably right. Why must a philosophical system necessarily be incomplete?

12. Near the end of the film Judah explains his murder story as though it might be a plot to a movie. Cliff responds, “I would have him turn himself in. Then your movie assumes tragic proportions, because in the absence of a God he is forced to assume that responsibility himself. Then you have tragedy.” What specifically would make this a tragedy?

13. At the close of the movie, Levy has the final word in a voice over narration: “It is only we, with out capacity to love, that give meaning to an indifferent universe. And yet, most human beings seem to have the ability to keep trying and find joy from simple things – from their family, their work, and from the hope that future generations might understand more.” Is this sufficient to give like meaning?

REVIEWS

Crimes and Misdemeanors is a Woody Allen film that takes a serious and entertaining look at ethics and morality. It focuses on the lives of two very different men, Judah Rosenthal and Cliff Stern. The audience watches as the characters lives intersect one another and these two characters take different approaches to life and their choices based on their moral and ethical views. One of the strengths of this film is that it was enjoyable. This was a completely different type of film than, Baraka or Mindwalk, which take the non-verbal and completely verbal styles, respectively. Crimes and Misdemeanors had humor, good writing and acting, blood, and a guy poops on some woman’s chest. Those things just wouldn’t fit in Baraka or Mindwalk. The fact that this movie can mention a person pooping on another person in a sexual context and at the same time by end of the movie leave you to wonder whether God has anything to do with your moral decisions or not, is something that should not be overlooked when praising this movie. But even the pooping has a purpose in the film I believe. The movie discusses whether there are certain actions that are always right or wrong. For instance, wouldn’t it be better for Judah to have his girlfriend murdered rather than for the truth to be left out in the open. The film is scary in that, as I was watching I found myself thinking “Well, yeah, you’ve got to kill her Judah, it’s the best way to go.” This may because I’m so desensitized in the content of the films I watch, or the writing in the film was so good that you can identify and sympathize with Judah much more than his girlfriend. This was an excellent film that has caused me to seek out other Woody Allen films. I highly recommend. — Levitator

Crimes and Misdemeanors: This Woody Allen film discusses the philosophical issues of morality and existentialism by entering the life of Judah Rosenthal, an ophthalmologist in New York City. Judah begins revisiting his religious upbringing once his conscience is filled with guilt after having his discontented mistress murdered. Once Judah realizes that he will go unpunished because of his social status and connections, his conscience launches him into a philosophical dilemma, in which he must question his faith and morality. When speaking to Judah, Rabbi Ben highlights the two opposing religious philosophies presented in the movie: It’s a fundamental difference in the way we view the world. You see it as harsh and empty of values and pitiless. And I couldn’t go on living if I didn’t feel it with all my heart a moral structure, with real meaning, and forgiveness, and a higher power, otherwise there’s no basis to live. From Rabbi Ben’s perspective, Judah represents the existentialist philosophy of religion in that it is nonexistent, and that the world is cold and empty of values. This view contrasts greatly with the not only physically but also metaphorically blind Rabbi Ben, whom director Woody Allen commented on saying: He’s blessed and lucky because he has… the best gift anyone could have. He has genuine religious faith. Once Judah realizes that he will continue living his comfortable life unscathed, his situation becomes an example of moral relativism in that there are no universal moral truths. A flashback Judah experiences in the film presents the two opposing moral philosophies he contemplates. He imagines coming upon his family during a Passover dinner during his childhood, and he asks what the consequence would be if a man killed. His father answers: Then one way or another he’ll be punished. If he’s caught, Saul, interjects his uncle. His father continues: If he’s not caught that which originates from a black deed will blossom in a foul manner. Then his aunt said: And I say if he can do it and get away with it, and he chooses not to be bothered by the ethics, then he’s home free. Remember, history is written by the winners. And if the Nazis had won, future generations would understand the story of World War II quite differently. — J.D.

________

Here is a complete list of all the posts I did on the film “Midnight in Paris”

What can we learn from Woody Allen Films?, August 1, 2011 – 6:30 am

Movie Review of “Midnight in Paris” lastest movie by Woody Allen, July 30, 2011 – 6:52 am

Leo Stein and sister Gertrude Stein’s salon is in the Woody Allen film “Midnight in Paris”, July 28, 2011 – 6:22 am

Great review on Midnight in Paris with talk about artists being disatisfied, July 27, 2011 – 6:20 am

Critical review of Woody Allen’s latest movie “Midnight in Paris”, July 24, 2011 – 5:56 am

Not everyone liked “Midnight in Paris”, July 22, 2011 – 5:38 am

“Midnight in Paris” one of Woody Allen’s biggest movie hits in recent years, July 18, 2011 – 6:00 am

(Part 32, Jean-Paul Sartre)July 10, 2011 – 5:53 am

 (Part 29, Pablo Picasso) July 7, 2011 – 4:33 am

(Part 28,Van Gogh) July 6, 2011 – 4:03 am

(Part 27, Man Ray) July 5, 2011 – 4:49 am

(Part 26,James Joyce) July 4, 2011 – 5:55 am

(Part 25, T.S.Elliot) July 3, 2011 – 4:46 am

(Part 24, Djuna Barnes) July 2, 2011 – 7:28 am

(Part 23,Adriana, fictional mistress of Picasso) July 1, 2011 – 12:28 am

(Part 22, Silvia Beach and the Shakespeare and Company Bookstore) June 30, 2011 – 12:58 am

(Part 21,Versailles and the French Revolution) June 29, 2011 – 5:34 am

(Part 16, Josephine Baker) June 24, 2011 – 5:18 am

(Part 15, Luis Bunuel) June 23, 2011 – 5:37 am

“Woody Wednesday” The heart wants what it wants”jh67

I read this on http://www.crosswalk.com which is one of my favorite websites. Life Lessons from Woody Allen Stephen McGarvey I confess I am a huge film buff. But I’ve never really been a Woody Allen fan, even though most film critics consider him to be one of the most gifted and influential filmmakers of our […]

“Music Monday”:Coldplay’s best songs of all time (Part 6)

  “Music Monday”:Coldplay’s best songs of all time (Part 6) This is “Music Monday” and I always look at a band with some of their best music. I am currently looking at Coldplay’s best songs. Here are a few followed by another person’s preference: My son Hunter Hatcher’s 15th favorite song is “trouble.” Even though […]

“Woody Wednesday” Allen once wrote these words: “Do you realize what a thread were all hanging by? Can you understand how meaningless everything is? Everything. I gotta get some answers.” jh31

Woody Allen, the film writer, director, and actor, has consistently populated his scripts with characters who exchange dialogue concerning meaning and purpose. In Hannah and Her Sisters a character named Mickey says, “Do you realize what a thread were all hanging by? Can you understand how meaningless everything is? Everything. I gotta get some answers.”{7} […]

“Music Monday”:Coldplay’s best songs of all time (Part 5)

“Music Monday”:Coldplay’s best songs of all time (Part 5) This is “Music Monday” and I always look at a band with some of their best music. I am currently looking at Coldplay’s best songs. Here are a few followed by another person’s preference: Hunter picked “Don’t Panic,” as his number 16 pick of Coldplay’s best […]

Steve Jobs’ view of death and what the Bible has to say about it jh55

(If you want to check out other posts I have done about about Steve Jobs:Some say Steve Jobs was an atheist , Steve Jobs and Adoption , What is the eternal impact of Steve Jobs’ life? ,Steve Jobs versus President Obama: Who created more jobs? ,Steve Jobs’ view of death and what the Bible has to say about it ,8 things you might not know about Steve Jobs ,Steve […]

“Woody Wednesday” A review of some of the past Allen films jh32

I am a big Woody Allen fan. Not all his films can be recommended but he does look at some great issues and he causes the viewer to ask the right questions. My favorite is “Crimes and Misdemeanors” but the recent film “Midnight in Paris” was excellent too. Looking at the (sometimes skewed) morality of […]

Good without God?

(The signs are up on the buses in Little Rock now and the leader of the movement to put them up said on the radio today that he does not anticipate any physical actions against the signs by Christians. He noted that the Christians that he knows would never stoop to that level.) Debate: Christianity […]

“Music Monday”:Coldplay’s best songs of all time (Part 4)

Dave Hogan/ Getty Images This is “Music Monday” and I always look at a band with some of their best music. I am currently looking at Coldplay’s best songs. Here are a few followed by another person’s preference: For the 17th best Coldplay song of all-time, Hunter picks “42.” He notes, “You thought you might […]

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Lykke Li has played sold out shows in Central Park (NYC), throughout the rest of the US Europe and the UK, and has appeared on television in the US and Europe including Jimmy Fallon, Conan O’Brien, Jimmy Kimmel, The Tonight Show with Jay Leno, Later…with Jools Holland and more. In the sumer of 2011 she has played at more than 30 festivals worldwide. See more trivia »

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2012Divorce (TV series)
– Episode #1.1 (2012) (writer: “I Follow Rivers” / performer: “I Follow Rivers”)
2012The X Factor (TV series)

– Live Decider 6 (2012) (writer: “Tonight”)
2012Premium Rush (writer: “Get Some” / as Lykke Li Zachrisson / performer: “Get Some”)

2012Rust and Bone (writer: “I Follow Rivers” / performer: “I Follow Rivers”)

2012The Vow (writer: “Get Some” / as Lykke Li Zachrisson / performer: “Get Some”)

2011Late Show with David Letterman (TV series)

– Episode #19.45 (2011) (writer: “Silent My Song” – uncredited / performer: “Silent My Song” – uncredited)
2011The Tonight Show with Jay Leno (TV series)

– Episode #19.194 (2011) (writer: “Youth Knows No Pain” – uncredited / performer: “Youth Knows No Pain” – uncredited)
2009-2011So You Think You Can Dance (TV series)

– Two of 10 Voted Off (2011) (performer: “Tonight”)
– Top 10 Perform (2011) (performer: “Tonight”)
– The Top 12 Perform (2009) (performer: “Time Flies”)
2011Top Gear (TV series)

– Episode #17.1 (2011) (writer: “Melodies & Desires” – uncredited / performer: “Melodies & Desires” – uncredited)
2008-2011Later with Jools Holland (TV series)

– Episode #38.4 (2011) (writer: “Get Some”, “I Follow Rivers”, “Sadness Is A Blessing” / performer: “Get Some”, “I Follow Rivers”, “Sadness Is A Blessing”)
– Episode #32.4 (2008) (writer: “Little Bit” / performer: “Little Bit”)
2011Glee (TV series)

– A Night of Neglect (2011) (writer: “I Follow Rivers” – uncredited)
2011Conan (TV series)

– Excuse Me, But May I Murder You? (2011) (writer: “Get Some” – uncredited / performer: “Get Some” – uncredited)
2011Late Night with Jimmy Fallon (TV series)

– Episode #1.405 (2011) (writer: “Get Some” / performer: “Get Some”)
201090210 (TV series)

– Best Lei’d Plans (2010) (“Get Some” – uncredited)
– Girl Fight! (2010) (“Let It Fall” – uncredited)
2010So You Think You Can Dance Canada (TV series)

– Top 16 Results (2010) (performer: “Tonight”)
2010Real-Life Mallory (short) (“Time Flies”)

2009Misfits (TV series)

– Episode #1.3 (2009) (performer: “Until We Bleed”)
2009The Twilight Saga: New Moon (writer: “Possibility” / as Lykke Li Zachrisson / performer: “Possibility” / producer: “Possibility”)

2009Bored to Death (TV series)

– The Case of the Stolen Sperm (2009) (performer: “Little Bit'”)
2009Sorority Row (writer: “I’m Good, I’m Gone Black Kids Remix” / as Lykke Zachrisson / performer: “I’m Good, I’m Gone Black Kids Remix”)

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Wikipedia reported: Blondie Chris Stein and Deborah Harry in 2008 Background information Origin New York City, US Genres New Wave punk rock[1][2] dance-rock[3] pop punk[3][4] post-punk power pop Years active 1974–1982 1997–present Labels Chrysalis/EMI Beyond/BMG Epic Sanctuary Private Stock Website http://www.blondie.net Members Debbie Harry Chris Stein Clem Burke Leigh Foxx Matt Katz-Bohen Tommy Kessler Jimmy […]

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“Music Monday” All-American Rejects Part 4 (Leadsingers Tyson Ritter and Gene Simmons have something in common)

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Lykke Li “I’m Good, I’m Gone”

Uploaded on Jan 30, 2008

Acoustic live version with guests: Robyn, Adam & Bebban (Shout Out Louds), Daniel (The Concretes), Lars (Laakso) and Mikael (Hjalmar). Director: Ted Malmros + Christian Haag

Album “Youth Novels” out jan 30 2008.

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“Music Monday” All-American Rejects Part 2 (“Finding Satisfaction in Life”)

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Keith Green’s article “Grumbling and Complaining–So You Wanna Go Back to Egypt?” (Part 3)

Keith Green – So You Wanna Go Back To Egypt (live)

Uploaded by on May 25, 2008

Keith Green performing “So You Wanna Go Back To Egypt” live at West Coast 1980

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This song really shows Keith’s humor, but it really has great message. Keith also had a great newsletter that went out every month and I always enjoyed reading it. Below is a portion of an article he wrote  and I still remember some of the things he said over 30 years ago when I first read it.

Keith Green – So You Wanna Go Back To Egypt

Grumbling and Complaining —So You Wanna Go Back To Egypt?

By Keith Green

#2 Complaints Of Jealousy

Numbers reveals another dangerous complaint that’s buried in each one of us like a ticking bomb.

In Numbers 12:1 it says, “Then Miriam and Aaron spoke against Moses because of the Cushite woman whom he had married…” On the surface, their complaint seemed to be about Moses choosing a non-Jewish wife. But we know Moses was a praying man with a face-to-face relationship with God – and apparently God gave Moses the go-ahead to marry her. Actually, Miriam and Aaron were judging Moses and once they began to gripe, their real complaint came out. In the very next verse they said, “Has the Lord spoken only through Moses? Has He not spoken through us as well?”

You don’t have to dig too deep to see the sin of jealousy. God had elevated Moses to a place of leadership, honor, and respect. And his own brother and sister couldn’t stand it! Their complaint didn’t come from physical appetite, like the people demanding meat. They complained because of hungry egos!

Unfortunately, egos didn’t become extinct at the close of the Old Testament. New Testament Christians like us, have New Testament ego problems. By that I mean we sometimes get jealous and complain against our brothers and sisters in the Lord. I’ve seen this kind of jealousy between close friends who get involved in ministry at the same time. One of them is put in a leadership position and you’d expect the other one to be happy for him because Paul says, “Rejoice with those who rejoice.” (Rom.12:15)

But all too often the response is a bruised ego. Then the grumbling starts. “Why does he get to lead the Bible study? I’ve been a Christian longer than he has. I led him to the Lord! Last night he took five minutes to find Haggai!”

Sadly, one reason we get jealous of Christian preachers, teachers, or performers is because we see others idolizing them. We should be offended, but if some of us get honest, we’ll admit we want that kind of respect and admiration too. Maybe you’ve never seen it in this way, but sometimes we want to be idolized!

Jesus had to settle this problem among his 12 closest friends the night before He was crucified. He’d already told them He was about to die, and they were grieving, right? Wrong. The week before they had watched Him hailed as King when He entered Jerusalem and now they were arguing over who would be the greatest in His Kingdom! (Lk. 22:24) I would’ve gone out and looked for 12 new disciples! But Jesus took a towel and a basin of water, and washed their feet one by one, like a common household servant. Then He said, “Do you know what I have done to you? You call me teacher and Lord; and you are right; for so I am. If I then… washed your feet, you also ought to wash one another’s feet.” (Jn. 13:12-14)

Are you complaining because no one recognizes your gifts? Are you picking at the flaws in leaders? Are you murmuring because someone besides you is getting attention and praise?

Paul warned one group of Christians: “But if you bite and devour one another, take care lest you be consumed by one another.” (Gal. 5:15) Jealous complaining is like a destructive cancer.

God allowed Miriam and Aaron to feel the cancerous effect of their complaints against Moses. In anger, the Lord struck Miriam with leprosy – the cancer of that age. (Num. 12:10) Though He cleansed her of the leprosy, she and Aaron were later forbidden to enter the Promised Land “because of rebellion.” (Num. 20:24)

The message is clear. Sometimes our complaints come from hungry egos we haven’t surrendered to the Lord. If you’ve been complaining because no one’s recognizing your gifts, surrender your ego to God before it becomes like a cancer, devouring your brothers and sisters in Christ, and consuming your own Spirit.

Your complete surrender will allow God to cleanse you. Then you will be ready to take your position in His Kingdom.

 

 

Ecclesiastes: Everything is Meaningless!!!!

Ecclesiastes 8-10 | Still Searching After All These Years

Published on Oct 9, 2012

Calvary Chapel Spring Valley | Sunday Evening | October 7, 2012 | Pastor Derek Neider

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Ecclesiastes 11-12 | Solomon Finds His Way

Published on Oct 30, 2012

Calvary Chapel Spring Valley | Sunday Evening | October 28, 2012 | Pastor Derek Neider

____________________

I have written on the Book of Ecclesiastes and the subject of the meaning of our lives on several occasions on this blog. In this series on Ecclesiastes I hope to show how secular humanist man can not hope to find a lasting meaning to his life in a closed system without bringing God back into the picture. This is the same exact case with Solomon in the Book of Ecclesiastes. Three thousand years ago, Solomon took a look at life “under the sun” in his book of Ecclesiastes. Christian scholar Ravi Zacharias has noted, “The key to understanding the Book of Ecclesiastes is the term ‘under the sun.’ What that literally means is you lock God out of a closed system, and you are left with only this world of time plus chance plus matter.”

Let me show you some inescapable conclusions if you choose to live without God in the picture. Solomon came to these same conclusions when he looked at life “under the sun.”

  1. Death is the great equalizer (Eccl 3:20, “All go to the same place; all come from dust, and to dust all return.”)
  2. Chance and time have determined the past, and they will determine the future.  (Ecclesiastes 9:11-13)
  3. Power reigns in this life, and the scales are not balanced(Eccl 4:1)
  4. Nothing in life gives true satisfaction without God including knowledge (1:16-18), ladies and liquor (2:1-3, 8, 10, 11), and great building projects (2:4-6, 18-20).

You can only find a lasting meaning to your life by looking above the sun and bring God back into the picture.

Absurdity and the Cross – Ravi Zacharias Ministry

Doubt everything, find your own light.(1) So recommends the Buddha in his last words. It sounds like good advice, but then the human heart invariably presses on to doubt itself! After all, what kind of assurance can we have that this light is real light or true? The hunger for meaning, the quest for understanding, the search for answers and solutions are central features of the human condition.

For instance, what is the nature of reality? What is existence all about? What is the purpose of life, if any, and what should we try to give answers to? A much-neglected resource for reflection in this area is the book of Ecclesiastes, from the preacher, or Qoheleth in Hebrew. It is a book that speaks profoundly to our times by asking questions, by setting out contradictions, and by forcing the reader to feel what absurdity as an outlook is really like.

As the book opens, we are confronted with its most famous words, “Vanity, vanity, all is vanity and a striving after wind.” Or in another translation of Ecclesiastes 1:2: “‘Meaningless! Meaningless!’ says the Teacher, ‘Utterly Meaningless! Everything is meaningless.’” Not a very inspiring start! He has devoted himself to explore life, to examine what is good for humanity to do under the sun, and his observations have yielded some depressing results:  Everything in life seems to be bound by inevitability. Human freedom appears to be constrained by overwhelming necessities, leading to a sense of helplessness. And the endless cycle of repetition leads to a sense of boredom, pointlessness, and despair.

Many a sage, philosopher, and guru have come to similar conclusions. What is unique to Ecclesiastes is how the author tackles the issues and what he leads us to see. By laying out the vanities of life, the propensities of youth, the all-encompassing reach of death, and the vast urgency of wisdom as a potential life-philosophy, he engages a chaotic world with some serious reflections. The writer takes us on a journey through life, and he deals with the questions and exasperations that we all inevitably encounter. His own desire was to try and figure things out so he could live well and be content, and encourage others to do the same. He likely hoped to discover the key or missing ingredient, the clues to true and lasting success and happiness.

Instead, the world he begins to see is one that displays both good and bad at the same time. He sees the superiority of wisdom, yet even the wise are reduced by death. He sees injustice being done and oppressors prevailing, yet he also notes there is a higher justice. He cites the sayings and actions of wise people but then goes on to point out how quickly they are forgotten! It is the tone that wears on us. We see ambiguity and fuzziness, a mixture of pain and problems, food, friends, wisdom, and a spiritual hunger. These things all dwell in the same world at the same time, and this is a difficult reality for many of us to digest. Like Qoheleth, we want better answers, tidier analysis, more comforting visions—and we have them, but not here, in doubt and darkness.

Qoheleth shows us the futility of life without God. He makes us feel what life is like from an honest look at how things truly are. He gives us a severe picture of reality and suggests that God is still worth seeking somewhere in the midst of it. Even prior to the coming of the Messiah, Qoheleth paints our stark need for the God who is there.

While the world as we know it is indeed disordered and damaged, and to find answers in the world itself is absurd, God does not abandon us to absurdity. Into this world, into its pain and confusion, God, too, became flesh and dwelt among us. And it ended for Jesus as tragically as anything we observe under the sun. He went to the cross with the full force of every ugly, honest reality of Ecclesiastes on his shoulders. And he stood with us in that darkness, giving us an equally severe image of a God worth seeking in the midst of it.

Stuart McAllister is vice president of training and special projects at Ravi Zacharias International Ministries in Atlanta, Georgia.

(1) Terry Breverton, Immortal Words: History’s Most Memorable Quotations and the Stories Behind Them (London: Quercus Publishing Place, 2009), 13.

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Phoenix Part 1

Phoenix – Entertainment (Live on SNL)

Phoenix (band)

From Wikipedia, the free encyclopedia
Phoenix
Phoenix Wiltern June 28th.jpg
Background information
Origin Versailles, France
Genres Alternative rockindie rock,[1]synthpopNew Wave
Years active 1999–present
Labels Glassnote
Loyauté
Associated acts Daft Punk
Darlin’
Air
Cassius
Website wearephoenix.com
 
Members Thomas Mars (vocals)
Deck d’Arcy (bass)
Laurent Brancowitz (guitar)
Christian Mazzalai (guitar)

Phoenix is an alternative rock band from Versailles, France,[2] consisting of Thomas Mars, Deck d’Arcy, Christian Mazzalai and Laurent Brancowitz.[3]

Contents

 [hide

History[edit]

Formation and early years[edit]

Vocalist Thomas Mars, bassist Deck d’Arcy, and guitarist Chris Mazzalai started playing together as a “garage band” based out of Mars’s house in the suburbs of Paris, France. In 1995, Laurent Brancowitz, Mazzalai’s older brother, permanently joined the band on guitar after the end of Darlin’, a short-lived band that Brancowitz had formed with Thomas Bangalter and Guy-Manuel de Homem-Christo (Bangalter and de Homem-Christo later formed Daft Punk.[4]) Two years later the band took on the name Phoenix and pressed 500 copies of a single on their own label, Ghettoblaster. Shortly after, they were signed to the Paris-based Source Records. Phoenix became well acquainted with labelmates Air when they acted as their backing band on several U.K. TV appearances.[5]

Phoenix – 1901 (Live on Letterman) 18 Juin 2009

United and Alphabetical (2000-2004)[edit]

Following their two singles “If I Ever Feel Better” and “Too Young”, United was released in 2000. Their track “Too Young” was in the soundtrack for the movie Lost in Translation (which was directed by Thomas’ future wife, Sofia Coppola), and was also played in the movie Shallow Hal. The band’s second album, Alphabetical, was released in 2004 and saw the band reach more mainstream success, with the singles “Everything Is Everything” and “Run Run Run” reaching some alternative rock airplay charts.[which?] Hedi Slimane commissioned a special mix of their song “Victim of the Crime” as the soundtrack to one of his runway shows for Dior Homme.

Phoenix – Lisztomania Official Video (Best Quality + Lyrics)

Live! Thirty Days Ago, It’s Never Been Like That and Kitsuné Tabloid (2005-2009)[edit]

Following Alphabetical, the band toured three continents, playing 150 dates. This tour was followed up with a live album, Live! Thirty Days Ago, released only 30 days after the end of the tour. Phoenix then spent time in Berlin during the summer of 2005, making use of Planet Roc studios to produce their third album, It’s Never Been Like That. To promote the release of It’s Never Been Like That, Phoenix toured the United States and Europe in 2006. American band Paramore performed a cover of the song “Long Distance Call” live on Taratata, a French TV show.

The band curated a compilation album for French electronic music record and fashion label Kitsuné .It was released on March 23, 2009, just about 2 months short of Wolfgang Amadeus Phoenix.The mix tape includes music by Elvis CostelloRoxy MusicKissLou Reed and others.

Phoenix – Lasso (Live on Letterman)

Wolfgang Amadeus Phoenix (2009)[edit]

In early 2009, it was announced that the band was returning with a new album titled Wolfgang Amadeus Phoenix, which was released on May 25, 2009.[6] The album was recorded in Paris, and was co-produced and mixed by Philippe Zdar of Cassius.[7] “1901“, a tribute to early Paris, was released on February 23, 2009 as a free download prior to the release of the first single and aired for the first time on Australian radio station Triple J.

“1901” was also featured in the US during Super Bowl XLV in a Green Bay Packers montage. Phoenix also performed “Lisztomania”, “1901, and “Too Young” on Saturday Night Live on April 4.[8] They also performed “Lisztomania” on Late Night with Jimmy Fallon,[9] “Girlfriend” on The Late Late Show with Craig Ferguson,[10] and “1901” on the Late Show with David Letterman,[11] Jimmy Kimmel Live![12] and The Tonight Show with Conan O’Brien.[13]

Wolfgang Amadeus Phoenix won Best Alternative Music Album at the 2009 Grammy Awards on January 31, 2010. Shortly afterwards, “1901” hit No. 1 on the Billboard Hot Alternative Songs chart.[14] The album was the first Phoenix album to be certified gold and appeared on numerous “Best of” lists at the end of 2010, including Rolling Stone magazine.[15]

Following the album’s release, Phoenix appeared at various major music festivals, including the Austin City Limits Music Festival in 2009, Coachella Music Festival in Indio, California in 2010, the 2010 Bonnaroo Music Festival, the Southside Festival and Hurricane Festival in Germany, the 2010 Lollapalooza Music Festival, the Mile High Music FestivalOutside Lands Music and Arts Festival in San Francisco, California, Rock Werchter 2010 in Belgium, and the 2010 Reading and Leeds Festivals. On October 20, 2010, Daft Punk made a special appearance for their show in Madison Square Garden.

Allmusic.com, a review website, commented favourably on the release of the album. “Beyond containing the band’s best, most efficient songwriting, the album also stands apart from the first three studio albums by projecting a cool punch that is unforced,” a reviewer commented.[16] Vocalist Thomas Mars, described as “more bright-eyed and youthful than ever,” is more prominent in these songs, harmonising well with the instruments. “Maybe they’ve just hit their stride,” the reviewer says.

Phoenix are the subject of a documentary From a Mess to the Masses that documents their 2009-2010 tour in support of Wolfgang Amadeus Phoenix. The film was directed by Antoine Wagner and Francisco Soriano—Wagner was also responsible for directing the “Lisztomania” music video. The title of the documentary is a lyrical excerpt from “Lisztomania” and the total running time is 52 minutes. From a Mess to the Masses premiered in Germany and France on the Arte television network on October 13, 2011.[17][18]