Category Archives: Current Events

MUSIC MONDAY Paul McCartney’s song BAND ON THE RUN

Paul McCartney & Wings – Band On The Run (Rockshow) [HD]

Band on the Run (song)

From Wikipedia, the free encyclopedia
“Band on the Run”
https://youtu.be/eAnA2KE8A4E

French single sleeve
Single by Paul McCartney and Wings
from the album Band on the Run
B-side Nineteen Hundred and Eighty-Five(US)
Zoo Gang(UK)
Released 8 April 1974 (US)
28 June 1974 (UK)
Format 7″ single
Recorded September 1973
Genre Rock
Length 5:09 (album and single versions)
3:50 (radio edit)
Label Apple
Writer(s) Paul McCartney, Linda McCartney
Producer(s) Paul McCartney
Certification Gold (RIAA, 4 June 1974)[1]
Gold (BPI, 1 September 1974)[2]
Paul McCartney and Wings singles chronology
Jet
(1974)
Band on the Run
(1974)
Junior’s Farm
(1974)
Band on the Run track listing
Alternative cover

Spanish cover with “Zoo Gang” on b-side

Band on the Run” is the title song of Paul McCartney and Wings‘ 1973 album Band on the Run. The song was released as a single in 1974, following the success of “Jet“, and became an international chart success. The song topped the charts in the United States, also reaching number 3 in the United Kingdom.[3][4] The single sold over one million copies in 1974 in America.[3] It has since become one of the band’s most famous songs.

A medley of song fragments that vary in style from folk rock to funk, “Band on the Run” is one of McCartney’s longest singles at 5:09. The song was partly inspired by a comment that George Harrisonhad made during a meeting of the BeatlesApple record label. The song-wide theme is one of freedom and escape, and its creation coincided with Harrison, John Lennon and Ringo Starr having parted with manager Allen Klein in March 1973, leading to improved relations between McCartney and his fellow ex-Beatles. The original demos for this and other tracks on Band on the Run were stolen shortly after Wings arrived in Lagos, Nigeria, to begin recording the album. With the band reduced to a trio consisting of McCartney, his wife Linda, and Denny Laine, “Band on the Run” was recorded atEMI‘s Lagos studio and completed at AIR Studios in London.

Background[edit]

It was symbolic: “If we ever get out of here … All I need is a pint a day” … [In the Beatles] we’d started off as just kids really, who loved our music and wanted to earn a bob or two so we could get a guitar and get a nice car. It was very simple ambitions at first. But then, you know, as it went on it became business meetings and all of that … So there was a feeling of “if we ever get out of here”, yeah. And I did.

– Paul McCartney, to Clash Music[5]

Paul McCartney noted the drug busts musicians of the late 1960s and early 1970s experienced as an inspiration for the “Band on the Run”, also referencing the “desperado” image he attributed to bands like The Byrds and Eagles as an influence.[6] McCartney, who had been having legal trouble involving pot possession, said, “We were being outlawed for pot … And our [Wings’] argument on [‘Band on the Run’] was ‘Don’t put us on the wrong side … We’re not criminals, we don’t want to be. So I just made up a story about people breaking out of prison.'”[6]

In a subsequent interview, McCartney stated that the lyric “If we ever get out of here” was inspired by George Harrison saying these words during one of the Beatles’ many business meetings.[7] McCartney recalled: “He was saying that we were all prisoners in some way [due to the ongoing problems with their company Apple] … I thought it would be a nice way to start an album.”[8][nb 1] McCartney added, referring to his inspiration for “Band on the Run”: “It’s a million things … all put together. Band on the run – escaping, freedom, criminals. You name it, it’s there.”[9]

According to Mojo contributor Tom Doyle, the song’s lyrics, recalled through memory following the robbery of the band’s demo tapes for the Band on the Run album, were altered to reflect on the band’s then-current status, “stuck inside the four walls of the small, cell-like studio, faced with grim uncertainty.”[10]

Nineteen Hundred and Eighty-Five“, the closing track of the Band on the Run album, concludes with a brief excerpt of the chorus.[11]

Composition[edit]

“Band on the Run” is a three-part medley, with the first section being a slow ballad, the second featuring a funk rock style,[12] and the final a country-esque section.[12] The lyrics of the entire song, however, are related, with all being based around a general theme of freedom and escape.[13][14]

Recording[edit]

The original demo recording for “Band on the Run”, as well as multiple other tracks from the album, was stolen from the McCartneys by a group of thugs while Paul McCartney and Wings were recording in Lagos, Nigeria.[5] Robbed at knife-point, they relinquished the demos, only recovering the songs through memory.[10] Paul McCartney later remarked, “It was stuff that would be worth a bit on eBay these days, you know? But no, we figured the guys who mugged us wouldn’t even be remotely interested. If they’d have known, they could have just held on to them and made themselves a little fortune. But they didn’t know, and we reckoned they’d probably record over them.”[5]

The song was recorded in two parts, in different sessions. The first two were taped in Lagos while the third section was recorded in October 1973 at AIR Studios in London.[15]

Release[edit]

Originally, Paul McCartney planned not to release any singles from Band on the Run, a strategy he compared to that used by The Beatles.[16] However, he was convinced by Capitol Records promotion man Al Coury to release singles from the album, resulting in the single release of “Jet” and “Band on the Run”.[17]

Al [Coury, promotion man for Capitol Records] released ‘Jet,’ which I wasn’t even thinking of releasing as a single, and ‘Band on the Run’ too. He single-handedly turned [Band on the Run] around.[17]

“Band on the Run”, backed with “Nineteen Hundred and Eighty-Five”, was released in America on 8 April 1974 as the follow-up single to Paul McCartney and Wings’ top-ten hit “Jet“. The song was a smash hit for the band, becoming McCartney’s third solo American chart-topping single and Wings’ second.[3] The single was later released in Britain (instead backed with “Zoo Gang“, the theme song to the television show of the same name), reaching number 3 on the British charts.[4] The song was also a top 40 single in multiple European countries, such as the Netherlands (number 7),[18] Belgium (number 21),[19] and Germany (number 22).[20]

The US radio edit was 3:50 in length. The difference was largely caused by the removal of the middle or the second part of the song, as well as the verse that starts with “Well, the undertaker drew a heavy sigh …”[21]

The single was certified Gold by the Recording Industry Association of America for sales of over one million copies.[22] It was the second of five number-one singles for the band on the Billboard Hot 100.[3] In 1974, Billboard ranked it number 22 on its Top Pop Singles year-end chart.[23] Billboard also listed the song as Paul McCartney’s sixth most successful chart hit of all time, excluding Beatles releases.[24]

“Band on the Run” has also been featured on numerous McCartney/Wings compilation albums, including Wings Greatest,[25] All the Best!,[26] and Wingspan: Hits and History.[27] The song is also performed in many of McCartney’s live shows, with a live version being included on the 1976 live album Wings over America.[28]

Videos[edit]

An official video, directed by Michael Coulson, was released along with the song. It served mostly as a tribute to The Beatles, featuring montages of still pictures from their career. Present-day McCartney and Wings were not shown. The video ends with a collage of Beatles pictures much like the album cover of Sgt. Pepper’s Lonely Hearts Club Band.[29]

In 2014, a new video for “Band on the Run” was created. The video designed by Ben Ib, an artist who created tour visuals for Paul McCartney (as well as Roger Waters and The Smashing Pumpkins) and the cover for Paul McCartney’s 2013 solo album New.[30] In the video, all of the objects, including the “band on the run” itself, are made up of words.[31]

Reception[edit]

The song was praised by former bandmate and songwriting partner, John Lennon, who considered it “a great song and a great album”.[32] In 2014, Billboard praised “Band on the Run” for having “three distinct parts that don’t depend on a chorus yet still manage to feel anthemic.”[24] AllMusic critic Stewart Mason called the track “classic McCartney”, lauding the song for “manag[ing] to be experimental in form yet so deliciously melodic that its structural oddities largely go unnoticed.”[12]

“Band on the Run” also won the “Best Pop Vocal Performance by a Duo, Group or Chorus” at the 17th Annual Grammy Awards.[33] NME ranked the song as the tenth best song of the 1970s, as well as the fifteenth best solo song by an ex-Beatle.[34][35] In 2010, AOL Radio listeners voted “Band on the Run” the best song of Paul McCartney’s solo career, achieving a better ranking than “Maybe I’m Amazed” and “Silly Love Songs“.[36] In 2012, Rolling Stone readers ranked the song as McCartney’s fourth best song of all time, behind “Maybe I’m Amazed“, “Hey Jude“, and “Yesterday“.[37] Rolling Stone readers also ranked the song the fifth best solo song by ex-members of The Beatles.[38]

Personnel[edit]

Chart positions[edit]

Weekly singles charts[edit]

Chart (1974) Peak
position
Belgium (Ultratop)[19] 21
Canada (RPM 100 Top Singles)[39] 1
Germany (Media Control)[20] 22
Japan (Oricon)[40] 58
Netherlands (Dutch Top 40)[18] 7
UK Singles Chart (Official Charts Company)[4] 3
US Billboard Hot 100[3] 1
US Easy Listening (Billboard)[3] 22

Year-end charts[edit]

Chart (1974) Position
Canada (RPM 100 Top Singles)[41] 20
UK Singles Chart (Official Charts Company)[42] 46
US Billboard Hot 100[43] 22

Other appearances[edit]

Cover versions[edit]

Notes[edit]

  1. Jump up^ Speaking to Clash Music in 2009, however, he said: “I don’t remember that being a George line. I don’t know about that.”[5]

References[edit]

Citations[edit]

  1. Jump up^ “RIAA Gold and Platinum”. RIAA. Retrieved2012-10-12.
  2. Jump up^ “Certified Awards Search”. BPI. Archived from the original on 2012-10-02. Retrieved 2012-10-12.
  3. ^ Jump up to:abcdef “Paul McCartney Charts and Awards”.allmusic. Retrieved 2011-10-13.
  4. ^ Jump up to:abc “Official Charts: Paul McCartney”. The Official UK Charts Company. Retrieved 2011-10-13.
  5. ^ Jump up to:abcd Harper 2010.
  6. ^ Jump up to:ab McGee 2003, pp. 223–224.
  7. Jump up^ “BBC – Radio 2 – Sold On Song – Song Library – Band On The Run”. BBC. Retrieved 21 March 2009.
  8. Jump up^ Spizer 2005, pp. 274.
  9. Jump up^ Gambaccini 1976.
  10. ^ Jump up to:ab Doyle 2014, pp. 92.
  11. Jump up^ Jackson 2012, pp. 122.
  12. ^ Jump up to:abc Mason, Stewart. “Band on the Run (song) review”.AllMusic.
  13. Jump up^ Rodriguez 2010, pp. 160.
  14. Jump up^ Jackson 2012, pp. 108–109.
  15. Jump up^ Perasi 2013, pp. 103.
  16. Jump up^ Badman 2009.
  17. ^ Jump up to:ab McGee 2003, pp. 59–60.
  18. ^ Jump up to:ab “Dutchcharts.nl Paul McCartney discography”. Hung Medien. MegaCharts. Retrieved 2 August 2011.
  19. ^ Jump up to:ab “Belgian Chart”. ultratip.be/nl. Retrieved2014-11-17.
  20. ^ Jump up to:ab “charts.de”. GfK Entertainment. Retrieved24 February 2012.
  21. Jump up^ Wiener 1994, pp. 396.
  22. Jump up^ riaa.com
  23. Jump up^ “Top Pop Singles” Billboard December 26, 1974: TA-8
  24. ^ Jump up to:ab “Paul McCartney’s Top 10 Billboard Hits”. Billboard.
  25. Jump up^ Erlewine, Stephen Thomas. “Wings Greatest”. allmusic.
  26. Jump up^ Erlewine, Stephen Thomas. “All the Best”. allmusic. Retrieved 7 April 2015.
  27. Jump up^ Erlewine, Stephen Thomas. “Wingspan: Hits and History”. allmusic. Retrieved 7 April 2015.
  28. Jump up^ Erlewine, Stephen Thomas. “Wings Over America”.allmusic. Retrieved 7 April 2015.
  29. Jump up^ “Wings – Band On The Run (Original Video)”. Youtube. Retrieved April 6, 2013.
  30. Jump up^ “New Lyric Video: ‘Band on the Run'”. Paul McCartney. Retrieved 15 March 2015.
  31. Jump up^ Wilkening, Matthew. “Paul McCartney, ‘Band on the Run’ Lyric Video – Exclusive Premiere”. Ultimate Classic Rock. Retrieved 7 April 2015.
  32. Jump up^ Doyle 2014, pp. 100.
  33. Jump up^ “Paul McCartney – Awards”. Grammy Awards.
  34. Jump up^ “100 Best Tracks of the Seventies”. New Musical Express.
  35. Jump up^ Beaumont, Mark. “The Best Of The Post-Beatles”. New Musical Express. Retrieved 14 March 2015.
  36. Jump up^ Rae Votta, “10 Best Paul McCartney Songs”, AOL Radio, April 2010 (retrieved 25 June 2012).
  37. Jump up^ “Readers’ Poll: What Is the Best Paul McCartney Song of All Time?”. Rolling Stone. Retrieved 14 March 2015.
  38. Jump up^ “Readers’ Poll: The 10 Greatest Solo Beatle Songs”.Rolling Stone. Retrieved 14 March 2015.
  39. Jump up^ “Canadian Chart”. http://www.collectionscanada.gc.ca. Retrieved 2014-11-17.
  40. Jump up^ “Japanese Chart”. nifty.com. Retrieved 2014-11-17.
  41. Jump up^ “The Top 200 Singles of ’74”. RPM. 1974-12-28. Retrieved 2010-12-06.
  42. Jump up^ “Top 100 End of Year UK Charts – 1974”.
  43. Jump up^ “Billboard Top 100 – 1974”. Retrieved 2011-01-03.
  44. Jump up^ “Activision Unveils Full Guitar Hero(R) World Tour Set List”. Prnewswire.com. 2008-10-26. Retrieved2011-07-09.[dead link]
  45. Jump up^ “Paul McCartney watched by Yoko Ono in Liverpool as Dave Grohl helps out”. New Musical Express. Archivedfrom the original on 12 February 2009. Retrieved 21 March2009.
  46. Jump up^ “TORI AMOS | HEREINMYHEAD.COM | lyrics | band on the run”. Hereinmyhead.Com. Retrieved 2011-07-09.
  47. Jump up^ “Performs the Hits of Wings”. Allmusic. Retrieved28 December 2011.

Sources[edit]

  • Badman, Keith (2009). The Beatles: Off The Record 2 – The Dream is Over: Off the Record. Omnibus Press.
  • Doyle, Tom (2014). Man on the Run: Paul McCartney in the 1970s. Ballantine Books. ISBN978-0804179140.
  • Gambaccini, Paul (1976). Paul McCartney: In His Own Words. Music Sales Corp. ISBN978-0966264951.
  • Harper, Simon (2010). “The Making Of Paul McCartney”. Clash Music. Retrieved 14 March 2015.
  • Jackson, A.G. (2012). Still the Greatest: The Essential Solo Beatles Songs. Scarecrow Press. ISBN9780810882225.
  • McGee, Garry (2003). Band on the Run: A History of Paul McCartney and Wings. Taylor Trade Publishing.
  • Perasi (2013). Paul McCartney: Recording Sessions (1969-2013). L.I.L.Y. Publishing. ISBN978-88-909122-1-4.
  • Rodriguez, Robert (2010). Fab Four FAQ 2.0: The Beatles’ Solo Years, 1970-1980. Backbeat Books. ISBN0879309687.
  • Spizer, Bruce (2005). The Beatles Solo on Apple Records. 498 Productions. ISBN0-9662649-5-9.
  • Wiener, Allen J. (1994). The Beatles: The Ultimate Recording Guide. Bob Adams Press.

External links[edit]

Preceded by
The Streak” by Ray Stevens
Billboard Hot 100number-one single
8 June 1974
Succeeded by
Billy Don’t Be a Hero” by Bo Donaldson and the Heywoods
Preceded by
The Streak” by Ray Stevens
Canadian RPM Singles Chartnumber-one single
8 June 1974
Succeeded by
Sundown” by Gordon Lightfoot

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Victorious Georgia Senator Warnock should remember Star Parker’s warning, “Raphael Warnock chooses to zero in on Israel, the very model of success through personal responsibility, as a problem”

Victorious Georgia Senator Warnock should remember Star Parker’s warning, “Raphael Warnock chooses to zero in on Israel, the very model of success through personal responsibility, as a proble
 Sadly last night the Democrats won control of Senate!

A Pastor’s Misguided Attack on Israel

Raphael Warnock chooses to zero in on Israel, the very model of success through personal responsibility, as a problem. Pictured: Warnock gestures to a staffer Oct. 21 after casting his ballot at State Farm Arena in Atlanta. (Photo: Elijah Nouvelage/Getty Images)

What would our nation look like if every day, every American—of every background and ethnicity—were to wake up with the conviction that they are 100% responsible for the circumstances of their lives?

No blame, no victimhood, no excuses saying that what is happening to them is because of someone else.

It touches, I believe, the heart of Christianity.

At any given moment, you may not have control of what is outside of you. But you have control over what is inside of you. Change what is inside first, and then you will change what is outside.

Stand for your principles in 2021—even in the face of Congress, the media, and the radical Left ganging up on conservatives and our values. Learn more now >>

We have faith in a loving God who wants us to take responsibility, and when there is failure, there is forgiveness and another chance.

Too many in our country are paying a great price by listening to politicians on the left who are telling them the opposite.

Consider the Rev. Dr. Raphael Warnock, who is now running as a Democrat in one of the two U.S. Senate runoff elections in Georgia.

Warnock, who is black, is a poster child of the left, which embraces the view that the world is unfair, controlled by racists and exploiters.

And for some reason, Warnock, like so many of this point of view, chooses to zero in on Israel, the very model of success through personal responsibility, as a problem rather than a solution.

Just last year, after visiting Israel, he affixed his signature to a Group Pilgrimage Statement on Israel and Palestine.

That statement identifies Israel as an “oppressive” regime, accuses Israel of segregation, speaks of militarization “reminiscent of the military occupation of Namibia by apartheid South Africa” and of “excessive use of force” by Israel in Gaza.

These total distortions of the truth in service of a left-wing political agenda should be a wake-up call.

Regarding the reality of Israel, we can turn to the nonpartisan organization Freedom House in Washington, D.C., which annually rates 210 nations around the world as being “free,” “partly free,” or “not free.”

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But Warnock and his colleagues ignore oppression throughout the region and only choose to attack the one country that is free.

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COPYRIGHT

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Bill Kristol

Published on Jul 20, 2014

The Weekly Standard editor and publisher Bill Kristol discusses Clintons, Pryor-Cotton and 2016.

_____________________________________________________________________

On Friday July 18, 2014 I had the opportunity to visit personally with Bill Kristol who is the founder of THE WEEKLY STANDARD MAGAZINE. I told him that I had the privilege to correspond with both his father, Irving Kristol, and his father’s good friend Daniel Bell back in 1995. I actually gave him a copy of both letters I received back from them and he read them both as we stood there. I told him that those copies were his to keep, and he thanked me for that.
I went on to explain how the correspondence started.  I had come across several quotes from Daniel Bell when I was reading the books HOW SHOULD WE THEN LIVE?  and WHATEVER HAPPENED TO THE HUMAN RACE? by Francis Schaeffer (and this second book was co-authored by Dr. C. Everett Koop). Dr. Koop’s name caught Mr. Kristol’s attention and he said he found that interesting. I pointed out those quotes by Bell led me to eventually begin a correspondence with both Bell and Kristol’s father Irving on the subject of what the Old Testament scriptures have to say about the Jews being returned from all over the world back to the land of Israel.
Finally, I asked how his mother was doing and he said that she was doing very well in fact. I told him how much I respected her work as a historian.
Let me make a few observations about Irving Kristol who I was very fascinated with because of some of his comments in the 1990′s. First, isn’t it worth noting that the Old Testament predicted that the Jews would regather from all over the world and form a new reborn nation of Israel. Second, it was also predicted that the nation of Israel would become a stumbling block to the whole world. Third, it was predicted that the Hebrew language would be used again as the Jews first language even though we know in 1948 that Hebrew at that time was a dead language!!!Fourth, it was predicted that the Jews would never again be removed from their land.
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Bill Kristol opines on Pryor-Cotton race, talks about Clinton in 2016

story from Talk Business & Politics, a content partner with The City Wire

The Weekly Standard founder, publisher and editor Bill Kristol says Arkansas is “almost” a must-win for Republicans if they are to take back the U.S. Senate. Appearing on this week’s Talk Business & Politics TV program, Kristol said the Mark Pryor-Tom Cotton U.S. Senate battle is high on national political watch lists and that a Cotton victory is crucial to GOP ambitions. “If Republicans want to win the Senate in November, this one is almost a must-win,” said Kristol, who was in Arkansas as a keynote speaker at the Arkansas GOP’s Reagan-Rockefeller dinner. Kristol said he expects a close race this fall in the high-profile match-up and that there are two reasons why the contest is so tight. “Incumbents are hard to beat and, I gather from my friends in Arkansas, that a Pryor is hard to beat,” Kristol said. He added that outside Democratic group attacks have been effective in tainting Cotton, although he disagrees with their accuracy. Kristol offered his take on why Arkansas has not shifted into a Republican stronghold like other Southern states such as Mississippi, Alabama or Texas. One reason, he said, is the political power of Bill Clinton whom he described as a “very different kind of Democrat” as governor and as president. Clinton “tacked to the center” often unlike President Barack Obama. “Barack Obama is not the kind of Democrat that traditional Arkansas Democrats are interested in supporting,” Kristol said, citing Clinton’s bipartisan budget deals, welfare reforms, and foreign policy efforts. ARKANSAS IMPORTANCE Kristol also said that Arkansas has always carried much sway in U.S. politics owing to its larger-than-life, influential state politicians who’ve made big impacts on the national stage. “Arkansas has always been a state of outsized interest and importance nationally,” he said. Kristol grew up studying Sen. J. William Fulbright, and he’s long watched the careers of other politicians like Bill Clinton and Mike Huckabee. “For a small state, it has always produced nationally significant politicians. I think people in Washington kind of remember that,” said Kristol.

While 2014 will be a monumental election year, it’s hard not to think about 2016. Kristol said it’s too early to predict the GOP Presidential nominee, but he sees a reversal of fortunes in what he describes as a “wide-open” Republican field. “Republicans used to nominate the next in line, the second place finisher from four or eight years before. Democrats usually have interesting wide-open races,” he said. “It looks like this time, the Democrats are nominating the next in line — the person who ran second in 2008, Hillary Clinton. Republicans are having more of what looks like a classic Democratic primary — governors, senators, former candidates. A lot of them young, a lot of them untested nationally. As a Republican, I like that.”

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While he voted for Dole, McCain and Romney, he said those Presidential nominees weren’t the best match-ups versus Bill Clinton and Barack Obama. “The irony in 2016 is the Republicans will have the younger, fresher face and the Democrats will be nominating someone whose been around for awhile,” he said.

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_________________ On November 2

Brandon Barnard message “LOVE AS YOU HAVE BEEN LOVED” at Fellowship Bible Church on 4-12-15

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Brandon Barnard message “LOVE AS YOU HAVE BEEN LOVED” at Fellowship Bible Church on 4-12-15

On 4-12-15 Brandon Barnard a teaching pastor at Fellowship Bible Church of Little Rock spoke on the subject “LOVE AS YOU HAVE BEEN LOVED.”

As the cross approaches, Jesus reminds his disciples why his death is necessary how his love for them and in them can be a powerful witness to the world around them. See the new commandment Jesus gives and how we can live that out in our everyday context.  John 13:31-38 English Standard Version (ESV)

A New Commandment

31 When he had gone out, Jesus said, “Now is the Son of Man glorified, and God is glorified in him. 32 If God is glorified in him, God will also glorify him in himself, and glorify him at once. 33 Little children, yet a little while I am with you. You will seek me, and just as I said to the Jews, so now I also say to you, ‘Where I am going you cannot come.’ 34 A new commandment I give to you,that you love one another: just as I have loved you, you also are to love one another. 35 By this all people will know that you are my disciples, if you have love for one another.”

Jesus Foretells Peter’s Denial

36 Simon Peter said to him, “Lord, where are you going?” Jesus answered him,“Where I am going you cannot follow me now, but you will follow afterward.”37 Peter said to him, “Lord, why can I not follow you now? I will lay down my life for you.” 38 Jesus answered, “Will you lay down your life for me? Truly, truly, I say to you, the rooster will not crow till you have denied me three times.

1. God’s plan always brings glory to himself.

2. Jesus loves his disciples.

3. Jesus gives us a model for how to love.  (The power loving others is in understanding how Jesus loves us.)

Leviticus 19:18English Standard Version (ESV)

18 You shall not take vengeance or bear a grudge against the sons of your own people, but you shall love your neighbor as yourself: I am the Lord.

Mark 12:29-31English Standard Version (ESV)

29 Jesus answered, “The most important is, ‘Hear, O Israel: The Lord our God,the Lord is one. 30 And you shall love the Lord your God with all your heart and with all your soul and with all your mind and with all your strength.’ 31 The second is this: ‘You shall love your neighbor as yourself.’ There is no other commandment greater than these.”

1 John 4:12English Standard Version (ESV)

12 No one has ever seen God; if we love one another, God abides in us and his love is perfected in us.

4. Jesus tells us the power of love. (The world should recognize us by our love for one another.)

Yet, without true Christians loving one another, Christ says the world cannot be expected to listen, even when we give proper answers. Let us be careful, indeed, to spend a lifetime studying to give honest answers. For years the orthodox, evangelical church has done this very poorly. So it is well to spend time learning to answer the questions of men who are about us. But after we have done our best to communicate to a lost world, still we must never forget that the final apologetic which Jesus gives is the observable love of true Christians for true Christians.” Francis Schaffer, The Great Evangelical Disaster, pgs. 164-165

Francis Schaeffer founder of the L’Abri Fellowship said:

“A loving community is the visible authentication of the Gospel. Love is the final apologetic”

Tertullian in the second century reported the comments of pagans in his day:

“Behold, how these Christians love one another! How they are ready to die for each other!”

Their mutual love, Bruce Milne, the BST Bible Commentator wrote ”was the magnet which drew pagan multitudes to Christ. It has the potential to do so still.”

Philippians 2:1-7English Standard Version (ESV)

Christ’s Example of Humility

So if there is any encouragement in Christ, any comfort from love, anyparticipation in the Spirit, any affection and sympathy, complete my joy by being of the same mind, having the same love, being in full accord and of one mind. Do nothing from selfish ambition or conceit, but in humility count others more significant than yourselves. Let each of you look not only to his own interests, but also to the interests of others. Have this mind among yourselves, which is yours in Christ Jesus,[a] who, though he was in the form of God, did not count equality with God a thing to be grasped, but emptied himself, by taking the form of a servant,[b] being born in the likeness of men.

John 15:9-12English Standard Version (ESV)

As the Father has loved me, so have I loved you. Abide in my love. 10 If you keep my commandments, you will abide in my love, just as I have kept my Father’s commandments and abide in his love. 11 These things I have spoken to you, that my joy may be in you, and that your joy may be full.

12 “This is my commandment, that you love one another as I have loved you.

________________

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Francis Schaeffer The Last POSTMODERNISM AND ART Great Modern Theologian by David Hopkins

_______________________

I love the works of Francis Schaeffer and I have been on the internet reading several blogs that talk about Schaeffer’s work and the work below  by David Hopkins  was really helpful. Schaeffer’s film series “How should we then live?  Wikipedia notes, “According to Schaeffer, How Should We Then Live traces Western history from Ancient Rome until the time of writing (1976) along three lines: the philosophic, scientific, and religious.[3] He also makes extensive references to art and architecture as a means of showing how these movements reflected changing patterns of thought through time. Schaeffer’s central premise is: when we base society on the Bible, on the infinite-personal God who is there and has spoken,[4] this provides an absolute by which we can conduct our lives and by which we can judge society.  Here are some posts I have done on this series: Francis Schaeffer’s “How should we then live?” Video and outline of episode 10 “Final Choices” episode 9 “The Age of Personal Peace and Affluence”episode 8 “The Age of Fragmentation”episode 7 “The Age of Non-Reason” episode 6 “The Scientific Age”  episode 5 “The Revolutionary Age” episode 4 “The Reformation” episode 3 “The Renaissance”episode 2 “The Middle Ages,”, and  episode 1 “The Roman Age,” .

In the film series “WHATEVER HAPPENED TO THE HUMAN RACE?” the arguments are presented  against abortion (Episode 1),  infanticide (Episode 2),   euthanasia (Episode 3), and then there is a discussion of the Christian versus Humanist worldview concerning the issue of “the basis for human dignity” in Episode 4 and then in the last episode a close look at the truth claims of the Bible.

Francis Schaeffer


Francis Schaeffer
The Last Great Modern Theologian by David Hopkins

Standing at the melting point 
The reader may wonder why I would write an article about the “last great modern theologian” in a publication that so proudly dedicates itself to post -modern thought and inquiry. In truth, we should not be so arrogant about what the modern legacy has left to us. The contributions of faithful disciples and scholars from previous generations can be of great worth. I would go so far to say even a book review of Augustine’s The City of God or Aquinas’s Summa Theologica would fit nicely into what we are trying to accomplish at Next-Wave. The goal is to re-communicate the worth of our Christian tradition and experience to a postmodern culture. However, the work of Francis Schaeffer is so recent; it is questionably whether his thoughts even need to be re-communicated to a new culture.

I would like to persuade that Francis Schaeffer (1912-1984) stands at the melting point of the modern and postmodern discussion. In some ways, every “modern” theologian after him is increasingly out of date. And any “postmodern” theologian ahead of him was unfortunately out of place in discussing issues of spiritual importance. Why? Schaeffer was deeply concerned with a shift in epistemology (how we know what we know). He observed the shift during the 1960s. While he never labeled it as such, this shift is what we now call postmodernism . (Note: This term was already in existence when discussing art, architecture, philosophy, and literature; theology really didn’t jump into the discussion until postmodern thought proliferated in the 1980s, 3 years after Jean-Francois Lyotard’s The Postmodern Condition .)

Francis Schaeffer is the last of the modern theologians, but not the first of the postmodern theologians. He still strongly argued for rationalism in apologetics. By this, I mean Francis Schaeffer believed one had to be converted to the appropriate set of presuppositions, namely the law of non-contradiction (“A” cannot be “non-A”), first, in order to believe and experience the God of Christianity. The Bible is viewed as a propositional argument from God to His people, which can only be accepted by the correct presuppositional vantage point. Francis Schaeffer also was skeptical of the increase of Platonism in culture (identified with mysticism) and leaned more towards an Aristotelian view of reality (identified with rationalism). These ideas mark a clear modern thought pattern.

Despite his modern view, Schaeffer offers us many insights in ministering to any culture of believers. And a thorough study of his work would benefit any believer greatly.

How I met Francis Schaeffer 
When I first came to college, I experienced a massive faith crisis. Raised in a consumer friendly, experience crazed society, I doubted the reasonableness of the Christian system. My understanding of God did not find a home in rationality. I could not give my life to a system, just because someone told me if I say a prayer– God would come down from distant Heaven and have coffee with me (metaphorically speaking, of course). I needed answers. I read Josh McDowell’s More than a Carpenter and C.S. Lewis’s Mere Christianity . Both of these inspirational works satisfied my craving for common sense soundness. until I became a student of philosophy. Anyone who has studied philosophy knows that “common sense soundness” does not go very far. I needed more. I needed philosophical answers. Sorry, but Lewis and McDowell just do not cut it against thinkers like Nietzsche, Sartre, Schopenhauer, Russell, Husserl, and Heidegger. These philosophic heavy weights are playing different games and speaking a different language. Francis Schaeffer, however, knew the language; and I am convinced he could stand toe to toe with any of them.

My campus minister Keith Boone introduced me to the work of Francis Schaeffer. He encouraged me to read the trilogy: The God Who Is There , Escape From Reason , and He Is There And He Is Not Silent . These three books outline the basic premise of any arguments he would develop in later books. Schaeffer was culturally, philosophically, and scripturally informed. He wrote with compassion and fire. I often stayed up late in the night reading and pondering his ideas. Each sentence blowing my mind and causing me to re-evaluate my own hidden agendas for Christianity. He moved me to understand a deeper and truer Gospel than what I had known before.

And in my own postmodern superficiality, I will admit, I also liked him because he just looked cool. Francis Schaeffer has the image of an eccentric academic freak. I really resonated with that– call it my personal image goal. Yes, he is the reason why I grew a goatee. (I can hear my friends, who know me too well, laughing out loud.)

All of his writings exist to prove a basic, and yet radical point, God is really there. He’s not just a concept or an idea. He really exists. But not only that, God is speaking to us. Schaeffer believed humankind was created with dignity and is still formed in the “image of God.” We all have worth and value which is innate with our standing in the universe. We are not just specks of dust on a larger speck of dust circling the sun. From this point, true restoration can take place in the souls of men and women.

Francis Schaeffer wrote to provide intellectual healing to a world in transition. He realized the old models were fading. There are some points we should observe in communicating Schaeffer’s timeless message to postmodernism.


Francis Schaeffer was concerned with being relevant to his time
Francis Schaeffer wrote because he saw the ideas of logical positivism and existentialism being introduced into popular culture in dangerous ways, displacing God from our understanding. Schaeffer noted in his article “How I Have Come to Write My Books” (Inter-Varsity Press 1974): “In my reading of philosophy, I saw that there were innumerable problems that nobody was giving answers for. the Bible, it struck me, dealt with man’s problems in a sweeping, all-encompassing thrust.” Schaeffer knew these philosophic problems affect the everyday life of believers. These ideas have a flow of influence from philosophy to art to music to general culture. Schaeffer wrote to get ahead of the ideas to positively affect general culture, replacing deceptive philosophy with the answers of scripture.

Schaeffer’s goal was not to become “modern,” but to minister to the modern person. Likewise, in an ever-changing society, we should be careful not to adopt postmodernism, but instead, give eternal hope to those people lost in the disparity of postmodernism. “Relevancy” has become a popular sell-word for churches nowadays. But this word has to imply more than just using movie clips in a sermon. Relevancy strikes to the heart of how we think and live.

Francis Schaeffer addresses the issue of a shift in epistemology
Epistemology may not be everyone’s favorite topic of discussion, but for Schaeffer this issue was of utmost importance. He recognized if our thinking is off, everything else will surely to follow. Schaeffer observed a shift in epistemology which involved a false belief that God is simply a concept or theory. We take an unfortunate existential “leap of faith” which is not rooted in the direct experience of God. We do not see God working in daily life. Schaeffer cited Thomas Aquinas (1225-1274) as the initial cause of this trend. According to Schaeffer, Aquinas separated nature from grace in theology. The spiritual world and the earthly world became separated. The earthly world became what was “real” and the spiritual world was the “hypothetical.”

Today we still encounter in the consequences of this shift, especially when referring to a secular versus spiritual society. We create a Christian sub-world that was never meant to exist. Instead of being in the world, we live the hypothetical faith world. We fail to realize that everything is spiritual. Everything is bathed in God’s touch and presence. “For you created all things, and by your will they were created and have their being.” (Revelation 4:11, quoted at the beginning of Schaeffer’s The God Who Is There .) Schaeffer hoped to give his readers understanding of a world in direct connection with a God who is really present.

Art and culture mattered to Francis Schaeffer
Francis Schaeffer was deeply concerned with how art impacted our thoughts and actions. In the trilogy, Schaeffer displays a thorough knowledge of art history. He shows how art has developed along a theme of separation between nature and grace. Schaeffer also is well versed on the contemporary arts, musicians, and filmmakers. He carefully analyzes these influences. Interesting footnote: He was quite possibly the first theologian to intelligently evaluate the punk revolution in Europe .

Schaeffer wrote passionately about the Christian’s ability to worship God through art. In the day of the great evangelical preachers, when such a strong emphasis was placed on teaching, Schaeffer ideas of art as worship reflected the wisdom of the ancients and were simultaneously revolutionary. Schaeffer’s book How Should We Then Live gives a good overview on his ideas about art.

Among postmodern pilgrims everywhere, the subject of art and worship is a very popular topic of conversation. Francis Schaeffer introduces this idea to a new generation of disciples, an invaluable resource to any community interested in created art with meaning and transcendence.

L’Abri: An example of the “community apologetic”
When Francis Schaeffer and his wife Edith moved to Switzerland , they decided to open their house to any believers traveling through. These travelers could come for healing, conversation, instruction, and service. They re-named their home L’Abri , French for “the Shelter.” People from all over came to be part of this transit community. Remember my campus minister Keith Boone?

L’Abri expanded to a number of branches throughout the world. Even today, L’Abri receives people. His wife Edith wrote the book L’Abri telling of this community’s development.

Francis Schaeffer did not just live as a hermit scholar. He worked daily with people, and frequently strangers, sharing with them God’s message of peace at L’Abri. He believed strongly that community is the place where God speaks. Not only that, but community is its own apologetic for the Gospel. People can live together in meaningful relationships, sharing, working together with the Spirit’s power.

What is community? How do we “get” it? Schaeffer’s L’Abri was a Christian response to the hippy communes that sought desperately to have community and meaning. L’Abri can also illustrate our own need to re-define church and the gathering of the saints. L’Abri was not just a Sunday morning institution. We need to carefully evaluate the condition of our own local churches from a programmatic institution to a community of believers.

The lasting impact of “The Last Great Modern Theologian”
In my opinion, Francis Schaeffer is the last of the relevant and the truly great modern theologians. He stood at the melting point between modern and postmodern. While he never addresses postmodernism, Schaeffer’s influence will be long lasting in the postmodern culture we minister in. A culture that looks longingly for heroes and role models, beyond the celebrities and pop stars.

This past summer I worked at a camp in Glen Rose, Texas . On the first day, I met a boy named “Schaeffer.” He wore a Cowboys cap to cover his blonde matted hair and his big grin revealed two missing teeth. As he was making his bunk, trying to smooth out the sheets while standing on the bed (a difficult task no doubt), I commented to his mother about Francis Schaeffer. She smiled and said, “I know about Francis, we named our son after him. Francis really influenced my husband and me, when we first met.” Imagine that? Schaeffer was my favorite camper for that week. Maybe it was his grin, maybe there is just something in a name.

For more information on Francis Schaeffer:
I believe The Shelter www.rationalpi/theshelter.com is the best Schaeffer site on the Internet. The site contains weekly quotes, a list of books and articles, biography, photos, and links. The Shelter also has an email list, which I am a part of. If you sign up, every week they send a Schaeffer quote, plus some links on web from all areas of interest.

          DAVID HOPKINS is program director at the Wesleyan Campus Ministry in the small college town of Commerce , Texas . He currently is part of the Axxess Community at Pantego Bible Churc

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A Pastor’s Misguided Attack on Israel

A Pastor’s Misguided Attack on Israel

Raphael Warnock chooses to zero in on Israel, the very model of success through personal responsibility, as a problem. Pictured: Warnock gestures to a staffer Oct. 21 after casting his ballot at State Farm Arena in Atlanta. (Photo: Elijah Nouvelage/Getty Images)

What would our nation look like if every day, every American—of every background and ethnicity—were to wake up with the conviction that they are 100% responsible for the circumstances of their lives?

No blame, no victimhood, no excuses saying that what is happening to them is because of someone else.

It touches, I believe, the heart of Christianity.

At any given moment, you may not have control of what is outside of you. But you have control over what is inside of you. Change what is inside first, and then you will change what is outside.

Stand for your principles in 2021—even in the face of Congress, the media, and the radical Left ganging up on conservatives and our values. Learn more now >>

We have faith in a loving God who wants us to take responsibility, and when there is failure, there is forgiveness and another chance.

Too many in our country are paying a great price by listening to politicians on the left who are telling them the opposite.

Consider the Rev. Dr. Raphael Warnock, who is now running as a Democrat in one of the two U.S. Senate runoff elections in Georgia.

Warnock, who is black, is a poster child of the left, which embraces the view that the world is unfair, controlled by racists and exploiters.

And for some reason, Warnock, like so many of this point of view, chooses to zero in on Israel, the very model of success through personal responsibility, as a problem rather than a solution.

Just last year, after visiting Israel, he affixed his signature to a Group Pilgrimage Statement on Israel and Palestine.

That statement identifies Israel as an “oppressive” regime, accuses Israel of segregation, speaks of militarization “reminiscent of the military occupation of Namibia by apartheid South Africa” and of “excessive use of force” by Israel in Gaza.

These total distortions of the truth in service of a left-wing political agenda should be a wake-up call.

Regarding the reality of Israel, we can turn to the nonpartisan organization Freedom House in Washington, D.C., which annually rates 210 nations around the world as being “free,” “partly free,” or “not free.”

Israel is the only nation in the Middle East rated “free.”

But Warnock and his colleagues ignore oppression throughout the region and only choose to attack the one country that is free.

This freedom is enjoyed not only by the Jewish citizens of Israel but also by the nearly 2 million Arab citizens of the country. In my first visit to Israel, I couldn’t help but notice the amazing diversity, with Jews from all over the world—white, brown, and black.

Regarding the situation in the West Bank and Gaza, where Palestinian Arabs live, their absence of freedom and prosperity is their own choosing. They control their future, not Israel. Rather than aspiring to build better lives for their citizens, they choose regimes that set a priority to destroy Israel.

In 2005, for example, Israel unilaterally withdrew its presence from Gaza. The Palestinian regime there was free to start building a nation. Rather than doing this, it started lobbing missiles into Israel. The Palestinian Authority prime minister announced, “We are telling the entire world: today Gaza and tomorrow Jerusalem.”

Israeli settlers who were displaced when Israel withdrew moved inland, started irrigating the desert with desalinized water, and, within five years, were exporting $50 million worth of organic potatoes, carrots, and peppers a year.

I wrote about it then, quoting the late Art Linkletter, television personality and outspoken Christian, who observed: “Things turn out best for people that make the best of the way things turn out.”

I said then that Linkletter’s observation captured why Israel has grown and prospered and why Palestinians have languished.

The same is true in America.

At Christmastime, let’s choose freedom and personal responsibility.

COPYRIGHT

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Embedded image permalink

Bill Kristol

Published on Jul 20, 2014

The Weekly Standard editor and publisher Bill Kristol discusses Clintons, Pryor-Cotton and 2016.

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On Friday July 18, 2014 I had the opportunity to visit personally with Bill Kristol who is the founder of THE WEEKLY STANDARD MAGAZINE. I told him that I had the privilege to correspond with both his father, Irving Kristol, and his father’s good friend Daniel Bell back in 1995. I actually gave him a copy of both letters I received back from them and he read them both as we stood there. I told him that those copies were his to keep, and he thanked me for that.
I went on to explain how the correspondence started.  I had come across several quotes from Daniel Bell when I was reading the books HOW SHOULD WE THEN LIVE?  and WHATEVER HAPPENED TO THE HUMAN RACE? by Francis Schaeffer (and this second book was co-authored by Dr. C. Everett Koop). Dr. Koop’s name caught Mr. Kristol’s attention and he said he found that interesting. I pointed out those quotes by Bell led me to eventually begin a correspondence with both Bell and Kristol’s father Irving on the subject of what the Old Testament scriptures have to say about the Jews being returned from all over the world back to the land of Israel.
Finally, I asked how his mother was doing and he said that she was doing very well in fact. I told him how much I respected her work as a historian.
Let me make a few observations about Irving Kristol who I was very fascinated with because of some of his comments in the 1990′s. First, isn’t it worth noting that the Old Testament predicted that the Jews would regather from all over the world and form a new reborn nation of Israel. Second, it was also predicted that the nation of Israel would become a stumbling block to the whole world. Third, it was predicted that the Hebrew language would be used again as the Jews first language even though we know in 1948 that Hebrew at that time was a dead language!!!Fourth, it was predicted that the Jews would never again be removed from their land.
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Bill Kristol opines on Pryor-Cotton race, talks about Clinton in 2016

story from Talk Business & Politics, a content partner with The City Wire

The Weekly Standard founder, publisher and editor Bill Kristol says Arkansas is “almost” a must-win for Republicans if they are to take back the U.S. Senate. Appearing on this week’s Talk Business & Politics TV program, Kristol said the Mark Pryor-Tom Cotton U.S. Senate battle is high on national political watch lists and that a Cotton victory is crucial to GOP ambitions. “If Republicans want to win the Senate in November, this one is almost a must-win,” said Kristol, who was in Arkansas as a keynote speaker at the Arkansas GOP’s Reagan-Rockefeller dinner. Kristol said he expects a close race this fall in the high-profile match-up and that there are two reasons why the contest is so tight. “Incumbents are hard to beat and, I gather from my friends in Arkansas, that a Pryor is hard to beat,” Kristol said. He added that outside Democratic group attacks have been effective in tainting Cotton, although he disagrees with their accuracy. Kristol offered his take on why Arkansas has not shifted into a Republican stronghold like other Southern states such as Mississippi, Alabama or Texas. One reason, he said, is the political power of Bill Clinton whom he described as a “very different kind of Democrat” as governor and as president. Clinton “tacked to the center” often unlike President Barack Obama. “Barack Obama is not the kind of Democrat that traditional Arkansas Democrats are interested in supporting,” Kristol said, citing Clinton’s bipartisan budget deals, welfare reforms, and foreign policy efforts. ARKANSAS IMPORTANCE Kristol also said that Arkansas has always carried much sway in U.S. politics owing to its larger-than-life, influential state politicians who’ve made big impacts on the national stage. “Arkansas has always been a state of outsized interest and importance nationally,” he said. Kristol grew up studying Sen. J. William Fulbright, and he’s long watched the careers of other politicians like Bill Clinton and Mike Huckabee. “For a small state, it has always produced nationally significant politicians. I think people in Washington kind of remember that,” said Kristol.

While 2014 will be a monumental election year, it’s hard not to think about 2016. Kristol said it’s too early to predict the GOP Presidential nominee, but he sees a reversal of fortunes in what he describes as a “wide-open” Republican field. “Republicans used to nominate the next in line, the second place finisher from four or eight years before. Democrats usually have interesting wide-open races,” he said. “It looks like this time, the Democrats are nominating the next in line — the person who ran second in 2008, Hillary Clinton. Republicans are having more of what looks like a classic Democratic primary — governors, senators, former candidates. A lot of them young, a lot of them untested nationally. As a Republican, I like that.”

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While he voted for Dole, McCain and Romney, he said those Presidential nominees weren’t the best match-ups versus Bill Clinton and Barack Obama. “The irony in 2016 is the Republicans will have the younger, fresher face and the Democrats will be nominating someone whose been around for awhile,” he said.

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_________________ On November 2

Fact checking ‘The Crown’: Queen Elizabeth’s faith and her close relationship with preacher Billy Graham

Fact checking ‘The Crown’: Queen Elizabeth’s faith and her close relationship with preacher Billy Graham

Claire Foy, center, and Matt Smith, right, in a scene from “The Crown.” (Robert Viglasky/Netflix via AP)
Jan. 9, 2018 at 6:00 a.m. EST

One of the running themes throughout the Netflix show “The Crown” is the devout Christian faith of Queen Elizabeth, who is shown kneeling for prayer by her bedside as her husband jokingly teases her to offer one for him. The queen, after all, serves not just as head of state but head of the Church of England, the mother church of Anglicanism worldwide.

“Monarchy is God’s sacred mission to grace and dignify the Earth,” her elderly grandmother, Queen Mary, tells Elizabeth early in the show.

The second season of the series portrays the queen as someone who, feeling betrayed by a family member, wrestled deeply with questions of faith and forgiveness. The show also depicts her budding relationship with famous American evangelist Billy Graham, who drew millions of people to his “crusades” across the globe and was a friend to many U.S. presidents.

Several writers have pointed out how “The Crown” took more liberties with historical fact and chronology in its second season. So did the show take some liberties in depicting the queen’s faith and her relationship with the evangelist?

Spoilers ahead!

“The Crown” shows the queen sipping her tea while watching the evangelist on television preach to a packed stadium. Even though several of her family members seemed befuddled by Graham, his fiery preaching style piqued the queen’s curiosity, and she asked for a private meeting with him. “I think he’s rather handsome,” the queen tells her husband.

“You do speak with such wonderful clarity and certainty,” Elizabeth, played by Claire Foy, tells Graham. After he delivers a sermon for the royal family at Windsor Castle, the queen says that she felt “a great joy” to be “a simple congregant, being taught, being led … to be able to just disappear and be…“ “A simple Christian,” Graham replies. “Yes,” Elizabeth says. “Above all things, I do think of myself as just a simple Christian.”

Paul Sparks portrays Rev. Billy Graham in season two of “The Crown.” (Netflix)

In the show, the royal family struggles with its relationship to former King Edward VIII, Elizabeth’s uncle who abdicated the throne to marry a divorcée and became the Duke of Windsor. That familial struggle becomes increasingly tense as the queen learns the family’s dark secret: Her uncle had become friendly with the Nazis during World War II, plotted to overthrow his brother and encouraged Germany to bomb England.

After learning the shocking details about her uncle, the queen asks Graham open-ended questions about forgiveness. Played by actor Paul Sparks, Graham tells the queen that she should pray for those she “cannot forgive.”

So what really happened? Here’s what we know from scholars and books.

1) Evidence of the queen’s faith is easily traceable.

Scholars believe the queen possessed a “deep vibrancy of her faith” as someone who read scripture daily, attended church weekly and regularly prayed, said Stan Rosenberg, a member of the Faculty of Theology and Religion at the University of Oxford. Despite suffering some public attacks for her handling of Princess Diana’s death and her political views, she is widely admired for her faith, and “folks here know her to be thoughtful, authentic, serious, and devout but not a pressingly intrusive Christian,” he said.

The queen’s Christmas messages, a British tradition that goes back to 1932, have provided a window into her private faith.

“I know just how much I rely on my faith to guide me through the good times and the bad,” she said in 2002. “Each day is a new beginning. I know that the only way to live my life is to try to do what is right, to take the long view, to give of my best in all that the day brings, and to put my trust in God. … I draw strength from the message of hope in the Christian gospel.”

2) Queen Elizabeth and Billy Graham met in 1955.

Billy Graham and Queen Elizabeth

Franklin Graham, Billy Graham’s son, said his father had a good relationship with the queen, not necessarily a pen pal relationship where they’d write to each other regularly, but he spoke several times in her private chapel and he was knighted in 2001. But Billy Graham initially met resistance, his son said, and some in Parliament tried to block him from coming. (Franklin Graham, who is planning to speak in September, faces his own version of British resistance now, according to the Guardian).

Franklin Graham said the show asked him to consult but he declined, saying any conversations they had were private. He said his father usually gave a dignitary a Bible, often the latest one he was carrying, so he believes he probably gave the queen one.

“There’s no question, she’s very devout in her faith and very strong in her faith,” Franklin Graham said. “Her faith has been consistent not just with conversations with my father but throughout her life.”

The queen’s meeting with the evangelist came about after Graham launched one of his evangelistic “crusades.” Graham had spoken to “the greatest religious congregation, 120,000, ever seen until then in the British Isles,” according to a biography of the late John Stott, a chaplain to the queen. During one of his rallies, Graham preached for 12 weeks, drawing 2 million.

Graham delivered a sermon for the queen on Easter Sunday in 1995 in the royal family’s private chapel.

“Good manners do not permit one to discuss the details of a private visit with Her Majesty, but I can say that I judge her to be a woman of rare modesty and character,” he wrote in his autobiography “Just As I Am.”

“She is unquestionably one of the best-informed people on world affairs I have ever met,” wrote Graham, who is now 99 years old and living in his mountain home in Montreat, N.C. “… I have always found her highly intelligent and knowledgeable about a wide variety of issues, not just politics.”

3) It’s unlikely, although still possible, that the two met alone.

“The Crown” shows the queen meeting alone with the evangelist so they could discuss things privately. However, Graham long had a personal rule that he would not meet alone with another woman, something that became known as “the Billy Graham rule” and has come under the spotlight since Vice President Pence has said he uses the same rule.

Historian and Graham biographer William Martin says Billy Graham began the practice in 1948, and it encompassed lunches, counseling sessions, even a ride to an auditorium or an airport because the pastor believed it helped keep him from “even the appearance of evil.”

Martin says, however, that there’s not much chance that the queen would have been left truly alone even if no attendant was in the room. But if the queen asked for this, Martin and fellow Graham historian Grant Wacker both believe he probably would’ve made an exception.

“Graham always meant for the rule to be observed with common sense,” said Wacker, who is a historian at Duke Divinity School. “The point was to prevent candlelit dinners far from home.”

4) How Graham might have responded to the question about forgiveness.

The queen tells Graham she asked him to return to Buckingham Palace to talk about forgiveness. “Are there any circumstances, do you feel, where one can be a good Christian and yet not forgive?” she asks. Graham says Christian teaching is very clear that no one is beneath forgiveness. But forgiveness was conditional, she counters.

“One prays for those one cannot forgive,” he says.

The exchange highlights a fuzzy line between personal forgiveness and public forgiveness. Does Elizabeth, as a niece, have a responsibility to forgive her uncle? Should she, as the queen, extend forgiveness to someone who, by the show and historical documents’ account, betrayed his country?

A surprisingly civil discussion between evangelical Billy Graham and agnostic comedian Woody Allen. Skip to 2:00 in the video to hear Graham discuss premarital sex, to 4:30 to hear him respond to Allen’s question about the worst sin and to 7:55 for the comparison between accepting Christ and taking LSD.

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The Christian Post > International > N.America|Sun, Nov. 20 2011 03:41 PM EDT

Woody Allen, The Faith Behind the Films (VIDEOS of Allen With Billy Graham)

By Kayla Amadis | Christian Post Contributor

American filmmaker, Woody Allen, will be starring in an exclusive two-part documentary film beginning tonight. The “Annie Hall” director and actor is notorious for his privacy. However, this three-and-a-half hour film claims to be a right of entry into the life and art of Woody Allen.

The works of Allen have always been a peculiar one for most viewers throughout generations. He has a touch for making artful flicks with the just enough humor included. His films, sometimes controversial, have also been unique in that they are driven by his distinctive vision and artistry. Allen has never been an artist to succumb to altering a script so it would appeal to mainstream audiences.

Therefore, many have noted reoccurring themes throughout Allen’s work over the years. He often integrates pop culture and religion sub-textually into the content of his writing.

Allen, now 75, grew up in a Jewish household. Now, as an agnostic, many of his films including “Crimes and Misdemeanors” and “Match Point” have subject matters concerning forgiveness, how to handle sin, finding meaning in life without God, or religious figures.

Many evangelicals including Chuck Colston and Southern Baptist leader, Richard Land are devoted fans of Allen. Although the filmmaker remains disclosed, he continues to be one to speak openly about deep issues in life even outside of his films. Allen has always been honest enough to ask many questions about morality and religion, but never has any of the right answers, Land suggested.

In the archives of Woody Allen appearances, one can find an old talk show video (below) in the 1960’s in which he interviews Billy Graham. Of course, Graham, clearly anchored in his beliefs in God, shared completely different views on life compared to the wisecracking Allen.

The conversation sounds undoubtedly tense upon first hearing. However, both counter-parts handled their discussion with much composure and the heart to agree to disagree.

Allen: “If you come to one of my movies or something, I’ll go to one of your revival meetings.”

Graham: “Well now that is a deal.”

Allen: “You could probably convert me because I’m such a pushover. I have no convictions in any direction and if you make it appealing and promise me some sort of wonderful afterlife with a white robe and wings I would go for it.”

Graham: “I can’t promise you a white robe and wings, but I can promise you a very interesting, thrilling life.”

Allen: “One wing, maybe?”

The dialogue was both light and deep all at once. “I find Woody over the years, and of course this is true of people as they get older, there is more resignation,” Land said to the Washington Post.

“There is a light touch and a confidence in his earlier movies – I’m not dead, I won’t die for a long time so I have a long time to figure this all out. Some of his more recent movies, you can see he’s aware of his own mortality.”

Decades later, one would hope Allen would come around to considering the true answers to all of his moral questioning. Perhaps he would think back to some of the words Graham spoke many years ago. However, Allen remains with doubtful views. “Sooner or later,” he said in a 2010 interview. “…reality sets in, in a crushing way. As it does and will with everybody, including Billy Graham. But it’s nice if you can delude yourself for as long as possible.”

“Woody Allen: A Documentary,’’ directed by Robert B. Weide, will touch on the career of Allen more intimately. Many look forward to understanding the true man behind the art and humor.

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The Black Keys – Lonely Boy [Official Music Video]

The Black Keys

From Wikipedia, the free encyclopedia
This article is about the band. For piano keys, see piano keys. For Chopin’s Étude commonly known as Black Keys, see Étude Op. 10, No. 5 (Chopin).
The Black Keys
Black-keys-sxsw-montage.jpg

The Black Keys performing at South by Southwest in 2010
Background information
Origin Akron, Ohio, U.S.
Genres Garage rock, blues rock,indie rock
Years active 2001–present
Labels Alive, Fat Possum,Nonesuch, V2, Warner Bros.
Associated acts Blakroc, Drummer, The Rentals, The Arcs, Danger Mouse
Website www.theblackkeys.com
Members Dan Auerbach
Patrick Carney

The Black Keys are an American rock duo formed in Akron, Ohio, in 2001. The group consists of Dan Auerbach (guitar, vocals) and Patrick Carney (drums). The duo began as anindependent act, recording music in basements and self-producing their records, before they eventually emerged as one of the most popular garage rock artists during a second wave of the genre’s revival in the 2010s. The band’s raw blues rock sound draws heavily from Auerbach’s blues influences, including Junior Kimbrough, Howlin’ Wolf, and Robert Johnson.

Friends since childhood, Auerbach and Carney founded the group after dropping out of college. After signing with indie label Alive, they released their debut album, The Big Come Up(2002), which earned them a new deal with Fat Possum Records. Over the next decade, the Black Keys built an underground fanbase through extensive touring of small clubs, frequent album releases and music festival appearances, and substantial licensing of their songs. Their third album, Rubber Factory (2004), received critical acclaim and boosted the band’s profile, eventually leading to a record deal with major label Nonesuch Records in 2006. After self-producing and recording their first four records in makeshift studios, the duo completed Attack & Release (2008) in a professional studio and hired producer Danger Mouse, a frequent collaborator with the band.

The group’s commercial breakthrough came in 2010 with Brothers, which along with its popular single “Tighten Up“, won three Grammy Awards. Their 2011 follow-up El Camino received strong reviews and peaked at number two on the Billboard 200 chart, leading to the first arena concert tour of the band’s career, the El Camino Tour. The album and its hit single “Lonely Boy” won three Grammy Awards. In 2014, they released their eighth album, Turn Blue, their first number-one record in the US, Canada, and Australia.

The Black Keys – Little Black Submarines [Official Music Video]

The Black Keys- Howlin’ For You (With Lyrics)

Career[edit]

Early history[edit]

Guitarist/vocalist Dan Auerbach and drummer Patrick Carney first met when they were eight or nine years old while living in the same neighborhood of Akron, Ohio.[1] Auerbach and Carney both come from musical backgrounds. Auerbach is the cousin of guitarist Robert Quine, a “veteran of New York’s avant-rock scene.”[2] Carney, on the other hand, is the nephew of saxophonist Ralph Carney, who performed on several Tom Waits albums.[2] While attendingFirestone High School, they became friends,[1] though they were part of different crowds[3]—Auerbach was captain of the high school soccer team, while Carney was a social outcast.[4] Encouraged by their brothers, the duo beganjamming together in 1996, as Auerbach was learning guitar at the time and Carney owned a four-track recorder and a drum set.[5][6] After graduating, both briefly attended the University of Akron before dropping out.[3][7]

Formation, The Big Come Up, and Thickfreakness (2001–2003)[edit]

Auerbach attempted to make a living from performing at small bars in town, but realized he would not be able to book shows in other cities without a demo. To record one, he asked for help from Carney, who agreed to provide recording equipment and allow his basement to be used if Auerbach recruited the other musicians. However, none of Auerbach’s backing band showed up on the recording date.[8] Instead, Carney and Auerbach jammed, eventually leading to the duo forming a band in mid-2001.[8][9] Together, they recorded a six-song demo consisting of “old blues rip-offs and words made up on the spot”.[8] After sending the demo to a dozen record labels, they received and accepted an offer in 2002 from a small indie label in Los Angeles called Alive,[5][10] as it was “the only label that would sign [them] without having to see [them] first”.[11]

According to an interview on NPR‘s Fresh Air, the group’s name “the Black Keys” came from a schizophrenic artist named Alfred McMoore that the pair knew; he would leave incoherent messages on their answering machines referring to their fathers as “black keys” such as “D flat” when he was upset with them.[12][13] On March 20, 2002, the duo played their first live show at Cleveland’s Beachland Ballroom and Tavern to an audience of approximately eight people.[10] The band’s debut album, The Big Come Up, was recorded entirely in Carney’s basement on an 8-track tape recorder in lo-fi and was released in May 2002,[14] three months after they signed to Alive.[10] The album, a mix of eight original tracks and five cover songs, forged a raw blues rock sound for the group; the covers included tracks originally by blues musicians Muddy Waters, Junior Kimbrough, and R. L. Burnside. Two tracks, covers of the traditional blues standard “Leavin’ Trunk” and The Beatles‘ song “She Said, She Said“, were released as a single on Isota Records. The track “I’ll Be Your Man” would later be used as the theme song for the HBO series Hung. In order to help fund a tour, Auerbach and Carney took jobs mowing lawns for a landlord.[15] Although The Big Come Up sold poorly, it gained a cult following and attracted attention from critics, eventually landing the group a record deal with Fat Possum Records.[16]

Within days of signing to Fat Possum, The Black Keys completed their second album, Thickfreakness.[6] It was recorded in Carney’s basement in a single 14-hour session in December 2002, an approach necessitated because the group spent its small advance payment from Fat Possum on rent.[9][11][17] The group had recorded sessions with producer Jeff Saltzman in San Francisco but ultimately aborted them, as they were unhappy that the results sounded too much like “modern-rock radio”.[9] In March 2003, the group played at one of its first music festivals, South by Southwest in Austin, Texas, after driving for nearly 24 hours from Akron.[18] Much as they did for the festival, Carney and Auerbach spent their early tour days driving themselves from show to show in a 1994 Chrysler van they nicknamed the “Gray Ghost”.[19]

Thickfreakness was released on April 8, 2003 and received positive reviews from critics. The record spawned three singles: “Set You Free“, “Hard Row“, and a cover of Richard Berry‘s “Have Love, Will Travel“. The other cover from the album was Junior Kimbrough’s “Everywhere I Go”. Time later named Thickfreakness the third-best album of 2003.[20] That year, the duo received a lucrative offer of ₤200,000 to license one of their songs for use in an English mayonnaise advertisement. At the suggestion of their manager, they rejected the offer for fear of being perceived as “sell-outs” and alienating their fan base.[12][21][22] The band toured extensively throughout 2003, playing its first dates outside of the United States and opening concerts for Sleater-Kinney, Beck, and Dashboard Confessional.[23][24] However, exhaustion had set in by the end of the year, forcing the band to cancel European tour dates.[23] In August, the group made its national television debut on Late Night with Conan O’Brien and performed at the Reading and Leeds Festivals.[24][25] As fellow garage band The White Stripes grew in popularity, The Black Keys drew comparisons to them—sometimes as a derivative act—since both groups had two-piece lineups, Midwest origins, bluesy sounds, and names with colors.[4][26] In September, The Black Keys released a split-EP with The Six Parts Seven titled The Six Parts Seven/The Black Keys EP, featuring one song by The Six Parts Seven and three songs by The Black Keys.

Rubber Factory, Magic Potion, and other releases (2004–2007)[edit]

The Black Keys released an EP titled The Moan on January 19, 2004, featuring “Have Love Will Travel”, an alternate version of “Heavy Soul”, and two covers. The group found itself struggling to sell records or gain airplay of their songs on the radio, and they were not making much money either; they had to absorb a $3,000 loss from a European tour.[4] Frustrated with their lack of success, the band relented and decided to begin licensing their music, beginning with the song “Set You Free” in a Nissan automobile commercial.[5] It was the first of an eventual 300-plus song placements in television shows, films, TV commercials, and video games.[22] The group played several high-profile musical festivals in the first half of the 2004, including Coachella[27] and Bonnaroo.[28]

Auerbach with the Black Keys in December 2006

For their third album, Rubber Factory, the band was forced to find a new recording location, as the building that housed their basement studio was sold by its landlord. They created a makeshift studio in a former tire-manufacturing factory in Akron,[23] and recorded from January to May 2004.[29] The album was released on September 7, 2004 and became the group’s first record to chart on the US Billboard 200, reaching number 143.[30] Rubber Factory received critical acclaim and was named one of the year’s best albums by Entertainment Weekly and The New Yorker.[31] Two singles were released, “10 A.M. Automatic” and the double A-side “‘Till I Get My Way/Girl Is on My Mind“. Comedian David Cross directed the music video for “10 A.M. Automatic”.[32] The duo promoted the album with tours in North America, Europe, and Australia.[33] In 2005, the band released their first live video album, Live, recorded at The Metro Theatre in Sydney, Australia on March 18, 2005. In July, they played at the Lollapalooza music festival.[34]

On May 2, 2006, the Black Keys released Chulahoma: The Songs of Junior Kimbrough, a 6-track album of cover versions of songs by Junior Kimbrough. It was the band’s final release with the independent label Fat Possum. Having fulfilled their two-album contract, the band signed with the major label Nonesuch Records.[35] Later in May, the group released its second live album, Live in Austin, TX—also known as Thickfreakness in Austin—which was recorded in 2003. The group’s music appeared in several television commercials over the course of the year; among the companies to license its music were Sony, Nissan, and Victoria’s Secret, which used “The Desperate Man” in a lingerie commercial featuring Heidi Klum.[36] Despite having the resources of a major record label available to them, the group elected to return to recording in Carney’s basement for its fourth studio album, Magic Potion.[35] Released on September 12, 2006, the album was the group’s first release on Nonesuch,[37] as well as its first album to comprise all original songs. Three singles were issued: “You’re the One“, “Your Touch“, and “Just Got To Be“. In support of Magic Potion, the band embarked on its largest tour to that point, performing in large theaters and 1,000-seat venues.[38] The Black Keys recorded covers of “The Wicked Messenger” for the soundtrack of the film I’m Not There and “If You Ever Slip” for The Hottest State soundtrack.

Attack & Release and side projects (2007–2009)[edit]

Auerbach performing with The Black Keys in East London in March 2008

In 2007, producer Danger Mouse began working on a record for Ike Turner and asked The Black Keys to write a few songs for the project. The collaboration ultimately fell through, and Turner later died in December 2007. The duo decided to turn the material they had written into their fifth studio album, Attack & Release, and they asked Danger Mouse to produce the record.[39] The sessions saw the band transitioning away from their “homemade” ethos to record-making; not only was it the first time that the band completed an album in a professional studio,[40] but it was also the first time they hired an outside producer to work on a record.[41] Danger Mouse supplemented the band’s sound with instrumental flourishes and more polished production values.[42]Released on April 1, 2008, Attack & Release debuted at number 14 on the Billboard 200.[16] Four singles were released: “Strange Times“, “I Got Mine“, “Oceans and Streams”, and “Same Old Thing”. “Strange Times” was featured in the video games Grand Theft Auto IV and NASCAR 09. “I Got Mine” is used as the theme song for Canadian police drama TV series The Bridge. The song was ranked number 23 on Rolling Stones list of The 100 Best Singles of 2008.[43]

On October 17, 2008, The Black Keys was an opening act for fellow Akron-area band Devo at a special benefit concert at the Akron Civic Theatre for presidential candidate Barack Obama.Chrissie Hynde of the Pretenders, also an Akron native and Firestone High School graduate, followed their set.[44] In November, they toured through Europe together with Liam Finn. That month, the group released the concert video Live at the Crystal Ballroom, which was filmed on April 4, 2008 at the group’s show at Crystal Ballroom in Portland, Oregon. The video was produced by Lance Bangs.[45]

The Black Keys performing at The Agora in January 2009

Tensions grew within the band in 2009. Prior to Carney’s divorce from his wife Denise Grollmus, Auerbach found it increasingly difficult to communicate with the drummer due to his antipathy for Grollmus. Auerbach said, “I really hated her from the start and didn’t want anything to do with her.”[4] In February, Auerbach released his debut solo album, Keep It Hid. Carney, who claimed Auerbach did not tell him about the side project, felt betrayed.[21] Carney subsequently formed the indie band Drummer, with whom he played bass guitar.[46] The group released its debut album Feel Good Together on September 29, 2009.

The Black Keys reconciled later in the year. On June 6, 2009, they performed along with The Roots, TV on the Radio, Public Enemy, Antibalas, and other acts at the 2nd Annual Roots Picnic on the Festival Pier in Philadelphia.[47] They also joined the 9th annual Independent Music Awards judging panel to assist independent musicians’ careers.[48][49]

Blakroc, a collaborative album featuring The Black Keys and several hip hop artists, was released in 2009 on Black Friday. The project was supported and brought together by Damon Dash, who is a big fan of the band. The album features rappers Mos Def, Ludacris, RZA, Raekwon, Pharoahe Monch, Q-Tip, NOE, Jim Jones, Nicole Wray, M.O.P., and the late Ol’ Dirty Bastard. The album was recorded in Brooklyn, New York by co-producer, engineer and mixer Joel Hamilton at Studio G. Auerbach said on the official Blakroc site, “Pat and I have been preparing for this record since we were 16.”[50]

Brothers (2010–2011)[edit]

The Black Keys performing in February 2010, three months before the release of their breakthrough albumBrothers

Auerbach and Carney moved to Nashville in 2010, where they established a studio downtown.[51]

The group’s sixth studio album, Brothers, was released on May 18, 2010.[52] Recorded primarily at Muscle Shoals Sound Studio, the album was produced by The Black Keys and Mark Neill,[53]and was mixed by Tchad Blake.[54] The song “Tighten Up“, the only track from the album produced by Danger Mouse, preceded the album as the lead single. The song became their most successful single to that point, spending 10 weeks at number one on the Alternative Songs chart and becoming the group’s first single on the Billboard Hot 100, peaking at number 87.[55] The song also reached gold certification status.[56] The music video for “Tighten Up”, directed by Chris Marrs Piliero,[57] won the 2010 MTV Video Music Award for Breakthrough Video.[58] Brotherssold over 73,000 copies in the US in its first week and peaked at number three on the Billboard 200, their best performance on the chart to that point.[59] In total, the record sold 1.5 million copies worldwide,[60] including 870,000 copies in the US,[61] and it was certified double-platinum in Canada, platinum in the US, and gold in the UK.[56] The Black Keys were among several artist judges at the 9th annual Independent Music Awards to support independent artists’ careers.[62]

The band continued to gain exposure through continued song licensing, so much so that they were Warner Bros. Records‘ most-licensed band of the year.[63] Rolling Stone placed Brothers at number two on its list of the best albums of 2010 and “Everlasting Light” at number 11 on the list of the year’s best songs.[64][65] Spin named The Black Keys the “Artist of the Year” for 2010.[66]On January 8, 2011, the band appeared as the musical guest on American television sketch comedy show Saturday Night Live.[67] At the 53rd Grammy Awards, Brothers and its songs won awards in three of the five categories they were nominated in; the band received honors for Best Alternative Music Album (for Brothers) and Best Rock Performance by a Duo or Group with Vocal (for “Tighten Up”), while Michael Carney, the band’s creative director and Patrick’s brother, won Best Recording Package for designing the album’s artwork.[68][69]

The Black Keys performing in Las Vegas in February 2011

The band’s sudden success proved overwhelming, as they found themselves booking additional promotional commitments and facing demand for additional touring dates.[60] In January 2011, the group canceled concerts in Australia, New Zealand, and Europe, citing exhaustion, thus clearing out most of their touring schedule into April.[70] Patrick Carney said, “We’ve been touring long enough to know when we’re about to hit our breaking point.” The desire to record another album soon after Brothers also led to the decision. Carney said, “We could have waited another year or so, and milked the Brothers album and kept touring, but we like bands, and our favourite bands growing up and even today, are bands that put out a lot of music and every album is different from the last.”[60]

Brothers second single, “Howlin’ for You“, was a successful follow-up, achieving a gold certification in the US.[56] The music video, directed by Chris Marrs Piliero,[71] parodied action movie trailers and starred Tricia Helfer, Diora Baird, Sean Patrick Flanery, Christian Serratos, Corbin Bernsen, Todd Bridges, and Shaun White.[72][73] It was nominated for the 2011 MTV Video Music Award for Best Rock Video.[74] In 2014, the band donated the song rights to PETA for an animal adoption ad campaign.[75]

The Black Keys were nominated for three Billboard Music Awards: Top Alternative Artist, and Top Rock Album and Top Alternative Album for Brothers.[76] The group continued to make appearances at American music festivals throughout the year, playing at Bonnaroo, Kanrocksas, and Outside Lands.

El Camino (2011–2013)[edit]

The group recorded their seventh studio album, El Camino, from March to May 2011.[61] Splitting time between touring and recording, the band spent 41 days at Easy Eye Sound Studio, which was opened in 2010 by Auerbach in the duo’s new hometown of Nashville, Tennessee.[8] For the album, Danger Mouse reprised his role as producer and also contributed as a co-writer on all 11 songs.[61] After struggling to translate the slower songs from Brothers to a live setting, the band decided to write more uptempo tracks for El Camino.[60] The record draws from popular genres from the 1950s–1970s,[77] including rock and roll,[77][78] glam rock,[79] rockabilly,[79] surf rock,[79] and soul.[80] The band cited several retro acts as musical influences on the album, including The Clash, The Cramps, T. Rex, Ramones, The Beatles, Sweet, The Cars, and Johnny Burnette.[8][60][61]

The Black Keys performing atMadison Square Garden in March 2012

Lonely Boy” was released in October as the album’s lead single, accompanied by a popular one-shot music video of a man dancing and lip-syncing. The song became the group’s best-charting single in several countries, reaching number 64 on the Billboard Hot 100,[55] number 2 on the Australian Singles Chart,[81] and number 33 on the Canadian Hot 100.[82] The song was certified nine-times platinum in Canada, triple platinum in Australia, platinum in New Zealand, and gold in Denmark.[56] The band returned to Saturday Night Live as a musical guest on December 3, 2011.[83] El Camino was released three days later and received wide critical acclaim.[84] In the US, it debuted at number two on the Billboard 200 and sold 206,000 copies in its first week, the highest single-week sales and (to that point) charting position the group had achieved in the country.[85] Many publications, such as Rolling Stone and Time ranked El Camino among the best albums of the year, despite its late release.[86][87] The album was certified double-platinum in Australia, Canada, and New Zealand; platinum in the US, UK, and Ireland; and gold in Belgium, the Netherlands, and France.[56]

The Black Keys during their headline appearance at Coachella in April 2012

In 2012, the group commenced the first headlining arena tour of its career,[88] the El Camino Tour, playing dates in Europe and North America.[89][90]After tickets went on sale, their show at Madison Square Garden sold out in 15 minutes.[91] Just as it did on its previous tour, the group added bassist Gus Seyffert and keyboardist/guitarist John Wood as touring musicians in order to perform songs as close to their studio arrangements as possible.[4][92] The album’s second single, “Gold on the Ceiling“, like its predecessor, went to number one on the Alternative Songs chart[93] and was certified platinum in Australia and Canada.[56] The group headlined several music festivals throughout the year, including Catalpa Music Festival,[94] Coachella,[95] Memphis in May (in 2013),[96] Lollapalooza,[97] and Osheaga.[98] At the 2013 Grammy Awards, El Camino and “Lonely Boy” were nominated in five categories and were winners in three; the album won Best Rock Album, while “Lonely Boy” won Best Rock Performance and Best Rock Song.[99]

Turn Blue (2013–present)[edit]

For their eighth studio album, Turn Blue, the band once again collaborated with Danger Mouse, who co-produced and co-wrote the album. It was recorded primarily at Sunset Sound in Hollywood, California, from July–August 2013, with additional recording at Key Club in Benton Harbor, Michigan, and Nashville’s Easy Eye Sound in early 2014. The album was announced in March 2014 via Mike Tyson‘s Twitteraccount, with a link to a cryptic teaser video on YouTube featuring a hypnotist,[100] and was released on May 13, 2014. The record exhibits psychedelic rock and soul influences and features a more melancholy tone, largely in part due to Auerbach dealing with the divorce from his wife during the album sessions.[101] The first single, “Fever” was released on March 24,[102] while a second single, “Turn Blue“, followed on April 14.[103] The album debuted at number one in the US and Australia, the band’s first record to top the album charts in either country;[104][105] 164,000 copies were sold in the US in its first week.[104] The group embarked on a world tour in May 2014 to support the album, withCage the Elephant, Jake Bugg, and St. Vincent all separately opening for them. In 2015, Turn Blue was nominated for the Grammy Award for Best Rock Album, with “Fever” being nominated for the Grammy Award for Best Rock Song as well as the Grammy Award for Best Rock Performance.[106]

Members[edit]

  • Dan Auerbach – guitar, vocals, bass guitar, keyboards (2001–present)
  • Patrick Carney – drums, percussion (2001–present)
Touring musicians
Former touring musicians
  • Nick Movshon – bass guitar (2010)[108]
  • Leon Michels – keyboards, organ, synthesizer, tambourine (2010)[108]
  • Gus Seyffert – bass guitar, vocals (2010–2013)

The Black Keys – Tighten Up [Official Music Video]

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Great Christmas songs (Part 2)

Coldplay Christmas song

Uploaded by  on Nov 25, 2011

Christmas time is near, so I decided to reupload this Christmas Song by Coldplay. They released it last year. Hope you like it!!

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Another one of my favorite Christmas songs is below:

“COME ON RING THOSE BELLS” ~ featuring Evie Tornquist-Karlsson

Evie Tornquist – It Only Takes A Spark † Pass It On 

From Wikipedia:

Evie Tornquist-Karlsson (born 1957 in Rahway, New Jersey[1]), professionally known as Evie, is a Contemporary Christian music singer who was known in the late 1970s and early 1980s for songs such as “Step into the Sunshine” and “Four Feet Eleven”.[2]

Born in the United States to Norwegian immigrants, Evie began her singing career as a young teenager while visiting her parents’ homeland.[3] She released her English language debut album at the age of 16 in 1974,[4] and went on to release more than 30 albums, including several in various Scandinavian languages.[3] Evie was recognized as the Dove Award recipient of Female Vocalist of the Year for 1977 and 1978.[5] She married Swedish pastor and musician Pelle Karlsson in 1979 and retired from performing music in 1981 to pursue other avenues of ministry, such as Sky Angel.[6] Evie later became a mentor to Christian musician Rebecca St. James,[4] joining her for an event series geared toward helping girls and women apply biblical principles in the 21st century.[7]

Evie was officially inducted into the Gospel Music Hall of Fame on February 22, 2005,[3] and was one of the inaugural inductees to the Christian Music Hall of Fame.[8]

Great Christmas songs (Part 1)


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This info below from Wikipedia:

Band Aid was a charity supergroup featuring British and Irish musicians and recording artists.[1][2] It was founded in 1984 by Bob Geldof and Midge Ure to raise money for famine relief inEthiopia by releasing the song “Do They Know It’s Christmas?” for the Christmas market that year. The single surpassed the hopes of the producers to become the Christmas number one on that release. Two subsequent re-recordings of the song to raise further money for charity also topped the charts. The original was produced by Midge Ure. The 12″ version was mixed by Trevor Horn.

The name ‘Band Aid’ was chosen as a pun on the name of a well known brand of adhesive bandage, also referring to musicians working as a band to provide aid and alluding to the fact that any help stemming from their efforts is likened to a band-aid on a very serious wound.

The group has formed on three occasions, each time from the most successful British and Irish pop music performers of the time, to record the same song at the same time of year.

[edit]Original Band-Aid

[edit]Chronology (1984)

Question book-new.svg
This section does not cite any references or sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed(November 2011)

The original 1984 Feed The World logo was based on a pencil sketch by Bob Geldof after watching a BBC television news report by Michael Buerk from famine-stricken Ethiopia. Geldof was so moved by the plight of starving children that he decided to try to raise money using his contacts in pop music. Geldof enlisted the help of Midge Ure, from the group Ultravox, to help produce a charity record. Ure took Geldof’s lyrics, and created the melody and backing track for the record. Geldof called many of the most popular British and Irish performers of the time (Kool & The Gang and Jody Watley were the only Americans present at the original recording), persuading them to give their time free. His one criterion for selection was how famous they were, in order to maximise sales of the record. He then kept an appointment to appear on a show on BBC Radio 1, with Richard Skinner, but instead of promoting the newBoomtown Rats material as planned, he announced the plan for Band Aid. The recording studio gave Band Aid no more than 24 free hours to record and mix the record, on 25 November 1984. The recording took place at SARM Studios in Notting Hill between 11am and 7pm, and was filmed by director Nigel Dick to be released as the pop video though some basic tracks had been recorded the day before at Midge Ure’s home studio. The first tracks to be recorded were the group / choir choruses which were filmed by the international press. The footage was rushed to newsrooms where it aired while the remainder of the recording process continued. Later, drums by Phil Collins were recorded. The introduction of the song features a slowed down sample from a Tears for Fears‘ track called “The Hurting”, released in 1983. Tony Hadley, of Spandau Ballet, was the first to record his vocal, while a section sung by Status Quo was deemed unusable, and replaced with section comprising Paul WellerSting, and Glenn GregorySimon Le Bon from Duran Duran sang between contributions from George Michael and Sting. Paul Young has since admitted, in a documentary, that he knew his opening lines were written for David Bowie, who was not able to make the recording but made a contribution to the B-side (Bowie performed his lines at the Live Aid concert the following year). Boy George arrived last at 6pm, after Geldof woke him up by ‘phone to have him flown over from New York on Concorde to record his solo part. (At the time, Culture Club was in the middle of a US tour.)

The following morning, Geldof appeared on the Radio 1 breakfast show with Mike Read, to promote the record further and promise that every penny would go to the cause. This led to a stand-off with the British Government, who refused to waive the VAT on the sales of the single. Geldof made the headlines by publicly standing up to Prime Minister Margaret Thatcherand, sensing the strength of public feeling, the government backed down and donated the tax back to the charity.

The record was released on November 29, 1984, and went straight to No. 1 in the UK singles chart, outselling all the other records in the chart put together. It became the fastest- selling single of all time in the UK, selling a million copies in the first week alone. It stayed at No. 1 for five weeks, selling over three million copies and becoming easily the biggest-selling single of all time in the UK, thus beating the seven-year record held by Mull of Kintyre. It has since been surpassed by Elton John‘s “Candle in the Wind 1997” (his tribute to Diana, Princess of Wales) but it is likely to keep selling in different versions for many years to come.

After Live Aid, “Do They Know It’s Christmas?” was re-released in late 1985 in a set that included a special-edition ‘picture disc’ version, modelled after the Live Aid logo with ‘Band’ in place of ‘Live’. An added bonus, “One Year On” (a statement from Geldof and Ure on the telephone) was available as a b-side. “One Year On” can also be found in transcript form in a booklet which was included in the DVD set of Live Aid, the first disc of which features the BBC news report, as well as the Band Aid video.

[edit]Participants

The original Band Aid ensemble consisted of (in sleeve order):

The sleeve artist, Peter Blake, was also credited on the sleeve.

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Another one of my favorite Christmas songs is below:

“COME ON RING THOSE BELLS” ~ featuring Evie Tornquist-Karlsson

Evie Tornquist Karlsson and her husband Pelle sing “United We Stand” On Billy Graham Crusade

Uploaded by on Apr 26, 2011

Evie Tornquist-Karlsson was Christian Music’s greatest sweetheart , she took the world by storm with her sweet angelic face & voice that touched everyone’s heart with her love for Jesus. She will forever be known as the girl who sang her songs for Jesus Christ. She was born 1957 in Rahway, New Jersey, professionally known as Evie, is a Contemporary Christian music singer who was known in the late 1970s and early 1980s for songs such as “Say I Do”, “My Tribute”, “Live For Jesus”, “Pass It On”, “Never The Same”, “Mirror”, “Born Again”, “Come On Ring Those Bells”, “Step Into The Sunshine” and “Four Feet Eleven”.

Born in the United States to Norwegian immigrants, Evie began her singing career as a young teenager while visiting her parents’ homeland. She released her English language debut album at the age of 16 in 1974, and went on to release more than 30 albums, including several in various Scandinavian languages. Evie was recognized as the Dove Award recipient of Female Vocalist of the Year for 1977 and 1978. She married Swedish pastor and musician Pelle Karlsson in 1979 and retired from performing music in 1981 to pursue other avenues of ministry, such as Sky Angel.

In the early 1980s Pelle and Evie Karlsson felt the Lord’s leading to join the “SKY ANGEL DOMINION NETWORK”. The Lord used them both in a might way for the Lord’s glory. While there, they recorded a few other albums. Evie and her husband has since left the SKY ANGEL NETWORK a number of years ago. Although Evie is “officially” retired from performing and doing concerts all the time on a regular basis since 1981 – she is still pursuing her music ministry with White Field Music, (owned by Pelle and Evie Karlsson) in Florida and very much involved in missions work with Back to Jerusalem. A vital, encouraging work. They also produce a wonderful outstanding 30 minute weekly series for Back To Jerusalem which can be viewed online. The weekly broadcast can be viewed her which is hosted by Pelle & Evie – http://www.backtojerusalem.com/video/latestBroadcast.html
All of the past episodes of the broadcast can be featured for downloading / viewing here –
http://www.backtojerusalem.com/btjPages/broadcast.html

Evie still does some concerts in Churches and in other venues and is also still on tour. She also tours to different venues with Rebecca St. James in a Mother and Daughter outreach series of programs they put on called, the “SHE” events. The SHE event tour with Evie for dates, and locations and more info please visit the SHE event tour dates – http://www.sheevent.com/events.html

Evie currently resides with her husband Pelle in Florida. Their two children, Kris and Jenny Karlsson are now out of high school. Jenny is already now very recently married and is a school teacher. Evie and her music is still loved today more then ever, and Evie albums are still being hunted down and collected by her fans. I had the wonderful privilege of having a very special invitation to a Concert that Evie was able to take part of, in September of 2005. Earlier, that year in February Evie was officially inducted into the Gospel Music Hall of Fame on February 22, 2005. Some of Evie’s best selling LP’S include:

2008 – Jul med Evie (Nyutgivning på CD av LP-skivorna “Jul med Evie” från -74 “Julens
klockor ring” från -78)
— Christmas with Evie (republication of CDs of LPs “Christmas with Evie” from -74 and “Christmas bells ring” from -78)
2006 – Evie På Svenska – 15 Önskesånger
2006 – Evie In Swedish – 15 Wishful Songs
1998 Day by Day (Word UK)
1996 Songs for his family
1993*Exact date unknown- Evie’s Special Christmas Delivery Album
1989 Spirit Song (as Evie Karlsson – Cedited)
Maranatha! Singers, The – Praise 3 Album
1987 Christmas Memories
1986 When all is said and done
1985 Loving Promises – 2 LP Set
1984 Christmas a happy time
1983 Restoration
1983 Evie – Hymns
1982 Evie – PA SVENSKA VOL II
1981 – The Very Best Of Evie (WORD – Release Through Word Austerila with Endeavour)
1981 – Unfailing Love
1980 Teach us your way
1980 – Evie Favourites Vol 1
1979 Never the Same
1978 A little song for my little friends
1977 Come on ring those bells
1977 JULENS KLOCKOR, RING! (Come on ring those bells SWEDISH VERSION)
1977 – Mirror
1977 TILL MINA SMA VANNER (SWEDISH VERSION Little Song Of Joy For My Little Friends
1976 Gentle Moments
1975 FAVORITTER (1971-73) (ENGLISH/NORWEGIAN MIX)
1975 Evie Again (2 Release album covers) WORD
1975 Du skulle vara med i sången (1975 You would be part of the song)
1974 – Evie (1st American Release)
1973 – Jag kommer till dig (1973 – I come to you)
1972 – Evie på svenska (1972 – Evie in Swedish)
1971 Evie Sings Gospel
1971 Evie Synger
1970s Everything Is Beautiful
1970 A song for Everyone (First Album)

Bellevue Baptist Church Singing Christmas Tree Pictures and Video Clips from 1976 to Present

___________

What a blessing to be a member of Bellevue Baptist from 1975 to 1983 and participate in many of those years in the Bellevue Baptist Singing Christmas Tree. Jim Whitmire always did a great job of planning and directing and Adrian Rogers always did a super job with the short concise presentation of the gospel presentation. Today Bellevue has continued that tradition with their present pastor Steve Gaines and the Singing Christmas Tree has marched on through the years but it could have not been possible without the dedication of those in the beginning who made it happen through the Lord’s strength and guiding.

Jim Whitmire pictured below:

Adrian Rogers pastor of Bellevue Baptist 1972-2004

Bellevue Baptist Church Holiday HighLights (1995)

Published on Jul 14, 2013

In 1995, Bellevue celebrated 20 years of the Singing Christmas Tree

Continuing my annual fascination with singing Christmas trees here is Bellevue Baptist Church’s beauty – a 44 footer with 100,000 lights and 300 cast members.

Posted by acapnews at December 23, 2011 11:15 PM

_____________________________

Michael Fields, Tim Simpson, Lynn Laughter and Len Causie sing as a barber shop quartet in the 2010 Singing Christmas Tree at Bellevue Baptist Church.

There are few things in life that I enjoy more than singing.  My mother was not only an incredible pianist, she had a beautiful soprano voice. My brother Mike and sister Holly inherited her piano abilities, while I inherited her love of singing.  Let me back up on that:  Anyone who plays the piano knows you DON’T inherit that ability, you work for it!

Through the years I’ve sung at church, funerals, weddings and parties.  I enjoy singing most when I’m in the shower!  I’m not kidding.  No one’s looking!  The acoustics are good too.

The funniest moment I’ve ever encountered while singing was when I was in college.  A couple of friends of mine were getting married and I was singing The Lords Prayer during the ceremony.  That song doesn’t really move along at a very fast pace.  The groom was kneeling on the little prayer bench when he turned his head toward me and uttered, “hurry up”.  It wasn’t an audible command, but I could read his lips very well.  He was in a hurry to finish the ceremony.  I almost started laughing during the song.

For five years I sang with The River City Trio, a collection of friends from First Evangelical Church in Memphis.  We did mostly Gospel music and sang with an incredible guitarist, Bucky Walters.  When one of the trio members moved out of town several years ago that opportunity came to a halt.  But as they say, there are seasons to life and that season was over.

Our family started attending Bellevue Baptist Church four years ago and I decided to join their choir.  I have always admired their professionalism and dedication to excellence.  That choir has really become my community of friends.

A former tenor, my voice has changed through the years and I’m very comfortable singing baritone or bass these days.  I had the opportunity to sing in the Pit Choir during this year’s performance of The Singing Christmas Tree which just concluded a five night run on December 15th.  Pit Choir provides a little extra behind the scenes vocal support.  The difference between on stage and off stage–when you’re off stage you have more time to visit and partake of the various snacks that seem readily available during this time of year.

I also had the opportunity to sing in one short scene on stage.  I sang in a barber shop quartet with several of my friends, Michael Fields, Lynn Laughter and Len Causie.  It took us a couple of nights to deal with struggling voices, but once healing kicked in, I thought it came off very well.  We had a wonderful time together and the Pit Choir made some good memories.

Saturday, November 3, 2012

Singing Christmas Tree

The holidays are fast approaching and for our family the Singing Christmas Tree at Bellevue Baptist Church in Memphis, TN is pretty much a tradition.  The production is AMAZING!  I really don’t know how Broadway could top it.
We received our brochures in the mail yesterday and the story line this year is about an orphanage and is set in 1912 in New York.  I cry every year already so the thought of orphaned children is a sure sign to stash the kleenex in my purse.
The nativity scene gets me every time.  They go to great lengths to make it as realistic as possible.
It’s absolutely breath taking and for me, it sets the tone of the season.
I look forward to it every year.
I have to say..the angels flying over the audience is one of my favorite parts. I guess it’s the kid in me.
Don’t miss it..go to their website and purchase your tickets..you’ll be glad you did.
Mine are already on their way!
(All photos above were taken by Bellevue Baptist Church)

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