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A Christian response to Papa Roach’s song “The Last Resort” (Part 1)

Papa Roach – Last Resort (Censored Version)

Amy Winehouse died at the young age of 27 and she had lived a life filled with drug and alcohol addiction. This series on Papa Roach is meant to provide answers to those who feel trapped. Hopefully it will people to avoid  troubles like Amy Winehouse experienced. 

Today I am starting a series of posts on this song  “The Last Resort” by Papa Roach.

The band’s place in the pop music landscape was established with the release of their breakout single, “Last Resort,” which was quickly picked up by MTV and nominated for a “Best New Artist Video” award at the 2000 Video Music Awards. The song is a gut-wrenching first-person chronicle of hopelessness that’s gone so deep the singer is seriously contemplating suicide.  For casual listeners, the song is very confusing. Listening to the song reveals the criticisms claiming the song promotes suicide could certainly be warranted. Kids who are riding the fence because of numerous other problems in their lives could interpret the song in a way that would give them permission to go over the edge, especially if they don’t know the story behind the song.

But the band is adamant about the fact that the song is about fighting to survive by overcoming depression, rather than allowing it to lead to suicide. “It’s not saying I can’t go on living. It’s saying I can’t go on living this way,” says Dick (Spin, 10/00). He also says, “Last Resort” has “a positive edge to it, as far as like, ‘Don’t succumb to it. Keep yourself afloat.’ With these problems in your life, find a friend you can confide in” (Sonicnet.com).

I know there are some curse words in the following song. I have eliminated both times the curse word is used. I really think that there needs to be a response to the young people who are saying things like the words in this song Here are some of the words:

Do you even care if I die pleading, Would it be wrong, would it be right, If I took my life tonight, Chances are that I might, and I’m contimplating suicide, ‘Cause I’m losing my sight, losing my mind, Wish somebody would tell me I’m fine, Nothing’s alright, nothing is fine, I’m running and I’m crying, I never realized I was spread too thin, Till it was too late andI was empty within, Hungry, feeding on my chaos and living in sin, Downward spiral, where do i begin, It all started when i lost my mother, No love for myself and no love for another,Searching to find a love upon a higher level, finding nothing but QUESTIONS AND DEVILS, I can’t go on living this way, Cut my life into pieces, This is my last resort.

Is there hope for youth that feel this way? There is hope in my view only if you realize that God exists and cares for you and your future. Seeking God is the answer just like Solomon found out in the Book of Ecclesiastes. Chris Martin of the rock group Coldplay seems to be on a similar quest to find spiritual answers.

Below is a portion of the article “Papa Roach—Infesting and reflecting youth culture by Walt Mueller.  

Twenty years ago I lived in Florida. The sun was always bright. The air was always warm. The ocean water was always blue. The tropical flowers were always beautiful. And my apartment was always home to an army of Palmetto bugs that somehow managed to survive visits from the exterminator and frequent fumigations. There were three other things I learned about these critters when I lived down south. First, everyone had them in their houses. Second, calling them “Palmetto bugs” was just a nice way of forgetting that the indestructible bugs were really nothing more than roaches. And third, there was really nothing you could do to get rid of them. 

For a home­­­-owner, the roach population’s ability to live and thrive even after being targeted for destruction is a nightmare. To kids who have experienced the chaos of relational upheaval in today’s confusing, selfish and oft-hopeless culture, the indestructible longevity of a roach can become an admirable quality.

Jacoby Shaddix is a young man whose difficult background left him close to hopeless and hanging on to life by a thread. Now 24 years old and known as Coby Dick, he’s the lead singer of the band named Papa Roach. While the name was originally taken from Shaddix’s Grandpa Roatch, there’s more to it than meets the eye. “We look at ourselves like cockroaches,” says Dick. “We’re survivors” (Rolling Stone,8/31/00). Judging from the band’s recent rise to mainstream music popularity, Dick and his bandmates are putting forth a message that’s resonating with a youth culture hoping to survive like indestructible roaches in a world seemingly bent on destroying their youthful hopes and dreams.

Turn on your radio and/or MTV and it won’t be long until you realize the music and message of Papa Roach has connected with today’s mainstream youth culture. What is it that’s made them connect with so many young ears, eyes, minds and hearts? What’s the message and worldview communicated in and through the music of Papa Roach? Is there anything we can learn from their growing influence among our kids? As with all other popular music, there’s more to Papa Roach than meets the ear. We need to dig deeper to look beneath the band’s lyrics and music to discover who they are and how that identity has facilitated their growing connection with kids. Looking more deeply at the Papa Roach history, music and appeal offers deep insight into the collective and individual values, attitudes and behaviors of today’s children and teens. 

Papa Roach’s Story

The roots of Papa Roach go back to Vacaville, a small town in California where the kids say there’s little or nothing to do. Like so many other kids in Vacaville, Coby Dick says he was “a wild kid” (Rolling Stone, 7/6-20/2000). When he describes his “rough” childhood he talks openly about his hyperactivity, mood swings and bed-wetting until the age of 16. When Dick was barely into his middle school years, his father left home and didn’t speak to him for 12 years—and only after Dick called his dad while writing the band’s current album, Infest 

Always interested in music, Dick became proficient on the bass clarinet and played in an award-winning woodwind ensemble while in high school. By the age of 17, Dick had left home to live on his own in a rented room while making money as a dishwasher. When he was 19, he decided to deal with his personal issues by writing his life down in the form of lyrics as “a way to vent frustrations with things that’ve happened in my life. This is the perfect way for me to get some things off my mind and come to peace with certain situations” (Alternative Press, 10/00). Dick wears the chaos on his left bicep where there’s a tattoo of a house engulfed in flames. “It’s a representation of my family falling to pieces” (Spin, 10/00). Today, Coby Dick is the band’s lead singer, lyricist and songwriter. The music of Papa Roach reflects his thoughts on the first 24 years of his young life.

Drummer David Buckner (age 24) hooked up with Dick in 1993 when they were playing football together back inVacaville. An accomplished violinist, Buckner opened his family’s garage for the band’s original rehearsals. At that time, the band consisted of Dick, Buckner, bass player Will James and a trombone player. They made their performance debut at a high school talent show.

After a short time they canned the trombone player and added guitarist Jerry Horton (age 25). To this day, Horton doesn’t fit the stereotype of a rock and roll musician. He remains committed to being “straight-edge,” a moniker describing his decision to never take drugs, never smoke and never use alcohol. His bandmates claim they’ve never heard him use profanity. 

During the early years, the band played club shows, and handed out a series of self-released EPs and demos on the street. They released Potatoes For Christmas (1994) and Coca Bonita (1995) before Will James left the band because his ongoing involvement in a church camp kept the band from practicing over the summer months. Their local following grew and they hired their roadie Tobin Esperance (age 20) in 1996 to replace James.

The band self-released two more albums: Old Friends From Young Years … Let ‘Em Know (1997) and Five Tracks Deep (1998), the latter of which convinced the folks at Warner Brothers to finance a demo record for Papa Roach. But in a strange turn of events, Warner Brothers abruptly dropped plans for the band as they were rejected by several record labels. Then in October 1999, the band signed on with Dreamworks.

In the months since then, Papa Roach released an album, joined the Summer of 2000 Vans’ Warped Tour, and has toured with Korn.

For more information on resources to help you understand today’s rapidly changing youth culture, contact the Center for Parent/Youth Understanding.

Help for the Suicidal

God offers you true, living hope–not a false hope based on your death.
By David Powlison

WHAT YOU NEED TO KNOW

Are you having suicidal thoughts and feelings? Perhaps you are convinced that life is not worth living. You feel like your world is collapsing in on you. Your life seems hopeless—like a black hole with all love, hope, and joy sucked out. If you are contemplating suicide, you have already done a lot of thinking about your life.

But have you thought about how God views your life?

Right now you are living in a world of despair. You can’t see any solution to your problems. You’re not looking forward to anything. The future seems empty.

God’s perspective on your life is very different. Your life is precious to Him. He knows everything about you—even how many hairs are on your head (Matthew 10:30). Your life is so significant to Him that He forbids you to take it. God says that all murder is wrong, and that includes the self-murder of suicide (Exodus 20:13).

Bring your hopelessness to God

God is not surprised or put off by your hopeless feelings. He wants you to bring your despair to Him, and cry for help right now, in the middle of your darkness and pain. Throughout history God’s children have cried to him and He has helped them. Listen to the voice of David who cried out his despair to God thousands of years ago, “In the day of my trouble I call upon you, for you answer me” (Psalm 86:7).

Today is your day of trouble. Tell God all your sorrows, all your troubles, and all the reasons suicide is on your mind. Do you feel, like David, that you are in the “depths of the grave”? Ask God to hear your prayer and listen to your cry for grace (Psalm 86:6). On this day the living God promises to listen to you and help you.

Your reasons for despair; God’s voice of hope

Why are you feeling hopeless? Are you struggling with physical suffering? A broken relationship? Shame and guilt from mistakes and failures? An unrealized dream? What problem do you believe suicide will solve?

Your suicidal feelings and actions don’t come out of the blue. They have reasons you can discover and understand. Your particular reasons will show you how you’re experiencing, interpreting, and reacting to your world. When you discover your reasons, you will also be describing what is most important to you. The loss or pain that makes you feel like your life is not worth living points to the thing that you believe would make your life worth living.

We will look at four kinds of reasons for hopelessness. As you read, look for the specific reasons you are feeling hopeless. And then listen to what God says to you about your particular troubles that brings hope.

1. Unrelenting suffering. Your hopelessness might stem from overwhelming suffering. The death of someone close to you, your own chronic pain and illness, postpartum depression, a broken relationship, poverty, racial prejudice, etc., are all situations that can fill you with despair.

If this is why you feel hopeless, read through Psalm 31. Written by David, these words vividly capture the feeling of wasting away with grief.

Be gracious to me, O LORD, for I am in distress;
my eye is wasted from grief;
my soul and my body also.
For my life is spent with sorrow,
and my years with sighing;
(v. 9-10)

Is this what your life is like?

But this psalm is also filled with hope. David remembers that God sees him in his affliction and knows all about his troubles. He remembers that in God’s presence he is safe:

Oh, how abundant is your goodness, which you have stored up for those who fear you and worked for those who take refuge in you, in the sight of the children of mankind! In the cover of your presence you hide them from the plots of men; you store them in your shelter from the strife of tongues.” (v. 19-20)

David’s life, like yours, was full of troubles and discouragement, yet because God was with him, he has hope. He says, “But you heard the voice of my pleas for mercy when I cried to you for help” (v. 22). And he ends with this call: “Be strong and let your heart take courage, all you who wait for the Lord” (v. 24). David is able to endure with courage because God is with him.

God is calling you to persevere in your suffering, but not by simply gritting your teeth. Persevering through suffering is only possible when you put your hope in the living God. He promises to come near to you, to be present with you, and to let you experience His goodness right in the middle of your pain and difficulty.

2. Personal failure. Your suicidal thoughts and feelings might be related to mistakes and failures. Is your hopelessness an attempt to atone for your sins, to punish yourself, to avoid feelings of shame? Perhaps you are so full of guilt and shame that you don’t want to be around people or even continue to live. Can you find hope when you’ve blown it so badly that you think you will never be able to hold your head up again?

The amazing thing about the Bible is that it is full of real people who made serious missteps—just like you. David wrote Psalm 32 after he committed adultery, got a woman pregnant, and then tried to cover things up by arranging to have the woman’s husband killed. You can read the whole story in 2 Samuel 11-12.

In Psalm 32:3-4 he vividly describes his experience of despair. Perhaps you are also feeling like this:

… my bones wasted away through my groaning all day long.
For day and night your hand was heavy upon me;
my strength was dried up as by the heat of summer.

David’s experience of guilt and failure comes partly from God and partly from his own conscience. But why is this psalm full of joy instead of shame? Because of what God has done for him in the middle of his nightmare of guilt. His joy comes from God’s forgiveness of him and from God’s promise to guide him (Psalm 31:1-2, 8).

Here’s someone, like you, who is living with terrible personal failure. But instead of meditating on his failures and turning his sins and mistakes over and over in his mind, he chooses to remember who God is. He knows the God who forgives. He trusts the God who promises to keep his eyes on him, who will personally instruct, lead, and counsel. So he ends like this, “steadfast love surrounds those who trust in the Lord,” and adds a call to joy, “Be glad in the LORD, and rejoice, O righteous, and shout for joy, all you upright in heart!” (Psalm 32:10-11).

What an amazing turnaround—someone who knows his sinfulness, but also knows God’s mercy, can be called righteous by the grace and mercy of God. You, too, can experience what David experienced. But to do so, you must seek this Lord. David described how he felt after his sin was exposed, but he hadn’t confessed his sins to God. His vitality drained away, he felt hopeless and lifeless. If that is how you feel, then do what David did—go to God with your sins and failures.

Here is a wonderful description of seeking God in the middle of your failure and guilt, David says, “I acknowledged my sin to you, and I did not cover my iniquity; I said, ‘I will confess my transgressions to the LORD,’ and you forgave the iniquity of my sin” (Psalm 32:5). Notice that David is turning to God with his failures—not to those around him. He doesn’t live in shame anymore because he is forgiven. He can hold up his head, even though everyone knows about his failures, because God is with him.

And then David gives the key to having God with him, “Therefore, let everyone who is godly offer prayer to you.”   He knows that prayer brings him into God’s presence where he is safe from trouble, even the trouble he brought upon himself.

3. Failed dreams. You can also struggle with hopelessness when the thing that has given your life meaning is taken from you. Perhaps it’s a job you didn’t get, an unrealized life goal, or your children turning out a certain way. Whatever you have organized your life around, its absence can leave you feeling empty and despairing.

Perhaps you didn’t know how important your dream was to you until it didn’t happen. Now you are experiencing the hopelessness of a failed dream. But what does your failed dream reveal about where you find meaning? When what you have lived for is taken from you, it can feel like you are dying. You are in so much pain that suicide seems like your only alternative. But God has a better way. He will give you true, lasting hope that can never be taken away from you.

God says, in Psalm 33, that it is He who “frustrates the plans of the peoples” (Psalm 33:10). Later in the psalm he says why—because all those hopes are futile. “The king is not saved by his great army; a warrior is not delivered by his great strength. The war horse is a false hope for salvation, and by its great might it cannot rescue” (Psalm 33:16, 17).

These are things that people trusted in thousands of years ago. What you trust in—those things on which you built your life, your identity, your success—are different, but the result is the same. Anything you trust in besides God’s steadfast love for you is futile. When you put your hope in God’s love, He will deliver your soul from death (Psalm 33:18, 19).

Let the death of your dreams be the door into putting your trust in God’s love for you. He will be your help and shield. As you “trust in His holy name,” He will deliver your soul from death, from thoughts of death, and from trying to take your own life.

4. False hopes. Perhaps your suicidal thinking is not from hopelessness, but from false hopes. Dreaming about and planning your suicide is what brings you hope. You believe that killing yourself will bring about some wonderful answer or solution to your problems. If you have been deeply hurt by someone, you might see suicide as a way to make others suffer. You might hope that suicide will bring an end to your suffering and those you love will be better off without you. Or you might hope that your suicidal gesture will get you what you want—attention, love, or even a break from the pressures of life. But whatever your hopes are—“I’ll be in a place of peace,” or “Then everyone will know how much they made me suffer”—if they include suicide as a solution they are a false hope.

Suicide is never an answer. Two wrongs never make a right—don’t forget that suicide is a great wrong. If you have been wronged, please don’t think that suicide is the way to make that wrong better. God offers you true, living hope—not a false hope based on your death. Hope from God comes in the midst of evil and trouble and it is a hope that will never end.

Paul talks about true and living hope in the second half of Romans 8. True hope comes from knowing God as your Father and receiving His Spirit as a gift. Living as a child of God means that instead of responding to trouble by hurting yourself, you go to your heavenly Father for help. He gives you his Spirit to help you in your weakness and even teach you how and what to ask for (Romans 8:15, 16). It’s the Spirit of God that will teach you that your present sufferings “are not worth comparing with the glory that is to be revealed” in you (Romans 8:18).

We live in a world where bad things happen. But you have received the best gift of all: the Spirit of life, the Holy Spirit of Jesus. You have been given the gift of a relationship with God now that will lead to an indestructible life forever. There is nothing in this world that can separate you from God’s love—not trouble, distress, hardship, or anything in all creation (Romans 8:35). God’s love will keep you safe, and it’s yours for the asking.

The resurrection—your reason for hope

How do you know that the promises God makes to you are true? How do you know that the living God gives true, substantial hope? Because Jesus defeated death when He died on the cross and rose again. Peter explains it this way, “Blessed be the God and Father of our Lord Jesus Christ! According to his great mercy, he has caused us to be born again to a living hope through the resurrection of Jesus Christ from the dead, to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you, ” (1 Peter 1:3-4).

Jesus is alive. His resurrection is your guarantee that real hope can be yours. Your hope is not based on a vague belief that changed circumstances, time passing, or a new set of friends will cure how horrible you feel. It’s a living hope based on the physical fact of the resurrection of Jesus Christ. Because the resurrection really happened, your story will end in life.

The passage goes on to say, “to an inheritance that is imperishable, undefiled, and unfading.” When you have this living hope, then what you get out of life (your “inheritance”) won’t be destroyed or ruined by your troubles.

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Coldplay’s spiritual search continues with song “Major Minus” (Coldplay’s spiritual search Part 7)jh64

Rare picture: Elusive couple Gwyneth Paltrow and Chris Martin are photographed together at a beach party in the Hamptons

Elusive: Gwyneth Paltrow and Chris Martin in a rare shot together at a beach party in the Hamptons

I was very interested in the first single that came out from Coldplay a few weeks ago, but this second single escaped my attention. Then this morning my son Hunter told me all about this second song and he said that something in the song may be talking about God.
I told you guys earlier that in 2008 Coldplay and Chris in particular was on a spiritual search. I predicted that it would continue. With the song “Major Minus” we have some very interesting lyrics. Take a look:

They got one eye on what you knew

And one eye on what you do
So be careful who it is you’re talking to

They got one eye on what you knew
And one eye on what you do
So be careful what it is you’re trying to do

And be careful when you’re walking in the view
Just be careful when you’re walking in the view!

Ooh-oooh-oooh
Ooh-oooh-oooh-ooh
Got one eye on the road and one on you!

Ooh-oooh-oooh
Ooh-oooh-oooh-ooh
Got one eye on the road and one on

They got one eye on what you knew
And one eye on what you do
So be careful ’cause nothing they say is true

But they don’t believe a word
It’s just us against the world
And we just gotta turn up to be heard

Hear those crocodiles ticking ’round the world
Hear those crocodiles ticking (they go) ticking ’round the world

Ooh-oooh-oooh
Ooh-oooh-oooh-ooh
Got one eye on the road and one on you!
Ooh-oooh-oooh
Ooh-oooh-oooh-ooh
Got one eye on the road.

She can’t hear them climbing the stairs
I got my right side fighting
While my left eye’s on the chairs

Ooh-oooh-oooh
Ooh-oooh-oooh-ooh
Got one eye on the road and one on you!

Ooh-oooh-oooh
Ooh-oooh-oooh-ooh
Got one eye on the road and one on you

___________________________________

Here are the main points of the song.

1. Heaven is watching us constantly. (They got one eye on what you knew,And one eye on what you do)

2. We should be careful because what we do does matter to God. (And be careful when you’re walking in the view, Just be careful when you’re walking in the view!)

3. There are dangers in this world that you must avoid because they will eat you up.(Hear those crocodiles ticking ’round the world, Hear those crocodiles ticking (they go) ticking ’round the world )

4.Chris Martin’s plan is to keep one eye on the road ahead and one on the wife that he loves. (Got one eye on the road and one on you!)

___________________________

These interpretations are based on the assumption that Chris is building on the theme of his last cd. We will have to wait and see what the rest of the cd sounds like. Feel free to share with me your thoughts.

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Not everyone liked “Midnight in Paris”

I love the film “Midnight in Paris” and most of the reviewers did too. However, that is not everybody.

Thomas S. Hibbs

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June 20, 2011 4:00 A.M.

Midnight in Paris
The new film is a big improvement over Allen’s recent failures, but the script is not up to the idea.

Woody Allen’s new film, Midnight in Paris, is a marked improvement over recent failures such as Whatever Works and You Will Meet a Tall Dark Stranger, in which Allen indulged in strident liberal politics and incoherent nihilistic musings. Although its focus is different, Midnight calls to mind some of Allen’s most entertaining films, such as Play It Again, Sam, and Purple Rose of Cairo, stories about the power of film to enchant and transport. Here it is the past that mesmerizes. Allen’s latest aims high, and it is often arresting. But it falls short of its goal mostly because Allen’s script is not up to the task.

– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

Midnight in Paris stars Owen Wilson as Gil, a successful Hollywood screenwriter with ambitions to be a serious novelist and nostalgia for the Paris of the 1920s, the Paris of Hemingway, Picasso, Cole Porter, Gertrude Stein, and T. S. Eliot. On vacation in the City of Light with his fiancée, Inez (Rachel McAdams), and her insufferable parents, Gil finds himself wandering the streets alone one night when an antique carstops and the riders invite him to join them. They take him to various locales where he meets his heroes from the Twenties. The rest of the film moves back and forth between his increasingly frustrating daily interaction with his fiancée’s family and his midnight rendezvous with the artists of the past.Although the snide caricature of conservatives does not dominate this film the way it did the dismal Whatever Works, it is still present. Inez’s parents, John and Helen, embody ugly Americanism. John accuses the French of being unreliable allies of America, while Gil gets off a few lines about the wisdom of French resistance to the Iraq War; later, John defensively praises the Tea Party. In an incredible scene, Inez scolds Gil for always wanting to take the side of the help and whines, “That’s why Daddy says you’re a Communist.” Meanwhile, John criticizes everything about the French — their politics and even their wine, which he compares unfavorably with California wines. If Allen had been interested in making John anything more than a straw man, he might have had him cite the famous Paris Wine Tasting of 1976, known as The Judgment of Paris, in which wines from a California winery, Stag’s Leap, did indeed beat out those from some of the top French wineries — a result that still riles the French.

The gratuitous and juvenile jabs at conservatives do not mar the film all that much, however, because Inez’s parents are not on screen very often and because Gil seems largely apolitical. Could Owen Wilson even begin to carry off a role as a politically engaged character?

The real attraction of the film lies elsewhere, in its re-creation of old Paris and in Gil’s interaction with the greats of the 1920s. The film celebrates Paris in the way Manhattan and many other Allen films celebrate New York. Gil encounters F. Scott and Zelda Fitzgerald (Tom Hiddleston and Alison Pill), Ernest Hemingway (Corey Stoll), Cole Porter (Yves Heck), Pablo Picasso (Marcial Di Fonzo Bo), Gertrude Stein (Kathy Bates), Salvador Dali (Adrien Brody), and Luis Buñuel (Adrien de Van). Gil is particularly attracted to the beautiful Adriana (Marion Cotillard), formerly the lover of Modigliani and Braque and now the object of the vying affections of Picasso and Hemingway.

There is much to appreciate in this part of the film, especially in the way Allen captures the vitality of the nightlife of the Twenties. Some of Gil’s exchanges work moderately well, as when he suggests to the surrealist filmmaker Buñuel an idea for a film about a dinner party from which the guests find themselves unable to leave (actually the plot of one of Buñuel’s most famous films). Dumbfounded, Buñuel keeps saying, “I don’t understand. Why can’t they just get up and walk out?” Gil’s conversation with Dalí is also amusing. Dali dramatically announces that he will paint Gil’s sad face, inside a rhinoceros, with a tear falling from Gil’s eye, in which he will paint the image of Jesus. Other conversations fall flat — for example when Gil tells T. S. Eliot, “Where I come from, people measure out their lives in coke spoons.”

That’s not the only thing about the nightly forays into the past that is ineffective. Stoll’s attempt to capture Hemingway’s daring bravado too often calls to mind Seinfeld’s J. Peterman. Then there are the problems with Owen Wilson, who plays the romantic-comedy part of this film reasonably well but is simply not credible as a writer who would be taken seriously by Hemingway and Stein. And if Wilson lacks the depth to persuade us that he is in their league, he is also not nearly as funny as one might have hoped. One is left wondering whether Allen himself might have pulled off the role.

Despite its obsession with serious writing, the film’s biggest failing is Allen’s script, which pales by comparison with its source material, Hemingway’s splendid memoir, A Moveable Feast. Hemingway’s book is full of rich, detailed, and humorous observations. Addressing the decline in his friendship with Gertrude Stein because of her quarrelsome manners, he describes her as coming increasingly to resemble a “Roman emperor, which was fine if you liked your women to look like Roman emperors.” In a sympathetic portrait of Fitzgerald, he manages to cast doubt on his famous drinking habits: “It was hard to accept him as a drunkard since he was affected by such small quantities of alcohol.” Little in the film comes close to those witty descriptions.

The highlight of the film is the performance of Marion Cotillard. As Adriana, Cotillard is warm, alluring, and self-deprecating; her devotion to a lost Paris exceeds that of Gil. The Paris she pines for is not the period she inhabits but the Belle Epoque, the age of the Moulin Rouge, Toulouse-Lautrec, Gauguin, and Degas. The film uses this parallel between Gil and Adriana to issue a warning about nostalgia, about the myth of a golden age. There is an alternative possibility here that the film never considers, namely, that the difficulty with recognizing the greatness of the present, particularly when it comes to cultural and artistic matters, is that we generally only recognize it after it has passed, in part by reference to the impact it has on future generations. In the period covered in the film, Hemingway and Eliot are not yet famous authors, and Fitzgerald has just published Gatsby.

And not even Cotillard can save the film from the flaws in its script, which is closer to the sort of Hollywood product one imagines Gil writing than it is to the sort of book he aspires to produce

Schwarzenegger does not want to pay spousal support

  1. FILE - In this Oct. 2, 2009 file photo, California Gov. Arnold Schwarzenegger and his wife Maria Shriver pose for photos before they meet at the second Governors' Global Climate Summit in Los Angeles.  The former California governor indicated in a divorce filing that he does not want to pay Shriver spousal support. Shriver filed divorce papers July 1, 2011, to end their marriage of 25 years. (AP Photo/Reed Saxon)
  2. LOS ANGELES (AP) — Arnold Schwarzenegger indicated in a court filing that he does not want to pay wife Maria Shriver spousal support or attorney fees as the couple ends their 25-year marriage.

The dispute may have little impact on the divorce, since the former Hollywood couple is expected to reach a confidential, out-of-court settlement.

Schwarzenegger’s filing Wednesday differs little from Shriver’s initial petition for divorce, which was filed on July 1. Both seekjoint custody of their sons, ages 17 and 13.

Neither indicated exactly when they separated, although they announced in May they were estranged and Schwarzenegger later admitted he fathered a child with a member of his household staff.

The former couple does not have a prenuptial agreement, according to their filings. That means Shriver would be entitled to half of Schwarzenegger’s assets under California law, although the exact terms were expected to be set through private mediation.

Schwarzenegger would also be expected to provide financial support for his children. In other celebrity divorces, those sums have totaled tens of thousands of dollars a month.

Any agreement reached by Schwarzenegger and Shriver would become public only if there is a later dispute over its terms, or they opt to handle their divorce through a Superior Court judge.

Schwarzenegger’s disclosure of his out-of-wedlock child forced a temporary halt to his acting comeback plans, although it was recently announced that he will appear in the upcoming film “Last Stand” as a border-town sheriff who unwittingly finds himself battling a notorious drug kingpin on the run.

Shriver, a Kennedy family heiress and former network television journalist, has not announced her plans.

Even before the breakup with Schwarzenegger was revealed, she appeared in videos posted on YouTube and talked about stress in her life, the weight of expectations, and the search for faith in a troubled world.

Schwarzenegger’s legal filing was first reported Thursday by celebrity website TMZ.

have written many times about Arnold Schwarzenegger before. Here are just a few of the times:1. President Reagan having a photo taken with Arnold Schwarzenegger at the Republican National Convention in Dallas, Texas. 8/23/84.2.Here is a video clip of Arnold Schwarzenegger using an Airlight
Broom
 as a prop for “cleaning house” in the California Recall
Election as seen on CNN, ABC, CBS, NBC, ect in 2003. The
Airlight Broom is manufactured by Little Rock Broom Works.3. I heard John Fund of the Wall Street Journal speak in Little Rock on April 27, 2011 and in his speech he mentioned the struggle that Arnold Schwarzenegger had with the envirnomentalists in California. I took time to repeat a lot of the facts about that in my blog post that day.4. At that same luncheon on April 27th that I mentioned earlier, one subject that John Fund brought up was the red tape that Arnold Schwarzenegger had to deal with in California. I wrote about that too.5. St. James Palace has confirmed  that Kate Middleton and Prince William – or, more officially, the Duke and Duchess of Cambridge – will be visiting California from July 8-10 this summer. Former Governor Arnold Schwarzenegger is expected to greet the Royals as they touch down.6. Which is better for setting up a business: California or Texas? Arnold Schwarzenegger is mentioned in this post too.7. Arnold Schwarzenegger is fond of quoting Milton Friedman but he rejected fiscal conservative idea to cut spending.8. Pictures of Arnold Schwarzenegger and Maria Shriver through the years. Video clip of them at Ronald Reagan’s funeral.

 

9. I wrote a post on American Exceptionalism and put in a video clip of Arnold Schwarzenegger doing the introduction to an episode of “Free to Choose.”

10. Will Maria Shriver’s marriage survive Arnold Schwarzenegger’s admission of  infidelity? I hope so (Part 1).

11. Will Maria Shriver’s marriage survive Arnold Schwarzenegger’s admission of infidelity? I hope so (Part 2)

12. Will Maria Shriver’s marriage survive Arnold Schwarzenegger’s admission of infidelity? I hope so (Part 3 )

13. Will Maria Shriver’s marriage survive Arnold Schwarzenegger’s admission of infidelity? I hope so (Part  4)

14. Will Maria Shriver’s marriage survive Arnold Schwarzenegger’s admission of infidelity? I hope so (Part  5)

15. Will Maria Shriver’s marriage survive Arnold Schwarzenegger’s admission of infidelity? I hope so (Part  6)

In this series “Will Maria Shriver’s marriage survive Arnold Schwarzenegger’s admission of infidelity? I hope so,” there has been a great reaction to it by the public. I have included articles from “Family Life” of Little Rock, Arkansas about how to recover from an infidelity. I have also included info on how to take part in a “Weekend to Remember,” where you can hear ”Family Life” speakers with your spouse. The only hope for Maria’s marriage will come from the power of Christ in her life to forgive. “A Family Life Conference” would be a great first step. Below is some info on that:

In just one November weekend, for example, more than 6,200 people attended 10Weekend to Remember® marriage getaways around the country. Here are a couple quotes from those who went:

We are moving from a place of being ready to divorce to looking forward to growing together through Christ. This has given us important tools to do so.

We’ve been walking separate roads for many years. Infidelity was the final straw leading us to divorce. I was filling out the papers two days before we came to this event. Over the course of the weekend we found each other, wrote love letters that will be kept as reminders of our true love for each other. I granted forgiveness that my husband really needed. We are going to burn the divorce papers when we get home!

In today’s culture, the issues of marriage and family are open doors for the gospel–the Good News of Christ. Because people want their marriages and families to succeed.  

David and Hope Solo

Hope Solo: ‘I will be a better sister’

Hope Solo Hope Solo (L) and Lori Chalupny model the Saint Louis Athletica team uniforms during a fashion show to unveil the new uniforms for the Women's Professional Soccer League February 24, 2009 in New York City.  (Photo by Chris McGrath/Getty Images) *** Local Caption *** Hope Solo;Lori Chalupny
By BOB PADECKY
PRESS DEMOCRAT COLUMNIST

The text sent to U.S. goalkeeper Hope Solo, the day before America was to play Japan for the Women’s World Cup championship, contained encouragement and affection from her half-brother, David, CEO and president of the Marin and Southern Sonoma Counties’ Boys and Girls Clubs. His last sentence was particularly memorable.

“I will be a better brother,” David wrote.

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hope solo alex morgan 14 Hope Solo vs Alex Morgan (26 photos)

David Solo said he never expected a reply. In less than 24 hours, Hope would be in goal for the biggest match of her life. She wouldn’t have time. Plus, there hadn’t been any real urgency in their relationship. The last time Hope and David were together was a chance meeting on Labor Day, 2009. They would speak on the phone, on the average, every three to six months.

Sunday, David received a reply. It came less than five hours before Hope would play. It was two sentences he will never forget.

“And I will be a better sister. I love you.”

Although 6-foot-1 and a solid 260 pounds, David appeared to be much smaller when he repeated his sister’s response. He had stopped carrying a huge load that had weighed him down. It was his father, their father, the one who was gone from David by the time he was 9, the one who remarried, had Hope 12 years after David, then left again. He went by John, Jerry or, usually, Jeff. He said he went to Vietnam, but David isn’t sure. He did live in the woods around the Seattle area. This much David was certain: His dad was 69 when he died June 15, 2007.

“He had trouble holding a steady job,” said David, 42, “so he wasn’t able to support his family. He had trouble with stability in relationships. He went to prison for a short time on an embezzlement charge.”

In November, 1991, David stopped speaking to his father.

“I cut him off,” he said. “I had enough.”

For 17 years David stayed away. For 17 years, by and large, he stayed away from Hope, as well. It was a distance he created between the two of them. Now it was a distance he was trying to close.

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hope solo alex morgan 16 Hope Solo vs Alex Morgan (26 photos)

“I just realized today,” David texted Hope after the U.S. lost to Japan on Sunday, “that you were just 10 years old when I stopped speaking to him. I missed a lot of your life, including high school, University of Washington. I did not realize how the decision to stop speaking to our father impacted our relationship. I am sorry for that.”

David now understands he was in pain for those 17 years, pain that fueled anger, resentment. He saw other boys with their dads, coached by their dads, hanging with their dads. He took it out on the football field, where he was an All-Conference nose tackle at Chico State in 1990 and 1991. He was Chico’s captain his senior year and a pre-season DivisionIII All-American.

“I was alone,” David said in that text late Sunday night, “and I always had the attitude that I would show them who was better. I was always in attack mode.”

David graduated with a degree in history from Chico in 1993. His first job out of college was in San Diego, at a Boys and Girls club. He wasn’t sure why until he met a 12-year kid named Terrell four years later.

“Terrell was a troubled kid,” David Solo said. “He was a discipline problem. We couldn’t get through to him. Then one day I was alone with Terrell and he broke down. He said his dad had left him. That’s when it hit me.”

He had to work with troubled kids. He knew their pain. They were him, all of them carrying the same baggage. At the time, David never accepted or understood why his sister didn’t carry his anger.

“Hope always was much more compassionate and understanding than me,” he said. “She was never judgmental.”

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hope solo alex morgan 17 Hope Solo vs Alex Morgan (26 photos)

So they locked horns when they did talk.

In 2007, David reached out. He had sent his dad a video about Mickey Mantle. In it Mantle said he apologized to his wife and his sons for not being a good father, for drinking too much, staying away too much. David called his dad to ask him if that video triggered anything inside him.

“I wanted him to apologize,” David said. “At least that’s what I hoped for. He didn’t. Three days later he died.”

David didn’t go to the funeral and, as he realizes now, he still was distancing himself from his sister.

Then he experienced a moment of clarity. It began with, of all things, the start of the 2011 Women’s World Cup soccer tournament. David saw an ESPN interview with Hope. He watched another Hope interview on YouTube. He read newspaper articles about his sister.

“I didn’t realize we had so much in common,” David said. “We both love the outdoors. We both love camping. She is passionate about what she does, like me. I love the fact she is an intense competitor. So was I. She is strong-willed, stubborn, just like me.”

The walls began coming down for David. He stopped resenting that Hope never had an ax to grind about their father. She even bristled when someone would call him homeless.

“I feel I have come to an understanding these last two weeks,” David wrote in his post-match text. “You and I have different experiences with our father. Neither was right or wrong. I believe you have taught me about compassion and understanding. I can learn from you. And that if the roles were reversed you may have felt the same way I did. I didn’t realize until this week how alike we are.”

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hope solo alex morgan 18 Hope Solo vs Alex Morgan (26 photos)

In the course of his sharing his story Sunday night at the Beyond The Glory restaurant, about a dozen 11-year-old girls from a soccer team found out who David is. They came over and asked for his autograph. They gave him cards to give to his sister. They asked him if he knows Abby Wambach.

“I didn’t realize what a role model Hope is,” David said.

David leaned back in his chair to catch his breath. Everything was happening very fast for him. He’s still in the middle of it, he admitted, realizing he has much work to do, not only with Hope but with Terry, his sister, and Marcus, his half-brother. He would like to start, right now, not wait. He missed so much in 17 years. He doesn’t want to waste a moment now. He asked Hope to get together Labor Day weekend.

“I love you very much,” David texted, “and I would like to see you soon. It would be great to sit in front of a campfire and discuss the old man and some of his various opinions.”

With that David smiled, the kind of smile that could start that Labor Day campfire with Hope.

Copyright © 2011 PressDemocrat.com — All rights reserved. Restricted use only.

Other posts about soccer:

David and Hope Solo

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USA wins 3-1 over France to get in World Cup Final

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Mexico defeats USA 4-2 in Gold Cup

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Various video clips of Mexico 4-2 over USA for Gold Cup in soccer

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Predictions on Gold Cup Semifinals by W. Hatcher and E. Hatcher

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video clip of USA vs Jamaica 2-0

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Top 10 most Controversial World Cup Games (W. Hatcher v. E. Hatcher, Part 5)

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Video of USA v. Guadalupe and Gold Cup Prediction

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USA must defeat Guadeloupe in Gold Cup in KC tonight

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Donovan “We were …lackadaisical…” against Panama

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“Midnight in Paris” film review


There’s a strain of magical realism that runs through the filmography of Woody Allen that pops up – and delightfully so – in his newest film, “Midnight in Paris.”

From “Alice” to “Mighty Aphrodite,” from “Scoop” to “Zelig” and “The Purple Rose of Cairo,” all the way back to his short fiction (particularly “The Kugelmass Episode” in “Side Effects”), Allen has shown a fanciful touch that is part magic, part surrealism, part fantasy. His characters suddenly find their reality shaken by something that seems to be impossible – yet is happening to them.

That was the case of everything from “Alice” and the title character’s ability to disappear to “The Purple Rose of Cairo” (and its delicious switcheroo, with characters moving between the world of a movie onscreen and the real world off the screen).

Now, with “Midnight in Paris,” Allen indulges himself again, this time with a bit of ethereal time travel. And he manages to be poignant and funny at the same time.

The central character is Gil Pender (Owen Wilson, an actor whose oddball affect makes him seem born to say Woody Allen’s dialogue). He’s a successful Hollywood screenwriter who thinks of himself as a hack and who is dying to give it all up to focus on writing a serious novel.

That’s what he talks about with his fiance, Inez (Rachel McAdams), and her parents (Kurt Fuller, Mimi Kennedy) as they tour Paris together. Gil and Inez are the guests of her parents; Gil and Inez aren’t married yet but she’s already shopping for furniture for the house she imagines they’ll own in Malibu.

Gil, however, is dissatisfied with the future that seems laid out for him. He talks about how much he’d like a simple artist’s garret in Paris, where he could live honestly while working on the novel he’s written but isn’t satisfied with. She doesn’t understand what he’s talking about – and pooh-poohs his talk of how great it would have been to live in Paris in the 1920s with the Lost Generation.

He’s even unhappier when she connects with an old professor of hers, Paul (Michael Sheen), an unbearable snob and know-it-all, and his wife (Nina Arianda). They’re suddenly tethered together, with Gil an unwilling audience for Paul’s endless lectures on everything from Versailles to Rodin.

One night, after a wine-tasting, Gil decides not to go dancing with the other three and goes for a walk. A little lost and a little drunk, he sits down on some stairs and hears the cathedral clock chime midnight. Suddenly, a classic automobile – a Roaring ’20s-era limo – pulls up in front of him and its occupants invite him to a party.

At the party, it finally dawns on him that, somehow, he has been transported back to the 1920s – and that his hosts are, in fact, Scott and Zelda Fitzgerald (Alison Pill and Tom Hiddleston, currently on view as Loki in “Thor”). By the end of the evening, he’s also met Ernest Hemingway (Corey Stoll), who talks almost exactly the way he writes.

Gil is smitten; his fiancée, however, thinks he’s insane, that he’s had some sort of breakdown. The next night, Gil goes back to the same spot at the same time – and to his delight, is picked up by the same car. This time, his evening includes not just the Fitzgeralds and Hemingway, but Gertrude Stein, Pablo Picasso – and a gorgeous model who has Picasso flummoxed named Adriana (Marion Cotillard).

The rest of the film deals with Gil juggling his time and attention between Inez and Adriana, between the unsatisfying present and the glorious past. As he discovers, however, the past is great when seen in retrospect – but even 1920s’ Paris seems passé to the people for whom it functions as the present.

To every generation, Allen says, there’s a previous era that looks more glamorous, more glorious, more golden. Nostalgia, as he notes, is a longing for something that didn’t actually exist, that is more imagination than reality. Living in the past ultimately leads you to waste the present.

This is a comedy for thinking people. While the one-liners with contemporary references zip by, the real humor comes with a frame of reference that allows the viewer to understand why Hemingway’s manly prose style is so funny when it’s spoken. You have to understand who these people are and what they mean – which is a daring thing to ask of a modern audience.

As noted, Wilson has a slightly loopy delivery that seems perfectly suited to Allen. His look – a mixture of eagerness and being a little dazed – seems perfect for someone who finds himself rubbing shoulders with his literary idols and making time with a woman who has beguiled Picasso, Hemingway and Fitzgerald.

McAdams has just the right brittleness as the modern woman who has no interest in anyone’s golden age except her own, while Sheen is wonderfully supercilious as the guy who’s willing to step forward to correct anyone about anything, no matter how small. Stoll is blunt and robust as Hemingway, while Kathy Bates makes a wonderfully no-nonsense Gertrude Stein. And look for Adrian Brody in a small but funny turn as Salvador Dali.

“Midnight in Paris” is a comedy for smart people. Allen’s humor prizes cultural literacy, a rarity in these times. It’s magical, in all the right ways.

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Senator Jim DeMint critical of fellow Senator Mitch Mcconnell

Uploaded by on Jul 19, 2011

Sen. Jim DeMint (R-SC) is no stranger to fights with party leadership. And he’s not holding back in his criticism of the so-called “Plan B” that’s being developed by Senate Minority Leader Mitch McConnell (R-KY) and Senate Majority Leader Harry Reid (D-NV).

“It seems to be a cover-up,” DeMint said this afternoon in an exclusive interview with Heritage. “It’s like leaving the door to the federal vault open and looking the other way and saying we had nothing to do with the robbery.”

It seems to me that the Democrats are in calling the shots. Take a look at the points that Mike Brownfield makes today:

All of the clever rhetoric and recasting of history is designed to distract from the reality on the ground. The U.S. government has racked up $14 trillion in debt. For more than 800 days, the U.S. Senate has failed to pass a budget. President Obama continues his calls for “compromise” and “shared sacrifice,” all while insisting on tax increases to fund spending—a philosophy that was roundly rejected at the polls last November. That is not a manner of governance that President Reagan would have endorsed.

It’s also a line of argument that has no grounding in reality. Last night, the U.S. House passed the Cut, Cap, and Balance plan, which would impose a cap on federal spending and allows for an increase in the debt ceiling by $2.4 trillion on the condition that the House and Senate approve a balanced budget amendment. To date, it is the only plan to raise the debt limit that has passed either chamber, and it is the only plan whose details can be seen in the light of day.

But amid the good news last night, another plan emerged from the shadows promising to answer the nation’s budget woes. Its authors are a group of U.S. Senators known as the Gang of Six, and their plan offers to 1) make unspecified spending cuts and unspecified tax increases to yield a $500 billion reduction in the federal deficit and 2) impose spending caps on discretionary spending but not on Social Security, Medicare, Medicaid, and welfare programs that are the main cause of out-of-control spending.

The Heritage Foundation’s David Addington explains how the back-room strategy behind the Gang of Six plan paves the way for a debt limit hike and why the American people lose out:

Under the Gang of Six Plan, Congress will pass some easy stuff now, but punt the hard stuff to the future, promising that Congress will pass it some time within the next six months. There’s plenty in the Gang of Six Plan for President Obama — he gets his tax hikes and, in reality, he gets to borrow lots more money. But the American people don’t really get much of anything, except the usual empty promise of action in the future.

That’s not the only plan floating around Washington this week, though. There’s the McConnell Plan and the McConnell-Reid “just borrow more” plan, neither of which does the work that the American people have elected Congress to do—get spending under control right now without raising taxes, without raising spending, and without punting tough decisions on spending down the road for future Congresses and Presidents to cope with.

That path should be one in which Congress doesn’t raise taxes, preserves our ability to protect America, and gets spending and borrowing under control before raising the debt limit. Getting there will take strong leadership and an ability to clearly communicate a message to the American people—both of which are lacking among the left in the debt limit debate today. No wonder they’re looking to Reagan for help.

Jenna Fischer reveals it is a boy on Leno Tonight Show

I feel like I know Jenna. Actually I have known her uncle Jim for years. He used to live in Memphis and we actually knew it other because we attended the same hardware conventions every year. My booth  has been near his booth for about a dozen shows in a row. Many times we have been talking and I have heard lots of stories through the years that his sister tells him about Jenna.

It was no surprise to me that she waited to reveal the sex of her child on the Leno Tonight Show. She has always liked Leno a lot.

Jenna Fischer, the American actress best known for her role as Pam Halpert on NBC’s hit comedy series “The Office,” has revealed she is pregnant with a baby boy.

Fischer, 37, let the news slip during her appearance last night (July 19) on ‘The Tonight Show’ with Jay Leno.

When TV host Leno asked the star if her parents were excited about their first grandchild, she corrected Jay by saying, “This is the second grandchild, but first grandson.”

When Leno jumped at the unexpected news, Fischer quickly added:

“This is the exclusive, Jay. When I went to my movie premiere the other day a reporter asked me if I knew what I was having, and I said I do, but I’m not sharing that yet because I’m [going to] have Jay be the first to know.”

Fischer, who first announced the pregnancy in May, also revealed the baby is due in the fall, saying, “September we’re in what they call the home stretch”

In addition to preparing for the new budnle of joy, Jenna is currently promoting her new movie ‘A Little Help’ which hits theaters July 22

Wilson Hatcher at LA Galaxy v. Real Madrid game

Wilson thought that Christiano Ronaldo was unbelievable. Sherwood commented, “I hope Ronaldo will continue to excel at the high level to honor his name sake Ronald Reagan.”

I loved watching Christiano Ronaldo play in the game (I was at home watching it on tv) and he appeared to be a man among boys.

Wilson went to the LA Galaxy v. Real Madrid game with our friend Sherwood Haisty Jr. (Sherwood is in the middle and Wilson is the 14 yr old)

Tax for confederate veterans still being collected

A Confederate flag graces a soldiers grave stone in Cemetary One at the Confederate Memorial Park in Mountain Creek, Ala., Tuesday, July 19, 2011. More than 60,000 Confederate veterans came home to Alabama after the Civil War, and residents are still paying a tax that supported them 150 years after the fighting began. The tax now pays for the park, which is located on the same 102-acre tract where elderly veterans used to stroll. The tax once brought in millions for Confederate pensions, but lawmakers sliced up the levy and sent money elsewhere as the men and their wives died. No one has seriously challenged the continued use of the money for a memorial to the “Lost Cause,” although a long-serving black legislator wants to eliminate state funding for the park. (AP Photo/Dave Martin)next

Like many other southerners, my two grandfathers told me about their grandfathers who fought in the Civil war. My great, great grandfather from Mississippi actually was released after the war in Union City, Kentucky near the Tennessee state line. There he had to walk back to his home in Oxford, MS.

My other great, great grandfather lied about his age in order to get into the army and when they found out that he was 16 they released him and he went back to Thompson Station Tennessee. I actually have a letter about him from the Army concerning this.

Lastly my wife’s great, great grandfather was near the Chattanooga, Tennessee area and we have  a letter concerning when he was released from duty from the state of North Carolina.

MOUNTAIN CREEK, Ala. (AP) — The last of the more than 60,000 Confederate veterans who came home to Alabama after the Civil War died generations ago, yet residents are still paying a tax that supported the neediest among them.

Despite fire-and-brimstone opposition to taxes among many in a state that still has “Heart of Dixie” on its license plates, officials never stopped collecting a property tax that once funded the Alabama Confederate Soldiers’ Home, which closed 72 years ago. The tax now pays for Confederate Memorial Park, which sits on the same 102-acre tract where elderly veterans used to stroll.

The tax once brought in millions for Confederate pensions, but lawmakers sliced up the levy and sent money elsewhere as the men and their wives died. No one has seriously challenged the continued use of the money for a memorial to the “Lost Cause,” in part because few realize it exists; one long-serving black legislator who thought the tax had been done away with said he wants to eliminate state funding for the park.

These days, 150 years after the Civil War started, officials say the old tax typically brings in more than $400,000 annually for the park, where Confederate flags flapped on a recent steamy afternoon. That’s not much compared to Alabama’s total operating budget of $1.8 billion, but it’s sufficient to give the park plenty of money to operate and even enough for investments, all at a time when other historic sites are struggling just to keep the grass cut for lack of state funding.

“It’s a beautifully maintained park. It’s one of the best because of the funding source,” said Clara Nobles of the Alabama Historical Commission, which oversees Confederate Memorial Park.

Longtime park director Bill Rambo is more succinct.

“Everyone is jealous of us,” he said.

Tax experts say they know of no other state that still collects a tax so directly connected to the Civil War, although some federal excise taxes on tobacco and alcohol first were enacted during the war to help fund the Union.

“Broadly speaking, almost all taxes have their start in a war of some sort,” said Joseph J. Thorndike, director of a tax history project at Tax Analysts, a nonprofit organization that studies taxation.

Alabama’s tax structure was enshrined in its 1901 Constitution, passed after Reconstruction at a time when historians say state legislators’ main goal was to keep power in the hands of wealthy white landowners by disenfranchising blacks and poor whites.

The Constitution allowed a state property tax of up to 6.5 mills, which now amounts to $39 annually on a home worth $100,000. Of that tax, 3 mills went to schools; 2.5 mills went to the operating budget; and 1 mill went to pensions for Confederate veterans and widows.

The state used the pension tax to fund the veterans home once it assumed control of the operation in 1903. The last Confederate veteran living at the home died in 1934, and its hospital was converted into apartments for widows. It closed in 1939, and the five women who lived there were moved to Montgomery.

Legislators whittled away at the Confederate tax through the decades, and millions of dollars that once went to the home and pensions now go to fund veteran services, the state welfare agency and other needs. But the park still gets 1 percent of one mill, and its budget for this year came to $542,469, which includes money carried over from previous years plus certificates of deposit.

All that money has created a manicured, modern park that’s the envy of other Alabama historic sites, which are funded primarily by grants, donations and friends groups. Legislators created the park in 1964 during a period that marked both the 100th anniversary of the Civil War and the height of the civil rights movement in the Deep South.

Nothing is left of the veterans home but a few foundations and two cemeteries with 313 graves, but a museum with Civil War artifacts and modern displays opened at the park in 2007. Rebel flags fly all around the historic site, which Rambo said draws more than 10,000 visitors annually despite being hidden in the country nine miles and three turns off Interstate 65 in the central part of the state.

While the park flourishes quietly, other historic attractions around the state are fighting for survival.

Workers at Helen Keller’s privately run home in northwest Alabama fear losing letters written by the famed activist because of a lack of state funding for preservation of artifacts. On the Gulf Coast at Dauphin Island, preservationists say the state-owned Fort Gaines is in danger of being undermined by waves after nearly 160 years standing guard at the entry to Mobile Bay.

The old Confederate pension tax that funds the park has never been seriously threatened, Rambo said. Backers were upset this year when Gov. Robert Bentley’s budget plan eliminated state funding for historic sites because of tight revenues, he said, but the park’s earmarked funding survived.

“Once I informed the public what was going on the support just rose up,” said Rambo, the director since 1989. Two heritage groups, the Sons of Confederate Veterans and United Daughters of the Confederacy, led the charge, but ordinary citizens complained too, he said.

“Some were people who don’t belong to those organizations who really like the park and come out here for picnics and all and were really upset,” he said.

State Rep. Alvin Holmes, a black Democrat who’s been in the Legislature since 1974, said he thought funding for the park had been slashed.

“We should not be spending one nickel for that,” said Holmes, of Montgomery. “I’m going to try to get rid of it.”

Holmes may have a hard time gaining support with Republicans in control of Legislature and the governor’s office.

In the meantime, a contractor recently measured the museum for a new paint job, and plans calls for using invested money to construct replicas of some of the 22 buildings that stood on the site when it was home to hundreds of Confederate veterans and their wives.

 

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