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The Beatles – Now And Then (Official Audio)
The Beatles – Now And Then – The Last Beatles Song (Short Film)
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Now and Then (Beatles song)
“Now and Then” is a single by the English rock band the Beatles. It was released on 2 November 2023 as a double A-side single, paired with a new mix of the band’s first single, “Love Me Do” (1962). Dubbed “the last Beatles song”, it is also to be included on the expanded re-issue of the 1973 compilation 1967–1970, to be released on 10 November 2023.[8]
| “Now and Then” | |
|---|---|
| Single by the Beatles | |
| from the album 1967–1970 (2023 edition)[1] | |
| A-side | “Love Me Do” (double A-side) |
| Released | 2 November 2023[2] |
| Recorded | c. 197720–21 March 19951 May 2022[3]July 2022[4]2023 |
| Studio | The Dakota (New York City)Friar Park (Oxfordshire)[5]Hogg Hill Mill (East Sussex)Capitol (Los Angeles)Roccabella West (Los Angeles) |
| Genre | Psychedelia[6]rock[7] |
| Length | 4:08 |
| Label | Apple |
| Songwriter(s) | Original composition by Lennon; the Beatles version by Lennon, McCartney, Harrison and Starkey |
| Producer(s) | Paul McCartney, Giles Martin, Jeff Lynne (1995 sessions) |
| The Beatles singles chronology | |
| “Real Love” (1996)”Now and Then” / “Love Me Do” (2023) | |
The song is a psychedelic rock ballad. John Lennonwrote and recorded it around 1977 as a solo piano home demo, but left it unfinished. After Lennon’s death in 1980, the song was considered as the third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology, following “Free as a Bird” and “Real Love“, both based on Lennon’s demos. Instead of being included on Anthology 3, the song was shelved for nearly three decades. It was later completed by surviving bandmates Paul McCartney and Ringo Starr with overdubs and included guitar tracks by George Harrison from the abandoned 1995 sessions.[9]
The finalized version also features additional lyrics by McCartney,[6] and Lennon’s voice extracted from the original demo using the AI-backed audio restorationtechnology commissioned by Peter Jackson for his 2021 documentary The Beatles: Get Back.[10] Jackson also directed the music video for “Now and Then”.[11]“Now and Then” received mostly positive reviews from critics, who felt it was a fitting finale for the Beatles.
Compositionedit
| “Now and Then” | |
|---|---|
| Song by John Lennon | |
| Recorded | c. 1977 |
| Studio | The Dakota (New York City) |
| Length | 4:56 |
| Songwriter(s) | John Lennon |
Lennon wrote “Now and Then” in the late 1970s. He recorded the unfinished piece of music sometime in 1977 as a demo at his home at The Dakota in New York City. The lyrics are typical of the apologetic love songs that Lennon wrote in the latter half of his career. For the most part the verses are nearly complete, though there are still a few lines that Lennon did not flesh out on the demo tape performance.[12] Writing for the Los Angeles Times, Stephen Thomas Erlewine called Lennon’s composition “a wispy, melancholy ballad”[6]while Billboard‘s Kyle Denis said the original track was “a lovelorn guitar-centric rock ballad.”[7] Craig Jenkins of Vulture said “‘Now and Then’ languished in an unfinished state, its vocal and piano melodies enshrouded in too dense a thicket of abrasively scratchy hiss to massage into the high-quality recordings the Beatles were known for.[13]
The Beatles’ versionedit
In January 1994, Paul McCartney was given two cassette tapes by Lennon’s widow, Yoko Ono, which included home recordings of songs which Lennon had never completed or released commercially. The songs on one of the tapes included the eventually completed and released “Free as a Bird” and “Real Love“. The two other songs on the other tape were “Grow Old with Me” and “Now and Then”, included on a cassette tape which Ono had mentioned to George Harrison and gave to McCartney in 1994, the year Lennon was posthumously inducted into the Rock and Roll Hall of Fame.[14][5] “Grow Old with Me” had already been released in 1984 on the posthumous album Milk and Honey, so the Beatles turned their attention to “Now and Then”. In March 1995, the three surviving Beatles began to work on “Now and Then” by recording a rough backing track that was to be used as an overdub. However, after only two days of recording, all work on the song ceased and plans for a third reunion single were scrapped.[6]
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Producer Jeff Lynne reported that sessions for “Now and Then” consisted only of “one day – one afternoon, really – messing with it. The song had a chorus but is almost totally lacking in verses. We did the backing track, a rough go that we really didn’t finish.”[15] An additional factor behind scrapping the song was a technical defect in the original recording. As with “Real Love”, a 60 Hz mains hum can be heard throughout Lennon’s demo recording. However, it was noticeably louder on ‘”Now and Then”, making it much harder to remove.[16][17]
The project was largely shelved because of Harrison’s dislike of the song due to its low-quality recording. McCartney later stated that Harrison called Lennon’s demo recording “fucking rubbish”.[18] McCartney told Q magazine in 1997 that “George didn’t like it. The Beatles being a democracy, we didn’t do it.”[19]
Throughout 2005 and 2006, press reports speculated that McCartney and Starr would release a complete version of the song in the future. Reports circulated in 2007[20] that McCartney was hoping to complete the song as a “Lennon–McCartney composition” by writing new verses, laying down a new drum track recorded by Ringo Starr,[21] and utilising archival recordings of guitar work from Harrison,[3] who had died in 2001.
During a Lynne documentary shown on BBC Four in 2012, McCartney stated about the song: “And there was another one that we started working on, but George went off it… that one’s still lingering around, so I’m going to nick in with Jeff and do it. Finish it, one of these days.”[22]
| The Beatles – Now And Then (Official Audio) – YouTube | |
|---|---|
 https://www.youtube.com/watch?v=AW55J2zE3N4 |
McCartney said in October 2021 that he still hoped to finish the track.[18] On 13 June 2023, he told BBC Radio 4’s Today programme that he had “just finished” work on extracting Lennon’s voice from an old demo of the latter’s in order to complete the song, using (in his words) artificial intelligence. Dubbing the project “the final Beatles record”, he did not name the song; however, BBC News reported it was likely that the song is “Now and Then” and that it would be released later in 2023.[15] On the use of AI for sound source separation, McCartney added in June 2023 that “nothing has been artificially or synthetically created. It’s all real and we all play on it. We cleaned up some existing recordings – a process which has gone on for years.”[9]
Prior to the 2023 release, the only officially available recording of the song was from Lennon’s original demo. In February 2009, the same version of Lennon’s recording was released on a bootleg CD, taken from a different source, with none of the “buzz” which hampered the Beatles’ recording of the song in 1995.[16]
Announcementedit
On 25 October 2023, an image of an orange-and-white cassette tape with the tape reel winding was published on the Beatles’ official website and official social media accounts. The bottom left of the tape reads “Type I (Normal) Position“, and the copyright section reads “Yoko Ono Lennon, MPL Communications Ltd, G.H. Estate Ltd and Startling Music Ltd.”[23] The following day, the song was officially announced as a double A-side single with a release date of 2 November 2023, backed with a new stereo remix of “Love Me Do“.[8] Paul McCartney and Giles Martin are credited as producers for the recording, while Jeff Lynne is credited for “additional production”.[2]
Jackson’s production company, WingNut Films, was confirmed to isolate instruments, vocals, and individual conversations utilising its audio restoration technology. The neural network, called MAL (machine-assisted learning) – named after the Beatles’ road manager Mal Evans,[24] and as a pun to HAL 9000 of 2001: A Space Odyssey[10] – was first used for the 2021 documentary The Beatles: Get Back and later the 2022 mix of Revolver, based directly on four-track master tapes. WingNut applied the same technique to Lennon’s home recording of “Now and Then”, while preserving the clarity of his vocal performance separated from the piano.[2] WingNut worked on a digital copy of the original tape provided by Sean Lennon, which was of much better quality than the third-generation copy that the three surviving Beatles had used in 1995.[16]
The restoration was followed by an addition of a string section written by Martin, McCartney and Ben Foster, recorded at Capitol Studios. Finally, McCartney and Martin added portions of original vocal recordings of “Here, There and Everywhere“, “Eleanor Rigby” and “Because” into the new song, following the methods used for the 2006 remix album Love. The finished track was produced by McCartney and Martin, and mixed by Spike Stent.[2]
Promotionedit
A 12-minute documentary film, Now and Then – The Last Beatles Song, written and directed by Oliver Murray, debuted on 1 November 2023 on the Beatles’ YouTube channel.[3] The short film tells the story behind the song, including commentary by McCartney, Starr and Harrison as well as Sean Lennon and Jackson. The film also plays an excerpt of the upcoming release.[2]
To celebrate the release of “Now and Then”, animated projection mappings of the cassette tape from the Beatles’ website have popped up at Beatles-related locations across Liverpool, including the Strawberry Field, the road sign for Penny Lane, outside Lennon’s childhood home, and The Cavern Club.[25]
The BBC prepared an extended edition of The One Show on BBC One, BBC Radio 2 podcast series Eras: The Beatles hosted by Martin Freeman, as well as other programming on BBC Two and the BBC iPlayer.[26]
It was announced by iHeartMedia that 740 radio stations owned by them will simultaneously premiere “Now and Then” on 2 November 2023 and will air hourly on their Classic Rock stations.[27]
Music videoedit
The music video for “Now and Then”, is to be released on 3 November 2023, was directed by Jackson. It features never-before-seen film of the Beatles, including footage provided by Pete Best, scenes filmed during the 1995 recording sessions for Anthology, as well as unseen home movie footage of Harrison and new footage of McCartney and Starr performing. Additionally, visual effects were produced by Wētā FX.[11]
Receptionedit
In the first review published for its completed incarnation, the Los Angeles Times described the “elegant [and] softly psychedelic” track as having “a wistful undercurrent flowing through [it]”, calling it “a fitting conclusion to the Beatles’ recorded career – not so much a summation [but rather] a coda that conveys a sense of what the band both achieved and lost.”[6]The Guardian gave the song four stars out of five, calling it “a poignant act of closure”.[28] Rolling Stonecalled it “the final masterpiece that the Beatles—and their fans—deserve”.[29] Ed Power of The Irish Timespraised Lennon’s vocals on the track, deeming it “a 2023 pop odyssey sure to warm the cockles of Beatles fans young, old and in-between.”[30] Vulture‘s Craig Jenkins said the tune had lyrics and orchestral flourishes similar to “The Long and Winding Road,” writing “If this is the end of the Beatles, they have left us with a snapshot of their strengths.”[13] The Arizona Republic‘s Ed Masley praised the song for making him cry repeatedly, saying he couldn’t ask for more from a Beatles song.[31]
Other critics felt the song did not live up to songs from the band’s heyday. The Washington Post wrote that the song was “kind of mundane”; of its inclusion on the 1967–1970 reissue, it concluded that “A passable song is simply not good enough when you’re sharing vinyl with ‘Strawberry Fields Forever‘, ‘A Day in the Life‘ or ‘Let It Be‘.”[32]The New York Times concluded, “Its existence matters more than its quality…The song can’t compare to the music the four Beatles made together in the 1960s. All it can do is remind listeners of a synergy, musical and personal, that’s now lost forever.”[33] Jem Aswad of Variety said “So in the end, ‘Now and Then’ is not a lost Beatles classic. But to paraphrase McCartney’s famous quote regarding criticism of The White Album, ‘It’s a bloody new Beatles song, shut up!'”[34]
Personneledit
The Beatles
- John Lennon – lead and backing vocals
- Paul McCartney – lead and backing vocals, bass, lap steel guitar,[35] piano, electric harpsichord, shaker
- George Harrison – backing vocals, acoustic guitar, electric guitar
- Ringo Starr – backing vocals, drums, tambourine, shaker
Productionedit
- Paul McCartney, Giles Martin, Ben Foster – string arrangement
- Produced by Paul McCartney and Giles Martin, with additional production by Jeff Lynne
- Giles Martin, Sam Okell – stereo and Atmosmixes[36]
- Miles Showell – vinyl mastering[36]
- Oli Morgan – Atmos mastering[36]
- Bruce Sugar, Steve Genewick, Greg McAllister, Geoff Emerick, Keith Smith, Mark “Spike” Stent, Steve Orchard, Jon Jacobs – engineering[37]
Orchestraedit
- Violin: Neel Hammond, Adrianne Pope, Charlie Bisharat, Andrew Bulbrook, Songa Lee, Serena McKinney
- Viola: Ayvren Harrison, Caroline Buckman, Drew Forde, Linnea Powell
- Cello: Mia Barcia-Colombo, Giovanna Clayton, Niall Ferguson
- Double bass: Mike Valerio
See also
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I have read over 40 autobiographies by ROCKERS and it seems to me that almost every one of those books can be reduced to 4 points. Once fame hit me then I became hooked on drugs. Next I became an alcoholic (or may have been hooked on both at same time). Thirdly, I chased the skirts and thought happiness would be found through more sex with more women. Finally, in my old age I have found being faithful to my wife and getting over addictions has led to happiness like I never knew before. (Almost every autobiography I have read from rockers has these points in it although Steven Tyler is still chasing the skirts!!). Paul was a playboy early on when with the Beatles but he settled down when he met Linda. Paul has not written an autobiography but I highly recommend the book PAUL MCCARTNEY: THE LIFE by Philip Norman.
_
August 13, 2022
Paul McCartney
Dear Paul,
I was so pumped up to attend your fine concert in Little Rock in 2016. I got a big kick out of taking my family to see Ringo at Orange Beach, Alabama on July 4th, 2012. It was a great show. In fact, I have been so focused on the Beatles in recent years that I have done over a year worth of weekly posts on my blog http://www.thedailyhatch.org ever Thursday entitled FRANCIS SCHAEFFER ANALYZES ART AND CULTURE and posts 49 to 101 have been about the Beatles with more to come. In fact, if you google the words FRANCIS SCHAEFFER BEATLES you the first 10 items that pop up will be links to my blog posts on Thursdays about the Beatles and what Francis Schaeffer had to say about them.
Let me give you a taste of post #67 FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 64 THE BEATLES (Part P The Meaning of Stg. Pepper’s song SHE’S LEAVING HOME according to Schaeffer!!!!) (Featured artist Stuart Sutcliffe)
Melanie Coe ran away from home in 1967 when she was 15. Paul McCartney read about her in the papers and wrote ‘She’s Leaving Home’ for Sgt.Pepper’s. Melanie didn’t know Paul’s song was about her, but actually, the two did meet earlier, when Paul was the judge and Melanie a contestant in Ready Steady Go!
The subtitles are produced live for The One Show, so some seconds late and with a few mistakes.
Melanie at 17 in the picture that made the front pages in 1967 and inspired the Beatles.
Melanie’s first moment of fame, receiving a prize from Paul McCartney for miming to Brenda Lee on Ready Steady Go! in 1963
Melanie in 2008
She’s Leaving Home
The Beatles
Sgt. Pepper’s
Wednesday morning at five o’clock as the day begins
Silently closing her bedroom door
Leaving the note that she hoped would say more
She goes downstairs to the kitchen clutching her hankerchief
Quietly turing the backdoor key
Stepping outside she is free.
She (We gave her most of our lives)
is leaving (Sacraficed most of our lives)
home (We gave her everything money could buy)
She’s leaving home after living alone
For so many years. Bye, bye
Father snores as his wife gets into her dressing gown
Picks up the letter that’s lying there
Standing alone at the top of the stairs
She breaks down and cries to her husband
Daddy our baby’s gone.
Why would she treat us so thoughtlessly
How could she do this to me.
She (We never though of ourselves)
Is leaving (Never a thought for ourselves)
home (We struggled hard all our lives to get by)
She’s leaving home after living alone
For so many years. Bye, bye
Friday morning at nine o’clock she is far away
Waiting to keep the appointment she made
Meeting a man from the motor trade.
She What did we do that was wrong
Is having We didn’t know it was wrong
Fun Fun is the one thing that money can’t buy
Something inside that was always denied
For so many years. Bye, Bye
She’s leaving home bye bye
Why is she leaving home? Francis Schaeffer noted on pages 15-17 in volume 4 of THE COMPLETE WORKS OF FRANCIS SCHAEFFER from the original book “The Church at the end of the 20th Century” the reason she left and it was because of the bankruptcy of the materialistic views of her parents. Schaeffer points that for many years there was one message that the media was promoting and that was since we now believe in the “UNIFORMITY OF NATURAL CAUSES IN A CLOSED SYSTEM we are left with only the impersonal plus time plus chance.” Schaeffer continued:What is taught is that there is no final truth, no meaning, no absolutes, that it is only that we have not found truth and meaning, but that they do not exist. The student and the common man may not be able to analyze it, but day after day, day after day, they are being battered by this concept. We have now had several generations exposed to this and we must not be blind to the fact that it is being excepted increasingly.In contrast, this way of thinking has not had as much influence on the middle class. Many of these keep thinking in the old way as a memory of the time before the Christian base was lost in this post-Christian world. However, the majority in the middle-class have no real basis for their values since so many have given up the Christian viewpoint. They just function on the “memory.” This is why so many young people have felt that the middle class is ugly. They feel middle-class people are plastic, ugly and plastic because they try to tell others what to do on the basis of their own values but with no ground for those values.They have no base and they have no clear categories for their choices of right and wrong. Their choices tend to turn on what is for their material benefit. Take for example the fact faculty members who cheered when the student revolt struck against the administration and who immediately began to howl when the students started to burn up faculty manuscripts. They have no categories to say this is right and that is wrong. Many such people still hang on to their old values by memory but they have no base for them at all. A few years ago John Gardner head of the urban coalition spoke in Washington to a group of student leaders. His topic was on restoring values in our culture. When he finished there was a dead silence then finally one man from Harvard stood up and in a moment of brilliance asked, “Sir upon what base do you build your values?” I have never felt more sorry for anybody in my life. He simply looked down and said, “I do not know.” I had spoken that same day about what I was writing in the first part of this book. It was almost too good an illustration of my lecture. Here was a man appealing to the young people for a return to values but he is offering nothing to build on. man who was trying to tell his hearers not to drop out and yet giving no reason why they should not. Functioning only on a dim memory, these are the parents who have turned off their children when their children ask why and how. When their children crying out, “Yours is a plastic culture.” They are silent. We had the response so beautifully stated in the 1960s in the Beatles’ Sergeant Pepper’s song “She is leaving home.” “We gave her everything money could buy.” This is the only answer many parents can give.They are bothered about what they read in the newspapers concerning the way the country and the culture are going. When they read of the pornographic plays, see pornographic films on TV, they are distressed. They have a vague unhappiness about it, feel threatened by all of it and yet have no base upon which to found their judgments. And tragically such people are everywhere. They constitute the largest body in our culture-northern Europe, Britain, and also in America and other countries as well. They are a majority-what is called for a time the “silent majority”–but they are weak as water. They are people who like the old ways because they are pleasant memories, because they give what to them is a comfortable way to live but they have no basis for their values. Education for example is excepted and pressed upon their children as the only thinkable thing to pursue. Success is starting the child at the earliest possible age and then within the least possible years he is obtaining a Masters or PhD degree. Yet if the child asks why?, the only answers are first because it gives social status and then because statistics show that if you have a university or college education you will make more money. There is no base for real values are even the why of a real education. ________ When you think about the song SHE’S LEAVING HOME, you must come to the conclusion that the Beatles knew exactly what was going through the young person’s mind in the 1960’s. No wonder in the video THE AGE OF NON-REASON (which is on You Tube under the title HOW SHOULD WE THEN LIVE? EPISODE 7) Schaeffer noted, ” Sergeant Pepper’s Lonely Hearts Club Band…for a time it became the rallying cry for young people throughout the world. It expressed the essence of their lives, thoughts and their feelings.”
Billy Graham had a similar message to the young people in 1969 that they like the girl in SHE’S LEAVING HOME was right to Re just her parents materialism!!!
Billy Graham, hippies, and the rock concert
Posted on March 5, 2018 by Steve-O
The 1969 Miami Rock Music Festival featured the Grateful Dead, Santana, Canned Heat, Johnny Winter, Vanilla Fudge and, interestingly enough, Billy Graham.
What follows is Billy Graham’s description of his countercultural gospel message at the Miami Rock Music Festival found in his autobiography Just As I Am.
It was eleven o’clock on a Sunday morning, but I was most definitely not in church. Instead, to the horror of some, I was attending the 1969 Miami Rock Music Festival.
America in 1969 was in the midst of cataclysmic social upheaval. Stories of violent student protests against the Vietnam War filled the media. Images from the huge Woodstock music festival that took place just six months before the Miami event near Bethel, New York – for many a striking symbol of the anti-establishment feelings of a whole generation of rebellious youth – were still firmly etched in the public’s memory.
Concert promoter Norman Johnson perhaps hoped my presence would neutralize at least some of the fierce opposition he had encountered from Miami officials. Whatever his reasons, I was delighted for the opportunity to speak from the concert stage to young people who probably would have felt uncomfortable in the average church, and yet whose searching questions about life and sharp protests against society’s values echoed from almost every song.
“I gladly accept your kind invitation to speak to those attending the Miami Rock Festival on Sunday morning, December 28,” I wired him the day before Christmas. “They are the most exciting and challenging generation in American history.”
As I stepped onto the platform that Sunday morning, several thousand young people were lolling on the straw-covered ground or wandering around the concert site in the warm December sun, waiting for such groups as the Grateful Dead and Santana to make their appearance. A few were sleeping; the nonstop music had quit around four that morning.
In order to get a feel for the event, for a few hours the night before I put on a simple disguise and slipped into the crowd. My heart went out to them. Though I was thankful for their youthful exuberance, I was burdened by their spiritual searching and emptiness.
A bearded youth who had come all the way from California for the event recognized me. “Do me a favor,” he said to me with a smile, “and say a prayer to thank God for good friends and good weed.” Every evening at sunset, he confided to me, he got high on marijuana and other drugs.
“You can also get high on Jesus,” I replied.
That Sunday morning, I came prepared to be shouted down, but instead I was greeted with scattered applause. Most listened politely as I spoke. I told the young people that I had been listening carefully to the message of their music. We reject your materialism, it seemed to proclaim, and we want something of the soul. Jesus was a nonconformist, I reminded them, and He could fill their souls and give them meaning and purpose in life. “Tune in to God today, and let Him give you faith. Turn on to His power.”
Afterward two dozen responded by visiting a tent on the grounds set up by a local church as a means of outreach. During the whole weekend, the pastor wrote me later, 350 young people made commitments to Christ, and two thousand New Testaments were distributed.
As I have reflected on my own calling as an evangelist, I frequently recall the words of Christianity’s greatest evangelist, the Apostle Paul: “It has always been my ambition to preach the gospel where Christ was not known … ” (Romans 15:20). … I once told an interviewer that I would be glad to preach in Hell itself-if the Devil would let me out again!
Excerpted from Just As I Am: The Autobiography of Billy Graham (Harper Collins 1997).
Actually the answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.
Thanks for your time.
Sincerely,
Everette Hatcher, everettehatcher@gmail.com, http://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221
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