FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 333 “Evidence is the only way we know to discover what’s true about the real world” (Schaeffer v. Richard Dawkins) Featured Artist is David Goldblatt

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Bill Maher and Richard Dawkins

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March 26, 2019

Richard Dawkins c/o Richard Dawkins Foundation, 
Washington, DC 20005

Dear Mr. Dawkins,

i have enjoyed reading about a dozen of your books and some of the most intriguing were The God DelusionAn Appetite for Wonder: The Making of a Scientist, and Brief Candle in the Dark: My Life in Science.

I wanted to comment on something you wrote in your book Science in the Soul: Selected Writings of a Passionate Rationalist, and here is the quote on page 309:

Evidence is the only way we know to discover what’s true about the real world.

In this article WHO WOULD RALLY AGAINST REASON? You argue over and over that one must follow the evidence where it leads!!!!

Below is a piece of that evidence given by Francis Schaeffer concerning the accuracy of the Bible.

TRUTH AND HISTORY (chapter 5 of WHATEVER HAPPENED TO THE HUMAN RACE?)

We looked earlier at the city of Lachish. Let us return to the same period in Israel’s history when Lachich was besieged and captured by the Assyrian King Sennacherib. The king of Judah at the time was Hezekiah.

Perhaps you remember the story of how Jesus healed a blind man and told him to go and wash in the Pool of Siloam. It is the same place known by King Hezekiah, approximately 700 years earlier. One of the remarkable things about the flow of the Bible is that historical events separated by hundreds of years took place in the same geographic spots, and standing in these places today, we can feel that flow of history about us. The crucial archaeological discovery which relates the Pool of Siloam is the tunnel which lies behind it.

One day in 1880 a small Arab boy was playing with his friend and fell into the pool. When he clambered out, he found a small opening about two feet wide and five feet high. On examination, it turned out to be a tunnel reaching  back into the rock. But that was not all. On the side of the tunnel an inscribed stone (now kept in the museum in Istanbul) was discovered, which told how the tunnel had been built originally. The inscription in classical Hebrew reads as follows:

The boring through is completed. And this is the story of the boring: while yet they plied the pick, each toward his fellow, and while there were yet three cubits [4 14 feet] to be bored through, there was heard the voice of one calling to the other that there was a hole in the rock on the right hand and on the left hand. And on the day of the boring through the workers on the tunnel struck each to meet his fellow, pick upon pick. Then the water poured from the source to the Pool 1,200 cubits [about 600 yards] and a 100 cubits was the height of the rock above the heads of the workers in the tunnel. 

We know this as Hezekiah’s Tunnel. The Bible tells us how Hezekiah made provision for a better water supply to the city:Now the rest of the acts of Hezekiah and all his might, and how he made the pool and the conduit and brought water into the city, are they not written in the Book of the Chronicles of the Kings of Judah?(II Kings 20:20). We know here three things: the biblical account, the tunnel itself of which the Bible speaks, and the original stone with its inscription in classical Hebrew.

From the Assyrian side, there is additional confirmation of the incidents mentioned in the Bible. There is a clay prism in the British Museum called the Taylor Prism (British Museum, Ref. 91032). It is only fifteen inches high and was discovered in the Assyrian palace at Nineveh. This particular prism dates from about 691 B.C. and tells about Sennacherib’s exploits. A section from the prism reads, “As for Hezekiah,  the Jew, who did not submit to my yoke, forty-six of his strong walled cities, as well as small cities  in their neighborhood I have besieged and took…himself like a caged bird, I shut up in Jerusalem, his royal city. Earthworks I threw up against him,” Thus, there is a three-way confirmation concerning Hezekiah’s tunnel from the Hebrew side and this amazing confirmation from the Assyrian side.

The answer to find meaning in life is found in putting your faith and trust in Jesus Christ. The Bible is true from cover to cover and can be trusted.

Thank you again for your time and I know how busy you are.

Everette Hatcher, everettehatcher@gmail.comhttp://www.thedailyhatch.org, cell ph 501-920-5733, Box 23416, LittleRock, AR 72221, United States

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Francis and Edith Schaeffer at their home in Switzerland with some visiting friends

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Schaeffer with his wife Edith in Switzerland.


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Richard Dawkins and John Lennox

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DawkinsWard

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Dawkins, Hitchens, Dennett, Harris 

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Canary Islands 2014: Harold Kroto and Richard Dawkins

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Francis Schaeffer pictured below:

The Basis of Human Dignity by Francis Schaeffer

Richard Dawkins, founder of the Richard Dawkins Foundation for Reason and Science. Credit: Don Arnold Getty Images

Francis Schaeffer in 1984

Christian Manifesto by Francis Schaeffer

Francis Schaeffer in 1982

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Whatever Happened to the Human Race? Episode 1

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Garik Israelian, Stephen Hawking, Alexey Leonov, Brian May, Richard Dawkins and Harry Kroto

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David Goldblatt: In Conversation

David Goldblatt

David Goldblatt was born in Randfontein, South Africa, in 1930. Since the early 1960s up until his passing in 2018, Goldblatt photographed the people, landscapes, and architectural structures of South Africa, using photography as a means of social criticism. Chronicling South Africa during apartheid, Goldblatt’s powerful monochrome photographs reveal the stark contrast between the lives of Blacks and Whites as well as the ways that public structures have manifested the citizens’ self-image.

Inspired by the photography in magazines such as Life and Picture Post, Goldblatt began his career photographing the desperate lives of Black African miners during the initial years of apartheid. Raised Jewish, Goldblatt was both fascinated and fearful of the anti-Jewish and anti-Black movement by White right-wing Afrikaners. He critically probed Afrikaner privilege in his series In Boksburg, demonstrating the extraordinary contradictions and complexities of apartheid. His Structures series—which began in the 1980s—examined the ways that architecture reflected the country’s changing politics. In the 2000s, Goldblatt explored urban and rural landscapes in his work.

David Goldblatt received an honorary doctorate in fine arts at the University of Cape Town (2001). His awards and residencies include the Infinity Lifetime Achievement Award from the International Center for Photography, New York (2013); Henri Cartier-Bresson Award (2009); Lifetime Achievement Award, Arts and Culture Trust (2009); and Hasselblad Foundation International Award in Photography (2006). He has had major exhibitions at Centre Pompidou, Paris (2018); Minneapolis Institute of Art (2014); San Francisco Museum of Modern Art (2012); Barbican Centre, London (2012); Venice Biennale (2011); Jewish Museum, New York (2010); New Museum, New York (2009); documenta 12 (2007); documenta 11 (2002); and Museum of Modern Art (1998). In 1989, he founded the Market Photography Workshop in Johannesburg. Goldblatt lived and worked in Johannesburg, where he passed away in June 2018.

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