There is considerable academic research on the growth-maximizing level of government spending. Based on a good bit of research, I’m fairly confident that Cato’s Richard Rahn was the first to popularize this concept, so we are going to make him famous (sort of like Art Laffer) in this new video explaining that there is a spending version of the Laffer Curve and that it shows how government is far too large and that this means less prosperity.
Over the past several years, President Barack Obama has repeatedly claimed that America is not a Christian nation. He asserted that while a U. S. Senator, 1 repeated it as a presidential candidate, 2 and on a recent presidential trip to Turkey announced to the world that Americans “do not consider ourselves a Christian nation.” 3 (He made that announcement in Turkey because he said it was “a location he said he chose to send a clear message.” 4 ) Then preceding a subsequent trip to Egypt, he declared that America was “one of the largest Muslim countries in the world” 5 (even though the federal government’s own statistics show that less than one-percent of Americans are Muslims. 6
The President’s statements were publicized across the world but received little attention in the American media. Had they been carried here, the President might have been surprised to learn that nearly two-thirds of Americans currently consider America to be a Christian nation 7 and therefore certainly might have taken exception with his remarks. But regardless of what today’s Americans might think, it is unquestionable that four previous centuries of American leaders would definitely take umbrage with the President’s statements.
Modern claims that America is not a Christian nation are rarely noticed or refuted today because of the nation’s widespread lack of knowledge about America’s history and foundation. To help provide the missing historical knowledge necessary to combat today’s post-modern revisionism, presented below will be some statements by previous presidents, legislatures, and courts (as well as by current national Jewish spokesmen) about America being a Christian nation. These declarations from all three branches of government are representative of scores of others and therefore comprise only the proverbial “tip of the iceberg.”
Defining a Christian Nation
Contemporary post-modern critics (including President Obama) who assert that America is not a Christian nation always refrain from offering any definition of what the term “Christian nation” means. So what is an accurate definition of that term as demonstrated by the American experience?
Contrary to what critics imply, a Christian nation is not one in which all citizens are Christians, or the laws require everyone to adhere to Christian theology, or all leaders are Christians, or any other such superficial measurement. As Supreme Court Justice David Brewer (1837-1910) explained:
[I]n what sense can [America] be called a Christian nation? Not in the sense that Christianity is the established religion or that the people are in any manner compelled to support it. On the contrary, the Constitution specifically provides that “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof.” Neither is it Christian in the sense that all its citizens are either in fact or name Christians. On the contrary, all religions have free scope within our borders. Numbers of our people profess other religions, and many reject all. Nor is it Christian in the sense that a profession of Christianity is a condition of holding office or otherwise engaging in public service, or essential to recognition either politically or socially. In fact, the government as a legal organization is independent of all religions. Nevertheless, we constantly speak of this republic as a Christian nation – in fact, as the leading Christian nation of the world. 8
So, if being a Christian nation is not based on any of the above criterion, then what makes America a Christian nation? According to Justice Brewer, America was “of all the nations in the world . . . most justly called a Christian nation” because Christianity “has so largely shaped and molded it.” 9
Constitutional law professor Edward Mansfield (1801-1880) similarly acknowledged:
In every country, the morals of a people – whatever they may be – take their form and spirit from their religion. For example, the marriage of brothers and sisters was permitted among the Egyptians because such had been the precedent set by their gods, Isis and Osiris. So, too, the classic nations celebrated the drunken rites of Bacchus. Thus, too, the Turk has become lazy and inert because dependent upon Fate, as taught by the Koran. And when in recent times there arose a nation [i.e., France] whose philosophers [e.g. Voltaire, Rousseau, Diderot, Helvetius, etc.] discovered there was no God and no religion, the nation was thrown into that dismal case in which there was no law and no morals. . . . In the United States, Christianity is the original, spontaneous, and national religion. 10
Founding Father and U. S. Supreme Court Chief Justice John Marshall agreed:
[W]ith us, Christianity and religion are identified. It would be strange, indeed, if with such a people our institutions did not presuppose Christianity and did not often refer to it and exhibit relations with it. 11
Christianity is the religion that shaped America and made her what she is today. In fact, historically speaking, it can be irrefutably demonstrated that Biblical Christianity in America produced many of the cherished traditions still enjoyed today, including:
A republican rather than a theocratic form of government;
The institutional separation of church and state (as opposed to today’s enforced institutional secularization of church and state);
Protection for religious toleration and the rights of conscience;
A distinction between theology and behavior, thus allowing the incorporation into public policy of religious principles that promote good behavior but which do not enforce theological tenets (examples of this would include religious teachings such as the Good Samaritan, The Golden Rule, the Ten Commandments, the Sermon on the Mount, etc., all of which promote positive civil behavior but do not impose ecclesiastical rites); and
A free-market approach to religion, thus ensuring religious diversity.
Consequently, a Christian nation as demonstrated by the American experience is a nation founded upon Christian and Biblical principles, whose values, society, and institutions have largely been shaped by those principles. This definition was reaffirmed by American legal scholars and historians for generations 12 but is widely ignored by today’s revisionists.
7. “Survey Reports: Beyond Red vs. Blue,” Pew Research Center for the People and the Press, March 17-27, 2005 (at: http://people-press.org/reports/print.php3?PageID=953), reports that in 1996, 60% of Americans believed that America was indeed a Christian nation and that by 2004, the number had risen to 71%; the 2009 poll showed that the number had dropped to 69% and then to 62% (see “Newsweek Poll: A Post-Christian Nation?,” Newsweek, April 3, 2009 (at:http://www.newsweek.com/id/192311), in which 62% answered Yes, 32% answer No, and 6% answered Don’t Know to the question “Do you consider the United States a Christian nation, or not?” See also “This Easter, Smaller Percentage of Americans are Christians,” Gallup, April 10, 2009 (at:http://www.gallup.com/poll/117409/Easter-Smaller-Percentage-Americans-Christian.aspx), in which this statement appears: “The United States remains a dominantly Christian nation. More than three-quarters of all Americans identify as Christian,” according to this poll 77% of Americans identify themselves as Christians (55% Protestant, 22% Catholic). (Return)
8. David J. Brewer, The United States: A Christian Nation (Philadelphia: John C. Winston Company, 1905), p. 13. (Return)
9. David J. Brewer, The United States: A Christian Nation (Philadelphia: John C. Winston Company, 1905), p. 40. (Return)
10. Edward Mansfield, American Education, Its Principle and Elements (New York: A. S. Barnes & Co., 1851), p. 43. (Return)
11. John Marshall, The Papers of John Marshall, Charles Hobson, editor (Chapel Hill: University of North Carolina Press, 2006), Vol. XII, p. 278, to Rev. Jasper Adams, May 9, 1833. (Return)
12. Stephen Cowell, The Position of Christianity in the United States in its Relations with our Political Institutions (Philadelphia: Lippincott, Grambio & Co., 1854), pp. 11-12, Joseph Story, A Familiar Exposition of the Constitution of the United States (New York: Harper & Brothers, 1847), p. 260, §442. (Return)
The President’s deafening silence on health care reform – Kate Nix
The President’s health care law has been dubbed his “signature legislative accomplishment”, but he barely even mentioned the law in this evening’s address.
The President did claim that Obamacare relies on a “reformed private market, not a Government program”. This is not quite the case. Obamacare dumps millions of Americans into Medicaid, a poorly performing government health program, and creates a new federal entitlement to purchase coverage in federally-created exchanges. Its rules and regulations on insurance reduce choice, hinder competition, and will result in higher premiums for families and individuals. The law’s expansion of bureaucracy and government price controls in Medicare will limit seniors’ access to providers and reduce physician autonomy. And new penalties and taxes burden business and the growth of the economy by making it harder to grow and create new jobs.
True market-driven reform doesn’t require an expansion of government. It requires empowering patients, not bureaucrats, and creating a true marketplace with a number of options, offered by competing insurers. It means saving Medicare for future generations by giving seniors choice, and transforming Medicaid to better meet need in each state. And it means enacting rational, targeted insurance market reforms that won’t increase premiums or drive insurers out of business.
The impact of Obamacare will be felt by every American. The fact that the President failed to take ownership of his health law and its consequences tonight builds the case for its full repeal and moving in a different direction in health care reform.
_________________________
I know that you do not agree with the description that the government is taking over the healthcare system but it seems to me that is going to happen. Just look at your recent decision that makes Catholic Hospitals distribute the abortion pill against their wishes.
Thank you so much for your time. I know how valuable it is. I also appreciate the fine family that you have and your committment as a father and a husband.
Sincerely,
Everette Hatcher III, 13900 Cottontail Lane, Alexander, AR 72002, ph 501-920-5733, lowcostsqueegees@yahoo.com
Tom Ortenberg, CEO
Open Road Films
12301 Wilshire Blvd., Suite 600
Los Angeles, CA 90025
Phone: (310) 571-2200
Fax: (310) 571-2278
Website: http://www.openroadfilms.com
Content:
(HH, AbAb, C, B, Pa, H, LLL, VV, S, AA, D, M) Strong Nihilistic, Humanist worldview ultimately demeaning and denying belief in God and an afterlife, with very little Christian elements such as prayer and references to Jesus Christ, marred, however, by a pagan use of abundant foul language and some anti-religious comments by two humanists/atheists in debates over God and religion and man shouts out to God in angry, and realizes that there is no God so he has to survive himself; up to 200 obscenities and profanities or more, including many strong ones; strong violence and implied violence includes scenes of wolf attacks on humans, humans fight off wolf attacks, plane crash, man eases dying man’s passing, character drowns, brief drunken brawl, freezing river sweeps away one man trying to escape wolves, and man contemplates suicide with shotgun in mouth; some verbal references to sex with prostitutes; no nudity; alcohol use and scene with a drunken brawl; brief smoking; and, men argue about the existence of God and how best to survive being stranded in a frozen wilderness.
Summary:
THE GREY stars Liam Neeson as an oilman who gets stranded in an Arctic wilderness with four men and a pack of vicious wolves. THE GREY is an intense tale of survival and life or death issues, with a strong nihilistic message denying God. However, THE GREY’S pervasive foul language and scary battles with wolves warrant excessive.
Review:
iam Neeson fights with wolves in THE GREY. The movie is survival action-thriller that has atheist characters and a pervasive stream of foul language.The movie centers on an oilman named Ottway (Neeson), who’s burned out on the harsh, male-dominated and frozen terrain of his job in the Arctic. Desperate to get back with a wife the audience sees in flashbacks, he has written her a note but takes a shotgun out and nearly commits suicide by shoving it in his mouth. He changes his mind in favor of flying home the next day. However, the plane transporting him and other workers crashes in the middle of the snowy wilderness, leaving only himself and four other survivors.Surrounded by vicious wolves and only known to each other by their last names, the men must bond quickly if they are to form a plan for survival. As they alternate between arguing and friendship while contending with the terrifying prospect of hungry wolves, raging blizzards, and hunger, they speak to each other with pervasive foul language.
Yet writer-director Joe Carnahan, who co-wrote the script with Ian Mackenzie Jeffers based on a short story Jeffers wrote, has a much deeper than expected agenda for his movie. The action elements are the hook to draw audiences into the theater, but he’s crafted a movie that will also make people think that life is meaningless.
For instance, one man in the group of survivors has an ardent faith in God, though he wonders if there was a purpose behind the hardship they’re enduring. Another is an atheist who laughs at the idea of God. Ottway himself is in the middle. He is respectful of others’ faith and invites the believer to make a sign of the cross over one of the men who dies, but he says he only wishes he had faith.
[SPOILERS FOLLOW] As the movie progresses, however, some of the men have visions of loved ones as they die, such as a long-lost daughter embracing one man while another sees the sister he lost in childhood. Ultimately, Ottway is left alone, and yells at the sky, profanely demanding for God to prove His existence with a sign or some help. None comes, so he concludes that there is no God, and survival is up to himself. So, Ottway gets on his feet again and keeps going before finally stopping, dropping to his knees and digging out the wallets of his now-dead fellow travelers, stacking them into a memorial. Finally, we see that his wife had died before his eyes. He is resigned to dying.
At that moment, he hears and sees the alpha wolf, a fearsome black beast coming toward him. A remembered nihilistic poem from his father brings Ottway to his feet as he decides to challenge the alpha wolf in a fight to the death.
[END SPOILERS]
Everything about THE GREY is beautifully shot and harrowingly presented. Even the wolves sound as if they’re in the theater with the viewer. The cumulative effect of THE GREY is depressing. The movie takes an atheist position that nothing matters, although there are some overt references to faith.
However, the constant foul language should have been cut or greatly reduced. THE GREY also has some intense, strong, and scary violence. Finally, the nihilistic content destroys any merit the movie might have.
In Brief:
THE GREY stars Liam Neeson as an oilman who gets stranded in an Arctic wilderness with four men when their plane crashes. The men learn vicious, hungry wolves are after them. They must bond quickly if they are going to come up with a good survival plan. As the men work to survive the wolves, the cold and a raging blizzard, they discuss the existence of God and faith. One man is a Christian. Another is an atheist who laughs at the idea of God. The oilman is in the middle. How will this religious debate play out when the men begin dying one by one?Everything about THE GREY is beautifully shot and harrowingly presented. Even the wolves sound like they’re in the theater. The cumulative effect of THE GREY is depressing. While it sometimes appears to take an Christian tone, it has a disturbing, relentless transition to denying God, faith and prayer. There are also some clear indications of the meaninglessness of life. However, the movie’s constant foul language should have been cut or greatly reduced. THE GREY also has some intense, strong, and scary violence, making it excessive.
A review of the new Liam Neeson film, the grey, as iI say there may be some minor spoilers but nothing too drastic, enjoy and dont forget to comment, rate and subscribe
Cast: Liam Neeson, Dallas Roberts, James Badge Dale, Dermot Mulroney, Frank Grillo, Nonso Anozie, Joe Anderson
In THE GREY, Liam Neeson leads an unruly group of oil-rig roughnecks when their plane crashes into the remote Alaskan wilderness. Battling mortal injuries and merciless weather, the survivors have only a few days to escape the icy elements — and a vicious pack of rogue wolves on the hunt — before their time runs out.
Woody Allen interviews Billy Graham on Religion This article below makes we think of the lady tied to the Railroad in the Schaeffer video. Dr. Francis schaeffer – The flow of Materialism (Modern man sees no hope for the future and has deluded himself by appealing to nonreason to stay sane. Look at the example […]
Woody Allen and the Abandonment of Guilt Dr. Marc T. Newman : AgapePress Print In considering filmmaking as a pure visual art form, Woody Allen would have to be considered a master of the medium. From his humble beginnings as a comedy writer and filmmaker, he has emerged as a major influential force in Hollywood. […]
September 3, 2011 · 5:16 PM ↓ Jump to Comments Woody Allen on the Emptiness of Life In the final scene of Manhattan, Woody Allen’s character, Isaac, is lying on the sofa with a microphone and a tape-recorder, dictating to himself an idea for a short story. It will be about “people in Manhattan,” he says, […]
John Whitehead in an article noted: Bacon, however, clearly expressed his atheistic pessimism: “Man now realizes that he is an accident, that he is a completely futile being, that he has to play out the game without purpose, other than of his own choosing.” On another occasion, he remarked: “We are born and we die […]
The Bible and Archaeology (1/5) The Bible maintains several characteristics that prove it is from God. One of those is the fact that the Bible is accurate in every one of its details. The field of archaeology brings to light this amazing accuracy. _________________________- I want to make two points today. 1. There is no […]
A review of the new Liam Neeson film, the grey, as iI say there may be some minor spoilers but nothing too drastic, enjoy and dont forget to comment, rate and subscribe
Cast: Liam Neeson, Dallas Roberts, James Badge Dale, Dermot Mulroney, Frank Grillo, Nonso Anozie, Joe Anderson
In THE GREY, Liam Neeson leads an unruly group of oil-rig roughnecks when their plane crashes into the remote Alaskan wilderness. Battling mortal injuries and merciless weather, the survivors have only a few days to escape the icy elements — and a vicious pack of rogue wolves on the hunt — before their time runs out.
The Grey trailer courtesy Open Road Films.
__________________
The movie “The Grey” is filled with nihilism and here is the answer in the Book of Ecclesiastes to nihilism from Solomon himself. I follow that with an excellent riview of “The Grey” and some links to previous posts on nihilism. Also here is a link to some historical evidence showing how accurate and reliable the bible is.
Here is an article I wrote a couple of years ago:
Solomon, Woody Allen, Coldplay and Kansas
What does King Solomon, the movie director Woody Allen and the modern rock bands Coldplay and Kansas have in common? All four took on the issues surrounding death, the meaning of life and a possible afterlife, although they all came up with their own conclusions on these weighty matters.
Let me start off by pointing out what they all had in common. First, they were very successful and rose to the top of their fields. Second, they were very famous and of course, thirdly they were wealthy and experienced the privileges that fame and wealth brought. Finally, they were still seeking answers to life’s great questions even though it seemed they had experienced all the world had to offer.
Unlike many the past grammy winners of “Best Rock Album,” Viva La Vida or Death and All His Friends by Coldplay is filled with songs that deal with spiritual themes such as death, the meaning of life and searching for an afterlife.
Leadsinger Chris Martin notes, “…because we’ve had some people close to us we’ve lost, but some miracles — we’ve got kids. So, life has been very extreme recently, and so both death and life pop up quite often” (MTV News interview, June 9, 2008).
Russ Briermeier of Christianity Today observes that this album is “often provocative, spiritual, and seemingly on the verge of identifying a greater truth, asking and inspiring many questions without providing the answers.” It reminded me of King Solomon’s search for answers in the Book of Ecclesiastes in the Old Testament. Solomon also dealt the subject of death a lot. Ecclesiastes 7:2-4 asserts, “It is better to spend your time at funerals than at festivals. For you are going to die, and you should think about it while there is still time. Sorrow is better than laughter, it may sadden your face, but it sharpens your understanding.”
The subject of death is prominent in the songs “Poppyfields,” “Violet Hill,” “Death and All His Friends,” “42,” and the “Cemeteries of London.” Then the song “The Escapist” states, “And in the end, We lie awake and we dream, we’re makin our escape.” In the end we all die. Therefore, I assume this song is searching for an afterlife to escape to. The song “Glass of Water” sheds some more light on where we possibly escape to: “Oh he said you could see a future inside a glass of water, with riddles and the rhymes, He asked ‘Will I see heaven in mine?’
Coldplay is clearly searching for spiritual answers but it seems they have not found them quite yet. The song “42“: “Time is so short and I’m sure, There must be something more.” Then the song “Lost“: “Every river that I tried to cross, Every door I ever tried was locked, I’m just waiting til the shine wears off, You might be a big fish in a little pond, Doesn’t mean you’ve won, Because along may come a bigger one and you will be lost.”
Solomon went to the extreme in his searching in the Book of Ecclesiastes for this “something more” that Coldplay is talking about, but he did not find any satisfaction in pleasure (2:1), education (2:3), work (2:4), wealth (2:8) or fame (2:9). All of his accomplishments would not be remembered (1:11) and who is to say that they had not already been done before by others (1:10)? This reminds me of the big fish in the little pond that Coldplay was talking about. Even if you think you are on top, are you really? Also Solomon’s upcoming death depressed him because both people and animals alike “go to the same place — they came from dust and they return to dust” (3:20).
In 1978 I heard the song “Dust in the Wind” by Kansas when it rose to #6 on the charts. That song told me thatKerry Livgren the writer of that song and a member of Kansas had come to the same conclusion that Solomon had. I remember mentioning to my friends at church that we may soon see some members of Kansas become Christians because their search for the meaning of life had obviously come up empty even though they had risen from being an unknown band to the top of the music business and had all the wealth and fame that came with that. Furthermore, like Solomon and Coldplay, they realized death comes to everyone and “there must be something more.”
Livgren wrote:
“All we do, crumbles to the ground though we refuse to see, Dust in the Wind, All we are is dust in the wind, Don’t hang on, Nothing lasts forever but the Earth and Sky, It slips away, And all your money won’t another minute buy.”
Both Kerry Livgren and Dave Hope of Kansas became Christians eventually. Kerry Livgren first tried Eastern Religions and Dave Hope had to come out of a heavy drug addiction. I was shocked and elated to see their personal testimony on The 700 Club in 1981 and that same interview can be seen on youtube today. Livgren lives in Topeka, Kansas today where he teaches “Diggers,” a Sunday school class at Topeka Bible Church. Hope is the head of Worship, Evangelism and Outreach at Immanuel Anglican Church in Destin, Florida.
The movie maker Woody Allen has embraced the nihilistic message of the song “Dust in the Wind” by Kansas. David Segal in his article, “Things are Looking Up for the Director Woody Allen. No?” (Washington Post, July 26, 2006), wrote, “Allen is evangelically passionate about a few subjects. None more so than the chilling emptiness of life…The 70-year-old writer and director has been musing about life, sex, work, death and his generally futile search for hope…the world according to Woody is so bereft of meaning, so godless and absurd, that the only proper response is to curl up on a sofa and howl for your mommy.”
The song “Dust in the Wind” recommends, “Don’t hang on.” Allen himself says, “It’s just an awful thing and in that context you’ve got to find an answer to the question: ‘Why go on?’ ” It is ironic that Chris Martin the leader of Coldplay regards Woody Allen as his favorite director.
Lets sum up the final conclusions of these gentlemen: Coldplay is still searching for that “something more.” Woody Allen has concluded the search is futile. Livgren and Hope of Kansas have become Christians and are involved in fulltime ministry. Solomon’s experiment was a search for meaning to life “under the sun.” Then in last few words in the Book of Ecclesiastes he looks above the sun and brings God back into the picture: “The conclusion, when all has been heard, is: Fear God and keep His commandments, because this applies to every person. For God will bring every act to judgment, everything which is hidden, whether it is good or evil.”
You can hear Kerry Livgren’s story from this youtube link:
The Grey
A chilling adventure that builds to a compelling climax of faith vs. faithlessness.
David Roark | posted 1/27/2012 12:00AM
Midpoint in The Grey, while trying to survive a pack of wolves in Alaska’s wilderness, a group of men sit around a fire reflecting on their lives while literally staring death in face. One of them insists on the pertinence of faith and the existence of God in the midst of their suffering, while two others refute the claim and call his belief a “fairy tale,” claiming there’s no life after death. These opposing ideologies stand front and center of this chilling new adventure by writer-director Joe Carnahan (The A-Team). He puts the two ideas to the test in his grey and desolate wasteland, looking to see which prevails.
Liam Neeson stars as Ottway, an Irish hunter and one of the two men without faith. After surviving a plane crash in the freezing conditions of Alaska, he and a few members of an oil drilling team, including Diaz, an arrogant womanizer (Frank Grillo), and Talget, a passive family man (Dermot Mulroney), find themselves being hunted by a pack of wolves. Hopeless with nowhere to go, they do all they can to escape into a wooded area, which may or may not be a safe haven, but the wolves begin to take their lives, one by one.
A pack of men, about to meet a pack of something worse
Within these bleak circumstances, Ottway voluntarily becomes the leader because of his experience killing wolves. But even though he may be a trained hunter, he secretly faces problems of his own. In the opening sequence, we see him walk outside a bar and proceed to attempt suicide, with a rifle placed in his mouth, only to be distracted by the howl of a wolf in the distance. We learn that his inner struggles stem from his wife leaving him—and now he’s got hungry wolves circling for the kill. Much to fret about.
The film, adapted from the short story Ghost Walkers by Ian MacKenzie Jeffers, weaves Ottway’s struggles together in redemptive fashion. Forced to be the leader and give hope to the rest of the men, despite his own feelings of hopelessness, Ottway faces his internal demons because of the external, fang-baring ones. Ironically, the dire circumstances act as a catalyst for his personal redemption.
Such optimism doesn’t extend to every character or the entire situation, so The Greyis hardly a morality tale. As the title implies an underlying moral ambiguity, the film often settles into a cynical outlook void of redemption and God. In many ways, these darker aspects actually trump the small, personal thread of Ottway finally coming to terms with the absence of his wife and, even more so, with his life.
Liam Neeson as Ottway, who has some issues
This nihilistic worldview and unbelief in God emerges first and foremost visually. Working with few colors, a range of grays and a fixed graininess, Carnahan gives his film dark and lifeless imagery that, in turn, creates a prevalently melancholic tone. He takes the same approach with the scenery. The cold, dreary climate, with no hope in sight and an enemy in the middle of it, further establishes it.
But the bleakest component of all is the wolves and their relentless attacks. In the course of all the blood, guts, and death, the question surfaces: Where is God and meaning in all of it? Like the wolves themselves, this rhetorical question runs rampantly throughout the story as the group becomes smaller and smaller, death after death, until a moment in which Ottway cries out to God, pleading for help. Desperate and facing death, he admits his need for a savior only to remark, “Fine, I’ll do it myself.” The scene epitomizes the moral haziness ofThe Grey, but it also leads the film into its gripping finale. Seamlessly paced with suspense and anticipation throughout—thanks in part to a vigorous score—the whole story points to this intense moment, putting Ottway face to face with the wolves and the alpha of the pack.
Diaz (Frank Grillo, right) and Ottway plan their next move
Neeson carries the film, bringing physical action and human emotion from start to finish. He balances out his tough, grizzly persona with a hurting, vulnerable side. His role, autobiographical in regard to the loss of wife three years ago, keeps the film grounded in humanity and, in the end, stops it from falling into cynicism, despite Ottway’s conflicted morality. In one scene, he looks at pictures of the families of men who died, thinking about his own wife. This moment of pure sentiment feels so personal, so transcendent.
Moments like these elevate the film from being just another action movie, or just another drama with lofty ideas yet no heart or soul. Even more, such moments almost provide enough clarity to keep it from being a complete moral vacuum. But as the film concludes and we seek hope, God, and life in the midst of the mess, we’re still left in The Grey.
One large marketing firm has prepared a “film companion” discussion guide for faith-based audiences; the guide explores the movie’s spiritual themes.
Talk About It Discussion starters
The film clearly pits two opposing ideologies, a belief and unbelief in God. In the end, which ideology prevails? Why?
How does Ottway deal with his wife leaving him through his circumstances (the weather and wolves)? What does he ultimately learn?
What does the film say about suffering? Why does God allow us to suffer, or does he? Can suffering change and mold us? How?
The Family Corner For parents to consider
The Grey is rated R for violence/disturbing content including bloody images, and for pervasive language. Throughout the movie, men are killed in bloody battles with wolves. Though violent and intense, these scenes move rapidly and chaotically, making them less graphic than they could be. The characters use excessive profanity, especially the f-word. But the language never proves to be exploitive or out of context.
Woody Allen interviews Billy Graham on Religion This article below makes we think of the lady tied to the Railroad in the Schaeffer video. Dr. Francis schaeffer – The flow of Materialism (Modern man sees no hope for the future and has deluded himself by appealing to nonreason to stay sane. Look at the example […]
Woody Allen and the Abandonment of Guilt Dr. Marc T. Newman : AgapePress Print In considering filmmaking as a pure visual art form, Woody Allen would have to be considered a master of the medium. From his humble beginnings as a comedy writer and filmmaker, he has emerged as a major influential force in Hollywood. […]
September 3, 2011 · 5:16 PM ↓ Jump to Comments Woody Allen on the Emptiness of Life In the final scene of Manhattan, Woody Allen’s character, Isaac, is lying on the sofa with a microphone and a tape-recorder, dictating to himself an idea for a short story. It will be about “people in Manhattan,” he says, […]
John Whitehead in an article noted: Bacon, however, clearly expressed his atheistic pessimism: “Man now realizes that he is an accident, that he is a completely futile being, that he has to play out the game without purpose, other than of his own choosing.” On another occasion, he remarked: “We are born and we die […]
The Bible and Archaeology (1/5) The Bible maintains several characteristics that prove it is from God. One of those is the fact that the Bible is accurate in every one of its details. The field of archaeology brings to light this amazing accuracy. _________________________- I want to make two points today. 1. There is no […]
Reagan: “Only a constitutional amendment will do the job. We’ve tried the carrot, and it failed. With the stick of a balanced budget amendment, we can stop government’s squandering, overtaxing ways, and save our economy.”
The growing momentum toward requiring Washington to actually balance its budget shows that House Republicans have connected with the American people. Leading Democrats are another story. Senator Reid and President Obama are still trying to fool the American people into thinking we can keep borrowing and spending like there is no tomorrow.
__________________
What we are doing now is not working. President Ronald Reagan said, “Only a constitutional amendment will do the job. We’ve tried the carrot, and it failed. With the stick of a balanced budget amendment, we can stop government’s squandering, overtaxing ways, and save our economy.”
In case you’re not keeping track, it has been nearly 1,000 days since the United States Senate passed a budget. Meanwhile, America’s fiscal nightmare keeps growing, and those on the left—including Members of the Senate—keep advocating for even more spending despite America’s $15 trillion national debt. That’s an important record to keep in mind as the Senate votes today on two versions of the Balanced Budget Amendment (BBA).
A BBA is constructive, but it’s not the final answer to America’s fiscal woes despite the tools it offers—in large part because it fails to tackle entitlement reform, the most detrimental driver of spending in this country. A BBA is not a neatly packed solution, as no constitutional amendment can replace the hard work of true spending reforms.
However, Republicans ensured earlier this year that the 2011 Budget Control Act required a vote on a BBA. Their commitment to ending big government’s reckless behavior was well-meaning but flawed, and a BBA has already failed in the House.
The proposed amendment being debated in the Senate was chosen from several previous versions and is sponsored by Senators Orrin Hatch (R–UT), Mike Lee (R–UT), and John Cornyn (R–TX), among others. It is stricter and it fundamentally differs from its counterpart in the House, but it still lacks in several areas.
Cornyn spoke at The Heritage Foundation last month about the BBA, saying that the American people are “justifiably very skeptical of Washington” right now. “I think we need to prove to them that we are serious about solving the problem, not that we are just going through the motions,” Cornyn said. “I think [a BBA] is called for under the circumstances we are in.”
The proposed amendment addresses many key issues requiring disciplinary action on the $15 trillion federal debt. These include a spending cap of 18 percent of GDP, a three-fifths vote to raise the debt ceiling, and a two-thirds votes to raise taxes—all helpful actions to getting America back on the right path. It also requires that the President submit a balanced budget to Congress every year.
While the details of this proposal are an improvement to some of the previous, weaker BBA proposals, it still doesn’t solve America’s spending problem.
The Heritage Foundation has supported and covered extensively our ideas for a balanced budget in the Saving the American Dream plan. A major component of that plan would be to undertake entitlement reform by amending existing federal laws that provide permanent or indefinite appropriations to federal agencies or programs. This BBA does not provide this kind of essential direction for long-term budget maintenance.
As Heritage’s David Addington has noted, an appropriate BBA should be intentionally focused on driving down spending, taxation, and borrowing. Such focus is especially important right now because of the massive federal debt and these yet-to-be reformed entitlement programs.
Even more importantly, a supermajority must be able to temporarily waive a BBA if it is crucial to national security, as such is the first constitutional priority of the federal government.
The Lee version of the BBA permits only a partial waiver when the U.S. is engaged in a congressionally authorized “military conflict”—and the particulars can get sticky. The flexibility for national security is essential if a BBA is to be amended to the Constitution.
An acceptable BBA should also provide its own enforcement and prevent government from borrowing money to meet the balance requirement. Any loopholes that contradict the BBA’s overall purpose will serve only to push America further from fiscal prosperity.
As Heritage’s Matt Spalding explained just before the failed House vote last month, Congress should be taking every opportunity it has to first and foremost cut and cap federal spending:
A part of the long-term agenda to rein in government is an appropriate and sound amendment to the Constitution that would keep federal spending under control in subsequent years. Indeed, the principal reason for adopting a balanced budget constitutional amendment is to limit the size and scope of the federal government by limiting its spending.
Despite its weaknesses, the BBA retains worthy components, making it harder to raise taxes by requiring a two-thirds super-majority of both houses.
As Hatch said in conference call with bloggers on Monday, the BBA “will finally put a straightjacket on Washington’s ability to continue profligate spending of the American people’s money.”
He said that the failure of the congressional super committee to reach an agreement to cut between $1.2 and $1.6 trillion from the federal debt over the next 10 years demonstrated a need for a BBA.
But it’s important to be cautious when approaching what some have deemed the answer to America’s fiscal disaster.
While considerable work has been done to develop a robust amendment, questions of amendment language (both in terms of operational construction and enforcement) have not yet sufficiently been resolved to meet the high and deliberative standard of the United States Constitution.
Like the House version, the Senate BBA is not expected to pass today, which will leave more quality time for consideration of what is best for renewing America’s course to fiscal repair.
Amending the Constitution requires that the American people have sufficient time to converse and comprehend the implications such a change would bring. The Senate should consider carefully today all the factors involved now and in the future for a BBA.
INTRODUCTION TO APOLOGETICS
Do you know what you believe and why you believe it? If you are like most Christians, you are not as certain of the answer as you would like to be. In this lecture, R.C. explains that the science of apologetics is designed to aid Christians in the joyful task and responsibility of defending their faith.
LEARNING OBJECTIVES
1. To understand the history and definition of apologetics.
2. To be encouraged to observe and imitate the Bible’s apologetical methods.
QUOTATIONS AND THOUGHTS
Logos: Greek, meaning “word” or “reason”. In Biblical Greek, especially in the book of John, it often refers to the Second Person of the Trinity. In early Greek philosophy, it was used to denote the supreme ordering force of the universe.
LECTURE OUTLINE
I. What is apologetics? :
a) Apologetics is devoted to promoting an intellectual defense for truth claims, in this case the truth claims of the Christian faith.
b) It has no reference to apologizing for something you did wrong, though it comes from the same Greek root.
II. The Bible and Apologetics:
a) First Peter 3:15 says, “But sanctify the Lord God in your hearts, and always be ready to give a defense to everyone who asks you a reason for the hope that is in you, with meekness and fear; having a good conscience, that when they defame you as evildoers, those who revile your good conduct in Christ may be ashamed.”
b) The positive reason for apologetics is the sanctification of the Christian, but the negative one is to make non-Christians ashamed of attacking the Christian faith.
c) Justin Martyr wrote “The Apology” :-
– It was a response to the charges of sedition, cannibalism, and atheism by the Roman authorities.
– In 2001 John Ashcroft was forced to make a similar “apology” when he remarked, “We in America have no King but Jesus.”
– Christians have always responded intellectually and Biblically to the various cultural and political movements that questioned the reality of the Christian faith.
d. The Logos and Apologetics
+ Early apologists appealed to the logos concept to explain the nature of Jesus to the Greek culture.
+ Logos was used in philosophical discussions among the Stoics and Heraclitians to denote the primary organizing force of the universe.
+ The Apostle John picks up on this and uses this word to explain the nature of Christ to a primarily Greek-thinking culture. But he fills it with Hebrew content and theology.
+ There are significant points of contact between the Christian and non-Christian world, in this case, a semantic one.
+ Sensing this connection, Gordon Clark translates the first verse of John’s Gospel as, “In the beginning was logic, and logic was with God, and logic was God. And the logic became flesh and dwelt among us.”
III. It is the contributions of the early apologists in interacting with surrounding cultural ideas that provide the first clues for the content of apologetics. The rest of this course will explore the implications and applications of this example.
LOS ANGELES (AP) — Whitney Houston, who ruled as pop music’s queen until her majestic voice and regal image were ravaged by drug use, erratic behavior and a tumultuous marriage to singer Bobby Brown, has died. She was 48.
Houston’s publicist, Kristen Foster, said Saturday that the singer had died, but the cause and the location of her death were unknown.
News of Houston’s death came on the eve of music’s biggest night — the Grammy Awards. It’s a showcase where she once reigned, and her death was sure to cast a heavy pall on Sunday’s ceremony. Houston’s longtime mentor Clive Davis was to hold his annual concert and dinner Saturday; it was unclear if it was going to go forward.
At her peak, Houston the golden girl of the music industry. From the middle 1980s to the late 1990s, she was one of the world’s best-selling artists. She wowed audiences with effortless, powerful and peerless vocals that were rooted in the black church but made palatable to the masses with a pop sheen.
Her success carried her beyond music to movies, where she starred in hits like “The Bodyguard” and “Waiting to Exhale.”
She had the perfect voice and the perfect image: a gorgeous singer who had sex appeal but was never overtly sexual, who maintained perfect poise.
She influenced a generation of younger singers, from Christina Aguilera to Mariah Carey, who when she first came out sounded so much like Houston that many thought it was Houston.
But by the end of her career, Houston became a stunning cautionary tale of the toll of drug use. Her album sales plummeted and the hits stopped coming; her once serene image was shattered by a wild demeanor and bizarre public appearances. She confessed to abusing cocaine, marijuana and pills, and her once pristine voice became raspy and hoarse, unable to hit the high notes as she had during her prime.
“The biggest devil is me. I’m either my best friend or my worst enemy,” Houston told ABC’s Diane Sawyer in an infamous 2002 interview with then-husband Brown by her side.
It was a tragic fall for a superstar who was one of the top-selling artists in pop music history, with more than 55 million records sold in the United States alone.
She seemed to be born into greatness. She was the daughter of gospel singer Cissy Houston, the cousin of 1960s pop diva Dionne Warwick and the goddaughter of Aretha Franklin.
Houston first started singing in the church as a child. In her teens, she sang backup for Chaka Khan, Jermaine Jackson and others, in addition to modeling. It was around that time when music mogul Clive Davis first heard Houston perform.
“The time that I first saw her singing in her mother’s act in a club … it was such a stunning impact,” Davis told “Good Morning America.”
“To hear this young girl breathe such fire into this song. I mean, it really sent the proverbial tingles up my spine,” he added.
Before long, the rest of the country would feel it, too. Houston made her album debut in 1985 with “Whitney Houston,” which sold millions and spawned hit after hit. “Saving All My Love for You” brought her her first Grammy, for best female pop vocal. “How Will I Know,” ”You Give Good Love” and “The Greatest Love of All” also became hit singles.
Another multiplatinum album, “Whitney,” came out in 1987 and included hits like “Where Do Broken Hearts Go” and “I Wanna Dance With Somebody.”
The New York Times wrote that Houston “possesses one of her generation’s most powerful gospel-trained voices, but she eschews many of the churchier mannerisms of her forerunners. She uses ornamental gospel phrasing only sparingly, and instead of projecting an earthy, tearful vulnerability, communicates cool self-assurance and strength, building pop ballads to majestic, sustained peaks of intensity.”
Her decision not to follow the more soulful inflections of singers like Franklin drew criticism by some who saw her as playing down her black roots to go pop and reach white audiences. The criticism would become a constant refrain through much of her career. She was even booed during the “Soul Train Awards” in 1989.
“Sometimes it gets down to that, you know?” she told Katie Couric in 1996. “You’re not black enough for them. I don’t know. You’re not R&B enough. You’re very pop. The white audience has taken you away from them.”
Some saw her 1992 marriage to former New Edition member and soul crooner Bobby Brown as an attempt to refute those critics. It seemed to be an odd union; she was seen as pop’s pure princess while he had a bad-boy image, and already had children of his own. (The couple had a daughter, Bobbi Kristina, in 1993.) Over the years, he would be arrested several times, on charges ranging from DUI to failure to pay child support.
But Houston said their true personalities were not as far apart as people may have believed.
“When you love, you love. I mean, do you stop loving somebody because you have different images? You know, Bobby and I basically come from the same place,” she told Rolling Stone in 1993. “You see somebody, and you deal with their image, that’s their image. It’s part of them, it’s not the whole picture. I am not always in a sequined gown. I am nobody’s angel. I can get down and dirty. I can get raunchy.”
It would take several years, however, for the public to see that side of Houston. Her moving 1991 rendition of “The Star Spangled Banner” at the Super Bowl, amid the first Gulf War, set a new standard and once again reaffirmed her as America’s sweetheart.
In 1992, she became a star in the acting world with “The Bodyguard.” Despite mixed reviews, the story of a singer (Houston) guarded by a former Secret Service agent (Kevin Costner) was an international success.
It also gave her perhaps her most memorable hit: a searing, stunning rendition of Dolly Parton’s “I Will Always Love You,” which sat atop the charts for weeks. It was Grammy’s record of the year and best female pop vocal, and the “Bodyguard” soundtrack was named album of the year.
She returned to the big screen in 1995-96 with “Waiting to Exhale” and “The Preacher’s Wife.” Both spawned soundtrack albums, and another hit studio album, “My Love Is Your Love,” in 1998, brought her a Grammy for best female R&B vocal for the cut “It’s Not Right But It’s Okay.”
But during these career and personal highs, Houston was using drugs. In an interview with Oprah Winfrey in 2010, she said by the time “The Preacher’s Wife” was released, “(doing drugs) was an everyday thing. … I would do my work, but after I did my work, for a whole year or two, it was every day. … I wasn’t happy by that point in time. I was losing myself.”
In the interview, Houston blamed her rocky marriage to Brown, which included a charge of domestic abuse against Brown in 1993. They divorced in 2007.
Houston would go to rehab twice before she would declare herself drug-free to Winfrey in 2010. But in the interim, there were missed concert dates, a stop at an airport due to drugs, and public meltdowns.
She was so startlingly thin during a 2001 Michael Jackson tribute concert that rumors spread she had died the next day. Her crude behavior and jittery appearance on Brown’s reality show, “Being Bobby Brown,” was an example of her sad decline. Her Sawyer interview, where she declared “crack is whack,” was often parodied. She dropped out of the spotlight for a few years.
Houston staged what seemed to be a successful comeback with the 2009 album “I Look To You.” The album debuted on the top of the charts, and would eventually go platinum.
Things soon fell apart. A concert to promote the album on “Good Morning America” went awry as Houston’s voice sounded ragged and off-key. She blamed an interview with Winfrey for straining her voice.
A world tour launched overseas, however, only confirmed suspicions that Houston had lost her treasured gift, as she failed to hit notes and left many fans unimpressed; some walked out. Canceled concert dates raised speculation that she may have been abusing drugs, but she denied those claims and said she was in great shape, blaming illness for cancellations.
It was so sad to lose these people so soon. The Curse of 27 This page is in response to my most frequently asked questions – is there really a Curse of 27, how many musicians actually died at that age, and who are they. When legendary Blues man, Robert Johnson, was killed at the age […]
A curve ball in the Amy Winehouse case. Troubled Brit singer Amy Winehouse was found dead at her London home in July. / AP FILE PHOTO Written by JILL LAWLESS, | Associated Press FILED UNDER Entertainment LONDON — The coroner who oversaw the inquest into the death of singer Amy Winehouse has resigned after her […]
Jim Morrison’s picture above. He died way too young and many of our young people turn to drugs and suicide because of loneliness. It is sad that this is such a pressing problem. I think of songs that point this out: Adam’s Song, The Last Resort, etc. There are two usual approaches to this problem that […]
I have posted a lot about Amy before. Posted at 04:38 PM ET, 10/31/2011 Amy Winehouse releases posthumous album: why we keep listening after she stops singing By Jessica Goldstein Despite her death in July, Amy Winehouse will be releasing a new album: “Lioness: Hidden Treasures” this year. This is not a posthumous album of […]
There is a truth that many people know. You can die from drinking too much alcohol at one time. I remember like yesterday when AC/DC lead singer Bon Scott died while on tour in England in 1980. According to Wikipedia: On 19 February 1980, Scott, 33 at the time, passed out after a night of […]
Aaron Douglas played for Vols and Bama before dying because of drugs jh39 Aaron Douglas was a lineman for Alabama and I have already written about another Bama lineman by the name of Barrett Jones who was a teammate of Aaron’s. Here are the two links below: Barrett Jones of Alabama Crimson Tide (Part 1 […]
CHICAGO (AP) — Former Weezer bass player Mikey Welsh, who also found success in his second career as an artist, died in aChicago hotel room, police said Sunday. Chicago police spokeswoman Laura Kubiak said Welsh was supposed to check out of the Raffaello Hotel at 1 p.m. Saturday. When he didn’t, hotel staff went to his room, entered it and […]
Once Again Mr. President, Warren Buffett Doesn’t Pay a Lower Tax Rate than His Secretary – Curtis Dubay
As expected, especially her sitting in the audience, President Obama trotted out again the well-worn trope that Warren Buffett pays a lower tax rate that his secretary. The President did so to defend his new version of the“Buffett Rule” proposal that no millionaire pay less than 30 percent of their income in taxes.
The President can claim success on this one even before he ends his speech tonight because the Buffett Rule is already soundly in place. According to the CBO, the top 1% of income earners pay 30 percent of their income in all federal taxes.
The whole idea of the Buffett Rule is based on a fallacy. One that Warren Buffett himself should know better than to propagate. It originated because Warren Buffett claims he pays a much lower tax rate than his secretary. But he earns his income through capital gains from stock he owns in businesses. He pays a 15 percent rate on those gains when he realizes them. But before he enjoys those gains, the businesses that generate them pay the highest-in-the-world 35 percent corporate income tax rate. In reality, Buffett pays 50 percent on the income he earns- far above the rate his secretary pays.
It is unclear exactly how the Buffett Rule would be implemented if it became law. One way could be to raise the tax rate on capital gains to the middle-income rate of 28 percent, or as high as the top income tax rate – 35 percent now and scheduled to rise to 39.6 percent next year. This would be highly damaging to the economy because it would drastically raise the cost of capital causing businesses to buy less. Less capital means fewer jobs and lower wages for American workers of at all income levels.
A policy that is supposed to help the middle class would end up hurting them. Such is the way when Washington plays soak the rich with the tax code. A better approach would be to reform the tax code so it is simpler, fairer, more transparent, and pro-growth along the lines of the Heritage Foundation’s New Flat Tax.
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I really wish you would look at the benefits of the flax tax.
Thank you so much for your time. I know how valuable it is. I also appreciate the fine family that you have and your committment as a father and a husband.
Sincerely,
Everette Hatcher III, 13900 Cottontail Lane, Alexander, AR 72002, ph 501-920-5733, lowcostsqueegees@yahoo.com