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According to Woody Allen Life is meaningless (Woody Wednesday)

Woody Allen, the film writer, director, and actor, has consistently populated his scripts with characters who exchange dialogue concerning meaning and purpose. In Hannah and Her Sisters a character named Mickey says, “Do you realize what a thread were all hanging by? Can you understand how meaningless everything is? Everything. I gotta get some answers.”{7}

Is there an answer to the question “Is there meaning in life?” Woody Allen does not believe so, but I would like to offer one below.

Good review of “Midnight in Paris” below and the writer also refers to Woody Allen’s view that life is meaningless:

Roger Arpajou /Sony Picture ClassicsOwen Wilson plays Gil, a Hollywood screenwriter on vacation in Paris who wishes he could escape back to the 1920s. David Edelstein says his performance is one of the finest by a lead in a Woody Allen film — and rivals many of Allen’s performances, too.

Owen Wilson plays Gil, a Hollywood screenwriter on vacation in Paris who wishes he could escape back to the 1920s. David Edelstein says his performance is one of the finest by a lead in a Woody Allen film — and rivals many of Allen's performances, too.
Roger Arpajou /Sony Picture ClassicsOwen Wilson plays Gil, a Hollywood screenwriter on vacation in Paris who wishes he could escape back to the 1920s. David Edelstein says his performance is one of the finest by a lead in a Woody Allen film — and rivals many of Allen’s performances, too.

Midnight in Paris

  • Director: Woody Allen
  • Genre: Comedy, Romance
  • Running Time: 88 minutes

Rated PG-13 for some sexual references and smoking

With: Rachel McAdams, Marion Cotillard, Michael Sheen, Owen Wilson, Kathy Bates, Adrien Brody

 
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May 20, 2011

Woody Allen isn’t religious, but he has a rabbinical side, and over the past decade his films have become more and more like Talmudic parables for atheists. On the surface, these movies are streamlined, even breezy, and they often have voice-over narration to get the pesky exposition out of the way fast. Philosophically, Allen has settled on resignation, a cosmic shrug: There’s no God, no justice, people are inconstant, life is meaningless — so where do you wanna eat?

I have a problem, though, buying into the worldview of someone whose world is a closed ecosystem. There’s no evidence that Allen lets any contemporary culture penetrate his hard, defensive shell. Music stopped in the ’40s, if not earlier, ditto literature, ditto film — with a pass for select European directors. He seems locked in a daydream of the past.

The good news is that Allen has made the lure of nostalgia the theme of his supernatural comedy Midnight in Paris, which might be why this is his best, most emotionally pure film in over a decade. It’s a romantic fantasy that’s also a sly act of self-criticism.

The time-traveling hero, Gil, played by Owen Wilson, is a successful Hollywood screenwriter on holiday in Paris with his brisk, upwardly mobile fiancee, Inez, played by Rachel McAdams. Gil considers himself a hack and, to Inez’s horror, wants to write novels instead of movies. How he wishes he could be a writer in Paris — better yet, Paris in the ’20s, alongside Scott and Zelda Fitzgerald, Ernest Hemingway, Gertrude Stein, and all those other giants living high yet creating enduring works of art.

You can almost hear the familiar Woody Allen cadences in the film, yet Owen Wilson isn’t the usual East Coast intellectual Allen hero, and he makes the lines his own. Apart from Mia Farrow in The Purple Rose of Cairo, this is the finest lead performance in an Allen film that wasn’t by Allen — and finer than many of Allen’s, too. You sense the vein of wistfulness under his stoner cool, the longing for definition behind his spaciness. It’s a thrilling moment when he sits forlornly on some steps in the rain at midnight, a vintage automobile rumbles by, the champagne-swilling occupants invite him in, and he’s suddenly back in the ’20s.

EnlargeRoger Arpajou/Sony Picture ClassicsOwen Wilson, playing the time-traveling hero Gil, wants to write novels instead of movies, much to the horror of his fiancee Inez, played by Rachel McAdams.
Owen Wilson, playing the time-traveling hero Gil, wants to write novels instead of movies, much to the horror of his fiancee Inez, played by Rachel McAdams.
Roger Arpajou/Sony Picture ClassicsOwen Wilson, playing the time-traveling hero Gil, wants to write novels instead of movies, much to the horror of his fiancee Inez, played by Rachel McAdams.

How? No explanation. Allen just breezes past all that, the way he did in Purple Rose and, before that, in his great 1970s short story, “The Kugelmass Episode,” happily eliminating the sci-fi wheels and pulleys that tend to suck up so much screen time. Gil is just there — counseling Scott about Zelda, drinking with Hemingway, showing parts of his novel to Gertrude Stein, and falling in love with a woman named Adriana, played by a stunningly beautiful Marion Cotillard. Adriana bonds with Gil over his love of the past — except the past she loves is the 1890s and not her vulgar present. His ’20s ideal woman hates the ’20s — a bitter irony.

Allen doesn’t do anything interesting with Scott and Zelda — my guess is he’s too in awe of them. But his Hemingway, played with forthright manly-manliness by Corey Stoll, is a riot; and as Gertrude Stein, Kathy Bates proves that in an absurd context, playing it straight can make you funnier than a thousand clowns.

Midnight in Paris is a doodle, but it’s easy and graceful, and its ambivalent view of nostalgia has all kinds of resonance. As I watched, I felt a different sort of nostalgia: not for the Parisian ’20s but for the days in which Allen regularly turned out freewheeling, pitch-perfect tall tales in print and onscreen. The movie is so good it takes you back to those days, which were the days, my friend.

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Below is an excellent article on the meaning of life and it includes a reference to Woody Allen:

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What’s the Meaning of Life? Print E-mail

Written by Jerry Solomon

Meaning in Everyday Life

Cathy has been married to her husband Dan for twenty years and is the mother of two teenagers. She is very involved in family, church, and community activities. Many consider her to be the model of one that “has it together,” so to speak. Unknown to her family and her many friends, lately she has been thinking a lot about her lifestyle. As a result, she has even questioned whether there is any ultimate meaning or purpose underlying her busyness. At lunch one day she finds herself in an intimate conversation with a good friend named Sarah. Even though they have never talked about such things, Cathy decides to see how Sarah will respond to her questioning. Lets eavesdrop on their conversation.

Cathy: Sarah, Ive been doing some serious thinking lately.

Sarah: Is something wrong?

Cathy: I dont know that I would say something is wrong. I just dont know what to make of these thoughts Ive been having.

Sarah: What thoughts?

Cathy: This may sound like Im going off the deep end or something, but I promise you Im not. Ive just started asking some really heavy questions. And I havent told another soul about it.

Sarah: Well, tell me! You know you can trust me.

Cathy: Okay. But you promise not to laugh or blow it off?

Sarah: Stop being so defensive. Just say it!

Cathy: Sarah, why are you here? I mean, what is your purpose in life?

Sarah: (She pauses before responding flippantly.) Youre right, you have gone off the deep end.

Cathy: Sarah, I need you to be serious with me here!

Sarah: Okay! Im sorry! Im just drawing a blank. Actually, I try not to think about that question.

Cathy: Yeah, well, denying it doesnt work anymore. It just keeps rolling around in my head.

Sarah: Cant you talk to Dan about it?

Cathy: Ive thought about it, but I dont want him to think theres something wrong between us.

Sarah: Well, what about talking to your pastor? I bet hed have some answers.

Cathy: Yeah, Ive thought about that too. Maybe I will.

Is Cathy really “weird,” or is she an example of people that rub shoulders with us each day? And what about Sarah? Was her nervous response typical of how most of us would respond if we were asked questions about meaning and purpose?

James Dobson relates an intriguing story about a remarkable seventeen year old girl who achieved a perfect score on both sections of the “…Scholastic Achievement Test, and a perfect on the tough University of California acceptance index. Never in history has anyone accomplished this intellectual feat, which is almost staggering to contemplate.”{1} Interestingly, though, when a reporter “…asked her, What is the meaning of life? she replied, I have no idea. I would like to know myself.”{2}

This intellectually brilliant young lady has something in common with Cathy and Sarah, doesnt she? She is able to understand complicated subject matter, but she has no idea if life has any meaning.

Our goal in this essay is to see if there is an answer for them, as well as all of us.

The Questions Around Us

As I was driving to my office one day I heard a dramatic radio advertisement for a book. It began something like this: “Would you like to find meaning in life?” As I listened to the remainder of the ad I realized that the books author was focusing on New Age concepts of purpose and meaning. But the striking thing about what was said was that the advertisers obviously believed that they could get the attention of the radio audience by asking about meaning in life. Some may think it is advertising suicide to open an ad with such a question. Or perhaps the author and her publicists are on to something that “strikes a chord” with many people in our culture.

Questions of meaning and purpose are a part of the mental landscape as we enter a new millenium. Some contend this has not always been the case, but that such questions are an unprecedented legacy of the upheavals of the nineteenth and twentieth centuries.{3} Others assert that such questions are a result of mans rejection of God.{4}

Even though most of us dont make such issues a part of our normal conversations, the questions tend to lurk around us. They can be heard in songs, movies, books, magazines, and many other media that permeate our lives. For example, Jackson Browne, an exceptionally reflective songwriter of the 60s and 70s, wrote these haunting lyrics in a song entitled For a Dancer:

Into a dancer you have grown
From a seed somebody else has thrown
Go ahead and throw
Some seeds of your own
And somewhere between the time you arrive
And the time you go
May lie a reason you were alive….{5}

Russell Banks, the author of Affliction and The Sweet Hereafter, both of which became Oscar-nominated films, has this to say about his work: “Im not a morbid man. In my writing, Im just trying to describe the world as straightforwardly as I can. I think most lives are desperate and painful, despite surface appearances. If you consider anyones life for long, you find its without meaning.”{6}

Woody Allen, the film writer, director, and actor, has consistently populated his scripts with characters who exchange dialogue concerning meaning and purpose. In Hannah and Her Sisters a character named Mickey says, “Do you realize what a thread were all hanging by? Can you understand how meaningless everything is? Everything. I gotta get some answers.”{7}

Even television ads have focused on meaning, although in a flippant manner. A few years ago you could watch Michael Jordan running across hills and valleys in order to find a guru. When Jordan finds him he asks, “What is the meaning of life?” The guru answers with a maxim that leads to the product that is the real focus of Jordans quest.

Even though such illustrations can be ridiculous, maybe they serve to lead us beyond the surface of our subject. We often get nervous when we are encouraged to delve into subject matter that might stretch us. When we get involved in conversations that go beyond the more mundane things of everyday life we may tend to get tense and defensive. Actually, this can be a good thing. The Christian shouldnt fear such conversations. Indeed, Im confident that if we go beyond the surface, we can find peace and hope.

Beyond the Surface

Listen to the sober words of a famous writer of the twentieth century:

There is but one truly serious philosophical problem, and that is suicide. Judging whether life is worth living amounts to answering the fundamental question of philosophy…. I see many people die because they judge that life is not worth living. I see others paradoxically getting killed for the ideas or illusions that give them a reason for living (what is called a reason for living is an excellent reason for dying). I therefore conclude that the meaning of life is the most urgent of questions.{8}

These phrases indicate that Albert Camus, author of The Plague, The Stranger, and The Myth of Sisyphus, was not afraid to go beyond the surface. Camus was bold in exposing the thoughts many were having during his lifetime. In fact, his world view made it obligatory. He was struggling with questions of meaning in light of what some called the “death of God.” That is, if there is no God, can we find meaning? Many have concluded that the answer is a resounding “No!” If true, this means that one who believes there is no God is not living consistently with that belief.

William Lane Craig, one of the great Christian thinkers of our time, states that:

Man cannot live consistently and happily as though life were ultimately without meaning, value or purpose. If we try to live consistently within the atheistic worldview, we shall find ourselves profoundly unhappy. If instead we manage to live happily, it is only by giving the lie to our worldview.{9}

Francis Schaeffer agrees with Craigs analysis, but makes even bolder assertions. He also maintains that the Christian can close the hopeless gap that is created in a persons godless worldview. Listen to what he wrote:

It is impossible for any non-Christian individual or group to be consistent to their system in logic or in practice. Thus, when you face twentieth-century man, whether he is brilliant or an ordinary man of the street, a man of the university or the docks, you are facing a man in tension; and it is this tension which works on your behalf as you speak to him.{10}

What happens when we go “beyond the surface” in order to find meaning? Can a Christian worldview stand up to the challenge? I believe it can, but we must stop and think of whether we are willing to accept the challenge. David Henderson, a pastor and writer, gives us reason to pause and consider our response. He writes:

Our lives, like our Daytimers, are busy, busy, busy, full of things to do and places to go and people to see. Many of us, convinced that the opposite of an empty life is a full schedule, remain content to press on and ignore the deeper questions. Perhaps it is out of fear that we stuff our lives to the wallsfear that, were we to stop and ask the big questions, we would discover there are no satisfying answers after all.{11}

Lets jettison any fear and continue our investigation. There are satisfying answers. It is not necessary to “stuff our lives to the walls” in order to escape questions of meaning and purpose. God has spoken to us. Let us begin to pursue His answers.

Eternity in Our Hearts

The book of Ecclesiastes contains numerous phrases that have entered our discourse. One of those phrases states that God “has made everything appropriate in its time. He has also set eternity in their heart. . .” (3:11). What a fascinating statement! Actually, the first part of the verse can be just as accurately translated “beautiful in its time.” Thus “a harmony of purpose and a beneficial supremacy of control pervade all issues of life to such an extent that they rightly challenge our admiration.”{12} The second part of the verse indicates that “man has a deep-seated sense of eternity, of purposes and destinies.”{13}But man cant fathom the vastness of eternal things, even when he believes in the God of eternity. As a result, all people live with what some call a “God-shaped hole.” Stephen Evans believes this hole can be understood through “the desire for eternal life, the desire for eternal meaning, and the desire for eternal love:”{14}

The desire for eternal life is the most evident manifestation of the need for God. Deep in our hearts we feel death should not be, was not meant to be. The second dimension of our craving for eternity is the desire for eternal meaning. We want lives that are eternally meaningful. We crave eternity, and earthly loves resemble eternity enough to kindle our deepest love. Yet earthly loves are not eternal. Our sense that love is the clue to what its all about is right on target, but earthly love itself merely points us in the right direction. What we want is an eternal love, a love that loves us unconditionally, accepts us as we are, while helping us to become all we can become. In short, we want God, the God of Christian faith.{15}

We must trust God for what we cannot see and understand. Or, to put it another way, we continue to live knowing there is meaning, but we struggle to know exactly what it is at all times. We are striving for what the Bible refers to as our future glorification (Rom. 8:30). “There is something self-defeating about human desire, in that what is desired, when achieved, seems to leave the desire unsatisfied.”{16} For example, we attempt to find meaning while searching for what is beautiful. C.S. Lewis referred to this in a sermon entitled The Weight of Glory:

The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things–the beauty, the memory of our own past–are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have not visited.{17}

Lewis remarkable prose reminds us that meaning must be given to us. “Meaning is never intrinsic; it is always derivative. If my life itself is to have meaning (or a meaning), it thus must derive its meaning from some sort of purposive, intentional activity. It must be endowed with meaning.”{18} Thus we return to God, the giver of meaning.

Meaning: Gods Gift

Think of all the wonderful gifts that God has given you. No doubt you can come up with a lengthy record of Gods goodness. Does your list include meaning or purpose in life? Most people wouldnt think of meaning as part of Gods goodness to us. But perhaps we should. This is because “only a being like God–a creator of all who could eventually, in the words of the New Testament, work all things together for good–only this sort of being could guarantee a completeness and permanency of meaning for human lives.”{19}So how did God accomplish this? The answer rests in His amazing love for us through His Son, Jesus Christ.

Consider the profound words of Carl F.H. Henry: “the eternal and self-revealed Logos, incarnate in Jesus Christ, is the foundation of all meaning.”{20} Bruce Lockerbie puts it like this: “The divine nature manifesting itself in the physical form of Jesus of Nazareth is, in fact, the integrating principle to which all life adheres, the focal point from which all being takes its meaning, the source of all coherence in the universe. Around him and him alone all else may be said to radiate. He is the Cosmic Center.”{21}

Picture a bicycle. When you ride one you are putting your weight on a multitude of spokes that radiate from a hub. All the spokes meet at the center and rotate around it. The bicycle moves based upon the center. Thus it is with Christ. He is the center around whom we move and find meaning. Our focus is on Him.

When the apostle Paul reflected on meaning and purpose in his life in Phillipians 3, he came to this conclusion (emphases added):

7…whatever things were gain to me, those things I have counted as loss for the sake of Christ. 8 More than that, I count all things to be loss in view of the surpassing value of knowing Christ Jesus my Lord, for whom I have suffered the loss of all things, and count them but rubbish in order that I may gain Christ, 9 and may be found in Him, not having a righteousness of my own derived from the Law, but that which is through faith in Christ, the righteousness which comes from God on the basis of faith, 10 that I may know Him, and the power of His resurrection and the fellowship of His sufferings, being conformed to His death; 11 in order that I may attain to the resurrection from the dead.

Did you notice how Christ was central to what Paul had to say about both his past and present? And did you notice that he used phrases such as “knowing Christ,” or “that I may gain Christ?” Such statements appear to be crucial to Pauls sense of meaning and purpose. Paul wants “to know” Christ intimately, which means he wants to know by experience. “Paul wants to come to know the Lord Jesus in that fulness of experimental knowledge which is only wrought by being like Him.”{22}

Personally, Pauls thoughts are important words of encouragement in my life. God through Christ gives meaning and purpose to me. And until I am glorified, I will strive to know Him and be like Him. Praise God for Jesus Christ, His gift of meaning!

Notes

1. James Dobson, Focus on the Family Newsletter (May 1996).
2. Ibid.
3. Gerhard Sauter, The Question of Meaning, trans. and ed. Geoffrey W. Bromiley (Grand Rapids, MI: Eerdmans, 1982).
4. Charles R. Swindoll, Living on the Ragged Edge (Waco, TX: Word, 1985).
5. Jackson Browne, “For a Dancer,” in James F. Harris, Philosophy at 33 1/3 rpm: Themes of Classic Rock Music (Chicago: Open Court, 1993), 68.
6. Russell Banks, in Jerome Weeks, “Continental Divide,” The Dallas Morning News (2 March 1999), 2C.
7. Woody Allen, Hannah and Her Sisters, in Thomas V. Morris, Making Sense of It All: Pascal and the Meaning of Life (Grand Rapids, MI: Eerdmans, 1992), 54.
8. Albert Camus, The Myth of Sisyphus, trans. Justin OBrien (New York: Vintage, 1960), 3-4.
9. William Lane Craig, Reasonable Faith: Christian Truth and Apologetics (Wheaton, IL: Crossway Books, 1994), 71.
10. Francis A. Schaeffer, The God Who Is There (Downers Grove, IL: InterVarsity, 1968), 122.
11. David W. Henderson, Culture Shift: Communicating Gods Truth to Our Changing World (Grand Rapids, MI: Baker, 1998), 186.
12. H.C. Leupold, Exposition of Ecclesiastes (Grand Rapids, MI: Baker, 1952), 90.
13. Ibid., 91.
14. C. Stephen Evans, Why Believe? Reason and Mystery as Pointers to God, revised ed. (Grand Rapids, MI: Eerdmans, 1996), 58-60.
15. Ibid.
16. Alistair McGrath, A Cloud of Witnesses (Grand Rapids, MI: Zondervan, 1990), 127.
17. C.S. Lewis, in “The Weight of Glory,” quoted in Alistair McGrath, A Cloud of Witnesses, 127.
18. Morris, 57.
19. Ibid., 62.
20. Carl F.H. Henry, God Revelation and Authority, Vol. III (Waco, TX: Word, 1979), 195.
21. D. Bruce Lockerbie, The Cosmic Center: The Supremacy of Christ in a Secular Wasteland (Portland, OR: Multnomah, 1986),127-128.
22. Kenneth S. Wuest, Wuests Word Studies From the Greek New Testament, Volume Two (Grand Rapids, MI: Eerdmans, 1973), 93.

©1999 Probe Ministries.


About the AuthorJerry Solomon, former Director of Field Ministries and Mind Games Coordinator for Probe Ministries, served as Associate Pastor at Dallas Bible Church after leaving Probe. He received the B.A. (summa cum laude) in Bible and the M.A. (cum laude) in history and theology from Criswell College. He also attended the University of North Texas, Canal Zone College, and Lebanon Valley College. Just before Christmas 2000, Jerry went home to be with the Lord he loved and served.

What is Probe?

Probe Ministries is a non-profit ministry whose mission is to assist the church in renewing the minds of believers with a Christian worldview and to equip the church to engage the world for Christ. Probe fulfills this mission through our Mind Games conferences for youth and adults, our 3-minute daily radio program, and our extensive Web site at www.probe.org.

Further information about Probe’s materials and ministry may be obtained by contacting us at:

Probe Ministries
2001 W. Plano Parkway, Suite 2000
Plano TX 75075
(972) 941-4565
info@probe.org
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“Woody Wednesday” Allen on the meaning of life (part 2)jh65

September 3, 2011 · 5:16 PM

Woody Allen on the Emptiness of Life

In the final scene of Manhattan, Woody Allen’s character, Isaac, is lying on the sofa with a microphone and a tape-recorder, dictating to himself an idea for a short story. It will be about “people in Manhattan,” he says, “who are constantly creating these real unnecessary, neurotic problems for themselves” because they cannot bear to confront the “more unsolvable, terrible problems about the universe.” In an attempt to keep it optimistic, he begins by asking himself the question, “Why is life worth living?” He gives it some thought. “That’s a very good question,” he says, “There are certain things, I guess, that make it worthwhile.” And then the list begins: Groucho Marx, Willie Mays, the second movement of Mozart’s ‘Jupiter Symphony,’ Louis Armstrong’s recording of Potato Head Blues, “Swedish movies, naturally,” Flaubert’s Sentimental Education, Marlon Brando, Frank Sinatra, “those incredible apples and pears by Cézanne, the crabs at Sam Wo’s . . . Tracy’s face.”

This list acts as an important hinge in the film’s narrative, the point at which Isaac suddenly becomes aware of his feelings for Tracy and resolves to go after her. But within this list there is also something greater being communicated, something which, I believe, can be described as the central subject of nearly every Woody Allen film, or, perhaps, what compels him to make films in the first place. Isaac is conveying here a belief in the sheer power of art, its ability to provide a sense of worth to an otherwise empty existence. Art, Woody Allen seems to be saying, is the only valuable response – or the only conceivable response – to the dreadful human predicament as he sees it.

~ ~ ~

“My relationship with death remains the same: I’m strongly against it.”

~ ~ ~

Recently, at the Cannes Film Festival, Woody Allen was asked about what motivates him. He simply laughed and said, “Fear is what drives me.” Work, for Allen, is a wonderful distraction from the “terrible truth” – the ostensible meaninglessness of life, the apparent futility of all human endeavour, the inevitability of sickness, the unescapable prognosis of death. Film-making, like the “unnecessay, neurotic problems” dreamt up by the characters in Isaac’s short story, diverts Allen’s attention away from this reality, from the fear that presents itself when he stops to think about the fact that eventually everybody dies, “the sun burns out, and the earth is gone, and . . . all the stars, all the planets, the entire universe, goes, disappears.” So this fear is the reason for his prolificity, the impulse behind all of his artistic achievements. Manhattan, Annie Hall, Hannah and Her Sisters, Sleeper all came about, first of all, as distractions, projects that prevented him from having to “sit in a chair and think about what a terrible situation all human beings are in.”

I believe that there is a lot of truth in Woody Allen’s perspective. We distract ourselves constantly, we refuse to think about the meaning of our existence, we skirt around the inevitable. Certainly – and he acknowledges this – Allen is not the first person to have hit upon this truth. It has been recognised by such thinkers as Kierkegaard, Nietzsche, Freud, Sartre, the Buddha and the writer of Ecclesiastes. And Allen knows, too, that one cannot live in perpetual awareness of this fact. Such a life would be crippling torment. Indeed, it is this very torment that Tolstoy found himself in after having realised that there was “nothing ahead other than deception of life and of happiness, and the reality of suffering and death: of complete annihilation.” After realising, in other words, the sheer absurdness of human existence, the meaninglessness of life without God. In his Confession he writes:

My life came to a standstill. I could breathe, eat, drink and sleep and I could not help breathing, eating, drinking and sleeping; but there was no life in me because I had no desires whose gratification I would have deemed it reasonable to fulfil. If I wanted something I knew in advance that whether or not I satisfied my desire nothing would come of it.

One cannot live like this, says Woody Allen. One must provide oneself with necessary delusions in order to carry oneself through life. He remarks that it is in fact only those people whom he calls “self-deluded” that seem to find any kind of real satisfaction in living, any peace or enjoyment. These people can say, “Well, my priest, or my rabbi tells me everthing’s going to be all right,” and they find their answers in what he calls “magical solutions.” This recourse to the “magical” he dismisses as nonsense.

It is worth comparing Woody Allen’s pessimistic agnosticism with the utopian atheism of someone like Richard Dawkins. Evidently, the former worldview is entirely consistent with non-belief in God, whereas the latter is not. In fact, it is unfounded, false. Dawkins removes God from the picture entirely, yet clings persistently to a belief in life’s meaning, grounding this meaning, it appears, in natural selection. There is a contradiction in Dawkins’ thought: on the one hand, he claims that science “can tell us why we are here, tell us the purpose of human existence,” yet, on the other, he insists on characterising natural selection itself as a blind mechanism, containing “no design, no purpose, no evil, no good, nothing but pointless indifference.”

Whilst I do not share Woody Allen’s agnostic belief, I can respect his consistency, his willingness to acknowledge an existence without God for what it really is: “a grim, painful, nightmarish, meaningless experience.” His worldview follows naturally from what Heidegger termed the state of human “abandonment,” the absence of God in all human affairs. Dawkins’ worldview, on the other hand, does not . . . It is an embarrassing mishmash of strict empricist and naturalistic belief with what really amounts to a kind of foggy mysticism, a belief system according to which human beings can create for themselves an objective purpose. What he fails to realise is that this purpose is nothing more than a delusion, a mere appearance of purpose. It might get us up in the morning, but, once again, it is no more real than the manufactured neurotic problems of Isaac’s characters.

~ ~ ~

“It is impossible to experience one’s death objectively and still carry a tune.”

~ ~ ~

Let us return to Woody Allen’s seemingly affirmative opinion of art, as exemplified in the final scene of Manhattan. Given his lifelong insistence on the belief that human existence is “a big, meaningless thing,” how are we to make sense of Isaac’s list? Is it really possible to reconcile Woody Allen’s adament nihilism with his invocation of the power of art, its ability to stand firm in the face of such a terrible truth? The point to be made, I believe, is a very subtle one. In that same interview at Cannes, Woody Allen talks about the role of the artist as he sees it. The artist, essentially, must respond to the question that Isaac poses, “Why is life worth living?” Faced with the emptiness of life, she must try to “figure out – knowing that it’s true . . . knowing the worst – why it’s still worthwhile.” Allen is not, I believe, claiming that art can provide objective meaning to life. Such an assertion would conflict with his unswerving pessimism. Instead, he is saying that the essence of art, what animates it, what inspires it to flourish, is a courageous struggle against this “terrible truth.” The artist, he says, must confront the futility of life, look at it in the face, embrace it in all of its hopelessness and despair, and provide humanity with an honest reply. The question, then, is not, ‘Can Woody Allen justify his belief in an objective meaning as embodied in art?’ I do not think that he believes in an objective meaning, a necessary purpose for human existence. Rather, the question becomes, ‘Is it possible for the artist to look squarely at the human predicament and supply humanity with a worthwhile answer?’

This, I want to say, is still not possible. As we have seen with the example of Tolstoy, one cannot live one’s life in a full awareness of its futility, of the imminence of death, of the falsity of one’s happiness, and yet carry on as normal. One would end up utterly debilitated. And if this is indeed how artists have been living for centuries, confronting the inevitable, facing the dismal truth, then art itself becomes an inexplicable phenomenon.

~ ~ ~

“On the plus side, death is one of the few things that can be done just as easily lying down.”

~ ~ ~

The answer is not to appeal to art as something that can provide human existence with objective meaning. Such a ‘faith in art’ would merely beg the question, ‘But why is art so special?’ How can art, if viewed as just another custom, an event within the world, give purpose and value to human life? It remains to be explained how that which is within the world can provide meaning for that which is within the world. Meaning, I believe, can only come from without, from that which transcends the world, and yet instills human existence with significance and worth. It is the purpose of art to direct us to this very transcendence, the ground of being itself. The same higher power, in fact, that Woody Allen – perhaps rightly! – dismisses as “nonsense” in its rigid, institutional form.

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“Woody Wednesday” Will Allen and Martin follow same path as Kansas to Christ?

Several members of the 70′s band Kansas became committed Christians after they realized that the world had nothing but meaningless to offer. It seems through the writings of both Woody Allen and Chris Martin of Coldplay that they both are wrestling with the issue of death and what meaning does life bring. Kansas went through […]

Francis Schaeffer and C. Everett Koop were prophetic (jh29)

Francis Schaeffer and C. Everett Koop were prophetic (jh29) What Ever Happened to the Human Race? I recently heard this Breakpoint Commentary by Chuck Colson and it just reminded me of how prophetic Francis Schaeffer and C. Everett Koop were in the late 1970′s with their book and film series “Whatever happened to the human […]

“Woody Wednesday” Allen is searching for satisfaction in wrong place jh17

Coldplay – 42 Live Coldplay perform on the french television channel W9. In 1992 Woody Allen took up with one of his adopted kids and lived in with her. He was given over to the pursuit of pleasure. Actually he has made that a major focus of his life. In the latter part of his […]

“Woody Wednesday” Allen realizes if God doesn’t exist then all is meaningless (jh 15)

The Bible and Archaeology (1/5) The Bible maintains several characteristics that prove it is from God. One of those is the fact that the Bible is accurate in every one of its details. The field of archaeology brings to light this amazing accuracy. _________________________- I want to make two points today. 1. There is no […]

“Woody Wednesday” How Allen’s film “Crimes and Misdemeanors makes the point that hell is necessary (jh 14)

Crimes and Misdemeanors: A Discussion: Part 1 Adrian Rogers – Crossing God’s Deadline Part 2 Jason Tolbert provided this recent video from Mike Huckabee: John Brummett in his article “Huckabee speaks for bad guy below,” Arkansas News Bureau, May 5, 2011 had to say: Are we supposed to understand and accept that Mike Huckabee is […]

Agnostic Allen notes, “The people who successfully delude themselves seem happier than the people who can’t” (Woody Wednesday Part 5)

Woody Allen interviews Billy Graham on Religion This article below makes we think of the lady tied to the Railroad in the Schaeffer video. Dr. Francis schaeffer – The flow of Materialism (Modern man sees no hope for the future and has deluded himself by appealing to nonreason to stay sane. Look at the example […]

A review of Woody Allen’s latest movie “Midnight in Paris” (Woody Wednesday Part 4)

Midnight in Paris Not Dove Family Approved Theatrical Release: 6/10/2011 Reviewer: Edwin L. Carpenter Source: Theater Writer: Woody Allen Producer: Letty Aronson Director: Woody Allen Genre: Comedy Runtime: 100 min. MPAA Rating: PG-13 Starring: Owen Wilson, Rachel McAdams, Kurt Fuller, Kathy Bates Synopsis: Midnight in Paris is a romantic comedy that follows a family travelling […]

Woody Allen films and the issue of guilt (Woody Wednesday Part 3)

Woody Allen and the Abandonment of Guilt Dr. Marc T. Newman : AgapePress Print In considering filmmaking as a pure visual art form, Woody Allen would have to be considered a master of the medium. From his humble beginnings as a comedy writer and filmmaker, he has emerged as a major influential force in Hollywood. […]

According to Woody Allen Life is meaningless (Woody Wednesday Part 2)

Woody Allen, the film writer, director, and actor, has consistently populated his scripts with characters who exchange dialogue concerning meaning and purpose. In Hannah and Her Sisters a character named Mickey says, “Do you realize what a thread were all hanging by? Can you understand how meaningless everything is? Everything. I gotta get some answers.”{7} […]

“Woody Wednesday” Part 1 starts today, Complete listing of all posts on the historical people mentioned in “Midnight in Paris”

I have gone to see Woody Allen’s latest movie “Midnight in Paris” three times and taken lots of notes during the films. I have attempted since June 12th when I first started posting to give a historical rundown on every person mentioned in the film. Below are the results of my study. I welcome any […]