Category Archives: Woody Allen

WOODY WEDNESDAY Woody Allen: The Honest Atheist by MIKE DURAN

This post by Mike Duran on his blog was very insightful and it reminded me of Woody Allen’s best movie of all time which is  CRIMES AND MISDEMEANORS!!!!

Crimes and Misdemeanors 1989 Woody Allen

Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God

Existentialism and the Meaningful Life [The Common Room]

Published on Jul 7, 2015

Torrey Common Room Discussion with Janelle Aijian, Matt Jenson, and Diane Vincent

There’s probably no more dishonest atheists than there are dishonest Christians. Or dishonest dentists. Or dishonest cattle ranchers. Atheists don’thave a corner on the market of dishonesty.

However, pretending there is a good reason to live while denying the existence of anything eternal is just… unrealistic. Or blatantly dishonest.

Which is probably why I’ve always liked Woody Allen.

The Wall Street Journal’s recent interview with the director, Older, Mellower, But Still Woody, is a great example of Allen’s unflinching appraisal of his own atheistic assumptions. Here’s the portion of the interview where we get down and dirty:

WSJ: Some say your view is that life is pointless, and others say you’re a romantic realist who believes in being true to yourself. Which is it?

Allen: I think that’s the best you can do, but the true situation is a hopeless one because nothing does last. If we reduce it absurdly for a moment, you know the sun will burn out. You know the universe is falling apart at a fantastically accelerating rate and that at some point there won’t be anything at all. So whether you are Shakespeare or Beethoven or Michelangelo, your stuff’s not going to last. So, given that, even if you were immortal, that time is going to come. Of course, you have to deal with a much more critical problem, which is that you’re not going to last microscopically close to that. So, nothing does last. You do your things. One day some guy wakes up and gets the Times and says, “Hey, Woody Allen died. He keeled over in the shower singing. So, where do you want to have lunch today?”

WSJ: So, what do you do to distract yourself from these depressing thoughts? Knicks games? Or is that depressing, too?

Allen: The Knicks are one kind of distraction. For the two hours you’re at the Garden you’re only focused on that… I am a big sports fan, baseball and basketball, everything. People will say to me, “Does it really matter if the Knicks beat the Celtics?” And I think to myself, “Well, it’s just as important as human existence.”

WSJ: Really?

Allen: Really. It may not seem so, but if you step back and look they are equivalent. (emphasis mine)

In the atheist’s worldview, the Knicks beating the Celtics is equivalent to… “human existence.” Translation: Nothing is better or worse, more significant or less significant, than anything else. Mein Kampf and the Bible share the same fate.  The Holocaust, the Black Plague, and the Knicks 1969-70 World Championship (in which they beat the L.A. Lakers) are “equivalent.” Because “nothing does last” Allen rightly concludes “the true situation is a hopeless one.”

Thank you very much.

Which is probably why most attempts by atheists to frame their existence as something other than “a hopeless one” usually come up sounding… dishonest. At least silly. Likethis one from About.com’s Agnosticism / Atheism site. Site moderator Austin Cline, in answering the “myth” that “Atheism leads to hopelessness and despair,” writes:

What do I have to look forward to? Life — an enjoyable life doing the things I love and being with the people I love. Why do I live? Because of the people I love and the things I love — basically, because I enjoy life. Does it matter that, eventually, I am going to die and the life I enjoy will end? I admit that that will be unfortunate, but it doesn’t mean that doing what I enjoy now is therefore worthless. After all, every individual action I am doing will end — every good meal end, every trip to an amusement park ends, every good book ends.

Mr. Cline, let me introduce you to Woody Allen, the honest atheist: “…the true situation is a hopeless one because nothing does last.”

“[U]nfortunate” is an understatement.

Of course, atheists can lead “an enjoyable life.” Atheists can be good, kind, and exceedingly happy. The problem is… they have no reason to be. Like the band playing on the sinking Titanic, what does it matter if they’re in key and enjoying it? The icy waters of Oblivion await.

Which could be why there’s so few “honest atheists.”

The honest atheist is one who admits the hopelessness demanded by their worldview. There is no way around it. To allege to live “an enjoyable life” under the shadow of some smoldering cosmic Vesuvius is rather laughable. To pretend that your life — much less your films or art or music — is something more than just a diversion, is simply… dishonest.

Which is why I applaud Woody Allen.

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WOODY WEDNESDAY Woody Allen: The Stand-Up Years 1964-1968 (Part 10)

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WOODY WEDNESDAY Woody Allen: The Stand-Up Years 1964-1968 (Part 9)

  Woody Allen Stand Up Comic 1964 1968 24 Down South Woody Allen’s Stand-Up Memories New album is most complete anthology yet of the comedian’s nightclub performances ENLARGE Woody Allen in the 1965 Variety show ‘The Woody Allen Show,’ above. The new album, right. REX FEATURES/ASSOCIATED PRESS By DON STEINBERG Jan. 8, 2015 3:10 p.m. […]

WOODY WEDNESDAY Woody Allen Says Life is Meaningless Jul 26, 2014 by Gary DeMar

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Existentialism and the Meaningful Life [The Common Room]

Published on Jul 7, 2015

Torrey Common Room Discussion with Janelle Aijian, Matt Jenson, and Diane Vincent

Woody Allen Says Life is Meaningless

An atheist post on Facebook got me thinking about the meaning of life. The post was about how beef production is ten times more damaging to the environment than automobiles. Putting aside the factual basis of the study and who funded it, I raised a couple of questions:

“I thought you were an atheist. Woody Allen says life is meaningless. The Sun will one day burn out it will all end. So why should anybody care? Torture? They’re just sacks of meat with electricity keeping them animated. Same with us. The sooner it’s all over the better. Enjoy the beef before it all ends. I like mine medium rare.”

Here’s what Woody Allen said in a recent interview:

  • “I firmly believe — and I don’t say this as a criticism — that life is meaningless.”
  • “There have been many great minds far, far superior to mine that have come to that conclusion. Both early in life and after years of living and, unless somebody can come up with some proof or some example where it’s not [meaningless,] I think it is. I think it is a lot of sound and fury signifying nothing. That’s just the way I feel about it.”
  • “I’m not saying one should opt to kill oneself, but the truth of the matter is when you think of it, every 100 years … there is a big flush and everybody in the world is gone, then there is a new group of people, then that gets flushed, then there is a new group of people and this goes on interminably for no particular end — I don’t want to upset you — there’s no end and no rhyme or reason.”
  • “And the universe — as you know from the best physicists — is coming apart and eventually there will be nothing. Absolutely nothing. All the great works of Shakespeare and Beethoven and Da Vinci. All that will be gone. Now, not for a long time, but gone. But much shorter than you think, really, because the sun is going to burn out much earlier than the universe vanishes. So, you won’t have to wait for the universe to vanish, it’ll happen earlier than that and there will be nothing.
  • “So, all of this achievement — all of these Shakespearean plays and these symphonies and the height of human achievement — will be gone completely. There will be nothing. Absolutely nothing. No time. No space. Nothing at all. Just zero. So, what does it really mean?”

So for the atheist who is concerned about cruelty to cows and the supposed effect on the environment because of the beef industry, why such a big deal? In the end, cows and humans meet the same end: “All we are is dust in the wind.”

The eternal fate of an Adolf Hitler is no different from the fate of people who want to save cows from a culinary destiny.

The claim can be made that there is meaning in life without God, but as I always ask, How do a conglomeration of atoms animated by electricity in a bath of chemicals account for it?

At least Woody Allen is philosophically consistent if not practically inconsistent. Atheists can’t be consistent with pure atheism. But given the operating assumptions of atheism there is no ultimate moral or meaningful reason not to kill oneself. Suicide would be as meaningful or meaningless as life.

A new study is claiming that “‘atheism is psychologically impossible because of the way humans think,’ says Graham Lawton, an avowed atheist himself, writing in the New Scientist. ‘They point to studies showing, for example, that even people who claim to be committed atheists tacitly hold religious beliefs, such as the existence of an immortal soul.’”

In a word, atheists don’t really exist. They’ve got to hate that, especially when science supports what the Bible has been saying for thousands of years!

For the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men who suppress the truth in unrighteousness, because that which is known about God is evident within them; for God made it evident to them. For since the creation of the world His invisible attributes, His eternal power and divine nature, have been clearly seen, being understood through what has been made, so that they are without excuse. For even though they knew God, they did not honor Him as God or give thanks, but they became futile in their speculations, and their foolish heart was darkened. Professing to be wise, they became fools, and exchanged the glory of the incorruptible God for an image in the form of corruptible man and of birds and four-footed animals and crawling creatures (Rom. 1:18-23).

The majority of atheists, however, live as if God does exist, and for that we are thankful.

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__________

In my opinion Woody Allen’s best movie is CRIMES AND MISDEMEANORS!!!!

Crimes and Misdemeanors 1989 Woody Allen

Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God

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WOODY WEDNESDAY Woody Allen’s Bleak Vision by REV. ROBERT BARRON August 12, 2014

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Woody Allen’s Bleak Vision

by REV. ROBERT BARRON August 12, 2014 12:46 PM

I was chagrined, but not entirely surprised, when I read Woody Allen’s recent ruminations on ultimate things. To state it bluntly, Woody could not be any bleaker in regard to the issue of meaning in the universe. We live, he said, in a godless and purposeless world. The earth came into existence through mere chance and one day it, along with every work of art and cultural accomplishment, will be incinerated. The universe as a whole will expand and cool until there is nothing left but the void. Every hundred years or so, he continued, a coterie of human beings will be “flushed away” and another will replace it until it is similarly eliminated. So why does he bother making films — roughly one every year? Well, he explained, in order to distract us from the awful truth about the meaninglessness of everything, we need diversions, and this is the service that artists provide. In some ways, low-level entertainers are probably more socially useful than high-brow artistes, since the former manage to distract more people than the latter. After delivering himself of this sunny appraisal, he quipped, “I hope everyone has a nice afternoon!”  Woody Allen’s perspective represents a limit case of what philosopher Charles Taylor calls “the buffered self,” which is to say, an identity totally cut off from any connection to the transcendent. On this reading, this world is all we’ve got, and any window to another, more permanent mode of existence remains tightly shut. Prior to the modern period, Taylor observes, the contrary idea of the “porous self” was in the ascendency. This means a self that is, in various ways and under various circumstances, open to a dimension of existence that goes beyond ordinary experience. If you consult the philosophers of antiquity and the Middle Ages, you will find a very frank acknowledgment that what Woody Allen observed about the physical world is largely true. Plato, Aristotle, and Thomas Aquinas all knew that material objects come and go, that human beings inevitably pass away, that all of our great works of art will eventually cease to exist. But those great thinkers wouldn’t have succumbed to Allen’s desperate nihilism. Why? Because they also believed that there were real links to a higher world available within ordinary experience, that certain clues within the world tip us off to the truth that there is more to reality than meets the eye.  One of these routes of access to the transcendent is beauty. In Plato’s Symposium, we can read an exquisite speech by a woman named Diotima. She describes the experience of seeing something truly beautiful — an object, a work of art, a lovely person, etc. — and she remarks that this experience carries with it a kind of aura, for it lifts the observer to a consideration of the Beautiful itself, the source of all particular beauty. If you want to see a more modern version of Diotima’s speech, take a look at the evocative section of James Joyce’s Portrait of the Artist as a Young Man, wherein the narrator relates his encounter with a beautiful girl standing in the surf off the Dublin strand and concludes with the exclamation, “Oh heavenly God.” John Paul II was standing in this same tradition when, in his wonderful letter to artists, he spoke of the artist’s vocation as mediating God through beauty. To characterize artistic beauty as a mere distraction from the psychological oppression of nihilism is a tragic reductionism. A second classical avenue to transcendence is morality — more precisely, the unconditioned demand of the good. On purely nihilist grounds, it is exceptionally difficult to say why anyone should be morally upright. If there are starving children in Africa, if there are people dying of AIDS in this country, if Christians are being systematically persecuted around the world . . . well, who cares? Every hundred years or so, a coterie of human beings is flushed away and the cold universe looks on with utter indifference. So why not just eat, drink, and be merry and dull our sensitivities to innocent suffering and injustice as best we can? In point of fact, the press of moral obligation itself links us to the transcendent, for it places us in the presence of a properly eternal value. The violation of one person cries out, quite literally, to heaven for vengeance; and the performance of one truly noble moral act is a participation in the Good itself, the source of all particular goodness. Indeed, even some of those who claim to be atheists and nihilists implicitly acknowledge this truth by the very passion of their moral commitments, a very clear case in point being Christopher Hitchens. One can find a disturbing verification of Woody Allen’s rejection of this principle in two of his better films, Crimes and Misdemeanors, from the 1980s, and Match Point, from the 2000s. In both movies, men commit horrendous crimes, but, after a relatively brief period of regret, they move on with their pampered lives. No judgment comes, and all returns to normal. So it goes in a flattened out world in which the moral link to transcendence has been severed. Perhaps this conviction is born of my affection for many of Woody Allen’s films, but I’m convinced that the great auteur doesn’t finally believe his own philosophy. There are simply too many hints of beauty, truth, and goodness in his movies, and, protest all he wants, these will speak of a reality that transcends this fleeting world. — Father Robert Barron is the founder of the global ministry Word on Fire and the rector and president of Mundelein Seminary. He is the creator of the award-winning documentary series Catholicism and Catholicism: The New Evangelization. Versions of this post appear at Word on Fire and Catholic World Report.

Read more at: http://www.nationalreview.com/corner/385148/woody-allens-bleak-vision-rev-robert-barron

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PBS American Masters – Woody Allen A Documentary 02

__________

In my opinion Woody Allen’s best movie is CRIMES AND MISDEMEANORS!!!!

Crimes and Misdemeanors 1989 Woody Allen

Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God

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WOODY WEDNESDAY Woody Allen’s New Movie Has A Really Stacked Cast BY MIKE REYES

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The article needs to be updated at one point and that is Steve Carell has replaced Bruce Willis.

BY MIKE REYES 1 MONTH AGOdiscussion 1 COMMENT
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Woody Allen's New Movie Has A Really Stacked Cast image
When it comes to his work, Woody Allen is a man of secrets. He has a history of revealing the plots, and even the titles of his upcoming projects at a later point than any other film would. We have to assume the reasons are that not only does he want to surprise the world with the next project he’s crafted by hand, but also because he’s Woody Allen and the studios know to let the man work. The one thing he doesn’t shy away from with his up-and-coming projects, though, is his cast, and his latest untitled project definitely has one worth bragging about.

In an official press release issued today, the follow up to Allen’s current release,Irrational Man, has laid down its casting cards with the shoot set to start this month in New York and Los Angeles. While we’re not sure the bi-coastal approach is to accommodate the story Woody Allen’s getting ready to tell, we have a feeling it might be a measure to accommodate the following platter of movers and shakers:

Berlin

The daughter of Hollywood legend Elaine May, Jeannie Berlin is probably best known for originating the role of Lila, the “wife from hell” in her mother’s original version of The Heartbreak Kid. She was most recently see in Paul Thomas Anderson’s 70’s set drug trip / noir mystery Inherent Vice.

ADVERTISING

Eisenberg

Also joining the cast of Woody Allen’s latest film is previous collaborator Jesse Eisenberg. Eisenberg was previously seen in Allen’s 2012 picture To Rome With Love. If there was a young male lead that seemed fit to take over the neurotic shoes that Woody Allen himself would have filled in his acting prime, Eisenberg is the actor who tops the list. While his previous film with Allen was more of a vignette filled caper, we can’t help but hope that the ever-talented Eisenberg will be front and center this time around.

Posey

While Parker Posey is also a returning member of the Allen Repertory Cast, she’s only a charter member for the time being. This film marks her second project with the director, as she started working with him on this year’s Irrational Man. Something in Posey’s dry wit must have caught Woody’s ear, as she’s back in business with the auteur so soon.

Lively

We can’t help but think her role in The Age Of Adeline helped secure Blake Lively a spot in this untitled project. Though the film was certainly no success story, it did manage to give Lively a chance to act with the air of a woman much older than her current phase in life. Her impressive performance in that respect must have proved that she was ready to handle some of the material the older skewing Allen has provided in this new film.

Stewart

Another new member to the team is Kristen Stewart. Considering her career choices as of late, Stewart’s indie goodwill tour was bound to make a stop in Allen’s camp. With raves for her performance in Clouds Of Sils Maria winning her the first ever Cesar awarded to an American actress, a performance in a Woody Allen film seems like a good move if the young actress is pondering the notion of jumping back into mainstream cinema.

Stoll

Ernest Hemmingway is back, ladies and gentlemen… or at least, the man who played him in Allen’s Midnight In Paris is anyway. While obviously on a break from hunting vampires on The Strain, Corey Stoll has found time to pick up another piece of the Woody Allen Ensemble. If his performance is as excellent as his previous portrayal of a macho literary legend, then we’re in for a treat indeed.

Stott

You may not recognize Ken Stott at face value, but put some white hair his face and hand him a weapon, you’d be in a better place to recognize him. With The Hobbittrilogy behind him, Stott has taken on more roles in the UK, mostly on TV. Something must have caught his fancy though, to make him travel to either coast for filming.

Willis

Last, but certainly not least, is someone that we’d never have pegged to be working with Allen in a million years… Bruce “MCCLANE!” Willis. While he’s certainly no stranger to mixing up his career with a more quiet film here or there, it’s a surprise to think that this is Willis’ first time working with Woody Allen. Hopefully his collaboration with Willis will inspire something akin to the experience of makingLooper, as opposed to the well documented hell that was Cop Out.

So there you have it: a veritable buffet of actors that are ready and willing to work with the legendary Woody Allen! All we need now is a release date and a title, and we’ll be even more excited! For now, stay tuned for further details as we’ll be breaking them when they drop.

MIDNIGHT IN PARIS official trailer in HD!

Woody Allen meets Marshall McLuhan

Top 10 Woody Allen Movies

PBS American Masters – Woody Allen A Documentary 01

PBS American Masters – Woody Allen A Documentary 02

__________

In my opinion Woody Allen’s best movie is CRIMES AND MISDEMEANORS!!!!

Crimes and Misdemeanors 1989 Woody Allen

Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God

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An Interview with Woody Allen Woody Allen’s World: Whatever Works Robert E. Lauder April 15, 2010 – 2:31pm

 

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This interview   below reveals Woody Allen’s nihilistic views and reminds me of his best movie which is  CRIMES AND MISDEMEANORS!!!!

Crimes and Misdemeanors 1989 Woody Allen

Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God

An Interview with Woody Allen

Woody Allen’s World: Whatever Works

 

Woody Allen is a writer, a comedian, and the maker of over seventy films. He recently spoke with Fr. Robert E. Lauder about the function of humor, film, and “the overwhelming bleakness of the universe.”

Robert E. Lauder: From the earliest days of your career as a stand-up comedian and filmmaker, you have dealt with philosophical and religious questions—the existence of God, life after death, the meaning of life. Can you remember when these questions first became important for you?

Woody Allen: These were always obsessions of mine, even as a very young child. These were things that interested me as the years went on. My friends were more preoccupied with social issues—issues such as abortion, racial discrimination, and Communism—and those issues just never caught my interest. Of course they mattered to me as a citizen to some degree…but they never really caught my attention artistically. I always felt that the problems of the world would never ever be solved until people came to terms with the deeper issues—that there would be an aimless reshuffling of world leaders and governments and programs. There was a difference, of course, but it was a minor difference as to who the president was and what the issues were. They seemed major, but as you step back with perspective they were more alike than they were different. The deeper issues always interested me.

RL:  Frank Capra said that he used humor as a device to make his audience sort of receptive to his themes. I don’t think you use humor as a device. It seems to me to be more integral to your vision of life and art. Would you agree?

WA: Yes. I think Capra was a much craftier filmmaker, a wonderful filmmaker. He had enormous technique, and he knew how to manipulate the public quite brilliantly. I was just doing what I was doing because it interested me, and in fact obsessed me. I was not doing it with an eye to manipulate the public. In fact, I probably would have had a larger public if I had gone in a different direction.

RL: When Ingmar Bergman died, you said even if you made a film as great as one of his, what would it matter? It doesn’t gain you salvation. So you had to ask yourself why do you continue to make films. Could you just say something about what you meant by “salvation”?

WA: Well, you know, you want some kind of relief from the agony and terror of human existence. Human existence is a brutal experience to me…it’s a brutal, meaningless experience—an agonizing, meaningless experience with some oases, delight, some charm and peace, but these are just small oases. Overall, it is a brutal, brutal, terrible experience, and so it’s what can you do to alleviate the agony of the human condition, the human predicament? That is what interests me the most. I continue to make the films because the problem obsesses me all the time and it’s consistently on my mind and I’m consistently trying to alleviate the problem, and I think by making films as frequently as I do I get a chance to vent the problems. There is some relief. I have said this before in a facetious way, but it is not so facetious: I am a whiner. I do get a certain amount of solace from whining.

RL: Are you saying the humor in your films is a relief for you? Or are you sort of saying to the audience, “Here is an oasis, a couple of laughs”?

WA: I think what I’m saying is that I’m really impotent against the overwhelming bleakness of the universe and that the only thing I can do is my little gift and do it the best I can, and that is about the best I can do, which is cold comfort.

RL: In Everyone Says I Love You, the character you play gets divorced, and as he and his former wife review their relationship near the end of the film, she says, “You could always make me laugh,” and your character asks very sincerely, “Why is that important?” Do you think what you do is important?

WA: No, not so much. Whenever they ask women what they find appealing in men, a sense of humor is always one of the things they mention. Some women feel power is important, some women feel that looks are important, tenderness, intelligence…but sense of humor seems to permeate all of them. So I’m saying to that character played by Goldie Hawn, “Why is that so important?” But it is important apparently because women have said to us that that is very, very important to them. I also feel that humor, just like Fred Astaire dance numbers or these lightweight musicals, gives you a little oasis. You are in this horrible world and for an hour and a half you duck into a dark room and it’s air-conditioned and the sun is not blinding you and you leave the terror of the universe behind and you are completely transported into an escapist situation. The women are beautiful, the men are witty and heroic, nobody has terrible problems and this is a delightful escapist thing, and you leave the theatre refreshed. It’s like drinking a cool lemonade and then after a while you get worn down again and you need it again. It seems to me that making escapist films might be a better service to people than making intellectual ones and making films that deal with issues. It might be better to just make escapist comedies that don’t touch on any issues. The people just get a cool lemonade, and then they go out refreshed, they enjoy themselves, they forget how awful things are and it helps them—it strengthens them to get through the day. So I feel humor is important for those two reasons: that it is a little bit of refreshment like music, and that women have told me over the years that it is very, very important to them.

RL: At one point in Hannah and Her Sisters, your character, Mickey, is very disillusioned. He is thinking about becoming a Catholic and he sees Duck Soup. He seems to think, “Maybe in a world where there are the Marx Brothers and humor, maybe there is a God. Who knows.” And maybe Mickey can live with that. Am I interpreting this correctly?

WA: No. I think it should be interpreted to mean that there are these oases, and life is horrible, but it is not relentlessly black from wire to wire. You can sit down and hear a Mozart symphony, or you can watch the Marx Brothers, and this will give you a pleasant escape for a while. And that is about the best that you can do…. I feel that one can come up with all these rationalizations and seemingly astute observations, but I think I said it well at the end of Deconstructing Harry: we all know the same truth; our lives consist of how we choose to distort it, and that’s it. Everybody knows how awful the world is and what a terrible situation it is and each person distorts it in a certain way that enables him to get through. Some people distort it with religious things. Some people distort it with sports, with money, with love, with art, and they all have their own nonsense about what makes it meaningful, and all but nothing makes it meaningful. These things definitely serve a certain function, but in the end they all fail to give life meaning and everyone goes to his grave in a meaningless way.

RL: That brings us to the end of Crimes and Misdemeanors. Your character and an ophthalmologist named Judah are having a conversation, and Judah pretends he’s talking about a screenplay but he’s really talking about his own life. He says people do commit crimes, they get away with it, and they don’t even have guilt feelings. And your character says this is horrible, this is terrible, and then you cut to a blind rabbi dancing with his daughter at her wedding, and we hear a voiceover from a philosopher your character admires. He says something like, “There is no ultimate meaning but somehow people have found that they can cope.” The philosopher didn’t really cope; he committed suicide. When I first saw the film I thought you were offering the audience several views of life and leaving it to them to decide which is closest to the truth—Judah’s, Cliff’s, the philosopher’s, or the rabbi’s. (He’s the one who seems to be the happiest and most fulfilled character in the film, despite his blindness.) But in an interview you said that really the ophthalmologist is basically right: there is no benevolent God watching over us at all, and we embrace whatever gets us through the night. Is that right?

WA: I feel that is true—that one can commit a crime, do unspeakable things, and get away with it. There are people who commit all sorts of crimes and get away with it, and some of them are plagued with all sorts of guilt for the rest of their lives and others aren’t. They commit terrible crimes and they have wonderful lives, wonderful, happy lives, with families and children, and they have done unspeakably terrible things. There is no justice, there is no rational structure to it. That is just the way it is, and each person figures out some way to cope…. Some people cope better than others. I was with Billy Graham once, and he said that even if it turned out in the end that there is no God and the universe is empty, he would still have had a better life than me. I understand that. If you can delude yourself by believing that there is some kind of Santa Claus out there who is going to bail you out in the end, then it will help you get through. Even if you are proven wrong in the end, you would have had a better life.

RL: Seven or eight years ago the New York Times asked you to name a favorite film and you pickedShane. It seems to me that the character of Shane is a Christ figure. At one point, Chris Callaway, the guy Shane has beaten in a fistfight in the saloon, changes sides. He leaves the villains and joins Shane and the good guys. When Shane asks him why, he says something has come over him. Shane has had some mysterious impact on him. Shane does not ride off into the sunset as heroes usually do in old Westerns. He rides off into the sunrise, and as he does so the director does this strange thing: he holds a dissolve of a cross from the cemetery, and he keeps it on the screen for about five seconds. Do you remember that at all?

WA:  I do remember it. Yes, now that you bring it up, I do.

RL:  So the film seems to end with resurrection imagery.

WA:  I didn’t see him as a martyred figure, a persecuted figure. I saw him as quite a heroic figure who does a job that needs to be done, a practical matter. I saw him as a practical secular character. In this world there are just some people who need killing and that is just the way it is. It sounds terrible, but there is no other way to get around that, and most of us are not up to doing it, incapable for moral reasons or physically not up to it. And Shane is a person who saw what had to be done and went out and did it. He had the skill to do it, and that’s the way I feel about the world: there are certain problems that can only be dealt with that way. As ugly a truth as that is, I do think it’s the truth about the world.

[For more interviews from Commonweal, see our full list.]

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PBS American Masters – Woody Allen A Documentary 02

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Woody’s Cold Comforts Robert E. Lauder April 19, 2010

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Top 10 Woody Allen Movies

PBS American Masters – Woody Allen A Documentary 01

PBS American Masters – Woody Allen A Documentary 02

Woody’s Cold Comforts

Friends have often asked me about my interest in the films of Woody Allen: Why is a Catholic priest such an ardent admirer of the work of an avowed atheist, an artist who time and again has insisted on the world’s absurdity? My answer is simple: Because of the themes he presents and the cinematic skill with which he presents them, Allen has no equal among contemporary filmmakers.

His very personal films deal with ultimate questions, and they often include a character who is a spokesperson for Allen’s own bleak outlook. That outlook has something in common with the existentialist thought of Albert Camus. I sometimes think of Allen as “Camus as Comedian.”

When an opportunity to interview Allen recently came my way, I leapt at it. As a long-time admirer of his work I was already familiar with his general outlook, but I was still surprised at the extreme language he used to describe the pointlessness of human existence. He told me, “Human experience is a brutal experience to me…an agonizing, meaningless experience, with some oases, delight, some charm and peace, but these are just small oases. Overall it’s a brutal, terrible experience.”

In recent years Allen’s absurdist vision has become more obvious in his films. In Whatever Works(2009), Allen’s alter ego, Boris (Larry David), periodically addresses the viewer to explain that when you look at the big picture you see clearly that human reason is inadequate, that life is meaningless, and that all we can do is rely on “whatever works”—whatever helps us survive. InMatch Point (2005), one of the most explicitly atheistic films ever made by an American, the protagonist murders his pregnant mistress and a bystander whose death he views as “collateral damage.” He explains to their ghosts that there is no justice in the universe because there is no Intelligence directing it. If there were no God, surely Allen’s extreme pessimism—and the extreme language in which he expresses it—would be right on target.

A few years ago my friend Antonio Monda put together a book of interviews (Do You Believe?) in which he asked eighteen celebrities two questions: Do you believe in God? Do you believe there is a life beyond the grave? Amazingly, some readers couldn’t understand why he was so interested in these two questions. But what two questions could be more important? One’s answer to them ought to influence one’s outlook on everything. Woody Allen sees that clearly.

Still, I was somewhat saddened by Allen’s lack of appreciation for his own creative output. I understand that in an absurd world, art, even great art, is little consolation. In talking about his work, Allen told me, “The only thing I can do is my little gift and do it the best I can…. [L]ife is horrible, but it’s not relentlessly black from wire to wire. You can sit down and hear a Mozart symphony, you can watch the Marx Brothers and this will give you a pleasant escape for a while and that is about the best that you can do.”

When I hear Woody trivialize his films as “small oases,” I think of another genius, Sigmund Freud, who spent his life trying to free people from their distress, even though, as a determinist, he didn’t believe that people were ever really free. Sometimes genius succeeds beyond the terms of its own ambition. Woody Allen’s films are much more than mere distractions on life’s journey: they are brilliant, often beautiful explorations of our fragile human condition. They are shot through with moments of grace, in spite of themselves.

 


Read Fr. Lauder’s whole interview with Woody Allen: Whatever Works

__________

In my opinion Woody Allen’s best movie is CRIMES AND MISDEMEANORS!!!!

Crimes and Misdemeanors 1989 Woody Allen

Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God

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Why should an evangelical watch the atheistic films of Woody Allen?

 

__________

In my opinion Woody Allen’s best movie is CRIMES AND MISDEMEANORS and he really does take a tough look at the atheistic world that he believes is the case!!!!

Crimes and Misdemeanors 1989 Woody Allen

Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God

Why should an evangelical watch the atheistic films of Woody Allen? I think John Piippo has touched on some of the answers to that question in this blog post below and the number one reason is that Woody Allen tackles the biggest questions in life while others seem to ignore them.

Sunday, August 05, 2012

Woody Allen’s Atheism

Linda and I have enjoyed, over the years, watching every movie Woody Allen ever made. He is so intrinsically funny and clever, and he brings to his movies a pervading existentialist dread that is philosophical and psychological.

I’m pointed to Allen this afternoon, as I’m sitting on our back deck reading more of Jim Holt’s Why Does the World Exist?: An Existential Detective Story. Holt’s very fun book is a quest to find some answer to THE BIG QUESTION, which is: Why is there something rather than nothing? This question is one of the few that has lit my path since encountering its force in the early 1970s, as a young philosophy major.

I just finished Chapter 11 – “The Ethical Requiredness of There Being Something.” It’s on philosopher John Leslie’s theory of “axiarchism.” And what might that be? The Greek word “axiology” is “the study of value. Goodness, in a Platonic sense, is responsible for there being something rather than nothing. This is axiarchism’s answer to the BIG QUESTION.

Holt writes:

“To take axiarchism seriously, you have to believe three things. First, you have to believe that goodness is an objective value— that there are facts about what is good and evil, and that these facts are timelessly and necessarily true, independently of human concerns, and that they would be true even in the absence of all existent things. Second, you have to believe that the ethical needs that arise from such facts about goodness can be creatively effective— that they can bring things into existence and maintain those things in existence without the aid of any intermediary agent or force or mechanism. Third, you have to believe that the actual world— the world that we ourselves are a part of, even if we can only see a very tiny region of it— is the sort of reality that abstract goodness would bring into being. In other words, you have to believe that (1) value is objective, (2) value is creative, and (3) the world is good. If you buy into all three of these propositions, you’ve got your resolution to the mystery of existence.” (pp. 209-210)

In discussing 3 Holt brings in philosophers who doubt that the world is good. And, he mentions Woody Allen. Allen expresses his doubts that this world is good in an interview in Commonweal, in 2010. So, sitting on my back deck, I again discover some of the delightful goodness of our world which no longer needs to drive miles to a library, locate the edition of Commonweal in the periodicals section, and read. It’s all online. I’m so historically interested in the filmmaking of Allen that I pull it up, while taking another sip of my Tim Horton’s coffee (more evidence that our world is good).

Allen says that he makes films to give him “some kind of relief from the agony and terror of human existence.”

He continues:

“Human existence is a brutal experience to me…it’s a brutal, meaningless experience—an agonizing, meaningless experience with some oases, delight, some charm and peace, but these are just small oases. Overall, it is a brutal, brutal, terrible experience, and so it’s what can you do to alleviate the agony of the human condition, the human predicament? That is what interests me the most. I continue to make the films because the problem obsesses me all the time and it’s consistently on my mind and I’m consistently trying to alleviate the problem, and I think by making films as frequently as I do I get a chance to vent the problems. There is some relief. I have said this before in a facetious way, but it is not so facetious: I am a whiner. I do get a certain amount of solace from whining.”

This world, Allen believes, is “overwhelmingly bleak.” His films grant him and maybe some viewers a speck of relief in the vast darkness. Ultimately, his movies don’t help at all. Life is “horrible,” with a few “oases” here and there, like listening to a Mozart symphony. “Everybody knows how awful the world is and what a terrible situation it is and each person distorts it in a certain way that enables him to get through. Some people distort it with religious things. Some people distort it with sports, with money, with love, with art, and they all have their own nonsense about what makes it meaningful, and all but nothing makes it meaningful. These things definitely serve a certain function, but in the end they all fail to give life meaning and everyone goes to his grave in a meaningless way.”

As much as I disagree with Allen’s worldview, this is why I like him as well. He’s dealing with the big questions, foremost among which is: What is the meaning of my life? Though I’m not an atheist, I admire his logic of atheism, which concludes that life has no meaning, ultimately, and that the shadow of this conclusion is cast over all of life and its ultimately trivial ways of unconsciously coping with this.

In Allen’s movie “Whatever Works,” the protagonist “murders his pregnant mistress and a bystander whose death he views as “collateral damage.” He explains to their ghosts that there is no justice in the universe because there is no Intelligence directing it. If there were no God, surely Allen’s extreme pessimism—and the extreme language in which he expresses it—would be right on target.” (See “Woody’s Cold Comforts,” by Robert Lauder)

“Everyone,” says Allen the thoughtful atheist, “goes to his grave in a meaningless way.” (In Holt, 213) So true, if there is no God.

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John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!!

______

Top 10 Woody Allen Movies

PBS American Masters – Woody Allen A Documentary 01

PBS American Masters – Woody Allen A Documentary 02

__________

John Piippo makes the case that Bertrand Russell would have loved Woody Allen because they both were two atheists who don’t deny the ramifications of atheism!!!

Monday, August 06, 2012

(More On) Woody Allen’s Atheism

As I wrote in a previous post, I like Woody Allen. I have long admired his films. I’m an Ingmar Bergmann fan, too, and Allen is indebted to Bergmann. (See “Ingmar Bergman Slips Into the Darkness…”)

Allen is (as Bergmann was) an atheist. He brings (as did Bergmann) his atheism into his films, overtly and covertly. Allen is not hiding the fact that: God does not exist (for Allen, not for me); therefore life is absurd, pointless. But of course. Any atheist who thinks otherwise is just another village atheist in denial. I find Allen’s atheism honest and lived-out.

The Wall Street Journal recently interviewed Woody (“Older, Mellower, but Still Woody”).
Allen is asked:

Some say your view is that life is pointless, and others say you’re a romantic realist who believes in being true to yourself. Which is it?

Allen: “I think that’s the best you can do, but the true situation is a hopeless one because nothing does last. If we reduce it absurdly for a moment, you know the sun will burn out. You know the universe is falling apart at a fantastically accelerating rate and that at some point there won’t be anything at all. So whether you are Shakespeare or Beethoven or Michelangelo, your stuff’s not going to last. So, given that, even if you were immortal, that time is going to come. Of course, you have to deal with a much more critical problem, which is that you’re not going to last microscopically close to that. So, nothing does last. You do your things. One day some guy wakes up and gets the Times and says, “Hey, Woody Allen died. He keeled over in the shower singing. So, where do you want to have lunch today?””

Allen is correct on the following points:

  • With no God, our true situation is hopeless. Why? Because “nothing does last.” “The sunn will burn out.” “The universe is falling apart.” “At some point there won’t be anything at all.”
  • Your stuff, your little creations, are not going to last.
  • When you die, not only will there be no “you,” but no one or nothing is going to care (relatively speaking, in a massive sense).

Philosopher-atheist Bertrand Russell, in his famous “A Free Man’s Worship,” concluded the same things. (See “Bertrand Russell – A Free Man’s Worship & the Logic of Atheism”)
Russell wrote:

“Such, in outline, but even more purposeless, more void of meaning, is the world which Science presents for our belief. Amid such a world, if anywhere, our ideals henceforward must find a home. That man is the product of causes which had no prevision of the end they were achieving; that his origin, his growth, his hopes and fears, his loves and his beliefs, are but the outcome of accidental collocations of atoms; that no fire, no heroism, no intensity of thought and feeling, can preserve an individual life beyond the grave; that all the labours of the ages, all the devotion, all the inspiration, all the noonday brightness of human genius, are destined to extinction in the vast death of the solar system, and that the whole temple of Man’s achievement must inevitably be buried beneath the debris of a universe in ruins — all these things, if not quite beyond dispute, are yet so nearly certain, that no philosophy which rejects them can hope to stand. Only within the scaffolding of these truths, only on the firm foundation of unyielding despair, can the soul’s habitation henceforth be safely built.”

In my opinion Woody Allen’s best movie is CRIMES AND MISDEMEANORS!!!!

Crimes and Misdemeanors 1989 Woody Allen

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WOODY WEDNESDAY Why do A-list actors still work for Woody Allen? By Sara Stewart August 28, 2015

Why do A-list actors still work for Woody Allen?

The latest, as-yet-untitled Woody Allen movie is in production, with a cast featuring Kristen Stewart, Jesse Eisenberg, Parker Posey, Blake Lively, Corey Stoll and Judy Davis. Until this week, it also starred Bruce Willis, who recently departed, citing scheduling conflicts with his upcoming Broadway show (though rumors have said this excuse is really code for “got fired”).

Regardless, it’s always surprising to find yet another crop of decent actors have signed on to work with the 79-year-old director. His work in recent years (if not decades) has largely been creepy (“Magic in the Moonlight”), clunky (“Irrational Man”) or tone-deaf (“To Rome with Love”).

But for some reason, no one in Hollywood seems able to say no to a request to join his cast. Au contraire: When interviews come out in advance of his films, you’re always sure to hear the refrain about how “I don’t have to think too hard about working with Woody Allen.”

So why do they keep signing on — despite all the signs blaring “DUD AHEAD”? We’ve pinpointed a few key reasons.

MIDNIGHT IN PARIS official trailer in HD!

Every so often Woody will still hit it right — as in the charming 2011 romp “Midnight in Paris” and the slightly more mixed-bag “Blue Jasmine” two years later, which garnered an Oscar for star Cate Blanchett. You can’t blame actors for hoping they’ll get lucky and choose the next film to spawn a slew of effusive praise about how Woody Allen is back on top of his game.

They’re still in love with Old Hollywood

Face it: A lot of movies these days aren’t exactly intellectual. Sequels, comic-book fare and young-adult dystopian war pics are all the rage, leaving actors who are hungrier for something slightly more highbrow with few good options. Woody represents the heyday of intelligent cinematic auteurs — who wouldn’t want to work with the guy responsible for this?

Woody Allen meets Marshall McLuhan

He basically leaves you alone

If there’s one commonality among interviews with actors who’ve starred in Woody’s movies, it’s that the famously neurotic director keeps most of his talent at arm’s length and just expects them to do their thing. (Unless you’re his muse du jour, like Scarlett Johansson or, more recently, Emma Stone — watch out, Kristen Stewart!)

You always get to work with good people

It’s a self-fulfilling prophecy: Woody’s movies are full of big names because everyone expects that all the other A-listers will say yes to an invitation — and everyone does. And so the cycle continues, with Allen being the big, inexplicable winner.

It’s not a big time-suck

As a director devoted to putting out a movie a year — as he’s been doing for nearly four decades now — Woody can’t spend too much time on one film. When you sign on to work with him, you know you’ll be in and out in short order — and then have a Woody Allen film on your résumé, which will, seemingly, be good currency forever and ever, no matter how abysmal the final product really is.

So maybe it’s a no-brainer after all.

 

Top 10 Woody Allen Movies

PBS American Masters – Woody Allen A Documentary 01

PBS American Masters – Woody Allen A Documentary 02

__________

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Crimes and Misdemeanors 1989 Woody Allen

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Woody Allen Says Life is Meaningless Jul 26, 2014 by Gary DeMar

______

Woody Allen Says Life is Meaningless

An atheist post on Facebook got me thinking about the meaning of life. The post was about how beef production is ten times more damaging to the environment than automobiles. Putting aside the factual basis of the study and who funded it, I raised a couple of questions:

“I thought you were an atheist. Woody Allen says life is meaningless. The Sun will one day burn out it will all end. So why should anybody care? Torture? They’re just sacks of meat with electricity keeping them animated. Same with us. The sooner it’s all over the better. Enjoy the beef before it all ends. I like mine medium rare.”

Here’s what Woody Allen said in a recent interview:

  • “I firmly believe — and I don’t say this as a criticism — that life is meaningless.”
  • “There have been many great minds far, far superior to mine that have come to that conclusion. Both early in life and after years of living and, unless somebody can come up with some proof or some example where it’s not [meaningless,] I think it is. I think it is a lot of sound and fury signifying nothing. That’s just the way I feel about it.”
  • “I’m not saying one should opt to kill oneself, but the truth of the matter is when you think of it, every 100 years … there is a big flush and everybody in the world is gone, then there is a new group of people, then that gets flushed, then there is a new group of people and this goes on interminably for no particular end — I don’t want to upset you — there’s no end and no rhyme or reason.”
  • “And the universe — as you know from the best physicists — is coming apart and eventually there will be nothing. Absolutely nothing. All the great works of Shakespeare and Beethoven and Da Vinci. All that will be gone. Now, not for a long time, but gone. But much shorter than you think, really, because the sun is going to burn out much earlier than the universe vanishes. So, you won’t have to wait for the universe to vanish, it’ll happen earlier than that and there will be nothing.
  • “So, all of this achievement — all of these Shakespearean plays and these symphonies and the height of human achievement — will be gone completely. There will be nothing. Absolutely nothing. No time. No space. Nothing at all. Just zero. So, what does it really mean?”

So for the atheist who is concerned about cruelty to cows and the supposed effect on the environment because of the beef industry, why such a big deal? In the end, cows and humans meet the same end: “All we are is dust in the wind.”

The eternal fate of an Adolf Hitler is no different from the fate of people who want to save cows from a culinary destiny.

The claim can be made that there is meaning in life without God, but as I always ask, How do a conglomeration of atoms animated by electricity in a bath of chemicals account for it?

At least Woody Allen is philosophically consistent if not practically inconsistent. Atheists can’t be consistent with pure atheism. But given the operating assumptions of atheism there is no ultimate moral or meaningful reason not to kill oneself. Suicide would be as meaningful or meaningless as life.

A new study is claiming that “‘atheism is psychologically impossible because of the way humans think,’ says Graham Lawton, an avowed atheist himself, writing in the New Scientist. ‘They point to studies showing, for example, that even people who claim to be committed atheists tacitly hold religious beliefs, such as the existence of an immortal soul.’”

In a word, atheists don’t really exist. They’ve got to hate that, especially when science supports what the Bible has been saying for thousands of years!

For the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men who suppress the truth in unrighteousness, because that which is known about God is evident within them; for God made it evident to them. For since the creation of the world His invisible attributes, His eternal power and divine nature, have been clearly seen, being understood through what has been made, so that they are without excuse. For even though they knew God, they did not honor Him as God or give thanks, but they became futile in their speculations, and their foolish heart was darkened. Professing to be wise, they became fools, and exchanged the glory of the incorruptible God for an image in the form of corruptible man and of birds and four-footed animals and crawling creatures (Rom. 1:18-23).

The majority of atheists, however, live as if God does exist, and for that we are thankful.

MIDNIGHT IN PARIS official trailer in HD!

Woody Allen meets Marshall McLuhan

Top 10 Woody Allen Movies

PBS American Masters – Woody Allen A Documentary 01

PBS American Masters – Woody Allen A Documentary 02

__________

In my opinion Woody Allen’s best movie is CRIMES AND MISDEMEANORS!!!!

Crimes and Misdemeanors 1989 Woody Allen

Woody Allen Crimes and Misdemeanors Nihilism Nietzsche’s Death of God

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 Review of Woody Allen’s latest movie IRRATIONAL MAN Part 6 Irrational Man Official Trailer #1 (2015) – Emma Stone, Joaquin Phoenix Movie HD Woody Allen, Emma Stone and the cast of Irrational Man in Cannes Cannes Update: The Lobster, Irrational Man Cannes review: Woody Allen’s ‘Irrational Man’ taps into a main vein BY JORDAN HOFFMANMay […]

WOODY WEDNESDAY Review of Woody Allen’s latest movie IRRATIONAL MAN Part 1

Irrational Man Official Trailer #1 (2015) – Emma Stone, Joaquin Phoenix Movie HD Cannes 2015 – IRRATIONAL MAN by Woody ALLEN (Press conference) Irrational Man: Woody Allen’s Tale of Existentialism and Perfect Murder June 29, 2015 by EmanuelLevy Leave a Comment In his 45th feature, Woody Allen joins a long list of distinguished filmmakers, headed […]

Review of Woody Allen’s latest movie IRRATIONAL MAN Part 5

Irrational Man Official Trailer #1 (2015) – Emma Stone, Joaquin Phoenix Movie HD Woody Allen, Emma Stone and the cast of Irrational Man in Cannes ‘Irrational Man’ Review Cannes Review: Woody Allen’s ‘Irrational Man’ Will Keep Fans Happy By Eric Kohn | IndiewireMay 15, 2015 at 7:15AM Joaquin Phoenix and Emma Stone star in Allen’s […]

Review of Woody Allen’s latest movie IRRATIONAL MAN Part 4

Irrational Man Official Trailer #1 (2015) – Emma Stone, Joaquin Phoenix Movie HD Woody Allen, Emma Stone and the cast of Irrational Man in Cannes CANNES FILM FESTIVAL MAY 15, 2015 1:13 PM Emma Stone Shines in Woody Allen’s Surprising Irrational Man Courtesy of the Cannes Film Festival It’s not the icky professor-student romantic comedy […]

Review of Woody Allen’s latest movie IRRATIONAL MAN Part 3

Irrational Man Official Trailer #1 (2015) – Emma Stone, Joaquin Phoenix Movie HD Irrational Man: Is It Any Good? (Cannes 2015) The Existential Classic Behind Woody Allen’s “Irrational Man” by Matthew Becklo Filed under Movies 42 Comments Irrational Man, the 45th film from the prolific Woody Allen, starts Joaquin Phoenix as Abe Lucas, a philosophy […]

Review of Woody Allen’s latest movie IRRATIONAL MAN Part 2

Irrational Man Official Trailer #1 (2015) – Emma Stone, Joaquin Phoenix Movie HD Cannes 2015 – IRRATIONAL MAN by Woody ALLEN (Press conference) Cannes presents: Woody Allen’s ‘Irrational Man’ (Red Carpet) Cannes Review: An Irrational Man MAY 15TH, 2015 SASHA STONE BEST DIRECTOR, BEST PICTURE, CANNES FILM FESTIVAL, FEATURED, REVIEWS Woody Allen in Familiar Territory […]

Review of Woody Allen’s latest movie IRRATIONAL MAN Part 1

Irrational Man Official Trailer #1 (2015) – Emma Stone, Joaquin Phoenix Movie HD Cannes 2015 – IRRATIONAL MAN by Woody ALLEN (Press conference) Irrational Man: Woody Allen’s Tale of Existentialism and Perfect Murder June 29, 2015 by EmanuelLevy Leave a Comment In his 45th feature, Woody Allen joins a long list of distinguished filmmakers, headed […]

WOODY WEDNESDAY Woody Allen: The Stand-Up Years 1964-1968 (Part 10)

  Woody Allen Stand Up Comic 1964 1968 12 European Trip A Conversation with Woody Allen Expert Robert Weide Mike Ragogna: So what is this fascination you’ve got with comedians? Robert Weide: I remember being a kid and seeing the last couple of years of The Ed Sullivan Show, the Johnny Carson era of The […]

WOODY WEDNESDAY Woody Allen: The Stand-Up Years 1964-1968 (Part 9)

  Woody Allen Stand Up Comic 1964 1968 24 Down South Woody Allen’s Stand-Up Memories New album is most complete anthology yet of the comedian’s nightclub performances ENLARGE Woody Allen in the 1965 Variety show ‘The Woody Allen Show,’ above. The new album, right. REX FEATURES/ASSOCIATED PRESS By DON STEINBERG Jan. 8, 2015 3:10 p.m. […]