Category Archives: Current Events

“Friedman Friday” (“Free to Choose” episode 3 – Anatomy of a Crisis. part 7of 7)

TEMIN: We don’t think the big capital arose before the government did?
VON HOFFMAN: Listen, what are we doing here? I mean __ defending big government is like defending death and taxes. When was the last time you met anybody that was in favor of big government?
FRIEDMAN: Today, today I met Bob Lekachman, I met __
LEKACHMAN: But that’s not to say __ with discrimination __not per se.
VON HOFFMAN: You’re in favor of certain functions __
FRIEDMAN: I make a living by making distinctions, after all. Certainly not without qualification.
MCKENZIE: Von Hoffman, you have the floor.
VON HOFFMAN: What I was going to say is, I think most of us are not in favor of big government as a theory. The question that keeps haunting me here is, how do you, going back to your question of just the monetary regulation, how do you make __ and let’s assume that you can really, we’ll go a step further and we’ll say __ we’ll go all the way with you. We will install that mechanism. What makes you think that when the storms arise that, that the people running that mechanism are not going to misread, just as they did in the past?
FRIEDMAN: Because I’m gonna have __ if I had my way I would have a mechanism which didn’t require them to read anything.
VON HOFFMAN: In other words, simply a money formula.
FRIEDMAN: Absolutely.
VON HOFFMAN: Is cranked out in relation to the GNP regardless.
FRIEDMAN: Right.
TEMIN: The question is: How are you going to keep from tampering with this black box? Would you have a thing __
FRIEDMAN: I’m not gonna have a black box; I’m gonna have a very visible system. I have written out, as you know __
TEMIN: No, I know. Yeah, but the question is, no, you have the rule __
FRIEDMAN: __ at relative great length and precise details on what I would do.
TEMIN: __ it will calculate this, but then there’s going to be someone who’ll come in, the people that you dislike, they’ll say, “But we could do it a little bit better by doing it this way or that way.”
FRIEDMAN: Of course. Of course.
TEMIN: How will you keep them from doing it?
FRIEDMAN: Well, in the only way in which you can do it in a democratic society, by establishing both a written and an unwritten __ and the unwritten is just as important as the written __ an unwritten constitution on the part of the public at large, an acceptance of the view, that this is not what people in government ought to be doing. That it’s their problem
VON HOFFMAN: A highly sacred measure of __
FRIEDMAN: Well, if you want, but not necessarily sacred in the theological sense.
JAY: It’s unfair of people to say, Professor Friedman, he’s a bad doctor because people won’t actually take his medicine. I mean that is, that is not fair. But it does seem to me, and I say it again, that to reduce the whole debate to one, are you in favor of big government or small government, as though that is the only interesting or important political-economic choice we had to make, is very foolish.
FRIEDMAN: That is very foolish. I agree.
JAY: But __ and if you put it in that form, in practice in democratic societies, people will go on backing, supporting, and paying for big government. Because unless you __ in addition to pointing out the errors, defects, weaknesses, fallibilities, failures or government, you also describe in some detail, and to some attraction, the other changes that you’re going to make in the nongovernmental sector of the economy, which are going to give people the kind of protection, the kind of opportunities, the kind of fulfillment, the kind of stability, the kind of prosperity that they want. They are not going to buy it because you’re offering them a pig in the poke, and they will see it, whether or not you approve of the phrase, or whether or not I approve of the phrase, there’s going back to something which they’re glad to have got away from.
TEMIN: The question of how you draw the lines, and where you draw the lines is a difficult one, and I can’t see any possible way of somehow making a decision on that will stand like __ like the Rock of Gibraltar against all comers.
LEKACHMAN: I don’t think that the public is going to, nor should it, choose ideologically. I think it’s going to favor and disfavor certain activities of government out of its experience, by its perception of what’s good in its own interests and so on. And my __ I don’t preclude the possibility that there will be a different mixture of perceptions by the public which will lead to a shift in the functions of government. But I think it’s at least as possible that after the shift occurs, government will be perceived to have more functions as that it will have fewer functions.
VON HOFFMAN: It seems to me also that you could have the monetary policy that you are talking about, and have the very big HEW etcetera.
OFF SCREEN: Absolutely. Oh, yes.
VON HOFFMAN: And more easily.
FRIEDMAN: Unfortunately, you’re right.
VON HOFFMAN: Now could you dilate on that?
FRIEDMAN: No, no I __
VON HOFFMAN: No, I mean it, seriously.
FRIEDMAN: I agree with you. I agree with Nick. These are separable issues. And Peter Jay will agree with that, too. In fact he and I are in almost complete agreement on the desirable monetary policy. Where we differ is on these other policies, and there is certainly no doubt that you could have an essentially automatic stabilizing monetary policy of the kind which I’ve suggested, of a fixed rate of monetary growth, no discretionary intervention for cyclical purposes, and at the same time have a very big government on HEW, have all sorts of regulation, have tariffs and all other things. With respect to Peter Jay’s more general statement, it’s impossible not to agree with his statement, because it’s __ it concentrates on objectives and not on means. And the real issue has to do with means. What are the most appropriate and effective means which will give people the greatest assurance __ you can’t give them certainty __ but the greatest assurance that they will have a reasonably stable society with opportunity for themselves and their children, for their needs, for their wants. Of course.
MCKENZIE: We must end the discussion for this week and hope you’ll join us again for the next edition of Free to Choose.

Keith Green Story (Part 5)

The Keith Green Story pt 6/7

When I first heard Keith Green in 1978 it had a major impact on my life. Below is his story:

LEGEND

 

Keith Green

CBN.com – When musician Keith Green died in a plane crash on July 28, 1982, the world lost a special man whose heart was aflame with the gospel message. Before his untimely end, Green took the world on his seven-year spiritual journey. He held back nothing and was consumed with loving Christ and the church.

On October 21, 1953, Keith Green was born into musical talent. His maternal grandfather was a songwriter and his mother studied voice at Carnegie Hall. By five years old, Green played the ukulele and began formal music lessons. He was writing his own music by age 9. Two years later, Green signed with Decca Records. Time magazine called Green a “pre-pubescent dreamboat” who “croons in a voice trembling with conviction.” He was the youngest member of the American Society of Composers, Authors and Publishers, and played on The Jack Benny Show and The Joey Bishop Show. Green was on the cusp of pop music success until he was displaced by another budding teen idol, Donny Osmond.

After a troubled youth, he married singer/songwriter Melody Steiner in 1973. They struggled to financially and spiritually sought after the meaning of life. Growing up in the drug-induced, anti-establishment ‘60s era led them both to reject organized religion and dabble in eastern mysticism.

Green discovered Christ in the mid-70s. As he attended church and delved deeper into the Bible, Green was increasingly troubled by the hypocrisy of Christians. He longed to reach people through his music and drive them back to holiness. With vocals like Cat Stevens and the piano talent of Elton John, Green recorded his first album in 1977, For Him Who Has Ears to Hear on Sparrow Records. The album, produced by Bill Maxwell, was a commercial success. It later earned the No. 5 spot in CCM’s Greatest Albums in Christian Music. Hits like “Your Love Broke Through” (co-written by friend Randy Stonehill) and “You Put This Love in My Heart” encapsulated Green’s relationship with Jesus. It also had 2nd Chapter of Acts’ “Easter Song.” That same year the Greens started Last Days Ministries with a newsletter that reached 22,000 people.

No Compromise came in November of 1978. “Asleep in the Light,” a radio hit, drove home Green’s conviction for the hypocrites in the church. Penning his most confrontational lyrics, he sang: “Jesus rose from the dead / And you can’t even get out of bed.” Green also mourned the lost souls he encountered in Los Angeles in “How Can They Live Without Jesus.”

Green released So You Wanna Go Back to Egypt in 1980. The title track is a light-hearted view of the little things that become obstacles in the Christian walk. He also sang the worshipful “Oh Lord You’re Beautiful” and an ode to laying down his possessions in “Pledge My Head to Heaven.” Green refused to let money be an obstacle in spreading the gospel. His third album sold 200,000 copies, and most of his albums were given away at concerts.

The last album Green ever co-produced was 1982’s Songs for the Shepherd. Stepping away from convicting the wayward Christian, Songs for the Shepherd was 12 tracks of praise and worship to God including “How Majestic Is Thy Name” and “You Are the One.” The eerily titled “Until the Final Day” showed a weary but faithful Green crying out for God’s strength. The “final day” came all too soon when he and two of his young children lost their lives just three months after its release.

Maxwell produced and released two posthumous albums, The Prodigal Son and Jesus Commands Us to Go. In 2001, Green was inducted into the Gospel Music Association Hall of Fame along with Jesus rocker Larry Norman. His wife actively maintains Last Day Ministries. Melody wrote her husband’s biography in 1989 from his journal entries. It was appropriately titled “No Compromise.” It revealed the meaning Green found in his life, which he summed up as: “I repent of ever having recorded one single song, and ever having performed one concert, if my music, and more importantly, my life has not provoked you into Godly jealousy or to sell out more completely to Jesus!”

Courtesy of Last Day Ministries

Lane Kiffin has put off Judgement Day

It is true that USC’s Lane Kiffin has had two great recruiting classes at USC, but that was because he signed 25 players both in 2010 and 2011. He delayed “Judgement Day” by getting permission to avoid the 15 scholarship limits (imposed for 3 years) while the school appealed the NCAA’s decision.

Therefore, all these articles that are claiming that Kiffin has beat the odds don’t know what they are talking about. For instance, if he had taken his medicine earlier then next year he would have been back with the ability to sign 25 again. Instead, he will only be able to sign 15 in 2012, 2013 and 2014. Also he is in trouble this year because he is 5 above the total 75 limit that he carry on the team. Obviously he has been mum on who he will kick off.

Despite NCAA sanctions, Lane Kiffin is on the verge of landing his second straight top five recruiting class at USC.
Despite NCAA sanctions, Lane Kiffin is on the verge of landing his second straight top five recruiting class at USC.

Below is an article that is being circulated about Kiffin:

Lane Kiffin still remembers reading the premature obituaries for USC‘s football dynasty that accompanied the arrival of probation in the summer of 2010.

“Eighteen months ago, you couldn’t find a positive article about the future of USC’s program,” said Kiffin, who took over USC’s program at that time. “Eighteen months ago, when [the sanctions] happened, everybody talked about it being the death penalty. USC was over.”

NCAA sanctions have caused Lane Kiffin to be more selective in recruiting.

Nobody’s saying that anymore.

USC, banned from bowl games the past two seasons, has overcome NCAA sanctions to regain its status as one of the nation’s most feared college football programs.

USC closed the 2011 season ranked sixth nationally by The Associated Press, and the return of star quarterback Matt Barkley should catapult the Trojans into the top five of the 2012 preseason rankings.

This winter was supposed to be the first year recruiting sanctions hurt the school; it is limited to just 15 scholarships – or 10 fewer than the NCAA’s limit – the next three recruiting cycles.

But one week before National Signing Day, USC has one of the strongest classes in the country and remains very much in the mix with many of the nation’s top uncommitted recruits.

It has commitments from four Rivals100 prospects – including five-star offensive lineman Jordan Simmons. It is in contention for about a dozen others, including five-star offensive lineman Zach Banner.

And just last weekend, four-star quarterback Cyler Miles, the No. 2 dual-threat prospect who committed to Washington in June, said he is now considering changing his commitment to USC.

[ More on the Trojans: USCFootball.com ]

“It’s business as usual at USC except they are having this success despite having to be much more careful with their offers and who they can take commitments from,” said Mike Farrell, a national recruiting analyst for Rivals.com. “A great season on the field certainly helped, but Lane Kiffin and his staff are keeping the brand name of USC strong.”

ON THE WAY IN …
Here’s a look at USC’s 2012 commitments, including four early enrollees who technically are counted as part of the 2011 recruiting class.
Name Pos. School Rating
Gerald Bowman* S L.A. Pierce College Four-star
Morgan Breslin* DE Diablo Valley (Calif.) Four-star
Jalen Cope-Fitzpatrick TE Rocklin (Calif.) Whitney Four-star
Jahleel Pinner FB Mission Viejo (Calif.) Three-star
Darreus Rogers WR Carson (Calif.) Four-star
Jabari Ruffin LB Downey (Calif.) Four-star
Kevon Seymour CB Pasadena (Calif.) Muir Four-star
Jordan Simmons OG Encino (Calif.) Crespi Five-star
Scott Starr* LB Norco (Calif.) Four-star
Max Tuerk OT Santa Margarita (Calif.) Four-star
Pio Vatuvei DE Patterson (Calif.) Four-star
Chad Wheeler* DE/OT Santa Monica (Calif.) Three-star
* – Bowman, Breslin, Starr and Wheeler have enrolled early at USC.
ON THE WAY OUT
Here’s a look at players who have transferred from USC since the start of the 2011 season.
Name Pos. School Rating
Dillon Baxter RB San Diego State Five-star
T.J. Bryant DB TBA Four-star
Brice Butler WR San Diego State Four-star
Amir Carlisle RB Notre Dame Four-star
Patrick Hall DB TBA Five-star
Kyle Prater WR TBA Five-star

Whether USC truly is going to not just survive but thrive during this loss of scholarships period will depend on the talent evaluation skills of Kiffin’s staff – and some fun with numbers.

USC already has eight verbal commitments for 2012, not counting the four early enrollees who are considered part of the 2011 class. Kiffin has said he wants to sign a full class of 15 recruits.

Here’s where the math gets tricky.

As it stands now, a full 15-man recruiting class would give USC roughly 80 scholarship players. USC, as part of its probation, cannot have more than 75 scholarship players.

How will they get to that number? Kiffin isn’t saying.

“We’ve had a stance here on numbers going back to a year-and-a-half ago when this happened, that we don’t discuss really how we’re managing the situation here with numbers and stuff for competitive reasons,” Kiffin said.

Those numbers could naturally go down if a few more players decide to leave. USC’s scholarship numbers already have decreased since the start of the 2011 season with the transfers of running back Dillon Baxter, defensive back T.J. Bryant, wide receiver Brice Butler, running back Amir Carlisle, defensive back Patrick Hall and wide receiver Kyle Prater.

Perhaps more players will depart before the start of preseason camp. Off-field issues potentially could result in more defections. It’s also worth noting that any school’s scholarship offer to a potential student-athlete merely represents a one-year agreement and not a four-year guarantee.

The uncertainty has caused recruits to hear plenty of different stories about USC’s pending numbers crunch. How much negative recruiting has gone on is subject for debate.

Jabari Ruffin, a four-star linebacker from Downey (Calif.) High who committed to USC last March, said other schools didn’t discuss USC’s sanctions with him.

“That was never brought up, especially with the season [USC] just had,” said Ruffin, the No. 40 prospect in the nation. “I was surprised, though. In a job like that, when you’re recruiting somebody to a school, you might say anything. But nobody went there.”

Although Ruffin apparently didn’t hear anyone badmouth USC in those terms, Kiffin indicated other recruits received plenty of false or misleading statements.

“A lot of stuff gets thrown out there to these kids from other places that’s inaccurate on what exactly is happening over the next few years, how many guys we can sign and what our numbers really are,” Kiffin said. “We actually have to do a lot of correcting inaccurate information. We get all kinds of things. That if you get injured, with the reduced numbers, they’re going to cut you. That they’re only going to be able to sign six guys [in a given year]. We deal with a whole bunch of stuff.”

QUALITY WITHOUT QUANTITY
USC was 17th in the Rivals team recruiting rankings as of Monday morning because of its small class size, but its commitments had the highest average star rating of any school in the country. Here’s a look at the 10 teams with the highest average star rating as of Monday.
Team Avg. Rating
USC 3.92
Florida State 3.81
Florida 3.74
Ohio State 3.74
Alabama 3.67
Texas 3.67
Auburn 3.6
Oklahoma 3.58
Michigan 3.57
Notre Dame 3.53

Those concerns haven’t stopped USC from landing plenty of quality talent.

Ten of USC’s 12 commitments for 2012 (including early enrollees) are four- or five-star prospects. Even in the midst of probation, the USC name means plenty to blue-chip prospects.

“It’s freaking USC,” Pleasant Hill (Calif.) Diablo Valley College defensive end Morgan Breslin told USCfootball.com last month after switching his commitment from UCLA. “I was just in shock that they were recruiting me. … To be honest, I don’t even know how to explain how excited I was to have a chance to go there.”

USC’s class currently is made up entirely of California players, a notable change from the more national recruiting approach used by former coach Pete Carroll. Kiffin has made a point of pursuing in-state prospects, but he also hopes the Trojans’ recent success on the field will make a difference with top out-of-state recruits.

“The great stats that Matt had and the two receivers [Robert Woods and Marqise Lee] had, it was like the old days,” Kiffin said. “Obviously that helps when you talk about national recruiting. That’s been the hardest thing the last few years – the national recruiting. Because of the bowl ban and dealing with the sanctions, it makes it a lot harder for a kid to leave home, when he has great options right there, to come out here. I know that this season has helped for the future of our national recruiting.”

But the scholarship reductions prevent USC from signing every notable recruit who wants to play for the Trojans. Kiffin’s staff must decide which of them represent the best fits for his program.

“I think their goal for the next three years is to get 15 – and to get 15 quality kids,” Farrell said. “That’s why you’re seeing a lot less offers out there. They used to blanket the country with offers. Now they’re not doing that. They’re being very picky. Getting to 15 is easy. It’s about getting to 15 with the right guys.”

NEXT IN LINE?
USC already has verbal commitments from four Rivals100 recruits – OG Jordan Simmons (No. 29), LB Jabari Ruffin (No. 40), OT Max Tuerk (No. 46) and CB Kevon Seymour (No. 82) – and remains in the mix for many other blue-chip prospects. Here’s a look at other Rivals100 prospects considering the Trojans.
Name Pos. School Rank
Stefon Diggs WR Olney (Md.) Good Counsel 8
Also considering: Auburn, California, Florida, Maryland, Ohio State
Zach Banner OT Lakewood (Wash.) Lakes 16
Also considering: Oklahoma, Washington
Nelson Agholor WR Tampa Berkeley Prep 18
Also considering: Florida, Florida State, Notre Dame, Oklahoma
Kyle Murphy OT San Clemente (Calif.) 19
Also considering: Florida, Oregon, Stanford
Ellis McCarthy DT Monrovia (Calif.) 21
Note: McCarthy is committed to UCLA, but USC is still pursuing him.
Aziz Shittu DE Atwater (Calif.) Buhach 27
Also considering: California, Stanford, UCLA
Andrus Peat OT Tempe (Ariz.) Corona Del Sol 32
Also considering: Florida State, Nebraska, Stanford
Cyler Miles QB Denver Mullen 35
Note: Miles is committed to Washington, but he visited USC last weekend.
Leonard Williams DE Daytona Beach (Fla.) Mainland 53
Also considering: Auburn, Florida, Florida State
Arik Armstead DE Elk Grove (Calif.) Pleasant Grove 61
Also considering: Auburn, Washington, Notre Dame, Alabama, Oregon.
D.J. Foster ATH Scottsdale (Ariz.) Saguaro 71
Also considering: Arizona State, California
Bryce Treggs WR Bellflower (Calif.) St. John Bosco 81Note: Treggs is committed to California, but he plans to visit USC this week.Tyriq McCordDETampa Jefferson92Note: McCord is committed to Miami, but he plans to visit USC this weekend.

It’s the same challenge that other probation-ridden programs also faced while dealing with scholarship losses.

“You have no room for error,” said Florida International athletic director Pete Garcia, who served as the recruiting coordinator on former Miami coach Butch Davis’ staff when the Hurricanes were on probation in the 1990s. “Evaluation is the key. It’s more about evaluating than recruiting. When you have limits on scholarships, you have to make every one count.”

Even if a program makes all the right choices, it inevitably will encounter depth problems. For example, Carlisle’s transfer has left USC with only three scholarship tailbacks.

Then again, USC may be uniquely equipped to deal with scholarship reductions.

When the NCAA handed down its sanctions in the summer of 2010, it essentially turned USC’s juniors and seniors into free agents by allowing them to leave for another Division I program without sitting out a year. USC opened preseason camp in 2010 with only 70 scholarship players, so Kiffin won’t be facing a situation he had never encountered before.

“It’s just made us manage our team a little more like an NFL team, with the lower numbers on game day, the lower numbers in practice and the lower numbers in the spring,” said Kiffin, who coached the Oakland Raiders in 2007 and 2008. “We had to be a little more specific. Instead of maybe signing big classes – or getting good players regardless of position – we had to be more specific about where those guys would exactly fit in as we moved forward. It’s more like the NFL.”

Of course, classes don’t get much bigger than the 30-man group (including eight early enrollees) that USC signed last year. USC wouldn’t be facing such a numbers crunch if it had brought in a smaller class last year, but Kiffin has no regrets. He said the large 2011 class was necessary so that USC would have enough talent in place to deal with the pending scholarship cuts.

“It would have been crippling to our program not to do what we did,” Kiffin said.

A look at USC’s depth chart backs up Kiffin’s point. That 2011 class included four players who were starting by the end of the season: Lee, offensive guard Marcus Martin, linebacker Lamar Dawson and kicker Andre Heidari.

The rapid development of that class has helped put USC in its current position as a potential title contender.

“To finish sixth in the country, have 10 regular-season wins and to [potentially] be a preseason top-five team, it makes us feel very good about what has happened and where our program is now compared to where everybody said it would be,” Kiffin said.

USC undoubtedly has withstood the effects of probation thus far better than anyone could have reasonably expected.

But their biggest challenge is still to come. As the scholarship losses take effect, USC’s ability to remain a national power in the post-Barkley era will depend on whether the quality of these next few recruiting classes makes up for their lack of quantity.

(Olin Buchanan of Rivals.com contributed to this report).

Steve Megargee is a national writer for Rivals.com. He can be reached at smegargee@rivals.com, and you can click here to follow him on Twitter.

“Woody Wednesday” Allen nominated again for best director:”Midnight in Paris” may be his best effort yet

No other website in the world has given more insight into the movie “Midnight in Paris” than mine. Judge for yourself!!!

Now Woody Allen has been nominated for another academy award for best director (7th so far).

Oscar nominations: Woody Allen, Martin Scorsese top list for best director

January 24, 2012 |  6:02 am
Martin Scorsese is among nominees for best director 2012Veteran filmmakers Woody Allen (“Midnight in Paris”) and Martin Scorsese (“Hugo”) will compete for the best director Oscar at the 84th Academy Awards, it was announced Tuesday morning. Also nominated for the director prize were Michel Hazanavicius for “The Artist,” Terrence Malick for “The Tree of Life” and  Alexander Payne for “The Descendants.”

For his romantic roundelay set in the City of Light, the 76-year-old Allen picked up his seventh Academy Award nomination in the director category; Allen also was nominated for his original screenplay.

He won the director prize 34 years ago for “Annie Hall,” the best picture winner that also netted Allen and Marshall Brickman the original screenplay Oscar.

FULL COVERAGE: The Oscars

Allen already has won the Golden Globe and the Critics’ Choice Movie Award for his “Midnight” screenplay, and he is nominated for WGA and BAFTA Awards in the screenplay category. He is also nominated for a DGA award for his direction of the film. He was honored with the DGA Lifetime Achievement Award in 1996.

Scorsese, one of the most influential directors of the last 40 years, also collected his seventh nomination for his direction of the Paris-set valentine to cinema. Scorsese, 69, earned his first director Oscar nomination for 1980’s “Raging Bull” and won the award five years ago for gangster film “The Departed.” Scorsese won the Golden Globe, the Boston Society of Film Critics and the National Board of Review honors for directing “Hugo.” He is also nominated for a DGA Award and the BAFTA. Scorsese also earned a nomination Tuesday as one of the producers on the film, which is nominated for best picture.

For his black-and-white silent movie, 44-year-old French filmmaker Hazanavicius earned a director nomination, and also was nominated for his original screenplay. (The last director to receive a director Oscar for a silent film was Frank Lloyd for “The Divine Lady” at the 1928-29 ceremony.) Hazanavicius already has won a number of awards for the charming tribute to the early days of the talkies — including the Critics’ Choice Movie Award and the New York Film Critics honor. He is nominated for DGA and BAFTA Awards, and will compete at the Independent Spirit Awards in the director and screenplay categories.

Payne, though, also could pull through with a victory in the category. The 50-year-old writer-director earned his second director Oscar nomination for “The Descendants,” a family drama set in Hawaii. He was previously nominated in this category for 2004’s “Sideways,” for which he won the Oscar for adapted screenplay. He also was nominated Tuesday as a producer on the film, which was nominated for best picture prize, and for the film’s adapted screenplay penned with Nat Faxon and Jim Rash. Payne also is nominated for DGA and WGA awards. “The Descendants” won the Golden Globe for best motion picture drama.

For his existential drama about a Texas family, the iconclastic Malick, 68, earned his second director Oscar nod. He also was nominated for his original screenplay. Malick previously was nominated in the director category for 1998’s “The Thin Red Line,” for which he also earned an adapted screenplay nomination. Malick won the Palme d’Or last year at the Cannes Film Festival for “The Tree of Life” and has won several critics’ honors for his direction of the film, including honors from the Los Angeles Film Critics Assn., the National Society of Film Critics and the Toronto Film Critics Assn.

The following clip is from the recent Envelope Directors Roundtable. Here, filmmakers Alexander Payne (“The Descendants”), Michel Hazanavicius (“The Artist”), George Clooney (“The Ides of March”), Stephen Daldry (“Extremely Loud & Incredibly Close”) and Martin Scorsese (“Hugo”) talked about how nerve-racking it can be to start a new film, and how they deal with it.

Corey Stoll as Ernest Hemingway in "Midnight in Paris." 2011 Roger Arpajou / Sony Pictures Classics

Corey Stoll as Ernest Hemingway in “Midnight in Paris.”

The New York Times

Ernest Hemingway, around 1937

Other posts concerning Woody Allen’s latest movie “Midnight in Paris”

What can we learn from Woody Allen Films?, August 1, 2011 – 6:30 am

Movie Review of “Midnight in Paris” lastest movie by Woody Allen, July 30, 2011 – 6:52 am

Leo Stein and sister Gertrude Stein’s salon is in the Woody Allen film “Midnight in Paris”, July 28, 2011 – 6:22 am

Great review on Midnight in Paris with talk about artists being disatisfied, July 27, 2011 – 6:20 am

Critical review of Woody Allen’s latest movie “Midnight in Paris”, July 24, 2011 – 5:56 am

Not everyone liked “Midnight in Paris”, July 22, 2011 – 5:38 am

“Midnight in Paris” one of Woody Allen’s biggest movie hits in recent years, July 18, 2011 – 6:00 am

(Part 32, Jean-Paul Sartre)July 10, 2011 – 5:53 am

 (Part 29, Pablo Picasso) July 7, 2011 – 4:33 am

(Part 28,Van Gogh) July 6, 2011 – 4:03 am

(Part 27, Man Ray) July 5, 2011 – 4:49 am

(Part 26,James Joyce) July 4, 2011 – 5:55 am

(Part 25, T.S.Elliot) July 3, 2011 – 4:46 am

(Part 24, Djuna Barnes) July 2, 2011 – 7:28 am

(Part 23,Adriana, fictional mistress of Picasso) July 1, 2011 – 12:28 am

(Part 22, Silvia Beach and the Shakespeare and Company Bookstore) June 30, 2011 – 12:58 am

(Part 21,Versailles and the French Revolution) June 29, 2011 – 5:34 am

(Part 16, Josephine Baker) June 24, 2011 – 5:18 am

(Part 15, Luis Bunuel) June 23, 2011 – 5:37 am

(Part 1 William Faulkner) June 13, 2011 – 3:19 pm

I love Woody Allen’s latest movie “Midnight in Paris”, June 12, 2011 – 11:52 pm

https://i0.wp.com/www.awardsdaily.com/wp-content/uploads/2011/06/19.jpg

Alison Pill as Zelda Fitzgerald and Tom Hiddleston as F. Scott Fitzgerald in "Midnight in Paris." 2011 Roger Arpajou / Sony Pictures Classics

Alison Pill as Zelda Fitzgerald and Tom Hiddleston as F. Scott Fitzgerald in “Midnight in Paris.”

Owen Wilson as Gil in "Midnight in Paris." 2011 Roger Arpajou / Sony Pictures Classics

Owen Wilson as Gil in “Midnight in Paris.”

Marion Cotillard, Alison Pill, Owen Wilson and Director Woody Allen on the set of "Midnight in Paris." 2011 Roger Arpajou / Sony Pictures Classics

Marion Cotillard, Alison Pill, Owen Wilson and Director Woody Allen on the set of “Midnight in Paris.”

Associated Press

Keith Green Story (Part 4)

The Keith Green Story pt 5/7

Keith Green had a major impact on me back in 1978 when I first heard him. Here is his story below:

Tribute Recordings

In 1992, several artists joined together to re-record many of Green’s best-known songs for a tribute album called No Compromise: Remembering the Music of Keith Green under the Sparrow Records label. Artists contributing to the recording include Petra, Charlie Peacock, Susan Ashton, Margaret Becker, Michael Card, GLAD, Rich Mullins, Steven Curtis Chapman, Steve Green, and Russ Taff.

 

In 2001, BEC Records released a second, more modern, tribute record Start Right Here: Remembering the Life of Keith Green. Produced by Derri Daugherty, the album included performances by new contemporary Christian artists MxPx, Joy Electric, Starflyer 59, among others.

 

At the twentieth anniversary of Keith’s death, Sparrow Records released yet another tribute album, Your Love Broke Through: The Worship Songs of Keith Green. The 2002 album contains re-recordings by Rebecca St. James, Michelle Tumes, Chris Tomlin, Twila Paris, Darlene Zschech, Jason Upton, Martin Smith, Charlie Hall, Joanne Hogg, Matt Redman, Paul Oakley, and Sarah Sadler. The album contains contemporary Christian and mainstream artist Michael W. Smith’s version of the song There Is One, an unfinished work by Keith Green. Composition of the song was completed by Smith, along with British songwriter and Christian music artist Martin Smith.
Last Days Ministries
Green Hall dormitory, originally part of LDM property, was named after Keith Green when Teen Mania purchased the property in 1996

The LDM property was sold in 1996 and is now occupied by Teen Mania Ministries. Teen Mania has dedicated one of its dormitories, Green Hall, in memory of Keith. Melody Green continues to operate Last Days Ministries from Oceanside, California, and is a well-known speaker and author. With David Hazard, she authored a biography of Keith, No Compromise: The Life Story of Keith Green (Harvest House Publishers, 1989; revised and expanded in 2000; revised and expanded again and released by Thomas Nelson in 2008; also on the Compact Disc version of The Ministry Years, Volume Two album).
Honors

On November 27, 2001, Keith Green was inducted into the Gospel Music Hall of Fame.

 

On April 3, 2006, Green was honored with the ASCAP Crescendo Award at the 28th annual ASCAP Christian Music Awards presentation dinner. His widow, Melody Green, was present to receive the award for her late husband.

 

Quotes

 

“It’s time to quit playing church and start being the Church (Matt. 18:20)” ? Keith Green, as quoted by Melody Green in the introduction to A Cry in the Wilderness, Sparrow Press, 1993.

 

“I repent of ever having recorded one single song, and ever having performed one concert, if my music, and more importantly, my life has not provoked you into Godly jealousy or to sell out more completely to Jesus!” ? Keith Green

 

“You shouldn’t go to college unless God has definitely called you to go.” ? Keith Green, ‘Why YOU should go to the mission field’, 1982

 

“No Compromise is what the whole Gospel of Jesus is all about… ‘For I tell you…no man can serve two masters…’ (Matt. 6:24). In a day when believers seem to be trying to please both the world and the Lord (which is an impossible thing), when people are far more concerned about offending their friends than offending God, there is only one answer…Deny yourself, take up your cross and follow Him!” ? Keith Green, No Compromise album, 1978.

 

“He, being dead, yet speaketh.” ? Leonard Ravenhill, Keith’s mentor, borrowing from Hebrews 11:4 (KJV) in his 1990 2-page Memories of Keith tribute from a computer file, part of the Enhanced CD version of No Compromise by Melody Green with David Hazard.

 

Federal Budget Deficits Will Reach Levels Never Seen Before in the U.S.

Federal Budget Deficits Will Reach Levels Never Seen Before in the U.S.

Everyone wants to know more about the budget and here is some key information with a chart from the Heritage Foundation and a video from the Cato Institute.

Recent budget deficits have reached unprecedented levels, but the future will be much worse. Unlessentitlements are reformed, spending on MedicareMedicaid, and Social Security will drive deficits to unmanageable levels.

PERCENTAGE OF GDP

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Federal Budget Deficits Will Reach Levels Never Seen Before in the U.S.

Source: Congressional Budget Office (Alternative Fiscal Scenario).

Chart 25 of 42

In Depth

  • Policy Papers for Researchers

  • Technical Notes

    The charts in this book are based primarily on data available as of March 2011 from the Office of Management and Budget (OMB) and the Congressional Budget Office (CBO). The charts using OMB data display the historical growth of the federal government to 2010 while the charts using CBO data display both historical and projected growth from as early as 1940 to 2084. Projections based on OMB data are taken from the White House Fiscal Year 2012 budget. The charts provide data on an annual basis except… Read More

  • Authors

    Emily GoffResearch Assistant
    Thomas A. Roe Institute for Economic Policy StudiesKathryn NixPolicy Analyst
    Center for Health Policy StudiesJohn FlemingSenior Data Graphics Editor

“Tennis Tuesday” John McEnroe part 1 (Greatest tennis match of all time, versus Borg)

From Wikipedia:

McEnroe won a total of 148 ATP titles (a record for a male professional) during his career — 77 in singles, 71 in men’s doubles, and 1 in mixed doubles (not counted as ATP title).He won seven Grand Slam singles titles. He also won a record eight year end championship titles overall, the Masters championships three times, and the WCT Finals,a record five times.His career singles match record was 875–198 (81.55%_. He posted the best single season match record (for a male player) in the Open Era with win-loss record: 82–3 (96.5%) set in 1984 and has the best Carpet Court career match winning percentage: 84.18% (411–346) of any player.

According to the ATP website, McEnroe had the edge in career matches on Jimmy Connors (20–14), Stefan Edberg (7–6), Mats Wilander (7–6), Michael Chang (4–1), Ilie Năstase (4–2), and Pat Cash (3–1). McEnroe was even with Björn Borg (7–7), Andre Agassi (2–2), and Michael Stich (1–1). He trailed against Pete Sampras (0–3), Goran Ivanišević (2–4), Boris Becker (2–8), Guillermo Vilas (5–6), Jim Courier (1–2), and Ivan Lendl (15–21). McEnroe won 12 of the last 14 matches with Connors, beginning with the 1983 Cincinnati tournament. Edberg won the last 5 matches with McEnroe, beginning with the 1989 tournament in Tokyo. McEnroe won 4 of the last 5 matches with Vilas, beginning with the 1981 tournament in Boca Raton, Florida. And Lendl won 11 of the last 12 matches with McEnroe, beginning with the 1985 US Open.

McEnroe, however, played in numerous events, including invitational tournaments, that are not covered by the ATP website. McEnroe won eight of those events and had wins and losses against the players listed in the preceding paragraph that are not reflected on the ATP website.

Grand Slam finals (11)

[edit] Singles: (7–4)

Wins (7)
Year Championship Surface Opponent in final Score in final
1979 US Open Hard United States Vitas Gerulaitis 7–5, 6–3, 6–3
1980 US Open (2) Hard Sweden Björn Borg 7–6(7–4), 6–1, 6–7(5–7), 5–7, 6–4
1981 Wimbledon Grass Sweden Björn Borg 4–6, 7–6(7–1), 7–6(7–4), 6–4
1981 US Open (3) Hard Sweden Björn Borg 4–6, 6–2, 6–4, 6–3
1983 Wimbledon (2) Grass New Zealand Chris Lewis 6–2, 6–2, 6–2
1984 Wimbledon (3) Grass United States Jimmy Connors 6–1, 6–1, 6–2
1984 US Open (4) Hard Czechoslovakia Ivan Lendl 6–3, 6–4, 6–1
Runner-up (4)
Year Championship Surface Opponent in final Score in final
1980 Wimbledon Grass Sweden Björn Borg 6–1, 5–7, 3–6, 7–6(18–16), 6–8
1982 Wimbledon (2) Grass United States Jimmy Connors 6–3, 3–6, 7–6(7–2), 6–7(5–7), 4–6
1984 French Open Clay Czechoslovakia Ivan Lendl 6–3, 6–2, 4–6, 5–7, 5–7
1985 US Open Hard Czechoslovakia Ivan Lendl 6–7(1–7), 3–6, 4–6

“Music Monday”:Coldplay’s best songs of all time (Part 20)

Coldplay

This is “Music Monday” and I always look at a band with some of their best music. I am currently looking at Coldplay’s best songs. Here are a few followed by another person’s preference:

My son Hunter Hatcher’s 1st favorite Coldplay song is   “Yellow.”

Hunter observed, “First Coldplay song I ever heard. Loved it from the start and it never gets old. I used to look at the stars in iraq and hum this tune in my head.”

The Best Coldplay Songs Of All Time – And Why?

No one can argue that Coldplay is one of the best bands of today. Their music has been spread across the globe from the US to Canada, Australia to New Zealand, England to France and many more. Personally, I’m a huge Coldplay fan and when the question of “what are the best Coldplay songs of all time” came up amongst a few friends of mine while playing Rock Band it got the cogs in mind thinking…

I decided that there were too many great Coldplay songs so I narrowed it down to just five. Here’s what I came up with…

Trouble

Trouble is the song that made me fall in love with the band. A great starting piano tune that not only delivers an excellent chorus but then tops that with a remarkable ending. Not too many songs these days change total direction at the end and give their listeners something more at the finale. A gorgeous video combining stop-motion and digital effects. If you’re unfamiliar with Coldplay’s music then this is a great place to start.

Speed of Sound

Great beat. Great lyrics. Again, you have a beautiful piano part starting the song off. Where “Trouble” is a steady horse from start to end, Speed of Sound is more like a gallop that increases as the song progresses. Just when you think they’ve drawn you in with the ultimate hook they continue to deliver hook after hook in this song. And not just in the vocals. The guitars and piano are all throwing in their cool little hooky riffs. Its kinda like one of those russian dolls that you keep opening up to more and more cute little dolls. This song is guaranteed to fill your musical palette over and over again.

In My Place

In My Place starts with a rockin drum line with kick, snare and hi-hat by the ever-talented “Will Champion”. Then a beautiful guitar line comes in with Jonny Buckland leading us through the whole song. This is the first hook we hear in the song, played in the upper registers of the guitar with a combination of arpeggios and melodic note choices. I always find it funny to hear instruments in a song that don’t show up in the video. If you listen closely you’ll hear a gentle organ playing its way through the verse but in the video it’s not featured. And once again Chris does an amazing job coming up with the best hooks in the chorus providing not only a great Pop/Rock tune but a memorable song that will last through the times.

Clocks

I don’t think any piano line has been played more than the one from Clocks. You’ll not only hear this song in every romantic movie out there but the piano hook itself has been dissected from the song just to be featured by itself in many movies and tv shows. The song is a basic 4/4 form but what’s great is how they divide the meter. A constant division of 3-3-2 driving you throughout the entirety of the song. It provides not only a great rock feel but with such a rhythm it’s guaranteed you’ll find yourself alone in your room dancing like a freak until your mum walks in on you embarrassing you in the process.

The Scientist

No other song by Coldplay gives me goosebumps like The Scientist. A sweet and nostalgic tune that enjoys a long intro with Chris Martin on vocals and piano. It’s not until the 1:38 mark does the full band finally come in. That’s a big no no in the Pop world. You see, by Pop standards you’re supposed to hit the full chorus by at least the first 30 seconds. But that’s perhaps what I love about this song. They manage to go outside that box and provide a moving a wonderful musical tale. In the July 14th, 2005 edition of Rolling Stone magazine, Chris Martin is quoted as saying:”On the second album I was thinking there was something missing. I was in this really dark room in Liverpool, and there was a piano so old and out of tune. I really wanted to try and work out the George Harrison song ‘Isn’t It A Pity,’ but I couldn’t. Then this song came out at once. I said, ‘Can you turn on the recorder?’ The first time I sung it is what’s out there.”

Keith Green Story (Part 3)

The Keith Green Story pt 4/7

 

Keith Green had a major impact on me back in 1978 when I first heard him. Here is his story below:

Last Days Ministries

In 1978, Last Days Ministries (LDM) began publishing the Last Days Newsletter. Originally printed on a few pages of loose paper, the newsletter grew in content to eventually become a “small, colorful magazine,” and was renamed in mid-1985 as Last Days Magazine. The magazine featured articles by Green and his wife as well as contemporary Christian authors David Wilkerson, Leonard Ravenhill, and Winkie Pratney, all of whom lived in the area. The publication also later included the reprinted works of classic Christian authors such as Charles Finney, John Wesley, and William Booth and his wife Catherine. Most of the articles were reprinted as tracts. At the peak of its popularity, the Last Days Magazine was sent out to over 300,000 people worldwide.

 

In 1979, the ministry relocated from the San Fernando Valley to a 40-acre (160,000 m2) plot of land in Garden Valley, Texas, a crossroads community about nine miles (14 km) west of Lindale, Texas. Within a few years, Last Days purchased additional land, bringing the total to 140 acres (0.6 km2).

 

Plane crash

Gravesite at Garden Valley Cemetery

Along with eleven others, Keith Green died on , 1982, when the Cessna 414 leased by Last Days Ministries crashed after takeoff from the private airstrip located on the LDM property. The small two-engine plane was carrying eleven passengers and the pilot, Don Burmeister, for an aerial tour of the LDM property and the surrounding area. Green and two of his children, three year old Josiah, and two year old Bethany, were on board the plane, along with visiting missionaries John and Dede Smalley and their six children.

 

Among several causes, the NTSB determined that the crash was largely due to aircraft gross weight overload. It was determined that the pilot, should have refused to take five more passengers than there were seats on the plane. As Burmaster was a former United States Marine Corps aviator, the NTSB concluded that since military requirements put weight and balance responsibilities on the loadmaster of the flight and not the pilot, the pilot may have neglected this responsibility by former habit. With eleven passengers on board, the aircraft was overloaded by nearly 450 pounds (202 kg) and laden center of gravity was located 4.5 inches (110 mm) past the maximum aft limit. Also considered in the final ruling was the fact that operator and pilot did not satisfy insurance requirements for aircraft familiarization for operation, and pilot’s failure of several checkrides, leading to the revocation of Burmaster’s license shortly before the accident.

 

Keith, Josiah, and Bethany Green are interred at Garden Valley Cemetery behind the Garden Valley Baptist Church, less than a half-mile from the LDM property. He was survived by his wife and two daughters, the youngest of whom was born after Green’s death.

 

Legacy

 

Two full albums of original Green songs were released posthumously: The Prodigal Son (1983) and Jesus Commands Us to Go! (1984). Another release, I Only Want to See You There (1983) contained mostly previously released material. A complete volume of his work, The Ministry Years, was released in 1987 and 1988, including a few more previously unreleased songs.

 

Another unreleased Christian song known to have been recorded by Green was “Born Again,” which was finally released in 1999, 17 years after his death, on the First Love compilation video and CD. Both feature a two-song tribute to Green by other Christian artists.

 

In 2008, Last Days Ministries and Sparrow Records partnered together and released The Live Experience – Special Edition, a CD+DVD combination of 16 live recordings and 4 hours of DVD footage including video of live performances as well as details regarding Green’s life and his passing.  A “Greatest Hits” album was also released at the same time, including 17 of Green’s most popular songs and one more previously unreleased Christian song, “Your Love Came Over Me”.  

 

A prolific personal journalist, Green’s writings were published as excerpts in the books A Cry In The Wilderness (Sparrow, 1993), If You Love the Lord (Harvest House, 2000), and Make My Life a Prayer (Harvest House, 2001).

 

Tebow and 316

Mike Masterson is opinion editor of the Arkansas Democrat-Gazette’s Northwest edition and in the paper today he noted:

His favorite number.

To my colleagues in the media who apparently have no concept of why Denver quarterback Tim Tebow takes a knee in brief prayer when he makes an outstanding play on the field, let me assure you he is not thanking his creator for divine intervention for one act, or the outcome of the game. Tebow has never once said or even alluded to that.

God taking sides in a football game? Hard for me to believe even biased commentators would even put that one out there. It sounds like the reasoning of third-graders just to type this.

Instead, it’s evident to me that Tebow, who has prayed and openly expressed his devotion across his high school and All-American, Heisman Trophy college career, is simply expressing appreciation and gratitude to his maker for giving him the ability to perform at all.

The skeptics, naysayers and generally dissatisfied will disagree. Some will claim Tebow’s just hot-dogging or calling attention to himself. They have every right to believe that.

For me, Tebow represents a young man who is living his dream and doing what Christian scripture says is expected: To continually glorify God’s name and creation. He also has for years expressed his innermost self on the football field by wearing those black smudges beneath each eye containing the inscription John 3:16.

And here are some numbers bound to drive Tebow’s critics and nonbelievers (inside and outside the mainstream media) up a goalpost. You may have already seen these widely reported statistics.

In the Broncos’ overtime victory over the Pittsburgh Steelers two weeks back, Tebow averaged 31.6 yards per completion. He also threw for 316 yards. And the overtime television audience rating was 31.6. Pittsburgh’s time of possession? Why, 31 minutes, 6 seconds.

Make of this what you will. Some, of course, will shout coincidence. Perhaps. But that’s a Cowboys Stadium full of coincidences in my book. However, I do believe I can guess with certainty Tebow’s three luckiest numbers.

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