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MUSIC MONDAY Bob Dylan’s ‘Bringing It All Back Home’ Still Sticks It To The Man

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Review of Bob Dylan’s “Bringing It All Back Home” album (1965)

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  • MUSIC

Bob Dylan’s ‘Bringing It All Back Home’ Still Sticks It To The Man

Sprinkled in Bob Dylan’s folk-rock protest music are examples of quiet responses to the establishment’s reasonless rules.
By Sarah Weaver

Bob Dylan’s classic album “Bringing It All Back Home,” celebrating its 56th birthday on March 22, should become an anthem for a generation of conservatives who find themselves preserving things so radically counter-cultural they seem altogether new.

Millennials will know Dylan for “Make you Feel My Love,” a song beautifully covered by Adele. Country music fans will know his unforgettable duets with Johnny Cash, such as “Girl From the North Country.” Neither of these songs is on “Bringing It All Back Home,” but everyone knows a track that is: “Mr. Tambourine Man,” the folk classic covered by The Byrds.

The album is pure Dylan excellence, with a dose of anti-establishment protest that today’s conservatives can find relatable.

Take “On the Road Again,” the sixth song on “Bringing It All Back Home.” Young people today — including those who would rather live their lives than demonstrate — are forced to take sides in an ever-escalating culture war.

In “On the Road Again,” Dylan writes, “Well, there’s fistfights in the kitchen / They’re enough to make me cry / Then the mailman comes in, even he’s gotta take a side / Even the butler, he’s got something to prove.” The song has a nihilistic chorus: “Then you ask why I don’t live here / Honey, do you have to ask?” In a culture dominated by leftists injecting politics into every sphere of private and public life, the song seems refreshingly prophetic.

In 2016, Dylan won the Nobel Prize for Literature “for having created new poetic expressions within the great American song tradition.” Dylan skipped the Nobel Prize banquet but in a recorded speech later, he mused: “When I received the Nobel Prize for Literature, I got to wondering how exactly my songs related to literature.”

While he credits his roots in folk music for much of his songwriting, the folk-rock legend says there was something else behind it all. “I had principles and sensibilities and an informed view of the world, and I’d had that for a while.” Across his decades-long career, Dylan has earned his place as one of the greatest songwriters of all time.

In his autobiography “Chronicles,” Dylan said of “Bringing it All Back Home,” “What I did to break away, was to take simple folk changes and put new imagery and attitude to them, use catchphrases and metaphor combined with a new set of ordinances that evolved into something different that had not been heard before.” Throughout the album, Dylan builds on his legendary folk music with a new electric twist. He builds on his roots, even as he’s outgrown them.

Young people entering an economy wrecked by endless government-enforced lockdowns will find the rap-like, “Subterranean Homesick Blues” relatable. “A man in the coonskin cap, in the pigpen / Wants eleven-dollar bills, you only got ten.” It is the cry of the young disillusioned with the leadership that decides their fate.

Or take this line, reminiscent of last summer’s riots: “The pump don’t work / ‘Cause the vandals took the handles.” In other words, sometimes your headstrong political activism means people don’t get their water from the well.

Writers of protest music tend to issue many complaints but no solutions. This album is different. Sprinkled in the protest music are examples of quiet responses to the establishment’s reasonless rules.

In “Outlaw Blues” a man is in love with a “brown-skinned woman” in Jackson, Mississippi, which at the time banned interracial marriages. Later, Dylan promises (almost threatens?) to speak the truth — the simplest, and most effective, protest. “Don’t ask me nothin’ about nothin’ / I just might tell you the truth.”

“Love Minus Zero,” one of Dylan’s most beautiful and touching love songs, is about a woman who is true, wise, and gentle — the antidote to political opportunism and corruption. More than a love song, “Love Minus Zero,” is a cry for authenticity — a cry which conservatives can echo.

In the dime stores and bus stations,

People talk of situations,

Read books, repeat quotations,

Draw conclusions on the wall.

Some speak of the future,

My love she speaks softly.

Sometimes the quietest voices are the best remedy to what you find objectionable in the world around you, not the cacophonous, often narcissistic, world of political activism.

“She Belongs to Me” the album’s second track, is, at first listen, a song written from the standpoint of an infatuated lover. It is that, but on closer reading, Dylan is telling us something about himself, and what drives his music. “She’s got everything she needs, she’s an artist / She don’t look back.” This line could be said about Dylan himself.

The song may even seem counterintuitive as the second track in an album titled “Bringing it All Back Home,” but it helps us understand why Dylan’s musical relevance has lasted so long. Even as the demands of the present are such that we need not look back, home is always the destination.

Republished with permission from the Hillsdale Collegian.

Sarah Weaver is a graduate student at Hillsdale College. You can read more of her work as well as contact her through her website at sarah-weaver.net. Find Sarah on Twitter @SarahHopeWeaver.

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bob dylan  plays harmonica on the song I PLEDGE MY HEAD TO HEAVEN on this Keith Green album below

I pledge my head to heaven

Published on Mar 26, 2010

And extremely god fearing text! i’d rather be found dead to love my wife more than he who saved my soul…
Check out the text here:
Well, I pledge my head to heaven for the Gospel,
And I ask no man on Earth to fill my needs.
Like the sparrow up above, I am enveloped in His love,
And I trust Him like those little ones, He feeds.

Well I pledge my wife to heaven, for the Gospel,
Though our love each passing day just seems to grow.
As I told her when we wed, I’d surely rather be found dead,
Than to love her more than the one who saved my soul.

I’m your child, and I want to be in your family forever.
I’m your child, and I’m going to follow you,
No matter whatever the cost, I’m gonna count all things lost.

Well I pledge my son to heaven for the gospel.
Though he’s kicked and beaten, ridiculed and scorn.
I will teach him to rejoice, and lift a thankful praising voice,
And to be like Him who bore the nails and crown of thorns.

I’m your child, and I want to be in your family forever.
I’m your child, and I’m going to follow you,
No matter whatever the cost, I’m gonna count all things lost.
Oh no matter whatever the cost, I’m gonna count all things lost.
Well I’ve had the chance to gain the world, and to live just like a king,
But without your love, it doesn’t mean a thing.

Oh no matter whatever the cost, I’m gonna count all things lost,
Oh no matter whatever the cost, I’m gonna count all things lost.
Well I pledge my son, I pledge my wife, I pledge my head to heaven,
I pledge my son, I pledge my wife, I pledge my head to heaven, for the gospel.

_

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Man who led Bob Dylan to Christ says legendary singer is still walking with Jesus

October 2, 2012

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By Dan Wooding

Bob Dylan

Brooklyn-born Messianic Jew Al Kasha, 75, the double Oscar winning songwriter who in 1978 prayed with Bob Dylan at a Bible study in his Beverly Hills home to receive Christ, believes that Dylan never lost his faith despite many rumors to the contrary.

Bob Dylan made a well-publicized conversion to Christianity, went through a discipleship course at a Southern California Calvary Chapel, and produced three strongly Christian albums, “Slow Train Coming” – written in Kasha’s home — “Saved” and “Shot of Love”.

However, when a fourth “Christian” album failed to materialize in 1983, a rumor was circulated that Dylan had “renounced” his faith.

His new album, “Tempest,” is replete with Christian lyrics, as Kasha notes: “I am absolutely thrilled that Bob has shown through this new record that he has never lost God’s calling in life,” he said. “He’s never given up.

“I get upset when people think that he has because you don’t write all these songs just out there. It takes time to write them and they’re all about Christ so I’ve said this in the past — the media has hurt rather than helped him.”

Kasha went on to say, “I have known Dylan since 1960 when I was at Columbia as their youngest-ever record producer and they were going to drop him from the label as his first CD only sold 7,000 copies.

“I was 22 years old and they had all of these great artists like Rosemary Clooney, Guy Mitchell as well as Johnny Mathis and Tony Bennett, and when I heard this in a meeting, I stood up and, with my legs shaking, and told all of these veteran record producers, “We can’t drop him. He’s a great song writer and they finally agreed and now the rest is history.”

Despite all of his success, having won two Oscars for the theme songs from The Poseidon Adventure (The Morning After) and The Towering Inferno (We May Never Love Like This Again), (both with Joel Hirschhorn), he had a secret that was destroying his life – he was suffering from agoraphobia.

He told me that it was destroying his life, but then one night, in the bedroom which he woulnd’t leave, he tuned into a late Christian TV show and realized that Jesus was indeed his Messiah. He prayed in his room and gave his life over to Christ and was healed of his agoraphobia.

Not long after, Kasha met up with Jess Moody, pastor of the First Baptist Church of Van Nuys, an independent congregation with some 10,000 members, who Kasha said “was very sensitive to people in Hollywood.” It was Moody who then suggested that Kasha begin studying at theological seminary, and he became an ordained Southern Baptist pastor, and started his weekly Bible study in his home where he would teach with his two Oscars on the piano, as I well know as I often would attend, as would people like Bob Dylan, Donna Summer and Mel Carter.

“We had them all coming along to my home Bible study, and that would include struggling actors and actresses, singers and dancers, but also these big stars as well,” he told me. “At that time, there was no place for them to go so we would try to solve some problems that they were facing that were biblically based.”

He then spoke about Bob Dylan who he said had been told about the study by some friends who had shared about this Jewish man who was teaching about Jesus.

“He came to the house every week for six months. In fact he wrote the album, ‘Slow Train Coming’ in in our house. Bob was, at that time, going through a spiritual search and if you look at his track record as a writer, he was always seeking after Jesus and he finally realized that Jesus was his Savior.”

Kasha said that the night that Dylan prayed the “Sinners Prayer” with him, he was with his friend called Clark Mathias and his wife, Ceil.

I asked Ceil if she could remember what happened and she replied, “I sure do, like it was yesterday. There was an amazing warm feeling in our home and in our hearts, and he [Dylan] just opened up and said [after Al Kasha had asked him if he wanted to receive Jesus into his life], ‘Yes I do, yes I do, yes I do,’ and that was that.”

Al Kasha then added, “And he wrote his whole entire ‘Slow Train Coming’ Album in front of our fireplace.”

Did Bob Dylan ever share those songs with you when he was writing them?

“Yes he did,” said Kasha. “We gave him a key to the house because we were song writers and song writers feel a sense of spirit in a room. You know, Dan, you’re a writer yourself and I am sure you would say, ‘I want to sit where I feel something good.’ So he [Dylan] had a key to our house and we trusted him. I heard the guitar playing some nights but I wouldn’t bother him. It was an incredible experience.”

Kasha added, “He [Dylan] said that he felt out home was ‘spiritually anointed’. So many other people also got saved at our home and I see many of them here tonight for this affair. I could hug every one of them.”

I asked Al Kasha what his all-time favorite of the ones Bob Dylan wrote in his home.

“He has a song called ‘Jesus is Lord’ and I love that one,” he said. “However, there are many that I love and I don’t really want to pick out one because I want everyone to buy the album, but I love a lot of them.”

Kasha said that Bob Dylan was baptized after his conversion in Santa Monica, near Malibu, by people from the Calvary Chapel affiliated church.

“So is Bob Dylan a believer?” I again asked him.

“The answer is yes,” he said firmly, “and I think the world doesn’t like to see someone like him being a believer because he’ll bring other people to the Lord, which he’s done.”

Al Kasha concluded by saying, “Looking back, it is an amazing thing that happened in our home. It’s been all these years and our Bible study eventually wound up seeing people like Donna Summer and Bob Dylan accepting Christ.”

If you would like to know God personally, here are four steps…

Category: Uncategorized Tagged: Al Kasha, Bob conversion, Bob Dylan, Bob Dylan Christian, Bob Dylan Christianity,bob dylan dylan, Bob Dylan faith, Bob Dylan Tempest, dylan bob dylan 97 comments

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