Category Archives: Uncategorized

4 spiritual laws

Our views below (this material is from Campus Crusade for Christ) concerning how to go to heaven.

Just as there are physical laws that govern

the physical universe, so are there spiritual laws
that govern your relationship with God.

Law 1

God loves you and offers a wonderful plan for your life.

God’s Love
“God so loved the world that He gave His one and only Son, that whoever
believes in Him shall not perish but have eternal life” (John 3:16, NIV).

God’s Plan
[Christ speaking] “I came that they might have life, and might have it abundantly”
[that it might be full and meaningful] (John 10:10).

Why is it that most people are not experiencing that abundant life?

Because…

Law 2

Man is sinful and separated from God.
Therefore, he cannot know and experience
God’s love and plan for his life.

Man is Sinful
“All have sinned and fall short of the glory of God” (Romans 3:23).

Man was created to have fellowship with God; but, because of his own stubborn
self-will, he chose to go his own independent way and fellowship with God was broken.
This self-will, characterized by an attitude of active rebellion or passive indifference,
is an evidence of what the Bible calls sin.

Man Is Separated
“The wages of sin is death” [spiritual separation from God] (Romans 6:23).

Separation This diagram illustrates that God isholy and man is sinful. A great gulf separates the two. The arrows illustrate that man is continually trying to reach God and the abundant life through his own efforts, such as a good life, philosophy, or religion
-but he inevitably fails.The third law explains the only way to bridge this gulf…

Law 3

Jesus Christ is God’s only provision for man’s sin.
Through Him you can know and experience
God’s love and plan for your life.

He Died In Our Place
“God demonstrates His own love toward us, in that while we were yet sinners,
Christ died for us” (Romans 5:8).

He Rose from the Dead
“Christ died for our sins… He was buried… He was raised on the third day,
according to the Scriptures… He appeared to Peter, then to the twelve.
After that He appeared to more than five hundred…” (1 Corinthians 15:3-6).

He Is the Only Way to God
“Jesus said to him, ‘I am the way, and the truth, and the life, no one comes to
the Father but through Me’” (John 14:6).

Bridge The Gulf This diagram illustrates that God has bridged the gulf that separates us from Him by sending His Son, Jesus Christ, to die on the cross in our place to pay the penalty for our sins.It is not enough just to know these three laws…

Law 4

We must individually receive Jesus Christ as Savior and Lord;
then we can know and experience God’s love and plan for our lives.

We Must Receive Christ
“As many as received Him, to them He gave the right to become children
of God, even to those who believe in His name” (John 1:12).

We Receive Christ Through Faith
“By grace you have been saved through faith; and that not of yourselves,
it is the gift of God; not as result of works that no one should boast” (Ephesians 2:8,9).

When We Receive Christ, We Experience a New Birth
(Read John 3:1-8.)

We Receive Christ Through Personal Invitation
[Christ speaking] “Behold, I stand at the door and knock;
if any one hears My voice and opens the door, I will come in to him” (Revelation 3:20).

Receiving Christ involves turning to God from self (repentance) and trusting
Christ to come into our lives to forgive our sins and to make us what He wants us to be.
Just to agree intellectually that Jesus Christ is the Son of God and that He died on the cross
for our sins is not enough. Nor is it enough to have an emotional experience.
We receive Jesus Christ by faith, as an act of the will.

These two circles represent two kinds of lives:

Circles

Self-Directed Life
S-Self is on the throne
wpe463.jpg (790 bytes)-Christ is outside the life
wpe464.jpg (719 bytes)-Interests are directed by self, often
resulting in discord and frustration
Christ-Directed Life
wpe463.jpg (790 bytes)-Christ is in the life and on the throne
S-Self is yielding to Christ,
resulting in harmony with God’s plan
wpe464.jpg (719 bytes)-Interests are directed by Christ,
resulting in harmony with God’s plan

Which circle best represents your life?
Which circle would you like to have represent your life?


The following explains how you can receive Christ:

You Can Receive Christ Right Now by Faith Through Prayer
(Prayer is talking with God)

God knows your heart and is not so concerned with your words as He is with the attitude
of your heart. The following is a suggested prayer:

Lord Jesus, I need You. Thank You for dying on the cross for my sins. I open the door of my life and receive You as my Savior and Lord. Thank You for forgiving my sins and giving me eternal life.
Take control of the throne of my life. Make me the kind of person You want me to be.

Does this prayer express the desire of your heart? If it does, I invite you to pray this
prayer right now, and Christ will come into your life, as He promised.

Now that you have received Christ

On this web site:
Copyrighted 2007 by Bright Media Foundation and Campus Crusade for Christ.
All rights reserved. Used by permission.
Permission for use from the publishe

John MacArthur on Proverbs (Part 2) What does it mean to fear the Lord?

Over and over in Proverbs you hear the words “fear the Lord.” In fact, some of he references are Proverbs 1:7, 29; 2:5; 8:13; 9:10;14:26,27; 15:16 and many more. Below is a sermon by John MacArthur from the Book of Luke on 3 reasons we should fear the Lord.

What does it mean to fear the Lord? That is what John MacArthur looks at today. I really believe if I feared the Lord more then I would sin less. I am convicted about this and I hope to live a life in the future that will indicate to those around me that I am fearing the Lord.

John MacArthur

I remember hearing Dr. Adrian Rogers say that if he had to do it over again he would read from Proverbs every day to his kids. They turned out to be great kids and they were raised right. Nevertheless, if he had to do it over again he thought a more emphasis on Proverbs is the way to go. That is why I am spending so much time in Proverbs with my kids today.

John MacArthur does a great job on Proverbs and here is a portion of his sermon on Proverbs.

Now in this process of teaching there is one compelling over‑arching consummate summary lesson and that is that we are to teach them wisdom. The word which dominates the Proverbs is the word “wisdom.” Sometimes the word instruction appears, sometimes the word understanding appears, sometimes the word discretion appears. But all of those words are simply elements of wisdom…to know, to understand, to be instructed, to have discretion means to act in wisdom. Wisdom means not simply thought but conduct. It means to live righteously. We are to teach our sons spiritual wisdom is the noblest and greatest and purest pursuit of their life.

In chapter 1 verse 20 wisdom is shouting in the streets, wisdom is personified here. Wisdom is lifting up her voice in the square. She is crying out in verse 22 for people to turn away from being naive, scoffers who are fools and to turn to wisdom.

The call of the whole book of Proverbs is that call, a call to wisdom. In fact, in chapter 2, would you please notice, the call by wisdom comes at the end of chapter 1 as wisdom personified cries out and cries out for men to come to her. In chapter 2 then we find the father encouraging his son to seek wisdom. Verse 4, “If you seek her as silver and search for her as for hidden treasure, then you will discern the fear of the Lord and discover the knowledge of God, for the Lord gives wisdom, from His mouth come knowledge and understanding.” The father is saying pursue wisdom…pursue wisdom…pursue wisdom.

In chapter 8 the whole chapter is about pursuing wisdom, going after wisdom. Verse 11 says wisdom is better than jewels and all desirable things cannot compare with her. Again the pursuit of wisdom. And so, the overarching lesson that a father teaches his son is to pursue wisdom. And chapter 10 verse 1 says a wise son will make a father glad…a foolish son will be a grief to his mother.

We are then, fathers, responsible on this Father’s Day to rethink this priority of teaching our sons wisdom. And I would like us to look at these first ten chapters and just pick and choose the elements that are here that I think make up ten crucial lessons a faithful father must teach his sons. And I want to tell you from my own life that these are the things that I have endeavored as a father to teach my two sons. If a son learns these ten things, he will be a blessing to you and he will be blessed by God. If you want your son to be a blessing to you, to be blessed by God, to bless the culture in which he lives, these are the ten lessons that you must teach your son. The sum of them is spiritual wisdom. This is a listing of the component parts of spiritual wisdom.

Lesson number one, teach your son to fear your God…fear your God. In chapter 1 and verse 7, “The fear of the Lord is the beginning of knowledge,” and chapter 9 verse 10 says, “The fear of the Lord is the beginning of wisdom.” But everything starts with fearing God. Teach your son…”Son, fear your God.”

What do you mean fear? Well it has on the one hand a positive aspect, a reverential respect, a reverential awe. That means that I have to teach my son about God. I have to teach my son what God is like. I have to teach my son the attributes of God. I have to teach my son that God is powerful, that God is holy, that God is omniscient, omnipresent. I have to teach my son that God is immutable, his nature does not change, that He is just, that He is merciful, that He is kind, that He is loving, that He is gracious, that He is merciful, that He orders providentially all the circumstance of human history and the universe for His good, that He is a sovereign, in a word. I must teach my son to reverence the greatness of God.

And then the other side of it is I must teach my son to fear God’s displeasure…to fear God’s right to punish, God’s right to chasten, God’s right to judge. And in that awe of reverencing God’s holy character there is a healthy sense of apprehension because I know as a holy God He has a right to punish sin, including mine. If you want to do your son the greatest favor any father could ever do, teach him the character of God. Teach him what God is like. On the positive side, all of His attributes.

I remember when our children were little we took them through a book, Leading Little Ones To God which taught the attributes of God. We’ve always emphasized the attributes of God. They must know who their God is and they must learn to worship their God…that’s part of fearing Him. Teach your sons to worship. And you teach not only by what you say but by what you do. Do you worship faithfully on the Lord’s day? Are you consistent and faithful in worshiping the Lord? Are you here at the opening of the day in the morning and the closing in the evening service? Are you faithful to worship God in the Word yourself personally? Does your son look at you and see a true worshiper? Because whatever patterns of worship you have established for yourself, you have established for your son and he will likely establish for his son. What kind of legacy are you leaving?

And what about living in a healthy fear of God’s holy right to punish sin? Do you have that healthy fear? Do you understand that God has the right to punish you? Do you so live to avoid that?

Notice chapter 3 of Proverbs verse 5, this is really a description of a worshiping heart. “Trust in the Lord with all your heart and do not lean on your own understanding; in all your ways acknowledge Him and He will make your paths straight.” The point being that if I am completely focused on God, He’s going to guard my life, He’s going to straighten my path. I want to teach my son how to trust the Lord with all his heart. The word trust in the Hebrew originally meant to lie helplessly face down. And there’s a sense of humility there, but there’s also a sense of submission there to the total sovereign control of God in which the worshiper says I not only am humbled in Your presence but I bow in Your presence submissively to anything that You would choose to do, that’s how much I trust You. Teach your son to trust that way. Teach him not to lean on his own understanding. The Hebrew word does not mean to incline, it means to support yourself. Teach him not to support himself by his own wisdom but to support himself by God’s wisdom. In all your ways acknowledge Him. The word there means to be aware of, to know, to have fellowship with. In everything in life teach him to do it in union communion with the living God. Teach him how to trust God for everything. How to lean on God for support totally and how to be aware of God’s consistent presence in his life. And if he so lives with that kind of trust and that kind of leaning and that kind of acknowledging, God’s going to direct his path. Teach him to fear his God.

And I believe that when God is feared, so is sin…so is sin. Proverbs says fearing the Lord prolongs life. You want to give your son that kind of rich full life? Proverbs says fearing the Lord is more profitable than wealth, it brings about life. It keeps one from evil. It results in riches and honor and it breeds humility. Proverbs says that those who fear God sleep satisfied and are untouched by evil. They have confidence, they will be praised and they have their prayers answered. Would you like that for your son? Would you like to know that your son will have his life prolonged to its fullness? Would you like to know that he will be kept from evil, that he will be brought honor and riches? That he would be humble, untouched by evil? Satisfied, confident, praised and have his prayers answered? Then teach him to fear God. This is the most crucial lesson a father could ever teach a son.

_____________

FINAL QUESTION: WHAT DOES PROVERBS 3:5 MEAN?

“Trust in the Lord with all your heart and do not lean on your own understanding; in all your ways acknowledge Him and He will make your paths straight.”

After visit to Arkansas Cato’s Michael Cannon puts out new article

 

After a visit to Arkansas on March 19, 2013 the Cato Institute’s Michael Cannon published another article claiming that “To date, 34 states, accounting for roughly two-thirds of the U.S. population, have refused to create Exchanges. Under the statute, this shields employers in those states from a $2,000 per worker tax that will apply in states that are creating Exchanges (e.g., California, Colorado, New York). Those 34 states have exempted at least 8 million residents from taxes as high as $2,085 on families of four earning as little as $24,000. They have also reduced federal deficits by hundreds of billions of dollars.”

Here is the whole article below:

50 Vetoes: How States Can Stop the Obama Health Care Law

Despite surviving a number of threats, President Obama’s health care law remains harmful, unstable, and unpopular. It also remains vulnerable to repeal, largely because Congress and the Supreme Court have granted each state the power to veto major provisions of the law before they take effect in 2014.

The Patient Protection and Affordable Care Act (PPACA) itself empowers states to block the employer mandate, to exempt many of their low- and middle-income taxpayers from the individual mandate, and to reduce federal deficit spending, simply by not establishing a health insurance “exchange.” Supporters of the law do not care for this feature, yet they adopted it because they had no choice. The bill would not have become law without it.

To date, 34 states, accounting for roughly two-thirds of the U.S. population, have refused to create Exchanges. Under the statute, this shields employers in those states from a $2,000 per worker tax that will apply in states that are creating Exchanges (e.g., California, Colorado, New York). Those 34 states have exempted at least 8 million residents from taxes as high as $2,085 on families of four earning as little as $24,000. They have also reduced federal deficits by hundreds of billions of dollars.

The Obama administration is nevertheless attempting to tax those employers and individuals, contrary to the plain language of the PPACA and congressional intent, and to deny millions of Americans the opportunity to purchase low-cost, high-deductible coverage. Employers, consumers, and even state officials in those 34 states can challenge those illegal taxes in court, as Oklahoma has done. States can also block those illegal taxes—and even stop the federal government from operating an Exchange—by approving a strengthened version of the Health Care Freedom Act.

The PPACA’s Medicaid expansion, which would cost individual states up to $53 billion over its first 10 years, is now optional for states, thanks to the Supreme Court’s ruling in NFIB v. Sebelius. Some 16 states have announced they will not expand their programs, while half of the states remain undecided. Yet the Obama administration is trying to coerce states into implementing parts of the expansion that the Court rendered optional. States can replicate Maine’s lawsuit challenging this arbitrary attempt to limit the Court’s ruling.

Collectively, states can shield all employers and at least 12 million taxpayers from the law’s new taxes, and still reduce federal deficits by $1.7 trillion, simply by refusing to establish Exchanges or expand Medicaid.

Congress and President Obama have already repealed the third new entitlement program the PPACA created—the Community Living Assistance Services and Supports Act, or CLASS Act—as well as funding for the “co-op” plans meant to serve as an alternative to a “public option.” A critical mass of states exercising their vetoes over Exchanges and the Medicaid expansion can force Congress to reconsider, and hopefully repeal, the rest of this counterproductive law. Real health care reform is impossible until that happens.

 

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Obamacare is a poorly written and because of that the majority of states may never have to put into practice.   February 28, 2013 2:13PM ObamaCare Debate Challenge: Lawrence Wasden Edition By Michael F. Cannon Share Tweet Like Google+1 Congress empowered states to block major provisions of ObamaCare, including its subsidies and employer mandate. All [...]

Open letter to President Obama (Part 249)

Is Washington Bankrupting America

Robert Dick Wilson’s talk “Is the Higher Criticism Scholarly?” (part 3 of transcript) (Wilson looks at the Book of Daniel)

The Bible and Archaeology (4/5)

For many more archaeological evidences in support of the Bible, see Archaeology and the Bible . (There are some great posts on this too at the bottom of this post.)

 

Robert Dick Wilson at the Grove City Bible Conference in 1909.


IS THE HIGHER CRITICISM SCHOLARLY?Clearly attested facts showing that thedestructive “assured results of modern scholarship” are indefensible

By Robert Dick Wilson, Ph.D., D.D.

Professor of Semitic Philology in Princeton Theological Seminary[Originally Published in 1922] 


No Whit Different From Our Own Language To-day

We see that the Hebrew, just like the Aramaic, has embedded in it traces of the nations that influenced its history from 2000 B. C. to A. D. 1500, or indeed to the present time. The reader will compare this with the marks which have been left upon our American nomenclature by the different nations that have influenced its history. The native Indian appears in the names Massachusetts, Connecticut, Allegheny, Ohio, Mexico, Yucatan, and countless other terms. The Spanish appears in Florida, San Anselmo, Los Angeles, Vera Cruz, New Granada, and numerous appellations of mountains, rivers, and cities; the French, in Montreal, Detroit, Vincennes, Duquesne, Louisiana, St Louis, and New Orleans; the Dutch in Hackensack, Schenectady, Schuyler; the German, in Germantown, and Snyder County (Pennsylvania). Some of these languages have contributed, also, various words of common use such as moccasin, succotash, potato, maize, tomato, tomahawk, prairie, sauerkraut, broncho, and corral.

These languages have all left their mark, but the great directing, predominating, language and nation were the English, as shown not merely in our literature and laws, but also in such names as New Hampshire, Boston, New York, Albany, New Jersey, Pennsylvania, Pittsburgh, and the names of most of our cities, counties, and statesmen. But that the English received their laws largely from the Romans and Normans is evident in any law book or courtroom; that they received their religion from the Hebrews through the Greek and Latin churches is evident from the words we use everyday such as amen, hallelujah, priest, baptism, cathedral, bishop, chant, cross, resurrection, glory, and countless others.
 

Critics Undervalue the Totality of the Evidence

Thus the vicissitudes of the life of the English people for the last fifteen hundred years can be traced in the foreign words that have been taken over into its literature during that period. So also with the Hebrew people for the last four thousand years, and in the first part of sixteen hundred years no less that since that time. And in the study of the Hebrew literature in the light of the foreign elements that are embedded in it, we find that the truthfulness of the history is incidentally but convincingly confirmed. In each stage of the literature the foreign words in the documents are found to belong to the language of the peoples that the Scriptures and the records of the nations surrounding Israel unite in declaring to have influenced and affected the Israelites at that time. The critics of the Old Testament have never given sufficient weight to the totality of this evidence.

That the presence of Babylonian terms in the first chapter of Genesis points to a time when Babylonian influence was predominant, no one will dispute; but the same influence is manifest in the second chapter and also in Daniel. This influence can easily be accounted for in all three instances on the supposition that the contents of Genesis 1 and 2 were brought by Abraham from Babylon and that the book of Daniel was written at Babylon in the sixth century B. C.  While it might be accounted for in Genesis 1 if it were composed at Babylon during or after the exile, how can it have influenced Genesis 2, if, as the critics asset, it were written somewhere between 800 and 750 B. C.? How can we account for the Babylonian influence in Daniel if as the same critics assure us, it were written in Palestine in 164 B. C.?

Why Are Persian Words Missing in Critic-Belated Bible Books?

So of the Persian words. They are found especially in Chronicles, Ezra, Nehemiah, Esther, and Daniel, all ostensibly from the Persian period of world domination. According to analogy, this Persian domination accounts for their presence in these books. But how about their absence from Jonah, Joel, Job, the Psalms, the Song of Songs, the so-called Priest-Code of the Pentateuch and other writings which the critics place in the Persian period? Why especially should the Priest-Code have no Persian, and probably no Aramaic, words, if it were written between 500 and 300 B. C., in the very age and, as some affirm, by the very author of the book of Ezra? And why should the only demonstrably Babylonian words in this part of the Pentateuch be found in the accounts of the Creation and the Flood, which may so well have come with Abraham from Ur of the Chaldees? And how could the word for “kind” (min), an Egyptian word, have come to be used by the man who is supposed to have written this latest part of the Pentateuch in Babylon in the fifth century B. C.?

These and other similar questions that ought to be asked we may leave to the critics of the Old Testament to attempt to answer. They dare not deny the facts without laying themselves open to the charge of ignorance. They dare not ignore them without submitting to the charge of willful suppression of the facts in evidence.

But someone will say: How about the Greek words in Daniel? No one claims that there are any Greek words in the Hebrew of Daniel. In the Aramaic parts of Daniel there are three words, all names of musical instruments, which are alleged, not proved, to be Greek. It is more likely than not, I think, that they are of Greek origin, though no one of them is exactly transliterated. Assuming, however, that they are Greek, and waiving the question as to weather this part of the book was originally written in Hebrew, or Babylonian, and afterwards translated into Aramaic, there is no good reason for supposing that Greek musical instruments, retaining their original names though in a somewhat perverted form, may not have been used at the court of Nebuchadnezzar.
 

How Greek Words May Have Crept Into Daniel

It is known for a certainty that from the earliest times the kings and peoples of Babylon and Nineveh delighted in music. Now the Greeks, according to all their traditions and habits, both in war and worship, had practiced music at all periods of their history and far excelled all ancient peoples in their attainments in the art of music. We all know how readily musical instruments and their native names travel from land to land. We might instance the ukelele, the guitar, the organ, and the trumpet. The Greeks themselves imported many foreign musical instruments which retained their foreign names. From at least 1000 B. C. there was an active commerce between the Greeks and the Semites. Cyprus and Cilicia were subdued by the Assyrian kings; and Sennacherib about 700 B. C. conquered a Greek fleet and carried many prisoners captive to Nineveh. Assurbanipal received the homage of Gyges, king of Lydia, the neighbor and overlord of many Greek cities in Asia Minor.

Greeks had been settled in Egypt since long before the time of Assurbanipal and Nebuchadnezzar and served as mercenaries in the armies of the Egyptian kings of Nineveh and Babylon, and also in the army of Nebuchadnezzar himself. Thousands, perhaps, tens of thousands, of captive Greek soldiers would, according to the custom of those days, be settled in the cities of the Euphrates and Tigris valleys. And these valleys were filled with people who spoke Aramaic. The Greeks would mingle with them and, as in the case of the Jews at Babylon, the natives would ask of them a song; and they would sing their strange songs to the accompaniment of their native instruments. This is one way in which the instruments and their names could get into Aramaic long before the time when the Aramaic of Daniel was written. Another was through the slaves, both men and girls, who would certainly be brought from all lands to minister to the pleasures of the luxurious court of the Chaldean king.
 

Why Daniel May Have Used Persian Words

That Daniel may have used the so-called Persian words in a document dating from the latter part of the sixth century B. C. is manifest when we remember that the children of Israel from the kingdom of Samaria had been captive among the Medes for two hundred years before the time of the conquest of Babylon by Cyrus, and that the Jews had been carried to the banks of the Chebar and other localities where Aramaic was spoken nearly two generations before Daniel died. The Medes spoke a dialect of the Persian, and, having overthrown Nineveh in 606 B. C., had ruled over large numbers of Aramæan tribes on the upper Tigris ever since that time. Such Medo-Persian terms are found in Daniel, being mostly official titles like governor and names of persons, are the ones which would most readily be adopted by the subject nations, including the Aramæans and Jews. That the words satrap and Xerxes were taken directly from the Medo-Persian and not from the Greek is shown by the fact that the Hebrew and Aramaic spelling of these names in Daniel is exactly the equivalent of that in the original language and not such as it must have been if these words had been taken over indirectly through the Greek historians.

Before leaving this subject of language, attention must be called to two matters that the critics have made of supreme importance in their attempts to settle the dates of the documents of the Old Testament. The first matter is that of the value, as evidence of date of occurrence, of Aramaic words in a Hebrew document; and the second is the value, as evidence of date, of Hebrew words that occur but once, or at most a few times, in the Old Testament and that reoccur in the Hebrew of the Talmud.
 

Hebraisms in Aramaic, Not Aramaisms in Hebrew

As to the first of these, the so-called Aramaisms, the number of these has been grossly exaggerated. Many of the words and roots formerly called Aramaisms have been found in Babylonian records as early as Abraham. As to the remainder, many of them occur in the Old Testament but once. In view of the fact that there are about 1500 words used but once in the Old Testament, it is impossible to select some of these and call them Aramaisms, simply because they are used in Aramaic also. Hundreds of words in both Aramaic and Hebrew, and also in Babylonian and Arabic, have the same meaning irrespective of the number of times or the document in which they occur. According to the laws of consonantal change existing among the Semitic languages, not more than five or six Aramaic roots can be shown to have been adopted by the Hebrew form the Aramaic. These roots are found in what the critics class as early documents as well as in the later. Besides a large proportion of the words designated as Aramaisms do not occur in any Aramaic dialect except those that were spoken by the Jews. In all such cases the probability is that instead of the words being an Aramaism in Hebrew, it is a Hebraism in Aramaic. For the Hebrew documents in all such cases antedate the Aramaic by hundreds of years; and it is evident that the earlier cannot have been derived from the later.

Again the critics find words which they call Aramaisms not merely in the books which they assert to be late, but in those that according to their own dating, are the earliest. In this case without any evidence except their own theory of how it ought to be, they charge that the original text has been changed and the Aramaic word inserted. Such procedure is contrary to all the laws of evidence, fairness, and common sense. For there is no reason why the early documents of the Hebrews should not have contained linguistic marks of Aramaic influence. According to Genesis 31, Laban spoke Aramaic. David conquered Damascus and other cities where Aramaic was spoken and the Israelites have certainly been in continuous contact with Aramæan tribes from that time to the present. Sporadic cases of the use of Aramaic words would, therefore, prove nothing as to the date of a Hebrew document.
 

A Theory That Would Make All Documents Late

In the second place, critics who are attempting to prove the late date of a certain document are wont to cite the words in that document which occur nowhere else except possibly in another work claimed as being late, and in the Hebrew of the Talmud. Such evidence is worthy of being collected in order to show the peculiarities of an author, but it does not necessarily have anything to do with proving the date. For there are three thousand words in the Old Testament that occur five times only or under, and fifteen hundred that occur but once. Besides, such words occurring elsewhere in the Talmud are found in every book of the Old Testament and in almost every chapter. If such words were proof of the lateness of a document, all documents would be late; a conclusion so absurd as to be held by nobody.
 

Hebrew Literary Forms Duplicated in Babylon and Egypt

From the language of the Old Testament we naturally turn to the literature, in order to see if the literary forms in which the documents are written are such as we would expect to find in existence when the documents lay claim to have been written. Our only evidence here must be derived from comparative literature and contemporary history. Turning, then, to the vast body of the literatures of the Babylonians and Egyptians we find that in one, or both, of them is to be found every type of literary form that is met with in the literature of the Old Testament; except perhaps the discourses of the prophets. As no serious dispute of the date, or authorship, of the works of the prophets is made on the ground of mere literary form, the general statement will stand unimpeached; for poetry, history, laws, and biographies are all amply duplicated in form and style in the many productions of the great nations that surrounded Israel.
 

The Same True of Legal Forms

With regard to the laws it may be said that, not merely in the form in which the individual laws are stated, but also in the manner in which they are collected together in a kind of code, there was a pattern for the Israelites already existing at least from the time of Hammurapi, a contemporary of Abraham. This code of Hammurapi, it is true, deals almost entirely with criminal and civil laws such as we find in parts of Deuteronomy. But the plan of the tabernacle in Exodus 25-29 may be likened to the plans of the Babylonian temples which were placed in their foundation stones, to which Nebuchadnezzar Nabunaid so often refer. Laws similar to those concerning leprosy and other diseases have also come down from the old Sumerians. It is almost certain, also, that the elaborate ceremonies of the Egyptian and Babylonian temples must have been regulated by written laws, though thus far we have discovered no complete code treating of such matters.

That Moses with his education in all the wisdom of the Egyptians at 1500 B. C. might have produced the laws of the Pentateuch under the divine guidance seems beyond dispute. Lycurgus, Mohammed, Charlemagne, Peter the Great, and Napoleon have preformed similar feats without any special divine help. It does not follow that systems of law and constitutions were not written, or inaugurated, because they were never carried out nor permanently established. Theodoric and Alfred the Great and even Charlemagne organized governments which scarcely survived their demise. The critics are in the habit of stressing the fact that so little mention of the law is made in the period before Hezekiah, or even Josiah, and assert that the law of the Priest- code was not fully established before Ezra.

_______________

Is the Bible historically accurate? Here are some of the posts I have done in the past on the subject:


1. 
The Babylonian Chronicle
of Nebuchadnezzars Siege of Jerusalem

This clay tablet is a Babylonian chronicle recording events from 605-594BC. It was first translated in 1956 and is now in the British Museum. The cuneiform text on this clay tablet tells, among other things, 3 main events: 1. The Battle of Carchemish (famous battle for world supremacy where Nebuchadnezzar of Babylon defeated Pharoah Necho of Egypt, 605 BC.), 2. The accession to the throne of Nebuchadnezzar II, the Chaldean, and 3. The capture of Jerusalem on the 16th of March, 598 BC.

2. Hezekiah’s Siloam Tunnel Inscription.

King Hezekiah of Judah ruled from 721 to 686 BC. Fearing a siege by the Assyrian king, Sennacherib, Hezekiah preserved Jerusalem’s water supply by cutting a tunnel through 1,750 feet of solid rock from the Gihon Spring to the Pool of Siloam inside the city walls (2 Kings 20; 2 Chron. 32). At the Siloam end of the tunnel, an inscription, presently in the archaeological museum at Istanbul, Turkey, celebrates this remarkable accomplishment.

3. Taylor Prism (Sennacherib Hexagonal Prism)

It contains the victories of Sennacherib himself, the Assyrian king who had besieged Jerusalem in 701 BC during the reign of king Hezekiah, it never mentions any defeats. On the prism Sennacherib boasts that he shut up “Hezekiah the Judahite” within Jerusalem his own royal city “like a caged bird.” This prism is among the three accounts discovered so far which have been left by the Assyrian king Sennacherib of his campaign against Israel and Judah.

4. Biblical Cities Attested Archaeologically.

In addition to Jericho, places such as Haran, Hazor, Dan, Megiddo, Shechem, Samaria, Shiloh, Gezer, Gibeah, Beth Shemesh, Beth Shean, Beersheba, Lachish, and many other urban sites have been excavated, quite apart from such larger and obvious locations as Jerusalem or Babylon. Such geographical markers are extremely significant in demonstrating that fact, not fantasy, is intended in the Old Testament historical narratives;

5. The Discovery of the Hittites

Most doubting scholars back then said that the Hittites were just a “mythical people that are only mentioned in the Bible.” Some skeptics pointed to the fact that the Bible pictures the Hittites as a very big nation that was worthy of being coalition partners with Egypt (II Kings 7:6), and these bible critics would assert that surely we would have found records of this great nation of Hittites.  The ironic thing is that when the Hittite nation was discovered, a vast amount of Hittite documents were found. Among those documents was the treaty between Ramesses II and the Hittite King.

6.Shishak Smiting His Captives

The Bible mentions that Shishak marched his troops into the land of Judah and plundered a host of cities including Jerusalem,  this has been confirmed by archaeologists. Shishak’s own record of his campaign is inscribed on the south wall of the Great Temple of Amon at Karnak in Egypt. In his campaign he presents 156 cities of Judea to his god Amon. 

7. Moabite Stone

The Moabite Stone also known as the Mesha Stele is an interesting story. The Bible says in 2 Kings 3:5 that Mesha the king of Moab stopped paying tribute to Israel and rebelled and fought against Israel and later he recorded this event. This record from Mesha has been discovered.

8Black Obelisk of Shalmaneser III

The tribute of Jehu, son of Omri, silver, gold, bowls of gold, chalices of gold, cups of gold, vases of gold, lead, a sceptre for the king, and spear-shafts, I have received.”

View from the dome of the Capitol!9A Verification of places in Gospel of John and Book of Acts.

Sir William Ramsay, famed archaeologist, began a study of Asia Minor with little regard for the book of Acts. He later wrote:

I found myself brought into contact with the Book of Acts as an authority for the topography, antiquities and society of Asia Minor. It was gradually borne upon me that in various details the narrative showed marvelous truth.

9B Discovery of Ebla TabletsWhen I think of discoveries like the Ebla Tablets that verify  names like Adam, Eve, Ishmael, David and Saul were in common usage when the Bible said they were, it makes me think of what amazing confirmation that is of the historical accuracy of the Bible.

10. Cyrus Cylinder

There is a well preserved cylinder seal in the Yale University Library from Cyrus which contains his commands to resettle the captive nations.

11. Puru “The lot of Yahali” 9th Century B.C.E.

This cube is inscribed with the name and titles of Yahali and a prayer: “In his year assigned to him by lot (puru) may the harvest of the land of Assyria prosper and thrive, in front of the gods Assur and Adad may his lot (puru) fall.”  It provides a prototype (the only one ever recovered) for the lots (purim) cast by Haman to fix a date for the destruction of the Jews of the Persian Empire, ostensibly in the fifth century B.C.E. (Esther 3:7; cf. 9:26).

12. The Uzziah Tablet Inscription

The Bible mentions Uzziah or Azariah as the king of the southern kingdom of Judah in 2 Kings 15. The Uzziah Tablet Inscription is a stone tablet (35 cm high x 34 cm wide x 6 cm deep) with letters inscribed in ancient Hebrew text with an Aramaic style of writing, which dates to around 30-70 AD. The text reveals the burial site of Uzziah of Judah, who died in 747 BC.

13. The Pilate Inscription

The Pilate Inscription is the only known occurrence of the name Pontius Pilate in any ancient inscription. Visitors to the Caesarea theater today see a replica, the original is in the Israel Museum in Jerusalem. There have been a few bronze coins found that were struck form 29-32 AD by Pontius Pilate

14. Caiaphas Ossuary

This beautifully decorated ossuary found in the ruins of Jerusalem, contained the bones of Caiaphas, the first century AD. high priest during the time of Jesus.

14 B Pontius Pilate Part 2      

In June 1961 Italian archaeologists led by Dr. Frova were excavating an ancient Roman amphitheatre near Caesarea-on-the-Sea (Maritima) and uncovered this interesting limestone block. On the face is a monumental inscription which is part of a larger dedication to Tiberius Caesar which clearly says that it was from “Pontius Pilate, Prefect of Judea.”

14c. Three greatest American Archaeologists moved to accept Bible’s accuracy through archaeology.

Despite their liberal training, it was archaeological research that bolstered their confidence in the biblical text:Albright said of himself, “I must admit that I tried to be rational and empirical in my approach [but] we all have presuppositions of a philosophical order.” The same statement could be applied as easily to Gleuck and Wright, for all three were deeply imbued with the theological perceptions which infused their work.

“Music Monday” Moby

“The Next Three Days” Soundtrack – Be The One by Moby

Moby – Extreme Ways (The Bourne Ultimatum soundtrack)

I really enjoyed reading about Moby and his views on Christianity.

Moby

From Wikipedia, the free encyclopedia

 

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For other uses, see Moby (disambiguation).
Moby

Moby in 2009
Background information
Birth name Richard Melville Hall
Born (1965-09-11) September 11, 1965 (age 47)
Harlem, New York, U.S.
Origin Darien, Connecticut, United States
Genres Electronica, techno, electronic rock, alternative rock, trip hop, ambient, downtempo
Occupations DJ, singer-songwriter, musician, photographer
Instruments Turntables, keyboards, vocals, guitar, bass guitar, drums
Years active 1982–present
Labels Mute, V2, XL, Elektra, Instinct, Outer Rhythm, Virgin/EMI
Associated acts Vatican Commandos, UHF, Voodoo Child, Diamondsnake, Mylène Farmer
Website moby.com

Richard Melville Hall (born September 11, 1965),[1] known by his stage name Moby, is an American musician, DJ, and photographer. He is well known for his sample-based electronic music, vegan lifestyle, and support of animal rights. Moby has sold over 20 million albums worldwide.[2] Allmusic considers him “one of the most important dance music figures of the early ’90s, helping bring the music to a mainstream audience both in the UK and in America”.[3]

Moby gained attention in the early 1990s with his electronic dance music work, which experimented in the techno and breakbeat hardcore genres. With his fifth studio album, the electronica and house-influenced Play, he gained international success. Originally released in mid-1999, selling 6000 copies in its first week, it re-entered the charts in early 2000 and became an unexpected hit, producing eight singles and selling over 10 million copies worldwide.[4] Moby followed the album in 2002 with 18, which was also successful, selling over 5 million copies worldwide and receiving mostly positive reviews, though some criticized it for being too similar to Play.

His next offer, 2005′s mostly upbeat Hotel was a stylistic departure, incorporating more alternative rock elements than previous albums, and received mixed reviews. It sold around 2 million copies worldwide. After 2008′s dance-influenced Last Night (2008), he returned to the downtempo electronica of Play and 18 with 2009′s mostly-ambient Wait for Me, finding higher critical acclaim and moderate sales. Moby’s latest album Destroyed., was released on May 13, 2011.

Moby has also co-written, produced, and remixed music for The Smashing Pumpkins, Michael Jackson, David Bowie, Daft Punk, Brian Eno, Pet Shop Boys, Britney Spears, New Order, Public Enemy, Guns N’ Roses, Metallica, and others.[5]

Contents

 [hide

[edit] Biography

[edit] Early life and name

Hall was born in the Harlem neighborhood of New York City, the son of Elizabeth McBride (née Warner), a medical secretary, and James Frederick Hall, a chemistry professor.[6][7][8] He was raised by his mother in Darien, Connecticut.[9][10]

According to Hall, his middle name and the nickname “Moby” were given to him by his parents because of an ancestral relationship to Moby Dick author Herman Melville: “The basis for Richard Melville Hall—and for Moby—is that supposedly Herman Melville was my great-great-great-granduncle.”[11]

He has released music under the names “Voodoo Child”,[12] “Schaumgummi”,[13] and as a member of the bands Vatican Commandos, AWOL, Caeli Seoul, and Gin Train.[1]

[edit] Music career

Moby started playing music when he was nine years old, originally learning classical guitar and music theory, then piano and drums.[citation needed]

From 1982 to 1985, he played in a hardcore punk band called the Vatican Commandos, who released an EP called Hit Squad for God. He also played in a Joy Division-inspired post-punk group called AWOL who released an eponymous album in 1983. Circa 1988, Moby performed briefly with Ultra Vivid Scene. He can be seen playing guitar in UVS’ video for “Mercy Seat”, which appears on the band’s 1988 self-titled record.[citation needed]

After years of pursuing a record deal, he signed a recording contract with Instinct Records in 1989. During this time, Instinct Records “did not actually exist“, Moby stated in his 2005 iTunes Originals interviews. When he was signed, the company did not have a logo, name, or an office.[citation needed]

[edit] 1991–1993: “Go” and rise to fame

Moby’s first live solo performance was witnessed by future longtime manager Eric Härle, who later described the occasion to HitQuarters by saying: “The music was amazing, but the show was riddled with technical mishaps. It left me very intrigued and impressed in a strange way.”[14]

His first single for Instinct was “Mobility“, but it was the second single, “Go“, a progressive house track using the string line from “Laura Palmer’s Theme” from the TV drama Twin Peaks, which was his first breakthrough, reaching the UK top ten in October 1991 and earning him his first appearance on Top of the Pops.[14] Some of his other singles in 1992 and 1993 were “Next Is the E”, “Thousand”, and “Voodoo Child”.[1] It was when Moby started releasing records in the UK that he paired up with local-based manager Eric Härle.[citation needed]

In 1991 and 1992 he remixed The B-52s, The Prodigy, Orbital, Pet Shop Boys, Erasure, Michael Jackson, and Ten City.

In 1992 he toured with The Prodigy, Richie Hawtin, and John Acquaviva.[citation needed]

[edit] 1993–1998: Everything Is Wrong, Animal Rights, and I Like to Score

In 1993, Moby signed with Mute Records and released an EP entitled Move. This became his second appearance on Top of the Pops. During this time he also went on tour with Orbital and Aphex Twin in North America.[citation needed]

He then released his first album on Mute Records, Everything Is Wrong, in 1995. Early copies (in the UK and Germany at least) came with a special bonus CD called Underwater. This was a 43-minute five-track instrumental ambient CD. Everything Is Wrong earned early critical praise (Spin magazine named it “Album of the Year”)[15] and some commercial success. He followed this up in early 1996 with the double album Everything Is Wrong—Mixed and Remixed. In 1995, Moby headlined the second stage at Lollapalooza, playing alongside Beck, Sonic Youth, Hole, and Pavement.[citation needed]

Disillusioned by the lack of feedback he was receiving from the music media, who struggled to comprehend the artist’s new electronic music and refused to take it very seriously, Moby decided to release a punk rock album.[14] Released in 1996 Animal Rights included a cover version of Mission of Burma‘s “That’s When I Reach for My Revolver” and was followed by a tour of Europe with the Red Hot Chili Peppers and Soundgarden. The single “Come on Baby” from Animal Rights was Moby’s third Top of the Pops performance. It was notable for its very aggressive look and sound. Ironically, just as Moby decided to change direction, the electronic music he had moved away from started to gain recognition and popularity through artists like The Chemical Brothers and The Prodigy.[14] Also in 1996, Moby contributed the song “Republican Party” to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.

According to manager Eric Härle, the album almost ruined his career, because the new direction not only left audiences cold—with music media uninterested and his existing fan base largely alienated—but led to people being confused as to what kind of artist Moby really was.[14] Having wiped out all his early good work in establishing himself, Moby was left struggling for any kind of recognition and quickly became seen as a “has-been” in the eyes of a lot of people in the industry.[14]

In 1997, he released I Like to Score, a collection of his music that had been used in movies. Among those tracks were an updated version of “The James Bond Theme” used for the James Bond film Tomorrow Never Dies, and “New Dawn Fades” (a cover of Joy Division’s original) which had appeared without vocals in Michael Mann‘s film Heat.

Moby performs a rare DJ set at NASA Rewind March 4, 2004 in New York City

[edit] 1999–2004: Play, 18, and worldwide success

Moby’s success in the late 1990s led him to launch the Area One festival; he is seen here performing in 2001

In 1999, Moby released the album Play. The album had moderate sales after its release, but eventually went on to sell over ten million records worldwide a year later.[4] Every song on the album was licensed internationally to various films, advertisements, and TV shows, as well as independent films and non-profit groups. Moby performed three times on Top of the Pops with singles from the album. Play mixes songs from Alan Lomax‘s 1993 Atlantic recording Sounds of the South: A Musical Journey From the Georgia Sea Islands to the Mississippi Delta. For the song “Natural Blues”, Moby mixes “Trouble So Hard” from the Alan Lomax Sounds of the South compilation.[16]

In July 2001, Moby: PlaytheDVD was released. Produced by Moby and Jeff Rogers (Swell), the DVD was nominated for a 2002 Grammy award. The DVD included various sections: “Live on TV”, most of the music videos from the album (excluding “South Side” with Gwen Stefani), “Give An Idiot a Camcorder” (Moby was given a camcorder and the tape was later edited by Tara Bethune-Leaman), and an 88-minute “Mega Mix” of all the remixes created for the album. The “Mega Mix” was accompanied by visuals created in Toronto at Crush, led by director Kathi Prosser.[17]

In 2002 Moby released the follow-up to Play, 18, which earned gold and platinum awards in over 30 countries, and sold more than four million copies. Moby toured extensively for both Play and 18, playing well over 500 shows in the course of four years.[citation needed]

He founded the Area:One Festival in 2001, a popular touring festival that features an eclectic range of musical genres. The Area:One tour featured Outkast, New Order, Incubus, Nelly Furtado, Paul Oakenfold, and Moby himself. Area2 tour (2002) featured David Bowie, Moby, Blue Man Group, Busta Rhymes, and Carl Cox.

In the next few years, Moby co-wrote “Is It Any Wonder” with Sophie Ellis-Bextor, remixed the Beastie Boys, David Bowie, Nas and Metallica, produced and co-wrote the track “Early Mornin’” for Britney Spears‘ fourth studio album In the Zone, and collaborated with Public Enemy on “Make Love, Fuck War”, which was released prior to the 2004 U.S. presidential election. Moby also had his song “Extreme Ways” used in the Bourne movies. Although not a hit when it was released, “Extreme Ways” has gone on to become one of Moby’s most-downloaded songs.[citation needed]

In 2003, Moby headlined the Pyramid stage at Glastonbury. In 2004, he worked on the John Kerry presidential campaign, and also worked extensively with Liberal group MoveOn.org.[citation needed]

[edit] 2005–2008: Hotel, Last Night, and other work

Moby posing in Japan

In 2005, Moby released Hotel under the label Pacha. Instead of his relying on samples for vocals, all of the vocals and instruments were performed live in the studio, by Moby and vocalist Laura Dawn.

Hotel spawned two of Moby’s biggest European hits, “Lift Me Up” and “Slipping Away“, both of which were number 1 European singles.[citation needed] Hotel went on to earn gold and platinum awards in over twenty countries, with global sales of over two million copies.[citation needed]

In the UK, ITV used a specially remixed version of “Lift Me Up” as its Formula 1 coverage theme music.

In 2006, Moby also starred in the movie Pittsburgh, with Jeff Goldblum and Illeana Douglas.

In 2006, he accepted an offer to score the soundtrack for Richard Kelly‘s 2007 movie Southland Tales because he was a fan of Kelly’s previous film, Donnie Darko.

In 2007, he produced and performed on The Bongos‘ remake of “The Bulrushes”, for the Special Edition re-issue of their debut album, Drums Along the Hudson (Cooking Vinyl Records), and appeared in the promo video of the song.

In 2007, Moby also started a rock band, The Little Death, NYC, with his friends Laura Dawn, Daron Murphy, and Aaron A. Brooks.[citation needed] In 2008, Moby released Last Night, an eclectic album of electronic dance music inspired by a night out in his New York neighborhood (the Lower East Side). The singles from Last Night include “Alice“, “Disco Lies“, “I Love to Move in Here”, and “Ooh Yeah”. The album was recorded in Moby’s home studio in Manhattan, New York and features a number of guest vocalists, including Wendy Starland, MC Grandmaster Caz (one of the writers of “Rapper’s Delight“), Sylvia from the band Kudu, British MC Aynzli, and the Nigerian 419 Squad.[18]

From 2007 to 2008 he ran a series of New York club events titled “Degenerates”.[19][20]

In collaboration with The Sunday Times, Moby released an exclusive mix album titled A Night in NYC, which appeared on the newspaper’s cover. It was a compilation of Moby tracks spanning his career and included videos from his new album Last Night.

[edit] 2009–2010: Wait for Me

In a November 2008 interview with SuicideGirls, Moby spoke about the follow-up album to Last Night: “I want to make a really emotional, beautiful record. I don’t know if I will succeed, but my goal is to make something very personal, very melodic, very beautiful.”[21] On April 14, Moby confirmed that the album would be released on June 30.[22]

I recorded the album here in my studio on the lower east side (although ‘studio’ always seems like an overly grand word for a bunch of equipment set up in a small bedroom). In the past I’ve worked in large and small studios, but for this record I wanted to record everything at home by myself”, Moby said on his journal.[22] “I started working on the album about a year ago, and the creative impetus behind the record was hearing a David Lynch speech at BAFTA, in the UK. David was talking about creativity, and to paraphrase, about how creativity in and of itself, and without market pressures, is fine and good. It seems as if too often an artist’s, musician’s or writer’s creative output is judged by how well it accommodates the marketplace, and how much market share it commands and how much money it generates. In making this record I wanted to focus on making something that I loved, without really being concerned about how it might be received by the marketplace. As a result it’s a quieter and more melodic and more mournful and more personal record than some of the records I’ve made in the past.[22]

The album, titled Wait for Me, was released in June 2009.[23][24]

Moby performing at the David Lynch Weekend, Maharishi University of Management in Fairfield, Iowa, April 26, 08.

Moby and David Lynch discussed the recording process of the album on Lynch’s online channel, David Lynch Foundation Television Beta.[25] The first single off the album was “Shot in the Back of the Head“, and the video was directed David Lynch.[22] The single was available for free download from Moby’s website.

Ken Thomas, who had previously produced some Sigur Rós albums, mixed Wait for Me.[22] According to Moby,

mixing the record with him [Thomas] was really nice, as he’s creatively open to trying anything (like recording an old broken bakelite radio and running it through some broken old effects pedals to see what it would sound like. It’s on the record as a 45 second long track called “Stock Radio”). And as a geeky technical aside, we mixed the record using purely analog equipment in true stereo, akin to how records were mixed in the late ’60s, some of the songs sound pretty amazing in headphones, if I do say so myself…[22]

Moby toured for the album with a full band, something that occurred rarely during Moby’s Last Night promotion, except for selected festival performances.[26] Moby raised between $75,000 and $100,000 to help those affected by domestic violence[27] after all funding for the state’s domestic violence program was cut in July. To do this, he donated the profits from his upcoming shows in California (San Diego, San Francisco, and Los Angeles). Moby headlined the Australian 2009 Falls Festival,[citation needed] as well as the other Sunset Sounds festivals.[citation needed]

Moby played a minor role in Canadian black comedy film Suck, released in September 2009.

On February 22, 2010, Moby announced a UGC competition with Genero.TV asking his fans to create a videoclip, that will be serviced worldwide as the official videoclip for his upcoming single “Wait for Me”, the last single from the album. On April 19, Moby chose the winning videoclip out of 500 entries, “based on its creativity, production value, concept, and humor”.[28] The chosen videoclip, written and directed by Nimrod Shapira from Israel, portrays the story of a girl who decides to invite Moby into her life. She attempts to do so by using a book called How to Summon Moby Guide for Dummies, putting herself through 10 bizarre and comical steps (each is a tribute to a different Moby videoclip). The single was released on May 4, 2010.

In March 2010, Moby released a new single “Wait for Me”, the title track from the album. It was released on May 3, 2010.[29]

[edit] 2010–present: Destroyed.

Moby promoting the Destroyed. book and album at a performance and discussion in the Brooklyn Museum, 2011

In January 2010, Moby announced that he was to begin working on his next record. He said “the mood for this record will be more acoustic and less electronic than before”.[30]

On February 15, 2011, Moby announced the release of his new album, Destroyed. It was released on May 16, 2011.[31][32] A photography book with the same name was also released around the time of the album.[32] “Musically”, he said, “it’s very melodic and atmospheric and electronic, and if i had to sum it up i would describe it as: ‘broken down melodic electronic music for empty cities at 2 a.m’.” The album cover, which was released with the new information, was taken in LaGuardia Airport. It is a picture of a sign that reads ‘destroyed’, it’s used in the airport to notify passengers when the unclaimed baggage has been disposed of.[32] The album consists of 15 tracks, one of them previously featured on the compilation A Night in NYC, titled “Rockets”. Along with the album’s announcement came the release of the EP Be the One, which contains 3 of the tracks from Destroyed.[32] The EP was released for free for those who signed up for Moby’s mailing list.[31]The Day” is an English cover of “Bleu Noir” by Mylène Farmer. For the next single, Moby put a poll on his website for fans to choose which single should be released next, and it came to be “Lie Down in Darkness“.[33] So far, it has proved to be the most successful single from the album, charting on various dance charts and in Belgium.[citation needed] On August 30, Moby posted another request for the third official single, this time asking fans to say which should be next, without a poll.[34] After this, he announced the following day through his Twitter that the next singles are “After” and “The Right Thing”.[35]

[edit] Collaborations

Moby playing guitar with Joy Malcolm in 2008

Moby has collaborated live with many of his heroes while on tour or at fundraisers. He has performed “Walk on the Wild Side” with Lou Reed, “Me and Bobby McGee” with Kris Kristofferson, “Heroes” and “Cactus” with David Bowie, “Helpless” with Bono and Michael Stipe, “New Dawn Fades” with New Order, “Make Love, Fuck War” with Public Enemy, “Whole Lotta Love” with Slash, and “That’s When I Reach For My Revolver” with Mission of Burma.

He has performed two duets with the French singer Mylène Farmer (“Slipping Away (Crier la vie)” in 2006 and “Looking for My Name” in 2008) and produced seven songs on her eighth album, Bleu Noir, released on December 6, 2010.[36]

In 2007, he became one of the few well-known commercial artists to produce work for a video game, collaborating with DJ Oscar the Punk on all three tracks of The BioShock EP, included with limited edition copies of the Xbox 360 and PC game BioShock.

In 2012 he collaborated with Spain-based group Dubsidia, making dubstep and electro house.

[edit] Personal life

Teany, a tea store that Moby co-owned

Until around June 2009, Moby co-owned a small restaurant and tea shop called Teany, where he occasionally would wait tables. He also organized a group of artists known as the Little Idiot Collective. Moby lives a vegan lifestyle and supports animal rights.

In an interview with Psychology Today, Moby admitted that when he was 19, he tried LSD and began suffering from panic attacks. He claims that he no longer experiences them as frequently as he used to, but occasionally he will “have too much caffeine, be stressed out about work and be in a relationship that’s not going well, and it will happen again”. He is very open about this in an attempt to help fans who suffer from similar panic disorders.[37]

When asked about drugs, he responded: “I’m sort of a libertarian. People should be able to do what they want. I ultimately defer the wisdom to an adult to make their own choices. If someone wants to do drugs, I think it’s their own business and not the business of the state.”[38]Although Moby himself is a teetotaller who admitted in 2011 that “It’s one of the lowest depths of misery to be completely destroyed and hungover in an airport at 8am in the morning [sic] after a long rough night.”[39]

In my own strange way, I’m a Christian, in that I really love Christ, and I think that the wisdom of Christ is the highest, strongest wisdom I’ve ever encountered, and I think that his description of the human condition is about the best description or understanding of the human condition I’ve ever encountered… I wouldn’t necessarily consider myself a Christian in the conventional sense of the word, where I go to church or believe in cultural Christianity, but I really do love Christ and recognize him in whatever capacity as I can understand it as God. One of my problems with the church and conventional Christianity is it seems like their focus doesn’t have much to do with the teachings of Christ, but rather with their own social agenda. So that’s why I tend to be sort of outspoken about how much I dislike conventional cultural Christianity.

Animal Rights liner notes

In a 2003 BBC interview, Moby spoke about his encounter with the Gospels: “In about 1985 I read the teachings of Christ and was instantly struck by the idea that Christ was somehow divine. When I say I love Christ and love the teachings of Christ, I mean that in the most simple and naïve and subjective way. I’m not saying I’m right, and I certainly wouldn’t criticize anyone else’s beliefs.”[40] In an interview with Amazon.com, Moby said, “I can’t really know anything. Having said that, though, on a very subjective level I love Christ. I perceive Christ to be God, but I predicate that with the knowledge that I’m small and not nearly as old as the universe that I live in. I take my beliefs seriously for myself, but I would be very uncomfortable trying to tell anyone that I was right.”[41]

In a September 20, 2006 audio interview with Sojourners magazine, he says, “I read the New Testament, specifically the gospels and I was struck at their divinity, feeling that humans could not have figured this out on their own. We’re just not bright enough.”[42] He also discusses his faith on his own blog. On January 19, 2007, in his reaction to seeing Alexandra Pelosi‘s Friends of God, a film about evangelicalism in the United States, Moby writes, “The movie reminded me just how utterly disconnected the agenda of the evangelical Christian right is from the teachings of Christ.”[43] At times, he has been reluctant to use the word “Christian” to define himself, due to its ambiguity, but has self-identified as a Christian in interviews related to his faith.[44]

In March 2008, after Gary Gygax‘s death, Moby was one of several celebrities identifying themselves as former Dungeons & Dragons players.[45][46]

In March 2010, Moby made his debut as an author when Gristle: From Factory Farms to Food Safety (Thinking Twice About the Meat We Eat), a collection of essays from people in the food industry, was published.[47]

[edit] Charity

Moby has been active with left-wing politics throughout his career. He is seen here with Steve Buscemi, Arianna Huffington, and Lou Reed at a screening of the film Iraq for Sale: The War Profiteers.

Moby is an advocate for a variety of causes, working with MoveOn.org and The Humane Society, among others. His MobyGratis.com website, which licenses film music for free for non-profit and independent films, funnels proceeds[21] from films which do go on to produce revenue to The Humane Society. He created MoveOn Voter Fund’s Bush in 30 Seconds contest along with singer and MoveOn Cultural Director Laura Dawn and MoveOn Executive Director Eli Pariser. The music video for the song “Disco Lies” from Last Night has heavy anti-meat industrial themes.

He also actively engages in nonpartisan activism and serves on the Board of Directors of Amend.org, a nonprofit organization that implements injury prevention programs in Africa.[48]

Moby is a member of the Board of Directors of the Institute for Music and Neurologic Function (IMNF), a not-for-profit organization dedicated to advancing scientific inquiry on music and the brain and to developing clinical treatments to benefit people of all ages.[49] He has also performed on various benefit concerts to help increase awareness for music therapy and raise funds for the Institute. In 2004, he was honored with the IMNF’s Music Has Power Award for his advocacy of music therapy and for his dedication and support to its recording studio program.[citation needed].

He is an advocate of network neutrality and he testified before United States House of Representatives committee debating the issue in 2006.[50][dead link][51]

In 2007 Moby started a website called MobyGratis.com, designed for independent and non-profit filmmakers, film students, and anyone in need of free music for their independent, non-profit film, video, or short; it allows users to apply for free licences to use Moby music in their film. However, if a film is commercially successful, all revenue from commercial licence fees granted via MobyGratis is passed on to the Humane Society.[52]

In 2008, he participated in Songs for Tibet, an album to support Tibet and the current Dalai Lama Tenzin Gyatso.

In 2009, after hearing about California cutting its funding to domestic violence programs, Moby decided to donate the fees from his tour shows in L.A. and San Francisco to the California Partnership to End Domestic Violence Salement.[citation needed]

[edit] RIAA criticism

On June 20, 2009, Moby posted on his blog in response to the RIAA‘s decision to sue Minnesota suburban mother Jammie Thomas-Rasset for $2,000,000 for illegally downloading music from Kazaa. He called this “utter nonsense” and asserted that “the RIAA needs to be disbanded.”[53]

[edit] Essays

Many of Moby albums include essays that he has written himself in the inlay card. Everything Is Wrong had essays on over-consumption (“We use toxic chlorine bleach to keep our underpants white”) and U.S. religious leaders (“Why doesn’t the Christian right go out and spread mercy, compassion and selflessness?”), and End of Everything discussed being a vegan (“Could you look an animal in the eyes and say to it, ‘My appetite is more important than your suffering’?”). In “Animal Rights” Moby discussed the granting of basic rights in western society, and called for readers to grant such basic rights to homosexuals and animals. (“a long time ago only kings had rights. then rights were extended to property-owning white men. then all men. then women. then children. then the mentally retarded. now we’re agonizing over the extension of basic rights to homosexuals and animals.”)

He was interviewed by Lucy Walker for a chapter in Sound Unbound: Sampling Digital Music and Culture (The MIT Press, 2008) edited by Paul D. Miller a.k.a. DJ Spooky.

[edit] Photography

Moby has been a photographer since he was 10 years old, growing up around film and darkrooms.[54] Moby’s uncle was a photographer for the New York Times.[55]

In 2011, Moby released a book of photography entitled Destroyed. The books features the artist’s own images from his international tours.[56] An album with the same name was released in the same year.

Photography exhibitions
  • Samuel Owen Gallery, Greenwich, CT
  • Kopeikin Gallery, Los Angeles, CA
  • Photo LA, Los Angeles, CA
  • Irvine Contemporary, Washington D.C
  • CLIC Gallery, New York, NY
  • Brooklyn Museum, New York, NY
  • Art Basel, Miami, FL
  • Proud Camden, London, UK
  • MADE Gallery, Berlin, Germany
  • Galerie Alex Daniels, Amsterdam, Netherlands
  • A&Gallery, Ghent, Belgium
  • Colette, Paris, France
  • Colombo Arte Exhibition, Milan, Italy
  • L’Inde Le Palais, Bologna, Italy
  • Palazzo Delle Esposizioni, Rome, Italy
  • Werkstette, Copenhagen, Denmark
  • Ivory Press, Madrid, Spain

[edit] Discography

Main article: Moby discography
Studio albums
Videography
  • Play: The DVD (2001)
  • 18 B Sides + DVD (2003)
  • The Hotel Tour 2005 (2006)
  • Go: The Very Best of Moby (2006)
  • Go: A Film About Moby (2006)

[edit] Awards

“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 6)

Crimes and Misdemeanors: A Discussion: Part 3

Uploaded by on Sep 23, 2007

Part 3 of 3: ‘Is Woody Allen A Romantic Or A Realist?’
A discussion of Woody Allen’s 1989 movie, Crimes and Misdemeanors, perhaps his finest.
By Anton Scamvougeras.

http://camdiscussion.blogspot.com/
antons@mail.ubc.ca

______________

One of my favorite Woody Allen movies and I reviewed it earlier but I wanted you to hear from somone else:

Crimes and Misdemeanors

Reviewed by: H. Beau Baez, III
CONTRIBUTOR

Very Offensive
Moviemaking Quality:
 
Primary Audience:
Adult
Genre:
Comedy / Drama
Length:
1 hr. 47 min.

Starring: Bill Bernstein, Martin Landau, Claire Bloom, Stephanie Roth, Gregg Edelman, George Mason, Anjelica Huston | Director: Woody Allen | Writer: Woody Allen

This Woody Allen movie is one of his most thought provoking works. Humanistic pessimism is pervasive throughout the movie and shows “real life” in the non-Christian world. However, this movie’s lack of ultimate hope has led me to a deeper understanding for those with whom I come into contact.

This movie has several storylines that are interwoven by characters interacting with each other through their connections to the Manhattan Jewish community. Woody Allen plays the part of Cliff, an unsuccessful documentary film maker whose marriage is failing. Lester, Cliff’s brother-in-law (Alan Alda), is a successful Hollywood film producer that gives Cliff a break by letting him make a documentary of Lester’s life. However, Cliff’s insane jealousy of Lester leads Cliff to create a comic documentary showing a womanizing and power hungry Lester—Cliff is fired. Cliff also is thwarted at his attempt in an affair when Lester marries the woman Cliff is chasing.

The second story involves a crisis of faith for Judah (Martin Landau), a successful physician that had been reared as an orthodox Jew. After several years in an illicit affair, Judah’s mistress decides that she is going to expose the affair to Judah’s wife. Judah panics because he is convinced that his Jewish wife will leave him on the biblical grounds of adultery and that his privileged country-club life will end. Judah calls his shady brother Jack (Jerry Orbach) and they decide to murder the mistress. Judah’s crime causes him extreme anguish because he was taught “thou shalt not kill” and that murderers are always caught. When he is not caught he rejects his religious upbringing—his beliefs are shown to be superficial.

This movie reveals the daily thoughts and actions of those without Christ. There is one moment of violence in the movie when someone is murdered through strangulation. The movie leaves the viewer with the idea that people are not always punished for their evil deeds, since the movie seems to reject the Bible’s teachings on judgment (Hebrews 9:27 “And it is appointed unto men once to die, but after this the judgment”).

Year of Release—1989

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“Woody Wednesday” Discussion of Woody Allen’s 1989 movie “Crimes and Misdemeanors” (Part 4)

Crimes and Misdemeanors: A Discussion: Part 1

Uploaded by on Sep 23, 2007

Part 1 of 3: ‘What Does Judah Believe?’
A discussion of Woody Allen’s 1989 movie, perhaps his finest.
By Anton Scamvougeras.

http://camdiscussion.blogspot.com/
antons@mail.ubc.ca

_____________

One of my favorite films is this gem by Woody Allen “Crimes and Misdemeanors”:

Film Review

By Frederic and Mary Ann Brussat

 

Crimes and Misdemeanors
Directed by Woody Allen
MGM/UA 12/89 DVD/VHS Feature Film
PG-13 – adult situations

This film is a metaphysical comedy about how we conduct our lives in a time when many think the world is devoid of moral purpose. Woody Allen, who wrote, directed, and acts in the film, is joined by a repertory company of actors including Martin Landau, Sam Waterston, Anjelica Huston, Alan Alda, Mia Farrow, Claire Bloom, Jerry Orbach, Jenny Nichols, Joanna Gleason, and Caroline Aaron.

The story revolves around two men who, in the end, share their feelings briefly with each other at a wedding. Judah Rosenthal (Martin Landau) is a successful ophthalmologist and philanthropist whose mistress threatens to tell his wife about their two-year affair and his financial improprieties. When he conveys his dilemma to a rabbi, he is advised that honesty is always the best policy. But Judah’s brother, who has connections with the underworld, convinces him to have his mistress killed.

Meanwhile, Cliff Stern (Woody Allen) is making a documentary about his brother-in-law, a pompous television celebrity. Unhappily married, he falls in love with the associate producer. Convinced they are soul mates, Cliff shows her a serious film he’s working on about a philosopher concerned with values and the modern world.

Crimes and Misdemeanors starring Martin Landau

In his 19th film, Woody Allen provides a thought-provoking portrait of the amorality of our times when individuals are no longer troubled by guilt over their crimes and misdemeanors. Power, greed, and self-interest animate men and women who only worry about getting caught.

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“Music Monday” Chris Martin’s favorite song has a deep meaning

Uploaded by on Feb 28, 2009

Pre-VEVO play count: 22,581,204
Music video by The Verve performing Bitter Sweet Symphony.

________

At the 4.40 mark in the clip below Chris Martin identifies the best song ever written in his estimation:

What does the song mean? Here is a thought off the internet:

This song is about life, the title ‘Bittersweet Symphony’ refers to the ups and downs of life. The song deffinately has a great sense of irony about it, the lyrics, ‘try to make ends meet, your a slave to money till you die’ have a message of inevitablitiy about them.

The song furthers this idea of the inevitability of life with the lyrics, I’ll take you down the only road I’ve ever been down, you know the one that takes you to the places where all of ends meet yeah’. The ‘places’ in this case are the end of life or the end of the road in the metaphorical sense the song uses.

The ‘Bittersweet’ aspect can also be see in the lyrics, the singer often expresses hope citing music as an important factor in this ‘I let the melody shine let it clense my mind I feel free now’. However the ‘bitter’ aspect is always shown straight afterwards ‘but the airways are clean and theres nobody singing to me now’.

Essentially ‘Bittersweet Symphony’ is about the realisation that all life will end at some point and uses the metaphor of a road to express this.

_____________

 
I agree with the review above. It is true that life will end at some point. Chris Martin has written alot about this same subject and that is no doubt why he chose this song as the best ever written. (You will see below that the song “Dust in the Wind” by Kansas in 1978 also had the same final result of ‘Bittersweet Symphony.”)
‘Cause it’s a bittersweet symphony, this life
Try to make ends meet
Your a slave to money then you die
I’ll take you down the only road I’ve ever been down
You know the one that takes you
to the places where all the things meet yeahNo change,
I can’t change I can’t change, I can’t change
But I’m here in my mold, I am here in my mold
But I’m a million different people from one day to the next
I can’t change my mold
No, no, no, no, no

Well I never pray
But tonight I’m on my knees yeah
I need to hear some sounds
that recognize the pain in me, yeah
I let the melody shine, let it cleanse my mind,
I feel free now
But the airways are clean
and there’s nobody singing to me now

No change,
I can’t change I can’t change, I can’t change
But I’m here in my mold, I am here in my mold
And I’m a million different people from one day to the next
I can’t change my mold
No, no, no, no, no
I can’t change I can’t change

‘Cause it’s a bittersweet symphony, this life
Try to make ends meet
Try to find some money, then you die
I’ll take you down the only road I’ve ever been down
You know the one that takes you
to the places where all the things meet yeah

You know I can’t change, I can’t change
I can’t change, I can’t change
But I’m here in my mold, I am here in my mold
And I’m a million different people from one day to the next
I can’t change my mold
No, no, no, no, no
I can’t change my mold
no, no, no, no, no,
I can’t change

I’ll take you down the only road I’ve ever been down
I’ll take you down the only road I’ve ever been down
(It justs sex and violence melody and silence)
(Been down)
(Ever been down)
That you’ve ever been down
That you’ve ever been down

 

 

7/11

Chris Martin was brought up as an evangelical Christian but he left the faith once he left his childhood home. However, there are been some actions in his life in the last few years that demonstrate that he still is grappling with his childhood Chistian beliefs. Let us take look at a few verses in the Book of Romans chapter one and we will see how they are relevant to a song written by Coldplay.

On June 23, 2012 my son Wilson and I got to attend a Coldplay Concert in Dallas. It was great. I wish they had played “Cemeteries of London” at the Dallas concert since I like that song a lot. Let me show you two points from the Book of Romans:

God reveals Himself in two Ways 

Lets take a look at the lyrics from the song “Cemeteries of London:”

God is in the houses
And God is in my head
And all the cemeteries of London
I see God come in my garden
But I don’t know what He said
For my heart, it wasn’t open
Not open

Romans chapter one clearly points out that God has revealed Himself through both the created world around us  and also in a God-given conscience that testifies to each person that God exists.
Notice in this song that the song writer notes, “I see God come in my garden” and “God is in my head.” These are the exact two places mentioned by the scripture.  Romans 1:18-20 (Amplified version)

18For God’s [holy] wrath and indignation are revealed from heaven against all ungodliness and unrighteousness of men, who in their wickedness repress and hinder the truth and make it inoperative.

19For that which is known about God is evident to them and made plain in their inner consciousness, because God [Himself] has shown it to them.

20For ever since the creation of the world His invisible nature and attributes, that is, His eternal power and divinity, have been made intelligible and clearly discernible in and through the things that have been made (His handiworks). So [men] are without excuse [altogether without any defense or justification],(B)

Concerning these verses Francis Schaeffer said:

The world is guilty of suppressing God’s truth and living accordingly. The universe and its form and the mannishness of Man speak the same truth that the Bible gives in greater detail.

This is what Chris Martin is having to deal with and he  is clearly searching for spiritual answers but it seems he have not found them quite yet. The song “42“: “Time is so short and I’m sure, There must be something more.” Then in the song “Lost” Martin sings these words: “Every river that I tried to cross, Every door I ever tried was locked..”
Solomon went to the extreme in his searching in the Book of Ecclesiastes for this “something more” that Coldplay is talking about, but he found riches (2:8-11), pleasure (2:1), education (2:3), fame (2:9) and his work (2:4) all “meaningless” and “vanity” and “a chasing of the wind.” Every door he tried was locked.

Solomon is searching for the meaning of life in the Book of Ecclesiastes and that reminds me a lot of the search that Chris Martin is currently in.  By the way, the final chapter of Ecclesiastes finishes with Solomon emphasizing that serving God is the only proper response of man. My prediction: I am hoping that Coldplay’s next album will also come to that same conclusion that Solomon came to in Ecclesiastes 12:13-14:
13 Now all has been heard;
here is the conclusion of the matter:
Fear God and keep his commandments,
for this is the whole duty of man.

14 For God will bring every deed into judgment,
including every hidden thing,
whether it is good or evil.

Kerry Livgren of Kansas found Christ eventually after first trying some Eastern Religions. I remember telling my friends in 1978 when “Dust in the Wind” was the number 6 song in the USA that Kansas had written a philosophical song that came to the same conclusion about humanistic man as Solomon did so long ago and I predicted that some members of that band would come to know the Christ of the Bible in a personal way.

 You can hear Kerry Livgren’s story from this youtube link:

(part 1 ten minutes)

(part 2 ten minutes)

Coldplay – Cemeteries of London ( FULL VIDEO)

The brilliant video for Cemeteries of London. It’s the perfect mix between music and image, Coldplay sold around 8 million albums with Viva La Vida.

_________________________________________

Chris Martin of Coldplay unknowingly lives out his childhood Christian beliefs (Part 7 of notes from June 23, 2012 Dallas Coldplay Concert)

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Coldplay “paradise” Dallas Texas 6/22/12 ( Floor View ) Published on Jun 23, 2012 by ccam cher Awesome concert Coldplay brought confetti, lights and thousands of fans to the American Airlines Center; see photos from their colorful show Photo Gallery News Sports Lifestyles   Comments (0)   9/11 Chris Martin was brought up as an [...]

Chris Martin of Coldplay unknowingly lives out his childhood Christian beliefs (Part 4 of notes from June 23, 2012 Dallas Coldplay Concert)

Coldplay – In My Place (Live in Dallas) June 22 2012 Published on Jun 24, 2012 by maimiaa Coldplay performing at American Airlines Center in Dallas, TX Coldplay brought confetti, lights and thousands of fans to the American Airlines Center; see photos from their colorful show Photo Gallery News Sports Lifestyles   Comments (0)   [...]

Chris Martin of Coldplay unknowingly lives out his childhood Christian beliefs (Part 2 of notes from June 23, 2012 Dallas Coldplay Concert)

Coldplay – Mylo Xyloto/Hurts Like Heaven (Live) @ American Airlines Center Coldplay brought confetti, lights and thousands of fans to the American Airlines Center; see photos from their colorful show Photo Gallery News Sports Lifestyles   Comments (0)   2/11   Published on Jun 24, 2012 by Crwdickerson Coldplay Performing Mylo Xyloto/Hurts Like Heaven @ [...]

Clinton-Era Spending Levels is what we need

Will Taxing the Rich Fix the Deficit?

Published on Jul 2, 2012

The government’s budget deficit in 2009 was $1.5 trillion. Many have suggested raising taxes on the rich to cover the difference between what the government collected in revenue and what it spent. Is that a realistic solution? Economics professor Antony Davies uses data to demonstrate why taxing the rich will not be sufficient to make the budget deficit disappear. He says, “The budget deficit is so large that there simply aren’t enough rich people to tax to raise enough to balance the budget.” Instead, it’s time to work on legitimate solutions, like cutting spending.

___________

President Clinton is the favorite president that the Democrats want to talk about today but it seems they forget some of the details of what he actually did in office.

 

Fiscal Cliff: Clinton-Era Spending Levels, Anyone?

 

Romina Boccia

December 12, 2012 at 12:00 pm

Many are proposing that tax rates for upper-income earners go back to their levels during the Clinton Administration. What you don’t hear is how we can return to Clinton-era spending levels. That would be a real solution to the upcoming fiscal crisis, and the President could lead the way.

The President says he wants Clinton-era marginal tax levels for families and small businesses earning more than $250,000 a year ($200,000 for individuals). However, tax rates for these earners would actually go up much more because of Obamacare tax hikes already signed into law.

Never mind that this would slow growth and hurt job creation. And no, these tax hikes won’t balance the budget—not next year, not the year after, not ever. Under Obama’s budget, federal debt would continue growing by $7.7 trillion even if the President gets his favorite tax hikes.

The debate over tax hikes is just a distraction from what is really going on: Washington has a spending problem, not a revenue problem, and President Obama is at the helm. According to the White House Office of Management and Budget, President Obama’s two-term average spending level is projected at 23.4 percent of gross domestic product (GDP).

In comparison, President Clinton’s historical spending average was 19.9 percent of GDP. While revenues are set to return to historical average levels of over 18.1 percent as the economy slowly recovers, spending under current policy is projected to remain well above the historical average of 20.2 percent.

The solution to America’s spending-driven debt crisis is as clear as daylight: Lawmakers must cut spending today and in the future. The Heritage Foundation has a plan, Saving the American Dream, which shows how lawmakers can balance the budget in less than 10 years and reduce the debt by tackling the main drivers of federal spending—entitlements.

A recent paper by Heritage’s J. D. Foster and Alison Fraser draws upon the Heritage plan to present the President with some simple but profound common-sense reforms to programs such as Social Security and Medicare that he could pursue today:

[T]he President must adopt the mantle of leadership, rather than brinksmanship, to steer the nation away from the fiscal cliff and all that is set to follow, and he must start with spending. However, the critical silver lining is that simple, commonsense, and thoroughly vetted solutions…constitute a strong start on the journey to more complete programmatic reforms remedying acknowledged flaws in these programs, and they already enjoy broad support across the political spectrum.

Click here to see the full list of proposals to avoid the fiscal cliff and avert the upcoming fiscal crisis.

Open letter to President Obama (Part 190.1)

Johan Norberg – Free or Equal – Free to Choose 30 years later 5/5

Published on Jun 10, 2012 by

In 1980 economist and Nobel laureate Milton Friedman inspired market reform in the West and revolutions in the East with his celebrated television series “Free To Choose.”
Thirty years later, in this one-hour documentary, the young Swedish writer, analyst and Cato Institute Fellow Johan Norberg travels in Friedman’s footsteps to see what has
actually happened in the places Friedman’s ideas helped transform. In location after location Norberg examines the contemporary relevance of Friedman’s ideas in the 2011 world of globalization and financial crisis. Central to his examination are the perennial questions concerning power and prosperity, and the trade-offs between individual liberty and income equality.

___________

 

President Obama c/o The White House
1600 Pennsylvania Avenue NW
Washington, DC 20500

Dear Mr. President,

I know that you receive 20,000 letters a day and that you actually read 10 of them every day. I really do respect you for trying to get a pulse on what is going on out here.

If you want better cooperation among the countries then you better believe in free trade.

I have enjoyed reading this series of reviews by T. Kurt Jaros on Milton and Rose Friedman’s book “Free to Choose.” I hope you enjoy it as much as I did.

I have posted several transcripts and videos of the FREE TO CHOOSE film series on my blog. My favorite episodes are the “Failure of Socialism” and  “Power of the Market.” (This is the 1990 version but the 1980 version is good too.) Today with the increase of the welfare state maybe people should take a long look again at the episode “From Cradle to Grave.” 

Milton Friedman’s  view on vouchers for the schools needs to be heeded now more than ever too. “Created Equal” is probably the episode that I wanted you to see the most and I wrote several letters to you suggesting that.

T. Kurt Jaros is currently a Master’s student studying Systematic Theology at King’s College in London.  He holds a B.A. in Philosophy and Political Science cum laude and an M.A. in Christian Apologetics high honors from Biola University, an evangelical Christian university outside of Los Angeles.

He enjoys learning and thinking about theology, specifically historical theology, philosophical theology and philosophy of religion, and issues pertaining to monergism and synergism.  Additionally, he enjoys learning and thinking about political philosophy, economics, American political history, and campaigns.

The Tyranny of Controls: Part 2

T. Kurt Jaros on Economics

This is part of a series on Milton Friedman’s “Free to Choose.”

In my previous post I explained why the government should not regulate tariffs due to their harmful consequences toward consumers and innovation. This is part five of a series on Free to Choose by Milton Friedman. In the second chapter, Friedman writes on the role of government as it relates to trade. He makes a strong case for free trade, and specifically focuses on international trade.

Economic arrangements are attached to political arrangements among countries. “International free trade fosters harmonious relations among nations that differ in culture and institutions,” just as the same thing happens domestically at a smaller scale. Cooperation among the countries is the rule, and both sides end up happy if they believe they benefit. Otherwise the trade would not take place.

However, once government intervenes, problems begin to rise. If regulation occurs within a country, there is fierce lobbying between businesses to gain exemptions to regulations or for subsidies. The matter only gets worse when you consider trade agreements between two nations. If the government stayed out of regulation, there would be peace and harmony between the two businesses trading. Yet, instead, “high government officials jet around the world to trade conferences” and tension is developed. Instead of a completely private agreement between two companies, the collectivist bureaucrats of their countries represent the businesses.

It is then that the economic matters become political ones, and may even lead to deadly consequences: trade becomes a political weapon. Consider how our federal government uses trade agreements as leverage between Asian or South American countries. In my humble opinion, this just gives politicians another thing to keep busy about. They take time to have “hearings” that include irrelevant sources, use staffers to print up more paperwork and take time to find more politicians that can vote for their bill, etc. If there are no regulations, then there are no politicians wasting time and money harming the economy and diplomatic relations.

Friedman uses the section “Central Economic Planning” to provide historical evidence that wherever there is central economic planning, “ordinary citizens are in political fetters, have a low standard of living, and have little power to control their own destiny.” Consider the stark contrast between East and West Germany. These people were of the same heritage, same skills and same knowledge. But one side had to build a wall not to stop people from coming in, but to stop people from leaving. As Friedman was writing this book, the wall still existed! 

“Which [side] must man it today with armed guards, assisted by fierce dogs, minefields, and similar devices of devilish ingenuity in order to frustrate brace and desperate citizens who are willing to risk their lives to leave their communist paradise for the capitalist hell on the other side of the wall?”

We know too well where socialism and communism lead. Why can’t we see the reality that these philosophies are taking over our own country? In schools we’re taught that FDR’s New Deal was that great thing to help people get through the Great Depression. In reality, he was responsible for extending it. We’re taught that LBJ had this great vision for the Great Society and his war on poverty. In reality, he’s extended it. We think the Department of Education (signed into law by Jimmy Carter) is well intentioned.  Yet it is still central economic planning. That is socialism.

On the other side of the Berlin wall, there were brightly lit, not dull, stores. The streets were filled with cheerful people, not empty and quiet. The newspapers provided all sorts of opinions, not one. The buildings were nicely built, unlike on the other side, where “wartime destruction ha[d] not yet been repaired after more than three decades.” The beauty of our system of government is that we have something to say and can change the way our government regulates the economy. Although we may have to work through the political corruption, it’s possible to bring real change to the path of statism with an irate minority or by having that minority grow to become a majority.

________

Thank you so much for your time. I know how valuable it is. I also appreciate the fine family that you have and your commitment as a father and a husband.

Sincerely,

Everette Hatcher III, 13900 Cottontail Lane, Alexander, AR 72002, ph 501-920-5733, lowcostsqueegees@yahoo.com

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